Time Out

On this CD:

1. Violin Concerto No. 2 in E major, BWV 1042 Allegro
Composed by Johann Sebastian Bach

2. Suite for flute & orchestra in A minor Air A L'Italian
Composed by Georg Philipp Telemann

3. Suite for flute & orchestra in A minor Polonaise
Composed by Georg Philipp Telemann

4. Brandenburg Concerto No. 1 in F major, BWV 1046 Allegro
Composed by Johann Sebastian Bach

5. String Quartet No. 53 in D major ("Lark"), Op. 64/5, H. 3/63
Composed by Franz Joseph Haydn

6. Sonata for violin & keyboard No. 5 in F minor, BWV 1018 Adagio
Composed by Johann Sebastian Bach

7. Concerto for piano, violin, cello, & orchestra in C major ("Triple Concerto"), Op. 56 Last Movement
Composed by Ludwig van Beethoven

8. Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 1st Movement
Composed by Wolfgang Amadeus Mozart

9. English Suite for keyboard No. 3 in G minor, BWV 808 Courante
Composed by Johann Sebastian Bach

10. La Traviata, opera Prelude
Composed by Giuseppe Verdi

11. A Midsummer Night's Dream, incidental music, Op. 61 Nocturne
Composed by Felix Mendelssohn

12. Work(s) [Unspecified] Violin Concerto in D Major~Last Movement
Composed by Wolfgang Amadeus Mozart

13. Work(s) [Unspecified] Concerto for flute, strings & continuo in G minor~Largo
Composed by Johann Sebastian Bach

14. Il Trovatore, opera Overture
Composed by Giuseppe Verdi

15. Piano Concerto in G major Adagio Assai
Composed by Maurice Ravel

16. Flute Concerto ("La tempesta di mare"), for flute, strings & continuo in F major, Op. 10/1, RV 433 1st Movement
Composed by Antonio Vivaldi

17. Piano Concerto No. 1, for piano & orchestra (or 2 pianos) in B flat minor, Op. 23 1st Movement
Composed by Pyotr Il'yich Tchaikovsky

18. Wein, Weib und Gesang (Wine, Women and Song), waltz for orchestra (with voice ad lib), Op. 333 (RV 333)
Composed by Johann II Strauss

19. Le carnival romain, ouverture catactéristique (Roman Carnival Overture) for orchestra, H.95 (Op. 9)
Composed by Hector Berlioz

20. Violin Concerto, for violin & orchestra (or violin & piano) in D major, Op. 35 Finale
Composed by Pyotr Il'yich Tchaikovsky

21. Chant sans paroles ("Song without words", from "Souvenir de Hapsal"), for piano, Op. 2/3
Composed by Pyotr Il'yich Tchaikovsky

22. Pavane pour une infante défunte, for piano (or orchestra)
Composed by Maurice Ravel

Time Out, Music, Johann Sebastian Bach, Ludwig van Beethoven, Hector Berlioz, Franz Joseph Haydn, Felix Mendelssohn, Wolfgang Amadeus Mozart, Maurice Ravel, Johann II Strauss, Pyotr Il'yich Tchaikovsky, Georg Philipp Telemann, Giuseppe Verdi, Antonio Vivaldi, The New Symphony Orchestra, Baroque Suite/Partita for Orchestra, Cello Concerto, Chamber, Classical, Classical Artists, Classical Period Serenade/Cassation/Divertimento, Concerto, Concerto Grosso, Flute Concerto, Flute Solo/Sonata, Italian Romantic Opera, Keyboard, Miscellaneous, Miscellaneous Music, Opera, Orchestral, Orchestral & Symphonic, Pavane for Keyboard, Piano Concerto, Quartet for Four String Instruments, Romantic Incidental Music for Orchestra, Romantic Overture for Orchestra, Song Without Words for Keyboard, Suite/Partita for Keyboard, Violin Concerto, Violin with Keyboard, Waltz for Orchestra

Average customer rating:

Time Out for a Timeless Classic

A classic !

This CD Changed The Rules

Time out....Dave Brubeck Quartet

Brubeck in SACD...heaven

Time Out
Dave Brubeck Quartet
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Birth of the Cool

ASIN: B000002AGN
Release Date: 1997-03-25

Tracks:

Blue Rondo A La Turk
Strange Meadow Lark
Take Five
Three To Get Ready
Kathy's Waltz
Everybody's Jumpin'
Pick Up Sticks

Amazon.com essential recording

Boasting the first jazz instrumental to sell a million copies, the Paul Desmond-penned "Take Five," Time Out captures the celebrated jazz quartet at the height of both its popularity and its powers. Recorded in 1959, the album combines superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Along with "Take Five," the album features another one of the group's signature compositions, "Blue Rondo a la Turk." Though influenced by the West Coast-cool school, Brubeck's greatest interest and contribution to jazz was the use of irregular meters in composition, which he did with great flair. Much of the band's appeal is due to Desmond, whose airy tone and fluid attack often carried the band's already strong performances to another level. Together, he and Brubeck proved one of the most potent pairings of the era. --Fred Goodman

Album Details

Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover.

Customer Reviews:

Time Out for a Timeless Classic.......2007-07-04

This is a reissue of the 1959 studio session. Although Blue Rondo and Take Five are the signature pieces for the Quartet, the other tracks are in keeping with the innovative time signatures 5/4, 6/4 and variations of 4/4 and 3/4 time. What else can you say except it's a classic and belongs in evryone's collection.

A classic ! .......2007-07-01

This Cd is just GREAT and such a Jazz classic! The re-mastered version of this Album is absolutely wonderful---sounding so crisp and sharp!

The songs speak for themselves, as they are some of Brubeck's most famous hits.

This is a highly recommended re-mastered version of Dave's TIME OUT Album!

This CD Changed The Rules.......2007-06-16

This album changed the rules in jazz in two important ways. First, it introduced atypical time signatures to jazz performers. Performers were pushing ever other musical limit, including harmony (Miles Davis, Bill Evans, . . .), melody (John Coletrane, Eric Dolphy, . . .) and song structure in general (Ornette Coleman, Cecil Taylor, . . .). 4/4 and 3/4 time signatures were already optional in contemporary classical music and some ethic music. Brubeck opened up this fertile opportunity for the jazz world (and later rock like Led Zeppelin, Jethro Tull and Rush). Perhaps more remarkable was the fact that this album proved that the public was receptive to this new approach to popular music. Brubeck went pioneering and returned with no lethal arrows in him.

The best part about this album is that this new technique was not just a novelty; it was a path to creating timeless compositions like Take Five and Blue Turk a la Rondo. My favorite things about Brubeck are his range of expression (from cool and understated to highly muscular), and the unique voice of Paul Desmond's saxophone. Desmond's instrument has the bird-like sweetness of Charlie Parker combined with the lazer-focused tone of John Coletrane. The alternating solo voices really injects life and breath into the group.

The use of different time signatures did not did not get embraced as widely as one might expect in a genre built on creativity. Some felt that odd time signatures did not "swing" (although Brubeck and others disproved that), some may not have felt comfortable with or inspired by this new approach, and I suspect that the distinctiveness of this contribution by a white man made it "uncool" among many jazz musicians to do something that sounded "like Brubeck". The happy side effect for Brubeck is that this album stands out in jazz like few other works.

Time out....Dave Brubeck Quartet.......2007-06-01

A clear jazz master piece......remastered by Sony....better than the originaland better than todays Brubeck Quartet

Brubeck in SACD...heaven.......2007-05-17

Sony/Columbia did this superb sounding disc very well in this SACD transfer! This rivals the original edition Lp for lovely sound, and I think it is among the best single layer SACD's out there (Mingus ah um is THE best to these ears!). You know (or should know) the music, so don't hesitate getting it on SACD! I should add I am not into 5.1 for music. My sound review refers only to 2 channel stereo sound.

Average customer rating:

Melancholy masterpiece
A Genuine Masterpiece
A masterpiece by everyone involved.
This one didn't thrill me at all, at all...
Walking, walking with you in my head

Time Out of Mind
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002C2E
Release Date: 1997-09-30

Tracks:

Love Sick
Dirt Road Blues
Standing In The Doorway
Million Miles
Tryin' To Get To Heaven
'Til I Fell In Love With You
Not Dark Yet
Cold Irons Bound
Make You Feel My Love
Can't Wait
Highlands

Amazon.com

At the beginning of Time Out of Mind, Bob Dylan finds himself in the same dead-day world as on 1964's "One Too Many Mornings." By now, though, he can't be bothered to romanticize the street and the distant dogs' barking; he can only moan about how sick he is of love, of himself. Saying it seems to give him the strength to go on, and go on he does, over 11 songs that are among his most plainspoken and musically eloquent. The reconstituted bottle-blues that sparked the early '90s acoustic masterpieces Good As I Been to You and World Gone Wrong carries over to Daniel Lanois's carefully dirty production and a groove that tops anything Dylan's done in a studio since, at least, Blood on the Tracks. No matter how lousy he feels, this is the work of a mighty, mighty man. --Rickey Wright

Customer Reviews:

Melancholy masterpiece.......2007-06-17

Time Out Of Mind is a masterpiece of atmospheric mood music and evocative imagery, expressed in moody blues numbers and melodious ballads. This mix of blues and ballad is reminiscent of the style of many Tom Waits albums. Although I prefer the folky ballads, the album forms a cohesive musical statement with an impact that lingers long after the last notes have died down.

The bluesy tracks include Love Sick, the almost talking blues Million Miles and Can't Wait, and Till I Fell In Love With You which in its undulating rhythms is midway towards being a ballad. The instrumental mix and arrangements on all of these are raw and gripping and will have great appeal to those who love blues music.

Despite its title, the uptempo Dirt Road Blues is a fast lilting ballad with a catchy tune. The tone changes for the next song, the melancholy and soulful Standing In The Doorway with its stirring organ and absorbing imagery. I suspect this one will eventually take its place as one of the most memorable songs in his oeuvre. Likewise, the beautiful Tryin' To Get To Heaven has elements of autobiography and haunting poetic phrases that stick in the mind.

There is something darkly prophetic about the shimmering Not Dark Yet, a song of ominous foreboding and weary resignation with sublime poetic lyrics, whilst Cold Irons Bound with its driving beat is closer to a rock song. Not surprisingly, Make You Feel My Love is a straightforward and tender love song, and the album concludes with Highlands, a mid tempo rumination with understated jangling guitar.

Working with Lanois previously produced the 1989 masterpiece Oh Mercy and this one is another winning combination. The mood is mostly somber and reflective, perfectly captured by the production which lends added gravitas to the sentiments expressed. Time Out Of Mind is definitely amongst Dylan's top ten works, a truly timeless masterpiece.

A Genuine Masterpiece.......2007-05-08

"Time out of mind the piratical proas of the Malays, lurking among the low shaded coves and islets of Sumatra, have sallied out upon the vessels sailing through the straits, fiercely demanding tribute at the point of their spears." Herman Melville "Moby Dick"

We can't know for certain that Dylan took the title of this landmark CD from Melville's classic novel, but we do know that, based on his statements, he has read Melville, along with other classics. Dylan's sensitivity towards words is matched in the great classic literature. The phrase, "time out of mind" means, according to Merriam-Webster's Third International Abridged Dictionary, "time immemorial."

This recording is one of Dylan's best, if not his very best. Upon repeated listenings, one hears greater and greater depth, as Dylan, adopting a somber tone, ruminates upon his own mortality and the sadness of life's disappointments.

The songs and production perfectly capture a contemplative Dylan, an Everyman of sorts because he has the genius to give artistic voice to feelings that so many people can relate to. The opposite of pop art and pop junk, the music on this recording reaches great levels of feeling. Comparing the work on Time Out of Mind to typical popular music is like comparing the psalms of King David to Hallmark Greeting Card sentiment.

Time Out of Mind reinforces Dylan's legacy as the minstrel poet of his generation. Highly recommended and destined to be among Dylan's most enduring works. In my humble opinion.

A masterpiece by everyone involved........2007-03-29

This is more than a milestone (one of many). This is a genuine historical piece of fiction by a master craftsman.
Actually for all involved. Daniel Lanois helped to bring a Bob Dylan statement a new meaning while completely tapping into the essence of the music's core and past.
Something which Bob has taken great tongue-in-cheek pride in doing his entire career.
A wonderful, stirring, moving and legitimate work of art on all levels. A watermark.

This one didn't thrill me at all, at all..........2007-03-13

I bought this based on rave reviews not long after it was first released. I played it twice and gave it away. I just don't get it. I like his first three records, (the acoustic folk and protest ones) and "Highway 61 Revisited" and "New Morning" and a few others in his extensive catalogue, but the people who rave about "Time Out of Mind" and "Blood on the Tracks" are dwellers on a different planet. I found this one boring and bleak, personal but pointless.

Walking, walking with you in my head.......2007-02-20

I'm sick of Dylan but I'm in the thick of it.
This kind of Dylan I'm so sick of it
Could you ever be true?
I think of you
And I wonder

Average customer rating:

New territory
Remember when these guys were good?
Pop-oriented, but great advances of R.E.M. styles
Nothing special, but not too bad either
Shiny Happy Garbage

Out of Time
R.E.M.
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002LOE
Release Date: 1991-03-12

Tracks:

Radio Song
Losing My Religion
Low
Near Wild Heaven
Endgame
Shiny Happy People
Belong
Half A World Away
Texarkana
Country Feedback
Me In Honey

Amazon.com essential recording

Though R.E.M. titled a later album Monster, this 1991 smash was the true monster, with the little Athens, Georgia, quartet graduating once and for all from its jangling independent-rock roots. The confusion Michael Stipe communicates in the catchy "Losing My Religion" and the dark-and-dreamy "Low" hit the mainstream-rock audience when it was most primed for uneasy angst. (Nirvana's Nevermind was released a few months later.) There are also odd but successful experiments, like ceding the opening "Radio Song" to rapper KRS-One (with Stipe playing the moaning straight man) and going peppy for the surprisingly nonsarcastic "Shiny Happy People." --Steve Knopper

Amazon.com

Matching their ugliest album cover with some of their most sublime music, Out of Time inaugurates the finest phase of R.E.M.'s work. This meditative yet sometimes seething album offers not only their greatest single since "Radio Free Europe" ("Losing My Religion," about which critics and programmers agreed for once), but a moodscape that ties together that song's ambivalence, the sneer of "Radio Song," the doom of "Low" and the sprightliness of "Shiny Happy People" and "Me in Honey." Their bestseller, and deservedly so. --Rickey Wright

Customer Reviews:

New territory.......2007-05-20

The reviews seem to either slam this for being too far of a deviation from the norm and too blatantly poppy and saccharine to hailing it for those same reasons. I just like it for what it is. There are some pieces I wonder about, but that is the same with nearly every REM album, even the brilliant Document has songs that don't seem to fit, and so it is on Out of Time.
There are plenty of songs I like and amazingly, after repeated plays on radio, Losing My Religion is still that unique hit that doesn't tire out. Maybe it's because it is so lyrically intriguing, I don't know. The only questionable songs I have are Endgame, which sounds like an excessively long intro to Shiny Happy People and, well, Shiny Happy People. I don't mind the song, but it grates on you after a while and seems a bit too much. I'm not analyzing the sarcasm or lack thereof, I just know that it doesn't sound good to me. Speaking of Endgame, I wonder why Peter Buck, a limited albeit melodic guitarist, is so fond of instrumentals on REM recordings. What's the point? Jeff Beck he ain't and even Hendrix eschewed instrumentals for the most part, so why so many from such a modestly talented guitarist? Just a thought.
This album is a bit dated and not as in your face as its two preceding brothers nor as jangly and narrow as the band's first three. It is not the sonic overload of Monster. If anything, it is a singular moment in their history where they tried a lot of new ideas and thus loosened the constraints they'd placed on themselves and allowed for the band's future forays. It is a good but not vital part of their catalog.

Remember when these guys were good?.......2007-05-19

So R.E.M.'s breakthrough turns out to be completely inconsequential after all, with a couple exceptions: the massively catchy "Radio Song", folk-rocker "Me in Honey" (though I don't like the droning backup vocals), "Near Wild Heaven", sung by Mike Mills, and especially the inescapable hit "Losing My Religion", with an infinite number of hooks. But this album is equally inclined to wallow in miserable lite folk-rock like "Half a World Away", "Low" or "Belong". And this is the one with the detestable, brain-dead "Shiny Happy People", a truly sickening example of what commercial R.E.M. could become. It's hard for me to believe that this is the album most associate with the group...

Pop-oriented, but great advances of R.E.M. styles.......2007-04-21

Fantastic collection. Losing My Religion is just the surface. great listen especially the last 3 tracks.
Get it!!

Nothing special, but not too bad either.......2007-02-24

This isn't a bad album, but nothing too special. "Losing My Religion" was a mega-hit, and probably the only song on this album that I can play more than once. The other tracks didn't really catch my fancy, but if you're into their type of music, it isn't all that bad. This was an album that I decided to buy mainly for that one track ("Losing My Religion"), so there isn't much else to celebrate.

Shiny Happy Garbage.......2007-01-26

For someone like me who had been onboard the REM Express since the early days, "Out of Time" served as my cue to now exit the train. As if enlisting the help of KRS-One on "Radio Song" wasn't bad enough (no disrespect to KRS, BDP were fantastic in their own right and you were simply helping REM put lipstick on a pig), Stipe and the boys dragged a B-52 onboard for "Shiny Happy People". What resulted was the band's most pathetic recording to date. If this album represents your first exposure to REM and you liked what you heard, then pay no attention to this review or any REM records prior to "Green". However if you cut your teeth on "Radio Free Europe" and "Seven Chinese Brothers", then don't be alarmed when blood pours out of your ears after listening to this album...the very definition of a "Traveshamockery".

Average customer rating:

Loved this!
Way Out CD by Justin Roberts
Wow! The best yet!
Rescued from the Wiggles
Great for kids and parents!

Way Out
Justin Roberts
Manufacturer: Carpet Square
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002IQIV0
Release Date: 2004-07-20

Tracks:

Airplane Of Food
Day Camp
Best Friend
Doctor Doctor
Way Out
Roller In The Coaster
Humpty's At It Again
Picture Day
Bigger
I Lost The Tooth I Lost
Backyard Spaceship
Suppertime

Amazon.com

More than any children's music release this year, Justin Roberts's Way Out makes you want to buy multiple copies and pass them out to friends--if only to prove that children's music can be unaccountably great. Justin's gift for transplanting himself into the psyche of an 8-year-old lifts him head and shoulders above his goofy-voiced peers. However, simply pinning Justin's talent on songwriting alone sells him short--few others (Dan Zanes, Ralph Covert and They Might Be Giants are exceptions) rock their records as hard. Way Out draws us way in, expertly mowing down musical age barriers and delivering us from the mistaken idea that kidstuff doesn't count. -Tammy La Gorce

Customer Reviews:

Loved this!.......2007-01-09

Every time my son asks me to purchase a "new" Justin Roberts CD I find that it;s better than the last we bought! His music is not just for children, but the whole family.

Way Out CD by Justin Roberts.......2007-01-05

I was fortunate to walk past the librarian's desk and discovered a new CD of his. I LOVED it sooo much i had to buy his others immediately. I am so tired of the typical kids songs we have always heard. He is a humorous, talented lyricist sounding similiar to my favorites - Squeeze and the Cure. I was not disappointed - i can't wait for his next CD.

Wow! The best yet!.......2006-04-25

20 minutes after dropping my kids off at school, I'll realize that I'm still listening to Justin Roberts by myself. Truly great 'kids' music' that adults can enjoy, too.

The beat and brass on this one will get you moving.

Love it!!

Rescued from the Wiggles.......2006-03-16

We discovered Justin Roberts music on XM Kids radio one day, and my entire family was hooked. His lyrics are clever and surprising - and has brought my three kids (ages 5, 3, and 1) to both giggles and quiet thoughts while listening. We dance to "Airplane of Food" and "Daycamp" almost daily, and we LOVE the "Humpty Dumpty" song - it's inspired a game where the kids dream up crazy things that Humpty can see while up on the wall.

We're anxiously awaiting his new "Meltdown" CD release on March 21st, and are proud to own all of his albums. We each have our favorite songs - and the kids (and I) fight over which one to listen to next. We've graduated from the Wiggles, and are never EVER looking back!

Great for kids and parents!.......2006-01-15

This is an upbeat, comical CD with great music for kids and parents. Parents, you'll find yourself listening to this music even when the kids aren't around! This will become your favorite kid music to play, I promise!

Average customer rating:

Like a Nova
Strong Debut
Unpretentious swing from an upstart performer...
Great CD - Club Version Not what you Expect
Just the usual- catchy, classy, sultry

Steppin' Out
Diana Krall
Manufacturer: Justin Time Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000071FS
Release Date: 2000-02-22

Tracks:

This Can't Be Love
Straighten Up And Fly Right
Between The Devil And The Deep Blue Sea
I'm Just A Lucky So And So
Body And Soul
42nd Street
Do Nothin' Till You Hear From Me
Big Foot
Frim Fram Sauce
Jimmie
As Long As I Live
On The Sunny Side Of The Street

Amazon.com

For years singer-pianist Diana Krall has been bringing new lifeblood to jazz via her dual knockout talents. And while her later recordings reveal a consistently maturing artist, this 1992 debut album shows that the Nanaimo, British Columbia, native had the goods right from the get-go. In her mid-20s here, Krall sings with honesty, subtlety, and persuasion while playing the piano with head-shaking authority, both as accompanist--she offers amazing asides in between vocal phrases--and as an absolutely A-one improviser. Indeed, it is remarkable to hear her weave her gifts into a wondrous whole. Working with bass ace John Clayton and the superb drummer Jeff Hamilton, Krall presents one winner after another. "This Can't Be Love" is typical, a selection where it is all but impossible not to tap your foot. After a nicely enunciated vocal--she slides into phrases much like Sarah Vaughan--the pianist cooks in her Oscar Peterson-meets-Gene Harris style, playing hip ideas that fall easily on the ear, underwritten by her rock-solid feel for time. "As Long as I Live" is another example of Krall's ability to sing and swing a standard with a nonstop groove. "Straighten Up and Fly Right" is slower and features a deeply bluesy vocal; "I'm Just a Lucky So and So" is equally sultry. The classic ballad "Body and Soul" finds her singing with intimacy and playing with a caressing touch. A very impressive start for a very impressive artist. --Zan Stewart

Album Description

The esteemd Canadian jazz pianist's 1993 debut album, her sole release before signing to GRP in the U.S. 'Stepping Out' features John Clayton on bass, Jeff Hamilton on drums and Krall both singing & playing the piano. The 11 tracks consist of both originals & covers, including 'This Can't Be L ove', 'Straighten Up And Fly Right', 'Between The Devil An d The Deep Blue Sea' and 'I'm Just A Lucky So And So'. De leted in the U.S.! 1993 release.

Customer Reviews:

Like a Nova.......2007-03-04

Ms Krall is simply the most talented young jazz artist to arrive in this venue in the past 3 decades. This opening entre is a balanced rendition of her brilliant skills as an improvisational pianist and her imaginative vocal stylings, either of which are deserving of the highest praise, and in combination are almost unbelievable. Her more recent CDs and DVDs are more polished, with more sophisticated accompaniment, but this is an up front, powerful presentation of one remarkably talented performer.

Strong Debut.......2006-09-26

This is Diana's first release and I feel it's one of her best!, this is a swinging set of jazz vocals and some fine piano playing instrumentals. While I do enjoy her later cd's, this one has more swing to it then her later ones. If your just discovering Miss Krall make sure you add this cd to your collection!

Unpretentious swing from an upstart performer..........2006-08-01

This offering gives us Diana's first CD, from back around 1992. A mix of instrumentals and vocals, it really does swing. Her voice does not sound much like her 2003-2006 instrument, being a bit rougher around the edges. If you are a fan already, of course you will want it. If you like her more recent stuff, this demonstrates her origins. If you dislike her recent releases, this gives you another facet of a very talented woman. Mainly, this is just fun, and it makes you want to move your lips and your body and sing and dance yourself. (Even if, like me, you can't dance a step or sing a note without screwing it up.)

Great CD - Club Version Not what you Expect.......2005-12-01

In regards to this album, I'm simply going to say that it is great, but I love everything Diana sings. I'm really adding this comment because I am disappointed in the "Club" version that I bought, expecting there was nothing to lose but paying a few extra dollars to buy it that way - I was wrong! The "Club" version turns out to be a "Manufactured for BMG Direct" release and it does not include the bonus track "Sunny Side of the Street" listed here. I may be wrong, but unless it was hidden somewhere in the fine print, Amazon does not reveal either of these discrepancies when placing an order for the club version and I'm not very happy about it.

Just the usual- catchy, classy, sultry .......2005-03-16

This is one of the early albums of Ms. Krall and sets the tone for all that is to come - the choice of tunes, the low-key but striking arrangements, the elegant piano, the mix between longing and bopping. But most of all it is about that fabulous voice that continues to enchant. It is not so clear as, say, Cheryl Bentyne, but its sultriness and throatiness are what we have come to look for and love.

Most of the songs have been heard before (and since) and yet they are worth repeating even from one CD to another. "Straighten Up and Fly Right" is understanded but undeniably affecting. "I'm just a Lucky So and So" seems sculptured just for her in both body and spirit. The other tunes were all gems...a winner.

Way Out West: The Essential Western Film Music Collection, Vol. 2

Average customer rating:

Not My Style
Rockin' Western Collection
Hard to Find Great Western Themes
Western Music
A great follow-up

Way Out West: The Essential Western Film Music Collection, Vol. 2

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Wild West: The Essential Western Film Music Collection
Songs Of The West, Vol. 4: Movie & Television Themes
From Alamo to El Dorado, Vol. 2
My Rifle, My Pony and Me (Western Movies Songs)
The Essential Elmer Bernstein Film Music Collection

ASIN: B000060PBU
Release Date: 2002-03-26

Tracks:

The Hallejuah Trail-Overture
The Alamo-The Green Leaves Of Summer
The Alamo-Davy Crocket
The Big Country-The Welcoming/Finale
The Big Valley-Main Theme
Blazing Saddles-Blazing Saddles
Bonaza-Main Theme
Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
The Comancheros-McBain/Main Title
Duel In The Sun-Main Title/The Legend/Orizaba
A Fistfull Of Dynamite-Duck You Sucker
For A Few Dollars More-Main Theme
Friendly Persuasion-Thee I Love
Giant-Main Theme
The Good, The Bad And The Ugly-Main Theme
The Good, The Bad And The Ugly-The Ecstasy Of Gold
Gunfight At The O.K. Corral-Suite
Hang 'Em High-Main Theme
The Hanging Tree-Main Title

Tracks:

High Caparral-Main Theme
How The West Was Won-Prelude/The Land
High Noon-Do Not Forsake Me Oh My Darlin'
The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
The Lone Ranger-William Tell Overture: Finale
Nevada Smith-Main Title
Old Gringo-Main Themes
Once Upon A Time In The West-Man With The Harmonica
One Eyed Jacks-Main Title
The Proud Rebel-Main Titles
The Quick And The Dead-End Titles
Quigley Down Under-End Titles
Rio Bravo-Rio Bravo/De Guella
The Scalphunters-Main Title
Shane-Main Theme: The Call Of The Farwaway Hills
The Shootist-Main Title
The Unforgiven-The Need For Love
Viva Zapata-Gathering Forces
The Virginian-Main Theme

Customer Reviews:

Not My Style.......2007-05-11

This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!

Rockin' Western Collection.......2006-08-28

For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.

Hard to Find Great Western Themes .......2006-03-16

This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.

Western Music.......2005-07-29

I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."

A great follow-up.......2003-08-29

This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.

Average customer rating:

Absolutely Exquisite!
Excellent
Enchanting
Folk at it's best
Hem come into their own in this album

Eveningland
Hem
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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Rabbit Songs
Funnel Cloud
No Word From Tom
Birds, Beasts, & Flowers
Eastmountainsouth

ASIN: B0002W4T6M
Release Date: 2004-10-05

Tracks:

The Fire Thief
Lucky
Receiver
Redwing
My Fathers Waltz
Hollow
A-Hunting We Will Go
An Easy One
Strays
Cincinnati Traveler
Jackson
Dance with Me
The Beautiful Sea
Eveningland
Pacific Street
Carry Me Home

Album Description

As the eight-piece Brooklyn collective Hem releases their second full-length album, Eveningland, their reputation precedes them as one of the most distinctive and emotionally rewarding bands in American music. Hem's homespun blend of vintage Americana, country/folk and chamber music made its 2002 independently released debut Rabbit Songs a critical success, inviting musical and lyrical comparisons to everyone from Dusty Springfield to Randy Newman to Aaron Copland. On Eveningland, recorded during their brief tenure with the ill-fated Dreamworks label, the band shows how deeply they've matured as musicians and songwriters. Eveningland, produced by Messé and guitarist Gary Maurer, updates the rustic charm of Rabbit Songs as references to bygone folk tunes give way to sonic touchstones from another classic era. "These songs have more of a relationship to the `60s and early `70s. We're all in love with that Countrypolitan sound," Messé says reverently referring to! classics like Ray Charles' Modern Sounds In Country And Western Music, and albums by Glen Campbell and even the Carpenters. Produced by Gary Maurer and Dan Messe.

Customer Reviews:

Absolutely Exquisite!.......2007-06-19

This group is one of life's more pleasant surprises! I first heard Sally's exquisite voice on Liberty Mutual's commercial. I was immediately attracted to the pure beauty of her voice coupled with the outstanding musicianship of the overall group. Her voice is hauntingly similar to someone of long ago; a more pleasant era of time shall we say? Does anyone remember Doris Day? Well; Sally's voice is amazing similar in her beautiful vocal presentations.
I pre-ordered their album "Home Again, Home Again" specifically for the song "The Part Where You Let Go!" In the mean time; I also ordered their latest album; Funnel Cloud. It is an outstanding album, but; on reading the reviews for Hem, I decided to purchase Eveningland, and; am I ever glad I did! I like it best between the two. Anyway; treat yourself to some outstanding relaxing vocals and harmony, coupled with music that will lift you up!

Excellent.......2007-06-11

I love this CD so much I gave it as a gift to my boss. It is awesome!

Enchanting.......2007-01-13

It is difficult to paint a picture of such intricately crafted music by such talented and obviously dedicated artists.

From the delicately assembled "Fire Thief" to the more powerful "Strays" and "Redwing" to the haunting "Pacific Street" and the stirring "Eveningland", this album contains an array of emotions unmatched by many others, all conveyed in a beautifully understated, natural manner - no obvious synthesizers (perhaps none at all), no digital nonsense, no wannabe pop diva belting out lyrics. Only beautiful, soothing music that comes from the artists' hearts and invariably finds its way to the listener's heart as well.

I can't think of a better album to listen to while sipping hot chocolate and watching the snow fall.

Thank you to the people who do advertising at Liberty Mutual for exposing me to this band.

Folk at it's best.......2006-03-16

Eveningland and The Rabbit Songs both possess a melodic sincerity to them that never slides into sentimentality, i.e. Emo and any country music written after 1974). It is American music used to its best affect: examining the interiors of the soul for the young and rapturous of heart. I would also recommend Wilco's first four and Neko Case's last two albums.
-Enjoy.

Hem come into their own in this album.......2005-10-05

They become more of the band they were trying to emulate in their previous CD.

Average customer rating:

Time Out for a Timeless Classic
A classic !
This CD Changed The Rules
Time out....Dave Brubeck Quartet
Brubeck in SACD...heaven

Time Out
Dave Brubeck Quartet
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Kind of Blue
Mingus Ah Um
A Love Supreme
Getz/Gilberto
Birth of the Cool

ASIN: B00004S3AN
Release Date: 1999-11-16

Tracks:

Blue Rondo a la Turk
Strange Meadowlark
Take Five
Three to Get Ready
Kathy's Waltz
Everybody's Jumpin'
Pick up Sticks

Amazon.com essential recording

Album Details

Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover.

Customer Reviews:

Time Out for a Timeless Classic.......2007-07-04

A classic ! .......2007-07-01

This CD Changed The Rules.......2007-06-16

Time out....Dave Brubeck Quartet.......2007-06-01

A clear jazz master piece......remastered by Sony....better than the originaland better than todays Brubeck Quartet

Brubeck in SACD...heaven.......2007-05-17

Average customer rating:

Essential jazz for you collection
DAVE DID IT AGAIN
Incomparable
BACK TO MY ROOTS
Brubeck truly shows his skill in this excellent album.

Time Further Out
Dave Brubeck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Time Out
The Dave Brubeck Quartet at Carnegie Hall
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Jazz Impressions of New York

ASIN: B000002AAL
Release Date: 1996-11-05

Tracks:

It's A Raggy Waltz
Bluette
Charles Matthew Hallelujah
Far More Blue
Far More Drums
Maori Blues
Unsquare Dance
Bru's Boogie Woogie
Blue Shadows In The Street
Slow And Easy (A.K.A. Lawless Mike)
It's A Raggy Waltz (Live At Carnegie Hall)

Amazon.com

Time Further Out extends upon the concepts first enunciated on the Brubeck Quartet's surprise hit Time Out, but in this case with the organizing principles involving the leader's varied compositional treatments of the blues--traditional and otherwise. Thus a darkly ruminative tune such as "Bluette" treats a fairly standard 12-bar form in a very non-standard manner, interpolating a variety of classical devices that suggest the melodic influence of Chopin and the contrapuntal devices of Bach in its treatment, with a yearning alto solo from saxophonist Paul Desmond that suggests the emotional content of a blues, without specifically referring to standard devices. As if to italicize his band's mastery of polymeter, pianist Brubeck treats the fifth, sixth, seventh, eighth, and ninth tunes in corresponding meters, to particular effect on the 7/4 hoedown of "Unsquare Dance," the 8/8 barrelhouse changes of "Bru's Boogie Woogie" and the engaging dissonances of his 9/8 mood piece "Blue Shadows in the Street." And on "Far More Drums," drummer Joe Morello displays a mastery of 5/4 metric variations and African-styled polyrhythms that was unheard of for that time, save for percussive grandmasters such as Max Roach. --Chip Stern

Customer Reviews:

Essential jazz for you collection.......2007-04-01

I found this record in my Dad's collection when I was 14 and just getting into jazz drumming. When I found it on disc I ordered it immediately! (When the disc is playing, I can mentally put in the pops and clicks from the old record!) The guys in Dave's quartet are all unbelievable musicians. This disc is quite rhythmic and has lots of layers to each song and that's why I love it. You'll find something new each time you listen to it. You can tell Dave, Paul, Joe and Eugene are having a blast putting this album together. If you like Dave Brubeck and most do, you'll want to add this to your collection.

DAVE DID IT AGAIN.......2007-03-15

Time Further Out is a great sequel to Time Out. Like its predecessor, the instrumentations are flawless, and the music does reflect the artistry of a true jazz master.

Though Time Out is rightfully regarded as the pinnacle release in Brubeck's career, Time Further Out does not disappoint. The melodies and rhythms reflected the joy of a performer who loved and continues to love doing what he does best, namely entertaining listeners in the style that only Mr. Brubeck could only hope to ever achieve.

One interesting observation: just as Miles Davis once said that Herb Alpert's trumpet-playing style was so distinctive that you knew it was Alpert who was performing after putting forth so much or so little as three notes, the same could be said of Brubeck's piano style.

No unequivocal comparisons can be made in distinguishing the quality of work between Time Out and Time Further Out. This is taking a stab, but I would say that Brubeck's piano style is more at the forefront in the latter.

Anyway, get both of these classics if you haven't already done so, and enjoy the listening experiences.

Incomparable.......2007-02-10

This is absolutely as good as the Brubeck Quartet -- and modern "intellectual" jazz -- gets; not to slight the Carnegie Hall Concert in any way, but this is one case where the form, clarity, and concision required in the studio trumps the live format every time.

Much looser and less self-conscious than "Time Out", "Time Further Out" finds the guys light years more comfortable with the odd time signatures they must certainly have realized (and accepted!) would become their main claim to fame, as well as with each other (Desmond was originally quite put out that Morello had demanded to be a "featured" drummer instead of a faceless time-keeper) -- and the results are obvious. This is only peripherally "intellectual" jazz; the Quartet is now expressing itself emotionally and spiritually through those odd time signatures ... it ain't just a gimmick no more, Sports Fans!

It flows, it rocks, it scales lofty peaks -- yeah, ol' ham-handed Dave is still pounding out those block chords; Paul is still smoother than silk or any other sax-man that ever lived; Gene is still running the voodoo down and Joe is still ... Joe: but the individuals have melded their sounds and their personalities, here, and the music is otherworldly, heaven-sent, and relentlessly listenable even to non-aficianados. Put it on for your girlfriend, sometime, don't make a big speech or anything, just let ot percolate through the room, and see where THAT gets you ... !

A word about Joe Morello. I'm a drummer myself, and many favorites have come and gone since I first heard him play "Take Five" on my daddy's hi-fi -- but he's the one drummer in the world I have never gotten over and never will. Buddy Rich blazes, Krupa stokes those fires down below, Max Roach'll make you think intricate interlocking thoughts; hell, even Ron Bushy (the "In-A-Gadda-Da-Vida" guy) and John Bonham and Terry Bozzio deserve the attention they recieved. The current crop of jazz meisters have chops and technique far beyond the abilities of mortal men --

But nobody -- NOBODY -- tells a story like Joe Morello. Nobody makes 'em talk like that, makes 'em sing like that, or puts you somewhere out in the jungle listening to four or five hand-drummers having an honest-to-god conversation. You know how Eric Clapton never tries to fast-talk you on guitar? That's how Morello is on drums.

Back in '61, drum construction had not yet gone all-maple-plies-and-razor-sharp-bearing-edges; the base was still the African mahogany of Krupa's day, mixed with a little poplar, and the sheer sound, the deep, mellow tone, of those drums is one reason folks will still be listening to solos from pre-1970 long after those who played them have left the planet. Morello doesn't have to hit you over the head with speed or technique -- just let the drums speak for themselves.

Seductive, mon, seductive ...

BACK TO MY ROOTS.......2007-01-10

I was surfing and starting looking at good old jazz that I had grown up with. Dave Brubeck started me on my appreciation of jazz. It was like meeting an old friend. I love the album and it continues Dave's unique signature in jazz composition.

Brubeck truly shows his skill in this excellent album........1998-11-12

This is one of his best. "Time Further Out" just shows how good he is and how his music can be soothing and swinging at the same time. David Brubreck does it all on this album. He has his piano skills mixed with the wonders of Paul Desmond, Joe Morello, and Eugene Wright. If you want a CD with swing and rythym, this masterpiece is the one for you!

Average customer rating:

The City of Prague Philharmonic Orchestra needs a guitar player!
Persuaders Theme!
A Variety Of Classics!
Incredible Barry Collection
" one of cinema's greatest composers...John Barry"

John Barry: The Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Movie Scores | Soundtracks | Styles | Music

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Similar Items:

The Music of John Williams: 40 Years of Film Music
Jerry Goldsmith: 40 Years of Film Music
Beyondness of Things
The Essential Elmer Bernstein Film Music Collection
Eternal Echoes

ASIN: B00005BADD
Release Date: 2001-05-22

Tracks:

Zulu
From Russia With Love
From Russia With Love - 007
Goldfinger
The Ipcress File
The Knack
Mister Moses
Thunderball
The Wrong Box
Born Free
The Quiller Memorandum
You Only Live Twice
The Girl With The Sun In Her Hair
Deadfall

Tracks:

The Lion In Winter
On Her Majesty's Secret Service
On Her Majesty's Secret Service
Midnight Cowboy
Midnight Cowboy
The Appointment
The Last Valley
Walkabout
Monte Walsh
Diamonds Are Forever
The Persuaders
Mary Queen Of Scots
The Man With The Golden Gun
The Dove

Tracks:

The Tamarind Seed
King Kong
Eleanor And Franklin
Robin And Marian
The Deep
Hanover Street
The Black Hole
Moonraker
Somewhere In Time
Raise The Titanic
Body Heat
Frances
Octopussy
The Cotton Club

Tracks:

High Road To China
A View To A Kill
Out Of Africa
The Living Daylights
Dances With Wolves
Dances With Wolves
Chaplin
Moviola
Indecent Proposal
The Specialist
The Scarlet Letter
Cry The Beloved Country
Mercury Rising
The James Bond Theme

Customer Reviews:

The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09

Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.

Persuaders Theme!.......2006-03-02

Buy it for the Persuaders theme, probably the best TV theme song ever written.

A Variety Of Classics!.......2005-12-06

John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.

There is over four hours of music in this set with a colorful and informative booklet.

Incredible Barry Collection.......2004-03-11

Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.

" one of cinema's greatest composers...John Barry".......2001-07-06

This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!

Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!

Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)

You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.

Music Review:

Music Review

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