Emma B
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So's Your Aunt Emma Aka Meet the Mob
Starring: Tristram Coffin , Lester Dorr , Warren Hymer , Gwen Kenyon , and Bud McTaggart
Director: Jean Yarbrough
Manufacturer: Alpha Video
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Similar Items:
- Crooked Circle
- Uncle Joe
ASIN: B0009OL8US
Release Date: 2005-07-27 |
Customer Reviews:
Comedy from poverty row.......2006-01-30
This is a Monogram Studio film from 1942, a strictly second feature lasting 62 minutes. It's mildly amusing; on the level of a Bowery Boys film from the same studio. Zasu Pitts, all of 44 years old, is the "old lady," Aunt Emma, and she plays the part well. This is a 2 1/2 on a scale of one to four: competent and watchable, but wholly forgettable. Douglas Fowley is in the film, one of his hundreds of "B" level movies.
Average customer rating:
- A LITTLE UNDERNOURISHED FOR MY TASTE
- Truly Human
- Wonderfully intimate!
- TAKE IT ON FAITH
- the best of the best
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Bach: Mass in B minor
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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Similar Items:
- Bach: Magnificat; Easter Oratorio
- Handel - Carmelite Vespers 1707 / Feldman · Kirkby · Van Evera · M. Cable · M. Nichols · Cornwell · Thomas · Parrott
- Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner
- Bach: Cantatas
- Handel: Messiah
ASIN: B00005RFSB
Release Date: 2002-12-23 |
Tracks:
- Missa: Kyrie: Coro: Kyrie Eleison
- Missa: Kyrie: Duetto: Christe Eleison
- Missa: Kyrie: Coro: Kyrie Eleison
- Missa: Gloria: Coro: Gloria In Excelsis Deo
- Missa: Gloria: Coro: Et In Terra Pax
- Missa: Gloria: Aria: Laudamus Te
- Missa: Gloria: Coro: Gratias Agimus Tibi
- Missa: Gloria: Duetto: Domine Deus
- Missa: Gloria: Coro: Qui Tollis Peccata Mundi
- Missa: Gloria: Aria: Qui Sedes Ad Dextram Patris
- Missa: Gloria: Aria: Quoniam Tu Solus Sanctus
- Missa: Gloria: Coro: Cum Sancto Spiritu
Tracks:
- Symbolum Nicenum: Coro: Credo In Unum Deum
- Symbolum Nicenum: Coro: Patrem Omnipotentem
- Symbolum Nicenum: Duetto: Et In Unum Dominum
- Symbolum Nicenum: Coro: Et Incarnatus Est
- Symbolum Nicenum: Coro: Crucifixus
- Symbolum Nicenum: Coro: Et Resurrexit
- Symbolum Nicenum: Aria: Et In Spiritum Sanctum
- Symbolum Nicenum: Coro: Confiteor
- Symbolum Nicenum: Coro: Et Expecto
- Sanctus: Coro: Sanctus
- Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Coro: Osanna In Excelsis
- Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Aria: Benedictus
- Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Coro: Osanna In Excelsis
- Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Aria: Agnus Dei
- Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem: Coro: Dona Nobis Pacem
Customer Reviews:
A LITTLE UNDERNOURISHED FOR MY TASTE.......2007-04-26
In my lifetime the number of performers deemed necessary to perform Bach's major choral works has shrunk from a fairly mammoth scale to almost nothing. Now, while I accept the authenticists' arguments about contemporary performing practice, I am still left with a niggling feeling that the sheer scale and grandeur of Bach's inspiration and conception has been short-changed by the rigorous, somewhat puritanical application of these theories. I am not pleading for a return to the serried ranks of the Huddersfield Choral Society in their heyday - those sort of numbers certainly do muddy the waters of Bach's thrilling counterpoint. Nevertheless, at the back of my mind lies a strong suspicion that at the back of Bach's mind when he was writing these works lay a sound that was fuller and richer than we get from Andrew Parrott and the leanest of forces on these discs of the great B Minor Mass. (I admit I am a little less worried as it applies to the Passions which could be argued to benefit from a more intimate scale - though even there the choruses for the `turba' seem a little sparse for a crowd baying for blood as in the `Kreuzige, kreuzige' chorus from the John Passion.)
Certainly we know that contemporaries like Handel would pretty much take as many singers as they could get for any given performance of their choral works. Pragmatism like that applied to performances from the time of the Tudor and Renaissance church composers and were still necessary even for the supremely demanding Wagner who was frequently seeking to fill out the string sections of his orchestras with extra players. Did Bach really conceive the grand moments of the Mass - the Gratias agimus, the Credo, the Sanctus or the final Dona nobis pacem - with such a lean choral sound in mind, despite the added glories of trumpets and drums? Even quieter moments like the wonderful, mystical harmonies of the Et incarnatus or the heartbreaking, shifting harmonies of the Crucifixus with its amazing cadence and transition to the burst of joy of Et resurrexit seem a bit undernourished with such a small group of singers.
Having said that, the singers here are an impressive array of specialist performers, led by the likes of Emma Kirkby, Rogers Covey-Crump and David Thomas. I certainly have no quibble with the use of `authentic' singing techniques in Baroque music. The additional purity of intonation, the lack of Romantic appurtenances that they bring to a performance benefits this kind of music no end. And these are all - even the altos of the Tolzer Boys' Choir - top-notch interpreters of this music. I'm a little less happy about the direction of Andrew Parrott, though. In his efforts to remain true to a performing practice that eschewed modern over-interpretation, he ends up being a little four-square and plain-Jane. Certainly compared to John Eliot Gardiner's classic recording for Archiv. There, I think, you will find the best of period performance. The choir is large enough to give the necessary gravitas to the grander movements. And there is terrific lift and ebullience to Gardiner's rhythms in the faster movements (e.g. the Gloria, Cum Sancto Spiritu, Et expecto, etc.) It's not a matter of tempi - they are, for the most part, pretty similar in both performances - it's a more a question of (dare I say) spirit.
In summary, I would still choose Gardiner as the performance I return to most. However, at such a seriously low price, the Parrott is worth exploring if you want to hear for yourself the strictest period performance theories put into practice.
Truly Human.......2005-12-17
Those who have read my previous reviews of baroque music might be very surprised that I'm enthusiastic about this release, as I have always leaned toward grand scale in these works, but as I get older (and hopefully wiser), I realise there are many convincing ways of performing these works. In particular, just because there is only one voice per part here doesn't mean that it is lacking something. I now feel it is possible to bring out Bach's cosmic vision with any size ensemble, what matters is that the performers (in particular the conductor) share Bach's vision, as Parrot clearly does here. What changed opened my mind about the performance of Bach's sacred works was realising that ensemble size does not make grandeur, but rather the size should correspond to the intimacy or lack thereof of the acoustic. An ensemble of this size in, say, Carnegie hall in summer would sound totally lackluster, because the acoustics would be insufficiently rich, whereas in the small, cold, highly resonant spaces that Bach performed in, one voice per part can sound totally appropriate. No matter what size group is used however, the performance will be lacking unless there is vision, and the artists here clearly posess it. The tempi and dynamics are very well judged, always natural and inherently musical, never sound like some artificial excercise. Comparing with Gardiner's contemporary release is very revealing, as I find the way Gardiner approaches this music to be completely stiff and mechanical, lacking totally in humanity. Ultimately what matters most of all is that the performance be a human one, and this certainly is.
Wonderfully intimate!.......2005-07-03
Amazing how one 'rotten apple' can drop this beautiful recording by a complete star! I will not reiterate the excellent positive reviews to date - the Rifkin & Parrott versions of this work are more likely what Bach heard in his own times; I also own the Gardiner version - yes, period instruments, recorded about the same time, but with a different approach, especially to the chorus. I'll likely keep both & listen to them together - cannot make a choice at the moment, but I do like the more intimate singing. I can see someone 'downrating' Parrott's interpretation by a star (may be two), but to rate it as one star is absolutely ridiculous - believe the other reviewers; plus, this is at a bargin price!
TAKE IT ON FAITH.......2005-05-22
This recording dates from Bach's tercentenary in 1985. I had been used all my life to the B minor Mass given the epic treatment - not on the Crystal Palace Handel Festival scale, but with a large orchestra and chorus. To this day I'm only partially convinced that the new one-voice-per-choral-line style is the only way the work can be done. What Bach allegedly `intended' doesn't seem to me to settle the issue - I suspect that if he had had any opportunity of any kind to give a performance he might have been quite flexible regarding its scale. This is true after all of much choral music of the time. Handel availed himself of big battalions when he could get them, and he had 500 performers for Zadok the Priest on one occasion, although that work makes its effect perfectly well with a small chorus. In general the pseudo-purist view that there is only one way of doing things was a later phenomenon. Had you known that nearly all the music of the B minor Mass is actually recycled from Bach's earlier works? There is a flaw somewhere in the romantic reasoning that so sublime a composition must have descended from on high, the composer swept along on a divine afflatus that dictated its unique perfection. Even the Sanctus itself, perhaps the greatest thing in a work where transcendental greatness seems the norm, dates from the composer's 30's. If the music itself was put together on such a mix-and-match basis, surely there can be more than one way of performing it.
What a scholarly interpretation like this ought to do for us is to make our minds more flexible and our receptivity to the music more adaptable. The scale of the forces employed really has nothing to do with the scale of the inspiration or of its impact on us. Beethoven's string quartets are not lesser works than his symphonies, and those in their turn can be highly effective on the piano, as Liszt shows in the case of Beethoven and as Brahms shows in his own corresponding works. The mightiest effects in the B minor mass, such as the very start or such as the Sanctus or such as the conclusion, cannot be reduced in scale in any adequate performance. The most that can be said is that a small ensemble makes large concert-halls less suitable for hearing and performing them. There are obvious compensations too. Bach's vocal writing is often extremely difficult, its basis in instrumental thinking providing a severe test for single voices and more severe still when a massed chorus has to try to make it distinct at any reasonable speed.
Such is the calibre of the experts, scholars and specialists in `ancient music' these days that it should not be hard for any of us to adapt to this type of performance, unfamiliar as it may be at first. Singers of the calibre we have here are not fatigued by the unremitting effort demanded of them, and the quality of their work stays at the highest level to the very end. Emma Kirkby's voice is of course highly distinctive, but if it doesn't suit you here it presumably wouldn't have suited you in a traditional reading of the work either. She and all the others combine superbly in the concerted numbers, and the tone of the period instruments is such as we have had time to get used to, surely, 20 years on from the time of the recording. No dawdling is allowed, but the tempi strike me as unlikely to give much problem even to conservative listeners, and there is really tremendous Bachian power and expressiveness in such numbers as the Crucifixus.
I'm prepared simply to take the `new' approach (new 20 years ago) on faith, and I didn't have to struggle to do that. Nor do I have any problem with how the B minor Mass, composed or compiled in the way it was, manages to be as transcendentally great as it does, because I simply do not ask myself such a question. For me it remains here as big a thing as it ever was. The recorded quality is not such as I might have wanted in Rimsky-Korsakoff or Mahler, but another extraordinary thing about this greatest (I often think) of all composers is that he can do with less in that respect as well without being in any way diminished.
the best of the best.......2005-01-11
Parrott and Rifkin's approaches, based on the theory of 'one singer per part', cultivate a different kind of taste in Baroque music. People who are used to large choirs might find their versions significantly lacking in grandeur and power at the first listening. But as I said, it's an acquired taste, and once the penetrating clarity of a smaller choir starts to set in, you'll find a completely different Bach, clean, crisp and full of vigour. A perfect antidote to those so called 'interpretations' and mawkish romanticism imposed on the true Baroque. Highly recommended.
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Emma Boston Terrier - Set Of 6 Ceramic Tile Coasters
Manufacturer: 3dRose LLC
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ASIN: B000LNYILI |
Product Description
Emma Boston Terrier Sweatshirt is commercial quality 9.3-ounce high resolution heat transfers garment. 50-50 cotton-poly NuBlend fleece, fully coverseamed, ribbed collar, cuffs and waistband with spandex, set-in sleeves. Our image transfer produces profes
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Van Eli Emma (Pudding)
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Product Features:
- Heel height 2 inches
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ASIN: B000EXAA8K |
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Sleek and refined, Van Eli's fashionable, pointed-toe dress
Average customer rating:
- Really good stories
- Why can't it be downloaded!
- My Favorite Episode
- AMAZON SUCKS
- Great Episode
|
Bikini Wax
Starring: Mark Harmon , Sasha Alexander , Michael Weatherly , Pauley Perrette , and David McCallum
Director: Stephen Cragg
ProductGroup: TV Series Episode
Binding: Video Download
Action & Adventure
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Similar Items:
- Bones
- CSI: Crime Scene Investigation
- Numb3rs
- CSI: Miami
- CSI: NY
ASIN: B000HZEQGW |
Customer Reviews:
Really good stories.......2007-06-12
I thought this series (Season 2) was well-written and well-acted. If you buy the episodes as I did, watch #22 last.
Why can't it be downloaded!.......2007-06-03
Hey- here's an idea, let's put a shw on the front page of our amazon unbox, and then when people go to download it, let's not have it be there.
Don't put the season finale of the show as being for download when it isn't.
My Favorite Episode.......2007-03-19
I don't have television, haven't for 11 years. When I learned CBS was allowing free viewing over the internet I checked it out and started watching episodes of CSI, CSI NY, CSI Miami, and NCIS. I found NCIS to be my favorite and this particular show Dead And Unburied is my favorite so far. I enjoy the light-heartedness of NCIS. So I decided to download this episode from Amazon Unbox.
I really wish Amazon Unbox would allow me to burn shows I've purchased. As it is they are restricted to viewing on my computer. When Unbox expands this service to allow me to burn DVDs I will likely purchase many more shows this way. I like selecting individual shows.
AMAZON SUCKS.......2007-03-18
I live in the UK and Amazon doesn't allow me to download ANY off the NCIS shows. This service should be open to all amazon users......!!!!!!!
Great Episode.......2006-12-03
This is the first episode where we really see the heart of Tony in his dealings with a teenager struggling with the horrible death of his father. A must see!
Average customer rating:
- PRIMARY INGREDIENT FOR THE SUCCESS OF THIS SERIES -- ITS CASTING.
- Pleasant, but only just that
- Not bad for an old flick
- Be Glad You're not a Patient in This Hospital
|
Dr. Kildare's Strange Case (B&W)
Starring: Lew Ayres , Lionel Barrymore , Laraine Day , Shepperd Strudwick , and Samuel S. Hinds
Director: Harold S. Bucquet
Manufacturer: Madacy Records
ProductGroup: Video
Binding: VHS Tape
Ayres, Lew
| ( A )
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Similar Items:
- The Secret of Dr Kildare
- Dr. Kildare - Double Feature #1
- Dinner at Eight
- Carole Lombard - The Glamour Collection (Hands Across the Table/ Love Before Breakfast/ Man of the World/ The Princess Comes Across/ True Confession/ We're Not Dressing)
- Fallen Angel (Fox Film Noir)
ASIN: 6303935168
Release Date: 1997-09-19 |
Customer Reviews:
PRIMARY INGREDIENT FOR THE SUCCESS OF THIS SERIES -- ITS CASTING........2006-11-01
For this fourth entry of the fifteen feature films in the much admired Dr. Kildare series, the regular assemblage of talented M-G-M supporting players enlivens a somewhat rambling plot, with acting honours shared by Lionel Barrymore as young Kildare's overseer, curmudgeonly Dr. Gillespie, and Laraine Day, cast as nurse Mary Lamont who has an eye upon James Kildare (Lew Ayres) as spousal material. James, diagnostic intern at "Blair General Hospital" finds he has a rival for Mary's affections in brain surgeon Gregory Lane (Shepperd Strudwick), whose losing streak of dying surgical subjects brings out the compassionate best from the eponymous hero who, clandestinely with Mary's aid, applies the sticky method of insulin shock (accepted at the time of filming as valid) to a Lane patient in order to correct his condition of dementia, possibly caused by Lane's procedure, while at the same time hoping to save the surgeon's waning reputation. The film was successful upon its release due to audience perception that a graphic depiction of the sanctum within a major hospital is being revealed; it benefits from splendid cinematography of John Seitz, and also the familiar sterling cast of the series including those mentioned as well as Frank Orth, Nat Pendleton and Samuel Hinds as the senior Kildare, in addition to a raft of other performing stalwarts.
Pleasant, but only just that.......2003-04-26
Lightweight, predictable (will the patient
with the mystery disease pull through? Will Kildare
hook up with the nurse?), hokey,
but not without some charm. Has some unintentionally
funny moments, and one can only thank God that
medical ethics have progressed since 1940
(that is if you believe the film accurately
reflects those of its period). Still, it's
reasonably entertaining, if not exactly classic
material.
The print used for the film in reasonably good
shape, except for some moderate damage at the reel
changes. Some rain lines, too, but very few scratches
or nicks. A couple of very minor video glitches.
The picture wasn't particularly sharp, but still
mostly OK. They could have put more effort into
the video transfer. The audio was decent.
In short a so-so transfer for a so-so
film. Still, when you take the price into consideration,
it's worth seeing....
Not bad for an old flick.......2002-10-27
I am a medical student collecting movies about the medical field. I enjoyed this movie for a couple simple reasons: It is full of amusing stereotypes, has some hilarious scenes on insulin shock therapy that would make a modern doc cringe, and Lionel Barrymore is a great actor! I think I will look for more movies with this funny old fellow.
The movie is about a Young Dr. Kildare (Lew Ayres) who is doing a residency at Blair General. He is in love with a nurse(Laraine Day) (of course!) and she can't stand the thought of not being married (my oh my), like the older Head Nurse of the hospital. Anyway, Dr. Kildare doesn't earn much as a resident (yup) so he figures he can't afford to get married right now. This little love story goes on around an incident with a Dr. Lane, a surgeon who is having bad luck with a string of dying patients. Dr. Kildare tries to save Dr. Lane's reputation by convincing the hospital that it isn't Dr. Lane's skills that are lacking. In the end, Dr. Kildare wins the admiration of the hospital, Dr. Lane, his residency director Lionel Barrymore), and of course the nurse.
Apparently there are 15 flicks about Dr. Kildare. This one is the 4th of 15. They follow the idealist young doctor as he emerges from medical school and eventually becomes an accomplished and confident doctor. I would like to see the other movies as well, but this is the only one on DVD right now.
Following the string of 15 movies, there was a t.v. series about Dr. Kildare that ran for a few years when t.v. was new.
Be Glad You're not a Patient in This Hospital.......2001-08-07
I watched all of the Dr. Kildare movies as a child, and I was surprised to find out that they weren't as good as I remembered them being. However, "Dr. Kildare's Strange Case" reminds me of a less complicated time when science seemed to hold all of the answers. Those who remember earnest young Dr. Kildare, crusty Dr. Gillespie, and pretty Mary Lamont will find this movie worth watching, just as old friends are still worth talking to, even when we've outgrown them. The plot is rather absurd--a patient goes insane after brain surgery, and the surgeon (who has recently had a lot of patients die) is blamed. Aided and abetted by his girlfriend, Mary Lamont, Dr. Kildare induces insulin shock in the patient (not considered a valid treatment for years, but don't blame the scriptwriters--at that time it was). Miraculously, the patient survives and the brain surgeon is exonerated. Even more miraculously, Dr. Kildare and Mary Lamont escape charges of attempted murder and even keep their jobs.
Average customer rating:
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Nursing bra with zip cups 40B/White
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| Women
| Departments
| Apparel
Activewear
| Women
| Departments
| Apparel
| Base Layer & Underwear
| Outerwear
| Pants
| Shorts
| Skirts, Skorts & Dresses
| Sports Fan Apparel
| Sweatshirts, Pants & Suits
| Swimwear
| Tops
| Track Suits
Activewear
| Juniors
| Teens
| Departments
| Apparel
| Base Layer & Underwear
| Outerwear
| Pants
| Shorts
| Skirts, Skorts & Dresses
| Sports Fan Apparel
| Sweatshirts, Pants & Suits
| Swimwear
| Tops
| Track Suits
Athletic
| Bras
| Lingerie
| Intimate Apparel
| Juniors
| Teens
| Departments
| Apparel
| Bra Tops
| Sports Bras
Nursing
| Bras
| Lingerie
| Intimate Apparel
| Juniors
| Teens
| Departments
| Apparel
Underwire
| Bras
| Lingerie
| Intimate Apparel
| Juniors
| Teens
| Departments
| Apparel
Maternity
| Special-Size Boutiques
| Specialty Stores
| Apparel
Maternity
| Women
| Apparel
| Categories
| Sports & Outdoors
Underwear
| Women
| Apparel
| Categories
| Sports & Outdoors
| Boxers
| Briefs
| Long Underwear Bottoms
| Long Underwear Tops
| Seamless Underwear
| Sports Bras
| T-Shirts & Tanks
| Other Underwear
DD+ Styles
| Bras
| Women's Intimate Apparel
|
FF+ Styles
| Bras
| Women's Intimate Apparel
|
Maternity
| Bras
| Women's Intimate Apparel
|
Maternity Bras
| Maternity Lingerie
| Women's Intimate Apparel
|
Nursing Bras
| Maternity Lingerie
| Women's Intimate Apparel
|
Nursing
| Bras
| Maternity
|
Maternity
| Bras
| Maternity
|
ASIN: B00009Z79F |
Customer Reviews:
Comfortable Bra.......2006-06-20
This is a very comfortable bra. It has great coverage. The zip cups are different, and I like the idea. However, they are definitely not one hand friendly. I need both hands to manuever the zipper around the cup. That's not always easy when holding a baby. Otherwise, this is a great bra.
Average customer rating:
|
Gina B. "Emma" Eclectic Note Cards (Box of 8 Notes, 8 Wraps and 8 Patterend Envelopes) (Pack of 2)
Manufacturer: Gina B
ProductGroup: Health and Beauty
Binding: Health and Beauty
Note Cards & Postcards
| Blank Card Products
| Paper, Forms & Envelopes
| Office Supplies
| Categories
| Office Products
Products
| Health & Personal Care
| Health Care
| Household Supplies
| Nutrition & Fitness
| Personal Care
| Food & Snacks
| Baby & Child Care
| Sexual Wellness
| Health & Personal Care Outlet Store
Refinements
| Groceries
| Brand
| Price
| Specialty
Office Supplies
| Household Supplies
| Categories
| Groceries
| Erasers
| Fine Writing Instruments
| Highlighters
| Markers
| Note Pads
| Pencil Sharpeners
| Pencils
| Pens
| Scissors
| Tape & Adhesives
Product Features:
- Box of 8 Notes, 8 Wraps and 8 Patterend Envelopes
- Blank Inside
ASIN: B000OUZ4QG
Release Date: 2007-03-26 |
Models:
- Estella Warren
- Eva Herzigova
- Frederique
- Gail Porter
- Gisele Bundchen
- Heather Kozar
- Heidi Klum
- Jaime Walters
- James King
- Kate Moss
Models
Models