Sweet And Low

On this CD:

1. Carmen, opéra-comique in 4 acts Finale
Composed by Georges Bizet
Performed by Maria Gay, Giovanni Zenatello

2. Le prophète, grand opera in 5 acts O Prêtes de Baal
Composed by Giacomo Meyerbeer
Performed by Sigrid Onegin

3. Lucrezia Borgia, opera Il segreto per essere felice
Composed by Gaetano Donizetti
Performed by Sigrid Onegin

4. Madama Butterfly (Madame Butterfly), opera Flower duet
Composed by Giacomo Puccini
Performed by Helene Jung, Meta Seienmeyer

5. Il Trovatore, opera Ai nostri monti
Composed by Giuseppe Verdi
Performed by Louise Homer
Conducted by Giovanni Martinelli

6. Il Trovatore, opera Stride la vampa
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra with Irene Minghini-Cattaneo, Ugo Nastrucci

7. The Lost Chord, song for voice & piano
Composed by Arthur Sullivan
Performed by Dame Clara Butt

8. Carmen, opéra-comique in 4 acts En vain pour éviter
Composed by Georges Bizet
Performed by Mary Garden

9. Don Carlo, opera O Don Fatale
Composed by Giuseppe Verdi
Performed by Maartje Offers
Conducted by Sir John Barbirolli

10. Eili, Eili
Composed by Anonymous
Performed by Nina Koshetz

11. Estrellita for voice & piano (or orchestra)
Composed by Manuel Ponce
Performed by Nina Koshetz

12. Caller herrin'
Composed by Anonymous
Performed by Gladys Knight

13. Angus MacDonald
Composed by Frederick E. Weatherly
Performed by Gladys Knight

14. La cenerentola (Cinderella), opera Aria and Rondo
Composed by Gioachino Rossini
Performed by Conchita Supervia

15. Zingari in Fiera, opera Che vuol la Zingarella
Composed by Giovanni Paisiello
Performed by Conchita Supervia

16. Las Hijas Del Zebedeo, zarzuela Carceleras
Composed by Ruperto Chapi y Lorenta
Performed by Conchita Supervia

Tracks:

Fantasy For Violin And Orchestra On Porgy And Bess
Three Preludes: I. Allegro ben ritmato e deciso
Three Preludes: II. Andante
Three Preludes: III. Allegro ben ritmato e deciso
Songs For Violin And Orchestra: I Got Rhythm
Songs For Violin And Orchestra: Embraceable You
Songs For Violin And Orchestra: Nice Work If You Can Get It
Songs For Violin And Orchestra: Liza
Songs For Violin And Orchestra: But Not For Me
Songs For Violin And Orchestra: Sweet And Low-Down
Songs For Violin And Orchestra: Love Is Here To Stay

Amazon.com essential recording

On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason Verlinde

Customer Reviews:

Bell & Gershwin.......2007-05-20

Two of my faves, George Gershwin and Joshual Bell -

Can't beat that!

Also, "Porgy" is a fave opera... so three out of three isn't bad!

Enchanting.......2007-03-24

A very talented (to say the least) young musician playing the beautiful music of a very talented composer. I listen over and over again and especially like his rendition of "Embraceable You" and "But Not For Me" . . I'm a romantic!

Joshua Bell's playing is exquisite.......2005-07-08

Joshua Bell's exquisite playing turns these arrangements into Gold. In the hands of Perlman or Shaham these arrangements would be pure shmaltz, but Bell's playing is of the highest caliber.

S'Wonderful.......2004-10-20

Love it! I had heard of Josh Bell but never had purchased any of his music. I am a full fan now. This cd is wonderful. I am a Gershwin fan and have been for years. Bell breathes new life into the old classics and the result is breathtaking. His touch with the violin is beyound discription. He even plays with George in one cut, Sweet and Low Down. That alone is worth the price of the cd. Buy this cd and expect to be enchanted. It has been in my changer for weeks now, I can't get enough.

My Starter Bell CD.......2003-11-05

This CD was my introduction to Joshua Bell after hearing a track on our local Washington, DC, classical radio station. It was hard not to be struck not only by the warmth of Mr. Bell's playing but also by his phrasing. He is almost never flashy, but his nuances made me find new musical possibilities which I hope -- but somehow doubt -- Gershwin intended. This is Gershwin as you have never heard him before, and it desires a place in anyone's classical or jazz collection.

Average customer rating:

Beautiful
A few bright spots, but also some disappointments
This CD Deserves SIX Stars!
every good adjective
Fabulous!

Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell
Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD

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Consider the Lilies
Love Is Spoken Here
America's Choir
Choose Something Like a Star
Mormon Tabernacle Choir: The Sound of Glory-Battle Hymn of the Republic

ASIN: B00020H9W0
Release Date: 2004-06-22

Tracks:

Sweet Peace
Be Still, My Soul
Peace Like a River
All Things Bright and Beautiful
Lord Is My Shepherd
This Is My Father's World
Wayfarin' Stranger
Lord, Make Me an Instrument of Thy Peace
Swing Low, Sweet Chariot
Deep River
Lamb
Child's Prayer
It Is Well With My Soul
Count Your Blessings Instead of Sheep
Gaelic Blessing
Thou Gracious God, Whose Mercy Lends
Come, Let Us Anew

Customer Reviews:

Beautiful.......2007-06-14

This CD is a must have for any Mormon Tabernacle Choir fans. The music is very reverent and gentle, and should also appeal to those not from the LDS church, seeing as how most of the music is common to the wider Christian community. This CD is a fantastic addition to any music collection.

A few bright spots, but also some disappointments.......2007-01-19

It Is Well With My Soul is one of my favorite-favorites and that is the main reason why I bought the CD; it turned out to be a huge let down on this album, they rearranged it so much that I almost didn't recognize it. Be Still My Soul is another reason why I bought it and it's good, but not great. Swing Low Sweet Chariot is where it starts to get good. The last two songs "Thou Gracious God, Whose Mercy Lends"
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.

This CD Deserves SIX Stars!.......2005-11-05

However, the rating scale has a limit of five. I own over 700 CDs of virtually every type of music. Peace Like A River belongs in a class by itself! I've never written a review before but, after listening to this STUNNING performance by the Mormon Tabernacle Choir, I feel compelled to share my praise with that of the five other reviewers. If I were limited to one word, I would use the word "SUPERB" to describe this beautiful and moving CD. SIX stars for Peace Like a River! BRAVO!!!

every good adjective .......2005-08-06

This album is all beauty and solace. The singing is pristine, the arrangements lush and often stirring--never saccharine. As with the previous reviewer, my first listing of "Peace Like a River" brought me to tears (especially "Peace Like a River," the sopranos in "Swing Low," and the bagpipes in "Thou Gracious God"). Buy this one.

Fabulous!.......2005-05-29

The perfect recording to help you recover from a long, hard day. Showcasing the MTC's "new" sound in contemporary choral arrangements with its own orchestra and conductor, "Peace Like a River" brought tears to my eyes in selection after selection during my first listen -- and I'm not normally an emotional person! The title song together with "Deep River," "Swing Low" and "Be Still My Soul" are alone worth the cost of the recording. Get this one!

Gershwin Plays Gershwin: The Piano Rolls

Average customer rating:

Wonderfully American
A Gersh-winner
Interesting... but I think I'd prefer a good Gershwin interpreter
Gershwin's playing overated
The jazzy Gershwin. What a CD!!!!!!!

Gershwin Plays Gershwin: The Piano Rolls

Manufacturer: Nonesuch
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Binding: Audio CD

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Similar Items:

The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2
Essential George Gershwin
Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris
Levant Plays Gershwin
George Gershwin: Greatest Hits

ASIN: B000005J1I
Release Date: 1993-11-09

Tracks:

Sweet And Lowdown
Novelette In Fourths
That Certain Feeling
So Am I
Rhapsody In Blue
Swanee
When You Want 'Em, You Can't Get 'Em...
Kickin' The Clouds Away
Idol Dreams
On My Mind The Whole Night Long
Scandal Walk
An American In Paris

Customer Reviews:

Wonderfully American.......2007-05-14

I've had a copy of this CD for years and love it. The power and optimism of the music is really quite remarkable... regardless of who or what is actually playing here. The arrangement of Swanee is light but rich with major chord trains like you just want to go marching around the room. And American In Paris leads you on a swaying, dischordy journey the deeper you go, as the narrative begins to trade delicacy for passion. (and I love renditions where you can hear the MUSIC and the instruments don't get in the way, like four-voice midi versions of Bach which reveal the eloquence).

When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.

"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.

A Gersh-winner.......2007-01-07

George Gershwin had a long association with the mechanical device known as the player piano. At the age of ten, Gershwin used a neighbor's pianola to teach himself how to play, by very slowly pumping the foot pedal that advanced the hole-punched rolls, and placing his fingers on the depressed keys. His parents were so impressed by his abilities they enrolled the boy in formal piano studies when he turned 13. Thus, an American genius was born.

The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.

The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.

Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.

TOTAL RUNNING TIME -- 60:36

Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14

Composers are not necessarily the best performers of their own work. A songwriter's songwriter like Jules Shear or Jimmy Webb comes to mind -- surely the best representations of their songs are on other artist's albums.

This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!

I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.

Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.

Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.

Gershwin's playing overated.......2006-04-09

After I heard this cd I bought Gershwin plays Gershwin on the naxos label which arn't piano rolls. Any pianist can tell that many of these rolls are heavily edited and can't be played by a pianists with two hands. On the naxos album that has some of these same songs Gershwin's actual playing doesn't sound very good. Many of Gershwins contempories such as James P. Johnson, Eubie Blake, Luckey Roberts and even Zez Confrey were much better pianists than he was, however they didn't have his melodic gifts as a composer. I would recommend Artis Whodhouse's
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.

The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23

I got this CD as a gift. I am all for the austrogerman post- romantic music and as imagined Gershwin is not my favourite composer. I know him from his best known works such as the 'Rhapsody", the 'American' and his great songs. This CD is a treasure as mentioned from other reviewers of this site. Gershwin full of passion, his music being jazzy to the very end and that great feeling you get after a great live performance is present all over the length of this 'treasure'. No question about the presence of the music. Not to be missed

Average customer rating:

"Lord, How Come Me Here"
WOW!
uhm......yeah right!!
scadalise my name
Broadway takes on the spiritual ...

Spirituals in Concert

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Amazing Grace: Jessye Norman
Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Kathleen Battle & Christopher Parkening ~ Pleasures of Their Company
So Many Stars

ASIN: B000001GDC
Release Date: 1991-03-08

Tracks:

In That Great Getting Up Morning
Sinner, Please Don't Let This Harvest Pass
Over My Head/ Lil' David
Oh, What A Beautiful City
Lord, How Come Me Here
I Believe I'll Go Back Home-Lordy, Won't You Help Me
Ride On, King Jesus
Swing Low, Sweet Chariot-Ride Up In The Chariot
You Can Tell The World
Scandalize My Name
Great Day
Oh, Glory
Calvary-They Crucified My Lord
Talk About A Child
Gospel Train
My God Is So High
There Is A Balm In Gilead
He's Got The Whole World In His Hand

Customer Reviews:

"Lord, How Come Me Here".......2007-06-18

I must add, to the praises above, that Kathleen Battle's "Lord, How Come Me Here" is the best "quick" explanation of the long-lasting effects of slavery that I can think of. The line, "They sold my children away," says it all.

And the VERY funny "Scandelize My Name" is also worth the price of the total album!

Alinde O'Malley

WOW!.......2007-03-22

You know, after owning both the CD and VHS of this performance, and having been coached by Sylvia Olden Lee herself, it is no wonder why spiritual mean so much to me. And these two ladies bare their souls and bring these masterpieces to life! WOW!!!

uhm......yeah right!!.......2006-06-21

Clearly you are mistaken. I don't know who that guy is-the person below recommended-but there is NO COMPARISON to JESSYE NORMAN AND KATHLEEN BATTLE!!!! Jessye Norman herself has *30* HONARY DOCTRATES from places like Harvard, Juliard, Yale, Cambridge....I mean HELLO!!!! That guy had no where near the ease, the musicality or even the breath support as these two veterans show!! It is a beautiful CD though it came out in 1991 and I HIGHLY recommend it.

scadalise my name.......2004-10-29

this isn't that good specially after hearing William Warfeild sing it. You can find him at www.wlym.com

Broadway takes on the spiritual ..........2004-01-29

... takes it on and puts it on the canvas by the end of the first round.

I'm going to be the dissenting voice here: thank goodness I signed this disk out of the public library 'cause I'm sure not going to listen to it twice.

There is nothing wrong with the performances. Jessye Norman and Kathleen Battle sing beautifully, and there's no problem with the pick-up orchestra under James Levine.

The problem, and it's huge, is the conception of the show and the musical arrangements. To make the video marketable, I suppose, the producers decided that the concert had to be big: big names, big arrangements, big effects. So we have eighteen spirituals given the musical theatre treatment, with a philharmonic chorus providing chain-gang sound effects, big brass, and big percussion -- including a chinese gong. A chinese gong in a spiritual??? Spare me! Almost every track turns out sounding like either a curtain-raiser or a big, end-of-act production number with cute and predictable modulations between some of the stanzas and the sort of curly-cue orchestral ornamentation typical of Broadway shows.

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating:

Wonderful!
Simple and sweet songs
Marvellous cd, enchanting music
Good if you want to sing from the book but can't read music
Didn't like the voice.

Lullabies: A Songbook Companion

Manufacturer: Essay
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Lullabies: An Illustrated Songbook
Lullabies and Poems for Children (Everyman's Library Pocket Poets)
A Treasury of Children's Songs: Forty Favorites to Sing and Play
Go In and Out the Window: An Illustrated Songbook For Children
The Library of Children's Song Classics

ASIN: B00000083Z
Release Date: 1997-11-18

Tracks:

All Through The Night
All The Pretty Little Horses
All Night, All Day
Armenian Lullaby
Baby's Bed's A Silver Moon
Baloo, Baleerie
Brahms' Lullaby
Brezairola
Traumerei, Op. 15, No. 1
Can Ye Sew Cushions
By'm Bye
Bye, Baby Bunting - Golden Slumbers
Dance To Your Daddy - Dance, Little Baby
Fais Dodo
Good Night To You All
Jocelyn: Berceuse
Hush, Little Baby
Kumbayah
Little Boy Blue
Suo Gan
Matthew, Mark, Luke, And John
Mozart's Lullaby
Chanson de Nuit, Op. 15, No. 1
Now The Day Is Over - Raindrops
Raisins And Almonds
Rock-A-Bye, Baby
Rocking - The Sandman
Tales Of Hoffman: O Bell Nuit - Bacarolle
Skidamarink
Sleep, Baby, Sleep
Sweet And Low
Swing Low, Sweet Chariot
Toora, Loora, Loora
Twinkle, Twinkle, Little Star: Twinkel, Twinkel, Little Star
When At Night I Go To Sleep

Amazon.com

Released as a companion piece to the award-winning book Lullabies: An Illustrated Songbook, this hour-plus of music is a wonderful mix of stately classical themes and child-friendly vocals. The selections range from "All the Pretty Little Horses" to a global spread of lullabies drawn from classical and folk traditions. The music is spare, with Kapp on piano, Julianne Baird and Kapp's daughter Madeline on vocals, and Mela Tenenbaum on violin, viola, and occasional vocals. Most of the classical selections (from Robert Schumann, Johannes Brahms, Edmund Elgar, W.A. Mozart, et al.) get a straight-ahead, accomplished treatment. Lest you think the project stuffy, each of the melodies is in the one- to two-minute range, which effectively mandates a stronger sense of flow than most children's collections. Kapp, who managed to create a visual and poetic flow in the Lullabies book, keeps things nicely in a groove here, knowing enough to segue into silly tracks about halfway through the CD to provide a wider emotional range. This album every bit as accomplished as the book. --Andrew Bartlett

Customer Reviews:

Wonderful!.......2007-02-14

I love this CD. It's very well-done, and the approach is different than most children's CDs - very refined, yet soothing. I don't get tired of listening to it the way I do others -- which is important when trying to get a little one to sleep! I highly recommend it and the companion book.

Simple and sweet songs.......2006-04-02

With just piano, violin and vocals, this is a simple and heartfelt album. Ms. Baird's voice conveys the full emotions that a mother feels for her new baby with clean and open singing. The first track in particular, "All Through The Night," still makes me teary. I played this in the hospital when my son was born, and we use it as part of our wind-down ritual. I do agree that some of the songs are a little upbeat for bedtime. We just skip those in the evening (using iTunes).

Marvellous cd, enchanting music.......2005-10-18

Our whole family loves this cd. I am continually charmed and refreshed by the subtlety, taste and musicianship that has gone into these arrangements of well- and lesser-known gems. Apart from the joy of the simple yet perfect chordal progressions, listen to the warm, caressing tone imparted by the low bass notes in the piano in many of the tracks. The pace is so wonderfully leisurely, there is time to savour each song or piece, and yet each lasts only two or three minutes. The three diverse yet complementary singers, each with a tender and gentle presence suiting the subject matter, give a sense of a 19th century family musical evening. Magical.

Good if you want to sing from the book but can't read music.......2004-02-10

I bought this solely because I have the book and wanted to sing the lullabies to my kids, but I can't read music. For this purpose it is fine. The songs are not in the same order as in the book but I can deal. As a stand-alone lullaby CD I wouldn't really recommend it--the songs are not sung in a soothing manner, there's lots of variety in tempo and volume, some are even sung up-beat. The voices are not pitched high enough for babies either. That being said, I am back on Amazon today to buy it for my sister who is due any day now with her 3rd kid--we both like to sing and have the book, and songs (in book or music form) are a great present that the baby won't grow out of for a long time, and helps you bond with your little one too.

Didn't like the voice........2002-12-11

I bought this cd to go with the book and it is very frustrating because the songs on this cd are not even in the same order as the book. The singing voice fluctuates too much, it will be really soft and then it gets really high pitch. And if you have the volume set at a lower level for some songs then you can't hear other songs. I think there are better cds to buy than this one.

Amazing Grace (American Hymns & Spirituals)

Average customer rating:

Absolutely Amazing!!! ('specially for white folk)
Not Up to Shaw's Usual Standard
A Must CD for Choral Music Lovers
Soul-stirring
Soul-stirring

Amazing Grace (American Hymns & Spirituals)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Texas Blues | Regional Blues | Blues | Styles | Music

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General | Opera & Vocal | Styles | Music

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Irish Folk Songs
Sea Shanties
Battle Cry of Freedom
The Power & The Majesty: Essential Choral Classics
A Cappella

ASIN: B000003CZ1
Release Date: 1993-09-28

Tracks:

To God Our Strength
Come Away To The Skies
Wondrous Love
God Is Seen
Hark, I Hear The Harps Eternal
Bright Caanan
Amazing Grace
His Voice As The Sound
I Will Arise
Saints Bound For Heaven
Ride On, King Jesus
Poor Mourner
Swing Low, Sweet Chariot
Dere's No Hidin' Place
My God Is a Rock
Sometimes I Feel Like a Moanin' Dove
I Got Shoes
Soon One Mornin'
Same Train
Lord, If I Got My Ticket

Customer Reviews:

Absolutely Amazing!!! ('specially for white folk).......2004-03-27

This is an absolute must!!! I have never heard such passionate singing of spirituals from non-black choirs. Perhaps that is attributed to Shaw's minister roots. As usual, the sonority of Shaw's singers is second to none. This is a fun CD that all can enjoy...not just the choral buffs who know just how good Shaw and his choirs are!!!

Not Up to Shaw's Usual Standard.......2002-03-23

Maybe just personal taste. I don't find the arrangements and vocalizing as interesting and satisfying as "Sea Chanties" and "23 Glee Club Favorites", the latter setting a standard never equaled.

A Must CD for Choral Music Lovers.......2001-01-03

Amazing Grace is a very appropriate title for this recording. For those of you who love Sacred Harp , Southern Harmony and Spirituals, you will revel in the folk traditions of this album. Parker and Shaw arrangements, and sometimes just one or the other are so well done. The singers, of course, do an excellent job of making music under Shaw's direction. "Hark I Hear.." arr. by Parker is becoming a standard for choruses and this album will help you hear why. "If I've got my ticket" by Shaw is a wonderful exchange between solo and chorus. You will be playing this CD over and over once you hear it.

Soul-stirring.......2000-08-10

I have thoroughly enjoyed this CD. The thoughtful and meditative, "What wondrous love is this, O my soul, O my soul" sends the listener awe-struck to the foot of the cross. The triumphant "Ride on King Jesus!" reminds the listener of final victory. I highly recommend this CD to anyone who appreciates musical and cultural heritage or for anyone who appreciates religious music.

Soul-stirring.......2000-08-10

Average customer rating:

Ms. Battle does it again
A charming, lightweight song recital
Kathleen Battle Takes On Carnegie Hall
I'd give this CD 20 stars if I could! Sheer perfection!
Lovely

Kathleen Battle at Carnegie Hall

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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The Best of Kathleen Battle
Kathleen Battle in Concert
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A Christmas Celebration: Kathleen Battle
So Many Stars

ASIN: B000001GG5
Release Date: 1992-08-11

Tracks:

Serse: Frondi tenere - Ombra mai fu
Giulio Cesare In Egitto: E pur cosi - Piangero la sorte mia
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte
Ridente la calma
S'il est un charmant gazon
Comment, disaient-ils
Enfant, si j'etais roi
Oh! Quand je dors
Amor
An die Nacht
Vocalise
Zdes' Choroso
V molcan'i noci tajnoj
Ne poj, krasavica
Porgy And Bess: Summertime
Good News
Louise: Depuis le jour
Die Fledermaus: Mein Herr marquis
Over My Head I Hear Music
He's Got The Whole World In His Hand
Swing Low, Sweet Chariot

Customer Reviews:

Ms. Battle does it again.......2006-03-29

Ms. Battle covers musical styles from baroque all the way to spirituals on this CD, and excels at each song she sings. My personal fav's are "Frondi tenere...ombra mai fu" "Mein herr marquis" "Vocalise" "Swing Low" "Piangero la sorte mia". One impression I get when I hear this CD, is that Ms. Battle had fun with each one of these songs. She sounds like she is enjoying singing them and is totally relaxed with full confidence in her voice. So many singers you hear sound tense, but not here. It's hard to explain really, but generally, when a singer is struggling and fighting to sustain a good sound or sing artistically, you can sense it. This CD is would make a wonderful sampler for someone new to Ms. Battle's voice. It is a shame, though, that she is such a "diva". Nevertheless, this is a delightful recording and I would strongly recommend it.

A charming, lightweight song recital.......2005-09-18

This recital is a pale shadow of the great one Battle gave with Levine from Salzburg, so I wasn't satisfied with one track after another of pretty, charming singing without deep musicality or committment. battle is capable of much beter. Her fans will be pleased, and that's about all.

Kathleen Battle Takes On Carnegie Hall.......2005-04-04

Every big artist wants to perform at Carnegie Hall, its' a sign of a true career. For Kathleen Battle, this must have been quite a night. This album captures that great night, solely built around her, in which she sang aria after aria in a spectacular showcase. Handel was a specialty of hers, and the lyric texture and coloratura heights are nearly dizzying. She makes it all seem so effortless. Furthermore, Miss Battle was a magnificent French singer- most coloratura sopranos excell in the French repertoire- as Beverly Sills did and as did Madie Mesple. However, Battle always makes me feel mixed emotions. One the one hand, she does have a classic, lyric-coloratura voice that nearly became extinct after the reign of Beverly Sills and even earlier with the likes of Lily Pons and Amellita-Galli-Curci. Battle has a bright, golden voice, capable of sweetness and refinement without hysterical declamation or any unpleasant sounds. It's such a shame she did not behave proffessionally. The stories were true. She behaved like a diva holding a whip! She was ungrateful and selfish and couldn't work well with her colleagues and co-artists. She was always late to rehearsals, left early, refused to socialize or ride in the same car with her other artists and went far beyond perfectionism- she behaved like she was the greatest thing since sliced bread. But for all these shortcomings, we love her voice. Her fans, and yes she has fans, continue to buy her albums even though she has long disappeared from the world of opera that once tolerated her but said enough is enough........

I'd give this CD 20 stars if I could! Sheer perfection!.......2003-12-07

God made the nightingale, and somewhere down the line, he touched a little girl named Kathleen Battle with what he originally gave to that bird from the beginning of creation. I cannot, for the life of me, believe that a voice could be so beautiful. I hear it, I marvel, but sometimes the sheer incredible beauty of this woman's vocal artistry is mind altering and surreal. Even the nightingale must suffer a moment of jealousy when a Kathy Battle tune is played!(This is bordering on blasphemous I know, and I beg forgiveness!) But Kathy Battle is simply amazing! This CD captures her at her best.
I'm not an opera buff by any means, but I love the human voice and great singing. There is not a bad song in the bunch. Like one reviewer, I too, am not a big fan of the spirituals segment, but I have a higher tolerance for it than she..I can still enjoy them for what they're worth.

Just BUY this CD...buy more than one if you can. One for home and one for your car. Believe me, you will not be disappointed.

P.S. Can someone tell me if this Carnegie Hall recital was also filmed and where I can get a copy of it? I cannot find many filmed recitals of Kathleen Battle anywhere. There used to be many at the Metropolitan Library in NYC, but all they seem to have now are her appearances in operas. I remember seeing a Met recital of her in a red gown on the cover of the vhs box, but they must have retired it. Any Kathy Battle fans out there who can help me get a video collection going, I would be most appreciated! (ryanmarcus1@juno.com)

Lovely.......2003-07-22

Kathleen has a beautiful voice, and it's wonderful to have a CD that includes both traditional opera pieces as well as fun gospel songs. I recommend this!

Average customer rating:

A fabulous soulful album!
So Glad He's Back
Back where he belongs!
Mr Wonderful

Sweet Soulful Music
Andy Fairweather Low
Manufacturer: Proper Records Us
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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ASIN: B000GUJEZG
Release Date: 2006-08-15

Tracks:

One More Rocket
Hymn 4 My Soul
What'd You Take Me To Be
Ashes And Diamonds
Bible Black Starless Sky
Don't Stand
Life Ain't No Competition
Zazzy
The Low Rider
Unbroken Love
I Don't Need
Sweet Soulful Music
Life Is Good
When I Grow Too Old To Dream

Amazon.com

British guitarist and vocalist Andy Fairweather Low has served as sideman for Roger Waters and George Harrison, and his work on Eric Clapton's Unplugged may be his most widely regaled work, but on four solo records during the last half of the 1970s, he produced a series of eclectic and ear-catching songs that proved he could just as aptly take center stage. It's taken two and a half decades for another, but Sweet Soulful Music proves that Fairweather Low is still worthy of holding down that post. Most of the 14 tracks (produced by the legendary by Glyn Johns) clock in at about three minutes, precise and near perfect songs that demonstrate his formidable appetite for Claptonesque blues ("I Don't Need," "Life Is Good"), rock ("One More Rocket"), folk ("The Low Rider") and timeless compositions (Hammerstein's and Romberg's "When I Grow Too Old To Dream"). Rock luminaries call him one of the industry's most valuable players, but Andy Fairweather Low remains a precious commodity all by himself. --Scott Holter

Album Description

F. Scott Fitzgerald's oft-quoted assertion that there are no second acts in American life may hold water on this side of the pond, but it doesn't apply to the Welsh, at least not to Cardiff-born Andy Fairweather Low. During the course of the last four decades, the 57-year-old writer/singer/musician has be-bopped and hollered his way through three distinct acts—teen idol, solo artist in the '70s and in-demand hired gun. Now Low's fourth act is beginning with the release of Sweet Soulful Music (Proper American Recordings), the first album to come out under his own name since 1980's Mega-Shebang.

Working with legendary producer Glyn Johns, whose knack for delivering musical and sonic authenticity was honed while he engineered the Beatles and the Stones, Low has opted for stripped-down settings featuring just his guitar, the bass of Dave Bronze (Robin Trower, Procol Harum, Clapton) and the drumming of Henry Spinetti (Clapton, Harrison, Paul McCartney, Roger Daltrey), with John "Rabbit" Bundrick (the Who, Pete Townshend, Bob Marley) adding piano to two tracks. Bundrick played on La Booga Rooga and Be Bop 'n' Holla, both of which were produced by Johns, while Spinetti appeared on the latter LP, so these sessions occasioned a reunion of hale fellows, well met.

As with this trio of cult classics (finally released on CD in 2004 by Edsel as the set Wide-Eyed and Legless: The A&M Recordings), Sweet Soulful Music throbs with a distinctly human vitality, its 13 original songs by turns playful and plaintive (in the manner of Dylan's latter-day masterpiece, Love and Theft), as the artist confronts those matters of life and death that tend to increasingly preoccupy one who has been on the planet for more than half a century.

Customer Reviews:

A fabulous soulful album!.......2007-01-11

This album definately lived upto expectations. I also purchased some of the album for gifts and were received with great thanks, and the reivews I had back were very favourable. Definately worth buying!!

So Glad He's Back.......2006-11-11

This album is absolutely wonderful, the title tells it all, exactly as it is, Sweet and Soulful.I've waited a long time for Mr Fairweather-Low to bring us more of his excellent music.It's full of deep emotion from a superb songwriter.Exactly what his fans have been waiting for.

Back where he belongs!.......2006-10-04

It's taken him 26 years to produce a new album but it really is worth the wait! Always too good to be a side-man in my opinion, he has worked along side the likes of Eric Clapton, George Harrision & Roger Waters playing guitar but his marvellous distinctive voice has gone unheard for too long. This album is a breath of fresh air for those who like me are rather depressed at the lack of real music out there, Every track is strong and you can tell that he has worked very hard on producing such great lyrics. It's musically sweet alright and deserves to sell by the truck load. So buy it and buy your next door neighour a copy too!

Mr Wonderful.......2006-08-20

This is the record his fans have been waiting for, and it's every bit as good as we dared hope, a more than worthy successor to the four greats from the 70s - Spider Jiving, La Booga Rooga, Be Bop 'n' Holla and Mega Shebang. His songwriting is as strong as ever with a range of styles that shows a deep, deep knowledge of popular music of the last 50 years or more; that wonderful expressive voice is intact, with phrasing if anything even better than before; and his guitar playing - who knew? - is amazing (see him in action on the Roger Waters and Clapton Unplugged DVDs). A triumphant return.

Average customer rating:

Kathy Rocks Ever!
A wide presentation of the work of an amazing artist
A Great Coloratura Soprano
Great compilation of Kathleen Battle's work
Beautiful Voice

The Best of Kathleen Battle

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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French | Languages | Opera & Vocal | Styles | Music

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Kathleen Battle at Carnegie Hall
Kathleen Battle Sings Mozart
A Christmas Celebration: Kathleen Battle
So Many Stars
Classic Battle: A Portrait

ASIN: B00068CVF8
Release Date: 2004-11-09

Tracks:

Summertime
I loves you, Porgy
Porgi amor
Welche Wonne, welche Lust
S'altro che lagrime
Una donna a quindici anni
Depuis le jour
E pur cosi / Piangeri la sorte mia
Oui! pour ce soir... Je suis Titania
Ah! tardai troppo... O luce di quest'anima
4. Pie Jesu (Sopran)
Voices of Spring, Op.410 (Frohlingsstimmen) - vocal version
Swing Low, Sweet Chariot / Ride Up in the Chariot
Witness "Oh, Lord, what manner of man is dis?"
Talk About a Child
He's got the whole world in His hands

Customer Reviews:

Kathy Rocks Ever!.......2006-01-01

Oh,yeah!Also here in Brazil she commanded,complained,got her tantrums as well but,she is Kathy;highly gifted,charmingly glamourous,her elegant golden singing beautifully soaring over brazilian audiences and so on.About this cd,I would prefer a completely new one.However,this is a gorgeous compilation,just perfect to Battle beginners or her fans,especially these spirituals that belongs incontestablely to her heavenly throat.I hope much more from Miss Battle just 'cause she is a great performer,in fact nobody or nothing couldn't denies that no matter she's doing backstage.Cowardly,poisonous "kid's rewiews" show us solely how empty is this quarrel.I hope a DG reissue of her beloved,out of print Schubert recital as well.

A wide presentation of the work of an amazing artist.......2005-12-23

This CD provides a sampling of Kathleen Battle's voice and interpretive abilities from coloratura virtuousity (Voices of Spring) to the simple, heartfelt spiritual (Talk about a child).

First of all, there's THAT voice. You hear a voice that is uniquely angelic and capable of expressing a wide range of moods. You hear a voice that glitters like a diamond, skips happily and effortlessly (and in impeccable tune) from note to note like it's nobody's business, one that that reminds you of moonbeams and early morning dew on pink rose petals. You've simply got to her it to believe it.

On this CD, the listener is provided with the the works/composers for which she's well known: Handel Opera (E pur cosi / piangero la sorte mia), Mozart Opera (S'altro che lagrime), Bel Canto Opera (Ah, tardai troppo...), French Opera (Depuis le jour), spirituals, and a few popular songs for sopranos such as Gershwin's Summertime and Faure's Pie Jesu

If you're just popping the CD in, try: (1) Ah, tardai troppo, (2) Voices of Spring, (3) Talk about a child, (4) I loves you, Porgy, and (5) Pie Jesu.

I suppose if you are a fan of heavy, dramatic voices, Kathleen Battle may not be to your liking. But I suspect that if you listen to her, you still might be amazed...

A Great Coloratura Soprano .......2005-04-03

Coloratura sopranos are a dying breed today. The era of Lily Pons and Beverly Sills is long gone and opera audiences favor a more "heavy" coloratura sound- or at least a full lyric one, such as the voice types of Kiri Te Kenawa, Carol Vanness and Renee Fleming. Kathleen Battle was in many ways an artist who payed homage to the coloratura queens of olden days. Only Natalie Dessay, of late, represents that kind of singer. much This album showcases her best work, and she is in fine voice, bringing a luminous and sunny quality to her interpretations, while keeping the dramatic appeal of the text. She was at best a Handel/Mozart/Strauss/Gounod singer, and never fared well in the more dramatic reperotoire of Verdi or Puccini heroines. She never sang Madame Butterfly, which if she had gone through training, she could have nailed, especially because her dramatic aspirations coupled with her soft, vulnerable sound would have suited her as Ciao Ciao San, in the way that Ying Huang interpreted the role. Verdi opera must have frightened her and she could never dream of taking on the roles that Leontyne Price performed, surely an influence in her student days made all the more credible because Leontyne Price was a "sister" African-American. So Leonora, Aida and Suor Angelica were out of her reach. While she sang with Jessie Norman in concert and recitals (like the Spirituals Concert), she must have been secretly or overtly ? jealous of the fact that Jessye Norman had a voice that could swallow the world!! A big, beautiful voice such as Ms. Norman's is closer to the true goddesses of operas in the tradition of Maria Callas, while Battle is more of the "tiny, bright, canary" voice. She ranks among the best of the lighter sopranos- Beverly Sills, and like Sumi Jo today. Her fellow co-artists used to call her the "Singing Mosquito". But she is marvelous in singing Handel oratorio(the only times I've heard her sing live), Mozart- Sussannah, Zerlina, the Countess in Figaro, Gounod- Juliette, Bizet- Micaela, but could never truly master the more difficult Mozart heroines- Dona Ana in Don Giovanni or Fiordiligi in Cosi Fan Tutte or even Konstanza in Die Entfurung, though try she did. In Strauss operas, she made a fine Zerbinetta, though she always oozed a confidence that made it seem as if these difficult pieces were a piece of cake for her. Some arias in this collection appear that way too.

Kathleen Battle has long since disappeared from the opera world, singing off and on. Her last singing engagement was for the soundtrack to the Japanese action saga "House of Flying Daggers" in which she sings in a very Japanese/poetic style. Before that she sang in Mythodea opposite Jessie Norman in a massive choral work by Vangelis, and also in Disney's Fantasia 2000. Her constant bitchiness, diva antics and disrespect to conductors and singers became too much and finally Joseph Volpe fired her from the Met. She had stayed there for so long because James Levine took a shine to her. As a singer, she was a perfectionist and in her body of work it shows. But she displayed a nasty diva temperament that does not sit well today. In the 80's, she would come to rehearsals late, would criticize everyone from conductor to costuma makers and even once disrespected the much older and experienced Rosalind Elias, a beloved mezzo at the Met. While I think that Volpe did the right thin in firing Battle, I think that Battle's voice is glorious and would buy her albums, even if she mostly poses as if she were in Vogue cover shots.

Great compilation of Kathleen Battle's work.......2005-03-26

This is a great compilation CD of recordings made by Battle, which are currently deleted by Universal Music.
The selections are first rate and capture the artistry of Kathleen Battle perfectly, a shimmering, silvery, clean and clear voice which has captivated millions of people worldwide

Beautiful Voice.......2005-02-24

I find it hard to give anything under 5 stars for any work including Miss Battle. Her technique and mastery of the female voice is quite remarkable. I am a HUGE fan of the soprano voice and I have found no one who posses the talents, skills, and interpretations of Battle. I would like to have seen more variety in this compilation CD. Her Rosina, Zerbinetta, Semele, other such roles were obviously ignored in the making of this CD. I think anyone will be hard pressed to find any lyric/coloratura soprano who amounts to the skill level of Miss Battle. Talent is talent, and she's got plenty of it. A person's attitude has nothing to do with their abilities as a performer, and I am tired of people knocking Miss Battle because of the stigma with which she is attached. Personally, she has never done anything to me nor the number of others who criticize her for her actions which took place over a decade ago. You cannot say that this woman does not posses mad skills. She is a lovely woman who has accomplished great things. I would gladly buy any CD that carries the name "Kathleen Battle".

Music Review:

Music Review

music review

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