Piano [Original recording remastered]

On this CD:

1. Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 Andante
Composed by Wolfgang Amadeus Mozart
Performed by Mozart Festival Orchestra with Svetlana Stanceva
Conducted by Alberto Lizzio

2. Piano Sonata No. 11 in A major ("Alla Turca") K. 331 (K. 300i) Rondo alla Turca
Composed by Wolfgang Amadeus Mozart
Performed by Hugo Steurer

3. Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 Adagio sostenuto
Composed by Ludwig van Beethoven
Performed by Dubravka Tomsic

4. Etude for piano in C minor ("Revolutionary"), Op. 10/12, CT 25
Composed by Fryderyk Chopin
Performed by Sylvia Capova

5. Piano Concerto in A minor, Op. 16
Composed by Edvard Grieg
Performed by Ljubljana Radio Orchestra with Dubravka Tomsic
Conducted by Anton Nanut

6. English Suite for keyboard No. 1 in A major, BWV 806 Bourrée I and II
Composed by Johann Sebastian Bach
Performed by Christiane Jaccottet

7. Impromptu for piano in G flat major, D. 899/3 (Op. 90/3)
Composed by Franz Schubert
Performed by Sylvia Capova

8. Impromptu for piano in A flat major, Op. 29, CT 43 Allegro Assai - quasi presto
Composed by Fryderyk Chopin
Performed by Peter Schmalfuss

9. Piano Sonata No. 21 in C major ("Waldstein") Op. 53
Composed by Ludwig van Beethoven
Performed by Dubravka Tomsic

10. Moment musical for piano in F minor ("Air russe"), D. 780/3 (Op. 94/3)
Composed by Franz Schubert
Performed by Sylvia Capova

11. Bagatelle for piano in A minor ("Für Elise"), WoO 59
Composed by Ludwig van Beethoven
Performed by Hugo Steurer

12. Consolation, for piano No. 3 in D-flat Major "Lento placido", S. 172/3 (LW A111a/2/2)
Composed by Franz Liszt
Performed by Dieter Goldmann

13. Consolations (6), for piano, S. 172 (LW A111a/2) Consolation in E major
Composed by Franz Liszt
Performed by Dieter Goldmann

14. Liebestraum (3), notturnos for piano (after songs LW N18), S. 541, LW A103 [Unspecified] Liebestraum
Composed by Franz Liszt
Performed by Dieter Goldmann

15. Piano Sonata No. 8 in C minor ("Pathétique") Op. 13
Composed by Ludwig van Beethoven
Performed by Dubravka Tomsic

16. Impromptu for piano in A flat major, D. 899/4 (Op. 90/4) Allegretto
Composed by Franz Schubert
Performed by Sylvia Capova

17. Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) Allegro vivace
Composed by Franz Schubert
Performed by Caspar da Salo Quartet

18. Piano Concerto No. 1 in D minor, Op. 15 Adagio
Composed by Johannes Brahms
Performed by Ljubljana Radio Orchestra with Dubravka Tomsic
Conducted by Anton Nanut

19. Sonata for keyboard in D major, K. 299 (L. 210)
Composed by Domenico Scarlatti
Performed by Dubravka Tomsic

Piano, Music, Johann Sebastian Bach, Ludwig van Beethoven, Johannes Brahms, Fryderyk Chopin, Edvard Grieg, Franz Liszt, Wolfgang Amadeus Mozart, Domenico Scarlatti, Franz Schubert, Alberto Lizzio, Anton Nanut, Caspar da Salo Quartet, Christiane Jaccottet, Christiane Jacottet, Ljubljana Radio Orchestra, Mozart Festival Orchestra, Dieter Goldmann, Dubravka Tomsic, Hugo Steurer, Peter Schmalfuss, Svetlana Stanceva, Sylvia Capova, Bagatelle for Keyboard, Baroque Sonata/Sonatina for Keyboard, Chamber, Chamber Music & Recitals, Character/Single-Movement/Miscellaneous Work for Keyboard, Classical, Classical Collections-Composer Desc., Classical Sonata/Sonatina for Keyboard, Concerto, Etude for Keyboard, Impromptu for Keyboard, Keyboard, Moment Musical for Keyboard, Nocturne for Keyboard, Piano Concerto, Quintet for Keyboard and Four String Instruments, Romantic Sonata/Sonatina for Keyboard, Suite/Partita for Keyboard, V/a Compilations

Working (Original 1978 Broadway Cast)
Average customer rating:

An underrated musical

Wonderful Lesser Known Gem

Keep Working!!!

a good, if obscure CD

off the beaten path

Working (Original 1978 Broadway Cast)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Studs Terkel's Working (Broadway Theatre Archive)

The Baker's Wife (Members of the 1976 Original Cast)

Working: Vocal Selections

The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)

The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005LZSR
Release Date: 2001-07-10

Tracks:

All The Livelong Day (Schwartz)
Lovin' Al (Grant)
The Mason (Carnelia)
Neat to Be a Newsboy (Schwarz)
Nobody Tells Me How (Rodgers-Birkenhead)
Un mejor Dia Vendra (Taylor-Daniele-Landers)
Just A Housewife (Carnelia)
Millwork (Taylor)
If I Could've Been (Grant)
Joe (Carnelia)
It's an Art (Schwartz)
Brother Trucker (Taylor)
Fathers & Sons (Schwartz)
Cleanin' Women (Grant)
Something to Point To (Carnelia)
I'm Just Movin' (Schwartz) (from the L.A. Theatre Works complete recording of the 1999 revised version)
Hots Michael at the Piano (Carnelia) (previously unreleased demo recording performed by the composer)
The Mason (Carnelia) (previously unreleased demo recording performed by the composer)
Joe (Carnelia) (previously unreleased demo recording performed by the composer)
Lovin' Al (Grant) (previously unreleased demo recording performed by the composer)
Fathers & Sons (Schwartz) (performed by the composer)

Amazon.com

The original 1978 Broadway cast recording of Stephen Schwartz's Working has long been awaited on CD, and this great-sounding 2001 release proves it was worth the wait. Surely one of the more unlikely sources for a musical was Studs Terkel's 1972 book that compiled interviews of American working people discussing their jobs and what they liked and disliked about them. Schwartz transformed these interviews into a series of songs written by himself, Craig Carnelia, Mary Rodgers and Susan Birkenhead, Micki Grant, and pop singer James Taylor, and accordingly the variety of songs is as great as the variety of the workers featured. There's the lyric beauty of "The Mason," the rueful "Just a Housewife," the retiree's wry "Joe," the waitress's lilting "It's an Art," Taylor's pop-country "Brother Trucker," and the powerful emotion of "Fathers and Sons," realized by a compelling cast that features David Patrick Kelly, Joe Mantegna, Bob Gunton, and Lynne Thigpen, among others.

Six bonus tracks include a new version of the grocery checker song written for the 1999 L.A. Theatreworks production, Carnelia and Grant performing their own songs (unfortunately, Grant's track comes from a poor-quality audio source), and Schwartz's moving performance of "Fathers and Sons" from 1999's The Stephen Schwartz Album. Also welcome are 2001 notes from Schwartz paired with 1978 notes from Terkel, and a detailed listing of the composers and performers of each song. Working was filmed for American Playhouse in 1982. --David Horiuchi

Customer Reviews:

An underrated musical.......2006-03-16

This musical seems to be very underrated, because it isn't done in a traditional style. There is no set storyline or characters. It is essentially a grouping of songs about different people and the work they do in their lives. Some of the songs are very powerful, like "Millworker", and some are just fun, like "Lovin' Al". Some songs date the recording, as songs like "Brother Trucker", while good, have a bit of a synthesized 70's feel. The majority of the songs are more traditional.

I saw this show done by my high school years ago, so maybe it holds a bit of nostalgia for me, but it is definitely worth checking out.

Wonderful Lesser Known Gem.......2005-12-26

I have never seen Working, but would love to, and I would love to perform it so as to revive interest in it. I found out about this recording from an online site, and I fell in love with it. It's a very modern style musical although from 1978. Were it on Broadway today, it would still be revelent to today's working class. My favorite number probably has to be "It's An Art", just because of its sheer fun. I could listen to that song all day and never get bored with it. I do, however, find "Brother Trucker" to be a bit tiring, and "Neat To Be A Newsboy" is just plain old, outdated, and ANNOYING! Other than that, wonderful ablum for an almost forgetten show.

Keep Working!!!.......2004-06-12

I had the privilege of seeing a production of this wonderful musical at L.A. Valley College in May 2004. I quickly fell in love with the songs and the entire premise of the musical. Now, with this CD, I can finally sing along to all the brilliant songs over and over again, belting them out like there is no tomorrow.

What makes Working so special is that anyone can relate to the lyrics, they are powerful, beautiful, touching, and extremely real. Anyone who has ever worked a day in their life will feel the lyrics hit close to home. Whether you're a housewife, a valet parker, a fireman, a millworker, a teacher, a cleaning woman, or even a hooker, this musical has a place for you, no matter what job you do.The emotion, sincerity, and love expressed in the songs are amazing, and they are all extremely unique and a pure joy to listen to.

All the songs are fantastic but the stand-outs have to be "All the Live Long Day," "Just a Housewife," "If I Could've Been," "It's An Art," "Father's and Sons," "Cleaning Women," and "Something to Point to." I also have a soft spot for "Brother Trucker" and "I'm Just Movin" from the 1999 revival, which I am so grateful is included in this CD. This is a terrific, feel-great album everyone should listen to. Give Working a chance, it's worth it.

a good, if obscure CD.......2003-09-26

i admit that this is an obscure musical, but nevertheless i found myself in a production of WORKING as Grace, the millworker. upon listening to the cd, i found that each song characterized the character well. the newsboy song is NOT annoying and my favourite songs are "its an art", "cleaning women", "if i could've been" and "lovin al". I would only recommend this CD for a real musical theatre afficionado, as those who don't appreciate the beauty of a musical won't understand these songs.

off the beaten path.......2003-07-10

I had never heard of this show until I stage managed a musical revue that included "If I Could've Been." That song grew on me, and I finally had to check out the rest of the soundtrack. All of the music on this CD is fantastic, and the lyrics feel sincere, creating beautiful moments for each character. Stephen Schwartz's best decision with this show was collaborating, allowing different composers to bring their own talents and specialties to the music, thus making it more real and less "Broadway." My only criticism is that the liner notes are slim.

The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Average customer rating:

Music Man
One of This Country's Finest Musicals Beautifully Re-Mastered
We need a new remaster, nonetheless
Accept no substitutes!
Preston and Cook are the best ever

The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

My Fair Lady (1956 Original Broadway Cast)
South Pacific (Original 1949 Broadway Cast)
Camelot (1960 Original Broadway Cast)
West Side Story (1957 Original Broadway Cast)
Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast)

ASIN: B000002SNL
Release Date: 1992-11-17

Tracks:

Act I. Overture/Rock Island - Vern Reed
Act I. Iowa Stubborn - Ensamble
Act I. Ya Got Trouble - Robert Preston/Ensemble
Act I. Piano Lesson - Barbara Cook/Pert Kelton
Act I. Goodnight My Someone - Barbara Cook
Act I. Seventy-Six Trombones - Robert Preston
Act I. Sincere - Buffalo Bills
Act I. The Sadder But Wiser Girl For Me - Robert Preston
Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
Act I. My White Knight - Barbara Cook
Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
Act II. It's You - Buffalo Bills
Act II. Shipoopi - Iggie Wolfington, Ensemble
Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
Act II. Gary, Indiana - Eddie Hodges
Act II. Till There Was You - Barbara Cook, Robert Preston
Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.

Pianist: Original Recordings of Wladyslaw Szpilman

Average customer rating:

A wonderful encore to the movie soundtrack!
The Pianist Original Recordings
Impressive CD by the Pianist
The original recordings by THE PIANIST W. Szpilman

Pianist: Original Recordings of Wladyslaw Szpilman
Wladyslaw Szpilman
Manufacturer: Bci / Eclipse Music
ProductGroup: Music
Binding: Audio CD

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The Pianist: Music from the Motion Picture
The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945
Original Recordings
The Pianist
Schindler's List: Original Motion Picture Soundtrack

ASIN: B00007KFRG
Release Date: 2002-12-17

Tracks:

Frederik Chopin (1810-1849): Nocturne, No.20 Op.Posthumous in C sharp minor Recorded 1980
Sergei Rachmaninov (1873-1943)Year Composed: 1916, Daisies Op. 38 Nr.3 Recorded 1954
Sergei Rachmaninov (1873-1943), Prelude in G-sharp minor op. 32, Recorded 1954
Robert Schumann (1810-1856) Fantasie C-dur op 17 (Sonata for Beethoven) Part 3 (slowly plangent) Recorded 1960
Wladyslaw Szpilman Concertino for Piano and Orchestra (1940) Recorded 1969
Claude Debussy (1888-1905) The Girl with the Flaxen Hair Recorded 1948
Claude Debussy (1888-1905) Images No 3 - Reflections in the Water Recorded 1948
Isaac Albiniz, (1860-1909) Cordoba (Cantos de Espaqa No.4, Op. 232) Recorded 1948
Alfred Gruenfeld, (1852-1924) Paraphrase on theme from Johann Strauss (1825 - 1899) Die Fledermaus Recorded 1948
Johann Sebastian Bach (1685-1750), Chaconne from Partita No. 2 in D minor, BWV 1004 - Arr. Busoni (1866 - 1924) Recorded 1972
Fritz Kreisler (1875-1962) Arr. Rachmaninow (1873-1943) Liebesleid Recorded 1948
Frederik Chopin (1810-1849) Mazurka in A-Flat op. 17 nr. 3 Recorded 1980
Frederik Chopin (1810-1849): Nocturne, No 20 op. Posthumous in C sharp minor Recorded 1948

Customer Reviews:

A wonderful encore to the movie soundtrack!.......2003-07-20

After I listened to the CD 'Music from the motion picture The Pianist', which had one piece played by Wladyslaw Szpilman, it was only natural to want to hear more recordings of this great musician and person. This CD has 13 music pieces by Szpilman, and they are wonderful. The movie used mainly Chopin's music, but Szpilman's repertoire- which he preserved through mental piano practice during the war- is quite varied. The CD has him playing Rachmaninov, Schumann, Debussy, Albeniz, Gruenfeld, J.S.Bach, Kreisler, and of course Chopin (Nocturne in C sharp minor appears twice- recorded in 1980 and 1948 respectively).

The highlight of the CD is Szpilman's own composition- Concertino for Piano and Orchestra which he mentions in his book, and which he wrote in 1940- just when the difficult times began.

Szpilman's piano style is different from that of Janusz Olejniczac, whose performances are on the other CD. They both are wonderful in their own way, but it was exciting for me to listen to the real life Pianist. I will look for more works by Wladyslaw Szpilman, including his songs.

The Pianist Original Recordings.......2003-03-26

THe Pianist won 3 Oscars on Sunday
This classical recording inspired Roman Polanski to direct this great movie about a pianist, Szpilman who survived the war.
Everyone should have this cd in their collection.

Impressive CD by the Pianist.......2003-01-06

Could not wait to get my hands on this one. Sorry, but did have to buy it elsewhere. Could not wait. After seing the movie I wanted to know more about this man and what he played. It includes his version of Chopin's Nocturne as performed on the end credits. Great !
Only sorry that I did not get such a good deal as from Amazon. This is a keeper !

The original recordings by THE PIANIST W. Szpilman.......2003-01-06

I saw Polanski's "THE PIANIST" last weekend and was very impressed and wanted to learn more about the real hero of the movie. I searched online for his recordings. After two days I received two CD's from Amazon.com related to Wladyslaw Szpilman: One with his beautiful songs by Wendy Lands and another one with his Original recordings. He plays wonderful Chopin ( i.e. the Nocturne from the final scene of the movie ), Rachmaninoff, Bach and his own music - Concertino for Piano and Orchestra composed in the Warsaw Ghetto in a time of deepest repressions by the Germans. He was a great pianist but I was surprised how optimistic is his music and indeed how American it is. After I learned his story through the movie, now I also got in touch with this man personally, trough his artistry. Great feeling!!

DRG 25th Anniversary Show Stopping Performances

Average customer rating:

Great compilation
A disappointment

DRG 25th Anniversary Show Stopping Performances

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Barbara Cook at the Met with Special Guests
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110 in the Shade (2007 Broadway Revival Cast)
ABC (Adler, Bock, Coleman)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005Q6IN
Release Date: 2001-10-23

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

Wonderful Town (Original 1953 Broadway Cast)

Average customer rating:

Wonderful Town is a wonderful show
Light and lively musical comedy
a must-have recording for REAL Broadway fans
Leonard Bart-stein? Listen for yourself....
Quality over quantity

Wonderful Town (Original 1953 Broadway Cast)
Leonard Bernstein , Betty Comden , and Adolph Green
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Similar Items:

On the Town
Wonderful Town (2003 Broadway Revival Cast)
Bernstein - Wonderful Town / Audra McDonald, Kim Criswell, Thomas Hampson, Wayne Marshall, Simon Rattle, Berlin Philharmonic
Fiorello! (1959 Original Broadway Cast)
Redhead (1959 Original Broadway Cast)

ASIN: B00005O6KS
Release Date: 2001-09-25

Tracks:

Christopher Street
Ohio
One Hundred Easy Ways
What a Waste
A Little Bit in Love
Pass the Football
Conversation Piece
A Quiet Girl
Conga!
My Darlin' Eileen
Swing!
It's Love
Ballet at the Village Vortex
Wrong Note Rag
Opening (from the original Decca recording of "On the Town")
Carried Away (from "On the Town")
Lonely Town (from "On the Town")
I Can Cook Too (from "On the Town")
Lucky to Be Me (from "On the Town")
Ya Got Me (from "On the Town")

Customer Reviews:

Wonderful Town is a wonderful show.......2004-10-25

This is a terrific show. It has a famous composer, great tunes and a good, upbeat story. Why it has so thoroughly faded from memory is a question that puzzles me greatly.

The orchestrations are attributed to another individual, but Bernstein must have taken some substantial role in their creation, for large parts of "Wonderful Town" resemble only one other musical, "West Side Story."

Rosalind Russell is the star here, and rightly so. She sings--or rather croaks--her material very well, indeed. Only in "Swing" is she overmatched by the musical requirements and even then she fights them to a draw.

Edith Adams is very good, too, as Eileen. I think of her as Edie Adams, a sixties icon, wife of comedian Ernie Kovacs, mayhem-minded member of the Nairobi Trio and super-sexy pitchwoman for White Owl Cigars. I had no idea that she had also starred on Broadway. It was a pleasant surprise to find her here.

The men in the lead parts sing in that typical Broadway growl: perfect diction and lousy tone. They are endearingly awful. And I mean that in the best possible sense.

Five stars, no doubt about it!

Light and lively musical comedy .......2004-08-07

The first cast album of WONDERFUL TOWN sounds even better than ever in Decca's latest remastering. The sound is still somewhat flat (as are all Decca albums from the 40s/50s) but the Decca engineers have worked wonders on the 50 year old tapes making them sound as good as possible. Rosalind Russell was a perfect choice to play the acerbic Ruth. She doesn't have much of a singing voice but the songs were tailored to her limited range and she makes the character come alive. Edith Adams sounds properly winsome as her sister Eileen. In the supporing roles, Jordan Bentley comes off best as Wreck, but George Gaynes makes for a ponderous, somehwat stuffy Bob Baker.

In terms of album production, Decca eliminated the Overture and some of the dance music, and re-arranged "Christopher Street" to eliminate the spoken vignettes. Otherwise the score is presented in a faithful aural re-creation. The booklet offers a detailed synopsis to guide you through the score.

The bonus tracks are six songs from ON THE TOWN originally recorded when that show was playing on Broadway. This is NOT the definitive recording of ON THE TOWN. For that you need the 1960 album avaialble on Sony. But, the excerpts heard here provide an enjoyable bonus.

a must-have recording for REAL Broadway fans.......2002-12-26

This marvellous new re-issue of WONDERFUL TOWN is a must-have for Broadway buffs. In fact, this is really two albums in one, as it also contains the rare 1945 studio recording of ON THE TOWN as a bonus!

The story is based on the play "My Sister Eileen", written by Joseph Fields and Jerome Chodorov; as well as the stories written by Ruth McKenney. The play was later turned into a successful Columbia film starring Rosalind Russell (as Ruth Sherwood) and Janet Blair as Eileen. Several years later Columbia released a musical version (following the success of WONDERFUL TOWN) which starred Janet Leigh and Betty Garrett.

WONDERFUL TOWN originally starred Rosalind Russell (repeating her film role) as Ruth and Edith 'Edie' Adams as Eileen. The cast also included George Gaynes (GIGI, 'Punky Brewster') as the romantic male lead.

The score by Betty Comden and the late Adolph Green is gorgeous, and features the comical "100 Easy Ways", the lilting "A Little Bit in Love" and the showstopping "Conga!" and "Wrong-Note Rag".

No Broadway-recording collection is complete without the original cast of this landmark musical.

This re-issue from the superb Decca Broadway range also includes the rare 1945 set of ON THE TOWN, which featured original cast-members Betty Comden, Adolph Green and Nancy Walker singing their songs from the show, with Mary Martin singing "Lonely Town" and "Lucky to Be Me".

Highly-recommended.

Leonard Bart-stein? Listen for yourself...........2002-09-23

Leonard Bernstein never erred on the side of subtlety, and this original-cast album contains two of his most enjoyable essays in musical near-mayhem: "Christopher Street" and "The Wrong Note Rag." The former is vastly like the theme music to "The Simpsons," and the listener can decide for himself how much of a coincidence this is or isn't. "The Wrong Note Rag" uses the tritone of the scale and a varied meter to make life difficult for the singers and anyone trying to count along. Unlike so many send-ups of the 1920s, this song ingenioulsy captures the musical and lyrical feel of novelty numbers like 1924's "Fascinating Rhythm"--or, better yet, the slightly later "Crazy Rhythm." A parody of the 1920s that shows any sense of the 1920s is a rare item, indeed. "Wonderful Town" is an interesting, enjoyable, and valuable historical piece, and I can only imagine what later performers did with it. I don't want to know.

Quality over quantity.......2002-05-19

Yes, the original 1953 cast recording of "Wonderful Town" may not be the most complete cast recording of the hit musical BUT I would wholeheartedly reccommend this CD over any other version. Why? Because of its original cast members and its original orchestrations! Rosalind Russell is peerless as Ruth Sherwood (I consider her version of "One Hundred Easy Ways" one of the funniest songs in musical theatre history) and Edie Adams shines through radiantly. Listen to her sing "A Little Bit In Love" to understand what I'm talking about. Also, the original orchestrations gtive this CD more vibrance than any of the later incarnations INCLUDING the 1999 studio recording, which to me sounds too mechanical and the British orchestrator doesn't seem to get the rhythms right. The original cast recording is A MUST for the true theatre fan, abridged score or not

Tchaikovsky Piano Concertos Nos. 2 (uncut original version) & 3

Average customer rating:

Outstanding Recording of Little-Known Tchaikovsky!!
shouldn't be without!
just a great cd

Tchaikovsky Piano Concertos Nos. 2 (uncut original version) & 3
Pyotr Il'yich Tchaikovsky , Sergiu Comissiona , London Symphony Orchestra , and piano Jerome Lowenthal
Manufacturer: Arabesque Recordings
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000T71
Release Date: 1993-08-05

Tracks:

Piano Concerto No. 2 In G Major, Op. 44: Movement 1 (Allegro)
Piano Concerto No. 2 In G Major, Op. 44: Movement 2 (Andante non troppo)
Piano Concerto No. 2 In G Major, Op. 44: Movement 3 (Allegro fuoco)
Piano Concerto No. 3 In E Flat Major, Op. 75: Allegro brillante

Customer Reviews:

Outstanding Recording of Little-Known Tchaikovsky!!.......2004-10-06

For a long time, I have waited to hear Tchaikovsky's Second and Third Piano Concertos. After hearing and playing horn in the orchestra for the First, I eagerly awaited the opportunity to hear the other two works. I have finally done that.

Jerome Lowenthal is an obscure name today in the classical music realm, and this is a terrible crime! He plays the works of Tchaikovsky and Bartok, so this may help explain the obscurity. No more!

Lowenthal plays a bit like Krystian Zimerman, one of my favorite pianists. He has a beautiful tone that can also be powerful and commanding. His virtuosity is incredible, and he really makes the most of these piano showpieces.

The Second Concerto is noble, grand and full of majesty. Comissiona gives expert readings with the London Symphony Orchestra. The rhythms are crisp and accurate, and the virtuosity of the London Symphony is incredible. They play marvelously in tune, and they exploit the full dynamic range. One can hear the orchestration and Tchaikovskian harmonic language very well. Lowenthal plays the Cadenza with amazing power and ease. It is a monstrous and difficult, and the debt to Franz Liszt is readily apparent.

The Third Concerto is very fascinating, also. It is a one-movement work, the product of a rejected symphonic movement that Tchaikovsky felt did not suit the symphonic genre. It is full of power and beautiful melodies. Lowenthal, Comissiona and the orchestra really give it their all. This work should be better represented in the classical music repertoire.

Overall, this CD is a fine achievement. The recorded sound is good, and the liner notes are excellent and informative. I have not heard the two-CD set with Mikhail Pletnev playing all three Tchaikovsky concertos, but I have read about it. It receives fairly high marks, and it may suffice if this recording is not available to the reader. My friend has the Pletnev set, and he says the piano is balanced a bit bright and forward in the Second Concerto. Anyways, this is a great CD.

shouldn't be without!.......2001-05-02

This is an incredibly beautiful CD. Whether you are a serious Tchaikovsky affianado or just beginning to get into classical music, this CD is a must-get. Jerome Lowenthal's technical mastery and extraordinary passion are on luminous display here. I have spent hours enjoying this music and find that even though I have many CDs, I go back to this one time and again.

just a great cd.......2001-04-14

Beautiful concertos and wonderful performances. I am a classical music lover not a reviewer but consider Jerome Lowenthal one of the greater (albeit lesser known) pianists of his generation. He has also recorded the 1st Piano concerto with this orchestra (on a different cd) and both are examples of Tchaikovsky's music performed with extraordinary grace and passion.

Pablo Casals: Early Recordings 1925-1928

Average customer rating:

Pablo Casals: Early Recrdings, a defective product
It is good!!
Amazing touch of personality
Outstanding
amazing Casals

Pablo Casals: Early Recordings 1925-1928

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Legendary Casals / Casals, Schulhof, Horszowski
Encores
J. S. Bach: Suites for Cello, 1, 2 & 3; Pablo Casals
Casals Edition - Beethoven: Complete Cello Sonatas
Robert Schumann: Cello Concerto/Piano Trio No 01

ASIN: B000003FGB
Release Date: 1994-12-13

Tracks:

Toccata In C: Adagio
Melody, Op.3, No.1, In F
Moment Musical
Nocturne, Op.9, No.2 In E-Flat
Goyescas: Intermezzo
Apr?s un r?ve, Op.7, No.1
Spanish Dance
Carnival Of The Animals: The Swan
Vito (Spanish Dance, Op.54, No.5)
Jocelyn: Berceuse
Gavotte tendre
Prelude, Op.28, No.15
Mazurka, Op.11, No.3
Tannher: Lied an den Abendstern
Serenata napoletana, Op.24, No.2
Die Meistersinger: Preislied
Chanson villageoise, Op.62, No.2
Abendlied, Op.85, No.12
Petite Suite: Menuet
Romance, Op.35
English Suite No.6: Gavotte I: Musette

Amazon.com

These early electrical recordings show a very different Pablo Casals from the grunting old man most people remember. At the height of his technical and musical powers, he plays these mostly charming little encores and transcriptions with exquisite musicianship and breathtaking technical command that remains outstanding today. Whether you want to hear Chopin piano pieces or Wagner arias played on the cello is another issue; there is very little real cello music on this disc. But for what is here, one could hardly imagine better performances. The transfers are outstandingly lifelike, the program very generous (76:19), the price reasonable. --Leslie Gerber

Customer Reviews:

Pablo Casals: Early Recrdings, a defective product.......2007-03-09

The Pablo Casals: Early Recordings 1925-1928 is a fine recording with a production defect. The playing is obviously great but near the end of the CD numerous tracks are missing. I returned the CD and was sent a replacement that had the same defect indicating that there was a production error.

It is good!!.......2005-10-09

I can't buy it in the Austerlia,and it is a good recording. I like it.

Amazing touch of personality.......2005-01-25

This album is perhaps one of my favorite. It features Pablo playing some very romantic and melancholic songs from various composers. It also features Pablo's amazing technique and his capacity of interpretation which gies beyond just reading and playing musical notes.
But also, the fact that this album was recorded so long ago, the original format was gramophone, I think it gives this album very important historical value, the background noise never interrupts the musics, but help listeners to get involved and place himself in the timeline.

Outstanding.......2003-10-20

funny, I hear plenty of "real" music coming from this CD ;)

amazing Casals.......2002-04-07

This recording is for anyone who has dismissed Casals as an ancient cellist who never truly mastered the technique of the instrument. These works are all admittedly light fluff, but Casals is truly dazzling, as both a technical virtuoso and a true musician. This is worth owning if you're a cellist or a Casals fan, but the low quality of the actual compositions should keep everyone else away.

Average customer rating:

Truly amazing!
Nostalgia

Original Recordings
Wladyslaw Szpilman
Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Pianist: Original Recordings of Wladyslaw Szpilman
The Pianist: Music from the Motion Picture
The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945
The Pianist
Chopin: Favorite Piano Works

ASIN: B00006JO9R
Release Date: 2002-10-21

Tracks:

Nocturne C# Minor
Prelude G# Minor Op.32, 12
Fantasie C Major
Concertino For Piano And Orchestra
Images, Set 1
Paraphrase Of A Waltz By Robert Stoltz
Cordoba
Liebesleid
Mazurka Op.17 - No.4
Partita BWV 1004 Chaconne D Minor
Nocturne C# Minor

Album Details

Original Recordings of the Legendary Polish Pianist and Composer.

Customer Reviews:

Truly amazing!.......2003-10-09

Perhaps one of the best pianists of the century plays the music that saved his life...

Highlights are the Bach recording, which is thrilling and brilliantly played, and the two (count them!) recordings of Chopin's nocturne. Played with tons of emotion--keep in mind this particular piece saved his life--the last recording especially is truly heart-rending.

For anybody who's ever heard a piano and liked it, or for any classical music person, this is an absolute must. I listen to it over and over, and never get tired of it. It's unfortunate he didn't record CDs and CDs and more CDs of stuff I could go out and buy. You need this CD.

Even if, like me, you have yet to see the movie.

And a special thanks to the Polish radio people, who salvaged these for our immense delight in listening!

Nostalgia.......2003-08-22

This is an 'enhanced' cd.

CD includes a video of Szpilman performing Chopin's Nocturne C# Minor (1980).

Tracks:

Trio, Op. 1, No. 1 In E-Flat Major: I. Allegro
Trio, Op. 1, No. 1 In E-Flat Major: II. Adagio cantabile
Trio, Op. 1, No. 1 In E-Flat Major: III. Scherzo: Allegro assai
Trio, Op. 1, No. 1 In E-Flat Major: IV. Finale: Presto
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Introduzione: Adagio assai
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Tema: Allegretto
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation I
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation II
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation III
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation IV
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation V
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation VI
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation VII
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation VIII
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation IX
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Variation X
Variations For Piano, Violin And Cello On Wenzel Muller's Lied: 'I Am The Tailor Kakadu', Op. 121a In G Major: Allegretto
Trio, WoO 38 In E-Flat Major: I. Allegro moderato
Trio, WoO 38 In E-Flat Major: II. Scherzo: Allegretto ma non troppo
Trio, WoO 38 In E-Flat Major: III. Rondo: Allegretto

Tracks:

Trio, Op. 1, No. 2 In G Major: I. Adagio; Allegro vivace
Trio, Op. 1, No. 2 In G Major: II. Largo con espressione
Trio, Op. 1, No. 2 In G Major: III. Scherzo: Allegro
Trio, Op. 1, No. 2 In G Major: IV: Finale: Presto
Trio, Op. 1, No. 3 In G Major: I. Allegro con brio (quasi tranquillo)
Trio, Op. 1, No. 3 In G Major: II. Andante cantabile con variazioni
Trio, Op. 1, No. 3 In G Major: III. Menuetto: Quasi Allegro
Trio, Op. 1, No. 3 In G Major: IV. Finale: Prestissimo

Tracks:

Trio, Op. 70, No. 1 (Ghost) In D Major: I. Allegro vivace e con brio
Trio, Op. 70, No. 1 (Ghost) In D Major: II. Largo assai ed espressivo
Trio, Op. 70, No. 1 (Ghost) In D Major: III. Presto
Trio, Op. 70, No. 2 In E-Flat Major: I. Poco sostenuto; Allegro ma non troppo
Trio, Op. 70, No. 2 In E-Flat Major: II. Allegretto
Trio, Op. 70, No. 2 In E-Flat Major: III. Allegretto ma non troppo
Trio, Op. 70, No. 2 In E-Flat Major: IV. Finale: Allegro
14 Variations For Piano Trio In E-Flat Major, Op. 44: Tema: Andante
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation I
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation II
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation III
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation IV
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation V
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation VI
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation VII
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation VIII
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation IX
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation X
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation XI
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation XII
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation XIII
14 Variations For Piano Trio In E-Flat Major, Op. 44: Variation XIV
14 Variations For Piano Trio In E-Flat Major, Op. 44: Andante

Tracks:

Trio, Op. 11 (Alternate Version) In B-Flat Major: I. Allegro con brio
Trio, Op. 11 (Alternate Version) In B-Flat Major: II. Adagio
Trio, Op. 11 (Altrnate Version) In B-Flat Major: III. Tema con variazione (Pria ch'io l'impegno: Allegretto)
Trio In One Movement, WoO 39 In B-Flat Major: Allegretto
Trio, Op. 97 (Archduke) In B-Flat Major: I. Allegro moderato
Trio, Op. 97 (Archduke) In B-Flat Major: II. Scherzo: Allegro
Trio, Op. 97 (Archduke) In B-Flat Major: III. Andante cantabile ma pero con moto
Trio, Op. 97 (Archduke) In B-Flat Major: IV. Allegro moderato; Presto

Customer Reviews:

The Greatest Trio in the 20th Century.......2000-06-19

You would never disappointed by this acclaimed trio of pianist Eugene Istomin, violinist Isaac Stern and cellist Leonard Rose. This 4-CD set, recorded during the prime of the musicians, is such a historical record on Beethoven's compositions. Stern's violin is energestic and sharp as a knife, while Rose's cello wraps the pieces up with a sweet but powerful way. Well, Istomin's piano is somewhat lack of charisma, however, his sound is not buried under his great partners' performances. Especially, the Trio, Op. 1, No.3, on the second disc, is a superb combination of the three. It is sad that the trio ended by the death of Leonard Rose in the 1980s. It could have been delightful if we were able to see the three musicians' performances today.

Hazel Flagg (1953 Original Broadway Cast)

Average customer rating:

NOT A GREAT SHOW, BUT FUN, NONETHELESS . . . .

Hazel Flagg (1953 Original Broadway Cast)

Manufacturer: Sepia Recordings
ProductGroup: Music
Binding: Audio CD

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Make a Wish (1951 Original Broadway Cast)
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A Little Night Music

ASIN: B0007ULKSY
Release Date: 2004-09-27

Tracks:

Overture - Orchestra
A Little More Heart - Benay Venuta
The World Is Beautiful Today - Helen Gallagher
The Rutland Bounce - Jule Styne
I'm Glad I'm Leaving - Helen Gallagher
Hello, Hazel - Benay Venuta
Every Street's A Boulevard In Old New York - Jack Whiting
How Do You Speak To An Angel? - John Howard
Autograph Chant - Chorus
I Feel Like I'm Gonna Live Forever - Helen Gallagher
You're Gonna Dance With Me, Willie - Helen Gallagher
Who Is The Bravest? - Male Chorus
Salomee - Dean Campbell
Everybody Loves To Take A Bow - Jack Whiting
Laura De Maupassant - Helen Gallagher
Finale - The Entire Company
Bonus Track: How Do You Speak To An Angel? - Eddie Fisher
Bonus Track: I Feel Like I'm Gonna Live Forever - Sunny Gale
Bonus Track: Salomee - Dinah Shore
Bonus Track: I Feel Like I'm Gonna Live Forever - Guy Lombardo & His Royal Canadians
Bonus Track: Hello My Baby - Benay Venuta
Bonus Track: When Frances Dances With Me - Benay Venuta
Bonus Track: Waltz Me Around Again Willie - Benay Venuta
Bonus Track: Come Josephine In My Flying Machine - Benay Venuta
Bonus Track: Rings On My Fingers - Benay Venuta
Bonus Track: After The Ball - Benay Venuta

Customer Reviews:

NOT A GREAT SHOW, BUT FUN, NONETHELESS . . . ........2007-06-20

HAZEL FLAGG is a curious animal. The show, ' . . . a satire on the manipulation of people, especially the general public," is based on Ben Hecht's screenplay for the 1937 Carole Lombard/Frederick March vehicle, "Nothing Sacred," itself based on a story by James Street. Hecht is also responsible for the musical's book, with lyrics by Bob Hilliard. Jule Styne, fresh from the success of HIGH BUTTON SHOES and GENTLEMEN PREFER BLONDES, not only wrote the music but acted as the show's producer as well.

HAZEL's disappointing 190 performances (compared to over 700 for each of the previous shows) can be blamed on that old Broadway bugaboo: bad book. "The show did lose something in its transformation to a musical. The songs and dances tended to drag what was originally a fast moving story and, as many other show writers have found, satire is something that rarely works as a musical. Ben Hecht, who was successful as a playwright, was not at ease with a libretto and the inexperienced producer should have recognised this and brought in help. Even so, Jule Styne's score, whilst not quite top notch Styne, does include the enchanting 'How Do You Speak to an Angel?' and the popular 'Every Street's a Boulevard in Old New York." (from the liner notes by Rexton S. Bunnett)

Marc Miller, writing in "The TheaterMania Guide to Musical Theater Recordings," says HAZEL FLAGG was " . . . intended as Helen Gallagher's stepping-stone to stardom in the title role of a Vermont lass who's thought to be dying of radium poisoning and is transported to New York by EVERYWHERE magazine for a supposed last fling. (Guess what happens to her prognosis.) Gallagher works very hard here, and her contralto belt is strong and secure. She's supported by such Broadway reliables as Benay Venuta, Jack Whiting, . . . and Thomas Mitchell (who doesn't sing a note but took home a Best Musical Tony anyway). . . . the show does sport amusingly elaborate vocal arrangements by Hugh Martin."

The score is not nearly as dull as Mr. Miller would like us to believe. In addition to "Angel" and "Every Street," the score includes "I Feel Like I'm Gonna Live Forever," "You're Gonna Dance with Me, Willie," and the rather bizarre "Laura de Maupassant," all delivered in fine style by Ms. Gallagher. And "Salomee," here sung by Dean Campbell, became a minor hit for Dinah Shore.

The CD is blessed with a bunch of fun bonus tracks: a young, in-wonderful-voiced Eddie Fisher singing "How Do You Speak to an Angel?", Dinah Shore's recording of "Salomee," Guy Lombardo and the Royal Canadians performing "I Feel Like I'm Gonna Live Forever," and six tracks by Ms. Venuta, including "When Frances Dances with Me" and "Waltz Me Around Again, Willie" ("Willie Fitzgibbons who used to sell ribbons/and stood up all day on his feet/Grew very spooney on Madeline Mooney,/Who'd rather be dancing than eat./Each evening she'd tag him, to some dance hall drag him,/And when the band started to play,/She'd up like a silly and grab tired Willie,/Steer him on the floor and she'd say,/Waltz me around again, Willie . . . " What fun. The bonus songs alone are worth the price of admission.

Music Review:

Music Review

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