Our Love

Track Listings
1. This Love    
2. The Prayer    
3. One Hand, One Heart    
4. And on this day    
5. Through the Eyes of Love (theme from Ice Castles)    
6. The Lord is My Shepherd    
7. A Wedding Meditation    
8. All I Ask of You    
9. The Rose    
10. Wedding Hymn    
11. Two Candles    
12. Bring Them Home    
13. The Ring    
14. Starting From Today    
15. The Gift of Love    
16. The Lord's Prayer (Malotte)    
17. Now there shall be no rain (Apache blessing)    
18. Wedding Ring Song    
19. A Gaelic Blessing    
20. Ave Maria (Schubert)    
See all 21 tracks on this disc

Editorial Reviews
Album Description
Self-produced independent label of Allyn Van Dusen, mezzo-soprano

Our Love, Music, Allyn Van Dusen, Allyn's mezzo voice enriches these 21 lovely wedding songs, from classic to popular, arranged for solo piano, harp, or small ensemble. Fresh new ideas for brides, great listening for everyone.
Our Love to Admire
Average customer rating: 4 out of 5 stars
  • A lot to admire!
  • Interpol continues being... Interpol
  • Antics Pt. II?
  • A FEW NEW DIRECTIONS, BUT STILL INTERPOL AT THEIR FINEST (4 stars)
 Our Love to Admire
Interpol
Manufacturer: Capitol Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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ASIN: B000PY32CO
Release Date: 2007-07-10

Tracks:

  1. Pioneer To the Falls
  2. No I In Threesome
  3. The Scale
  4. The Heinrich Maneuver
  5. Mammoth
  6. Pace Is the Trick
  7. All Fired Up
  8. Rest My Chemistry
  9. Who Do You Think
  10. Wrecking Ball
  11. The Lighthouse

Amazon.com

Moving up to a major label has hardly lifted Interpol's spirits. This is a good thing. Even with the twisted Wild Kingdom album cover and bassist Carlos Dengler's unexpected Wild West makeover, on its third studio album the black-clad New York quartet still sounds inflexibly menacing, grasping tighter than ever to its doomy post-punk influences and delving further into frontman Paul Banks's emotional unrest. Everything sounds a little bigger and brighter, sure, but at their core songs like "Rest My Chemistry" and "Wrecking Ball" are heroically sinister, goaded on by prickly riffs and slow-bleeding rhythms. The group briefly jumps to life on the buzzing "Heinrich Manouver" and exhibits an unexpected dash of humor on "No I in Threesome," but it's the closing "Lighthouse" that best defines the set--a late-night lament that simply steals away into the dark. --Aidin Vaziri

Amazon.com

Our Love To Admire is at once unmistakably Interpol and undeniably new. The witty and perverse "No I In Threesome" is an upbeat ode to shaking up a staid relationship propelled by Carlos D's peerless bass melody while the tenderly observant "Pace Is the Trick" proves that the band are still the masters of the dramatic - check the painful pause right before the sinfully satisfying return of Sam's thundering drums and Daniel's ringing lead guitar. The band's impressively seductive evolution is obvious all over the record, but never more so than on tracks like "Mammoth," "Who Do You Think" and on the album's lyrical centerpiece, the ghostly "Rest My Chemistry." While Daniel is understandably proud of the song he cautions against reading too much autobiography into its lyrics. "We always leave the interpretation to the listener," he says. "I mean, you shouldn't watch a movie for the first time listening to the director's commentary!"

Our Love to Admire closes with "The Lighthouse," a funereal dirge that is among the most unexpected and memorable songs ever recorded by the band. Almost entirely percussion-free, the song is constructed around Daniel's mournful guitar and Paul's sparten lyrics. Not only is it one of their finest moments to date, it provides the album's most goose-bump inducing moment, the very same reflex shivers that make Interpol live shows such an exhilarating experience. As the very last song the band recorded for the album it was, they say, the hardest to play. The hypnotic guitar part was played on a 50-year-old guitar that had toxins on the strings, providing Daniel with a blistering and painful sensation in his fingers. The band weren't even sure the track would make it out of the studio, but once they heard Paul's remarkable vocals they were floored. The song - and the album - doesn't so much end as it bleeds to a close with a long, echoey coda filled with feedback and strings. A fittingly dramatic end to a stunning and emotional journey. Interpol is back, every bit as good as before but charged with a new spirit, a new direction, a new label and, most of all, a new confidence.

Interpol Photos

More from Interpol

Antics
Turn on the Bright Lights
The Black EP

Customer Reviews:

5 out of 5 stars A lot to admire!.......2007-07-11

"Our love to admire" is my introduction to the music of Interpol. Chiming melodic guitars and a brooding melancholic feel best describes the sound of this CD.

Interpol is a New York based quartet, but you'd be forgiven for thinking they were British. Think an edgier Coldplay or Snow Patrol, or even better, Joy Division.

Opening is the gentle lilting "Pioneer to the falls" with tumbling guitar sounds. More upbeat is the humorous "No 1 in the threesome" which still manages to sound gloomy.

"Scale" is a midtempo charmer, and lead off single "Heinrich maneuver" is a dance rocker a-la Franz Ferdinand. It's a kiss off to an ex.

"Mammoth" is another upbeat number with wonderful chiming guitars. Other upbeat numbers are "All fired up", and "Who do you think".

On the slower side of things, there's the lovely "Pace is the trick", the choppy "Rest my chemistry", the atmospheric "Wrecking ball" (with a name like that, I was expecting a rocker), and the dirge-like ambient epic "Lighthouse" (with percussion kicking in towards the final minute) which to me wouldn't be out of place on a Radiohead CD.

There's a whole lot to admire on this CD.

4 out of 5 stars Interpol continues being... Interpol.......2007-07-10

After a startling and instantly classic debut album (2002's Turn On the Bright Lights) and an upbeat but less ambitious sophomore set (2004's Antic), Interpol made the jump to the major labels, and then took its sweet time to come up with new material. Finally here comes the much anticipated new album.

The music on "Our Love to Admire" (11 tracks; 47 min.) generally seems to fall within two categories: on the one hand there is the continuation of more upbeat songs, with the prime example being the first single "The Heinrich Maneuver" ("Slow Hands" Part 2, but even catchier), but also on songs like "No I in Threesome" and in a strange way also on "All Fired Up" (with the main guitar riff seemingly lifted straight from Radiohead's "I Might Be Wrong"!). Other songs fall within the more ambitious TOTBL-like category, such a mesmorizing slowburner (and album opener) "Pioneer to the Falls", "Pace is the Trick", "Rest My Chemistry", and the closer "The Lighthouse", which is haunting in many respects and the perfect way to close things of. There are unfortunately also a couple of songs such as "The Scale" and "Who Do You Think" that don't grab you and really don't seem to fit in very well in this set.

Interpol has not gone into any new musical direction or even expanded dramarically on what it has done before, which some might call a lack in ambition. But there are a lot of great tunes on this album, and in the end that is what it's about. I saw Interpol play a number of the new songs at Coachella a few months ago, and live they sound better than ever, including on the new songs.

4 out of 5 stars Antics Pt. II?.......2007-07-10

Interpol is back with their first major label release! They haven't "sold out" or written more commercial material, which proves to be both a good and a not-so-good thing. "Our Love to Admire" doesn't take Interpol in any new directions, unlike the band's growth from their first album to "Antics." In fact, most songs on this album could sit comfortably on "Antics," and feels more like a sequel to that album rather than anything "new" from the band. Since "Antics" is one of my favorite albums of all-time, that's not such a bad thing.

4 out of 5 stars A FEW NEW DIRECTIONS, BUT STILL INTERPOL AT THEIR FINEST (4 stars).......2007-07-10

I have the joy in announcing the new Interpol album is as good as I hoped it would be. In fact it does exactly what it needs to do. It sounds like Interpol, it's got some great lyrics, and it timidly breaks into some new directions. Our Love To Admire is another step forward for the NYC band without abandoning the familiar waters in which they sail. I'll spare the Joy Division comparisons because after 3 records, that has gotten very old, and quite frankly it's a label not all that appropriate anymore. Sure, Paul Banks' voice still has the Ian Curtis gloominess about it, but musically I think Interpol have gotten more adventurous and playful on Our Love, and in some ways, much stronger for it. Again, this doesn't mean the band stray far from the formula, Our Love To Admire is a sweeping ode to relationships and the personal struggles that come with them.

The album starts off somewhat more experimental before settling in, but after a few listens, this start, particularly Pioneer of the Falls, might be one of the key moments of the entire disc. Nearly 6 minutes in length, Pioneer of the Falls sounds as if we are witnessing a funeral of sorts, with all kinds of subtle sonic rumblings going on. It's not over the top mind you, but it's enough to evoke a new and emotional starting point for the new material. A stunning start. The first single, The Heinrich Maneuver, is an up-tempo jab to an ex-love now residing on the opposite coast, it's fun and as accessible as Interpol can be. As always, Carlos D's commanding bass lines carry the single, and in many ways, anchor the whole of the record. More familiar footing can be found in, `No I in Threesome' which is about (obviously enough) someone trying resurrect a dying love affair with ways to spice things up. In it, Paul playfully sings, "maybe it's time we give something new a try". The result, both sonically and lyrically, is a relentless and interesting view of love and how certain people may handle the harder times. Mammoth, the album's dynamic fifth track, attacks the ears with Daniel Kessler's simple, repeated guitar riffs that fans may feel echo early work like C'Mere or PDA (not a bad thing at all). More ambient numbers are also present as well. The eerie, The Lighthouse, has Bank's crooning in a way that it almost turns into spoken word, it's strange and affecting.

The subtleness of Interpol's maturation and evolution as a band is more obvious in tracks like, Who Do You Think, Pace Is the Trick, and Rest My Chemistry. All have an underlining new spirit and fervor reserved for bands making drastic changes to what they do best. Not the case here, Interpol have employed these changes with the expected precision we've come to admire from them. And even with all the expected underpinnings, the band has grown perfectly into what they do. Fully realized, Our Love To Admire is more ambitious and more rewarding than their first two releases combined, and for me, that's speaking volumes. One only has to look upon to new (and great) art direction they've added to visual represent the change in the band's direction and growth found within.
Our Love To Admire (Special Package)
Average customer rating: Not rated
    		Our Love To Admire (Special Package)
    Interpol
    Manufacturer: Capitol Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
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    ASIN: B000PY32CY
    Release Date: 2007-07-10

    Tracks:

    1. Pioneer To the Falls
    2. No I In Threesome
    3. The Scale
    4. The Heinrich Maneuver
    5. Mammoth
    6. Pace Is the Trick
    7. All Fired Up
    8. Rest My Chemistry
    9. Who Do You Think
    10. Wrecking Ball
    11. The Lighthouse

    Amazon.com

    Our Love To Admire is at once unmistakably Interpol and undeniably new. The witty and perverse "No I In Threesome" is an upbeat ode to shaking up a staid relationship propelled by Carlos D's peerless bass melody while the tenderly observant "Pace Is the Trick" proves that the band are still the masters of the dramatic - check the painful pause right before the sinfully satisfying return of Sam's thundering drums and Daniel's ringing lead guitar. The band's impressively seductive evolution is obvious all over the record, but never more so than on tracks like "Mammoth," "Who Do You Think" and on the album's lyrical centerpiece, the ghostly "Rest My Chemistry." While Daniel is understandably proud of the song he cautions against reading too much autobiography into its lyrics. "We always leave the interpretation to the listener," he says. "I mean, you shouldn't watch a movie for the first time listening to the director's commentary!"

    Our Love to Admire closes with "The Lighthouse," a funereal dirge that is among the most unexpected and memorable songs ever recorded by the band. Almost entirely percussion-free, the song is constructed around Daniel's mournful guitar and Paul's sparten lyrics. Not only is it one of their finest moments to date, it provides the album's most goose-bump inducing moment, the very same reflex shivers that make Interpol live shows such an exhilarating experience. As the very last song the band recorded for the album it was, they say, the hardest to play. The hypnotic guitar part was played on a 50-year-old guitar that had toxins on the strings, providing Daniel with a blistering and painful sensation in his fingers. The band weren't even sure the track would make it out of the studio, but once they heard Paul's remarkable vocals they were floored. The song - and the album - doesn't so much end as it bleeds to a close with a long, echoey coda filled with feedback and strin! gs. A fittingly dramatic end to a stunning and emotional journey. Interpol is back, every bit as good as before but charged with a new spirit, a new direction, a new label and, most of all, a new confidence.

    Special Package Edition includes:

    A bound, CD-sized hard covered book with 24-page booklet. CD in back and poster.

    Interpol Photos
    Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
    Average customer rating: 4 out of 5 stars
    • Mamma Mia
    • Mamma Mia Musical CD
    • JUST GREAT MUSIC
    • Mamma Mia
    • Not good at all
    		 Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
    Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson
    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000031WEN
    Release Date: 2000-10-17

    Tracks:

    1. Overture/Prologue
    2. Honey, Honey
    3. Money, Money, Money
    4. Thank You For The Music
    5. Mamma Mia
    6. Chiquitita
    7. Dancing Queen
    8. Lay All Your Love On Me
    9. Super Trouper
    10. Gimme! Gimme! Gimme!
    11. The Name Of The Game
    12. Voulez-Vous
    13. Entr'acte
    14. Under Attack
    15. One Of Us
    16. S.O.S.
    17. Does Your Mother Know
    18. Knowing Me, Knowing You
    19. Our Last Summer
    20. Slipping Through My Fingers
    21. The Winner Takes It All
    22. Take A Chance On Me
    23. I Do, I Do, I Do, I Do, I Do
    24. I Have A Dream

    Amazon.com

    Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli

    Customer Reviews:

    5 out of 5 stars Mamma Mia.......2007-03-22

    I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!

    5 out of 5 stars Mamma Mia Musical CD.......2007-03-21

    This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!

    4 out of 5 stars JUST GREAT MUSIC.......2007-03-08

    I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.

    5 out of 5 stars Mamma Mia.......2007-01-29

    Every time I hear the music and songs it brings back memories of seeing the Broadway Show

    1 out of 5 stars Not good at all.......2007-01-09

    This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.
    TV Land Presents: Favorite TV Theme Songs
    Average customer rating: 4.5 out of 5 stars
    • good memories for me and fun "new" songs for my children
    • memories
    • TV Theme Songs
    • TV themes
    • Deja Vu
    		 TV Land Presents: Favorite TV Theme Songs
    Cyndi Grecco , and Jones, Jack
    Manufacturer: Rhino / Wea
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00006EXIL
    Release Date: 2002-08-20

    Tracks:

    1. I Love Lucy Theme - Wilbur Hatch
    2. Dragnet - Ray Anthony
    3. The Twilight Zone - Rod Open
    4. Bonanza - Al Caiola & His Orchestra
    5. The Andy Griffith Theme - Earle Hagen
    6. The Ballad Of Jed Clampett - Earl Scruggs
    7. The Addams Family (Main Theme) - Vic Mizzy
    8. Munsters Theme - Jack Marshall
    9. The Ballad Of Gilligan's Isle - Morton Stevens
    10. Green Acres - Eddie Albert
    11. Jeannie - Hugo Montenegro
    12. Batman Theme - Neal Hefti
    13. (Theme From) The Monkees - The Monkees
    14. Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
    15. Mannix - Lalo Schifrin
    16. Hawaii Five-O - Mort Stevens & His Orchestra
    17. Theme From The Brady Bunch - The Brady Bunch
    18. Come On Get Happy - The Partridge Family
    19. Those Were The Days - Carroll O'Connor
    20. And Then There's Maude - Donny Hathaway
    21. Good Times - Jim Gilstrap
    22. Movin' On Up - Oren Waters
    23. The Rockford Files - Mike Post
    24. Them From S.W.A.T. - Rhythm Heritage
    25. Happy Days - Pratt & McClain
    26. Making Our Dreams Come True - Cyndi Grecco
    27. Chico And The Man - Jose Feliciano
    28. Welcome Back - John Sebastian
    29. What's Happening!! - Henry Mancini
    30. Barney Miller - Jack Elliott
    31. Charlie's Angels - Jack Elliott
    32. Love Boat Theme - Jack Jones
    33. Angela (Theme From 'Taxi') - Bob James
    34. It Takes Diff'rent Strokes - Gloria Loring
    35. Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
    36. Theme From Magnum, P.I. - Mike Post
    37. The Theme From Hill Street Blues - Mike Post
    38. Theme From Dynasty - Bill Conti
    39. Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
    40. Thank You For Being A Friend - Cynthia Fee

    Album Description

    TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.

    Customer Reviews:

    5 out of 5 stars good memories for me and fun "new" songs for my children.......2007-06-27

    We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.

    5 out of 5 stars memories.......2007-02-22

    This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended

    5 out of 5 stars TV Theme Songs.......2007-01-13

    This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.

    3 out of 5 stars TV themes.......2006-07-05

    Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.

    5 out of 5 stars Deja Vu.......2006-02-17

    Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!
    Imagine Our Love
    Average customer rating: 4.5 out of 5 stars
    • sweeeeeeeeeeeeeet melody and melancholy
    • Imagine my love
    • priceless Diamond
    		 Imagine Our Love
    Lavender Diamond
    Manufacturer: Matador Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
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    ASIN: B000OMD4FW
    Release Date: 2007-05-08

    Tracks:

    1. Oh No
    2. Garden Rose
    3. Open Your Heart
    4. Side Of The Lord
    5. I'll Never Lie Again
    6. Dance Until Tomorrow
    7. Like An Arrow
    8. My Shadow Is A Monday
    9. Bring Me A Song
    10. Here Comes One
    11. Find A Way
    12. When You Wake For Certain

    Customer Reviews:

    5 out of 5 stars sweeeeeeeeeeeeeet melody and melancholy.......2007-06-29

    Great folk-rock here folks. They are influences from Fairport Convention (Sandy Denny-era), Joni Mitchell, Joan Baez, etc. Becky Stark has a great voice...though I think it's a stretch for anyone to compare her to the one of the greatest voices in human history, Shirley Collins.

    Overall, this LP is very listenable all the way through. It brings to mind current folk-rock revivalists like Meg Baird and the Espers (not as good though). Regardless, it's quite solid and worthy of your time, effort, and purchase. CHEERS!!!!!!!!!!!!

    4 out of 5 stars Imagine my love.......2007-06-28

    If you said that Lavender Diamond sounds like a sparkly, ubersweet little band who plays hopeful pop.... you'd be right.

    Fortunately the Angeleno band aren't just restricted in that. Their debut album "Imagine Our Love" is G-rated chamberpop, sure. But it's wrapped in a warm blanket of exquisitely pretty instrumentation, beautiful vocals and a feeling of wistful hope.

    Gentle drum and bells segue into an anthemic piano melody, with Becky Stark wistfully crooning, "Oh no, it's such a sad and grey day out/when will I love again?... Oh no, we are turning as we go/into a world of stone..." Not only is it a mournful cry for personal love, but apparently tackling the loveless world outside.

    "Garden Rose," on the other hand, fully embraces the chamberfolk description -- weepy strings painted over a gentle acoustic guitar. "I'll never stop a bullet/but a bullet might stop me/I'll never drink the ocean/but the ocean might drink me..."

    Then in an about-face, they go all chamberpop in the bouncy, chipper "Open Your Heart" ("Well the streets are low/when you have to go/where are you running to?"). The songs that follow tend to be somewhere in between -- gentle folk, wind-wispy pop, soaring delicate little ballads, and occasionally a thumpy little piano-rocker. The only real misfire is "Like An Arrow," an awkward tribal-thump pop song.

    Normally I can only take a small amount of cheery, sunny happiness at once. So it's something of a tribute to "Imagine Our Love" that I can listen to the whole thing in one go -- it sounds like the crystalline little sister of Midlake.

    It also staunchly avoids the typical trappings of pop-rock, like electric guitars and bass. Instead, we have some truly ethereal, weeping strings and trickling piano. Sometimes they're played on their own, and sometimes with an acoustic guitar to keep things from just floating away.

    And Stark really makes the songs shine by pouring her clear, sweet vocals through them like rays of sun. What's the problem, then? Well, the songs she sings tend to be rather simplistic (see "I'll Never Lie Again," repeated ad nauseam), though they show flickers of songwriting skill. ("You can see this road is forever/so let's dance without any fear..."

    Though hampered by their simplistic lyrics, Lavender Diamond excels in every other way in "Imagine Our Love." If they wrote more complex songs, it would be perfect.

    5 out of 5 stars priceless Diamond.......2007-05-25

    Lavender Diamond has hypnotized me. I'm under their spell. Becky Stark's voice (with its classical roots) is transporting and ethereal, delicate without sacrificing its potency and confidence. There are songs on this CD ("Garden Rose", "Like an Arrow") that could accompany meditation. Indeed, the songs FEEL like meditation. Cynicism and apathy, pass by. The album's themes range from the optimistic and hopeful to the melancholic and hesitant. I find myself relating to both sentiments with equal verve. "When will I love again?" Stark repeats in the heartwrenchingly challenging song "Oh No" that opens the album, and wondering when and how a broken heart will heal is certainly an idea that everyone can relate to during their lives. (This beginning of this song left me breathless. "What a way to begin an album!" is what I thought, immediately wanting to hear more.) Even if your heart is now whole, it's not hard to put yourself back in that place, just as when you listen to a love song, it's not hard to remember when you were in love. "Open Your Heart" isn't exactly a love song, but with its cheerful tone and playful strings, 'oh oh oh' refrains, and handclaps, it feels like it should be in the background while you run across a field holding hands with someone. Other reviews have compared their sound to singers from the 1960's and 70's, and that is definitely true, although that is not to downplay their unique style and execution. The messages of love, love lost, and hope in this album are unlike anything I've ever heard before, and I subscribe to all of them.

    Postscript/anecdote: there's a bit of serendipity in play here as well. I saw a Lavender Diamond show advertised in a Portland alt-weekly newspaper, described there as "winsome folk-pop." The description caught my eye and I made a note to investigate them. I later bought their album on this whim, and a few weeks after that, by some cosmic coincidence, Becky Stark, solo and acoustic, opened for a reading by author/filmmaker/artist Miranda July in a church in downtown Portland with a eerily beautiful three-song set. I'd been looking forward to July's book ever since I saw "Me, You and Everyone We Know" and it was suddenly felt like we had friends in common.
    Our Kind Of Soul
    Average customer rating: 4.5 out of 5 stars
    • Gettin Back to the Basics
    • Timeless, Ageless, Music
    • Daryl Still knows what Soul is all about.
    • 'Used ta be my girl' gets my vote for worst song of all time!
    • EXCELLENT
    		 Our Kind Of Soul
    Daryl Hall & John Oates , and Hall & Oates
    Manufacturer: U-Watch Records
    ProductGroup: Music
    Binding: Audio CD

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    5. Can't Stop Dreaming

    ASIN: B0002M6AO6
    Release Date: 2004-10-26

    Tracks:

    1. Let Love Take Control
    2. Standing In The Shadows Of Love
    3. I'll Be Around
    4. Used To Be My Girl
    5. Soul Violins
    6. I Can Dream About You
    7. Don't Turn Your Back On Me Baby
    8. Fading Away
    9. Neither One Of Us
    10. After The Dance
    11. Rock Steady
    12. Love (TKO)
    13. What You See Is What You Get
    14. Can't Get Enough Of Your Love
    15. You Are Everything
    16. I'm Still In Love With You
    17. Ooh Child

    Amazon.com

    Our Kind of Soul, the follow-up to 2003's VH1-propelled Do It for Love, is mostly a can't-miss proposition: Daryl Hall's smooth, expressive voice, synonymous with the Philly soul sound, is so well suited to this material that it feels shrink-wrapped overtop. "Can't Get Enough of Your Love," the Barry White classic, is given a breezy makeover (and, maybe more impressively considering that most artists wouldn't touch it, not mangled); Teddy Pendergrass' "Love TKO" is dusted off and tinkered with till it takes on a signature H&O sound; and "After the Dance," one of Marvin Gaye's most cryptic compositions, comes across like a solved mystery--there's a gentleness and a reverie in the reading will prompt thoughtful listeners to return to it more than a few times. That said, a couple of these covers--the O'Jays "Used to Be My Girl" and Aretha Franklin's "Rock Steady"--seem cursory, and the duo can count on a cranky contingent decrying their lack of fresh material. But the strength of three songs introduced here should keep them at bay. First track "Let Love Take Control" gutsily and convincingly glides into Four Tops' "Standing in the Shadows of Love," "Soul Violins" strikes notes at once heartfelt and spontaneous, and "Don't Turn Your Back" has the classic Hall & Oates marks of their-kind-of-soul songs like "Out of Touch." --Tammy La Gorce

    Customer Reviews:

    5 out of 5 stars Gettin Back to the Basics.......2007-05-26

    This is their best work in a long time. They recorded a lot of classic soul songs. What makes this collection so unique is they recorded them close to how the songs were originally written. They use acoustic guitars and violins. Of course they put the classic H&O style. In many cases their version is better than the original.

    There are a couple of new songs on the CD also. I like those also. I notice the boys are getting back to their roots the older they get. I would give this CD a 10 out of 10. With the best song being Soul Violins. If you like soul music this is a must for your collection.

    The more I listen to this CD the more I like it! There is nothing better than sweet soul music done with acoustic instruments. I started reading the cover and found the CD was recorded in 5 weeks at Daryl's home in the Bahamas!

    The background vocals are amazing. I just love the way they harmonize with each other. Daryl still has his pipes and can still hit those really high notes. He does a great rendition of the Al Green classic "Still in Love".

    I heard an interview with John Oates one time were he said "he brings a certain shortness to the group". I think he is selling himself short! (Ha I made a pun) His rendition of "Ooh Child" is remarkable. It's like the song was written for him.

    I noticed that on many of the songs some of the lyrics and the key were changed. At first I had a problem with this, because I am used to hearing the songs done a certain way. I get it now! They took these classic R&B songs and made them Hall & Oates songs. This was done intentionally and I have to say it works.

    5 out of 5 stars Timeless, Ageless, Music.......2007-05-12

    When I heard #3 played on the radio, I looked everywhere for the CD. I recognized D.Hall's voice right away. This is MUSIC,timeless, ageless talent and style. Thank you AMAZON.com and Thanks to Hall and Oates.

    Call me!

    5 out of 5 stars Daryl Still knows what Soul is all about. .......2007-04-25

    Hall and Oats were one of the only Blue Eye Soul groups I believed understood what soul is about. Over the years I haven't heard much from them. I just happen to catch the concert on tv, it looked like it was at some big bar in the suburbs at first. But I understand it was in the Bahama's.
    I was very delighted to hear that Daryl Hall still can sing. The songs were not songs from their music but covers of various R&B songs from people such as Gladys Knght and the O'Jays and the Four Tops. and one or two newer original songs. Whoever said their version of the O'Jays, She Use to Be My Girl was the worst song he ever heard must not of listened to any of the 10,000 cd's he has. It was fine, I get nervous when people sing covers of great R&B songs. Most do it pretty horrendously. Not Daryl Hall even 34 years later the man can still sing and he does a very good job singing that song. Surprisingly he took on sacred cows like Neither One of Us, by Gladys Knight and he was excellent. He did not try to over sing Gladys, he made the song his own. He sang Rock Steady like he has been singing it all of his life.
    Same with Marvin Gaye's song.
    Again I will say Hall and Oates were the only Blue Eye Soul group particulary Daryl Hall who knows what soul is about and that is why they were able to tackle songs most singers would sound foolish singing. This CD proves it.

    1 out of 5 stars 'Used ta be my girl' gets my vote for worst song of all time!.......2007-03-13

    I consider myself a music expert or something close to it. I own close to 10,000 albums. I say this because I hope that you will listen to some very good advice. Do not buy this album. Do not borrow it from the library. If you see it in the record store, look away as fast as you can. 'She used to be my girl' is the WORST song I have ever heard. That is taking into consideration all of the generic bubblegum pop, 80's hair metal, disco, and rock blands that I have had the misfortune to hear. To describe it as infinitely dreadful would be giving it too much credit. 'The O'Jays' should be ashamed and embarrassed that they are responsible for this miserable catastrophe of a 'song.' Daryl Hall & John Oates simply take 'worst' to a whole new low. Absolutely horrible! Hearing this song is like being forced to eat cow dung while suspended by your toe nails above a steaming pit of molten lead. Please, do not buy this album! (Rating: No stars whatsoever!)

    5 out of 5 stars EXCELLENT.......2007-03-12

    ALways loved this group....own several of their CD's and this is by far my favorite. Darryl Hall's phrasing of his songs are superb.
    The Notebook
    Average customer rating: 4.5 out of 5 stars
    • Touching
    • Pays music a complement. I love the classical pieces!
    • the Notebook soundtrack (Audio CD)
    • Very Nice
    • A sweeping, emotional standout!
    		 The Notebook
    Various Artists
    Manufacturer: New Line Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00023B1E4
    Release Date: 2004-06-08

    Tracks:

    1. Main Title
    2. Overture
    3. "I'll Be Seeing You" Performed by Billie Holiday
    4. "Alabamy Home" Performed by Duke Ellington
    5. Allie Returns
    6. House Blues/The Porch Dance/The Proposal/The Carnival
    7. Noah's Journey
    8. "Always And Always" Performed by Benny Goodman & His Orchestra
    9. "A String Of Pearls" Performed by Glenn Miller & His Orchestra
    10. On The Lake
    11. "Diga Diga Doo" Performed by Rex Stewart And The Ellingtonians
    12. "One O'Clock Jump" Performed by Benny Goodman & His Orchestra
    13. "I'll Be Seeing You" Performed by Jimmy Durante
    14. Noah's Last Letter
    15. Our Love Can Do Miracles

    Amazon.com

    Based on Nicholas Sparks' novel, director Nick Cassavetes film spins the bittersweet tale of a 60-year romance, as seen from the polar perspectives of its promising youth and the travails of an old age cursed by Alzheimer's. Its soundtrack effectively echoes those polar dramatic concerns, with composer Aaron Zigler's gentle orchestral score largely giving voice to the character's melancholy present, while a rich, well-chosen slate of vintage material by Billie Holiday, Duke Ellington, Benny Goodman and Glenn Miller imparts a restless energy to their youth. There's a certain schmaltz to much of Zigman's work here, yet cues like "House Blues/The Porch Dance.." and "Noah's Journey" argue he's achieved something more elusive than mere melodramatic wallpaper with the deceivingly difficult task at hand; it can't be easy to have your work seasoned with the likes of Ellington's sassy "Alabamy Home" and Goodman's still-vibrant "One O'Clock Jump." Sharply contrasting versions of "I'll Be Seeing You" by Holiday and Jimmy Durante bookend the soundtrack, perfectly evoking the story's alternating shades of hope and fading nostalgia and framing Zigman's understated work in the bargain. --Jerry McCulley

    Album Description

    Based on the best selling novel by Nicholas Sparks ("A Walk To Remember", "Message In A Bottle"), "The Notebook" is the story of Noah and Allie, teenage lovers torn apart by WWII and Allie's parents' demands to marry a respectable lawyer. After 14 years apart, they meet again and rekindle their true love. Starring Ryan Gosling, Rachel McAdams, James Garner, and Gena Rowlands. The soundtrack is a propelling force. In addition to classic WWII era pieces, Aaron Zigman's score suites enhance the record with beautifully dramatic themes. Score performed by the Hollywood Studio Symphony.

    Customer Reviews:

    5 out of 5 stars Touching.......2007-07-04

    There isn't much I can say about this beautiful movie, except that it was so touching!
    It say's go for the "true love", settle for nothing else no matter what may be in store, because love that is "true" and as beautiful as their's was, is a rare thing!
    I absolutely loved the ending.
    I also loved that a movie CAN be truly wonderful, beautiful and touching WITHOUT grafic "sex scenes!" Also sadly a rare thing in movies today.

    Ever seen "Hanover Street?" Equally beautiful. No SEX scenes either!

    Angelfish

    5 out of 5 stars Pays music a complement. I love the classical pieces!.......2007-05-27

    I do not have the soundtrack to The Notebook, but I do have the movie itself. Having said that, every song is wonderful. Some music carries with it, a wealth of emotion and a sense of timelessness. I love all of the classical pieces , perhaps the best, in this particular movie. Classical has never been my speed when it comes down to music, but something about this movie's classical masterpieces struck a chord in me...made me smile and maybe even sniffle a bit. If you are a fan of the movie, I'm sure you would love its soundtrack too. Music like this is ideal for a romantic evening or just for pleasure listening. You don't know if you'll like something until you give it a chance! So give this a chance!!

    5 out of 5 stars the Notebook soundtrack (Audio CD).......2007-05-13

    This is a beautiful collection of music from the movie, The Notebook. Most is instrumental, very relaxing, as well as lively at times. Two renditions of "I'll Be Seeing You" are included.

    5 out of 5 stars Very Nice.......2007-03-30

    I really enjoyed listening to the soundtrack, but I'm also a big fan of background music and this cd was great for both. Listening to the cd took me back to the movie and reminded me how much I enjoyed it, but I also put the cd on during a nice meal with friends and it worked out very well, they all enjoyed the music.

    5 out of 5 stars A sweeping, emotional standout!.......2007-01-11

    The music from The Notebook brings you right back to the film, capturing your heart and soul. It's music will roll live waves through your soul and bring you from nostalgia to your own feelings of love and desire. The selections, arrangements and orchestrations are to be admired, and Mr. Zigman is to be praised. This soundtrack truly completes the legacy of "The Notebook".
    Yankee Doodle Dandy
    Average customer rating: 4.5 out of 5 stars
    • Yankee Doodle Dandy Review
    • Yankee Doodle Dandy
    • Amazing! Wonderful! Just buy it - you won't be sorry!
    • What a find!!
    • A Soundtrack Every American Should Own
    		 Yankee Doodle Dandy
    Various Artists
    Manufacturer: Rhino / Wea
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000066RM7
    Release Date: 2002-06-18

    Tracks:

    1. Main Title: Warner Bros. Signature/Yankee Doodle/Yankee Doodle Boy/Mary's A Grand Old Name/Off The Record - Warner Bros. Orchestra
    2. Early Years Sequence: Columbia The Gem Of The Ocean/The Dancing Master/While Strolling Through The Park One Day/At A Georgia Camp Meeting - Walter Huston
    3. I Was Born In Virginia - Walter Huston
    4. The Warmest Baby In The Bunch - Sally Sweetland
    5. Harrigan - Sally Sweetland
    6. Yankee Doodle Boy - James Cagney
    7. Little Johnny Jones Sequence: The Yankee Doodle Boy/Good Luck Johnny/Little Johnny Jones Special/Finale Special/All Aboard For Old Broadway/Rocket/Give My Regards To Broadway - James Cagney
    8. Medley: Oh, You Wonderful Girl/Blue Skies, Gray Skies/The Belle Of The Barber's Ball - Walter Huston
    9. Mary's A Grand Old Name - Sally Sweetland
    10. Forty-Five Minutes From Broadway - James Cagney
    11. Fay Templeton Medley: Mary's A Grand Old Name/Forty-Five Minutes From Broadway/So Long, Mary - Irene Manning
    12. You're A Grand Old Flag - Walter Huston
    13. Over There - Frances Langford
    14. Medley: In A Kingdom Of Our Own/Love Nest/Nellie Kelly, I Love You/The Man Who Owns Broadway/Molly Malone/Billie - Frances Langford
    15. Off The Record - James Cagney
    16. Finale And End Cast: Over There/Yankee Doodle Boy - James Cagney
    17. You Remind Me Of My Mother (Outtake) - James Cagney
    18. Medley: Oh, You Wonderful Girl/Blue Skies, Gray Skies/The Belle Of The Barber's Ball (Piano Only Version) - Walter Huston
    19. Give My Regards To Broadway (Rehearsal) - James Cagney
    20. You're A Grand Old Flag (Rehearsal) - James Cagney

    Amazon.com

    When one thinks of musicals from Hollywood's golden age, the initials MGM come almost instantly to mind. Indeed when veteran song-and-dance man George M. Cohan was negotiating a film based on his colorful life story, his first choice was Metro--until a falling out with studio chief Louis B. Mayer. But L.B.'s loss eventually became Warner Brothers'--and film history's--gain when the Burbank studio's Cohan musical became a massive, patriotic hit in the opening months of World War II. As chronicled in this vibrantly restored, first-ever complete soundtrack for the film, it was a compelling twist of fate. James Cagney turns in one of the screen's most ostensibly unlikely--and ultimately indelible--musical performances (netting him his only Best Actor Oscar ®), teaming with studio music director Roy Heindorf to update Cohan's once-quaint turn-of the-century patriotic ditties ("You're a Grand Old Flag," "Over There," "Yankee Doodle Boy") and infectious vaudevillian chestnuts ("Give My Regards to Broadway," "Harrigan") with bracing dollops of the studio's '40s orchestral sass--and, just months after Pearl Harbor, some crucial historical parallels. Also included are four bonus tracks that remarkably survived the film's preproduction, including an outtake of "You Remind Me of My Mother" and voice-and-piano-only rehearsal versions of "Give My Regards to Broadway" and "You're a Grand Old Flag" that further underscore Cagney's deceptively effortless ability to sell a song despite his limited musical gifts. It's a long overdue showcase for a true American film musical gem. --Jerry McCulley

    Customer Reviews:

    3 out of 5 stars Yankee Doodle Dandy Review.......2006-11-03

    It's an old movie with an old soundtrack, but I loved the movie, I love the music, and I'm very happy with my purchase.

    5 out of 5 stars Yankee Doodle Dandy.......2006-06-30

    Excellent in black and white and color. James Cagney also got a medal from a President. (President Reagan!} If you like entertainment...this is it!

    5 out of 5 stars Amazing! Wonderful! Just buy it - you won't be sorry!.......2005-03-05


    I am so very glad I bought this CD. I own the DVD of "Yankee Doodle Dandy" and watch it all the time, so I almost didn't buy this, wondering if I really needed yet another CD.

    Well, thank God I didn't pay any attention to that dumb idea!

    If you love "Yankee Doodle Dandy" and Cagney, you just have to buy this soundtrack. It's like being able to take the movie with you anywhere ... it's not just the songs - as others have said - but also includes bits of Cagney's voice-overs, even the tap-dancing from the end of "Little Johnny Jones." And since the audio system in my car is better than my TV's, it all seemed even bigger, richer and better. (George M. would love that!)

    Wonderful, wonderful stuff!

    5 out of 5 stars What a find!!.......2003-06-15

    I haven't been able to see this movie on TV since Turner bought it (don't get TCM), but if you've seen the movie several tims, as I have, listening to this CD is very nearly as good as watching it all the way through. (I'm so delighted with it that I'm even willing to forgive TCM for putting a paper ad inside with the disc.)

    Monumental effort must have gone into this soundtrack, given the age of the original recordings. The tracks here are crisp, clear, and bright, with no evidence of how long ago they were first put down. The editors were also generous in their inclusion of dialogue that ties some of the tracks together (for example, we hear the man tell Johny Jones to watch for the skyrocket, then we hear the skyrocket as it leads into "Give My Regards to Broadway"). There are a couple of places where the endings are slightly abrupt but this is because, in the movie, the music fades into extended dialogue.

    The only bit of dialogue I expected to hear in a song, but didn't, is in "Over There" near the very end of the film, when Cagney/Cohan has fallen in step with the soldiers going off to WWII, as they're singing "Over There", when the soldier nearest him says something like, "What's wrong, old timer, don't know the words?" and Cagney says, "Seems to me I do" and starts singing along. That's minor and pales next to how wonderful the rest of this soundtrack is.

    One of the biggest treats on this CD is that we get to hear some of Cagney's tapping, notably in "Give My Regards to Broadway", "You're a Grand Old Flag", and - one of my favorite moments in movie history - when he dances down the White House stairs to "Yankee Doodle" near the end).

    The outtake is not a humorous one, simply a track they decided not to use. It and the rehearsal tracks are all just the performers voices with piano accompaniment. I especially enjoyed hearing Cagney rehearsing "You're a Grand Old Flag".

    If you like Cagney, if you like Cohan's music, if you like movies "the way they used to make them", or if you're not ashamed to get a little choked up with patriotism once in a while, you will not be disappointed in this CD!

    5 out of 5 stars A Soundtrack Every American Should Own.......2002-09-23

    Finally! If you own that Hollywood Soundstage abomination of the "Yankee Doodle Dandy" soundtrack you can finally pitch it. Here is the real article. Rhino (Turner Classic Movies Music) lovingly restored the music from the beloved "Yankee Doodle Dandy" motion picture starring James Cagney. This soundtrack sounds astonishing considering it's 60 years old. It's very obvious some loving care was taken in it's production for which we all should be greatful. The liner notes also are great with informative text and wonderful photos from the movie. The marvelous George M. Cohan songs gives one goosebumps and bring tears to the eyes. We all need this type of patriotic pep rally, especially in these tough times. As I've said, this soundtrack belongs in every American's home just as much as that "Grand Old Flag"! I believe there are plans to release the movie on DVD, hopefully soon.
    An Introduction to Der Ring des Nibelungen
    Average customer rating: 4.5 out of 5 stars
    • Ring introduction critique
    • FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
    • Welcome back to a classic analysis
    • Essential for Understanding Wagner's Ring Cycle
    • Very Functional
    		 An Introduction to Der Ring des Nibelungen
    Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00000424H
    Release Date: 2005-09-13

    Tracks:

    1. Of All Great Musical Compositions... (Examples 1-4)
    2. The Fundamental Symbol... (Examples 5-11)
    3. Returning Now To The Nature Motive... (Examples 6, 12-16)
    4. A Number Of Further Motives... (Examples 5, 17-21)
    5. A Second, Much Smaller Family... (Examples 22-25)
    6. So Much For Nature. (Examples 26-38)
    7. The Cause Of The Deterioration... (Examples 39-44)
    8. The Other Transformation... (Examples 45-48)
    9. Several Other Motives... (Examples 49-52)
    10. Two Further Motives... (Examples 41, 53-61)
    11. The Basic Motive Associated With The Spear... (Examples 62-68)
    12. Along Another, More Complex Line... (Examples 69-72)
    13. In Act Two Of Walkure... (Examples 69, 73-75)
    14. Returning Now To Act Two Of Walkure... (Examples 76-79)
    15. Love Is Another Of The Central Symbols... (Examples 80-83)
    16. Later In The Same Scene... (Examples 84-87)
    17. Freia's Motive Has Two Independent Segments... (Examples 88-91)
    18. The Label 'Flight'... (Example 92)
    19. When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
    20. A Little Later In The Interlude... (Examples 99-103)

    Tracks:

    1. The Other New Motive... (Examples 104-109)
    2. There Are Several Independent Love-Motives... (Examples 110-114)
    3. The Characters In Whose Lives... (Examples 115-120)
    4. One Further Motive Belongs... (Example 121)
    5. The Sword Motive Recurs... (Examples 122-130)
    6. Ironically, This Phrase... (Examples 131-135)
    7. Closely Associated With Gutrune's Motive... (Examples 136-140)
    8. Here We Come To The End... (Examples 141-146)
    9. Complemtary To This Symbol... (Examples 147-149)
    10. One Last Central Symbol... (Examples 150-157)
    11. One Further Motive Connected... (Examples 158-161)
    12. There Are One Or Two Motives... (Examples 162-168)
    13. These Motives Of Alberich And Mime... (Examples 169-171)
    14. Quite A Number Of The Subsidiary Motives... (Examples 172-176)
    15. Besides This Family Of Motives... (Examples 177-180)
    16. Our Final Example... (Examples 10, 181, 182)
    17. In The Final Scene Of Gotterdammerung... (Examples 181-183)
    18. Even More Masterly... (Examples 184-188)
    19. Now If We Return... (Examples 189-191)
    20. This Masterly Way... (Examples 192, 193)

    Amazon.com

    When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

    Customer Reviews:

    4 out of 5 stars Ring introduction critique.......2006-11-04

    This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

    5 out of 5 stars FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

    This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

    It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

    On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

    This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

    4 out of 5 stars Welcome back to a classic analysis.......2006-05-28

    Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

    If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

    5 out of 5 stars Essential for Understanding Wagner's Ring Cycle.......2006-05-15

    I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

    Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

    4 out of 5 stars Very Functional.......2006-03-19

    This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.
    Essential Purcell
    Average customer rating: 5 out of 5 stars
    • Mad about Baroque
    • The beauty of the songs brings tears to my eyes
    • Brilliant
    • Be Welcome then, great Sirs (and Mesdames).
    • Brilliant Purcell Disc
    		Essential Purcell
    Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders
    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
    2. Purcell: The Fairy Queen
    3. Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
    4. Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
    5. Purcell: Full Anthems & Organ Music

    ASIN: B000002ZDU
    Release Date: 1995-04-10

    Tracks:

    1. Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
    2. Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
    3. Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
    4. The Choir Of The King's Consort: Hear My Prayer, O Lord
    5. Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
    6. Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
    7. Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
    8. Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
    9. Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
    10. Complete Anthems And Services Vol.3: Hosanna To The Highest
    11. Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
    12. Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
    13. Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
    14. Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
    15. Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
    16. Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
    17. Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
    18. Complete Anthems And Services Vol. 11: An Evening Hymn
    19. Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
    20. Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

    Amazon.com essential recording

    The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

    Customer Reviews:

    5 out of 5 stars Mad about Baroque.......2007-02-12

    This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

    5 out of 5 stars The beauty of the songs brings tears to my eyes.......2002-08-21

    Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

    5 out of 5 stars Brilliant.......2001-10-31

    Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

    These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

    5 out of 5 stars Be Welcome then, great Sirs (and Mesdames)........2001-10-20

    If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

    This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

    A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

    it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

    5 out of 5 stars Brilliant Purcell Disc .......2000-11-30

    With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

    An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

    Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

    by stardustraven

    Music Review:

    1. Overture in D Major
    2. Piano Masters: Karol Szreter
    3. Praludium Und Fuge in C-Dur
    4. Ravel: Boléro; Rapsodie espagnole [Original recording remastered]
    5. Respighi: Pini di Roma Nos. 1-4; Feste romane
    6. Robert Schumann: Manfred, Op. 115
    7. Romantic Baroque
    8. Rosa Ponselle: Casta Diva
    9. Saint-Saens: Carnaval des animaux, zoological fantasy No1-14; Ibert: Pièces Brèves
    10. Scarlatti: La Giuditta

    Music Review

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