Sibelius: Symphony No. 2; Tapiola

On this CD:

1. Tapiola, tone poem for orchestra, Op. 112
Composed by Jean Sibelius
Performed by London Philharmonic Orchestra
Conducted by Sir Thomas Beecham

2. Symphony No. 2, for orchestra in D major, Op. 43
Composed by Jean Sibelius
Performed by London Philharmonic Orchestra
Conducted by Sir Thomas Beecham

Customer Reviews:

Must buy.......2006-05-16

Superlative seven-CDS hyper-bargain bid from BMG can't never beat that!!Over-all an allround best buy If you snooze you lose

Simply great Sibelius.......2006-05-15

At less than 20GBP, this set offers a most excellent initiation to the world of Johan Sibelius s'masterly work. A nice collection, that includes the symphonies (1--7) with important compositions such as the ever fascinating Kulervo and myriads of "TonePoems". The L.S.O play together with dedication, the sound and direction by sir Colin Davis increase the impression of greatness in the music. I was a little skeptical of the new Davis Kulervo "live", of which I prefer this one on rca, but been of course amazed by the L.S.O.Live powerful versions of symphonies 3 & 7. Otherwise, I generally love this uniformly excellent set, even more so than the earlier cycle in Boston of which I still like, above all, symphonies 5&6. Here, with this rca set, the "highlights" are to be found in symphonies 1, 3, 4, 5 and 6, as well as in a bracing and quite dramatic Kulervo. Among the poems, En Saga and Pohjola really shine along with a wonderful Suite Karelia. Of course everything is not perfection, but who will pretend to be anyway? I recommend highly this important box set, even more than the competitive 5CD Naxos however very good it is. Davis is a master Sibelian, no doubt about that. Kind regards. m.vuriling

Splendid Performances from LSO and Sir Colin Davis.......2004-12-31

This 7 CD set includes all of Sir Colin Davis' second Sibelius symphony cycle recorded with the London Symphony Orchestra in the 1990's, along with almost all of Sibelius' other major orchestral works, most notably his tone poems (Some of these were recorded as recently as 2000 or 2001.). These are impressive, vibrant performances replete with exquisite playing by the London Symphony Orchestra. Critics have praised Davis' first Sibelius symphony cycle with the Boston Symphony Orchestra as among the best; without question, his second symphony cycle is not only just as fine, but comes with better quality digital sound (However, with respect to sound, the best Sibelius symphony cycle that he's recorded may be the recent one with the LSO Live CD label.). I especially enjoyed the recordings of Sibelius' 2nd, 5th and 7th symphonies, and the tone poem En Saga, but all of Sibelius' works in this CD set are quite fine. Those interested in hearing music made by Sir Colin Davis, widely regarded as our foremost interpreter of Sibelius, with one of the world's greatest orchestras, the London Symphony Orchestra, will not be disappointed with this CD set.

Average customer rating:

THE Sibelius set...
Outstanding performances
An Introduction to Sibelius
WONDERFUL SOUND!
Hype and reality

Sibelius: The Complete Symphonies 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

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Similar Items:

Sibelius: The Complete Symphonies 1
Schumann: The 4 Symphonies
Mendelssohn: 5 Symphonies; 7 Overtures
Dvorák: The Symphonies
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ASIN: B0000041BW
Release Date: 1995-06-13

Tracks:

Symphony No. 3 In C, Opus 52: 1. Allegro moderato
Symphony No. 3 In C, Opus 52: 2. Andantino con moto, quasi allegretto
Symphony No. 3 In C, Opus 52: 3. Moderato - Allegro. Ma non tanto
Symphony No. 6 In D Minor, Opus 104: 1. Allegro molto moderato
Symphony No. 6 In D Minor, Opus 104: 2. Allegretto moderato
Symphony No. 6 In D Minor, Opus 104: 3. Poco vivace
Symphony No. 6 In D Minor, Opus 104: 4. Allegro molto
Symphony No. 7 In C, Opus 105: Adagio -
Symphony No. 7 In C, Opus 105: Vivacissimo - Adagio -
Symphony No. 7 In C, Opus 105: Allegro molto moderato - Allegro moderato -
Symphony No. 7 In C, Opus 105: Vivace - Presto - Adagio - Largamente molto -
Symphony No. 7 In C, Opus 105: Affettuoso

Tracks:

Violin Concerto In D Minor, Opus 47: 1. Allegro moderato
Violin Concerto In D Minor, Opus 47: 2. Adagio di molto
Violin Concerto In D Minor, Opus 47: 3. Allegro, ma non tanto
Finlandia, Opus 26
Tapiola, Opus 112: Tone Poem
The Swan of Tuonela, Opus 22 No. 2: Legend

Amazon.com essential recording

It was clever of Philips to couple Sibelius's least popular symphonies with the extremely popular Violin Concerto and tone poems. Don't let the words "least popular" scare you off, however. If you like Sibelius, you'll love the Third and Sixth Symphonies. The latter, in particular, is one of the most purely beautiful pieces of music in the history of sound; its only flaw is a quiet ending that makes conductors unwilling to play it at live concerts. Sir Colin Davis and the Boston Symphony perform all of this music with idiomatic flair and unflagging enthusiasm. These versions are far superior to Davis's recent remakes on RCA, and a lot cheaper too. So go ahead, indulge. --David Hurwitz

Customer Reviews:

THE Sibelius set..........2006-12-05

Sir Colin Davis has been known as a supreme Sibelius conductor for over 30 years now and this(his first complete cycle with the Boston Symphony Orchestra)is a perfect example of why. Davis gets into the heart of these works and shows why I consider Sibelius to be my favorite overall symphonist. These pieces all have an icy, lonely, quality that I've never heard from any other composer. No doubt part of this sound was highly influenced by the desolate landscape of his native Finland and one can almost feel the mountains and fjords when listening.

The symphonies on this set are basically perfect. Not to discredit his awesome first two, but Symphony no. 3 was his first truly innovative work and an unbelievably memorable and enjoyable piece. The 6th and 7th were his last two symphonies and perhaps his greatest. The richly melodic and inventive 6th is my personal favorite Sibelius work. The 7th is another standout for its unusual single movement structure and epic sound despite its sort length.

I'm usually not a huge fan of concertos in general, and the violin has never been my favorite instrument(I vastly prefer cello or piano), but Sibelius' violin concerto is an unbelievable work. There's no fancy showing off just for the sake of virtuosity here, although this piece does require a top-notch player. It's a bleak and chilling concerto and the orchestra shimmers right along side of the voilin. Admittedly this is the only version of this work I've head, but I was very very impressed. The second disc concludes impressively with 'Findlandia', 'Tapiola', and 'The Swan of Tuonela'- The three most popular Sibelius tone poems.

Philips deserves much credit here for pairing the least popular Sibelius symphonies with a second disc that includes some of his most popular works. Not only does this work perfectly to fill up each disc, but it should hopefully also introduce some hesitant fans to three awesome and neglected symphonies.

Outstanding performances.......2006-11-21

In the 1970s Colin Davis and the Boston Symphony Orchestra recorded a complete cycle of Sibelius symphonies, as well as the violin concerto and a few of the tone poems. A number of the live performances before the recording sessions were broadcast on PBS. The Davis cycle was generally regarded as one of the best available at that time, although the recorded sound was considered below Philips' usual high standard.

As it happens, the performances collected in Vol. 2 are among the stronger in the series. The two weakest performances--the Second and the Fourth--are in Vol. 1. If you're just getting to know Symphonies 3, 6, and 7, these are thoughtful, well-shaped, well-played performances with a strong feeling for the Sibelius sound world. Tempo relationships are reasonable. Davis doesn't rush the (apparently) faster music after the slow opening of the Sixth Symphony, a key point for those of us who love this symphony. A big plus is the violin concerto with Salvatore Accardo. There may be fierier or more virtuosic performances, but Davis makes the orchestra an equal partner. If you like the violin concerto treated as an additional Sibelius symphony, and I do, you'll like this interpretation.

Considering Vols. 1 and 2 of the Davis cycle together, I'd rate them superior to the Maazel/Vienna, but below the Berglund cycle, simply because none of Berglund's performances is as misconceived as the Davis Fourth. If you're looking for the specific works in Vol. 2, I wouldn't hesitate to get the Davis.

An Introduction to Sibelius.......2005-11-22

The music of Jean Sibelius (1865 --1957) has enjoyed a varied reputation over the years, but it today is held in deservedly high regard. His seven symphonies, in their varied forms, are classics of the Twentieth Century.

I have lived for several years with Sir Colin Davis' recordings of Sibelius with the Boston Symphony Orchestra. Davis is an acknowledged master of this music. The recordings date from 1975 -- 1979 and are currently available on two "duo" CD sets from Phillips. Davis later recorded the cycle again and a third version is in process. But the Boston Symphony compilation is highly accessible and modestly priced. If you are looking for an introduction to the essential works of Sibelius, this set is for you.

I supplemented my recent listening to this music by reading the accounts of each of Sibelius' symphonies in Michael Steinberg's excellent reference book : "The Symphony a Listener's Guide" (1995). I also have read the account of the violin concerto in Steinberg's parallel guide to the standard concerto repertory. Listeners wanting a more detailed discussion of the symphonies and concerto than that found in most liner notes, including the notes for this set, will greatly benefit from reading Steinberg.

This CD opens with Sibelius' symphony no. 3 in C major composed in 1904. This is a three-movement work in which the composer finds fully his own voice. The work is spare and neoclassical in style, written with both energy and restraint. The first movement opens with a brisk, characteristic theme for cello and bass. The second movement is intermezzo-like, with rhythmic ambiguity and a lovely singing theme as it progresses. The finale is in two parts with ever-changing tempos and moods leading to a final climax at the end.

The symphony no. 6 in D, opus 104 dates from 1923 and has always been my favorite of the Sibelius symphonies. As Steinberg points out, much of this symphony is written in the Dorian mode (on the piano this consists of playing all the white keys beginning on D) giving the music an etherial and remote character. The scoring of this work is also unusual with Sibelius using a harp and a bass clarinet, both of which add a great deal of color to the orchestration. Although this symphony is in the standard four-movements it is far from traditional, as the music is weightless, enigmatic, and mysterious. It is restrained in tone and ends very softly after a remarkably beautiful theme in the strings. The sixth is a highly idiosyncratic work.

Sibelius' completed his final symphony, no. 7 in C in 1924. This is a work of only about 21 minutes in what is nominally a single movement. But in its short space, the symphony moves through a variety of tempos and moods, all tightly unified and flowing from one section to the next. Some hear the work in five sections while others hear it in three. Many critics have noted that "The Seventh Symphony consummates the nineteenth-century search for symphonic unity". (Steinberg, page 607, quoting Robert Layton.) The work opens with a long slow section based upon a drum-tap and an ascending scale and concludes with a loud, triumphant chord in the brass on C major. This is tightly-written yet romantic and passionate music that will repay many listenings. Even though Sibelius lived more than 30 years after completing this work, he composed no more symphonies.

This CD also includes Sibelius' violin concerto in D minor opus 47 which the composer wrote in 1903 and revised in 1905. This work has at least found its place in the standard concert repertory. (It was recently programmed a few weeks apart in my area by the National Symphony Orchestra in Washington D.C. and by the Fairfax Symphony Orchestra in suburban Virginia.) The work is performed here by Salvatore Accardo with Colin Davis conducting the London Symphony Orchestra. The violin concerto differs from Sibelius' symphonic writing in that it is unabashedly and passionately romantic in character and a crushingly difficult, virtuoso piece for the soloist. The first movement includes a long, famous and showy cadenza followed by a long meditative slow movement and a lively, icy finale. This is one of the finest twentieth-century violin concertos and worthy to stand with its great nineteenth century predecessors.

The CD closes with three of Sibelius' shorter works for orchestra including his most familiar work, "Finlandia" , composed in 1899, which for some years was the only work of the composer to get a hearing. It also includes the long tone-poem "Tapiola", one of the composer's last important works and written after the seventh symphony. But the highlight of these last three works is "The Swan of Tuneola" opus 22, which includes an inimitable solo for the English Horn performed here by Laurence Thorstenborg.

This CD and its companion are ideal ways to get to know the music of Sibelius.

Robin Friedman

WONDERFUL SOUND!.......2005-09-15

The orchestra here sounds so vast and powerful--but also it carries a mellowness, a smoothness. Fantastic listening!
It's a bit like the gutsy sound of Beethoven melded with the easy sound of Faure's choral stuff. Can't say enough about this!

Hype and reality.......2005-07-03

I recently bought the Sibelius Volumes 1 and 2 in 2-in-1 sets. I wont comment on the artistic content as they are covered in others reviews of this page. The sound quality of Vol 2 is decidedly degraded - almost unlistenable - compared to the much much higher quality of Volume 1 (with magnificient artistry). The transfers are AAD on the Phillips label which, like DGG, of the 1970's are not meant for better quality music systems (even of that period) and unless remastered disappoint the listener. It is possible that reissues for this particular packaging could be faulty or may be that the repackaging is so cleverly done that all the goodies are on Volume 1 and the second-best on the second. Davis is redoing the Sibelius Synphonies with LSO and that may account for the rush to get this set out of the way!

Sibelius: The Complete Symphonies & Tone Poems

Average customer rating:

5 stars for the syms
Beautiful and comprehensive compilation of Sibelius works
excellent collection
A must for Sibelius lovers
A terrific and near-perfect set

Sibelius: The Complete Symphonies & Tone Poems

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Bruckner: The Complete Symphonies
Strauss: Orchestral Works
Debussy, Ravel: Orchestral Works
Liszt: Works for Piano and Orchestra
Symphonies 1-3 / Piano Concerto 1-4 / Isle of Dead

ASIN: B00005MIZT
Release Date: 2001-11-20

Tracks:

I: Andante, Ma Non Troppo - Allegro Energico
II: Andante (Ma Non Troppo Lento)
III: Scherzo: Allegro
IV: Finale (Quasi Una Fantasia): Andante - Allegro Molto
I: Allegretto
II: Tempo Andante, Ma Rubato
III: Vivacissimo - Lento E Suave - Tempo Primo - Largamente -
IV: Finale: Allegro Moderato

Tracks:

I: Allegro Moderato
II: Andantino Con Moto, Quasi Allegretto
III: Moderato - Allegro (Ma Non Tanto)
I: Tempo Molto Moderato, Quasi Adagio
II: Allegro Molto Vivace - Doppio Piu Lento
III: Il Tempo Largo
IV: Allegro

Tracks:

I: Tempo Molto Moderato - Largamente - Allegro Moderato
II: Andante Mosso, Quasi Allegretto
III: Allegretto Molto - Un Pochettino Largamente
I: Allegro Molto Moderato
II: Allegretto Moderato - Poco Con Moto
III: Poco Vivace
IV: Allegro Molto - Allegro Assai - Doppio Piu Lento

Tracks:

Adagio -
Un Pochettino Meno Adagio - Vivacissimo -
Poco Rallentando Al Adagio - Allegro Molto Moderato - Allegro Moderato - Vivace -
Presto - Adagio - Largamente Molto - Affettuoso
Cantata: Oma Maa, Op.92: 'Our Own Land'
Tulen Synty, Op.32: The Origin Of Fire

Tracks:

I: Introductione: Allegro Moderato
II: Kullervo's Youth: Grave
III: Kullervo And His Sister: Allegro Vivace
IV: Kullervo Goes To Battle: Alla Marcia
V: Kullervo's Death: Andante

Tracks:

The Oceanides, Op.73
I: Intermezzo
III: Alla Marcia
I: All'overtura: Grave - Allegro/II: Scena: Tempo Di Menuetto - Allegro Moderato/III: Festivo: Tempo Di Bolero
Tapiola, Op.112
Finlandia, Op.26
Serenade No.1 in D, Op.69a
Serenade No.2 in g, Op.69b (Lento Assai)

Tracks:

Luonnotar, Op.70
Pohjola's Daughter, Op.49
En Saga, Op.9
I. Nocturne
II. Elegie
III. Musette
IV. Serenade
V. Ballade
The Bard, Op.64

Tracks:

Spring Song, Op.16
III. The Swan Of Tuonela
IV. Lemminkainen's Return
I. At The Castle Gate
II. Melisande
IIa. By The Seashore
III. A Spring In The Park
IV. The Three Blind Sisters
V. Pastorale
VI. Melisande At The Spinning-wheel
VII. Entr'acte
VIII. The Death Of Of Melisande
Valse Triste
Scene With Cranes
II. The Harp
III. The Maidens With Roses
IV. Listen, The Robin Sings
VI. Swanwhite And The Prince

Customer Reviews:

5 stars for the syms.......2006-03-18

with the Helsinki
3 Stars for the Bourgemouth on the poems.
But truth be told, no matter how EMPHATIC statements that his syms are not programmatic, that is fall into a logical step by step order, they are just that, very predictible.
I've given these syms 30 yrs, and lately I've lost interest.
While Schonberg, Berg, Webern, Varese were scoring creative new atonal/poloytonal works of new genius, here was Sibelius struggling with old forms, that fail to deliver anything really new. And he knew it, and bothered him to no end.
I feel there is way too much Beethoven/Bruckner(I like neither) influence in the syms for me to become a fan of the syms. I like the 1st sym "somewhat" that is I never listen to it, and small parts of the 4-7 syms. But I'm afraid I only like Sibelius pre 1905, the Kullervo, VC, tone poems. Here is where the genius of Sibelius truly lies.
The syms long ago held some interest, but lately i've moved on to Schnittke and Pettersson.
I also much prefer Vaughan Wialliams syms to all of Sibelius.
Sibelius was a genius in his element, that of representing the folk ideas of his land. His syms are like a string of ideas that lack the connective passages. IOW the whole is less than the few interesting parts.

Beautiful and comprehensive compilation of Sibelius works.......2005-09-29

For me, this has been the year of Sibelius. Previously, I had listened to (and enjoyed) Finlandia. I also had a couple of the symphonies but hadn't listened too them but once or twice. After listening to Finlandia again, I decided to seek out more SIbelius to sample. After some searching through reviews, I settled upon this compilation of works because it offered a large variety of Sibelius and seemed to be well-received. I have been very happy with this purchase! Not only have I spent countless hours listening to each of the 8 disks in this set, the enjoyment of the music has led me to many other wonderful performances of Sibelius by other worthy conductors such as Ashkenazy and Vanska. Still, this boxed set will always be fondly remembered as the one that introduced me to the wonders of so many of these pieces.

I was immediately captured by the haunting clarinet solo that begins the first symphony. All of the symphonies, performed by the Helsinki Orchestra, are recorded in very clear digital sound -- so the solo and the pecussion accompanyment were perfectly captured. I was hooked by the first symphony, but all of the symphonies are presented clearly and with outstanding interpretations. The Helsinki Philharmonic has always had a strong affiliation with Sibelius's music, and Paavo Berglund is a renowned Sibelius conductor who has recorded three separate symphony cycles (once with the Bournemouth Symphony orchestra, the 2nd time with these recordings, and a third time with the Chamber Orchestra of Europe). The commitment felt by the conductor and orchestra comes through in these performances.

In addition to the complete symphony cycle, there are a number of other treasures. A fine version of Finlandia is accompanied by a number of truly delightful tone poems such as Tapiola, the haunting Swan of Tuonela and Lemminkainen's Return (from the Lemminkainen Suite). These tone poems were inspired by the Finnish Kalevala. Other tone poems such as the Oceanides and Spring Song were inspired by Sibelius's love of nature. All receive strong performances by Berglund conducting the Bournemouth Symphony (in analog sound that is still quite good). The violin serenades (especially no. 2) were unexpected delights. The version of Kullervo is magnificent, as is the singing in Luonnotar and Oma maa. This set is a treasure trove of Sibelius treats!

excellent collection.......2004-06-28

This box set includes Sibelius' all symphonies, with Kullervo and his almost complete tone poems. The Symphonies are performed by Helsinki Philharmonic Orchestra, Kullervo and tone poems with Bournemouth Symphony Orchestra. All of them conducted by Paavo Berglund, who always a champion on performer of Sibelius.

Even so there are his incidental musics: Pelleas et Melisande, Swanwhite, Kuolema and King Christian II.
Especially Pelleas and Kuolema (which includes ever famous Valse triste) are the most beautifuls. Pelleas et Melisande is a very impressive music, and the best "Pelleas" music with Debussy's Pelleas (opera).

Kullervo is symphony-cantata for two soloists, men-chorus and orchestra, which be constitued in 5 movements, comparable in artistically with Mahler's 2nd Symphony "Resurrection". Especially the last movement "Kullervo's Death" is very effective, pathetique.

And one more a vocal work, a tone poem for soprano and orchestra: Lounnutar. This is based on Kalevala again, and Luonnotar is creator of nature in this poem. It is a very radical work, like his darkful 4th Symphony and The Bard. I think, The Bard is one of the best works of the composer, with it's harmonis, dark colours, contemplative mood. Still, this was written in tragic E-flat minor. It is based on a mythologic creature which plays an harp, like lyre in Greek mythology. And in the last minutes there is a dramatic climax and then music slowly fades out.

And there is the best Tapiola recording, I've ever heard (with Petri Sakari's version at Naxos). This is based on Kalevala, again. Tapio is the name of the forest god, according story. There are very impressive contrasts between hypnotic, a little hesitated, light colours and dramatic darkful colours. The orchestration is marvellous again. Especially, in last minutes there is a terrific storm scene and it's very spine chilling. Climaxes (which played by brass) are very powerful...

This is a very good addition to collectors of Sibelius fans and any classical music lovers. Highly recommended.

A must for Sibelius lovers.......2003-01-07

Jean Sibelius is one of those composers who I feel that even on his off days he did well. While I certainly can't say I enjoy all of his music enough to buy (Sacaramouche for instance), most of his music is highly pleasureful. All of the pieces on this set, conducted by Paavo Berglund, save maybe one or two, are part of the later catagory.

This set consists of most of Sibelius's major orchestral music, with the notible exceptions of Night Ride and Subrise, the first two sections of the Lemmenkainen Suite, and the Violin Concerto. It also contains such rarities as Origin of Fire, Our Own Land, and excepts from Swan White.

Berglund, I believe, was the first to fully record a complete cycle of Sibelius symphonies. The recordings here are not from his first set (which I have not heard), but the second cycle recorded in the mid-80s. The symphonies and two canatas mentioned above are recorded in digital, while the rest is analog. It's all in very good sound, though not perfect. That they wanted to keep the D and A recodings on seperate discs is the only possible reason I can see for why they left out the Violin Concerto (there's plenty of room on disc 4).

Now of course, contents are one thing, but what really matters is performance. And suffice it to say, they for the most part shine. This has easily the finest Symphony 1 I've heard, and the finale of Symphony 5 (truly one of the greatest works of the 20th century) shines with brillance. Symphony 3 makes its mark nicely, and Symphony 2, while perhaps a bit on the fast side, is certainly up to par. The only disappointment is Symphony 7, which falls totally flat compared to Davis/BSO.

The two cantatas are wonderful rarities, but its disc 5 where the choral aspect is full played out -- Kullervo. If you've never heard this piece, it's a 75 minute long programatic symphony (to use to term losely) with many ups and downs. This was the first ever recording, and most say it hasn't been topped.

The final three discs contain shorter works. Especially noteable are the absolutely beautiful Serenade #2 for Violin and Orchestra, the hauntingly lovely Luonnotar, a very rousing version of Lemminkainen's Return, and a passionate Pelleas and Mellsande.

Of course, it's almost impossible to have this big a set without some disapointments. Beyond the aformentioned Symphony 7, there's also not overly convincing Finlandia, and a WAY too slow Karelia Intermezzo. Thankfully, the rest of the set makes up for it. It's a great deal at only about $7 a disc retail, and if you're like me, on you'll keep coming back to.

A terrific and near-perfect set.......2002-04-05

This release couples Berglund's classic Bournemouth recordings of the Kullervo Symphony and a host of tone poems with his most recent cycle of the Symphonies.

The Bournemouth recordings are legendary, especially the Kullervo, which belongs in every classical music library. There is a real warmth to these readings, which charms me into letting the minor flaws in playing pass. The sound is pretty good, though slightly muddy at times (particularly in Tapiola), and the selections have been excellently remastered.

The Symphonies, recorded with the Helsinki Philharmonic in superb digital sound, are a real peak in the discography. Berglund doesn't play his Sibelius lukewarm; his readings are sharp, neo-classical and very powerful. You won't confuse these recordings with those of Colin Davis to be sure. Very comparable to Maazel's earlier readings with the Vienna Philharmonic, but with less over-dramatization. His First, Second, Third, Sixth and Seventh are as good as any, and his reading of the Fourth, while rather bleak for my taste (I like the idea of some kind of softening at the end) is a coherent vision, almost harsh in it's execution.

I really like Maazel's Pittsburgh Fifth, and Berglund's recording in no way comes close to Maazel's splendor or power as a total conception. But, Berglund's middle movement is the best I've heard by far; the obsessively repeated melody seems to weave in and out of the orchestral fabric very seductively. Berglund's knack for architecture is spot on here.

Tracks:

(Cd 1) Symphony No.1 Symphony No4
(Cd 2) Symphony No.2 Finlandia . Karelia Suite
(Cd 3) Symphony No.3 Symphony No.6 . Tapiola
(Cd 4) Symphony No.5. Symphony No.7. En Saga
(Cd 5) Violin Concerto* 2 Serious Melodies*

Customer Reviews:

The performances aren't first rate, but the recordings are.......2006-09-27

As these recordings appeared from 1979 to 1984, it became apparent that Ashkenazy was making a major bid to shift his career from pianist to conductor. As a star on the Decca label, he was given free rein, the company's engineers supplying him with spectacular sonics that sitll hold up for detail, impact, and wide dynamics. Every movement leaps out of the speakers. But the underlying interpretations, to my ear, are haphazard. Like Rostropovich, another great Russian instrumentalist who couldn't quite translate his mastery to the podium, Ashkenazy's Sibelius works by fits and starts. Sometimes he plunges in vigorously, at other times backs away and loses the rhythmic line. There's a lot of indulgent shaping of melodies--in all he's no cometiiton for great Sibelians like Karajan, Beecham, and Bernstein. Boris Belkin, the soloist in the Violin Concerto, is precise and extroverted but no match for the illustrious soloist--Heifetz, Shaham, Kremer, Oistrakh, etc.--who preceded and followed him.

Even so, the general thrust of Ashkenazy's readings is vigorously energetic, so I prefer hi to latter-day Colin Davis, and the Philharmonia plays much better than the various Scandinavian orchestras that produce most Sibelius recordings today. If you want to be thrilled by sheer sound, this bargain set--all the cheaper on the used market--can't be beat.

Fire and ice ..........2006-01-31

The glorious First Symphony in this Sibelius Cycle for this particular listener immediately sets the scene: bold and full-bodied playing, truly opening up all the warmer and darker sentiments of Sibelius' music, which to my ears has always, underneath a certain 'cool reserve', been deeply emotional and deeply 'human': how very 'Northern' in its sensibilities. Fire and ice. How intensely sweet and sad at the same time the main theme of the andante is played here! Ashkenazy and the Philharmonia Orchestra to my feeling dig deeply into all the emotions, really making the heart-strings of this particular listener resonate. The orchestral playing is both powerful/'muscled' and flowing, with nice legato. The same can also be said for the performances of the other symphonies. I will mince no words: just buy this if you love Sibelius' symphonies recorded in full, wide and directly recorded sound (typically Decca/London?), played in an unabashedly bold (romantic) way, letting bloom to the full all of the emotions.
But if you love this, I urge you to sample the (recent) Sibelius cycle by the Helsinki Philharmonic Orchestra conducted by Leif Segerstam (on Ondine). These lively, fresh but sturdy and full-bodied, romantic interpretations by Segerstam and the orchestra that premiered many of Sibelius' works under the composer's own direction, are simply revelatory (well, certainly to the ears of this particular amateur listener) and at least as well played - helped by a typical (for Ondine) crystal clear, perfectly balanced soundpicture.

Great Sibelius among much great Sibelius.......2005-11-11

There is no dearth of great Sibelius cycles - many are very good and all are less controversially regarded as good than most cycles of other symphonists. Small countries have gone to war over which Mahler cycle is the best, families have separated over Bruckner questions along Wand vs. Celibidache vs. Jochum lines... and small arms fire must on occasion decide which LvB cycle is primatur.

No such emotions when it comes to the cool Sibelius symphonies. Wouldn't be prudent. Too much good stuff is out there... and even if it were not the necessary top choice, few lovers of Siblius would claim not to be able to live with any of the three Colin Davis cycles or Osmo Vanska's or the almost-complete Karajan cycle on DG or Berglund's EMI traversal. Some English people might even accept the Rattle cycle as sufficient - and only a few people would sneer at the Barbirolli set of Sibelius' 7... although that's already one step out of the mainstream.

I personally hold Vanska in the highest regards - but Vladimiar Ashkenazy makes a good point in his recordings for those who claim he's a better conductor than a pianist. Indeed, if price is to play an issue, too, I'd place his cycle at the very top of my list. He's improved as a conductor over the years, but in this one he was already ahead of himself. It is solidly played throughout all the symphonies and then some. Not as 'safe' as Jaervi in either of his two cycles, not quite as all-out as Vanska. Cool but with northern fire. Excellent attacks and a lyrical side. In the reissue Decca threw in the tone poems and the violin concerto - all at a great price. These performances might be supplemented in individual symphonies according to ones own taste and preference - but they leave little to desire and I can only wish that I would have had them as my first and basic Sibelius set instead of Maazel. (No offense, Lorin!)

Very much recommended.

Average customer rating:

Something Inherently Right About This Complete Symphonies Set
Rock-solid performances in superior BIS sound
Great performances

Sibelius: The Complete Symphonies

Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music
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Beethoven Symphonies 4 & 5
Mahler: Symphonies 1-10; Das Lied von der Erde
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Jean Sibelius: Violin Concerto in D minor (Original Version); Violin Concerto in D minor
Sibelius: The 7 Symphonies; Finlandia; Kullervo; etc.

ASIN: B00005Q450
Release Date: 2001-09-25

Tracks:

I. Andante, Ma Non Troppo - Allegro Energico
II. Andante (Ma Non Troppo Lento)
III. Scherzo. Allegro
IV. Finale (Quasi Una Fant). Andante - Allegro Molto
I. Tempo Molto Moderato, Quasi Adagio
II. Allegro Molto Vivace
III. Il Tempo Largo
IV. Allegro

Tracks:

I. Allegretto
II. Tempo Andante, Ma Rubato
III. Vivacissimo - Attacca
IV. Finale. Allegro Moderato
I. Allegro Moderato
II. Andantino Con Moto, Quasi Allegretto
III. Moderato - Allegro (Ma Non Tanto)

Tracks:

I. Tempo Tranquillo Assai
II. Allegro Commodo
III. Andante Mosso
IV. Allegro Commodo - Largamente Molto
I. Tempo Molto Moderato - Allegro Moderato
II. Andante Mosso, Quasi Allegretto
III. Allegro Molto - Largamente Assai

Tracks:

I. Allegro Molto Moderato
II. Allegretto Moderato
III. Poco Vivace
IV. Allegro Molto
Symphony No.7 In C Major
Tapiola

Customer Reviews:

Something Inherently Right About This Complete Symphonies Set.......2006-11-04

Jean Sibelius remains somewhat of an enigma to concertgoers: nearly everyone is enraptured with the second symphony and many swoon over the fifth and seventh symphonies, but so often symphonies one, three, four, and six are overlooked. Yes, his violin concerto is well represented in nearly every contemporary violinist's repertoire, but the tone poems evade popularity. That is why it is exciting to own this fine set of four discs that not only surveys all seven symphonies but also adds the Tapiola as an encore.

Osmo Vänskä conducts the Lahti Symphony Orchestra in an echt recording of Sibelius. Yes, some may prefer a different approach to the more familiar symphonies such as the second, but taken as a whole Vänskä coaxes stunning performances from his ensemble. He allows the massive 'organ pedal' sustaining notes that occur repeatedly in all of the symphonies to sound as if they are the earth itself emerging through splits in the glacial craters of the Scandinavian landscape. His tempi are so correct that they constantly encourage the sense of urgency few other conductors find in the works. If this listener had to select a favorite among the works it would clearly be the performance of the rarely heard and somewhat musically retrospective Symphony No. 3. Rarely has this work seemed so coherent and so ripe with all the ideas that constantly sprang from Sibelius' mind. It is a gem of a performance.

Not one for boxed sets usually, this particular one, recorded with some of the finest sound available, is a mighty exception. It is a solid, consistently inspiring reading of the Sibelius symphonies. Grady Harp, November 06

Rock-solid performances in superior BIS sound.......2003-06-17

Perhaps I've heard more memorable performances of some of these symphonies -- which, along with Debussy and Ravel's orchestral music, are my all-time favorite symphonic works -- but taken as a whole these are quite well played, with tempi reasonably judged and plenty of Sibelian atmosphere. The strings are a tad thin but have an appealing and appropriate "chill" to their sound, and the woodwinds and brass parts are persuasively characterized.

As a bonus, you get BIS' wonderfully natural recorded sound, superior examples of how to properly record a symphony orchestra. If you're looking for one-stop Sibelius symphony shopping, you will be pleased with this collection.

Great performances.......2003-01-23

I own three sets of the Sibelius symphonies: Maazel/VPO, Davis/LSO, and this one. There are still a lot of other ones out there that I haven't heard yet, but if were to make a recommendation this one would be my pick. Vanska and the Lahti Symphony Orchestra give some really fine performances of these works. A few bonuses with this Sibelius cycle is the symphonic poem Tapiola, and the 1915 version of the 5th symphony which is very interesting to compare with the final version. The sound quality is great, and the rather extensive liner notes give some very helpful information about each piece. This set costs a little bit more than some of the other ones available out there, but I think it's worth it.

To be truly honest, my only disappointment with this set was the the 2nd symphony, which seemed to lack some of the intensity that I find in all the other performances in this collection. It's probably because the 2nd is my favorite Sibelius symphony and I'm really picky about it (I own 6 recordings of the 2nd). All I can say is don't let that keep you from buying this set. There are plenty of good recordings of the 2nd out there, so don't be discouraged.

Tracks:

A Shepherd Girl's Sunday - Helsinki PO/Leif Segerstam
Romance - Erkki Palola
Belshazzar's Feast, Op.51: Nocturne - Helsinki PO/Leif Segerstam
The Tempest: Ste No.2, Op.109/3: Intermezzo - Helsinki PO/Leif Segerstam
The Tempest: Ste No.2, Op.109/3: Dance Of The Nymphs - Helsinki PO/Leif Segerstam
The Tempest: Ste No.2, Op.109/3: Miranda - Helsinki PO/Leif Segerstam
Pelleas & Melisande: Ste, Op.46: Melisande - Tapiola Sinf/Tuomas Ollila
Pelleas & Melisande: Ste, Op.46: Pastorale - Tapiola Sinf/Tuomas Ollila
Impromptu - Virtuosi Di Kuhmo/Peter Csaba
Ste Lyrique No.3: Pastorale - TAMPERE PO/LEIF SEGERSTAM
Two Nordic Melodies, Op.63: In Folk Style - Ostrobothnian CO/Juha Kangas
Pan Voyevoda: Nocturne - Swedish RSO/Evgeny Svetlanov
Raymonda, Op.57: Entreacte No.2 - Swedish RSO/Evgeny Svetlanov
The Seasons, Op.67: Petit Adagio - Swedish RSO/Evgeny Svetlanov

Complete Recordings on Deutsche Grammophon

Average customer rating:

LITTLE BOX CONTAINS BIG THRILLS !!!!!

Complete Recordings on Deutsche Grammophon

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
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The 1950s Concerto Recordings
CARL SCHURICHT Decca Recordings 1949-1956
Complete 1950s Solo Recordings
Igor Markevitch

ASIN: B0002ANQX6
Release Date: 2004-09-14

Customer Reviews:

LITTLE BOX CONTAINS BIG THRILLS !!!!!.......2004-09-15

JUST GOT THIS ONE TODAY. MY MOM GAVE ME MONEY FOR IT (THANK YOU, MOMMY!!!) I HAVE BEEN LISTENING TO IT ALL AFTERNOON AND AM EXTREMELY PLEASED WITH IT. I THINK YOU WILL BE TOO. SOME OF THESE RECORDINGS HAVE BEEN PREVIOSLY RELEASED ON CD (THE SIBELIUS AND THE HAYDN DISCS ARE THE ONES I ALREADY HAD), BUT THE NEW STUFF IS WORTH GETTING THE WHOLE BOX FOR. THIS INCLUDES STEREO RECORDINGS OF BEETHOVEN 5TH PIANO CONCERTO WITH CASADESUS AND A PETROUCHKA BOTH WITH CONCERTGEBOUW AND A BERG, WEBERN, AND STRAVINKY AGON DISC THAT WAS ORIGINALLY ON WESTMINSTER IN THE 50S. SPECIAL MENTION SHOULD ALSO BE MADE OF THE PIECES BY BORIS BLACHER. NOT FAMILIAR MUSIC, BUT I CONFESS I REALLY LIKED IT IMMEDIATELY. SOUND QUALITY IS GREAT THROUGHOUT THE SET, SOME MONO, BUT THEY ALL SOUND FANTASTIC. IF YOU'RE NOT FAMILIAR WITH HANS ROSBAUD, THIS IS A GOOD PLACE TO START. IN MY HUMBLE OPINION ONE OF THE GREATEST CONDUCTORS. SHAME ON EMI/IMG FOR NOT INCLUDING HIM IN THE SO-CALLED "GREAT CONDUCTORS OF THE 20TH CENTURY" SERIES. HE WAS A GREAT CONDUCTOR !!! DON'T TAKE MY WORD FOR IT, ASK STRAVINSKY OR BOULEZ !!! ALSO GIVE THIS A TRY, YOU'LL WONDER WHY THIS GUY ISN'T MENTIONED IN THE SAME BREATH AS FURTWANGLER, KARAJAN, ETC. A TRULY IMPORTANT AND UNMISSABLE ISSUE. THANKS TO DEUTSCHE GRAMOPHONE AND THANK YOU TO YOU FOR READING MY REVIEW !!!!

Northern Highlights: The Ultimate Finnish Orchestral Favourites

Average customer rating:

Northern Highlights: The Ultimate Finnish Orchestral Favourites

Manufacturer: Ondine
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music
ASIN: B00005MIXZ
Release Date: 2001-09-25

Tracks:

Prld, Op.7 - Helsinki PO/Leif Segerstam
Festive March - Helsinki PO/Leif Segerstam
Ste Mignonne, Op.98a: I Petite Scene - Tapiola Sinf/Tuomas Ollila
Ste Mignonne, Op.98a: II Polka - Tapiola Sinf/Tuomas Ollila
Ste Mignonne, Op.98a: III Epilogue - Tapiola Sinf/Tuomas Ollila
Presto - Tapiola Sinf/Tuomas Ollila
Valse Triste - Tampere PO/Tuomas Ollila
Finlandia, Op.26/7 - Finnish Nat Opr Chor
Ste: I Presto - Ostrobothnian CO/Juha Kangas
Ste: II Andante - Ostrobothnian CO/Juha Kangas
Ste: III Vivace Assai (Alla Giga) - Ostrobothnian CO/Juha Kangas
Ov - Tampere PO/Eri Klas
Masquerade In A Chinese Garden - Tampere PO/Eri Klas
Rumba - Tampere PO/Eri Klas
The Great Wall Of China: March A La Shostakovich - Tampere PO/Eri Klas
Karelian Rhap, Op.15 - Finnish RSO/Sakari Oramo

Sibelius: Symphonies Nos. 2, 5 & 7; Swanwhite; Pohjola's Daughter; Tapiola

Average customer rating:

A master champion in Sibelius!
Sibelius from the "Velvet Gloved Fingers of Steel"

Sibelius: Symphonies Nos. 2, 5 & 7; Swanwhite; Pohjola's Daughter; Tapiola

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Serge Koussevitzky conducts Prokofiev: Symphony No. 1 in D Op. 25 "Classical"; Danse finale from Chout, Op. 21bis / Shostakovich: Symphony No. 9 in E-flat Op. 7 / Tchaikovsky: Francesca da Rimini Op. 32
Koussevitzky Conducts Brahms
Serge Koussevitzky Conducts Schubert, Schumann, Mendelssohn
Franz Schubert: Quintet/Symphony No.5
Maria João Pires - Le Voyage Magnifique ~ Schubert Impromtus

ASIN: B000000WUY
Release Date: 1993-01-19

Tracks:

Sym No.2 in D, Op.43: I. Allegretto
Sym No.2 in D, Op.43: II. Tempo Andante, Ma Rubato
Sym No.2 in D, Op.43: III. Vivacissimo
Sym No.2 in D, Op.43: IV. Finale (Allegro Moderato)
Swanwhite, Op.54: No.3-The Maidens With Roses
Tapiola, Op.122

Tracks:

Pohjola's Daughter, Op.49
Sym No.5 in E flat, Op.82: I. Allegro Moderato
Sym No. 5 in E flat, Op.82: II. Andantino Con Moto, Quasi Allegretto
Sym No.5 in E flat, Op.82: III. Moderato
Sym No.7 in C, Op.105 - BBC Sym Orch/Serge Koussevitzky

Customer Reviews:

A master champion in Sibelius!.......2006-05-05

The performance of the Seventh Symphony took place on May 15 1933 with the BBC symphony. Such electrifying achievement and highly energetic charge has never been equaled and committed to disc before or late. Perhaps at a very close range I should mention the colossal version of Tomas Beecham in the middle Fifties. But the inner tension, mercurial intensity and febrile concentration you will never find in any other recording.

As I have remarked previously (see my review) my favorite performance of the Second Symphony is the currently unavailable CD of Anthony Collins and the London Symphony. As wisely Robert Layton affirms: "The second symphony possesses a combination of Italian warmth and Nordic intensity." In this case the version of Koussevitzky still remains among the most treasured performances ever recorded. It is loaded of an autumnal noblesse and nostalgic reflections. But you additionally should add the following recommendations: the legendary first commercial version of Kajanus of 1930, Segerstam. Thomas Schippers and the NYC and an almost forgotten performance of Sir John Barbirolli of the Fifties.

The Fifth Symphony has a vertiginous cosmic flight, in its own nature it has that visible elusiveness so typical of a vanishing Farewell. This is one of the top five achievements of this celebrated and beloved work but I must recognize Segerstam `s performance still remains as the supreme hitherto of this Opus.

Tapiola finds in Hans Rosbaud the maximum exponent and Pohjola ?s daughter is an incandescent performance.

In resume, this is a fundamental musical treasure which will preserve the musical memory of this hyper talented conductor.

Go for this double pack.

Sibelius from the "Velvet Gloved Fingers of Steel".......2000-08-08

Although dated in sound, these performances clearly reveal the Boston Symphony and their legendary conductor, Serge Koussevitsky, in stellar form. The interpretation of the Sibelius Second has few rivals, and the Fifth is also an eye opener. Likewise, the Seventh with the BBC Symphony is stunning in it's depth and intensity. Yes, there is some surface noise, and the sound is not the best. But for all it's dated recording flaws, the interpretations are among the very finest available anywhere. The other Sibelius "bon-bon's" on this recording only add to it's enjoyment. If you want to hear revalatory Sibelius, this set is well worth having. (The "velvet gloved fingers of steel" is a reference to the Koussevitsky/BSO's string section, quoted from Harry Elis Dickson's book on Koussevitsky and the Boston Symphony Orchestra entitled, "Gentlemen, More Dolce, Please!")

Rautavaara: Cantus Arcticus for birds Op61; String quartet No2

Average customer rating:

Rautavaara: Cantus Arcticus for birds Op61; String quartet No2

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B000027HW9
Release Date: 2001-07-03

Tracks:

Cantus Arcticus Op.61: I. The Bog - Klemetti Institute SO/Pertti Pekkanen
Cantus Arcticus Op.61: II. Melancholy - Klemetti Institute SO/Pertti Pekkanen
Cantus Arcticus Op.61: III. Swans Migrating - Klemetti Institute SO/Pertti Pekkanen
Angel Of Dusk: I. His First Appearance - Olli Kosonen
Angel Of Dusk: II. His Monologue - Olli Kosonen
Angel Of Dusk: III. His Last Appearance - Olli Kosonen
St Qt: I. Moderato - Jean Sibelius Qt
St Qt: II. Allegro - Jean Sibelius Qt
St Qt: III. Adagio - Jean Sibelius Qt
St Qt: IV. Animato - Jean Sibelius Qt

Tracks: