Plaisir D'Amour

On this CD:

1. Song(s) Vor Liebchen's Tör
Composed by Jobst Vom Brandt
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

2. Plaisir d'amour, for voice & piano (or orchestra)
Composed by Johann Paul Aegidius Martini
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Jochen Kowalski, Gabriele Kupfernagel, Baldur Moser, Klaus Peters

3. Die Mühle Im Schwarzwald for orchestra, Op 52
Composed by Richard Eilenberg
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

4. Schlaf Ein, Mein Blond Engelein
Composed by P. Freire
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Jochen Kowalski, Gabriele Kupfernagel, Baldur Moser, Klaus Peters

5. Diabolo
Composed by Siegfried Translateur
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

6. Rosenlieder, song cycle
Composed by Philipp zu Eulenburg
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Jochen Kowalski, Gabriele Kupfernagel, Baldur Moser, Klaus Peters

7. Le Desir
Composed by H. Cramer
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

8. Songs, Op 1 No 01, Lehn Deine Wang An Meine Wang
Composed by Adolf Jensen
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Jochen Kowalski, Gabriele Kupfernagel, Baldur Moser, Klaus Peters

9. Rondo Militaire
Composed by Friedrich Burgmuller
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

10. Lieblingsplätzchen ("Wisst ihr, wo ich gerne weil"), song for voice & piano, Op. 99/3
Composed by Felix Mendelssohn
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Jochen Kowalski, Gabriele Kupfernagel, Baldur Moser, Klaus Peters

11. Puszta Klange
Composed by Anonymous
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

12. Juanita
Composed by C. Morena
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

13. Das Losegeld
Composed by Johann Friedrich Reichardt
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Jochen Kowalski, Gabriele Kupfernagel, Baldur Moser, Klaus Peters

14. Un Doux Entretien
Composed by Alexander Dreyschock
Performed by Eclair Salonorchester " with Karl-Heinz Dommus, Manfred Herzog, Gabriele Kupfernagel, Baldur Moser, Klaus Peters, Michael Simm

Tracks:

Parlez-moi d'amour
Ouvre ton coeur
Oh, quand je dors
Waltz From Mireille
Si tu le veux
Les filles de le Cadiz
Les chemins de l'amour
Plaisir d'amour
Villanelle
Goyescas: Interludio
Goyescas: La maja y el ruisenior
Estrellita
La morena de mi copla

Customer Reviews:

Point of Information.......2007-07-06

Folks, please read the recording data! This album does not present merely the "older Sills" of 1975. Tracks 10 to 13 were recorded in February 1961, when Sills was about three months shy of 32 years old. To hear her any younger on disc, you have to go to her splendid recording of *The Ballad of Baby Doe*, released in 1959. (If anyone knows of still earlier recordings, please holler!) So these 1961 tracks alone make the album priceless, especially since it offers vastly better sound than the slightly boomy acoustic of *Baby Doe*.

For me, the initial main attraction here was the Granados, and it was a hallelujah moment when I spotted this CD in the bins almost 10 years ago. While this disc represents the commercial first release of the *Goyescas* selections, they received limited issue around December 1963 on a holiday-bonus LP ("The Sound of Genius 1963") from the Columbia Record Club.

That LP was my introduction to Sills, and it made me fall in love with her voice. It was always a special treat to play her vocal track for those who had no idea it existed and watch their astonishment as Beverly's voice floated through sonic space like the very nightingale she sings about. It is simply some of the loveliest, most haunting singing I've ever heard. To get two additional tracks from the same recordings sessions -- especially "Estrellita" -- was an unexpected blessing.

So get this CD for the last three tracks, if nothing else (track 10 is purely orchestral). They capture Sills at a magical moment. Even if you like nothing else on the disc (and I think you'll like much more), you can claim these three special treasures for a mere pittance. How much more precious are they, now that she has gone on to sing, we pray, in other realms.

Estrellita.......2006-12-07

The incomparable Beverly Sills beautifuly sings here a true bouquet of songs in French and Spanish. A pleasure to the ear.

Estrellita is not a Spanish song as claimed by some commentators, but a Mexican one, whose author is the late Manuel M. Ponce.

Ugly.......2004-05-20

Sills screeching a mezzo-role? She already ruined belcanto with her puny, fake screeching!

Carmen.......2004-04-26

She DID sing Michaela. And it's said that she also did Carmen. But if she did, she was completely miscast. She also did Aida, live-recording of her Aida is...interesting. Anyway, Sills rules in the French rep, esp. as Manon.

Excellent disc.......2004-03-21

This is a fantastic disc and shows Beverly Sills at her interpretive best with zesty, go-for-broke vocalism that is truly wonderful to hear.

Tracks:

Love Theme From Romeo & Juliet
Song To The Moon
Komm Mit Mir Ins Chambre Separee
Etude From Op.10 No. 3 In E Major
O Mio Babbino Caro (O My Darling Boy)
Londonderry Air (Danny Boy)
Violin Concerto No.3 In G Major, K.216: Adagio
Spharenklange (Music Of The Spheres)
Giuditta: Meine Lippen, Sie Kussen So Heiss
Plaisis D'amour
Wiener Lied (Viennese Song)
Adagio From Clarinet Concerto In A Major, K.622
Serenata
Die Letzte Rose (The Last Rose)
The 'New World' Symphony: Far From Home, Largo
Romeo & Juliet: Love Theme

Amazon.com

Set the table, open the wine, light some candles. Slip on this disc. Let the gentle sounds of André Rieu's slippery fiddle and fur-tipped orchestra lull you with classical music's most memorable soothers, from "O Mio Babbino Caro" and "Plasir D'Amour" to the largo from Dvorák's New World Symphony and Nino Rota's "A Time for Us," which opens and closes the collection. Lightweight stuff, yes, but ingenuously arranged and performed, and the ribbon of reverb that surrounds the orchestra will please erstwhile Mantovani fans. --Jed Distler

Customer Reviews:

Romantic Moments.... Andre Rieu.......2007-02-24

Love this music & Andre Rieu is popular with not only my husband & myself but with our children & parents. It's fun & a wonderful way to introduce the classics to any & all lovers of music.

Andre Rieu - Romantic Moments.......2006-08-31

Oh, So beautiful---- every track!!!!! My personal favorite has to be the soothing SERENATA. So, get comfy, put on the headphones so you won't miss a single note...... Andre Rieu's violin is magical!!!!!

Decent playing, lousy arrangements.......2005-11-11

Well, apparently I'm in the minority, but I found this CD disappointing. I bought it because I fell in love with "Song to the Moon" when I heard it on the radio, but this track and possibly the "Londonderry Air" are the only ones worth listening to. Although the melodies chosen for this album are indeed beautiful, the arrangements (Rieu's own) are poorly done. I would much more highly recommend Joshua Bell's Romance of the Violin, which has a similar theme, albeit restricted to classical tunes.

Forget the hype, this is great music.......2005-08-04

Try not to think about the cheesy "Andre Rieu in Tuscany" PBS special. This is a very pleasing program of selections of great romantic melodies, beautifully arranged. Few people are going to purchase a CD of Dvorak's Rusalka just to hear "Song to the Moon" so this is the place to hear it. And it's even better on Rieu's violin than in the original vocal version. Rieu plays perfectly in tune (not always easy in the higher registers of the violin) and has exquisite phrasing that brings out the musicality of even the most over-recorded selections.

Rhieu's arrangements (with Jo Huijts) have hints of "beautiful music" (think Ray Coniff) but only hints, and the result is very tasteful. For example, the piano obligato under the strings on "O mio babbino caro" makes you wish that Puccini had thought of that.

This is a wonderful album to listen to while relaxing and would make a great gift for someone who appreciates classical music but doesn't have specific preferences.

Music That Will Touch Your Heart.......2004-12-05

This one is one of my favorites of Andre Rieu. It's very romantic. It reminded me of my honeymoon in Vienna. I like to play it at home a lot. It lifts the spirit and touches the heart. Made me cry one time.

Sentimento: Andrea Bocelli with Lorin Maazel and the London Symphony Orchestra [Limited Edition w/ Bonus Track]

Average customer rating:

Fine idea, weak execution
He's magnificent
Romantic sounds!
Simply beautiful!
Average Bocelli at best

Sentimento: Andrea Bocelli with Lorin Maazel and the London Symphony Orchestra [Limited Edition w/ Bonus Track]
Jacques Offenbach , Francesco Paolo Tosti , Gioachino Rossini , Johann Paul Aegidius Martini , Stanislao Gastaldon , Luigi Denza , Stefano Donaudy , and Lorin Maazel
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

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Romanza
Andrea Bocelli - Amore
Andrea
Cieli di Toscana
Sogno

ASIN: B00006IX20
Release Date: 2005-10-04

Tracks:

En Aranjuez Con Tu Amor (Rodrigo)
Mattinata (Leoncavallo)
Barcarolle (Offenbach)
L'Alba Separa Della Luce I'ombra (Tosti)
Sogno d'Amore (Liszt)
La Serenata (Tosti)
L'Ultima Canzone (Tosti)
Malia (Tosti)
La Danza (Rossini)
Ideale (Tosti)
Sogno (Tosti)
Plaisir d'Amour (Martini)
Musica Proibita (S. Gastaldon)
Occhi Di Fata (Denza)
A Vuchella (Tosti)
Vorrei Morire (Tosti)
Vaghissima Sembianza (S. Donaudy)

Amazon.com

The international crossover success of tenor Andrea Bocelli has spawned any number of imitators on both sides of the Atlantic. But this collection of romantic arias and duets with violinist-conductor Lorin Maazel (who also arranges and helms the London Symphony Orchestra here) proves once again that the classical canon still offers ample room for compelling reinvention without nettlesome pop affectations. In reviving a genre (violin and vocal) largely dormant since the days of Caruso, Bocelli has taken some rewarding liberties with Rodrigo's "En Aranjuez can ta amor" and forged Liszt's familiar Liebestraume No. 3 into "Sogno D'Amore" with new, self-penned lyrics. Maazel's warm, evocative violin obligatos and sensitive, sympathetic arrangements infuse this tenor's showcase not only with unabashed romance, but as their lively romp through Tosti's "Malia" demonstrates, a sense of joyous fun. An album for romantics of all ages and persuasions--and one that gratifyingly demonstrates that crossing over is hardly the same as selling out. Enhanced CD includes a mini-documentary with comments by Bocelli and Maazel, as well as links to a more comprehensive interview with the tenor. --Jerry McCulley

Album Details

A Sensational Album featuring Truly Beautiful Songs and Arias that Evoke Feelings of Passion and Romance. The UK Special Edition of the Album Includes the Bonus Track "Non T'amo Pui" by Tosti.

Customer Reviews:

Fine idea, weak execution.......2007-04-26

Lorin Maazel, in the self-indulgent pat on the back that passes for linear notes, manages to make one good point: the tenor-violin duet was once a fine tradition worthy of exploring afresh. As an effort to revive this dusty tradition, this disc is not successful.

Maazel seems to enjoy the feel of the violin under his chin, and generally produces elegant sounds. The orchestration, which he tells us in his notes evolved amidst a hectic schedule of conducting and rehearsing Don Carlo and Don Giovanni, is basic and generally inoffensive. Good thing he tells the listener of his busy schedule, or one would have to be harsher with his sometimes dreary musical arrangements.

Andrea Bocelli is something of a controversial figure in some circles. I am a picky listener, and suffer from the maniacal ailments that afflict the opera buff. Still, I have always enjoyed Bocelli's popular recordings. I like pleasant tunes sung by a full, clear tenor voice. Having said this, I find his operatic recordings lamentable.

Though not opera per se, Bocelli sounds over-taxed by the repertory at hand (mostly lovely 19th century songs). Each track is unworthy of comparison with past performances by operatic greats-- Pavarotti, Carreras, Gigli, Di Stefano, and Schipa come to mind. Bocelli's voice is strained, and he offers nothing resembling the grace required by these three-minute masterpieces.

Those who are in love with Bocelli's voice will no doubt enjoy this recording. Still, I strongly urge exploring this repertory as it is presented by far more capable performers, and far better endowed voices.

He's magnificent.......2007-03-12

I thoroughly enjoyed this CD, especially some favorites that I haven't heard in years. I wholeheartedly recommend.

Romantic sounds!.......2007-01-12

Adrea's voice continues to enthrall me! Even if you don't understand Italian, you will enjoy this album. Highly recommended.

Simply beautiful!.......2006-07-09

I wont repeat what others with positive reviews already said. Just know that none of Bocelli's CD's have ever disappointed me, and if you are looking for as fine a piece of work as possible (thus far), THIS and "Romanza" are it.

Average Bocelli at best.......2005-01-20

I bought this Bocelli album because I truly wanted to hear him perform "Plaisir D'Amour," one of my all time favorites. While I do love Bocelli I wasn't completely impressed with the entire CD. This is not the best I've heard from Andrea and his voice is not great throughout the CD. I do enjoy it though. He's one of the few artists I can listen to these days without getting a headache.

In My Heart - 17th and 18th Italian Songs

Average customer rating:

misguiding
He missed the point
A (perhaps too) romantic approach to some old favorites
Adequate
Highly Recommended

In My Heart - 17th and 18th Italian Songs

Manufacturer: RCA
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Binding: Audio CD

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Similar Items:

Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
The Soul of Italy
Carlo Bergonzi - Italian Songs ~ Bellini · Verdi · Danza · Tosti · Donizetti · Rossini · Mascagni · Puccini
Ramón Vargas - L'amour, l'amour / Viotti
Renato Bruson - Arie antiche

ASIN: B00006JO9L
Release Date: 2002-10-14

Tracks:

Amarilla, mia bella
Vittoria, mio core!
O cessate di piagarmi
Gil sole dal Gange
Toglietemi la vita ancor
Pur dicesti, o bocca bella
Sebben, crudele
Come raggio di sol
Per la gloria d'adorarvi
Il mio bel foco; Quella fiamma
Teco, si, vengo anch'io
Nina
O del mio dolce ardor
Nel cor piu non mi sento
Plaisir d'amour
Caro mio ben

Amazon.com

Those who prefer 17th- and 18th-century music performed in a "historically correct" manner may balk, but these "old songs and arias" ("arie antiche") are beautifully presented and sung. It's not that Ramón Vargas approaches them in a verismo style or that he overexclaims them. Rather, he sings with ardor, generous portamento, and a Romantic, cushioned voice filled with vibrato and expression. At the same time, Vargas embellishes the vocal line in very much the style popular and proper 200 and 300 years ago, and these embellishments are attractive and in excellent taste. But the voice is the thing, and it's gorgeous and beautifully used. The opening, earliest song (for instance) is sung sweetly and softly from start to finish--it's hard to recall the last time one heard such sustained elegant, gentle vocalism from a major tenor. Vargas never overstates his case, and by refusing to do so, sells us these brief, lovely items one at a time. Another winner from this unique tenor. --Robert Levine

Customer Reviews:

misguiding.......2007-04-09

Those who love Mr Vargas' singing will probably be satisfied.
His voice is beautiful and this repertoire is most apt to show it to advantage. His technique is good (some problems with pianos), his agility commendable.

Those instead looking for an adequate rendering of old arias will find this compilation lacking: he chose (as declared in the booklet) to ignore philologicas and stylistical issues, singing them beautifully but also romantically, as late Donizetti or early Verdi. Problem is that this, to educated ears, sounds incredibly wrong, nearly inaudible.

A pity: with more attention to style this could have been a useful compilation for singing students too. Such as it is, it is only good for Mr Vargas' fans.

He missed the point.......2005-11-12

I am sorry I bought this album. I did not listen to the sound bytes first...my bad! Vargas croons his way through music that has been orchestated out of all recognition. It sounds syrupy and sentimental, not intensely emotional. The Carissimi is a joke! The Scarlatti is painful to hear. There are too many fine performances of 17th & 18th century music out there for this to pass muster. For example, if you want to hear Bononcini as he should be sung, listen to Martin Oro or Gerard Lesne. My recommendation is a most emphatic "NO".

A (perhaps too) romantic approach to some old favorites.......2003-11-27

Ramon Vargas is probably the most elegant and classy tenor singing today. If I may be forgiven an ethnic cliche, the Mexican singer's voice reminds me of dulce del leche ice cream - rich, sweet, and smooth as caramel. Having sung both on stage and on records a wide operatic repertory ranging from bel canto to French works to Puccini and Verdi, Vargas now turns his efforts to this album of arie antiche entitled (rather unimaginatively, I think) `Nel Mio Cuore' - In My Heart. Nearly all lovers of classical vocal music are familiar with the songs represented on this disc; many singers have recorded them and just about everybody who has ever had a voice lesson has studied at least some of them. The defining feature of these songs - which is why they are used by voice students - is that while it is easy to learn the basics of singing them, it takes true expertise to handle all their technical challenges and to bring out all their nuances. If some misguided performance practice decisions make the CD a less than total success, Vargas' vocal beauty, excellent technique and total commitment make this a mostly very enjoyable listen.

As Vargas says in his brief comments, he wants to sing this music in a more 'romantic', (i.e. unrestrained and overtly emotional) manner than many other performers do, to bring a 21st century sensibility to mostly 17th and 18th century music. Vargas as a child was a soloist in the choir of the Basilica Guadalupe of Mexico City, and it was standard procedure there to sing sacred music from this and earlier periods that way. While this approach to the actual singing works very well, I am not entirely happy with the decision to use a small 'salon' orchestra instead of the usual piano or harpsichord, and I suspect many will agree with me on this. I don't object to orchestral arrangements on principle - the arrangements of the arie antiche recorded by Richard Tucker on the superb CD 'The Soul of Italy' work very well, particularly the delightful 'Gia sole del Gange'. On this disc, however, few of the arrangements (by Sascha Goetzel and Joseph Turrin) really enhance the music or make it more interesting, and sometimes they just get in the way. Perhaps in an actual salon or concert setting, this wouldn't be as big a problem. In general, the best arrangements are the most quiet and unobtrusive ones, such as 'Nina' or 'Plaisir d'amour', allowing Vargas to sing softly and tenderly instead of just ardently. The major exception to this is actually the best track on the disc, `Sebben crudele', where the music helps Vargas' anguish and pain reach appropriately operatic proportions. Gluck's `O del mio dolce ardor', an actual opera selection often sung with orchestra, also responds well to this treatment. For most of the other selections, however, it might be helpful to play individual selections or a few at a time instead of the entire album at once, and I wouldn't advise playing it at much more than medium volume.

The good news, though, is that Vargas sings this music with real passion, warmth, and style. The arrangements may require him to sing the music more loudly than many singers do but he never forces or shouts - his heart may be on his sleeve, but is sincere and never vulgar. He pays close attention to the meaning of the words and is musically sensitive and expressive. His Italian diction is excellent, although his French could be a bit crisper. His long experience with bel canto operas makes runs and articulated grace notes easy for him, and he inserts some lovely decorations. The musicians, led by pianist Katherine Chu, do an excellent job with what they are given, and Vargas should actually have been credited as their conductor. I note particularly the beautiful wind playing in 'Teco, si, vengo anch'io'.

In addition to Vargas' comments, there are also notes on the music and full texts and translations. However, I thought the tone of the notes was just a bit too defensive of the more 'modern' approach. All the musicians are listed by name, a nice touch.

The sheer beauty of Vargas' voice, his enthusiasm and his sincerity should set aside most objections to the performance decisions made here. However, I would definitely recommend a more 'traditional' piano-or-harpsichord-accompanied set of this music alongside this if you don't already have one. Cecilia Bartoli's 'Se Tu M'Ami' is essential, and I would also suggest that if you are interested in hearing the music sung by a tenor, you should listen to Alfredo Kraus, especially since many opera lovers consider Vargas to be an heir to this late great Spaniard. Also, Vargas' 'Canzoni' album, from a live concert in Mexico City, shows how wonderful his voice sounds with piano in Italian and Mexican songs - including 'Gia sole del gange' sung in much the same way it is here. It's at super-budget price, too. Still, `Nel Mio Cuore' will give admirers of this lovely tenor the opportunity to wallow in a wonderful voice and experience the heart of an artist.

Adequate.......2003-05-20

Lovely music, but somehow I find it not very involving. Listen to it some, if possible and see if it really is what you are looking for.

Highly Recommended.......2003-03-10

Every beginning classical singer works on these arias that Vargas chose for this album, so naturally, they are often heard and almost always abused. Vargas makes them music again. Absolutely stunning work. He is the real thing - voice, brains and musicality. This combination is sadly lacking in many of todays top operatic stars.

Average customer rating:

Only thing wrong is the title... Good classical collection!

Candlelight Favorites (25)

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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Sentimental Favorites (25)
25 Romantic Classics
25 Classical Favorites
Symphony (25) Favorites
25 Concerto Favorites

ASIN: B0000058IB
Release Date: 1996-08-20

Tracks:

The Entertainer - Roger Shields
Nutcracker Suite (Chocolate) - Pyotr Il'yich Tchaikovsky
Water Music (Original No. 18) - George Frideric Handel
Concerto For 2 Oboes & Strings In D Minor, Op. 42 No. 2 (I. Largo) - A. Caroldi
Concerto For 4 Pianos In A Minor BWV 1065 (III. Allegro) - Bracha Eden
Symphony In G Major, K. 45a 'Lambacher - Sinfonie' (II. Andante) - Wolfgang Amadeus Mozart
Trumpet Concerto In C (IV. Allegro) - Edward H. Tarr
Enigma Variations, Op. 36 (Beginning) - Sir Edward Elgar
Op. 289: Persian March - Johann Strauss II
Barcarolle - Susan Jolles
Concerto In D For Trumpet, 2 Oboes, Strings & Continuo (II. Largo) - Heinz Zickler
Prelude No. 6, Op. 28 - Walter Klien
Violin Concerto No. 1 In A Minor BWV 1041 (I. Allegro) - Susanne Lautenbacher
Suite For 2 Trumpets, 2 Oboes & Strings (II. Largo) - Heinz Zickler
Serenade No. 4 In D Major, K. 203 - Oscar Ravina
Violin Concerto No. 2 In B Minor, Op. 7 'La Campanella (II. Adagio) - Jean-Jacques Kantorow
Pictures At An Exhibition (I. Promenade) - Modest Mussorgsky
Variation On A Waltz By Diabelli, D. 718 - Peter Frankl
Water Music (Original No. 15) - George Frideric Handel
Le Coucou - Werner Simons
Plaisir D'Amore - Susan Jolles
Caucasian Sketches (IV. Procession Of The Sardar) - Mikhail Mikhaylovich Ippolitov-Ivanov
Salu D'Amour (Love's Greeting) - Sir Edward Elgar
Symphony No. 39 In F Major (II. Andantino) - Michael Haydn
Cello Concerto No. 2 In D Major, Hob VIIb/2 (II. Adagio) - Laszlo Varga

Customer Reviews:

Only thing wrong is the title... Good classical collection!.......2003-10-13

I've pondered the title of this fine classical collection for quite some time (far longer than is warranted, to be sure), and I've yet to come to a conclusion as to why this album is called CANDLELIGHT FAVORITES. While some selections are solemn (Enigma Variations), romantic (Variations on a Waltz), and intense (Concerto for 2 Oboes), far more pieces are bright (Water Music) and even whimsical (The Entertainer). Though it didn't exactly set the mood I was anticipating, this album will by no means be collecting dust on my shelf.

This collection surpasses many classical variety albums in its overall quality, regardless of the excellent price. The performances of the respective pieces are excellent as is the audio engineering, which is crisp and clear. What suprised me most, after a couple listens, was how well the widely varied pieces fit together as an album. The selections cross time from the early Baroque period into the 20th century, and they all have a certain continuity. This gives the album added value, as you'd have to purchase many albums to have the wide range of music represented here. CANDLELIGHT FAVORITES gives a mixture of instantly recognizable tunes with some "deeper cuts". It's essentially a classical "mix tape" of sorts, and it works well for both background and purposeful listening.

Tracks:

En Aranjuez Con Tu Amor
Mattinata
Barcarolle
Alba Separa Dalla Luce l'Ombra
Sogno d'Amore (Liebestraum)
Serenata
Ultima Canzone
Malia
Danza
Ideale
Soyno - Andrea Bocelli, The London Symphony Orchestra, Lorin Maazel
Plaisir d'Amour - Andrea Bocelli, The London Symphony Orchestra, Lorin Maazel
Musica Proibita
Occhi Di Fata
Vucchella
Vorrei Morire!

Customer Reviews:

Sentimento--Average at Best.......2005-01-20

I bought this CD for one reason...Bocelli sings "Plaisir D'Amour," one of my absolute all time favorites. This isn't the best of Andrea. His voice is sometimes weak and warbly. That said, I enjoy this CD for easy listening and simply because it doesn't give me a headache.

Average customer rating:

Holy Batdisk Batman

Batman

Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD

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Batman
Batman: Batman Theme And 19 Other Bat Songs (1966 TV Series)
Beneath the Planet of the Apes
Batman and Robin - The Sensational Guitars of Dan & Dale
The Batman Theme

ASIN: B0006SSPQW
Release Date: 2005-01-04

Tracks:

Acknowledgement/Main Title
Batmobile to Airport
Good Job
Roger Wilco
Just Ring/Yo Ho, Sir/Let's Find Out
Tricky Bouy
Torpedoes
Holy Polaris
Kitka
Shades of Smolensic
Jet Umbrellas
Filthy Criminals/Chamber 17
Credulous Creatures/Fine Finkish Friends
Dehydrated/Stand Clear
Flee for Your Life!
False Feathers/Swallow This Pill
My Very Paradise
Grotto/A Stitch in Time
Emergency Operation
Small Craft
Attack/Take It in Tow
Vials
End Title
Dark Eyes
Plaisir d'Amour
Again
Batman Theme

Customer Reviews:

Holy Batdisk Batman.......2005-03-11

I came across this cd soundtrack of the original 1960's Batman film quite by accident. Over 65 minutes of pure batmusic by Nelson Riddle and all in chronological order too. Yes Batfans! its all there, from the main title right through to the end title. But thats not the end. Holy Bonus Bat Tracks! One of them is the original Batman Theme to the television series composed by Neal Hefti(no cover versions here). It comes with a sixteen page booklet giving a potted history of the film and its stars. This cd is going to be worth a fortune because this album is limited to only 3000 copies so hurry !

Average customer rating:

Peaceful and Soothing
Peaceful and Soothing

Return to Romance

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Songs of Romance, Vol. 2
Songs of Romance, Vol. 1
Romance of the Panflute
Pipe Dreams
Zamfir: The Lonely Shepherd

ASIN: B000001FP2
Release Date: 1990-10-25

Tracks:

The Shadow Of Your Smile
Annie's Song
Memory
Danny Boy
Birds Of Winter
What Now My Love
All I Ask Of You
Midnight Blue
Beautiful Dream
Plaisir D'Amour
Somewhere My Love
Amazing Grace

Customer Reviews:

Peaceful and Soothing.......2000-06-23

Zamfir has a melodic way of relaxing the senses. His music is timeless and always in good taste. This CD has all new songs from the ones I already have. The price is great, couldn't ask for more. I would recommend this CD to anyone that enjoys relaxing music.

Peaceful and Soothing.......2000-06-23

Average customer rating:

A Collector's Item
STUPENDOUS!!!!
a great partial overview of an extraordinary career
What a beauty!
He answered my SOS - with his soul

José Carreras: The Golden Years

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Passion
Very Best of
José Carreras ~ Pure Passion
The Very Best of Franco Corelli
José Carreras Sings Catalan Songs

ASIN: B00000J9GN
Release Date: 1999-06-15

Tracks:

La Boheme: Che gelida manina
TOSCA: Recondita armonia
TOSCA: E lucevan le stelle
Manon Lescaut: Donna non vidi mai
Turandot: Nessun dorma
L'Elisir d'Amore: Una furtiva lagrima
Un Ballo in Maschera: Forse la soglia attinse
Rigoletto: Parmi veder le lagrime
Ernani: Come rugiada al cespite
II Trovatore: Di quella pira
La Battaglia di Legnano: La pia materna mano
Pagliacci: Vesti la giubba
Carmen: La fleur que tu m'avais jetee
Werther: Je ne sais si je veille
Das Land des Lachelns: Dein ist mein ganzes Herz
II Tedesco: Plaisir d'amour
Serse: Ombra mai fu
Rinaldo: Lascia ch'io pianga
Caro mio ben

Tracks:

Misa Criolla: Kyrie
A vucchella
La Serenata
Marechiare
Malia
L'ultima canzone
Ideale
Non t'amo piu
Good-bye
Mattinata
O sole mio
Core 'ngrato
Funiculi, funicula
Torna a Surriento
Granada
La Danza
You Belong To My Heart
Because
West Side Story: Tonight
Be My Love
Because You're Mine
Cats: Memory

Customer Reviews:

A Collector's Item.......2007-03-09

This is a different voice than you hear on recordings of "The Three Tenors." Of course, it's his earlier years, but the light, lyrical quality of his voice is amazing. Thank goodness for recordings, and digital remastering. I love this CD.

STUPENDOUS!!!!.......2005-06-20

I have a Carreras-recording of Tosca from 1980 and up till now I thought it was the ultimate recording of "Recondita armonia" and "E lucevan le stelle". I honestly thought that no one could sing these arias better. And in a way I'm right. The only one that did it was himself - a few years earlier.....(The two arias in this "golden years cd" are taken from a -76 recording of Tosca). And after listening to these songs I can't imagine that anyone dare say that he is/was the weakest of the three tenors. In my opinion he possesses something that the others don't. (I won't tell you what it is - listen and find out yourself). Even if his voice has changed over the years (and I mean changed, not declined..) something remains unchangeable and that is his ability to evoke emotions. No one can deliver a line like him. And that's something that's going to stay with him forever, because what makes his singing so special comes from within. It's not dependent on the quality of the voice. But in the songs on this cd his voice is pure gold.

Even though I like the whole album, some of the songs on the first cd (which consists of operatic arias) stand out to me - like "Una furtiva lagrima", "donna non vidi mai", "vesti la giubba" and "nessun dorma" (Sorry Pavarotti - José is way ahead of you interpreting this song. It's not enough to sing it on full blast....) Here's also the loveliest rendition of "Forse la soglio attinse". In 1975 the audience at La Scala in Milan went absolutely crazy after he had sung this aria. I have a recording from that night and it sounds as if they are standing on their seats, cheering and applauding. And it's almost like I want to do the same myself after listening to his singing on this album. And in the song "dein ist mein ganzes hertz" he makes me believe that his whole heart really is mine......In my opinion Carreras has the best rendition of this song ever. No one else comes even close to this one. And I mustn't forget his "che gelida manina" from La Bohême. I have the -79 recording it's taken from and it's the ultimate Bohême ever.

The second cd has a "lighter" repertoire with songs from composers like Tosti, Cardillo, Lara and others. My personal favourites here are "Core n'grato", "Ideale" and "Granada". In my opinion no one sings these songs like Carreras. Or rather - no one sings like Carreras. Period!

His singing will no doubt give you goosebumps all over and make your hair stand on end. If not, I bet you're either a Pavarotti or Domingo-fan....

a great partial overview of an extraordinary career.......2005-04-09

Now a household name by being one of the Three Tenors alongside Pavarotti and Domingo, Carreras' finest recordings were actually done in the 1970s, when his voice had a brilliance and luster that few singers have equaled. Born in Spain in '46, Carreras was a child prodigy, and by his late 20s was a shining star in all the major opera houses. Tragically, in '87, he learned he had leukemia, a disease he battled and won, going on to greater fame than ever before.
Though his voice is powerful and full of beauty, those with keen ears will detect his voice losing a tiny bit of its magnificence starting in the early 80s, and one wonders if the stress and exhaustion of stardom contributed to this as well as to the illness, or whether it was because the seeds of leukemia were taking root.

CD One is the operatic disc, and the two most sublime cuts are both from '76, Puccini's "E lucevan le stelle" (Tosca), and Verdi's "Forse la scoglia attinse" (Un Ballo in Maschera). Another track I adore is the heavenly Lehar "Dein ist mein ganzes Herz" (Das Land des Lachelns), from 1978, and few have performed this popular piece with more loveliness.
CD Two is in a lighter vein, and starts with a stupendous rendition of Ariel Ramirez' "Kirie" (Misa Criolla), sung softly and with extraordinary tenderness and artistry.
There are lots of heavenly melodic Italian songs, like "O Sole Mio", and a few in English like the song made famous by Lanza (who according to the liner notes, inspired Carreras to be a singer when he saw "The Great Caruso" at the age of six) "Be My Love " (Brodszky/Cahn).
The foldout insert has complete track list info and liner notes, and mention must be made of the incredible, sensitive sepia portrait of this handsome singer on the cover. Total playing time for CD One is 75'32, and for CD Two 75'47.
A must for Carreras fans, and anyone who appreciates the finest in operatic voices.

What a beauty!.......2005-01-13

This great double CD set shows us the true Carreras. All the great songs and arias are on this(although I would've liked to hear pourquoi me reveiller) and in pure Carreras style.
Some of the opera recordings are live, and that adds a lot to them. Both sides of the CDs have fantastic repetoire.
Definately a worthy buy!

He answered my SOS - with his soul.......2004-02-07

I came upon the genius of Mr. Carrera quite accidentally. I was in Warsovie (Warsaw), Poland. My purse was stolen, so I lay miserable and penniless and alone in the home of my Ex, with a copy of the Vampire Chronicles and Dostoevsky's Notes from the Underground (only books in English). The maddening drone of the hydro-dam nearby moved me to turn on the radio to my favorite college station. I was no opera buff, so when they announced that they would cover some Enrique Caruso songs, I was panicked to find a station that I could relate to.

Jose Carrera covered the full gambit of Caruso's classics. They must've played him for 2 hours straight. I was mesmerized. I could have touched him and put his hand to my face, his voice was so close. He sang with such emotion and outcry that I wanted to take him into my arms and console him. "Damn" is all that I could verbalize, when the program ended.

Tracks:

'Chacun Le Sait'
'Il Faut Partir'
'Et Mon Coeur La Changer
La Fille Du Regiment: 'Salut A La France'
Sadks: 'Song Of India'
Lakme: 'Pourquoi Dans Les Grands Hois?'
Dinorah: 'Ombre Legere' (Shadow Song)
'Regnava Nel Silenzio...Quando Rapita In Estasi'
Lucia Di Lammermoor: 'Il Dolce Suono Mi Colpi...Ardon Gl'Incensi'
Rigoletto: 'Caro Nome'
Lakme: 'Ou Va La Jeunne Hindoue' (Bell Song)
Mireille: 'O Legere Hirondelle'
Romeo Et Juliette: 'Je Veux Vivre'
La Traviata: 'Ah, Fors'e Lui...Sempre Libera'

Tracks:

Le Coq D'Er: 'Hymne Au Soleil'
Les Contes D'Hoffmann: 'Les Oiseaux Dans La Charmille'
Zemire Et Azor: 'La Fauvette'
Mignon: 'Jesuis Titania'
I Puritani: 'Son Vergin Vezzosa'
Linda Di Chamounix: 'O Luce Di Quest' Anima'
La Sonnambula: 'Ah, Non Credea..Ah, Non Giunge'
Porgy And Bess: 'Summertime'
'The Russian Nightingale'
'Fledermaus Fantasy'
'Les Roses D'Ispahan'
'L'invitation Au Voyage'
Chansons De Rensard: 'A Une Fountaine'
Chansons De Rensard: 'A Cupidon'
Chansons De Rensard: 'Tais-Toi, Babillarde'
Chansons De Rensard: 'Dieu Vous Gard'
'Clair De Lune' - Frank La Forge
'Fantoches' - Frank La Forge
'Plaisir D' Amour'
'Home, Sweet Home'

Amazon.com

In many respects, Lily Pons was the Galli-Curci of her generation: a winning combination of good looks, charm, an appealing and non-confrontational timbre, and easy facility in the stratosphere. Those who learned the "Mad Scene" from Lucia di Lammermoor or the "Bell Song" from Lakmé via the original 78s back in the 40s will be bowled over by the vivid detail and lack of background noise in these stunning Sony restorations. First-time listeners will marvel at her effortless passagework and high notes (she often transposed her arias up on records); but may be put off by a slight thinness in the middle register (not evident in her Odeon recordings from the late 20s), sketchy intonation at times, and expedient aspirating in downward scales. Although these selections encompass a gamut of stylistic and emotional contrasts, you'd scarcely know it from the singer's pleasant but characterless interpretations, which tickle the ear without quite racking the brain. --Jed Distler

Customer Reviews:

Highly recommended.......2007-07-09

This could have been recorded yesterday, the sound quality is excellent and without blemish. By far the best recordings of Pons I have, and I would like to have others. She reminds me of Jo, separation of notes, clear, real trills, a range to rival Sumac, flexibility to perfection, and always that today neglected once standard fare of the coloratura, the requisite leap to the top note at the end of an aria. And a pretty sound. I love this album.

Music Review:

Music Review

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