Roman Carnival
On this CD:
1. Leichte Kavallerie (Light Cavalry), operetta Overture
Composed by Franz von Suppe
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
2. Overture: Russlan and Ludmilla, G. xivov
Composed by Mikhail Glinka
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
3. La Belle Hélène, operetta Overture
Composed by Jacques Offenbach
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
4. Donna Diana, opera Overture
Composed by Emil Nikolaus von Reznicek
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
5. Der Zigeunerbaron (The Gypsy Baron), overture to the operetta
Composed by Johann II Strauss
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
6. La princesse jaune, opera (opéra-comique) in 1 act, Op. 30 Overture
Composed by Camille Saint-Saens
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
7. Egmont, incidental music, Op. 84 Egmont Overture
Composed by Ludwig van Beethoven
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
8. Ruy Blas, overture in C minor for orchestra, Op. 95
Composed by Felix Mendelssohn
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
9. Overture to La gazza ladra (The Thieving Magpie)
Composed by Gioachino Rossini
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
10. Le carnival romain, ouverture catactéristique (Roman Carnival Overture) for orchestra, H.95 (Op. 9)
Composed by Hector Berlioz
Performed by Utah Symphony Orchestra
with Holly Gornick, Russell Harlow, Robert Stephenson
Conducted by Joseph Silverstein
Roman Carnival, Music, Russell Harlow, Ludwig van Beethoven, Hector Berlioz, Mikhail Glinka, Felix Mendelssohn, Jacques Offenbach, Emil Nikolaus von Reznicek, Gioachino Rossini, Camille Saint-Saens, Johann II Strauss, Franz von Suppe, Joseph Silverstein, Holly Gornick, Robert Stephenson, Utah Symphony Orchestra, Classical, Classical Music, French Operetta, French Romantic Opera, German/Austrian Operetta, Miscellaneous Music, Opera, Orchestral, Romantic Incidental Music for Orchestra, Romantic Overture for Orchestra
Average customer rating:
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Story Of Berlioz In Words And Music
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Similar Items:
- Story Of Verdi In Words And Music
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ASIN: B000001KDH
Release Date: 1995-04-16 |
Tracks:
- Benvenuto Cellini, Op. 23: Overture
- Symphonie Fantastique, Op. 14: Scene In The Country
- Gabrieli: Sacerdos et Pontifex
- L'Enfance du Christ, Op. 25: Flight Into Egypt: Overture
- Symphonie Fantastique, Op. 14: A Ball
- Harold In Italy, Op. 16: Scenes Of Joy And Sadness
- Benvenuto Cellini, Op. 23: Overture
- Harold In Italy, Op. 16: Serenade
- Les Troyens: Trojan March (Complete)
- Reverie And Caprice, Op. 8
- Symphonie Fantastique, Op. 14: Dreams, Passions
- Lelio, Or The Return To Life, Op. 14b
- Harold In Italy, Op. 16: Scenes Of Joy
- Roman Carnival Overture, Op. 9
- Reverie And Caprice, Op. 8
- Damnation Of Faust, Op. 24: Hungarian March
- L'Enfance du Christ, Op. 25: Rest Of The Holy Family
- L'Enfance du Christ, Op. 25: Flight Into Egypt, Dance
- Symphonie Fantastique, Op. 14: March To The Scaffold
- Symphonie Fantastique, Op. 14: I. Dreams, Passions
- Symphonie Fantastique, Op. 14: II. A Ball
- Symphonie Fantastique, Op. 14: IV. March To The Scaffold
- Symphonie Fantastique, Op. 14: V. Dream Of A Witches' Sabbath
Average customer rating:
- a voice teacher and early music fan
- A generally good Berlioz collection
- Power and passion from Berlioz
|
Berlioz: Great Orchestral Works
Manufacturer: Philips
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Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
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Similar Items:
- Liszt: Works for Piano and Orchestra
- Schostakowitsch: Symphonie No. 10 in E Minor, Op. 93
- Schumann: Op. Nos. 44 & 47
- Tchaikovsky: Symphonies 1-3
- Haydn: The London Symphonies, Vol. 1
ASIN: B00000419B
Release Date: 1994-05-10 |
Tracks:
- Symphonie fantastique, Op. 14: 1. Reveries - Passions (Largo - Allegro agitato e appassionato assai)
- Symphonie fantastique, Op. 14: 2. Un bal (Valse. Allegro non troppo)
- Symphonie fantastique, Op. 14: 3. Scene aux champs (Adagio)
- Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegreto non troppo)
- Symphonie fantastique, Op. 14: 5. Songe d'une nuit de sabbat (Larghetto - Allegro - Ronde du sabbat: Poco meno mosso)
- Le carnaval romain, Op. 9: Overture
- Le corsaire, Op. 21: Overture
Tracks:
- Harold en Italie, Op. 16: 1. Harold aux montagnes (Adagio - Allegro)
- Harold en Italie, Op. 16: 1. Harold aux montagnes (Adagio - Allegro)
- Harold en Italie, Op. 16: 2. Marche des pelerins chantant la priere du soir (Allegretto)
- Harold en Italie, Op. 16: 3. Serenade d'un montagnard des Abruzzes a sa maitresse (Allegro assai - Allegretto)
- Harold en Italie, Op. 16: 4. Orgie des brigands, finale (Allegro frenetico - Adagio - Allegro. Tempo I)
- Symphonie funebre et triomphale, Op. 15: 1. Marche funebre (Moderato un poco lento)
- Symphonie funebre et triomphale, Op. 15: 2. Oraison funebre (Adagio non tanto - Andantino un poco lento e sostenuto)
- Symphonie funebre et triomphale, Op. 15: 3. Apotheose (Allegro non troppo e pomposo)
Customer Reviews:
a voice teacher and early music fan.......2007-03-17
Hector Berlioz (1803-1869)belonged to no school, and resists categorization more fiercely, perhaps, than any other composer. The originality and vitalilty of his ideas demanded novel means of expression which affected the fundamental elements of musical language. The language he forged depended to an unusual extent upon the subject-matter of his works, all of which are related to a dramatic or poetic theme. This theme determines the manner of each work, so that there is no clearly defined development from an early period, through the middle of his career, to a later style; his works never repeat the inventions, harmonic and melodic or formal, of their predecessors.
The 'Symphonie fantastique' blazed new paths, filling the ear with novel combinations to a degree hardly experienced again. The symphony is nowhere operatic, but it is dramatic, and the high points of the drama are embodied in expressive instrumental music; the program, integral to the conception, acts, Berlioz said,like the spoken dialogue in an opera,in that it provides the motivation and explains and justifies the mood of the successive movements.
His second symphony, 'Harold en Italie', was begun at the request of Paganini, who wanted a piece for viola, but then rejected the drafts of Berlioz, who promptly converted the work into a symphony with viola solo. Searching for a subject, he considered a plan for a work on the death of Mary Queen of Scots. He then adopted a title referring to Byron's wandering hero (Childe Harold) and created a loose sequence of scenes in the figure of the lonely wanderer(represented by the viola) is set in contexts reminiscent of his own experience in Italy. This symphony is a picturesque work,whereas the 'Fantastique' is dramatic.
Berlioz was given a commission in 1840, by the newly formed French government for his 'Symphonie funebre et triomphale'. He wrote it for wind, with optional strings and chorus. The style of the work recalls the open-air ceremonials of the previous Revolution, when music was used at open-air gatherings of national prayer and praise.
The selections on these 2 discs cover the years from 1963 to 1975,although this compilation dates 1994. The performance of these selections are all basically outstanding because the variance of orchestral colour demanded by the very expressive music of Berlioz is present at all times, although some of the tempos run a bit on the slow side especially in the 'Symphonie fantastique'. However, I continued to be impressed by the instrumental expertise, especially in the solo 'spots', of which there were many. The 3rd movement of the 'Symphonie funebre' featuring the John Aldis Choir was exciting to hear, and I wish in the liner notes that they had included the words because they are not really audible on the recording. The violist in 'Harold in Italie' Nobuko Imai was skilled and in tune most of the time. All in all, for lovers of Berlioz, this is a good collection.
A generally good Berlioz collection.......2005-08-19
This recording is good generally, but the Symphonie fantastique really disappoints. The recording would be great if the LSO sound more 'fantastique'(you will konw what I'm talking about if you listen to the Concertgebouw/Davis recording by DECCA). Despite the disappointing Symphonie fantastique, I still like Colin Davis' "Harold in Italy" and the overtures, his poetry-like expressions and passion is perfectly suitable for Berlioz.
However, taking its price into consideration, I would not hesitate to reccomend this recording to those who want to try Berlioz.
Power and passion from Berlioz.......1998-11-12
This 2-disc set gives a wonderful selection of the orchestral works of Hector Berlioz. Of the five pieces included, I most enjoyed the "Symphonie Fantastique" and the "Symphonie Funebre et Triomphale." The power of Berlioz is beautifully expressed by the London Symphony Orchestra; one can feel the musical power, not just hear it. A wonderful collection of truly passionate music.
Average customer rating:
- I am in a Box with Berlioz Box Sets
- A superb set, well worth the price!
- all the overtures *NOT*
- A wonderful collection of Berlioz
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Berlioz: Complete Orchestral Works
Manufacturer: Philips
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ASIN: B0000041MZ
Release Date: 1997-09-16 |
Tracks:
- Symphony Fantastique, Op. 14: 1. Rries, Passions (Largo - Allegro agitato ed appassinonato assai)
- Symphony Fantastique, Op. 14: 2. Un bal (Valse: Allegro non troppo)
- Symphony Fantastique, Op. 14: 3. Sc aux champs (Adagio)
- Symphony Fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)
- Symphony Fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro- Ronde du Sabbat: Poco menu mosso)
- Tristia, Op 18 (excerpts): 3. Marche fune pour la derni sc d'Hamlet (Allegretto moderato)
- La Damnation De Faust, Op. 24 (excerpts): Menuet des follets
- La Damnation De Faust, Op. 24 (excerpts): Marche hongroise
Tracks:
- Lo ou Le retour a vie, Op. 14b: 1. Le peur (Goethe, Duboys)
- Lo ou Le retour a vie, Op. 14b: 2. Choeur d'ombres (Berlioz)
- Lo ou Le retour a vie, Op. 14b: 3. Chanson de brigands (Berlioz)
- Lo ou Le retour a vie, Op. 14b: 4. Chant de bonheur (Berlioz)
- Lo ou Le retour a vie, Op. 14b: 5. La harpe ienne - Souvenirs
- Lo ou Le retour a vie, Op. 14b: 6. Fantasie sur la Temp de Shakespeare (Berlioz)
- Grande Symphonie fune et triomphale, Op. 15: 1. Marche fune (Moderato un poco lento)
- Grande Symphonie fune et triomphale, Op. 15: 2. Oraison fune (Adagio non tanto - Andantino un poco lento e sostenuto)
- Grande Symphonie fune et triomphale, Op. 15: 3. Apothe (Allegro non troppo e pomposo)
Tracks:
- Harold en Italie, Op.16: 1a. Harold aux montagnes (Adagio)
- Harold en Italie, Op.16: 1b. Harold aux montagnes (Allegro)
- Harold en Italie, Op.16: 2. Marche des prins (Allegretto)
- Harold en Italie, Op.16: 3. Snade (Allegro assai - Allegretto)
- Harold en Italie, Op.16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I)
- Les Troyens arthage: Prelude From: Les Troyens arthage: Part II, Act III
- Les Troyens (Act IV): No. 29: Chasse royale et orage - Pantomime
- Les Troyens (Act IV): No. 32: Marche pour l'entrde la reine; No. 33: Ballets
- Les Troyens (Act IV): -A: Pas des Alm
- Les Troyens (Act IV): -B: Danse des esclaves
- Les Troyens (Act IV): - C: Pas d'esclaves nubiennes
- Rrie et Caprice, Op.8
Tracks:
- Romeo et Juliette, Op. 17: Part I, Introduction
- Romeo et Juliette, Op. 17: Part I, Prologue: 'D'anciennes haines endormies'
- Romeo et Juliette, Op. 17: Part I, Strophe 1: 'Premiers transports que nul n' oublie'
- Romeo et Juliette, Op. 17: Part I, Strophe 2: 'Heureux enfants aux coers de flamme'
- Romeo et Juliette, Op. 17: Part I, Rtatif et Scherzetto: 'Bientot de Romeo' - 'Mab! la messagere' - Bientot la mort est souveraine'
- Romeo et Juliette, Op. 17: Part II, Romseul - Tristesse - Concert eet bal
- Romeo et Juliette, Op. 17: Part II, Grande f chez les Capulets
- Romeo et Juliette, Op. 17: Part III, 'Ohe! Capulets! Bonsoir, bonsoir!'
- Romeo et Juliette, Op. 17: Part III, Sc d'amour
Tracks:
- Romeo et Juliette, Op. 17: Part IV, Scherzo: La reine Mab ou la fdes songes
- Romeo et Juliette, Op. 17: Part IV, Convoi fune de Juliette: 'Jetez des fleurs pour la vierge expiree!'
- Romeo et Juliette, Op. 17: Part IV, Romau tombeau des Capulets
- Romeo et Juliette, Op. 17: Part IV, Finale. Choeurs et Rtatif du P Laurence: 'Quo! Romeo de retour!'
- Romeo et Juliette, Op. 17: Part IV, Finale. Air du P Laurence: 'Pauvres enfants que je pleure' - 'Mais notre sang rougit leur glaive'
- Romeo et Juliette, Op. 17: Part IV, Finale. Serment de rnciliation: 'Jurez donc'
Tracks:
- Beatrice et Benedict
- Benvenuto Cellini
- Overtures: Le roi Lear, Op. 4
- Les Francs - juges, Op. 3
- Waverley, Op. 1
- Le corsaire, Op. 21
- Carnaval romain, Op. 9
Amazon.com
Berlioz was the first Romantic master of the orchestra. His music hasn't been surpassed in terms of sheer brilliance and accuracy of effect. This set includes all of the overtures, the Symphonie fantastique, Harold in Italy, the Royal Hunt and Storm from Les Troyens, orchestral music from The Damnation of Faust and Romeo and Juliet, and the completely insane Grande Symphonie funebre et triumphale. Davis achieved his reputation as a conductor as a Berlioz specialist, and he proves an expert advocate on behalf of this stimulating, bizarre, and totally original genius. The recording quality, so critical in such colorful music, is also very good. --David Hurwitz
Customer Reviews:
I am in a Box with Berlioz Box Sets.......2004-02-22
First I ordered Hector Berlioz Complete Orchestral Works (Box Set) in a 6-CD set by Sir Colin Davis because orchestral is what I like best. That was in 2002. Now I have ordered The Berlioz Edition (Box Set)in a 24-CD Box Set by Sir Colin Davis because I like what I have heard of Berlioz by Davis. I will put this up for sale, and if it doesn't go I will consider putting The Berlioz Edition up for sale after I have heard it. As I said I am in a Box with Berlioz Box Sets and can't afford both.
A superb set, well worth the price!.......2002-08-16
For those of us who grew up in the 1950s and '60s, the music of Berlioz means Munch and Toscanini: Munch for his incendiary performances of "Symphonie Fantastique," "Romeo et Juliette," "Damnation of Faust," the Requiem and the overtures (among others), Toscanini primarily for his gorgeous reading of "Harold in Italy" but also for his versions of the Roman Carnival Overture and (for those who could find it) the "Romeo" with Gladys Swarthout. These readings had one thing going for them, which was a rhythmic impetus that made even the slow movements exciting. Unfortunately, for those of us who read scores, when we checked these versions against the music we found that Toscanini and Munch had fiddled a bit with tempi and bowing accents in an attempt to make the music more exciting. Is this so bad? Not necessarily, because these conductors had this music in their blood, they were presenting Berlioz as they had processed him over a lifetime of love, and so their fast tempi had little in common with the rattly, jangly readings often turned out by John Eliot Gardiner.
Sir Colin Davis was, and of this reading remains, the greatest Berlioz interpreter of the stereo/digital era. This is no mean feat when one realizes that he now has several competitors in the field, among them James Levine and Charles Dutoit, but in my view only the wonderful John Nelson (whose recordings of the Te Deum and "Nuits d'Ete" with Susan Graham are so wonderful) really comes close. And what makes Davis so great is that, like those legendary conductors of old, he really gets under the skin of Berlioz and makes him exciting while maintaining score tempi. Listen, for instance, to his "Symphonie Fantastique," still the benchmark modern recording after nearly 30 years. Davis also excels in his readings of the Overtures, music from "Les Troyens," and the Symphonie Funebre et Triomphale which grabs the listener and pulls him/her into its vortex of sound.
In the other two symphonies, "Harold in Italy" and "Romeo et Juliette," I sense a lapse of sorts: the slow music is conducted not necessarily too slowly, but with a certain Romantic mushiness bordering on easy listening. This, for me, robs the "Romeo alone" and "Scene d'amour" of its passion, though of course it is wonderful to hear the score in modern stereo instead of Munch's cramped mono, and for me Toscanini's second movement of "Harold," with its peculiar yet engaging walking gait, shall never be surpassed--and, unlike Munch, Toscanini somewhat transcended his mono sound because of the wonderful clarity and transparency of his orchestra. Nevertheless, if I were forced to I would live with this Davis set over my Munch and Toscanini recordings because of their overall warmth and excellent sound.
Other highlights include excerpts from "Lelio" sung superbly by pre-leukemia Jose Carreras (listen to him ascend fearlessly to those high notes--he hasn't done that in nearly a quarter-century!), dramatically astute singing by Patricia Kerns and John Shirley-Quirk in "Romeo," and marvelous interpretations of the Overtures (oh, and you can forget "Rob Roy"...Berlioz decided after one performance that he would never publish it or even bother revising it, hence it is not here). I do question the omission of the Requiem and Te Deum (after all, they ARE "orchestral works"), but with so many riches at such a low price, who cares? Liner notes are sparse, and this is a slimline box which means paper sleeves and no jewel boxes, but so what? For this much Berlioz, so beautifully sung and conducted, the composer himself would gladly have plunked down ...
all the overtures *NOT*.......2001-05-04
This isn't a "complete" recording of Berlioz' orchestral music - what about the 'Rob Roy' overture? Granted it recycles some of Harold in Italy, but still...
A wonderful collection of Berlioz.......2000-08-15
This incredible six CD set features all of Hector Berlioz's purely orchestral music conducted by the great Sir Colin Davis, widely regarded as one of the greatest living Berlioz interpreters. In addition to favorites such as Symphonie fantastique, Harold en Italie and Romeo et Juliette, the set also includes the lesser known Lelio and several other works. The works were recorded between 1965 and 1980, and the sound is wonderful and rich. His interpretations are also lively and full of energy, especially in the overtures.
The Romeo et Juliette included in this set is my favorite of all the recordings of it that I've heard, although I haven't yet heard Sir Colin's more recent recording with the Vienna Philharmonic. The recording of Lelio is also well done. Jose Carreras and Thomas Allen are the featured singers in Lelio's song movements, and the fantasy on Shakespeare's Tempest at the end of the work is fascinating indeed. If you've only heard Berlioz's Symphonie fantastique and want to hear more of his works, or are looking for a nice collection of classic Berlioz recordings, then take a good look at this set.
Average customer rating:
- Great sounds!
- Its alright
- absolutely Inspirational
- Heaven on Earth
- A fun and inspirational listen
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London Horn Sound
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Similar Items:
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- Brain
ASIN: B00000JHK7
Release Date: 1999-06-29 |
Customer Reviews:
Great sounds!.......2006-06-16
Love this CD! Feel in love with it from the first hearing! The Titanic fantasy is wonderful, perhaps a tad long, but wonderful just the same. I got used to the flat high D after a couple hearings. The Hansel und Gretel is nice, but arranged a whole step below the original key, and it looses a little luster. There is a wonderful published 8 part arrangement of this in the original key that I think is better.
The jazz/swing tunes are wonderful. Uses of stopped horn to simulate muted trumpets are quite effective. I also like the use of percussions throughout the disc. I think Caravan is my favorite track.
I just received the Take 9 CD today, and I didn't have the WOW feeling as I didn't when I first heard the London Horn Sound. There are many more tracks on the London CD that I will continue to listen to. The arrangements, I feel, better handle variations of texture and timbre of the homogeneous sound of a horn section. And besides...who cares about the Grand Canyon Suite??
Take 9 arrangement choices are boring.
Its alright.......2005-12-15
This CD has some really beautiful playing, but a lot of the selections are cheesy. i.e. Titanic. They might as well have hired Celine Dion to sing along with them. And although there are some real "wow" moments like when you listen to Caravan for the first time, (The lead horns sound like the trumpet section in a jazz band), overall, the Cd isn't that exciting to listen to more than once. On the other hand, Take 9 is a CD featuring the American Horn Quartet & The Horns of the NY Philharmonic. Not only do they kill the Londoners with their technique and intonation, but the repertoire better suits the medium than lame pop fantasies. Of note is the orchestral transcription of Overture to Candide. I say transcription because yes, they even play the flute and clarinet solos in the correct octave. TAKE 9 Check it out!
absolutely Inspirational.......2005-10-11
This is THE CD I listen to on the way to rehearsal. It truly inspires me to do my absolute best! You've got to love Roman Carnival - so excellent! I would recommend this CD to anyone, especially horn and brass players. These performers are just phenomenal. What else is there to say?
Heaven on Earth.......2005-08-02
This CD is incredible. The horn is shown for all it is worth. From the beauty of the "Titanic" Fantasy and Hansel and Gretel to the latin Tico-Tico, jazz of Ellington in Caravan and the incredible rendition of Bohemian Rhapsody, the horn proves it is not as limited an instrument as some may think. Both the high and low ends of the horn are highlighted. Simply heavenly. If you like horn playing at all or even if you don't, you will want to give this CD a listen. It is well worth your time and money.
A fun and inspirational listen.......2005-05-06
I love this CD. In addition to showing off some of the finest horn playing I've ever heard, there's something here for every musical taste. My favorite track is without question the Titanic Fantasy...I'm a French horn major at the moment, and whenever I really, really don't want to practice, I pull out this CD and listen to that song. It gets me up and going nine times out of ten. It's worth listening to just to hear that final high D...absolutely heavenly!
Average customer rating:
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Orchestra Excerpts for Viola
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B0000038L5
Release Date: 1998-01-27 |
Tracks:
- Intro
- Don Quixote
- Hary Janos
- Concert Variations
- Daphnis et Chloe, Ste No. 2
- Midsummer Nights Dream
- Peter Grimes
- Tchaikovsky: Sym No. 6
- Sym No. 5
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Average customer rating:
- FANTASTIC, FANTASTICI AND FANTASTIC
|
Berlioz: Roman Carnival Overture Op9
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
| ( B )
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Baltimore Symphony Orchestra
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ASIN: B000003CXK
Release Date: 1991-04-12 |
Tracks:
- Roman Carnival Overture
- Les Francs-Juges Overture
- I. Dreams. Passions Largo-Allegro Agitato E Appassionato Assai-Tempo I - Religiosamente
- II. A Ball Valse: Allegro Non Troppo
- III. Scene In The Country. Adagio
- IV. March To The Scaffold. Allegretto Non Troppo
- V. Dream Of The Witches' Sabbath Larghetto-Allegro-Allegro Assai-Allegro-Lontano-Ronde De Sabbat-Dies Irae
Customer Reviews:
FANTASTIC, FANTASTICI AND FANTASTIC.......1999-02-28
Fantastic composition, fantastic orchestra, fantastic conductor. Baltimore Symphiny gets a melodious sound that no other orchestra can get.
Average customer rating:
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Orchestral Excerpts for English Horn
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005RGI3
Release Date: 2002-01-08 |
Tracks:
- Symphony No.9
- Cantata No.1
- St. Matthews Passion #60
- St. Matthews Passion #65
- Rob Roy Overture
- Roman Carnival Overture
- Symphonie Fantastique
- La Mer
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- Rhapsodie Espagnol
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- Concerto De Aranjuez
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- Symphony No.8
- Don Quixote
- Ein Heldenleben
- Le Sacre Du Printemps
- Un Ballo In Maschera
- Tristan Und Isolde
Customer Reviews:
It's not just music!.......2006-11-28
I was sorely disappointed...the entire CD is littered with commentary about the music by the English horn player. While the information she provides is potentially interesting to some listeners, I was wanting a music selection of dedicated English horn music. I found the (lengthy) verbal excerpts distracting and irritating to the point that I never listened to the CD again after it's initial run.
The music is great, though, when it's actually playing, despite the fact that you don't get the entire piece...
Average customer rating:
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Berlioz Edition (Box Set)
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
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Allen, Thomas
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ASIN: B000093OSH
Release Date: 2003-12-16 |
Amazon.com
Sir Colin Davis has long been considered the world's finest Berlioz conductor, and over the years, Philips has released all of the composer's major works with Davis at the helm. Now, they're all here, in a 24-CD box, and it is an astonishing achievement. This treasure trove consists of the definitive, available readings of Les Troyens, Béatrice et Bénédict, and Benvenuto Cellini; a wonderfully energetic, passionate Roméo et Juliette; a Te Deum which is huge yet clear and not over-the-top for its own sake; Les Nuits d'été with different singers (of varying ranges in different songs), as Berlioz wanted them performed; the young Dame Janet Baker superb in Herminie and La Mort de Cléopatre; a relaxed, sweet Enfance du Christ; a Requiem which could knock you over; a Damnation de Faust which is both lyrical and exciting; a performance of Lélio which almost makes sense of that strange work; a Symphonie Fantastiquewith atmosphere and thrills; along with 7 overtures, 5 songs, and more. In addition to the moderate price, the packaging is such that the 24 CDs takes up less space than just the earlier releases of Cellini and Troyens together. This is one-stop shopping at its best. --Robert Levine
Average customer rating:
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Berlioz: The Fantastic Symphony
Manufacturer: Compose Records
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
| ( B )
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ASIN: B000001TU8
Release Date: 1997-01-23 |
Tracks:
- Fantastic Symphony (Episode From An Artist's Life), Op.14: Dreams; Passions; Largo; Allegro Agitato E Appassionato Assai
- Fantastic Symphony (Episode From An Artist's Life), Op.14: A Ball; Allegro Non Troppo
- Fantastic Symphony (Episode From An Artist's Life), Op.14: In The Fields; Adagio
- Fantastic Symphony (Episode From An Artist's Life), Op.14: March To The Scaffold; Allegro Non Troppo
- Fantastic Symphony (Episode From An Artist's Life), Op.14: Dream Of A Witches' Sabbath; Larghetto; Allegro
- The Roman Carnival, Op.9
- Bonus Track 1
Average customer rating:
|
Classics at the Pops
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
| ( B )
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| Copland, Aaron
| ( C )
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| Debussy, Claude
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ASIN: B0001KL4GS
Release Date: 2004-03-23 |
Tracks:
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