Chopin [Original recording remastered]

On this CD:

1. Concerto for piano & orchestra No. 1 in E minor, Op. 11, CT 47
Composed by Fryderyk Chopin
Performed by Ljubljana Radio Orchestra with Dubravka Tomsic
Conducted by Marko Munih

2. Prelude for piano No. 3 in G major, Op. 28/3, CT 168
Composed by Fryderyk Chopin
Performed by Dubravka Tomsic

3. Prelude for piano No. 4 in E minor, Op. 28/4, CT 169
Composed by Fryderyk Chopin
Performed by Dubravka Tomsic

4. Prelude for piano No. 7 in A major, Op. 28/7, CT 172
Composed by Fryderyk Chopin
Performed by Dubravka Tomsic

5. Prelude for piano No. 15 in D flat major, Op. 28/15, CT 180
Composed by Fryderyk Chopin
Performed by Sylvia Capova

6. Waltz for piano in A flat major ("L'adieu") Op. 69/1, CT 215
Composed by Fryderyk Chopin
Performed by Sylvia Capova

7. Impromptu for piano in A flat major, Op. 29, CT 43 Allegro assai
Composed by Fryderyk Chopin
Performed by Peter Schmalfuss

8. Polonaise for piano in C sharp minor, Op. 26/1, CT 150
Composed by Fryderyk Chopin
Performed by Ida Cernicka

9. Nocturne for piano in E flat major, Op. 9/2, CT 109
Composed by Fryderyk Chopin
Performed by Peter Schmalfuss

10. Etude for piano in G flat major, Op. 25/9, CT 34
Composed by Fryderyk Chopin
Performed by Vitalij Margulis

11. Concerto for piano & orchestra No. 2 in F minor, Op. 21, CT 48
Composed by Fryderyk Chopin
Performed by Ljubljana Radio Orchestra with Dubravka Tomsic
Conducted by Marko Munih

12. Waltz for piano in E flat major, Op. 18, CT 207
Composed by Fryderyk Chopin
Performed by Dubravka Tomsic

13. Waltz for piano in A minor, Op. 34/2, CT 208
Composed by Fryderyk Chopin
Performed by Dubravka Tomsic

14. Waltz for piano in D flat major ("Minute"), Op. 64/1, CT 212
Composed by Fryderyk Chopin
Performed by Sylvia Capova

15. Waltz for piano in C sharp minor, Op. 64/2, CT 213
Composed by Fryderyk Chopin
Performed by Dubravka Tomsic

16. Waltz for piano in G flat major, Op. 70/1, CT 217
Composed by Fryderyk Chopin
Performed by Dubravka Tomsic

17. Ballade for piano No. 4 in F minor, Op. 52, CT 5 (Four Ballades)
Composed by Fryderyk Chopin
Performed by Pavica Gvozdic

18. Nocturne for piano in B flat minor, Op. 9/1, CT 109
Composed by Fryderyk Chopin
Performed by Peter Schmalfuss

19. Nocturne for piano in D flat major, Op. 27/2, CT 155
Composed by Fryderyk Chopin
Performed by Peter Schmalfuss

Tracks:

Toccata In C: Adagio
Melody, Op.3, No.1, In F
Moment Musical
Nocturne, Op.9, No.2 In E-Flat
Goyescas: Intermezzo
Apr?s un r?ve, Op.7, No.1
Spanish Dance
Carnival Of The Animals: The Swan
Vito (Spanish Dance, Op.54, No.5)
Jocelyn: Berceuse
Gavotte tendre
Prelude, Op.28, No.15
Mazurka, Op.11, No.3
Tannher: Lied an den Abendstern
Serenata napoletana, Op.24, No.2
Die Meistersinger: Preislied
Chanson villageoise, Op.62, No.2
Abendlied, Op.85, No.12
Petite Suite: Menuet
Romance, Op.35
English Suite No.6: Gavotte I: Musette

Amazon.com

These early electrical recordings show a very different Pablo Casals from the grunting old man most people remember. At the height of his technical and musical powers, he plays these mostly charming little encores and transcriptions with exquisite musicianship and breathtaking technical command that remains outstanding today. Whether you want to hear Chopin piano pieces or Wagner arias played on the cello is another issue; there is very little real cello music on this disc. But for what is here, one could hardly imagine better performances. The transfers are outstandingly lifelike, the program very generous (76:19), the price reasonable. --Leslie Gerber

Customer Reviews:

Pablo Casals: Early Recrdings, a defective product.......2007-03-09

The Pablo Casals: Early Recordings 1925-1928 is a fine recording with a production defect. The playing is obviously great but near the end of the CD numerous tracks are missing. I returned the CD and was sent a replacement that had the same defect indicating that there was a production error.

It is good!!.......2005-10-09

I can't buy it in the Austerlia,and it is a good recording. I like it.

Amazing touch of personality.......2005-01-25

This album is perhaps one of my favorite. It features Pablo playing some very romantic and melancholic songs from various composers. It also features Pablo's amazing technique and his capacity of interpretation which gies beyond just reading and playing musical notes.
But also, the fact that this album was recorded so long ago, the original format was gramophone, I think it gives this album very important historical value, the background noise never interrupts the musics, but help listeners to get involved and place himself in the timeline.

Outstanding.......2003-10-20

funny, I hear plenty of "real" music coming from this CD ;)

amazing Casals.......2002-04-07

This recording is for anyone who has dismissed Casals as an ancient cellist who never truly mastered the technique of the instrument. These works are all admittedly light fluff, but Casals is truly dazzling, as both a technical virtuoso and a true musician. This is worth owning if you're a cellist or a Casals fan, but the low quality of the actual compositions should keep everyone else away.

Average customer rating:

Not to be missed
Excellent, fun music

Cowgirls (1996 Original Cast)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

Colette Collage (1994 Studio Cast)
Brownstone the Musical (2003 Studio Cast)
Listen to My Heart: The Songs of David Friedman
The Drowsy Chaperone (2006 Original Broadway Cast)
Mary Poppins (2005 Original London Cast)

ASIN: B0000014ZE
Release Date: 1996-07-16

Tracks:

Overture (Beethoven's Sonata Pathetique, Opus 13)
Three Little Maids (Gilbert And Sullivan)
Jesse's Lullaby (Music By j. Brahms)
Ode To Connie Carlson
Sigma, Alpha, Iota
Ode To Jo
From Chopin To Country (Music By Frederic Chopin)
Kingdom Of Country (Music By C. Converse/M. Murfitt)
Songs My Mama Sang (Traditional Hymn, Addidtional Music By M. Murfitt)
Heads Or Tails
Love's Sorrow
Don't Call Me Trailer Trash
Honky Tonky Girl
Every Saturday Night
Don't Look Down
They're All Cowgirls To Me
Saddle Tramp Blues
It's Time To Come Home
We're A Travelin' Trio
Sunflower
Concert Medley
House Rules
Cowgirls

Customer Reviews:

Not to be missed.......2007-06-24

I never tire of listening to this CD. I saw the show in Atlanta several years ago and then again in Nashville--featuring Mary Murfitt herself--and think it is wonderful. I'm always surprised at how such a hilarious/silly premise can set the stage for a moving exploration of friendship, relationships between parents and children, and the joy that comes in facing and conquering our fears. I remember sitting at the side of the theater in Nashville and watching the audience, which previously had been rolling with laughter, be spellbound when the cast began "Songs My Mama Sang" with that gentle mandolin strumming in the background. It was magic--and this "little" show with great writing and thoughtful performances made it happen. I only wish it were performed more often, but then it takes a really talented cast to make it work. There will always be the CD, though.

Excellent, fun music.......2000-05-03

This is a strong woman's musical with great music that doesn't get tiring to listen to. I'd recommend it for anyone wanting to perform a great musical for theatre.

Lost Feuermann: The Japanese Recordings 1934 & 1936

Average customer rating:

Get it for the Japanese Songs
You may as well have all the Feuermann available

Lost Feuermann: The Japanese Recordings 1934 & 1936

Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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French | Languages | Opera & Vocal | Styles | Music
ASIN: B000050XVY
Release Date: 2001-01-23

Tracks:

Valse Sentimentale, Op. 51 / 6
Spring Song, Op. 62 / 6
Prayer
Berceuse
Ziegunerleben, Op. 29/3
Serenade
Her Bright Smile Haunts Me Still
The Swan
Gavotta E Allegro
Melody In F Major, Op. 3/I
Nocturne In E Flat
Kojo No Tsuki
Karatachi No Hana
Nabora
Ojoro Takashima
Ave Maria
Kol Nidrei, Op. 47
Concerto In D, II-III Movements Berlin Staatsoper, Frieder Weissman

Amazon.com

In 1942, just as Emanuel Feuermann was escaping the shadow of Pablo Casals, he died, the result of a botched routine surgery. He was only 39--Casals's age when he cut his first records in 1915. This irony was compounded in 1950, when the 76-year-old Casals decided to resume giving concerts after an 11-year retirement. He performed until he died at 97--more than 30 years after Feuermann. Casals and the cello are still almost synonymous in the public mind. But Feuermann, now largely forgotten, is actually the better cellist.

He was the first cellist to play with the ease of a great violinist. And no cellist since has matched, much less surpassed, his combination of precise intonation, depth and intensity of sound, clarity of articulation, and heart-piercing, but discerning, musicianship. Twelve performances on Music & Arts' Lost Feuermann reappear for the first time since their original 78 rpm release. That most of them are "lollipops" does not matter. Feuermann's natural command and faultless musicianship override any preconceptions about such popular works. Saint-Saens' "The Swan" and Bruch's "Kol Nidrei," as well as arrangements of Chopin's Nocturne in E-flat and the Bach-Gounod "Ave Maria," are delivered in a manner that substitutes nobility of expression for the usual treacle. Feuermann's unusually fast vibrato never falters; moments of heightened expression are neither cluttered nor cheapened by self-indulgent portamenti. Yet emotional warmth and luscious tone are never sacrificed on the altar of clear-eyed discipline and innate good taste. Feuermann's cello never groaned; it always sang. --Stephen Wigler

Customer Reviews:

Get it for the Japanese Songs.......2003-03-13

The first part of the transfer of this CD is considerably worse than what we can get elsewhere. The transfer of the last part, the European recordings, is slightly poorer than what we can get say from Pearl.

The only exceptions are the Japanese songs in the middle: they are the jewels of this record. But they consist of at most 1/5 of the total length.

The length of time is perhaps not a very good yardsick for music or indeed for any art. All the more so when in Feuermann we have what Toscanini hailed as "the greatest cellist" and what Casals called the "greatest artist of the century". True in the full sense of their word. Furthermore, there seems nowhere we can get these wonderful Japanese songs.

But on the other end of the balance, the general public particularly those who would prefer good sound to good music, might well be disappointed especially by the first half of the record where the recording left so much to be desired.

You may as well have all the Feuermann available.......2002-07-14

Well, OK I don't have everything by Feuermann, either, but I took a chance on this disc. Oddly, the earlier items are in much better sound. Sadly, if this artist had lived a normal life span we would have the best 'cello recordings of much of the repertoire possible. As it is, we have to settle for what we can get. There are probably more important Feuermann discs that you should get first, but this one may not be available forever. It is more of what you expect from this great performer, but miniatures.

Average customer rating:

Super-human virtuosity of young Horowitz

Recordings 1930-1951

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Mazurkas | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music
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Horowitz Plays Schumann
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So Far from Real
Modesty Blaise

ASIN: B000002S1W
Release Date: 1990-07-18

Tracks:

Choral Prld, BWV 734: Nun freut euch, leiben Christen
Son in b, KK 87
Son in G, KK 87
Son in a, KK 188
Son in A, KK 188
Son in E flat
Etude in c#, Op.10
Etude in G flat, Op.10
Etude in F, Op.10
Etude in F, Op.25
Impromptu in A flat, Op.29
Nocturne in e, Op.72
Mazurka in f, Op.7
Mazurka in e, Op.41
Mazurka in c#, Op. 50
Mazurka in E, Op. 54
Etude No.11: 'pour les arpeges composes'
Pastourelle (L'Eventail de Jeanne, No.8)
Toccata (3 peices for pno, No.2)

Tracks:

32 Vars in c, WO 80
Arabeske, Op.18
Toccata in C, Op.7
Traumeswirren (Fantasiestucke Op.12 No.7)
Presto passionato (Original Finale of Son No.2 Op.22)
Funerailles (Harmonies poetiques et religieuses, No.7)
Son in b

Tracks:

Con for pno in d, No.3 Op.30: I. Allegro
Con for pno in d, No.3 Op.30: II. Intermezzo-Adagio
Con for pno in d, No.3 Op.30: III. Finale (Alla breve)
Prld in g, Op.23 No.5
The Flight of the Bumble-Bee
Petrouchka: Danse Russe
Toccata, Op. 11

Amazon.com

The drawback to this comprehensive feast of prime Vladimir Horowitz is EMI's overzealous noise reduction, which smoothes the edges off of the great pianist's unique sonority. This is less bothersome in the 1951 sessions, which produced two delicious Scarlatti Sonatas not reissued elsewhere. The high-voltage Horowitz of the thirties was a more direct, less mannered artist than his older self. But his classic Liszt Sonata, Chopin Fourth Scherzo, and other solo EMI jewels are best heard via APR's superior (albeit more expensive) transfers. This erratic but exciting Rach 3 (with cuts, and a momentary third movement memory lapse) still awaits a CD transfer to match that of a bygone Seraphim LP. --Jed Distler

Customer Reviews:

Super-human virtuosity of young Horowitz.......2007-06-15

I give 5 stars for this 3CD set despite the old recording sound. Sound of piano itself is reasonably well for the day once you are used to the background noise, good enough to convey the subtlty and delicacy of his playing.

Prokofiev's Toccata is still fastest and most exciting on records, verging on super-human. Rachmaninov's 3rd concerto is the best performance by Horowitz with more argency and intensity than his later recordings. The incandescent account of Liszt Sonata is one of the most compelling and beautiful along side Richter and Pogorelich's classic accounts.

Haydn and Scarlatti sonatas, Beethoven variations, Schumann's Toccata, Chopin Etudes, Stravinsky's Petrushka and so much more display Horowitz' keen sense of tonal colours and mind blowing fluency of playing.

Backhaus: The Complete British Acoustic Recordings, 1908-25

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Backhaus: The Complete British Acoustic Recordings, 1908-25

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

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Pablo Casals: Festivals at Prades Vol. 1

ASIN: B0000542HD
Release Date: 2001-02-27

Tracks:

Prelude In C Sharp Minor, Op. 3, No. 2
Liebestraum No. 3 In A Flat
'Harmonious Blacksmith' Vars
Prelude No. 1 In C, Op. 28, No. 1
Etude No. 1 In C, Op. 10, No. 1
Norwegian Bridal Procession, Op. 19, No. 2
Finale: Perpetuum Mobile
Fantasy-Impromptu In C Sharp Minor, Op. 66
La Cam-panella
Etude No. 20 In D Flat, Op. 25, No. 8
Etude No. 21 In G Flat, Op. 25, No. 9
Etude No. 5 In G Flat, Op. 10, No. 5
Prelude
Fugue
Etude No. 18 In G Sharp Minor, Op. 25, No. 6
Etude No. 13 In A Flat, Op. 25, No. 1
Etude In E Flat Minor, Op. 10, No. 12
First Movement (Abridged)
Third Movenment (Abridged)
Novelette No. 7 In E, Op. 21, No. 7
Waltz No. 11 In G Flat, Op. 70, No. 1
Waltz No. 14 In E Minor, Op. Posth.
Waltz No. 5 In A Flat, Op. 42
Polka In F
Sonata In F, L. 188 (Kk. 525)
Sonata In G, L. 490 (Kk. 523)
Etude No. 7 In C, Op. 10, No. 7
Waltz No. 6 In D Flat, Op. 64, No. 1
Moment Musical No. 3 In F Minor, Op. 94, No. 3
Hark! Hark! The Lark!

Tracks:

Hungarian Rhapsody No. 2 (Abridged)
Polka In F
Naila Waltz
Polonaise No. 6 In A Flat, Op. 53 (Abridged)
Caprice Espagnol, Op. 37
Don Juan Seranade
Widmung
Liebestraum No. 3 In A Flat
Waltz No. 5 In A Flat, Op. 42
Variations On A Theme Of Paganini, Op. 35, Book I
Variations On A Theme Of Paganini, Op. 35, Book II
Berceuse In D Flat, Op. 57
Moment Musical No. 3 In F Minor, Op. 94, No. 3
Traumeswirren, Op. 12, No. 7
Scherzo
Triana, No. 6
Don Juan Serenade

Amazon.com

Backhaus was among the giants of 20th-century keyboard artists, renowned for his solid--some would say stolid--Beethoven and Brahms interpretations. The younger Backhaus was a more overtly virtuosic pianist with a wide repertory. This invaluable Pearl set covers his British recordings, starting in 1908 when he was only 24, and it includes composers and works he abandoned in later years when he pared his programs down to essential masterworks. So we get his only recordings of Rachmaninoff, whom he admired as the greatest among living piano composers, along with Bach, Scarlatti, and others. Backhaus's dazzling virtuosity can be heard in his abridged Brahms Paganini Variations, the Liszt, La Campanella, with its marvelously even runs, and the Weber, Perpetuum Mobile, with precise articulation at fast speeds, among many other examples. Some of his early electrical recordings fill out disc two, sounding fresher than most of the acoustics. Seth Winner's transfers on both well-filled discs are uniformly fine. Collectors of historical recordings will want these rarities. --Dan Davis

Sergei Rachmaninoff: The Complete Recordings

Average customer rating:

Save some $ money! Get the newer January 2006 reissue set instead.
6, or Even 7 Stars!
A must have for Piano and classical music lovers
Ah, Rachmaninoff, brilliant star of music, how we adore you
Review from a spoiled modern listener

Sergei Rachmaninoff: The Complete Recordings

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Etudes | Forms & Genres | Classical | Styles | Music

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Suites | Forms & Genres | Classical | Styles | Music

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Shostakovich: The String Quartets

ASIN: B000003FB7
Release Date: 1992-09-15

Tracks:

Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve

Tracks:

Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
Concerto No. 1, Op, 1 In F Sharp Minor: Andante
Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Largo
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso

Tracks:

Isle Of The Dead, Op. 29
Vocalise, Op. 34, No. 14
Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
Symphony No.3, Op. 44 In A Minor: Allegro

Tracks:

Sonata, Op. 30, No. 3 In G: Allegro assai
Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
Sonata, Op. 30, No. 3 In G: Allegro vivace
Sonata D. 574 In A: Allegro moderato
Sonata D. 574 In A: Scherzo: Presto; Trio
Sonata D. 574 In A: Andantino
Sonata D. 574 In A: Allegro vivace
Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
Sonata, Op. 45 In C Minor: Allegro animato

Tracks:

Partita No. 4, BWV 828: Sarabande
Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
Sonata, K. 331: III: Turkish March
32 Variations, WoO 80 In C Minor: Thema: Allegretto
32 Variations, WoO 80 In C Minor: Variation I
32 Variations, WoO 80 In C Minor: Variation II
32 Variations, WoO 80 In C Minor: Variation III
32 Variations, WoO 80 In C Minor: Variation IV
32 Variations, WoO 80 In C Minor: Variation V
32 Variations, WoO 80 In C Minor: Variation VI
32 Variations, WoO 80 In C Minor: Variation VII
32 Variations, WoO 80 In C Minor: Variation VIII
32 Variations, WoO 80 In C Minor: Variation IX
32 Variations, WoO 80 In C Minor: Variation X
32 Variations, WoO 80 In C Minor: Variation XI
32 Variations, WoO 80 In C Minor: Variation XII
32 Variations, WoO 80 In C Minor: Variation XIII
32 Variations, WoO 80 In C Minor: Variation XIV
32 Variations, WoO 80 In C Minor: Variation XIX
32 Variations, WoO 80 In C Minor: Variation XXII
32 Variations, WoO 80 In C Minor: Variation XXIII
32 Variations, WoO 80 In C Minor: Variation XXIV
32 Variations, WoO 80 In C Minor: Variation XXV
32 Variations, WoO 80 In C Minor: Variation XXVI
32 Variations, WoO 80 In C Minor: Variation XXVII
32 Variations, WoO 80 In C Minor: Variation XXVIII
32 Variations, WoO 80 In C Minor: Variation XXXI
32 Variations, WoO 80 In C Minor: Variation XXXII
Return Home
Polish Songs: The Maiden's Wish
Die schone Mullerin: Das Wandern
Schwanengesang: Serenade
Polonaise No. 2 In E
Songs Without Words, Op. 67: Spinning Song
Impromptu, Op. 90, No. 4 In A Flat
Concert Etude No. 2: Gnomenreigen
Orfeo ed Euridice: Melodie
Etude, Op. 104b, No. 2 In F
Etude, Op. 104b, No. 3 In A Minor
Spanisches Liederspeil: The Smuggler
Minuet, Op. 14, No. 1 In G
Liebesfreud

Tracks:

Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
Sonata No. 2, Op. 35 'Funeral March': Scherzo
Sonata No. 2, Op. 35 'Funeral March': Marche funebre
Sonata No. 2, Op. 35 'Funeral March': Presto
Carnaval, Op. 9: Preambule
Carnaval, Op. 9: Pierrot
Carnaval, Op. 9: Arlequin
Carnaval, Op. 9: Valse noble
Carnaval, Op. 9: Eusebius
Carnaval, Op. 9: Florestan
Carnaval, Op. 9: Coquette
Carnaval, Op. 9: Replique
Carnaval, Op. 9: Sphinxes
Carnaval, Op. 9: Papillons
Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
Carnaval, Op. 9: Chiarina
Carnaval, Op. 9: Chopin
Carnaval, Op. 9: Estrella
Carnaval, Op. 9: Reconnaissance
Carnaval, Op. 9: Pantalon et Colombine
Carnaval, Op. 9: Valse allemande
Carnaval, Op. 9: Pganini (Intermezzo)
Carnaval, Op. 9: Aveu
Carnaval, Op. 9: Promenade
Carnaval, Op. 9: Pause
Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
Nocturne, Op. 9, No. 2 In E Flat
Waltz, Op. 64, No. 2 In C Sharp
Waltz, Op. 64, No. 3
Ballade No. 3, Op. 47 In A Flat
Mazurka, Op. 68, No. 2
Waltz, Op. Posth. In E Minor

Tracks:

Partita No. 3, BWV 1006: Preludio
Partita No. 3, BWV 1006: Gavotte
Partita No. 3, BWV 1006: Gigue
A Midsummer Night's Dream: Scherzo
Liebersfreud
Die schone Mullerin: The Brooklet
Polka de V.R.
Etude-tableau, Op. 39, No. 6 In A Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Sorochintsy Fair: Hopac
Lullaby, Op. 16, No.1
Tsar Saltan: Flight of the Bumblebee
The Ruins Of Athens: Turkish March
Scherzo In A Flat
The Seasons: November: Troika
Prelude No. 8, Op. 11, No. 8 In F Sharp
One Lives But Once
Powder and Paint
Polka italienne (Piano 4 Hands)

Tracks:

Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Prelude, Op. 23, No. 10 In G Flat
Prelude, Op. 32, No. 3 In E Major
Prelude, Op. 32, No. 7 In F Major
Prelude, Op. 32, No. 6 In F Minor
Etude-tableau, Op. 33, No. 2 in C Major
Etude-tableau, Op. 33, No. 7 In E Flat
Daisies, Op. 38, No. 3
Oriental Sketch
Melodie, Op. 3, No. 3 in E
Serenade, Op. 3, No. 5 In B Flat
Humoresque, Op. 10, No. 5 In G
Lilacs, Op. 21, No. 5
Moment Musical, Op. 16, No. 2 In E Flat

Tracks:

Mazurka, Op. 63, No. 3 In C Sharp Minor
Nocturne, Op. 15, No. 2 In F Sharp
Waltz, Op. 18 'Grande valse brilliante' In E Flat
Waltz, Op. 34, No. 3 'Valse brilliante' In F
Waltz, Op. 64, No. 1 'Minute'
Waltz, Op. 69, No. 2 In B Minor
Waltz, Op. 70, No. 1 In G Flat
Scherzo No. 3, Op. 39 In C Sharp Minor
Waltz, Op. 64, No. 1 'Minute' In D Flat
Le coucou
L'Arlesienne Suite No. 1: Minuet
Carnival Of The Animals: The Swan
Songs Without Words, Op. 67: Spinning Song
Waltz
Lyric Pieces, Op. 12: Elfin Dance
Etude, Op. 28, No. 6 In F Minor
If I Were a Bird
La jongleuse
Dr. Gradus ad Parnassum
Children's Corner: Golliwogg's Cakewalk
The Seasons: November: Troika
Humoresque, Op. 10, No. 2 In G
Waltz, Op. 40, No. 8 In A Flat

Tracks:

Prelude, Op. 23, No. 5 In G Minor
Prelude, Op. 32, No. 12 In G Sharp Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Prelude, Op. 32, No. 5 In G
Serenade, Op. 3, No. 5 In B Flat
Lilacs, Op. 21, No. 5
Polichinelle, Op. 3, No. 4 In F Sharp Minor
Polka de V.R.
Liebesleid
Hungarian Rhapsody No. 2
Pastorale In E Minor
Theme and Variations
Waltz, Op. 42 'Two - Four' In A Flat
Waltz, Op. 64, No. 3 In A Flat
Polka de V.R.
Bacarolle, Op. 10, No. 3 In G Minor
Prelude, Op. 3, No. 2 In C Sharp Minor

Amazon.com

We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie Gerber

Customer Reviews:

Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17

At the time of this review, whenever you search for a phrase such as "Rachmaninoff Complete", amazon's search engine always lands on this out-of-print recording (ASIN: B000003FB7) . It's also no fun to see that it costs more than a hundred bucks! But if you type "B000A2AD2S" in the search box, you'll see the new reissued set for half the price. It's the exact same 10 CDs. Just the cover art is different.

Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.

For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.

To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.

(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)

6, or Even 7 Stars!.......2005-06-04

Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.

While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.

Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.

Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...

His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!

The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!

A must have for Piano and classical music lovers.......2005-04-04

To respond to a review about the sound quality-for those people who have no experience with historical performances i.e cortot-hofmann-etc these discs are for the most part much better recorded. There are the inevitable pops and hisses but if these things disturb you, or you cant get past them, then you shouldnt be listening to this kind of thing anyway. the importance here is in the playing, and the playing is extra ordinary. I you want to buy a disc for the reperatoire then i can think of hundreds of performances that will satisfy, but only people with a true interest to hear and study these pieces will be beyond satisfied. I know that may not sound like a lot of fun, but these discs are fun, great, and for me, almost too good to be true. Again, if sound disturbs you, then you may be listening to the music for the wrong reasons. Take from it the playing, the revelations that Rach provides to his pieces, and how fortunate we are that it sounds as good as it does.

Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14

The music of Rachmaninoff is beyond words, furthermore, beyond imagination. He was a genius, no doubt, and nobody will ever understand how incredibly lucky we are to be blessed with his compositions. Furthermore, it is truly astonishing to hear Rachmaninoff play his own work. There is nothing so beautiful on this earth and there never will be.

Review from a spoiled modern listener.......2003-07-13

I'll admit that I'm a spoiled modern listener, accustomed to having the bang and hiss edited out of a recording, and it took me a while to warm to these. Rachmaninoff's performances are splendid, but if you can hardly hear them over the cacophony of background noise, what's the use? His performance of his own, often overlooked Concerto No. 4 finally made me sit up and listen, even though I've owned two versions of this piece for a number of years (Ashkenazy & Wild).

Average customer rating:

Pearl Gets These Classic Horowitz Reissues Right

Horowitz-Solo Recordings 1928-36

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B000000WRU
Release Date: 1997-01-21

Tracks:

Carmen: Variations On Themes
Mazurka No. 21 In C# Minor Op. 30 No. 4
Capriccio In E Major, L. 375
Serenade For The Doll
Capriccio In F Minor (Concert Etude In F Minor Op. 28 No. 6)
Valse Oubliee
Paganini Etude In E Flat Major: Paganini
Paganini Etude In E Flat Major: Danse Excentrique
Prelude in G Minor Op. 23 No. 5
Pastourelle
Toccata
Toccata Sonata No. 52 In E Flat: Allegro Moderato
Toccata Sonata No. 52 In E Flat: Adagio
Toccata Sonata No. 52 In E Flat: Finale (Presto)
The Flight Of the Bumble Bee
Petrouchka: Russian Dance
Sonata In B Minor: Lento Assai
Sonata In B Minor: Allegro Energico
Sonata In B Minor: Grandioso
Sonata In B Minor: Recitativo - Andante Sostenuto - Quasi Adagio
Sonata In B Minor: Allegro Energico - Pui Mosso - Stretta Quasi Presto - Prestissimo
Sonata In B Minor: Andante Sostenuto
Sonata In B Minor: Allegro Moderato
Sonata In B Minor: Lento Assai

Tracks:

Presto Passionato
Funerailles
Mazurka In F Minor Op. 7 No. 3
Etude In F Major Op. 10 No. 8
Traumeswirren (Dream Visions) Op. 12 No. 7
Mazurka No. 27 In E Minor Op. 41 No. 2
32 Variations In C Minor G. 191
Choral Prelude
Etude XI Pour Les Arpeges Composes
Arabeske, Op. 18
Toccata In C Op. 7
Etude Op. 25 No. 3 In F
Mazurka No. 32 In C# Minor Op. 50 No. 3
Etude Op. 10 No. 4 In C # Minor
Etude Op. 10 No. 5 In G Flat
Sonata In B Minor KK 87
Sonata In G Major KK 125
Scherzo No. 4 In E Op. 54

Customer Reviews:

Pearl Gets These Classic Horowitz Reissues Right.......2007-05-11

Vladimir Horowitz's earliest recordings, believed by some to be his finest, have been reissued numerous times since their initial appearance over 70 years ago.

Horowitz's first recordings were made in RCA's Camden, New Jersey studios in 1928. They consisted of short, "encore" type works such as his own Carmen Variations and Danse Excentrique, Debussy's Serenade, and Dohnanyi's Capriccio. From 1930-1936, Horowitz concentrated his recording activity in London (RCA's European affiliate, HMV, had not been as decimated by the Great Depression than its American counterpart).

This reissue contains some classics. The Liszt Sonata has never been equaled and is a must for any serious collector, as is the Funerailles. But the Hungarian composer's Valse oubliee is played more captivatingly in Horowitz's 1985 recording. It's hard to imagine in this day and age that Horowitz's version of Haydn's E-flat sonata was a world premiere recording, but indeed it was. Its relaxed elegance continues to charm, and it remains more musicologically "correct" than Horowitz's 1951 live version. Horowitz was also an early champion of Scarlatti, and recorded the composer's Capriccio as transcribed by Tausig. The two sonatas included here are among the first recordings of "pure" Scarlatti. The pianist preferred his Bach "un-pure", and the Choral Prelude as transcribed by Busoni is a miracle of line separation and clarity. Horowitz's early foray into Beethoven, the 32 Variations in C minor, is more straightforward and successful than many of his later attempts with this composer.

Horowitz's early Schumann, though technically impeccable, did not quite plumb the depths as in his later recordings. So much the better then, that the pianist limited himself to recording shorter works, including an Arabeske with unmatched legato, an effortless Toccata, and whimsical Traumeswirren. Originally intended as the finale for Schumann's G minor sonata, the Presto Passionato was rejected by the composer's wife as unplayable. Horowitz makes it sound like child's play. (Pearl's is the only reissue that I know of that gets the 78RPM side change right in this piece.)

Horowitz once referred to Chopin and "the only truly great composer for the piano" and he invariably included a selection of the Polish master's music in his recitals. The sampling here includes four technically impeccable Etudes, four Mazurkas, and a remarkably up-tempo Scherzo in E major.

Horowitz also championed "modern" composers like Rachmaninoff and Poulenc. It says much about the changing mores of performing that Horowitz (often condemned these days for violating composers' intentions) received nothing but praise from the many composers he knew personally. While the Poulenc Pastourelle and Toccata are gracious and dazzling, the Rachmaninoff G minor Prelude is disappointingly sloppy. A thrilling Russian Dance from Stravinsky's Petrouchka is also included.

Pearl has handled these old recordings with care, and they sound better than in any other issue thus far. Highest recommendation.

Busoni/Petri: Complete Original Recordings

Average customer rating:

Thank god for reissued recordings!

Busoni/Petri: Complete Original Recordings

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B000000WTP
Release Date: 1993-01-04

Customer Reviews:

Thank god for reissued recordings!.......2006-10-30

Busoni was a fabulous pianist. He, like many of his generation, was not overly fond of recording, but we are fortunate to have these documents of his pianistic work.

Additionally, Egon Petri, who made many recordings, is represnted here by music of Busoni. Without having Busoni himself play these pieces, Petri is certainly well-qualified to do so and we are indeed extremely fortunate to hear them played by "one who knew the master". Enjoy!