Attacca
On this CD:
1. Towards
Composed by Eric Tanguy
Performed by Jean Geoffroy
2. Je est un autre. . .
Composed by Jose Luis Campana
Performed by Jean Geoffroy
3. Phonic Design
Composed by Daniel Tosi
Performed by Jean Geoffroy
4. Concerto for solo percussion & tape "Attacca"
Composed by Ivo Malec
Performed by Jean Geoffroy
Attacca, Music, Jose Luis Campana, Ivo Malec, Eric Tanguy, Daniel Tosi, Jean Geoffroy, Classical, Electronic/Computer/Tape Music, Miscellaneous, Miscellaneous Music
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Hans Pfitzner: String Quartets, Opp. 13 & 50
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001RT1
Release Date: 1996-11-05 |
Tracks:
- Str Qt Op.13 in D: In Massig Gehender Bewegung
- Str Qt Op.13 in D: Kraftig Mit Humor
- Str Qt Op.13 in D: Sehr Langsam Attacca
- Str Qt Op.13 in D: Rondo. Im Heiteren Reigentempo
- Str Qt Op.50 in c: Einleitung. Andante Attacca
- Str Qt Op.50 in c: Andantino
- Str Qt Op.50 in c: Langsam Attacca
- Str Qt Op.50 in c: Allegro
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Stravinsky : Agon / John Cage : Three Dances for Two Prepared Pianos / Louis Andriessen : De Staat / Ladder of Escape 4 (Attacca)
ProductGroup: Classical
Binding: Audio CD
ASIN: B000M730AS |
Product Description
Attacca 8949 DDD
Average customer rating:
- Not Boulez at his recent greatest, but technically inventive and a bold step in his musical evolution
- Great Third,and First; less so Second
|
Boulez: The Three Piano Sonatas
Manufacturer: Deutsche Grammophon
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Similar Items:
- Boulez conducts Boulez
- Boulez: ...Explosante-fixe...
- Boulez: Sur Incises/Messagesquisse/Anthèms 2
- Pierre Boulez: Répons / Dialogue de l'Ombre Double (20/21 series)
- Boulez: Pli selon Pli
ASIN: B0006TN8IQ
Release Date: 2005-02-08 |
Tracks:
- Lent
- Assez Large
- Extremement Rapide
- Lent
- Modere, Presque Vif
- Tres Librement, avec De Brusques Oppositions De Mouvement Et De Nuances
- Parethese. Nettement Au - Dessous De Lent - Attacca
- Glose. Lent - Attacca
- Commentaire. Nettement Moins Lent - Attacca
- Texte. Presque Lent
- Melange Points Et Blocs. Modere/Vif
- Points 3. Suspendu
- Blocs II. Lent
- Points 2. Suspendu
- Blocs I. Vif
- Points 1. Suspendu
Amazon.com
Boulez the composer isn't for everyone, his music's appeal often confined to avant-garde enthusiasts and to those nostalgic for the days when serialism was the dominant style. But many of his works are accessible to the open-minded willing to meet him on his own ground, which is to say that melody, tonal allure and easily understandable structure are not part of a musical vocabulary that seeks to create new forms while detonating old ones. The first two piano sonatas were written when Boulez was a musical revolutionary in his early twenties; yet the results are polished and stimulating. Jumppanen, a young Finn handpicked by Boulez to record this disc, is completely idiomatic, with the technique to do justice to these works. Pollini may reign unchallenged in the Sonata No. 2 and Idel Biret's fine recording of all three works on Naxos is budget priced, tempting novices to give them a hearing. But having all three sonatas easily available in such fine performances makes this disc a must for Boulez's admirers. --Dan Davis
Customer Reviews:
Not Boulez at his recent greatest, but technically inventive and a bold step in his musical evolution.......2006-08-03
Pierre Boulez's three piano sonatas are early works indeed. The first two were written in his early 20s, while the third came not long after. Here the young Finnish pianist Paavali Jumppanen gives a reading which, if not outright called definitive by the composer, still seems to carry his approval.
Even for those familiar with much serial music, even if you've heard everything else Boulez composed, the piano sonatas can be difficult listening. In fact, in the beginning one might think it merely a series of bleeps and bloops without order. Gaining insight into these takes time, and in the beginning one should focus on the simple succession of individual gestures even if the musical development on a large scale can't be perceived. Over time, however, the sonatas unlock their secrets, and one begins to notice motifs and clever form.
The first two sonatas are not Boulez's first pieces--they were preceded by the recently rehabilitated "Notations" for piano (1945)--but they are Boulez's first individual achievement. In the "Piano Sonata No. 1" (1946) the sonorities of Webern (especially the "Symphonie" op. 21), coexist with an interest in dynamic and attack which is pure Boulez. The first movement is developed out of merely four opening gestures: a rising minor sixth, an appoggiatura, an isolated note, and a brusqe arpeggio. The second movement opens with cells all over the keyboard, and the dashing between octaves hints at Boulez's later solo piano work "Incises".
For much of his career has sought to take serialism beyond mere miniatures, like Webern, to grand designs. The four-movement "Piano Sonata No. 2" (1948) is, at nearly a half an hour long, an important venture in this direction. Popular opinions about Boulez as entirely detached from tradition will be amazed at the work's clear debt to Beethoven's "Hammerklavier" and "Waldstein" sonatas, and it even uses a B-A-C-H motif throughout. Its first movement is marked "extremement vif"--right off we find a violence and virtuosity never before heard in Boulez--and it posseses the elegant dramatic arc of classical sonata form, exposition--development--recapitulation. The second, slow movement is lyrical and melodic, while the brief (three-minute) third minute combines variation and scherzo form. The fourth movement, however, is extremely rich, made up of an introduction, a fugue, a rondo, and a coda. A twelve-tone fugue makes for exciting listening.
The "Piano Sonata No. 3" (1955-57) was written during Boulez's interest in quasi-aleatoric writing where the performer was free to decide the order of the piece's sections. Inspired by Mallarme and the possibility of a book in perpetual expansion, this quality can be found also in Boulez's "Eclat" and "Pli selon pli", though Boulez ultimately fixed the ordering of the latter. This sonata has remained uncompleted for almost fifty years, and of the five "formants" (not "movements", since they don't move forward) which are to make up the piece, only the second and third have been published. The Third Sonata is by far the most abstract of the three, and understanding its structure involves close listening, ideally with score at hand. While based on an interesting concept, it offers fewer possibilities for mere entertainment than the first two.
I'm loathe to criticize Jumppanen's performance, since Boulez sure thinks highly of it. So far I've only heard the recordings with Jumppanen and Idil Biret (on Naxos), and while the lighter touch of Biret is good listening, she flubs a few parts of the second that Jumppanen handles flawlessly. Jumppanen's use of pedal is much heavier, but it seems in keeping with the score. This recording has fine liner notes by Paul Griffiths, but for best understanding the sonatas I'd recommend getting a copy of Dominique Jameux's PIERRE BOULEZ (English translation Harvard University Press, 1991 ISBN 0-674-66740-9).
For me, Boulez really hit his stride after "Eclat", when he produced a number of works full of brilliant colour and elegant construction such as "Sur Incises", "...explosante-fixe..." and "Repons". I'd recommend those first to anyone curious about Boulez's music. Still, the piano sonatas are an interesting step in Boulez's musical development, as well as some of the most rigorous and adventurous serial writing of the generation after the Second Viennese School.
Great Third,and First; less so Second.......2005-03-13
The 'Second Sonata' of Boulez seems to get everyone confused,or stymied,afraid of its "abyss" it was his most violent gratuitous and brutal work, most exposed to the extremities of its own timbre. Pollini plays it like an automaton coldly,like he's a "phanthom" playing and not there, only Yvonne Loriod comprehends the times,the gestures of this piece if you contemplate it as a document certainly the Occupation of Paris in WW2 had some effect/affect on the young Pierre,riding the Metro with Messiaen and that culture was undergoing some form of demise or the transgressive.
His icons were of course those in literature;Rene Char and Mallarme who he really did not know well enough in the mid Forties to utilize in a work's concept, but certainly the theatre of cruelty of Artaud and much later the chiseled word games(plays) of Beckett. Loriod brings this incredible sense of endlessness to the timbre,abandoned to the narrative and deeply resonant, ringing continuously seemingly,and the premise of the work is "transgression" of the intervallic materials. The concept of the Sonata was chosen only to disintegrate its architecture; Jumppanen doesn't get this fully he was very timid,tenuous, and he seldom "took off"where tones became "noises" exceedingly polite at times; you never sense the timbral extremities of the work, that "other" realm that Boulez was interested in and continued to be with subsequent works. The first movement rhythmic cells,D-A-D#-G#,C# F-G should be charged with high combustible energy where the phrases foment and accrete toward greater crashes,"bottlenecks" of violence. The work should be thought through in this way, for then the relative calms within the four movements as the second movement is should not be too too calm and restained needlessly.The "surreal-like" second movement should be suggestive, not simply sustained intervals without direction. I felt this a bit. There is no momentum at all then so the work simply dissipates into an anti-aesthetic of nothingness.
These timid sensibilities gently skills however work quite well in the "First Sonata", Jumppanen goes for the discreetly beautiful,the sustained the tinckle of the opening,F#-D,F-Eb-E these threadbare exposed materials are gently compelling, then the more noise like arpeggiations are really interruptions of this beauty.Aimard you may find somewhere in between where he never sacrifices the overall brutal premise of the work's aesthetic. But then we get to Jumppanen and the 'Third Sonata', the mobile indeterminisms at work, work quite well. This now is a real piece of modernity,with a high conceptual premise, with exposed lines that can only depend upon themselves not an on=going intervallic narrative,or accreting contrasting movements, as we found in the other two Sonatas. Here each anti-movement (not movements for nothing really moves anywheres) but gestures, points, moments depend upon themselves, and in the 'Formant 3' the alternating contrasts of 'Points' to 'Blocs' is indeed engaging. You fall in with the 'Blocs' movements the more brutal suspended gestures,greater richness of piano timbre,with harmonics to "trail" the gesture into the next to the more threadbare private single tones in the 'Points'.There are also a wider pallette of timbre in the 'Third Sonata' here with a differing array of attacks to the piano keys, the use of all three pedals and harmonics, where you silently depressed tones then striking others to produce an eeery resonance, that really is barely auduble on this recoding and in a concert hall perhaps not at all.Jumppanen is wonderful here in the Third with a detached demeanor simply allowing the piece to fall off, and he seems much more willing to engage now the more brutal moments.
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Thomas Stevens, Trumpet
Manufacturer: Crystal Records
ProductGroup: Music
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ASIN: B000003J60
Release Date: 1993-12-29 |
Tracks:
- Signals
- Encounters III: Strategy
- Encounters III: Truce Of God
- Encounters III: Tactics
- Soliloquy Of A Bhiksuni
- Var Movts: Theme
- Var Movts: Very Fast; Attacca To Fast And Marked
- Var Movts: Slow, In A Lyrical Style
- Var Movts: Fast And Rhythmic
- Two Little Serious Pieces: Allegro
- Two Little Serious Pieces: Tempo Di Valse
- B flat Tpt Solo: Good Times (Alla Marcia)
- B flat Tpt Solo: Hard Times (Interrupted Blues)
- B flat Tpt Solo: Time To Go
- The Fires Of Prometheus
Customer Reviews:
Rare delights.......2000-06-07
Comtemporary music for trumpet, alone and accompanied, is not always the most accessible idiom for listeners. However, this recording contains works that are exciting, dramatic, and poetic at times. Tom Stevens, the great Principal Trumpet of the Los Angeles Philhamonic for many years, performs with amazing facility and imagination. A portion of the works on the disc are Stevens' commissions and are standard reference recordings for the works. Well worth a listen.
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Adagio [Includes Profil Catalogue]
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ASIN: B000BK53OC
Release Date: 2005-11-15 |
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ASIN: B0000AL2TS
Release Date: 2003-11-11 |
Tracks:
- Boogie Woogie Etude - Shura Cherkassky
- The Zouaves' Drill Op. 68 - Shura Cherkassky
- The Apparition - Dance Of Terror - Fritz Lehmann
- Ritual Fire Dance - Fritz Lehmann
- Er Liebt Mich - Rita Streich
- Erblickt Auf Felsenhoh'n - Rita Streich
- Nur Enbesorgt, Mylord - Rita Streich
- Madronos - Andres Segovia
- Mesto E Calmo - Andres Segovia
- Allegro Spiritoso - Adagio Con Espressione - Allegro Vivace - Andres Segovia
- Italian Serenade - Rudolf Koeckert
- Denk Es, O Seele - Irmgard Seefried
- Nimmersatte Liebe - Irmgard Seefried
- Andante - Attacca - Hans Pischner
- Allegro - Hans Pischner
- Die Zufriedenheit - Helmut Krebs
- Komm, Liebe Zither - Helmut Krebs
- Caro Mio Druck Und Schluck - Fritz Wunderlich
- Das Bandel - Fritz Wunderlich
- Waltz Sequence - Eugen Jochum
Tracks:
- Furioso Fur Orchester - Ferenc Fricsay
- 1. Es Isch Kei Solige Stamme - Ferenc Fricsay
- 2. I'm Aargau Sind Zwei Liebi - Ferenc Fricsay
- 3. Schonster Abestarn - Ferenc Fricsay
- 4. Durs Oberland Uf Und Durs Oberland Ab - Ferenc Fricsay
- 6. Usen Atti - Ferenc Fricsay
- 1. Presto - Sandor Vegh
- 2. Andante Cantabile - Sandor Vegh
- 3. Menuetto - Trio - Sandor Vegh
- 4. Scherzando - Sandor Vegh
- Allegro - Nicanor Zabaleta
- Andantino - Nicanor Zabaleta
- Rondo: Allegro - Nicanor Zabaleta
- Chanson Dans La Nuit - Nicanor Zabaleta
- Una Furtiva Lagrima - Radio-Symphonie-Orchester Berlin
- Ach! So Fromm - Radio-Symphonie-Orchester Berlin
- Liebesfreud - Helmut Zacharias
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- Aus Goethes Faust - Kim Borg
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Pascal Dusapin
Manufacturer: Disques Montaigne
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ASIN: B00005TNRJ
Release Date: 2002-07-09 |
Tracks:
- Comoedia (1993): I
- Comoedia (1993): II
- Comoedia (1993): III
- Fist (1982)
- Aria (1991)
- Hop' (1983-84)
- Aks (1987)
- Coda (1992)
- Attacca (1991)
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Romantic Piano
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ASIN: B00012QMH2
Release Date: 2004-02-10 |
Tracks:
- Piano Concerto No. 1 in B Flat Minor, Op.23 - Slovak Philharmonic Orchestra,
- Nocturne in F Sharp Major, Op. 15/2 - Yuri Rozum
- Gondoliera - Peter Schmalfuss
- Bird as Prophet, From Waldszenen - Peter Schmalfuss
- Romance in B Flat Major for Clarinet and Piano - Peter Schmalfuss
- Valse Nonchalante, Op.110 - Isabel Mourao
- Venetian Gondola Song Op. 30/6 - Peter Schmalfuss
- "The Seasons" Op.37a: June Barcarola
- Piano Concerto No. 1 in E Minor, Op. 11 Rondo (Excerpt) - Ida Cernicka, Slovak Philharmonic
- Last Spring - Stefan Jeschko
- An de Prinage (Excerpt)/Premi Ann II au Lac de Wallenstadt - Peter Schmalfuss
- Fantasia Piece, Op. 73, No. 1/Tender With Expression - Peter Schmalfuss
- Valse Nnoble, No.3 - Isabel Mourao
- Prde in G Major, Op. 28/3 - Bianca Sitzius
- Chant Sans Paroles in F Major, Op. 2/2 - Yuri Rozum
- Concerto for Piano and Orchestra No. 2 in a Major: I Adagio ...
- Concerto for Piano and Orchestra No. 2 in a Major: III Allegro ...
- Concerto for Piano and Orchestra No. 2 in a Major: VI Allegro Animato
Tracks:
- Piano Concerto in a Minor, Op.54: I Allegro Affectuoso (Expert) - Marian Lapsansky, Slovak Philharmonic
- Consolation No. 3 in D Flat Major - Sylvia Capova
- Barcarolle in F Sharp Major, Op. 60 - Yuri Rozum
- Waltz No. 14 in F Major, Op. 9b, D. 365 - Peter Schmalfuss
- Piano Concerto in a Minor, Op. 16 Allegro Molto Moderato (Excerpt) - Marian Lapsansky, Slovak Philharmonic Orchestra
- Valse Sentimentale, Op. 51/6 - Yuri Rozum
- Berceuse in D Flat Major, Op. 57, "Lullaby" - Peter Schmalfuss
- Weird Dreams, From "Fantasia Pieces", Op. 12 - Peter Schmalfuss
- Waltz in a Flat Major, From "Eight Waltzers" Op.39 - Isabel Mourao
- Spinners Song, Op. 67 - Peter Schmalfuss
- Transcriptions from Schubert Songs: Ave Maria, Op. 52, No. 4 - Yuri Rozum
- Piano Trio in E Flat Major, Op. 100, D.929: II Andante Con Moto
- Grande Polonaise Brillante, Op.22: II Polonaise Allegro Molto - Bianca Sitzius
Average customer rating:
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The Animal in the 20th Century Piano Music / Marius van Passen (Attacca)
ProductGroup: Classical
Binding: Audio CD
ASIN: B000M730D0 |
Product Description
Oiseaux tristes / Maurice Ravel (4:31) -- Veritables preludes flasques / Erik Satie (2:23) -- Circus polka for a young elephant / Igor Strawinsky (3:16) -- Les elephants / Alexander Voormolen (7:40) -- Poissons d'or / Claude Debussy (3:29) -- Quejas, o, la maja y el ruisenor / Enrique Granados (6:27) -- Preludes opus 17 / Bernard van den Sigtenhorst Meyer (8:10) -- La traquet stapazin / Olivier Messiaen (12:37).
ATTACCA 8950 DDD (1983?)
Average customer rating:
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Piano Favorites Vol.1
Manufacturer: Arte Nova Records
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
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| Beethoven, Ludwig van
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ASIN: B000005IDN
Release Date: 1998-01-01 |
Tracks:
- Allegro Assai - Alfredo Perl
- Nocturne - Ricardo Castro
- Romanze In F Major - Carmen Piazzini
- Rondo. Grazioso - Alfredo Perl
- Variation 16. Ouverture. Maestoso - Ekaterina Dershavina
- Rigoletto Concert Paraphrase - Ricardo Castro
- Moderato - Carmen Piazzini
- Alla Turca - Ricardo Castro
- Massig. Durchaus Energisch - Alfredo Perl
- (Attacca) Allegro Molto Moderato E Marca - Orquesta Filarmonica De Gran Canaria
- Allegro Agitato - Andrei Nikolsky
Music Review:
- Backhaus Plays Chopin
- Beethoven: 3 Sonatas for Violin & Piano
- Beethoven: Piano Concerto No. 3
- Bellman blandt venner (Bellman Among Friends)
- Billy Joel: Fantasies & Delusions (Music for Solo Piano) [SACD] [Enhanced] [SACD]
- Chailley: Missa Solemnis; Le cimetière marin
- Chopin, Bach, Alkan and others
- Chopin: Etudes, Opp. 10 & 25; Trois nouvelles études
- Christos Hatzis: Byzantium
- Claudio
Music Review
music review
Recommended Music:
Stiff Jazz/Ford Transit Ep [Import]
Charles Tournemire: Jesu Seven Last Words on the Cross
Chopin: Poet of the Piano
Music: Up North [CD-single]
Dances With Wolves: Original Motion Picture Soundtrack [Soundtrack]
Bouncin Back (Bumpin' Me Against the Wall) [CD-single] [Import]
Closer to Home [Original recording remastered]
Blue Sky
Buzz a While [Import]
Brahms: The Sonatas for Cello and Piano
Church Of The Falling Rain
Atacame to Cape Horn
Bootlegz & Collectionz [Explicit Lyrics]
A Whole New Woman
Ringleader Of The Tormentors (Deluxe Edition CD & DVD)