Krebs: Clavier-Übung

On this CD:

1. Chorale for organ, "Allein Gott in der Höh sei Ehr"
Composed by Johann Ludwig Krebs
Performed by William Porter

2. Chorale for organ, "Wer nur den lieben Gott lässt walten"
Composed by Johann Ludwig Krebs
Performed by William Porter

3. Chorale prelude for organ "Jesu, meine Freude"
Composed by Johann Ludwig Krebs
Performed by William Porter

4. Chorale for organ, "Christ lag in Todesbanden"
Composed by Johann Ludwig Krebs
Performed by William Porter

5. Chorale for organ "Ach Gott, vom Himmel sieh darein" (with Cantus firums in Alt)
Composed by Johann Ludwig Krebs
Performed by William Porter

6. Chorale for organ, "Auf meinen lieben Gott"
Composed by Johann Ludwig Krebs
Performed by William Porter

7. Chorale for organ, "Vater unser im Himmelreich"
Composed by Johann Ludwig Krebs
Performed by William Porter

8. Chorale for organ, "Sei Lob und Ehr dem höchsten Gut"
Composed by Johann Ludwig Krebs
Performed by William Porter

9. Chorale for organ ("Was Gott tut, das ist wohlgetan")
Composed by Johann Ludwig Krebs
Performed by William Porter

10. Chorale prelude for organ "Erbarm dich mein, o Herre Gott"
Composed by Johann Ludwig Krebs
Performed by William Porter

11. Chorale for organ ("Von Gott will ich nicht lassen")
Composed by Johann Ludwig Krebs
Performed by William Porter

12. Chorale for organ, "Warum betrübst du dich, mein Herz"
Composed by Johann Ludwig Krebs
Performed by William Porter

13. Chorale for organ, "Jesus, meine Zuversicht"
Composed by Johann Ludwig Krebs
Performed by William Porter

14. Chorale for organ ("Herzlich lieb hab ich dich, o Herr")
Composed by Johann Ludwig Krebs
Performed by William Porter

15. Chorale for organ ("Von Gott will ich nicht lassen")
Composed by Johann Ludwig Krebs
Performed by William Porter

Customer Reviews:

Bach Organ Works - Helmut Walcha.......2007-01-05

I never thought I would like Bach's organ works as they can be dense and daunting. However, if you can get onto Bach's wavelength, he can transport you to an electric cosmos of beauty and enlightenment. I was given a collection of Bach organ LPs by Helmut Walcha some time ago. My friend said that Germans regard Walcha as the premier interpreter of this music. He certainly knows how to play the organ and this music soars in his hands. This music is more varied than most people imagine. Some is extremely simple and delicate while some crushes your brain! I have always loved Archive recordings and these did not disappoint!

Glorious.......2006-07-01

Helmut Walcha was named my TIME as "the" Bach interpreter for organ. I think that is true more than ever today with all the influences of the French Romantic school, the slam-dunk American style and the avant garde crowd. The recording has a German sound, quintessentially Teutonic in both style and approach. While Bach sounds different and even magnificient on an Aristide Cavaillé-Coll organ it does not sound authentic - or as we perceive authenticity.

The fact that the artist is blind(!) means that unlike other folks who can use the music as aids, he must rely on his phenomenal memory. This is truly the stuff of genius. The sonatas are brilliant and I have never heard a better B Minor Prelude & Fugue. I only with that his stupendous "Kunst der Fuge" could have been transferred from record to CD.

Religious experience........2006-03-04

This set of many Bach's Organ works by Helmut Walcha is, in my opinion, the greatest recording of these immortal treasures. There are almost all of Bach's Preludes and Fugues for organ, as well as many fantasias, miscallenous works and his chorals for this instrument. Walcha plays with utmost respect to the original scores, his playing is clear and powerful. Many other organists have allowed themselves quite a bit of experiment with these pieces (likes of Ton Koopman are over the top), but in the end, i've always came back to Walcha's renditions. If you want to treat yourself with some of the greatest music ever written, then get this rare set! Bach's organ music can be challenging at first, especially the fugues, and many of my friends have complained that they hear nothing else than noise in these pieces. I suppose you have to have listened this kind of music for quite some time, before you can wholly appreciate these unique pieces. But once you have, you find a world full of riches and wonder, world which only Bach can bring you. And this is a world i wouldn't change for any riches in the world.

A real bargain at under $100.......2005-12-20

It is hard to express in words what an incredible achievement this is. The immense feats of memory alone, demanding far greater efforts than sighted performers face, command our respect. So does the consistent quality of Walcha's playing.

Bach's almost mathematical absorbtion with fugue lies at the centre of his genius. He was an organist first and foremost, an organist all his life. Like Bach, Walcha is an obsessive controller who uses music to shape his world. He treats each piece as a treasure to be cherished and burnished, and this makes him the greatest Bach organist since Schweitzer. We are told that Bach would travel miles to hear great organists perform, and Helmut Walcha is just such an organist as those.

The magnificent instrument used here is celestial in tone. To those for whom Bach fugues conjure up images of Christopher Lee playing Dracula, or dull Sundays in church, here is one of the great achievements of Western civilization, a glittering pinnacle of Baroque art, performed by a great modern spirit, in one handy box. You can't have Michaelangelo ceilings in your home, or Bernini bronzes in your living room, but by golly, you can put this on your stereo.

Heavenly music.......2005-02-23

I'm not a big organ music fan- maybe it's because it reminds this atheist too much of church! But the music here by Bach, and especially the playing by Walcha are just fantastic. I was dubious that I could find interest in 11 CDs of organ music, but I'm enthralled by every minute of each disc. A wonderful bargain!

Average customer rating:

The royal music!

Organ Works Complete
Johann Sebastian Bach , and Christopher Herrick
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00006L3WC
Release Date: 2002-11-12

Customer Reviews:

The royal music!.......2003-11-05

Organ king's music performed by a prominent organist at his best on ones of the best organs in the world!

Average customer rating:

Krebs: Clavier-Übung

Manufacturer: Loft Recordings
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00005NHNJ
Release Date: 2001-08-07

Tracks:

Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Preambulum
Choral
Choral Alio Modo
Herzlich Lieb Hab Ich Dich, O Herr
Von Gott Will Ich Nicht Lassen

J.S. Bach: Complete Works for Organ (Box Set)

Average customer rating:

Complete set CD review of Bach
The Definitive Collection of Bach
Absolutely wonderful!
Monumental Artistry
A Happy Sacrifice

J.S. Bach: Complete Works for Organ (Box Set)

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Bruckner: The Complete Symphonies
Schubert: The Piano Sonatas
Bach: The Art of Fugue; Musical Offering
Mendelssohn: 5 Symphonies; 7 Overtures
Bach - The Complete Brandenburg Concertos / Pearlman, Boston Baroque

ASIN: B000005ECW
Release Date: 1994-10-04

Tracks:

Prld & Fuge in e, BWV 548: Praludium
Prld & Fuge in e, BWV 548: Fuge
Choral: An Wasserflussen Babylon..., BWV 653
Choral: Von Gott will ich nicht lassen..., BWV 658
Choral: Schmucke dich, o liebe Seele..., BWV 654
Prld & Fuge in b, BWV 544: Praludium
Prld & Fuge in b, BWV 544: Fuge
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Sopran, BWV 662
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Tenor, BWV 663
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Trio, BWV 664

Tracks:

Toccata (Dorisch) & Fuge in d, BWV 538: Toccata
Toccata (Dorisch) & Fuge in d, BWV 538: Fuge
Orgelbuchlein, BWV 618: O Lamm Gottes unschuldig
Orgelbuchlein, BWV 619: Christe, du Lamm Gottes
Orgelbuchlein, BWV 620: Christus, der uns selig macht
Orgelbuchlein, BWV 621: Da Jesus an dem Kreuze stund
Orgelbuchlein, BWV 622: O Mensch, bewein' dein' Sunde gro
Orgelbuchlein, BWV 623: Wir danken dir, Herr Jesu Christ
Orgelbuchlein, BWV 624: Hilf Gott, damir's gelinge
Prld & Fuge in g, BWV 535: Prld
Prld & Fuge in g, BWV 535: Fuge
Orgelbuchlein, BWV 625: Christ lag in Todesbanden
Orgelbuchlein, BWV 626: Jesus Christus, unser Heiland
Orgelbuchlein, BWV 627: Christ ist erstanden (3 vers)
Orgelbuchlein, BWV 628: Erstanden ist der heil'ge Christ
Orgelbuchlein, BWV 629: Erschienen ist der herrliche Tag
Orgelbuchlein, BWV 630: Heut' triumphiret Gottes Sohn
Toccata & Fuge in C, BWV 566: Toccata
Toccata & Fuge in C, BWV 566: Fuge
Orgelbuchlein, BWV 631: Komm, Gott Schopfer, heilieger Geist
Orgelbuchlein, BWV 632: Herr Jesu Christ, dich zu uns wend

Tracks:

Prld & Fuge in C, BWV 545: Prld
Prld & Fuge in C, BWV 545: Fuge
Fuge in G, BWV 577
Prld & Fuge in d, BWV 539: Prld
Prld & Fuge in d, BWV 539: Fuge
Choral: Wo soll ich fliehen hin, BWV 694
Partita sopra: O Gott, du frommer Gott, BWV 767
Choral: Wir Christenleut hab'n jetzund Freud, BWV 710
Alla Breve in D, BWV 589
Canzona in d, BWV 588
Fuge in c, BWV 575
Fuga sopra il Magnificat: Meine Seele erhebet den Herren, BWV 733
Kleines harmonisches Labyrinth (Introitus, Centrum, Exitus), BWV 591
Prld & Fuge in a, BWV 551: Prld
Prld & Fuge in a, BWV 551: Fuge

Tracks:

Prld & Fuge in e, BWV 533: Prld
Prld & Fuge in e, BWV 533: Fuge
Chorale: Nun freut euch, lieben Christen g'mein, BWV 734
Chorale: Liebster Jesu, wir sind hier, BWV 730
Chorale: Liebster Jesu, wir sind hier, BWV 731
Chorale: In dulci jubilo, BWV 729
Chorale: Herzlich tut mich verlangen, BWV 727
Prld & Fuge in C, BWV 531: Prld
Prld & Fuge in C, BWV 531: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV726
Chorale: Allein Gott in der Hoh'sei Ehr' (Bicinium), BWV 711
Chorale: Allein Gott in der Hoh'sei Ehr', BWV 715
Chorale: Fuga super Allein Gott in der Hoh' sei Ehr', BWV 716
Chorale: Allein Gott in der Hoh' sei Ehr' (manualiter), BWV 717
Chorale: Christ lag in Todesbanden, BWV 718
Chorale: Ach Gott und Herr (per canonem), BWV 714
Fantasia con imitazione in b, BWV 563
Chorale: Gelobet seist du, Jesu Christ, BWV 722
Chorale: Gottes Sohn ist kommen, BWV 724
Chorale: Jesus, meine Zuversicht, BWV 728
Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 732
Chorale: Vater unser im Himmelreich, BWV 737
Chorale: Vom Himmel hoch, da komm'ich her, BWV 738
Chorale: Wie schon leuchter der Morgenstern, BWV 739
Chorale: Wir glauben all' an einen Gott, BWV 765
Chorale: Herr Gott, dich loben wir, BWV 725

Tracks:

Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV 709
Chorale: Liebster Jesu, wir sind hier, BWV 706 (1+2)
Chorale: Erbarm' dich mein, o Herre Gott, BWV 721
Chorale: Wer nur den lieben Gott la walten, BWV 690
Chorale: Wer nur den lieben Gott la walten, BWV 691
Chorale: Christ lag in Todesbanden, BWV 695
Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Partita: sopra Christ, der du bist der helle Tag, BWV 766
Sieben Fughetten Fur Die Weinachtszeit: Christum wir sollen loben schon, BWV 696
Sieben Fughetten Fur Die Weinachtszeit: Gelobet seist du, Jesu Christ, BWV 697
Sieben Fughetten Fur Die Weinachtszeit: Herr Christ, der ein'ge Gottes Sohn, BWV 698
Sieben Fughetten Fur Die Weinachtszeit: Nun komm'der Heiden Heiland, BWV 699
Sieben Fughetten Fur Die Weinachtszeit: Von Himmel hoch da komm' ich her, BWV 701
Sieben Fughetten Fur Die Weinachtszeit: Gottes Sohn ist kommen, BWV 703
Sieben Fughetten Fur Die Weinachtszeit: Lob sei dem allmachtigen Gott, BWV 704
Choral: Vom Himmel hoch da komm' ich her, BWV 700
Fuge in b uber ein Theme von Corelli, BWV 579
Fantasia: Jesu, meine Freude, BWV 713
Choral: In dich hab' ich gehoffet, Herr, BWV 712

Tracks:

Prld & Fuge in C, BWV 547: Prld
Prld & Fuge in C, BWV 547: Fuge
Canonic Vars: Vom Himmel hoch, da komm' ich her, BWV 769
Clavier Ubung Dritter Teil: Prld in E flat, BWV 552
Chorale: Kyrie, Gott Vater in Ewigkeit, BWV 669
Chorale: Christe, aller Welt Trost, BWV 670
Chorale: Kyrie, Gott heilinger Geist, BWV 671
Chorale: Kyrie, gott Vater in Ewigkeit (manualiter), BWV 672
Chorale: Christe, aller Welt Trost (manualiter), BWV 673
Chorale: Kyrie, Gott heiliger Geist (manualiter), BWV 674
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 675
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 676
Chorale: Allein Gott in der Hoh' sei Ehr' (Fughetta), BWV 677
Chorale: Dies sind die heil'gen zehn Gebot, BWV 678
Chorale: Dies sind die heil'gen zehn Gebot (Fughetta), BWV 679

Tracks:

Chorale: Wir glauben all' an einen Gott, BWV 680
Chorale: Wir glauben all' an einen Gott (Fughetta) (manualiter), BWV 681
Chorale: Vater unser im Himmelreich, BWV 682
Chorale: Vater unser im Himmelreich (manualiter), BMV 683
Chorale: Christ, unser Herr, zum Jordan kam, BWV 684
Chorale: Christ, unser Herr, zum Jordan kam (manualiter), BWV 685
Chorale: Aus tiefer Not schrei' ich zu dir, BWV 686
Chorale: Aus tiefer Not schrei' ich zu dir (manualiter), BWV 687
Chorale: Jesu Christus, unser Heiland, BWV 688
Chorale: Jesu Christus, unser Heiland (Fuga) (manualiter), BWV 689
Vier Duette: Duetto I, BWV 802
Vier Duette: Duetto II, BWV 803
Vier Duette: Duetto III, BWV 804
Vier Duette: Duetto IV, BWV 805
Fuge in E flat, BWV 552
Chorale: Herr Jesu Christ, dich zu uns wend' (Trio), BWV 655
Chorale: Vor Deinen Thron tret' ich, BWV 668

Tracks:

Prld & Fuge in c, BWV 546: Prld
Prld & Fuge in c, BWV 546: Fuge
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 633
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 634
Orgelbuchlein: Chorale: Dies sind die heil' gen zehn Gebott, BWV 635
Orgelbuchlein: Chorale: Vater unser im Himmelreich, BWV 636
Orgelbuchlein: Chorale: Durch Adam's Fall ist ganz verderbt, BWV 637
Orgelbuchlein: Chorale: Es ist das Heil uns kommen her, BWV 638
Orgelbuchlein: Chorale: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
Orgelbuchlein: Chorale: Ich dich hab'ich gehoffet, Herr, BWV 640
Orgelbuchlein: Chorale: Wenn wir in hochsten Noten sein, BWV 641
Orgelbuchlein: Chorale: Wer nur den lieben Gott la walten, BWV 642
Orgelbuchlein: Chorale: Alle Menschen mussen sterben, BWV 643
Orgelbuchlein: Chorale: Ach wie nichtig, ach, wir fluchtig, BWV 644
Partita Sopra: Sei gregrut, Jesu gutig, BWV 768
Prld & Fuge in f, BWV 534: Prld
Prld & Fuge in f, BWV 534: Fuge
Fant in C, BWV 570

Tracks:

Piece d'Orgue in G, BWV 572: Tres vitement-Gravement-Lentement
Orgelbuchlein: Chorale: Nun komm' der Heiden Heiland, BWV 599
Orgelbuchlein: Chorale: Gottes Sohn ist kommen, BWV 600
Orgelbuchlein: Chorale: Herr Christ, der ein' ge Gottes Sohn, BWV 601
Orgelbuchlein: Chorale: Lob sei dem allmachtigen Gott, BWV 602
Orgelbuchlein: Chorale: Puer natus in Bethlehem, BWV 603
Orgelbuchlein: Chorale: Gelobt seist du, Jesu Christ, BWV 604
Orgelbuchlein: Chorale: Der Tag, der ist so freudenreich, BWV 605
Orgelbuchlein: Chorale: Vom Himmel hoch da komm' ich her, BWV 606
Orgelbuchlein: Chorale: Vom Himmel kam der Engel Schar, BWV 607
Orgelbuchlein: Chorale: In dulci jubilo, BWV 608
Orgelbuchlein: Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 609
Orgelbuchlein: Chorale: Jesu, meine Freude, BWV 610
Orgelbuchlein: Chorale: Christum wir sollen loben schon, BWV 611
Orgelbuchlein: Chorale: Wir Christenleut, BWV 612
Orgelbuchlein: Chorale: Helft mir, Gootes Gute preisen, BWV 613
Orgelbuchlein: Chorale: Das alte Jahr vergangen ist, BWV 614
Orgelbuchlein: Chorale: In dir ist Freude, BWV 615
Orgelbuchlein: Chorale: Mir Fried' und Freud' ich fahr' dahin, BWV 616
Orgelbuchlein: Chorale: Herr Gott, nun schleuden Himmel auf, BWV 617
Fant in c, BWV 562
Choral: Wir glauben all' an einen Gott, Vater, BWV 740
Fant: Super Valet will ich dir geben, BWV 735
Choral: Valet will ich dir geben, BWV 736
Fuge uber ein Thema von Giovanni Legrenzi in c, BWV 574

Tracks:

Prld & Fuge, BWV 532: Prld
Prld & Fuge, BWV 532: Fuge
Trio in d, BWV 656
Orgelchorale aus Achtzehn Chorale: O Lamm Gottes, unschuldig, BWV 656
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland, BWV 659
Orgelchorale aus Achtzehn Chorale: Trio super 'Nun komm, der Heiden Heiland, BWV 660
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland' in organo pleno, BWV 661
Orgelchorale aus Achtzehn Chorale: Fantasia super Komm, heiliger Geist, BWV 651
Orgelchorale aus Achtzehn Chorale: Komm, heiliger Geist, BWV 652
Orgelchorale aus Achtzehn Chorale: Nun danket alle Gott, BWV 657
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 665
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 666
Orgelchorale aus Achtzehn Chorale: Komm, Gott Schopfer, BWV 667

Tracks:

Konzert in a, BWV 593: Allegro
Konzert in a, BWV 593: Adagio
Konzert in a, BWV 593: Allegro
Konzert in d, BWV 596: (Allegro)-Grave-Fuga
Konzert in d, BWV 596: Largo
Konzert in d, BWV 596: Finale
Konzert in C, BWV 594: (Allegro)
Konzert in C, BWV 594: Rezitativ Adagio
Konzert in C, BWV 594: Allegro
Konzert in G, BWV 592: (Allegro)
Konzert in G, BWV 592: Grave (Adagio)
Konzert in G, BWV 592: Presto (assai)
Konzert in C, BWV 595: (Allegro)
Aria in F, BWV 587
Prld & Fuge in A, BWV 536: Prld
Prld & Fuge in A, BWV 536: Fuge
Choral: An Wasserflussen Babylon, BWV 653b
Prld & Fuge in G, BWV 550: Prld
Prld & Fuge in G, BWV 550: Fuge
Trio in g, BWV 584

Tracks:

Toccata in d, BWV 565
Toccate & Fuge in F, BWV 540: Toccata
Toccate & Fuge in F, BWV 540: Fuge
Prld (Fant) & Fuge in g, BWV 542: Prld
Prld (Fant) & Fuge in g, BWV 542: Fuge
Pastorella, BWV 590: 1
Pastorella, BWV 590: 2
Pastorella, BWV 590: 3
Pastorella, BWV 590: 4
Prld & Fuge in a, BWV 543: Prld
Prld & Fuge in a, BWV 543: Fuge
Toccata in C, BWV 564: Toccata
Toccata in C, BWV 564: Adagio
Toccata in C, BWV 564: Fuge

Tracks:

Son I in E flat, BWV 525: Allegro moderato
Son I in E flat, BWV 525: Adagio
Son I in E flat, BWV 525: Allegro
Son II in c, BWV 526: Vivace
Son II in c, BWV 526: Largo
Son II in c, BWV 526: Allegro
Son III in d, BWV 527: Andante
Son III in d, BWV 527: Adagio e dolce
Son III in d, BWV 527: Vivace
Son IV in e, BWV 528: Adagio
Son IV in e, BWV 528: Andante
Son IV in e, BWV 528: Un poco allegro
Son V in C, BWV 529: Allegro
Son V in C, BWV 529: Largo
Son V in C, BWV 529: Allegro
Son VI in G, BWV 530: Vivace
Son VI in G, BWV 530: Lento
Son VI in G, BWV 530: Allegro

Tracks:

Passacaglia E Tema Fugatum in c, BWV 582
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 645: Wachet auf, ruft uns die Stimme
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 646: Wo soll ich fliehen hin
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 647: Wer nur den lieben Gott la...
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 648: Meine Seele erhebet den Herren
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 649: Ach, bleib' bei uns
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 650: Kommst du nun, Jesu...
Fuge in g, BWV 578
Prld & Fuge in g, BWV 541: Prld
Prld & Fuge in g, BWV 541: Fuge
Choral: Ein' feste Burg ist unser Gott, BWV 720
Prld in G, BWV 568
Adagio, BWV 1027: Adagio
Adagio, BWV 1027: Allegro moderato (trio) (1027a)
Ricercare a 6 (aus Das musikalische Opfer), BWV 1079-5
Prld in a, BWV 569

Amazon.com

Marie-Claire Alain is not only one of the greatest organists alive today, but she stands directly in a what is undoubtedly the world's greatest tradition of organ playing. It was France that first rediscovered and cultivated Bach's organ music, and which in turn stimulated the great works of Franck, Widor, Vierne, and their school. Alain has recorded Bach's complete organ music no less than three times, here on historical organs of Bach's own time. Each disc is planned as a recital that showcases both the music and the instrument. Her performances are simply the last word in style, musicianship, and virtuosity. Magnificent. --David Hurwitz

Customer Reviews:

Complete set CD review of Bach.......2007-05-12

I discovered Bach organ music 40 years ago. I love Bach, everything he wrote. I have 4 complete sets of Bach organ recordings. Marie Claire-Alan is my favorite organist of everyone I have heard. I met Marie and her husband in person after a performance she gave in Chicago. I have 2 complete sets of Bach organ played by Marie. One is on records and the other the new CD set. She is a little older now when she recorded the CD's. The albums have a more youthful sound to them, a little more energy and different registration selection on the organs. I love Marie in her youthful recordings more than these. I love the albums so much I will digitize them and listen to them over the new CD collection. I play the albums on my Linn turntable through McIntosh equipment.

The Definitive Collection of Bach .......2005-09-25

Marie-Claire Alain has recorded Bach's complete organ music 3 times, this set being the second time. She plays quite differently now, but these are some of the best interpretations. Each cd fearures a different organ dating from Bach's time, and all of the booklets are filled with pictures, history, and even the stop registrations for each of the pieces are given. Quite alot of research! If those of you who are new to Bach's organ works, I would recommend starting on a smaller scale, as some of these works can be quite intense to listen to. At any rate, this possibly may go down as one of the famous recordings of the century.

Absolutely wonderful!.......2004-07-27

From this huge box set, it is quite obvious that Bach was a dedicated composer for the organ (and obviously a virtuoso organist for that matter). Bach was a very prominent composer who lived in the Baroque era, and to truely understand his works and their style you must have a general outline of knowledge of the timeframe in which he lived. And so the Baroque era, (1600-1750) was characterized by vastness of proportion, rich counterpoint, great splendor and a highly ornamented melodic line. (One should note that the era abruptly ended after Bach's death which actually shows his importance in it) Some of these pieces are examples of works that require performers at the very highest degree to play them. His works go way beyond the famous Toccata and Fuge in D Minor, and with a "Complete" edition you can listen and hear them all for yourself, hence grasping the full view of his genious. This set is of wonderful value and worth every penny. Unfortunately, the Master's version is not available in a CD store, and so we must indulge upon other's interpretations. This out of the others stands as one of the very best. It is also complementing to the experience to have an instrument of the period (which is so in this set). Bach devoted his entire frame of mind towards the spreading of God's kingdom, therefore one could derive that he felt that by creating enlightening and insightful music, he was doing a lowly service to his God. Overall--this is a fabulous interpretation, and it will deepen one's respect and awe for Johann Sebastian Bach, the greatest organist who ever lived.

Monumental Artistry.......2003-03-08

Although I am partial to the Romantic Organ, particularly in the vein of Widor, Vierne and Rheinberger, it all begins with Bach. And in this case, one could say that it all begins with Marie-Claire Alain and her wonderful interpretations. Alain seems to understand that Bach was above all else a religious composer. Many "complete" works of Bach play short shrift with the liturgical works whereas these are some of the most satisfying of the group.

The sound is pure sonority, almost perfect, and the technical prowess is just awesome. Out of the millions of notes played, I never heard a miscue or slight jiggle. Still, keyboard wizardry is only part of the story. The registration is a work of art in itself. Alain understand the difference between the Baroque and the Modern, the French and the German and the old and the new. Just as she is a "natural" for Widor or Vierne, she also seems to have entered the Bach mind on some of these.

This is a fabulous collection worthy of any serious student of classical music. Nowhere can one derive such satisfaction that listenting to Bach played by Ms. Alain.

A Happy Sacrifice.......2001-06-30

I gladly sacrificed two of the four speakers in my car to this wonderful, wonderful treasure. What more can I say?

Average customer rating:

Light from Darkness

Bach: Organ Works

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
ASIN: B0000U1NH4
Release Date: 2004-02-10

Customer Reviews:

Light from Darkness.......2007-03-07

Why `light from darkness'? Walcha was blind, and his knowledge of the inner polyphony of Bach's works appears almost in `black and white'. Indeed, I often find that Walcha's playing reminds me of a water crystal: perfect, but almost non existing. You get incomparable sense of structure, polyphony is perfect (Walcha's toucher was unique, and his registrations often involve sharp sound - and therefore you can hear everything). And he manages to seem not to be present: the music is, not the interpreter. Of course that is not true. His playing is so personal you will find all the other organists different.

He was arguably the most important - in terms of impact - of all the Bachian organists. As a matter of fact, his stereo Bach recordings are often presented as the standard. Therefore, it is inevitable to compare this mono set with the best known one.

Now I don't think Walcha's Bach is very Bachian - I don't believe Bach played it like that. Nevertheless, most of his playing is very impressive (he played all the most important organ and harpsichord Bach works) and you do see into one of the most powerful music minds ever (Bach) through one of the most intelligent interpretative minds (Walcha). Some of Walcha's interpretattions (from the stereo set) are, I think, almost impossible to better. So how does Walcha fare against himself?

Although there is a very obvious continuity from the first to the second sets, I think they differ much more than one would believe.
All the interpretations are more expressive in the mono set. This is much easier to detect comparing the St.Pierre-le-Jeune recordings with the Cappel and Hambourg ones. Take the Orgelbüchlein. Although played in a low reverberating space, the Cappel recordings are actually slower. This gives the pieces, I think, more identity. Any one is in fact much more moved. Ore take the variations on Sei gegrüsset Jesu gütich. The Hambourg recording is heart piercing: it is excruciatingly beautiful, almost unbelievable. The St.Pierre one is totally decanted, ethereal; it moves, but it does not make you break in shatters.

The Preludes and Fugues are sometimes similar - or different but equally good. I would make two exceptions: I prefer both the great a minor and the 'dorian' fugues at Alkmaar. I may prefer the g minor (BWV535) p&f at Saint-Pierre, and I certainly favour the 'small' e-minor played there.
So, how does Walcha compares with himself?

By a very small margin I prefer the former recordings. Of course, audio technique is not so good; but technically Walcha was at his best - which means fabulously, almost unbeleivably, superlatively good). But, on the other hand, the stereo recordings have so many miracles to be found...

So if you have to take a decision on which to buy, go for both of them... You wont' regret it.

Average customer rating:

One of the great CD sets of all time
One of two "keepers"
Bach the organ works
Peter Hurford gives incisive readings
EMPHATICALLY 5 stars!

Bach: The Organ Works
Johann Sebastian Bach , and Peter Hurford
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B0000041KD
Release Date: 1995-07-10

Tracks:

Toccata And Fugue In F Major: Toccata
Toccata And Fugue In F Major: Fugue
Prelude And Fugue In G Major
Prelude And Fugue In E Minor: Prelude
Prelude And Fugue In E Minor: Fugue
Prelude And Fugue In C Major
Prelude And Fugue In C Minor
Prelude and Fugue in D major: Prelude
Prelude and Fugue in D major: Fugue
Toccata And Fugue In D Minor: Toccata
Toccata And Fugue In D Minor: Fugue

Tracks:

Toccata, Adagio, And Fugue In C Major: Toccata
Toccata, Adagio, And Fugue In C Major: Adagio
Toccata, Adagio, And Fugue In C Major: Fugue
Fantasia And Fugue In C Major
Prelude And Fugue In E Minor
Prelude And Fugue In A Minor
Kleines harmonisches Labyrinth
Toccata And Fugue In D Minor: Toccata
Toccata And Fugue In D Minor: Fugue
Trio In C Minor
Fantasia And Fugue In G Minor: Fantasia
Fantasia And Fugue In G Minor: Fugue

Tracks:

Fantasia In G Major
Fugue In B Minor
Trio In D Minor
Prelude And Fugue In G Minor
Fantasia In C Minor
Fugue In G Major
Fantasia And Fugue In C Minor: Fantasia
Fantasia And Fugue In C Minor: Fugue
Fugue In G Major
Fugue In C Minor
Fugue In G Major
Fantasia And Fugue In C Major
Pedal-Exercitium
Passacaglia And Fugue In C Minor: Passacaglia
Passacaglia And Fugue In C Minor: Fugue

Tracks:

Clavier Ubung III: Prelude In E Flat Major
Clavier Ubung III: Kyrie, Gott Vater in Ewigkeit
Clavier Ubung III: Christe, aller Welt Trost
Clavier Ubung III: Kyrie, Gott heiliger Geist
Clavier Ubung III: Allein Gott in der Hoh' sei Ehr'
Clavier Ubung III: Dies sind die heilgen
Clavier Ubung III: Wir glauben all' an einen Gott
Clavier Ubung III: Vater unser im Himmelreich
Clavier Ubung III: Christ unser Herr zum Jordan kam
Clavier Ubung III: Aus tiefer Not schrei ich zu dir
Clavier Ubung III: Jesus Christus unser Heiland, der von uns
Clavier Ubung III: Fugue In E Flat Major

Tracks:

Clavier Ubung III: Kyrie, Gott Vater in Ewigkeit
Clavier Ubung III: Christe, aller Welt Trost
Clavier Ubung III: Kyrie, Gott heiliger Geist
Clavier Ubung III: Allein Gott in der Hoh' sei Ehr'
Clavier Ubung III: Allein Gott in der Hoh' sei Ehr'
Clavier Ubung III: Dies sind die heilgen sehn Gebot'
Clavier Ubung III: Wir glauben all' an einen Gott
Clavier Ubung III: Vater unse im Himmelreich
Clavier Ubung III: Christ unser Herr zum Jordan kam
Clavier Ubung III: Aus tiefer Not schrei ich zu dir
Clavier Ubung III: Jesus Christus unser Hieland, der von uns
Chorale Preludes From The Kirnberger Collection: Wer nur den lieben Gott lasst walten
Chorale Preludes From The Kirnberger Collection: Wer nur den lieben Gott lasst walten
Chorale Preludes From The Kirnberger Collection: Ach Gott und Herr
Chorale Preludes From The Kirnberger Collection: Ach Gott und Herr
Chorale Preludes From The Kirnberger Collection: Wo soll ich fliehen hin
Chorale Preludes From The Kirnberger Collection: Christ lag in Todesbanden
Chorale Preludes From The Kirnberger Collection: Christum sollen wir loben schon
Chorale Preludes From The Kirnberger Collection: Gelobet seist du, Jesu Christ
Chorale Preludes From The Kirnberger Collection: Herr Christ, der ein'ge Gottes Sohn
Chorale Preludes From The Kirnberger Collection: Nun komm', der Heiden Heiland
Chorale Preludes From The Kirnberger Collection: Vom Himmel hoch, da komm' ich her
Chorale Preludes From The Kirnberger Collection: Vom Himmel hoch, da komm' ich her
Chorale Preludes From The Kirnberger Collection: Das Jesulein soll doch mein Trost
Chorale Preludes From The Kirnberger Collection: Gottes Sohn ist kommen
Chorale Preludes From The Kirnberger Collection: Lob sei dem allmachtigen
Chorale Preludes From The Kirnberger Collection: Durch Adams Fall ist ganz verderbt
Chorale Preludes From The Kirnberger Collection: Liebster Jesu, wir sind hier
Chorale Preludes From The Kirnberger Collection: Ich hab' mein Sach' Gott heimgestellt
Chorale Preludes From The Kirnberger Collection: Ich hab' mein Sach' Gott heimgestellt
Chorale Preludes From The Kirnberger Collection: Herr Jesu Christ, dich zu uns wend'
Chorale Preludes From The Kirnberger Collection: Wir Christenleut
Chorale Preludes From The Kirnberger Collection: Allein Gott in der Hoh' sei Ehr'
Chorale Preludes From The Kirnberger Collection: In dich hab' ich gehoffet, Herr
Chorale Preludes From The Kirnberger Collection: Jesu, meine Freude

Tracks:

Sonata No. 1 In E Flat Major: I Allegro moderato
Sonata No. 1 In E Flat Major: II Adagio
Sonata No. 1 In E Flat Major: III Allegro
Sonata No. 2 In C Minor: I Vivace
Sonata No. 2 In C Minor: II Largo
Sonata No. 2 In C Minor: III Allegro
Sonata No. 3 In D Minor: I Andante
Sonata No. 3 In D Minor: II Adagio e dolce
Sonata No. 3 In D Minor: III Vivace
Sonata No. 4 In E Minor: I Adagio - Vivace
Sonata No. 4 In E Minor: II Andante
Sonata No. 4 In E Minor: III Un poco allegro
Sonata No. 5 In C Major: I Allegro
Sonata No. 5 In C Major: II Largo
Sonata No. 5 In C Major: III Allegro
Sonata No. 6 In G Major: I Vivace
Sonata No. 6 In G Major: II Lento
Sonata No. 6 In G Major: III Allegro

Tracks:

Chorale Variations: Ach, was soll ich Sunder machen
Chorale Variations: Christ, du bist der helle Tag
Chorale Variations: O Gott, du frommer Gott
Chorale Variations: Canonische Veranderungen: Vom Himmel hoch, da komm' ich her
Chorale Variations: Sei gegrusset, Jesu gutig

Tracks:

Choralvariationen: Allein Gott in der Hoh' sei Ehr'
Schubler Chorale Preludes: Wachet auf, ruft uns die Stimme
Schubler Chorale Preludes: Wo soll ich fliehen hin
Schubler Chorale Preludes: Wer nur den lieben Gott labt walten
Schubler Chorale Preludes: Meine Seele erhebt den Herren
Schubler Chorale Preludes: Ach bleib' bei uns, Herr Jesu Christ
Schubler Chorale Preludes: Kommst du nun, Jesu, vom Himmel herunter
Chorale Preludes: Liebster Jesue, wir sind hier
Chorale Preludes: Liebster Jesu, wir sind hier
Chorale Preludes: Lobt Gott, ihr Christen, allzugleich
Chorale Preludes: Meine Seele erhebt den Herren
Chorale Preludes: Nun freut euch, lieben Christen g'mein
Chorale Preludes: Valet will ich dir geben
Chorale Preludes: Valet will ich dir geben
Chorale Preludes: Vater unser im Himmelreich
Chorale Preludes: Vom Himmel hoch, da komm' ich her
Chorale Preludes: Wie schon leuchtet der Morgenstern
Chorale Preludes: Wie glauben all' an einen Gott

Tracks:

Concerto No. 1 In G Major: (Allegro)
Concerto No. 1 In G Major: Grave
Concerto No. 1 In G Major: Presto
Concerto No. 2 In A Minor: (Allegro)
Concerto No. 2 In A Minor: Adagio
Concerto No. 2 In A Minor: Allegro
Concerto No. 3 In C Major: (Allegro)
Concerto No. 3 In C Major: Adagio
Concerto No. 3 In C Major: Allegro
Concerto No. 4 In C Major
Concerto No. 5 In D Minor: (Allegro) - Grave e fuga
Concerto No. 5 In D Minor: Largo e spiccato
Concerto No. 5 In D Minor: (Allegro)
Concerto No. 6 In E Flat Major
Chorale Preludes: Herr Jesu Christ, dich zu uns wend'
Chorale Preludes: Herzlich tut mich verlangen
Chorale Preludes: Jesus, meine Zuversicht
Chorale Preludes: In dulci jubilo

Tracks:

Neumeister Chorale Preludes: Der Tag, der ist so freudenreich (Ein Kindelein so lobelich)
Neumeister Chorale Preludes: Wir Christenleut
Neumeister Chorale Preludes: Das alte Jahr vergangen ist
Neumeister Chorale Preludes: Herr Gott, nun schleuss den Himmel auf
Neumeister Chorale Preludes: Herzliebster Jesu, was hast du verbrochen
Neumeister Chorale Preludes: O Jesu, wie ist dein Gestalt
Neumeister Chorale Preludes: O Lamm Gottes, unschuldig
Neumeister Chorale Preludes: Christe, der du bist Tag und Licht
Neumeister Chorale Preludes: Ehre sei dir, Christe, der du leidest Not
Neumeister Chorale Preludes: Wir glauben all' an einen Gott
Neumeister Chorale Preludes: Aus tiefster Not schrei ich zu dir
Neumeister Chorale Preludes: Allein zu dir, Herr Jesu Christ
Neumeister Chorale Preludes: Ach, Gott und Herr
Neumeister Chorale Preludes: Ach Herr, mich armen Sunder (Herzlich tut mich verlangen)
Neumeister Chorale Preludes: Durch Adams Fall ist ganz verderbt
Neumeister Chorale Preludes: Du Friedefurst, Herr Jesu Christ
Neumeister Chorale Preludes: Erhalt uns, Herr, bei deinem Wort
Neumeister Chorale Preludes: Wenn dich Ungluck tut greifen an
Neumeister Chorale Preludes: Jesu, meine Freude
Neumeister Chorale Preludes: Gott ist mein Heil, mein Hilf und Trost
Neumeister Chorale Preludes: Jesu, meines Lebens Leben
Neumeister Chorale Preludes: Als Jesus Christus in der Nacht
Neumeister Chorale Preludes: Ach Gott, tu dich erbarmen
Neumeister Chorale Preludes: O Herre Gott dein gottlich Wort
Neumeister Chorale Preludes: Nun lasst uns den Leib begraben
Neumeister Chorale Preludes: Christus, der ist mein Leben
Neumeister Chorale Preludes: Ich hab mein Sach Gott heimgestellt
Neumeister Chorale Preludes: Herr Jesu Christ, du hochstes Gut
Neumeister Chorale Preludes: Herzlich lieb hab ich dich, o Herr
Neumeister Chorale Preludes: Was Gott tut, das ist wohlgetan
Neumeister Chorale Preludes: Alle Menschen mussen sterben

Tracks:

Neumeister Chorales: Machs mit mir, Gott, nach deiner Gut
Neumeister Chorales: Werde munter, mein Gemute
Neumeister Chorales: Wie nach einer Wasserquelle
Neumeister Chorales: Christ, der du bist der helle Tag
'The Eighteen' Chorale Preludes: Komm, heiliger Geist
'The Eighteen' Chorale Preludes: Komm, heiliger Geist
'The Eighteen' Chorale Preludes: An Wasserflussen Babylon
'The Eighteen' Chorale Preludes: Schmucke dich, o liebe Seele
'The Eighteen' Chorale Preludes: Herr Jesu Christ, dich zu uns wend'
'The Eighteen' Chorale Preludes: O Lamm Gottes unschuldig
'The Eighteen' Chorale Preludes: Nun danket alle Gott
'The Eighteen' Chorale Preludes: Von Gott will ich nicht lassen
'The Eighteen' Chorale Preludes: Nun komm' der Heiden Heiland
'The Eighteen' Chorale Preludes: Nun komm' der Heiden Heiland
'The Eighteen' Chorale Preludes: Nun komm' der Heiden Heiland
'The Eighteen' Chorale Preludes: Allein Gott in der Hoh' sei Ehr'

Tracks:

'The Eighteen' Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
'The Eighteen' Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
'The Eighteen' Chorale Preludes: Jesus Christus, unser Heiland
'The Eighteen' Chorale Preludes: Jesus Christus, unser Heiland
'The Eighteen' Chorale Preludes: Komm, Gott, Schopfer, heiliger Geist
'The Eighteen' Chorale Preludes: Vor deinen Thron (Wenn wir in hochsten Noten sein)
Miscellaneous Chorale Preludes: O Lamm Gottes unschuldig
Miscellaneous Chorale Preludes: Ach Gott und Herr
Miscellaneous Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
Miscellaneous Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
Miscellaneous Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
Miscellaneous Chorale Preludes: Christ Lag in Todesbanden
Miscellaneous Chorale Preludes: Der Tag, der ist so freudenreich
Miscellaneous Chorale Preludes: Ein' festeBurg ist unser Gott
Miscellaneous Chorale Preludes: Erbarm' dich mein, o Herre Gott
Miscellaneous Chorale Preludes: Gelobet seist du, Jesu Christ
Miscellaneous Chorale Preludes: Gelobet seist du, Jesu Christ
Miscellaneous Chorale Preludes: Gottes Sohn ist kommen
Miscellaneous Chorale Preludes: Herr Gott, wir loben dich

Tracks:

Eight Short Preludes And Fugues: Prelude And Fugue In C Major
Eight Short Preludes And Fugues: Prelude And Fugue In D Minor
Eight Short Preludes And Fugues: Prelude And Fugue In E Minor
Eight Short Preludes And Fugues: Prelude And Fugue In F Major
Eight Short Preludes And Fugues: Prelude And Fugue In G Major
Eight Short Preludes And Fugues: Prelude And Fugue In G Minor
Eight Short Preludes And Fugues: Prelude And Fugue In A Minor
Eight Short Preludes And Fugues: Prelude And Fugue In B Flat Major
Trio In G Major
Prelude and Fugue in F minor: Prelude
Prelude and Fugue in F minor: Fugue
Trio In G Minor
Prelude and Fugue in A major: Prelude
Prelude and Fugue in A major: Fugue
Prelude and Fugue in G major: Prelude
Prelude and Fugue in G major: Fugue
Allabreve In D Major
Prelude In G Major
Fugue In D Major
Prelude and Fugue in D minor: Prelude
Prelude and Fugue in D minor: Fugue

Tracks:

Prelude And Fugue In C Minor: Prelude
Prelude And Fugue In C Minor: Fugue
Prelude In C Major
Fugue In G Minor
Canzona In D Minor
Prelude In A Minor
Fugue In C Minor
Pastorale In F Major
Fantasia In G Major
Aria In F Major
Prelude and Fugue in C major: Prelude
Prelude and Fugue in C major: Fugue

Tracks:

Toccata And Fugue In E Major: Toccata
Toccata And Fugue In E Major: Fugues I & II
Fantasia In B Minor
Prelude and Fugue in A minor: Prelude
Prelude and Fugue in A minor: Fugue
Prelude and Fugue in B minor: Prelude
Prelude and Fugue in B minor: Fugue
Prelude and Fugue in C major: Prelude
Prelude and Fugue in C major: Fugue
Trio In G Major
Prelude, Trio And Fugue In B Flat Major: Prelude
Prelude, Trio And Fugue In B Flat Major: Trio
Prelude, Trio And Fugue In B Flat Major: Fugue
Ricercar A 6 In C Minor
Prelude And Fugue In G Minor

Tracks:

Nun komm, der Heiden Heiland
Gottes Sohn ist kommen
Herr Christ, der ein'ge Gottes Sohn
Lob sei dem allmachtigen Gott
Puer natus in Bethlehem
Gelobet seist du, Jesu Christ
Der Tag, der ist so freudenreich
Vom Himmel hoch, da komm ich her
Vom Himmel kam der Engel Schar
In dulci jubilo
Lobt Gott, ihr Christen allzugleich
Jesu, meine Freude
Christum wir sollen loben schon
Wir Christenleut
Helft mir, Gottes Gute preisen
Das alte Jahr vergangen ist
In dir ist Freude
Mit Fried' und Freud' ich fahr dahin
Herr Gott, nun schleuss den Himmel auf
O Lamm Gottes, unschuldig
Christe, du Lamm Gottes
Christus, der uns selig macht
Da Jesus an dem Kreuze stund
O Mensch, bewein dein Sunde gross
Wir danken dir, Herr Jesu Christ
Hif Gott, dass mir's gelinge
Christ lag in Todesbanden
Jesus Christus, unser Heiland
Christ ist erstanden
Erstanden ist der heil' ge Geist
Erschienen ist der herrliche Tag
Heut triumphieret
Komm, Gott, Schopfer, heiliger Geist
Herr Jesu Christ, dich zu uns wend'
Liebster Jesu, wir sind hier
Liebster Jesu, wir sind hier
Dies sind die heilgen zehn Gebot
Vater unser im Himmelreich
Durch Adams Fall ist ganz verderbt
Es ist da Heil uns kommen her
Ich ruf' zu dir, Herr Jesu Christ

Tracks:

In dich hab ich gehoffet, Herr
Wenn wir in hochsten Noten sein
Wer nur den lieben Gott lasst walten
Alle Menschen mussen sterben
Ach wie nichtig, ach wie fluchtig
Ach Gott, vom Himmel sieh' darein
Ach Herr, mich armen Sunder
Ach, was ist doch unser Leben
Auf meinen lieben Gott
Aus der Tiefe rufe ich
Christ ist erstanden
Christus, der uns selig macht
Gott der Vater wohn' uns bei
In dulci jubilo
Jesu, der du meine Seele
Liebster Jesu wir sind hier
Nun freut euch
O Herre Gott, dein gottlich Wort
O Vater, allmachtiger Gott
Schmucke dich, o liebe Seele
Vater unser im Himmelreich
Vater unser im Himmelreich
Vater unser im Himmelreich
Wie schon leuchtet der Morgenstern
Wir glauben all' an einen Gott
Christus, der uns selig macht
Herr Christ, der einig Gotts Sohn
Fugue In G Minor

Amazon.com

When it comes to organ music there's Bach, and there's everyone else. The actual amount of organ music that he composed is in dispute for a couple of reasons. On issue is attribution: much of the music exists only in copies from Bach's pupils and family members, and so the question of authorship may be in doubt. The other issue is which instrument Bach actually intended some of the keyboard music to be played on. Although scholars agonize over this problem, the fact is that Bach's music usually sounds fine played even on kazoos--it's almost indestructible--so the organ suits it in any case. This collection is one of the most comprehensive available, and it's excellently played and recorded. --David Hurwitz

Customer Reviews:

One of the great CD sets of all time.......2006-02-08

Like another reviewer here I grew up on Helmut Walcha's DG set on LP, and was also familiar with a number of other "great Bach organ work" collections.

One can cavil over the way Hurford takes some of the pieces, I suppose, but his flair, imaginative registrations, and sheer musicality are hard to beat, and the recording too is fantastic.

It's quite easy to listen to three or four CDs from this set in a row, which says something about how fertile Bach's imagination, but also how absorbing Hurford's performance, and how willing he is to avoid generic and worthy church-like interpretations. This is music and music-making of the highest quality.

One of two "keepers".......2005-07-02

A lot of reviews rave about this set. I just wish they would say why it's so good and I hope they're, well, comparing it to something. Most seem to like the "choice of registration" which maybe one way an organist sizes another up.

Preferences in interpretation generally reflect the emphera of a time, and not absolutes. Choice one for this guy is probably Walcha. Dignified and insightful playing probably much more in line with what was expected of, and provided by, Bach way back when.

This set is flashier and lighter in some ways, more bombastic in others--very much a late Twentieth Century effort. Superficial. It suits a less thoughtful approach to the music which isn't a bad thing and isn't necessarily "damning with faint praise." I just doubt if this is really what the music should sound like and I don't mean that in the same way when I say that about Gould's playing. Gould was highlighting an intense part of Bach's craft, pointing the way into the music so to say.

This is a good set for those who like to shake the timbers with organ music; when it was first released in the early digital era it was marketed that way. Bach's music is pretty bullet-proof so it can stand this kind of approach. If you're not a hyper-critical listener, a period instrument hardliner, or a professional organist with strong well thought out opinions this is probably the set for you as the Walcha will sound dry and academic. On the other hand, if you are a powerful admirer of rock and roll classical this might actually be way too much Bach for you. I generally play this set (or Stokowski transcriptions) when I'm in a brain-dead mood and I want Bach-like stimulation without any work on my part. It's really quite nice.

Bach the organ works.......2004-11-23

A poor, jumpy, amateurish and unimaginative rendition of the pedal exercitium in g minor is what sticks to mind. Although its only an exercise i think it's worth more than that. More interesting stop combinations could have been used here. The toccata and fugue in d minor was too 'fancy' and was a boring affair overall with a silly choice of stops. I expected more from Peter Hurford. If this is the first time you've heard organ music please don't run away beacause of this. It can be so much more intersting.

Overall i dont think these performances do Bach Justice. Better versions can be found at virtuallybaroque.com (not my site)and better still competely free.

Peter Hurford gives incisive readings.......2004-04-05

Peter Hurford's traversal of the entire organ literature for London Decca is truly one of the greatest recorded achievements. All of the performances in this seventeen-disc set are immaculately played and perfectly performed. His vision, technicality, and sensibility make him a sensitive and authoritative interpreter of J.S. Bach's organ works. The records are mostly digital, crystal clear, and quite powerful. Hurford's command of his technique is astounding. I cannot stress how important this set truly is. I HIGHLY recommend buying this compilation. At about 8 dollars a CD, this is most certainly a steal.

EMPHATICALLY 5 stars!.......2004-02-27

Bach's organ works place incredible demands on the performer, both physically (consider the endurance it takes to play the massive Toccata in F major), technically (the Trio Sonatas, among many others), and interpretationally. Peter Hurford triumphantly meets those demands in a spectacular set of recordings.

To those who are doubters: listen to the (in)famous Toccata and Fugue in D minor, that overplayed warhorse. Hurford brings to it an electricity that makes you feel you are hearing it for the first time again. He also has an amazing ear for registrations, one of the most underestimated difficulties of an organist's art, never wearying the ear, but using a wide palette of colors. [Bach himself was widely known for his innovative registrational practices. Contemporaries remarked that when he was testing organs he would pull combinations of stops that they were certain would sound badly together, only to find that he had created an entirely new sound. Thus, creative registrations should not offend purists in any way.]

Hurford's approach to these works obviously takes into consideration, but is certainly not bound by, historically informed performing practices. His phrasing is immaculate, and consistently interesting. In all, this is a stunning accomplishment.

Tracks:

Brandenburgisches Konzert: Concerto Brandebourgeois No.5 BWV 1050 - I.Allegro
Matthaus-Passion: Passion selon saint Matthieu BWV 244 - No.66 & 67
Matthaus-Passion: No.68 Coro - Choeur final 'Wir setzen uns mit Tranen nieder'
Cello-Suite: Suite pour violoncelle seul No.5 BWV 1011: 1-Prde
Das Wohltemperierte Clavier: Le clavier bien temp BWV 846-869 Praeludium I & Fuga I BWV in C-dur
Toccata et fugue en rineur BWV 565: Toccata & fugue en rineur BWV 565
'Vergnugte Ruh, beliebte Seelenlust': Cantate pour alto solo BWV 170. I. Aria
Oster-Oratorium: Oratorio de Pes BWV 249 - Chorus 'Preis und Dank'
Fuga sopra il Magnificat BWV 733
'Zerreisset, zersprenget, Zertrummert die Gruft': Cantate profane BWV 205: I.Chor
Die Kunst Der Fuge: L'Art de la Fugue : contrapunctus 1 voix : th rectus
Sonate pour flviolon et basse continue e Sol majeur BWV 1038: Sonate pour flviolon et basse continue e Sol majeur BWV 1038 - I. Largo
'Das neugeborne Kindelein': Cantate de NoBWV 122.4. Aria 'Ist Gott versohnt'
'Icht hatte viel Bekummernis': Cantate BWV 21. Chorus
Ouverturen: Suites pour orchestre en Rajeur BWV 1068: Air
En si mineur, B Minor BWV 1067: Menuet & Badinerie
En si mineur, B Minor BWV 1067: Menuet & Badinerie

Tracks:

Johannes-Passion: Passion selon Saint Jean BWV 245 - 1. Chorus: 'Herr, unser Herrscher'
Sonate pour viole de gambe et clavecin en sol mineur: 1. Vivace
Goldberg Variationen: Variations Goldberg BWV 988 - Aria & Variation 16
Goldberg Variationen: Variations Goldberg BWV 988 - Aria & Variation 16
'Der Friede sei mit dir': Cantate pour basse BWV 158 Aria con Chorale 'Welt, ade'
Magnificat en Re majeur BWV 243: Coro 'Magnificat anima mea Dominum'
Magnificat en Re majeur BWV 243: Aria + Coro 'Omnes generationes'
Musikalisches Opfer: L'offrande musicale BWV 1079 - Regis Iussus Cantio Et Reliqua Canonica Arte Resoluta : Ricercar
Sonate en trio pour orgue No.4 en ut mineur BWV 528: Un poco allegro
Weihnachts-Oratorium: Oratorio de NoBWV 248 - Am ersten Weihnachstag : 1. Coro 'Jauchzet, frohlocket'
Motet 'Komm, Jesu, komm': Motette BWV 229
'Nun danket alle Gott': Chorale - Choral BWV 657
H-moll Messe: Messe en si mineur BWV 245 - Sanctus

Customer Reviews:

An intriguing hint.......2003-02-14

Harmonia Mundi has long been recognized as a leader in Baroque-era recordings, and this sampler, from the music recorded for the Harmonia Mundi Bach Edition affirms that stature. Teldec and Hanssler, among others, also offered complete recordings of Bach's music, but in many respects Harmonia Mundi's two dozen or so discs of selected music surpasses those complete works. HM has taken the familiar "historically accurate" approach to performance, and the results are lovely.
There are arguments over how to divide Bach's music, but for the purposes of argument let's say the music can be categorized as: Sacred and Secular Vocal (cantatas and Masses); Keyboard (including the organ); Chamber; and Orchestral music. Any attempt to present a well-tempered sampler of Bach's work will have to be judged according to it's skill with each area. HM is matchless in it's presentation of the Cantatas; the work of Rene Jacobs and his RIAS Kammerchor is mellifluous and dramatic, while Philippe Herrewheghe's Passions are extraordinary. Lionel Rogg presents what are, arguably, some of the finest interpretations of Bach's Organ Music, and Davitt Moroney--a keyboardist with wide experience with and knowlege of the Baroque era--performs flawlessly on the harpsichord. Other highlights: Jaap ter Linden's work is impeccable, and the incomparable Andrew Manze shines. After listening to this selection, the trick will be to find the CD's from which this sampler was drawn--not an easy task, believe me.

Eterno Bach.......2000-09-02

Los dos discos que Harmonia Mundi ofrecen como muestrario de su edicion 2000 poseen la variedad justa para todo amante de Bach. El comienzo alegre de concierto Nro. 5 se contrasta inmediatamente con la Pasion segun San Mateo para luego escuchar la version para violin de la Toccata e fugue en D menor, con la elegancia que solamente Andrew Manze piede darle. La intensidad que le brinda la Pasion segun San Juan al inicio del disco 2 predispone a seguir escuchando detenidamente este disco, con las ultimas 3 pistas brillantemente elegidas, el motete 229, en donde se nota el estilo de Rene Jacobs, el coral 657 inerpretado en forma magistral por Lionel Rogg y el final con el Sanctus de la misa en B menor, en el cual Herreweghe hace lucir a su Collegium Vocale. Un consejo, prueben escucharlo en Shuffle, sigue siendo puro Bach en su maxima expresion, no importa el orden. Simplemente Bach.