The Story of Percussion in the Orchestra

On this CD:

1. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 excerpt
Composed by Benjamin Britten
Performed by Rochester Philharmonic Orchestra
Conducted by William Cahn

2. Thésée, opera, LWV 51 Overture (Excerpt)
Composed by Jean-Baptiste Lully
Performed by Rochester Philharmonic Orchestra
Conducted by William Cahn

3. March for kettledrums Excerpt
Composed by Jacques Danican Philidor
Performed by Rochester Philharmonic Orchestra with John Wyre, Russ Hartenberger
Conducted by William Cahn

4. Thésée, opera, LWV 51 La Marche
Composed by Jean-Baptiste Lully
Performed by Rochester Philharmonic Orchestra with John Wyre, Russ Hartenberger
Conducted by William Cahn

5. Janissary Music for percussion
Composed by Charles Wuorinen
Performed by Rochester Philharmonic Orchestra with Nexus
Conducted by William Cahn

6. Die Entführung aus dem Serail, opera, K. 384 Overture (excerpt)
Composed by Wolfgang Amadeus Mozart
Performed by Rochester Philharmonic Orchestra
Conducted by William Cahn

7. Run Boys, Run
Composed by Anonymous
Performed by Rochester Philharmonic Orchestra with Nexus
Conducted by William Cahn

8. Wellington's Victory, for orchestra, Op. 91
Composed by Ludwig van Beethoven
Performed by Rochester Philharmonic Orchestra with Nexus
Conducted by William Cahn

9. Bolero
Composed by Moritz Moszkowski
Performed by Rochester Philharmonic Orchestra with Bob Becker, Nexus
Conducted by William Cahn

10. Fluffy Ruffles
Composed by George Hamilton Green
Performed by Rochester Philharmonic Orchestra with Bob Becker, Nexus
Conducted by William Cahn

11. Birds
Composed by William Cahn
Performed by Rochester Philharmonic Orchestra with Nexus
Conducted by William Cahn

12. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 Excerpt
Composed by Benjamin Britten
Performed by Rochester Philharmonic Orchestra
Conducted by William Cahn

Tracks:

The Star Spangled Banner
George M. Cohan Medley: Yankee Doodle Dandy/Harrigan/Mary's A Grand Old Name/You're A Grand Old Flag
American Salute
The Washington Post
El Capitan
Armed Forces Medley: The Army Goes Rolling Along/Anchors Aweigh/Semper paratus/The U.S. Air Force...
God Bless America
Colonel Bogey
National Emblem March
Americans We
Manhattan Beach
Deep In The Heart Of Texas
The Yellow Rose Of Texas
Hoe-Down From 'Rodeo'
Shaker Melody from Appalachian Spring

Tracks:

Fanfare For The Common Man
Overture To 'Strike Up The Band'
America The Beautiful
76 Trombones
Victory At Sea Suite
America From 'West Side Story'
Liberty Bell
Variations On 'America'
The Stars And Stripes Forever

Customer Reviews:

worth money.......2007-05-24

this cd set is definately worth the money spent. i haven't heard some of the music before but was willing to give it a try.

Great Patriotic Music.......2007-02-21

Beautiful music perfect for feeling patriotic. Received CD promptly and in great condition.

A good choice of tunes with good quality.......2005-06-30

If you like military tunes and marches, this 2-CD is a good choice. The orchestration is good, it is well played and the quality of recording is good. If you like this kind of music, it is a good choice to buy.

Brilliant!!!.......2003-08-11

I have the CD at home and the songs sound fabulous. I've heard the Houston Symphony's version of the Star Spangled Banner many times on TV as this anthem has been used at sign-off (when this was happening). It's as powerful a version you'll hear. Probably the finest patriotic music CD you can find out there.

Best Patriotic Music I've Found.......2001-09-20

Loved the CD! I am buying it to use with a Musical Freestyle Ride for a Quadrille. A horse oriented endeaver. The music will be perfect to bring positive patriotism to fairs and fund raisers for NYC.

Average customer rating:

Ultimate Wedding Album
The Best!
A beautiful CD - wedding or not
The best of my Wedding CD's
When they say Ultimate, they mean it!

The Ultimate Wedding Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Classical Wedding
The Complete Wedding Album
25 Wedding Favorites
Bride's Guide to Wedding Music
Bride's Guide to Wedding Music, Vol. II

ASIN: B00000427S
Release Date: 1995-03-14

Tracks:

Jesu, Joy Of Man's Desiring
Sheep May Safely Graze
Suite No.3 In D: Air On The G String
Xerxes: Largo
The Water Music: Air
Lohengrin: Bridal Chorus
Trumpet Voluntary (The Prince Of Denmark's March)
Solomon: Arrival Of The Queen Of Sheba
Canon In D
Ave Maria
Panis Angelicus
Ave Maria
Because
West Side Story: One Hand, One Heart
Be My Love
The Water Music: Hornpipe In D
Fifth Symphony: Toccata
Trumpet Tune And Air
A Midsummer Night's Dream: Wedding March

Customer Reviews:

Ultimate Wedding Album.......2007-06-01

The perfect album for anyone planning a wedding. Both traditional and contemporary wedding favorites. Sound quality is excellent.

The Best!.......2007-05-24

Send this to every future bride and groom - yes. But even better, send a copy to the PARENT(S) of the future bride and groom!!! It gets everyone in the mood and filled with excitement! Also, it allows them to hear some choices other than "Here Comes the Bride." This CD can also be a lasting pre-wedding shower gift.

A beautiful CD - wedding or not.......2007-01-11

Whether you're getting married, attending a wedding or just want some sweet music to listen to - this album is it. A terrific collection of some of the most beautiful music ever written.

The best of my Wedding CD's.......2007-01-10

I purchased quite a few Wedding CD's but for me, this Album has the most elegant and classic pieces. Ultra modern, trendy girls...don't you dare go here. Classic, beautiful, refined women...this is your CD.

Pamela

When they say Ultimate, they mean it!.......2006-03-14

This album really is great. As of writing the review I haven't gotten married yet, but I am definetly using it in my June wedding. It has all of the classics that we always associate with weddings and only weddings ("Bridal Chorus" for the bridal processional, "Wedding March" for a recessional, etc.) PLUS plenty of other music for the wedding party processional, unity candle lighting, prelude music, etc. I purchased another CD, but only because that music was used in EVERY ceremony at my high school and it has sentimental value to me. I didn't need to, as the album cover even sorts the tracks by Prelude, Processional, Ceremony, and Recessional.

The songs are so peaceful, well performed, and just plain pretty. Those with organ truly remind me of being in church as a child. I plan to keep the CD in my IPod and listen to it when I need some "chill out" time. Those which are not AS specific to weddings ("Jesu, Joy of Man's Desiring," "Air on the G String," etc.) sort of make you feel like you're in a classy coffee shop or in a bakery in an Italian villa.

Overall, a very well-rounded album. You could get by with this CD alone for all of your ceremony music and save hundreds of dollars on hiring an organist and soloist. With a decent sound system at your ceremony site, guests who didn't know any better would wonder where the orchestra is.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Pie Jesu from Requiem
Ave Maria, "Ellens Gesang III"
Duel Of The Fates from Star Wars Episode 1: The Phantom Menace
Wishing You Were Somehow Here Again from Phantom of the Opera
Rose
Nella fantasia
Pavane for Guitar and String Orchestra
'O mio babbino caro (from Gianni Schicchi)
Jesus, bleibet meine Freude (Jesus, Joy of Man's Desiring)
'O sole mio
Maria from West Side Story Suite
The Second Waltz (Music from the motion picture Eyes Wide Shut)
Now We Are Free (from the Original Motion Picture Soundtrack of Gladiator)
The Eternal Vow from Crouching Tiger, Hidden Dragon
'O Fortuna from Carmina Burana
Theme From Braveheart (from the Original Motion Picture Soundtrack)
The Prince of Denmark's March
Spring - I. Allegro
Appalachia Waltz
Nessun dorma! (from Turandot)

Customer Reviews:

Very Nice.......2006-08-12

I must say I enjoyed pretty much all of the songs on this album. "Victory" by Bond was the only thing they shouldn't have included, since it doesn't quite qualify as "classical" and wasn't what I would call a hit, anyway. True, it was instrumental, but real classical music is of a higher caliber. ("Now We Are Free" isn't quite classical either but it's not 'commercialized' like "Victory.") I really liked "Duel of the Fates," "Maria," "Now We Are Free," and "O Fortuna." Those were my favorites out of a great selection of songs. I would recommend this to anyone who doesn't really care for full-blown classical.

Eh... it's okay for the young........2006-02-03

I bought this cd when it first came out, as my first real taste of anything even remotely classical. And for that purpose, it works. For someone getting into classical seriously though, I'd start somewhere else.

Almost perfect..........2005-09-17

aside from the second track (Bond-Victory) and the title track from the movie Braveheart, this is a decent classical album. The Bond-Victory selection is embarrassing commercial crap.

okay.......2002-11-08

This is a perfect album for someone who doesn't like classical music. It's almost like classical crib notes. The mix is great for dinner or party music but I was left wanting more. I'm not sure of it, but it felt like each song was shortened some how.

Almost Perfect!!!!.......2002-01-17

This album contains many of contemporary classic music's finest songs sung by many of the finest singers in the world. Bocelli, Brightman, Fleming, Watson, just to name a few. The problem here is with the opener, where the song is sung by the execrable Charlotte Church. Its a mystery to everyone I know who has heard this CD why this song is not sung by Sarah Brightman who did the original and defining version. The rendition by Church simply demonstrates her lack of vocal control and emotion. Even a cover by Renee Fleming is far superior to that of Church's. The only thing I can think of here is that since the album is put out by Sony, and Charlotte is owned by Sony, they had to find some place for her songs after paying her so much money.
If not for Church poisoning the well on track 1, this album is an absolute 5-star

Average customer rating:

Great Orchestral Melodies

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Marches | Miscellaneous | Styles | Music

Tracks:

'Solomon': Arrival Of The Queen Of Sheba
'The Four Seasons': The Spring: Allegro
Canon In D
Orchestra Suite No.2: Minuet And Badinerie
Bach: Allegro
Symphony No.104: Adagio; Allegro
Divertimento For Strings, No.1: Allegro
Piano Concerto No.5: Adagio un poco mosso
'The Ruins Of Athens': Turkish March
Eine kleine Nachtmusik: Romanze: Andante
Marche Militaire No.1
'The Hebrides' ('Fingla's Cave'): Overture
'The Valkyrie': Ride Of The Valkyries

Tracks:

Slavonic Dances: No. 1: Presto
Slavonic Dances: No. 3: Poco Allegro
Slavonic Dances: No. 7: Allegro Assai
Slavonic Dances: No. 8: Presto
Coronation March
Entry Of The Gladiators
Serenade For Strings: Waltz
Samson And Delilah: Bacchanale
Piano Concerto No. 2: Adagio sostenuto
Russian And Ludmilla: Overture
Also sprach Zarathustra: Introduction
Symphonie Fantastique: March To The Scaffold
On The Beautiful, Blue Danube
The Firebird: The Palace Of Kashchei And His Enchantments Vanish - Dallas Symphony Orchestra

Tracks:

'Pictures at an Exhibition': Promenade
'Pictures at an Exhibition': Gnomes
'Pictures at an Exhibition': The Hut On Fowl's Legs (Baba Yaga)
'Pictures at an Exhibition': The Great Gate Of Kiev
A Night On Bald Mountain
'The Planets': Mars: The Bringer Of War
'The Pines Of Rome': The Pines Of The Appian Way
Pavan For A Dead Princess
The Sorcerer's Apprentice
'The Three-Cornered Hat': Dance Of The Miller's Wife
Scheherazade: Festival At Baghda; The Sea; The Ship Goes To Pieces Against A Rock Surmounted By A Bronze Warrior

Tracks:

Fanfare For The Common Man
'Appalachian Spring': Variations On A Shaker Melody
'Candide': Overture
'West Side Story': Suite: I Feel Pretty; Maria; Something's Coming; Tonight; One Hand, One Heart; Cool; America
Rhapsody In Blue
Adagio For Strings
'America': Variations
'Rodeo': Hoe-down
Pomp And Circumstance: March No. 1
'Gayane': Sabre Dance
'Lieutenant Kije': Troika
'The Love Of Three Oranges': March
'Hary Janos': The Viennese Musical Clock

Average customer rating:

The Essential Wedding Collection

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Classical Wedding
Disney's Fairy Tale Weddings
25 Wedding Favorites
Introducing Joss Stone
Call Me Irresponsible

ASIN: B0001U0GCG
Release Date: 2004-05-11

Tracks:

Sheep May Safely Graze - Stuttgarter Kammerorchester
Jesu, Joy Of Man's Desiring - Stuttgarter Kammerorchester
Aria (Air On The G String) - Stuttgarter Kammerorchester
Air - Academy Of St. Martin-In-The-Fields
Love Divine, All Loves Excelling - Richard Farnes
Canon in D major - Stuttgarter Kammerorchester
Bridal Chorus - Stephen Cleobury
The Prince Of Denmark's March - Michael Laird Brass
Trumpet Tune And Air - Peter Hurford
Panis Angelicus - Luciano Pavarotti
Ave Maria - Wandsworth School Boys' Choir, National Philharmonic Orchestra and Luciano Pavarotti
Exsultate, Jubilate, K. 165 - Leontyne Price
Water Music - Stephen Cleobury
Wedding March - Peter Hurford
The Lord's My Shepherd - Huddersfield Choral Society
Laudate Dominum - Wren Orchestra
Let The Bright Seraphim - Dame Joan Sutherland
Abide With Me - Anthony Way
Ombra Mai Fu - Anthony Way
On Wings Of Song - Utah Symphony Orchestra
Toccata - Stephen Cleobury
Praise, My Soul, The King Of Heaven - Richard Farnes

Tracks:

My Heart Will Go On - James Horner
I Will Always Love You - Dolly Parton
Love Theme - Nino Rota
Up Where We Belong - Will Jennings
As Time Goes By - Herman Hupfeld
Take My Breath Away - Giorgio Moroder
Can You Feel The Love Tonight? - Elton John
Evergreen - Barbra Streisand
Love Is All Around - Reg Presley
Maid Marian At The Waterfall (Everything I Do) I Do For You - Seattle Symphony Orchestra
Moon River - Henry Mancini
Where Do I Begin - Francis Lai
When A Man Loves A Woman - Andrew Wright
The Way We Were - Marvin Hamlisch
Unchained Melody - Hollywood Bowl Orchestra

Average customer rating:

Don't fall for hype: entertaining the first time, clearly deserving 1-star afterward
New Music Can be Fun
Ades lives up to the hype ...

Thomas Adès: America: A Prophecy
Thomas Ades , and City of Birmingham Symphony Chorus
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Rap & Hip-Hop | Styles | Music
Similar Items:

Ades: Asyla, These Premises Are Alarmed, etc. / Rattle, et al
Thomas Adès: Living Toys
Ades: Catch/Darknesse Visible/Still Sorrowing/Under Hamelin Hill/Five Eliot Landscapes/Traced OVerhead/Life Story
Adès: Piano Quintet; Schubert: "Trout Quintet"
Osvaldo Golijov: Ainadamar

ASIN: B0000C17Q8
Release Date: 2004-02-24

Tracks:

Part I - City Of Birmingham Symphony Chorus
Part II - City Of Birmingham Symphony Chorus
The Fayrfax - Hugh Webb
Movement I - Christopher Bowers-Broadbent
Movement II - Christopher Bowers-Broadbent
January Writ - Christopher Bowers-Broadbent
Oh Thou, Who Didst With Pitfall And With Gin, Op.3a - Hugh Webb
Iam Nocet Frigus Teneris - Robin Blaze
Nec Limpha Caret Alveus - Robin Blaze
Modo Frigescit Quidquid Est - Robin Blaze
Nutritur Ignis Osculo - Robin Blaze
Life Story, Op.8 - Claron McFadden
Cardiac Arrest - Thomas Ades
Les Baricades Misterieuses - Thomas Ades
Brahms, Op.21 - Christopher Maltman

Customer Reviews:

Don't fall for hype: entertaining the first time, clearly deserving 1-star afterward.......2006-10-29

In the 1990s, Thomas Ades benefitted from one of the largest hype machines the classical music world had ever seen. This young composer, born in 1971, was the great hope of British music, the next great master after Britten (somehow Benjamin, Harvey, and Birtwistle were pushed aside), and just the man to bring classical music to the masses. That's a tall order, and one's disappointment in Ades' music deepens all the more because of the glory one was lead to expect. Some of his earlier work, such as "Asyla" and "These Premises are Alarmed", showed him a decent orchestrator, but the man's work has many weaknesses. These continue in this 2004 EMI disc, collecting ten of his pieces.

"America: A Prophecy" (1999) is the largest work here in terms of length and proportions. It was written for mezzo-soprano, chorus, and orchestra for the New York Philharmonic's "Messages for the Millennium" project. Ades sought to contrast the comfort of New York at the time with the bloody way in which the Americas were conquered, so he paired Mayan prophecies from the Chilam Balam with conquistador songs of bravado. Lines like "They will come from the East" and "They will burn your cities" made the piece especially poignant after September 11, 2001. Though the work is entertaining on the first listen or two, especially due to the odd vibrato-less mezzo-soprano, it gets old real soon. There's no subtlety here, Ades either bangs it out with massive orchestral and choral bombast with no economy, like Sandstrom's awful "High Mass", or keeps it real quiet. At both extremes, we get generally the same sonorities of "Asyla", which were cute before but now just seem sappy. I first heard "America: A Prophecy" over a year ago, it's taken me this long to tame my annoyance enough to review it, it's that bad.

Several chamber works primarily for voice follow, setting ancient or medieval texts. These are all quite lightweight, some of them even lack opus numbers, making one wonder how much work the composer put into them. "January Writ", for chorus and organ, seems fairly easy and might prove a hit with regional choruses. The others, however, are dull. "Life Story", here in an arrangement for soprano and a chamber ensemble of string bass and two bass clarinets, is just as unimpressive as the first time it appeared on disc for soprano and piano: if all you do is have your soprano sing like Billy Holliday, it's not all that exciting.

One reason "Asyla" got so much attention was because of its third movement, titled "Ecstasio". In 4/4 time, it evoked the bass/hi-hat alteration of house music and imitated the trippy synths of trace with woodwinds. Trying to follow in that success, this disc contains Ades' chamber setting of a 1982 ska rock hit by Madness, "Cardiac Arrest". Unlike Olga Neuwirth's "Hommage a Klaus Nomi" which supplements the arrangement with a strong dramatic spectacle, Ades' arrangement of "Cardiac Arrest" just sounds gimmicky. So an ensemble can imitate a rock song, so what? This is followed by Ades' arrangement of a Couperin harpsichord piece, where yet again any insight is lacking.

If you're interested in contemporary music from Britain, look for anything by George Benjamin or Julian Anderson, two composers whose music has some substance behind the surface glitter. Considering how far Ades' career had moved along by the last works here, it's appalling that he still hasn't shown anything underivative and rigourous.

New Music Can be Fun.......2006-10-06

The two-year-old review by Mr. Hamilton describes the contents of this disk very amply and cogently. No two pieces resemble each other in any but technical matters of harmony. Ades is at times as spiritual as Arvo Part, at times as whimsical as Ives or Couperin, whose "Mysterious Barricades" he recomposes. These little pieces are, for me, more enjoyable than the larger compositions of Ades that I've heard. Perhaps there is room in contemporary music for a brilliant miniaturist. I rather hope so.

Ades lives up to the hype ..........2004-08-08

After hearing the recording of Asyla, which I consider one of the most exciting works on the modern classical scene, I have tended to give at least some initial respect to anything with the name Thomas Ades printed on it. Perhaps only this respect could persuade me to purchase a CD which juxtaposes Mayan texts, a sermon of John Donne, a poem by Omar Khayyam, and arrangements of a ska classic and a Rameau harpsichord piece. As it turns out, I was not wrong in my hopes that Ades would be able to pull off such a feat of eclecticism.

Of course, the main attraction here is the title work, America: A Prophecy. This big piece for orchestra, soloist, and chorus was written in 1999 as part of the New York Philharmonic's millenium commision. With lines like "They will come from the east ... they will burn all the land ... your cities will fall," the piece gained a rather terrifying new meaning after the September 11th attacks. It is possible that in light of this, the CD was slapped together quickly, blanks filled in by random unreleased Ades juvenilia. I doubt it, since the CD was released a full three years after 9/11; at any rate, Ades is such a diverse composer that an eclectic collection of his music actually makes perfect sense. His very unusual harmonies are audible in all the pieces, even the very early ones; thus the disc is musically unified, even if the themes are quite disparate.

America: A Prophecy is the second-newest work recorded here, and it falls easily into the same category as Asyla. The same utterly unique, very dense orchestrations (from a composer with ambivalence toward Brahms!) are all there. The alternation of this style with a ghostly, vibrato-less mezzo, however, is a new thing, and I find it quite effective -- though the odd singing style took a few listens to grow on me. The climax of the first movement is arresting in the same way Asyla's fourth movement is: the glorious diatonic chords manage to be at once genuinely triumphant but also wry and self-conscious; after all, this sort of outburst has been essentially illegal since the death of Gustav Mahler. I find the piece very effective.

Following this are a few choral works, all different but coming out of the same basic sound-world. The Fayrfax Carol is probably the most traditional, "archaic" sounding of them, a somewhat medieval sound complementing the passion-play-style lyrics. Fool's Rhymes contains some excellent percussive effects that just echo the work of Gallic moderns like Messiaen and Boulez. Ades, however, always remains closer to the diatonic scale. January Writ and O Thou, who didst with pitfall and with gin are just as effective as the preceeding works.

The Lover in Winter, a song-cycle for piano and countertenor, is the earliest work on the CD, but you wouldn't be able to tell for sure just by listening. It is perhaps less distinctive than the newer works, but not less well-crafted. I also hear some echoes of French modern works in the piano writing. As a Latinist, I was thrilled to find some good Latin lyrics also! I wish I could have written music like this when I was seventeen ...

Next up is a much talked-about Ades work, Life Story. It was released a few years ago in a piano-voice arrangement, and famously insructs the soprano to imitate the vocal style of jazz singer Billie Holiday. I've never heard the piano version, but I find it hard to imagine arranging the accompaniment for piano alone; here it is played by two bass clarinets and string bass. I'm not sure that I like the piece especially well; the accompaniment is somewhat Stravinskian and detached, and seems not to fit in with the jazzy vocalizations. Perhaps I would just expect something a little warmer and more sultry for a setting of this Tennessee Williams poem; the whole thing seems a trifle cold. Not bad by any means, just less effective than many other works from Ades.

Two wildly disparate transcriptions follow: the first is of a "ska rock classic" by Christopher Foreman and Cathal Smyth called Cardiac Arrest. It is an odd little piece, very energetic and well-orchestrated. A pleasant surprise for me. Second is Les Barricades misterieuses by Couperin, originally for harpsichord. Rather innocuous, this is also given a good -- and somehwat "mysterious" -- arrangement.

The last piece on the CD, "Brahms," is also the latest-written. It sets a German poem by eminent pianist Alfred Brendel and was written for his birthday. It would seem that neither Ades (judging by previous statements) nor Brendel are terribly enthusiastic about Brahms' work, but at least Ades seems to be more paying an homage to the late-romantic patriarch than anything; the music is certainly not a pastiche, but it does come dangerously close to quotation a couple times -- though I believe the themes are all original. It is recognizeable as the work of Thomas Ades, but his usual frenetic orchestrations, with their percussive effects and extreme contrasts between low and high instruments are replaced with a very Brahmsian low-lying and homogeneous density. The German poem is set extremely well, making for an absolutely wonderful album close, at once humorous and serious.

It is a rare thing for a young, modern-classical composer to rise to swift stardom and become a household name before the age of thirty-five, and surely it would be easy for Mr Ades to get lost in all the hype. Yes, many people will probably buy this recording simply because of the eerie timing and message of the title work, or because Ades is a "hip" composer. But I think there is far more to this recording, and to Thomas Ades, than mere trendiness. He is a remarkable young composer with amazing technique and bursting with (sometimes too many!) ideas. He may not have fully found his voice yet, but his music can hardly fail to be recognized as his own. America: A Prophecy rates five stars, and comes highly recommended.

Switched on Classics: Classics With a Beat

Average customer rating:

You call this electronic? BULL!

Switched on Classics: Classics With a Beat

Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Inventions | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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General | Opera & Vocal | Styles | Music

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French | Languages | Opera & Vocal | Styles | Music

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Classical | Box Sets | Stores | Music

Hooked On Classics

ASIN: B000000LDT
Release Date: 1995-04-16

Tracks:

Flight Of The Bumble Bee, Hungarian Dance No. 5 - Light Cavallerie, Carmen: Flight Of Carmen
The Moldau, Sheherazade, Nabucco: Soul And Sound
Umbra Mai Fu, From Xerxes: Largo For Lovers
Air, Pathetique, Solveig's Song: Solveig's Air
Sonatas In C Major, A Major (Rondo Alla Turca): Amadeus Up To Date
Nocturne In E Flat Major, Prelude In A Major, Mazurka In A Flat Major Op. 9,2 - 28,7 - 24,3: Blue Hour With Frederic
Poem, Ave Maria: Mary's Poem
Etude In A Major Op. 10,3 - Moonlight Sonata Op. 27,2: Moonlight Fantasy
Trumpet Voluntary, Trumpet Tune In B Flat Major: Old Trumpet Sound
Ave Verum KV 618: Mozart's Prayer
Porgy And Bess: Summertime
West Side Story: America

Tracks:

Swan Lake, Capriccio Italien, Romeo & Juliet (Overture), Pathetique, Nutcracker Suite (Trepak, The Sugar Plum Fairy, The Reed Flutes), Romeo & Juliet (Finale): Russian Sounds
Preludes In C Major And Minor, Italian Concerto BWV 846, 847, 971: The Well - Tempered Bach
Emperor Waltz, Hunters Polka, Perpetuum Mobile, Tritsch-Tratsch Polka, Pizzicato Polka, Thunder & Lightining Op. 437, 373, 257, 214, 324: Vienna In Rhythm
In C Major, A Minor, B Flat Major BWV 772, 784, 785: John Sebastian's Inventions
Inpromptu In A Flat Major Op. 142,2: Always All Ready
Aida (Temple Scene & Romance) Rigoletto (Violetta): Aida In The Background
Aria In F Minor, March From 'Sciplo', Allegro In F Minor: Festive Baroque
Song Of India
Can't Buy Me Love
It Ain't Necessarily So
Nabucco Slave's Chorus, Gefangenchor - Tannhauser
For Elise, Symphony No. 9, Ode To Joy

Tracks:

A Fifth Of Beethoven
Reverie (Traumerei)
Serenade KV 330, Serenade From Sonata KV 284, Turkish March KV 331
Largo From Symphony No. 9: New World
Symphony No. 40 In C Minor
Can Can, Thunder & Lightning (Polka), Hungarian Dance, Galop, Medley, Staccato, Orpheus In The Underworld
Moonlight Sonata: Blue Moon
A Little Night Music
Also Sprach Zarathustra
Waltz In A Minor Op.39
From Tales Of Hoffmann: Barcarole
Toccata Spectrum
Melody In F
Fantasy
Serenade

Customer Reviews:

You call this electronic? BULL!.......2003-01-26

I think I know what electronic classical music is, considering I made an album called Kulture. This does not sound electronic, if it does, it uses drums = not good. It sounds way too classical.

Average customer rating:

A gateway drug, nothing more, nothing less.
Decent Selection, But...
A must-have classical music set!

Best Classics 100

Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

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Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

100 Best Opera Classics
Best Classics 100 Volume 1
Best of the Millennium: Top 40 Classical Hits
Best Classics 100 Volume 2
The Most Relaxing Classical Music in the Universe

ASIN: B0001M65HE
Release Date: 2004-08-10

Tracks:

Handel: The Arrival Of The Queen Of Sheba
Vivaldi: Spring (The Four Seasons)
J.S. Bach: Toccata in D Minor
Mozart: Horn Concerto No. 4 in E Flat
Beethoven: Symphony No. 5
Tchaikovsky: '1812' Overture
Beethoven: Ode To Joy (Symphony #9)
Grieg: Piano Concerto in A Minor
Sibelius: Alla Marcia (Karelia Suite)
Holst: Jupiter, The Bringer Of Jollity
Tchaikovsky: Piano Concerto No.1
Sibelius: Finlandia
Verdi: Gloria All'egitto (Aida)
Prokofiev: Montagues And Capulets (Romeo & Juliet)
J. Strauss I: Radetzky March
Elgar: Pomp And Circumstance March No.1
Rachmaninov: Piano Concerto No. 3
Saint-Saens: Symphony No. 3 'Organ'

Tracks:

J. S. Bach: Air 'On The G String'
Gluck: Dance Of The Blessed Spirits
Pachelbel: Canon
Mozart: Clarinet Concerto in A
J.S. Bach: Goldberg Variations
Albinoni: Adagio
Beethoven: Piano Sonata 'Moonlight'
Mozart: Flute & Harp Concerto in C
Mendelssohn: Violin Concerto in E Minor
Mozart: Piano Concerto 'Elivira Madigan'
Dvorak: Symphony No. 9
Bruch: Violin Concerto No. 1
Elgar: Nimrod
Rodrigo: Concierto De Aranjuez
Vaughan Williams: The Lark Ascending
Mahler: Symphony No. 5
Rachmaninov: Rhapsody On A Theme of Paganini

Tracks:

Bizet: Au fond du temple saint (Les Pjcheurs de perles)
Dvorak: Song to the Moon (Rusalka)
Delibes: Dtme Epais (Lakmi)
Bizet: La Fleur Que Tu M'avais Jetie (Carmen)
Gluck: Che Farr Senza Euridice? (Orfeo & Euridice)
Bellini: Casta Diva (Norma)
Puccini: Che Gelida Manina (La Bohhme)
Puccini: O Mio Babbino Caro (Gianno Schicchi)
Trad: Baolhro
Puccini: Vogliatemi Bene (Madama Butterfly)
Verdi: Va, Pensiero (Nabucco)
Lehar: Es Lebt' Eine Vilja (Die Lustige Witwe)
Handel: Ombra Mai Fy (Serse)
Schubert: Ave Maria
Adam: Minuit, Chritiens (O Holy Night)
Puccini: Nessun Dorma (Turandot)

Tracks:

Mozart: The Marriage of Figaro
J.S. Bach: Jesus bleibet meine Freud
Beethoven: Piano Concerto 'Emperor'
Clarke: Trumpet Voluntary
Gounod: Judex
Rossini: La scala di Seta
Handel: Sarabande
Tchaikovsky: Waltz of the Flowers
Prokofiev: Troika
Williams: Fantasia on 'Greensleeves'
Debussy: Clair de lune
Tchaikovsky: Swan Lake
Myers: Cavatina
Chopin: Piano Concerto No.1
Horner: My Heart Will Go On
Quarantotto: Time to Say Goodbye
J. Strauss II: The Blue Danube

Tracks:

Mascagni: Intermezzo
Rachmaninov: Piano Concerto No.2
Grieg: Morning (Peer Gynt)
Shostakovich: Romance
Barber: Adagio For Strings
Rimsky-Korsakov: Scheherazade
Massenet: Miditation
Borodin: Polovtsian Dances
Khachaturian: Adagio Of Spartacus And Phrygia
Tchaikovsky: Romeo And Juliet Overture
Beethoven: Symphony No.7
J. S. Bach: Double Violin Concerto
Williams: Schindler's List Theme
Tchaikovsky: Dance Of The Reed Flutes
Beethoven: Symphony No. 6 'Pastoral'

Tracks:

Handel: Zadok The Priest
J. S. Bach: Zion Hvrt Die Wdchter
Allegri: Miserere Mei, Deus
Schubert: German Mass
Franck: Panis Angelicus
Berlioz: L'adieu Des Bergers
Gounod: St Cecilia Mass
Faure: In Paradisum
Mozart: Laudate Dominum
Faure: Cantique De Jean Racine
Verdi: Ingemisco
Mozart: Ave Verum Corpus
Handel: I Know That My Redeemer Liveth
Haydn: The Heavens Are Telling
Faure: Pie Jesu
Mozart: Lacrimosa (Requiem)
Handel: Hallelujah Chorus

Customer Reviews:

A gateway drug, nothing more, nothing less. .......2007-03-11

To say that this album constitutes a necessity for the classical music enthusiast would be a great big unarguable lie. It has nothing innovative to offer you as a listener, except for maybe the labelling of melodies such as "My Heart Will Go On" (that god-awful Love Theme from the gruesome film Titanic) as a worthy member of "Best Classics 100". But than again, every collection of things that does not naturally belong together, is bound to have at least one outcast where the connection clearly isn't based on anything but cost and sale-ability.

This might sound like the beginning of a CD-slaughter, or a snobbish review where only the Deutche Grammophone's recordings are meting my standards, but although I am fairly picky when it comes to musical collections, best of albums, and such horrifying destructions of the universality of the works and the intentions of the artist behind it, I am willing to give this collection another chance, since classical music is somewhere between Arabic and wine in degree of unmanageability. It also helps that all the tunes are familiar to almost every one of us, and the fact that the artists' intentions probably got killed by the hundreds of different conductors trying to convey their personal interpretation of the works.

What I am saying is that this CD can be to classical music enthusiast what 'absolute rock' can be to a rock enthusiast, or to someone slightly interested, with no conceptual frames of where to start the search for knowledge. "Best Classics 100" offers nothing except a selection of melodies where there's bound to be one for every taste, but where the album feeling, the entirety or completeness intended by the composer, or conductor, or performer is completely lost in a trade-off made with variety.

The collection is attempted organised by giving each CD a different theme, supposedly to describe the mood of the music, and the labeller succeeds only to a limited extent as we move from themes such as 'uplifting' and 'relaxing' towards 'golden'. I wonder what that golden feeling constitutes. It apparently is to be found in, amongst others, "Jesus Bleibet Meine Freunde", and in "My Heart Will Go On"?

But no matter how I try to describe this CD it will sound worse than it actually is. This because to me it works as a great reference to which I can always turn with my classical music questions. Was it Schumann or Schubert who were the sad one? Of all the -inis, which where which again? Who composed "O Mio Babbino Caro"? The starting point for finding out if you belong to the romantic or the renascence wing, lies within this assemblage, if you look with your ears.

If you feel that classical music is something you like, and you'd like to learn more about it, this is a way to get started. If used together with a book on classical music, or wikipedia, it can be a gateway drug, leading you towards the great different experiences to be found within the different genres of classical music, and within the different periods ranging from the 12th century, maybe even earlier, towards yesterdays and tomorrows spectacular compositions of melodies that conveys a feeling, a state of mind with much more precision than any other musical genre. Expect a fairly alright collection of classical prunes, and you won't be disappointed.

Decent Selection, But..........2005-04-21

...The Audio Quality is really not great. I bought this CD because I am new to classical, and the price was great! 100 songs for 25 bucks, thats like 25 cents a song, most songs are 1 dollar or more. Now I know why it's cheaper. The audio quality isn't that good. I imported the entire collection to my computer using Apple Lossless, and it sounded fuzzy, not crisp, with background noise, and sounded like compressed music, cutting off the frequency response.
I then played the CD's through my home stereo, with the same results. I plugged in my SHURE E5c headphones and the sound was soft, uninviting, lacking punch, with significant backgound noise (not just from the headphones), which was especially distracting when the music would get softer. I have heard much of the music before, and it was much more dynamic, entertaining, this recording seems too flat.
The music selection is ok, but I was hoping for some more interesting selections from the vast classical genre.
Overall, not that great of a recording, but many might not notice the difference, so if you are new to classical or aren't like an audiophile, get this album because it's a great overview of pop-culture classical, and it's pretty inexpensive.

A must-have classical music set!.......2005-01-06

Classical music is, by far, my favorite type of music. It can make you happy or sad, it can make you laugh or cry, and it can make you want to fall asleep or get up and dance. This 6-disc set is a must-have for and classical music-lover! It has all the great composers like Handel, Beethoven, Tchaikovsky, Mozart, Bach, and Pachelbel. Some great songs include: Canon In D(Pachelbel), Morning: Peergynt(Grieg), Adagio For Strings(Barber), Cavatina(Myers), and much, much more. Every classical song you can think of is on here and the sound quality is great. So if you're looking for a good classical music CD, this set is all you need. Be prepared to be blown away!

Average customer rating:

Explore America, Vol. 1

Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

4-for-3 Opera & Vocal | 4-for-3 Music | Stores | Music
ASIN: B000094Q1W
Release Date: 2003-05-20

Tracks:

Copland: Appalachian Spring (Excerpt) - Paul Gambill
Cadman: From The Land Of The Sky-Blue Water Op.45, No.1 - Bergonzi String Quartet
Carpenter: Adventures In A Perambulator: The Hurdy Gurdy - New Symphony Orchestra Of Ukraine
Rorem: Nightingale - Ned Rorem
Barber: Violin Concerto: Presto - Marin Alsop
Gloria Coates: String Quartet No. 1: Protestation Quartet - Kreutzer Quartet
Hovhaness: Cello Concerto: Allegro - Seattle Symphony
Ives: Symphony No. 3: Old Folks Gatherin' - Northern Sinfonia
McKay: Americanistic Etude - William Bolcom
Berlin: Alexander's Ragtime Band - The Chestnut Brass Company
Grofe: Hollywood Suite: Production Number - Bournemouth Symphony Orchestra
Bernstein: West Side Story: Tonight - Kenneth Schermerhorn
Ornstein: A Morning In The Woods - Janic Weber
Price: Song To Dark Virgin - Darryl Taylor
Torke: Rapture: Drums And Woods - Marin Alsop
Sousa: The National Game - Keith Brion

Music Review:

Music Review

music review

Recommended Music:

Optical

Un-Edited Live Performance, Vol. 2

This Is the Moment

Music: Brand New

Un Homme et une Femme [Soundtrack] [Import]

Who Can I Trust [Explicit Lyrics]

Tune in Tokyo [EP] [Import] [Live]

Un Milione Di Voci [Import]

Wise Guys on Tha Rise [Explicit Lyrics]

E.S.P. (Extra Sexual Persuasion)

Voyeur