Caliph: Arabic Episode in One Act

On this CD:

1. The Caliph (An Arabian episode in one act)
Composed by Anthony Louis Scarmolin
Performed by Bruce Brown
Conducted by Joel Eric Suben

Caliph: Arabic Episode in One Act, Music, Scarmolin, Harpner, Brown, Jungen, Stuben, Classical, Classical Music, Opera / Operetta / Oratorio, Opera/Operetta
An Introduction to Der Ring des Nibelungen
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    An Introduction to Der Ring des Nibelungen
    Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    ASIN: B00000424H
    Release Date: 2005-09-13

    Tracks:

    1. Of All Great Musical Compositions... (Examples 1-4)
    2. The Fundamental Symbol... (Examples 5-11)
    3. Returning Now To The Nature Motive... (Examples 6, 12-16)
    4. A Number Of Further Motives... (Examples 5, 17-21)
    5. A Second, Much Smaller Family... (Examples 22-25)
    6. So Much For Nature. (Examples 26-38)
    7. The Cause Of The Deterioration... (Examples 39-44)
    8. The Other Transformation... (Examples 45-48)
    9. Several Other Motives... (Examples 49-52)
    10. Two Further Motives... (Examples 41, 53-61)
    11. The Basic Motive Associated With The Spear... (Examples 62-68)
    12. Along Another, More Complex Line... (Examples 69-72)
    13. In Act Two Of Walkure... (Examples 69, 73-75)
    14. Returning Now To Act Two Of Walkure... (Examples 76-79)
    15. Love Is Another Of The Central Symbols... (Examples 80-83)
    16. Later In The Same Scene... (Examples 84-87)
    17. Freia's Motive Has Two Independent Segments... (Examples 88-91)
    18. The Label 'Flight'... (Example 92)
    19. When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
    20. A Little Later In The Interlude... (Examples 99-103)

    Tracks:

    1. The Other New Motive... (Examples 104-109)
    2. There Are Several Independent Love-Motives... (Examples 110-114)
    3. The Characters In Whose Lives... (Examples 115-120)
    4. One Further Motive Belongs... (Example 121)
    5. The Sword Motive Recurs... (Examples 122-130)
    6. Ironically, This Phrase... (Examples 131-135)
    7. Closely Associated With Gutrune's Motive... (Examples 136-140)
    8. Here We Come To The End... (Examples 141-146)
    9. Complemtary To This Symbol... (Examples 147-149)
    10. One Last Central Symbol... (Examples 150-157)
    11. One Further Motive Connected... (Examples 158-161)
    12. There Are One Or Two Motives... (Examples 162-168)
    13. These Motives Of Alberich And Mime... (Examples 169-171)
    14. Quite A Number Of The Subsidiary Motives... (Examples 172-176)
    15. Besides This Family Of Motives... (Examples 177-180)
    16. Our Final Example... (Examples 10, 181, 182)
    17. In The Final Scene Of Gotterdammerung... (Examples 181-183)
    18. Even More Masterly... (Examples 184-188)
    19. Now If We Return... (Examples 189-191)
    20. This Masterly Way... (Examples 192, 193)

    Amazon.com

    When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix
    Passion - Most Famous Orchestral Spectaculars [20 CD Set]
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      Manufacturer: Delta
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00012QLTQ
      Release Date: 2003-12-09

      Album Description

      Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.
      1712 Overture & Other Musical Assaults
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        1712 Overture & Other Musical Assaults

        Manufacturer: Telarc
        ProductGroup: Music
        Binding: Audio CD

        Bach, P.D.Q.Bach, P.D.Q. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by SchickeleAll Works by Schickele | Schickele, Peter | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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        5. P.D.Q. Bach in Houston - We Have a Problem!

        ASIN: B000003CVW
        Release Date: 1989-06-13

        Tracks:

        1. Introduction
        2. 1712 Overature
        3. Introduction
        4. Bach Portrait
        5. Introduction
        6. Capriccio La Pucelle De New Orleans (The Maid Of New Orleans)
        7. Introduction
        8. Minuet Militaire
        9. Introduction
        10. Prelude To Einstein On The Fritz
        11. Introduction
        12. I. Prologue (Bottomless Sorrow; Topless Gaiety)
        13. II. The Lamentations Of Jerry Maja
        14. III. Finale: Special Deliverance
        The Wurst of P.D.Q. Bach
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          The Wurst of P.D.Q. Bach

          Manufacturer: Vanguard Records
          ProductGroup: Music
          Binding: Audio CD

          Bach, P.D.Q.Bach, P.D.Q. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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          4. Oedipus Tex & Other Choral Calamities
          5. P.D.Q. Bach on the Air

          ASIN: B000000EDR
          Release Date: 1993-12-03

          Tracks:

          1. Allegro/Tema Con Variazione/Menuetto Con Panna E Zucchero
          2. Aria/Recitative/Ground/Recitative/Aria
          3. New Horizons In Music Appreciation Beethoven's Fifth Symphony
          4. Larghissimo-Allegro Boffo/Menuetto Con Brio Ma Senza Trio/Adagio Saccharino/Yehudi Menuetto/Presto Hey Nonny Nonnio
          5. What's My Melodic Line?
          6. Madrigal, 'My Bonnie Lass She Smelleth'

          Tracks:

          1. IV Andante-Allegro
          2. I. Introduction/II. Overture/III. Recitative And Aria, 'Now Is the Season'/IV. Trio, I'm Sure I'd Be'/V. Opera Whiz/VI. Synopsis Of Plot/VII. Finale Of Opera
          3. Fugue In C Minor (Fuga Vulgaris) For Calliope Four Hands
          4. Oratorio, 'The Seasonings', S. 1/2 Tsp.
          Instruments of the Orchestra
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            Instruments of the Orchestra
            Various Artists
            Manufacturer: Naxos
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Symphonies | Classical | Styles | Music
            GeneralGeneral | Classical | Styles | Music
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            2. The Life and Works of Ludwig van Beethoven
            3. What to Listen for in Music
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            5. The Life and Works of Frédéric Chopin

            ASIN: B00006O0NT
            Release Date: 2002-12-03

            Tracks:

            1. Overture To 'Tannhauser'
            2. Domna, Pos Vos Ay Chausida
            3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
            4. Hungarian Dance No.7
            5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
            6. Violin Concerto In D Major (Adagio)
            7. But For A Long Time It Was Seen As The Instrument Of The Devil.
            8. The Soldier's Tale: Triumphal March Of The Devil
            9. The Manipulative Seductiveness Of The Gypsy Violin.
            10. Csardas Music
            11. The Violin And The Initiation Of Nature
            12. The Four Seasons (Spring, Mvt 1)
            13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
            14. The Four Seasons (Summer, Mvt 1)
            15. Like The Devil, The Violin Is A Master Of Disguise.
            16. Old Viennese Dance No.3 'Schon Rosmarin'
            17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
            18. Tzigane
            19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
            20. Caprice No.24
            21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
            22. Variations On A Theme Of Frank Bridge (No.7)
            23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
            24. Romeo And Juliet: Act IV
            25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
            26. The Four Seasons (Winter, Mvt 1)
            27. The Violin Muted
            28. Clair De Lune
            29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
            30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
            31. The Pizzicato Violin
            32. Pizzicato Polka
            33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
            34. Violin Concerto No.2 In G Minor (Slow Mvt)
            35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
            36. The Planets (Mars - The Bringer Of War)
            37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
            38. Hungarian Dance No.4
            39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
            40. The Four Seasons (Autumn, Mvt 1)
            41. Now The Same Technique, But The Sound Might Have Come From Another World.
            42. Bolero
            43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
            44. Cadenza To The Violin Concerto By Brahms
            45. Now Compare That With A Real Violin Duet.
            46. Forty-Four Duos (No. 1: Teasing Song)
            47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
            48. Forty-Four Duos (No.2: Maypole Dance)
            49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
            50. Concerto In D Minor For Two Violins (Largo)
            51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
            52. Violin Concerto No.1 In D Major (Mvt 2)
            53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
            54. Symphony No.1 'Titan' (Mvt 1, Opening)
            55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
            56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
            57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
            58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
            59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
            60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
            61. Also Sprach Zarathustra (Of The Afterworldsmen)
            62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
            63. Variations On A Theme Of Frank Bridge (No. 4)
            64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
            65. Four Sea Interludes (Dawn) From 'Peter Grimes'
            66. To End This Outing With The Violins, A Charming Little Elfin Dance
            67. Elfenreigen

            Tracks:

            1. Introduction To The Viola
            2. Viola Concerto (Mvt 1)
            3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
            4. Gayane Suite No.1 (Armen's Solo)
            5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
            6. Passacaglia, Op.33b From 'Peter Grimes'
            7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
            8. Harold In Italy (Mvt 4)
            9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
            10. Cypresses (No.9)
            11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
            12. Symphony No.4 (Mvt 3)
            13. The 'Period' Viola In Bach
            14. Brandenburg Concerto No.6 (Last Mvt)
            15. The Cello: A Voice Of Unique Nobility
            16. Suite No.1 For Unaccompanied Cello (Prelude)
            17. Brahms And The 'Soul' Of The Cello
            18. Piano Concerto No.2 In B Flat Major (Mvt 3)
            19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
            20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
            21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
            22. Symphony No.3 'Eroica' (Finale)
            23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
            24. Elfentanz, Op.39
            25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
            26. The Protecting Veil (Opening)
            27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
            28. Flamenco
            29. Double-Stopping In The Lower Reaches Of The Cello's Range
            30. Solo Suiet For Cello And Piano (Sardana)
            31. It's In The Middle Register That The Cello Really Comes Into Its Own.
            32. Oriental Dance, Op.2 No.2
            33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
            34. Symphony No.9 (Finale)
            35. Introduction To The Double-Bass
            36. The Carnival Of The Animals (The Elephant)
            37. But The Double-Bass Can Be Intensely Expressive And Graceful.
            38. Elegy No.1 In D Major
            39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
            40. Capriccio Di Bravura
            41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
            42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
            43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

            Tracks:

            1. The Antiquity And Magic Of The Flute
            2. Prelude A L'Apres-Midi D'Un Faune
            3. The Versatility And Agility Of The Flute
            4. Orchestral Suite No.2 In B Minor (Badinerie)
            5. The Flute In Fifteenth-Century Spain
            6. Sa'Dawi
            7. Other Flutes: The Bass And Alto
            8. Chamber Music No.II
            9. The Piccolo - Aptly Named
            10. La Naissance D'Osiris (Mvt 6)
            11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
            12. Suite No.1 For Small Orchestra (Valse)
            13. A Variety Of Techniques
            14. Chamber Music No.II
            15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
            16. The Nutcracker (Act II, No.2: Scene)
            17. From The Transverse To The Vertical: The Baroque Recorder
            18. Recorded Suite In A Minor (Menuet II)
            19. An Unfamiliar, Early Vision Of The Instrument
            20. Naelden, Naelden
            21. The Bachian Oboe
            22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
            23. Introduction To The Cor Anglais Or 'English Born'
            24. Symphony No.9 'From The New World' (Mvt 2)
            25. The Loneliness Of The Cor Anglais
            26. The Swan Of Tuonela
            27. The Cor Anglais Joins The French Horn In Haydn.
            28. Symphony No.22 'The Philosopher' (Opening)
            29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
            30. Bolero
            31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
            32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
            33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
            34. Gayane Suite No. 1 (Mvt 5)
            35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
            36. The Range Of The Normal Clarinet Parts Goes Quite High...
            37. The Snow Maiden (Scene 5: Melodrama)
            38. ...And Quite Low.
            39. Peter And The Wolf (The Cat)
            40. The Clarinet As Concerto Soloist
            41. Clarinet Concerto In A Major (Rondo)
            42. But That's Not The Instrument Mozart Wrote It For; This Is:
            43. Clarinet Concerto In A Major (Rondo)
            44. Introduction To The Saxophone
            45. Hary Janos Suite (Mvt 4)
            46. The Soprano Saxophone Has Quite A Different Feel To It.
            47. L'Arlesienne Suite No.1 (Minuet)
            48. The Little Sopranino Sax Goes Even Higher.
            49. Bolero
            50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
            51. Pictures At An Exhibition (The Old Castle)
            52. The Saxophone Can Be Quite Contagiously Good-Humoured.
            53. Sax-O-Phun
            54. The Puffa-Puffa Image Of The Bassoon
            55. Peter And The Wolf (Grandfather)
            56. The Bachian Bassoon, In Accompanimental Mode
            57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
            58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
            59. And Ravel, Also In Spanish Mode, Does Likewise.
            60. Bolero
            61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
            62. Symphony No.3 (Opening)
            63. The Eerie Bassoon In Its Highest Register
            64. The Rite Of Spring (Opening)
            65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
            66. The Firebird Suite (1919, Berceuse)
            67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
            68. Bassoon Concerto In G Minor (Finale)
            69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
            70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
            71. The French Horn Under Its Woodwind Hat
            72. Wind Quintet, Op.43 (Last Mvt)
            73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
            74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
            75. The Horn In Harmonious Blend With Strings In Another Quintet
            76. Horn Quintet, K.407 (Finale)

            Tracks:

            1. The Trumpet As Virtuoso Soloist
            2. Brandenburg Concerto No.2 (Last Mvt)
            3. The Special Brillance Of Paired Trumpets
            4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
            5. The Ceremonial Trumpet
            6. Fanfare For The Common Man
            7. Trumpets And Drums - An Incomparable Alliance
            8. Messiah (The Trumpet Shall Sound)
            9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
            10. Piano Concerto In F (Slow Mvt)
            11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
            12. Carmen Suite No.2 (Habanera)
            13. The Trumpet As The Voice Of Strength And Courage
            14. Carmet Suite No.2 (Toreador's Song)
            15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
            16. Billy The Kid
            17. The Trumpet As Character Actor
            18. Pictures At An Exhibition (No.6)
            19. The Trumpet As The Voice Of God
            20. Mass In B Minor ('Et Exspecto')
            21. The Birth Of The Trombone
            22. Aenmerckt Nu Hier
            23. The Birth Of The Brass As A Family
            24. Canzon 12 In Double Echo
            25. The Trombone In The Eighteenth Century
            26. Trombone Concerto In B Flat Major (Finale)
            27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
            28. Hosannah
            29. The Trombones Become Part Of The Orchestra.
            30. Symphony No.5 (Finale)
            31. The Wagnerian Trombone:/Overture To 'Tannhauser'
            32. The Trombone As Caricaturist
            33. Pulcinella (No.19: Vivo)
            34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
            35. The Horn And The Hunt
            36. Horn Concerto No.4 In E Flat, K.495 (Finale)
            37. The Challenging Horn Of The Baroque
            38. Abaris Ou Les Boreades (Menuet)
            39. The Scarcity Of First-Rate Players In Handel's Time
            40. Walter Music (Minuet 1)
            41. The Horn As Magician/The Firebird Suite (1919, Finale)
            42. Horns And The Sound Of Nobility
            43. Overture To 'Tannhauser' (Opening)
            44. The Special Sound Of The Horn In Its Higher Register
            45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
            46. The Trumpet-Like Sound Of Massed Horns
            47. Symphony No.3 (Mvt 1, Opening)
            48. The Tuba - Unfairly Maligned?
            49. Symphony No.6 (Mvt 3)
            50. The Tuba Perfectly Cast By Ravel
            51. Pictures At An Exhibition (Bydlo)

            Tracks:

            1. Introduction. And We Begin With A Bang.
            2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
            3. At The Opposite Extreme Is The Triangle.
            4. Piano Concerto No.1 In E Flat (Scherzo)
            5. Categories Of Percussion: Tuned And Untuned. The Side Drum
            6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
            7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
            8. The Tambourine. One Of The Oldest Instruments In The World
            9. Den Hoboecken Dans
            10. Even Older Is The Originally Oriental Gong.
            11. Ma Mere L'Oye - Mother Goose (Laideronette)
            12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
            13. Gymnopedie No.2
            14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
            15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
            16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
            17. Rodeo (Hoe-Down)
            18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
            19. Scherzi Musicali (Damigella Tutta Belle)
            20. A Still Earlier Example From Fifteenth-Century Spain
            21. Yo M'Enamori D'Un Aire
            22. The Birth Of The Bongo
            23. Symphonic Dances From 'West Side Story'
            24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
            25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
            26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
            27. Onwards To The Tuned Percussion. First, The Timpani
            28. Also Sprach Zarathustra (Introduction)
            29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
            30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
            31. Taking Advantage Of Tunability
            32. Music For Strings, Percussion And Celeste (Mvt 2)
            33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
            34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
            35. Saint-Saens And The Xylophone
            36. The Carnival Of The Animals (Fossils)
            37. Ravel And The Xylophone
            38. Ma Mere L'Oye - Mother Goose (Laideronette)
            39. Introducing The Marimba/Carmen Suite (First Intermezzo)
            40. Introducing The Vibraphone
            41. The Treasure Of The Sierra Madre (Narange Dolce)
            42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
            43. Introducing The Hungarian Cimbalom
            44. Folk Dances
            45. The Cimbalom And The Symphony Orchestra
            46. Hary Janos Suite (Mvt 3)
            47. Introducing The Tubular Bells
            48. Hary Janos Suite (Viennese Musical Clock)
            49. A More 'Up-Front' Approach From Rodion Shchedrin
            50. Carmen Suite (Introduction)
            51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
            52. Introducing The Celeste
            53. The Nutcracker (Dance Of The Sugar Plum Fairy)
            54. Magic, In The Use Of Collective Percussion
            55. Miroirs (La Vallee Des Cloches)
            56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
            57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
            58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
            59. Brandenburg Concerto No.2 (Slow Mvt)
            60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
            61. Petrushka (Russian Dance)
            62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
            63. Music For Strings, Percussion And Celeste (Last Mvt)

            Tracks:

            1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
            2. Symphony No.3 'Organ' (Finale)
            3. But Things In Handel's Day Were Very Different.
            4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
            5. The Organ Is Difficult To Classify.
            6. An Unexpected, Organ-related Guest
            7. Concerto Pour Zampogna (Last Mvt)
            8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
            9. Les Miserables (Drink With Me)
            10. Outside Artefacts And The Power Of Association
            11. Mahler's Sleighbells
            12. Symphony No.4 (Opening)
            13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
            14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
            15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
            16. Don Quixote (Variation VIII)
            17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
            18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
            19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
            20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
            21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
            22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
            23. The Sitar Of India/Evening Raga: Bhapoli
            24. The Accordion For France (Especially Paris)/Paris Canaille
            25. The Zither For Vienna/The Third Man (Theme)
            26. The Cimbalom For Hungary/Folk Dances
            27. The Guitar As An Integral Part Of The Orchestra/Rondena
            28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
            29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
            30. Nocturnes
            31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
            32. The Carnival Of The Animals (The Cuckoo)
            33. The Flute As An All-purpose Aviary
            34. The Carnival Of The Animals (The Aviary)
            35. The Oboe As Duck
            36. Peter And The Wolf (The Duck)
            37. The Recording Of Reality. Does It Work As Well?
            38. The Pines Of Rome (The Pines Of The Janiculum)
            39. The Recording Of Reality Electronically Reborn In New Guises
            40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
            41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
            42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
            43. Some Improbable Casting: The Violin As Braying Donkey
            44. The Carnival Of The Animals (Persons With Long Ears)
            45. A Truly Orchestral Hee-haw To Be Reckoned With
            46. Overture To 'A Midsummer Night's Dream'
            47. A Thunderstorm In A Million
            48. Symphony No.6 'Pastoral (Allegro-Allegretto)
            49. the Instrumental Depiction Of A Silent World
            50. The Carnival Of The Animals (The Aquarium)
            51. Saint-Saens' Menagerie Takes A Curtain Call.
            52. The Carnival Of The Animals (Finale)

            Tracks:

            1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
            2. Forty-Four Duos (No.4)
            3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
            4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
            5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
            6. String Trio In B Flat (Menuetto)
            7. The String Quartet: Two Violins, Viola, And Cello
            8. String Quartet In F, Op.18 No.1 (Mvt 3)
            9. The String Quintet - When The Extra Instrument Is A Second Viola
            10. String Quartet No.5 In D, K.593 (Adagio)
            11. The String Quintet - When The Extra Instrument Is A Second Cello
            12. String Quintet In C (Mvt 3)
            13. The String Sextet: Two Violins, Two Violas, And Two Cellos
            14. String Sextet In B Flat (Mvt 2)
            15. The String Octet: The Standard String Quaret Times Two
            16. Octet In E Flat, Op.20 (Mvt 1)
            17. Double The String Octet: A Fully Fledged String Orchestra
            18. String Symphony No.2 (Finale)
            19. The Massed Strings Of A Symphony Orchestra
            20. Fantasia On A Theme Of Thomas Tallis
            21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
            22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
            23. In The First Variation It's The Horn That Gets The Lion's Share.
            24. Wind Quintet In A Minor, Variation 1
            25. In Variation Two The Torch Is Handed To The Bassoon.
            26. Wind Quintet In A Minor, Variation 2
            27. In Variation Three The Oboe Leads.
            28. Wind Quintet In A Minor, Variation 3
            29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
            30. Wind Quintet In A Minor, Variation 4
            31. And Variation Five is Dominated By The Clarinet.
            32. Wind Quintet In A Minor, Variation 5
            33. The Next To Be Featured Is The Virtuoso Flute.
            34. Wind Quintet In A Minor, Variation 6
            35. Individual Farewells And A Closing Chorus
            36. Wind Quintet In A Minor, Variation 7
            37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
            38. Octet In F (Mvt 3)
            39. The Early Classical Symphony Orchestra Of Haydn And Mozart
            40. Symphony No.29 In A, K.201 (Finale)
            41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
            42. Canzon 28
            43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
            44. Symphony No.5 (Finale)
            45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
            46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
            47. Symphoy No.6 'Tragic' (Mvt 1)
            48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
            49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
            50. When Large Doesn't Necessarily Mean Loud: Debussy
            51. Images (Gigues)
            52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
            53. Turangalila Symphony (Chant D'amour 1)
            54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
            55. Balle De Xerxes (Gavotte En Rondeau)
            56. Computer And Synthesiser: Friends Or Foes?
            57. Concerto In D Minor For Two Violins (Largo)
            58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
            The Rothschilds: A Musical (1970 Original Broadway Cast)
            Average customer rating: Not rated
              The Rothschilds: A Musical (1970 Original Broadway Cast)
              Sheldon Harnick
              Manufacturer: Sony
              ProductGroup: Music
              Binding: Audio CD

              Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
              GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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              Classical MusicClassical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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              ASIN: B0000024WT
              Release Date: 1992-05-19

              Tracks:

              1. Overture - Orchestra
              2. Pleasure And Privilege - Keene Curtis/Jon Peck/Ensemble
              3. One Room - Leila Martin/Hal Linden
              4. He Tossed A Coin - Hal Linden/Thomas Trelfa/Kenneth Bridges/Jon Peck/Ensemble
              5. Sons - Hal Linden/Leila Martin/Lee Franklin/Robby Benson/Michael Maitland/Mitchell Spera
              6. Everything - Paul Hecht/Leila Martin/David Garfield/Allan Gruet/Timothy Jerome/Chris Sarandon/Jon Peck
              7. Rothschild And Sons - Hal Linden/Paul Hecht/David Garfield/Allan Gruet/Timothy Jerome/Chris Sarandon
              8. Allons! - Keene Curtis/Male Ensemble
              9. Rothschild And Sons (Reprise) - Hal Linden/Paul Hecht/David Garfield/Allan Gruet/Timothy Jerome/Chris Sarandon
              10. Finale To Act I: Sons (Reprise) - Leila Martin/Hal Linden/Paul Hecht/David Garfield/Allan Gruet/Timothy Jerome/Chris Sarandon
              11. Act II Opening (Part 1): Give England Strength - Keene Curtis/Male Ensemble
              12. Act II Opening (Part 2): This Amazing London Town - Paul Hecht/Male Ensemble
              13. Act II Opening (Part 3): They Say - Paul Tracey/Male Ensemble
              14. I'm In Love! I'm In Love! - Paul Hecht
              15. I'm In Love! I'm In Love (Reprise) - Jill Clayburgh/Paul Hecht
              16. In My Own Lifetime - Hal Linden
              17. Have You Ever Seen A Prettier Little Congress?/Stability - Keene Curtis/Ensemble
              18. Bonds - Paul Hecht/David Garfield/Allan Gruet/Timothy Jerome/Chris Sarandon/Keene Curtis/Ensemble
              19. Finale: The Will - Hal Linden
              Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]
              Average customer rating: Not rated
                Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]
                Giacomo Puccini , Elizabeth Harwood , Nicolai Ghiaurov , and Rolando Panerai
                Manufacturer: Decca
                ProductGroup: Music
                Binding: Audio CD

                All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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                5. Puccini: Turandot (Highlights) / Mehta, Sutherland

                ASIN: B0000041TR
                Release Date: 1990-10-25

                Tracks:

                1. La Boheme, Act 1: Non sono in vena
                2. La Boheme, Act 1: Che gelida manima
                3. La Boheme, Act 1: Si. Mi chiamano Mimi
                4. La Boheme, Act 1: O soave fanciulla
                5. La Boheme, Act ll: La commedia e stupenda.... Quando me'n vo'
                6. La Boheme, Act lll: O mia vita!... Donde lieta usci
                7. La Boheme, Act lll: Dunque e proprio finita
                8. La Boheme, Act IV: In un coupe?... O mimi, tu piu non torni
                9. La Boheme, Act IV: Vecchia zimarra
                10. La Boheme, Act IV: Sono andati
                11. La Boheme, Act IV: Che avvien?

                Amazon.com essential recording

                These excerpts were taken from the recording that has established itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuosic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices splendidly blend, creating a complete aural portrait of the bohemians' souls. Elizabeth Harwood is a wonderfully high-strung Musetta, with the vocal talent to support her many moods. After hearing these highlights, you won't be able to resist the whole set, which is the greatest recording ever of the world's most beloved opera. --Barbara Eisner Bayer
                The Very Best of Régine Crespin
                Average customer rating: Not rated
                  The Very Best of Régine Crespin

                  Manufacturer: EMI Classics
                  ProductGroup: Music
                  Binding: Audio CD

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                  FrenchFrench | Languages | Opera & Vocal | Styles | Music
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                  4. Italian Opera Arias
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                  ASIN: B0006VYEJQ
                  Release Date: 2005-04-26

                  Tracks:

                  1. Ils S'Eloignent Enfin...Sombre Foret
                  2. D'Amour L'Ardente Flamme
                  3. Les Grecs Ont Disparu...Malheureux Roi!
                  4. Nous Avons Vu Finir...Chers Tyriens
                  5. Je Vais Mourir...Adieu, Fiere Cite
                  6. Ah! Salome! Dans Ce Palais...Il Est Doux, Il Est Bon
                  7. Je Souffre
                  8. Mes Cheres Filles, J'Ai Encore A Vous Dire
                  9. Soir
                  10. Le Secret
                  11. Apres Un Reve
                  12. Clair De Lune
                  13. Lo Fiolaire
                  14. Lou Coucut
                  15. Coeur En Peril
                  16. Berceuse Creole

                  Tracks:

                  1. Einsam In Truben Tagen
                  2. Euch Luften, Die Mein Klagen
                  3. Eine Waffe Lass Mich Dir Weisen...Der Manner Sippe
                  4. Ich Sah Das Kind
                  5. I. Der Engel
                  6. II. Stehe Still!
                  7. III. Im Treibhaus
                  8. IV. Schmerzen
                  9. V. Traume
                  10. I. In Der Fremde
                  11. II. Intermezzo
                  12. III. Waldesgesprach
                  13. Timor Di Me?...D'Amor Sull'Ali Rosee
                  14. Ecco L'Orrido Campo...Ma Dall'Arido Stelo Divulsa
                  15. Tu Che Le Vanita
                  16. D'Art Et D'Amour

                  Album Description

                  Details TBA. EMI. 2005.
                  Tune Your Brain: Pregnancy and Childbirth
                  Average customer rating: Not rated
                    Tune Your Brain: Pregnancy and Childbirth

                    Manufacturer: Deutsche Grammophon
                    ProductGroup: Music
                    Binding: Audio CD

                    QuartetsQuartets | Chamber Music | Classical | Styles | Music
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                    CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
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                    5. More Mozart for Mothers-to-Be

                    ASIN: B00004YR3F
                    Release Date: 2000-09-19

                    Tracks:

                    1. Theme From 12 Vars On 'Twinkle, Twinkle Little Star', K.256 - Christoph Eschenbach
                    2. Nocturne in E flat, Op.9 No.2 - Tamas Vasary
                    3. Vc Son No.2 in D, BWV 1028: Adagio - Mischa Maisky/Martha Argerich
                    4. Don Giovanni: Ser - Netherlands Wind Ens
                    5. Scenes From Childhood: About Foreign Lands And People - Wilhelm Kempff
                    6. Vn Con No.4, K.218: Andante Cantabile - Gidon Kremer
                    7. Dolly Suite: Lullaby - Boston SO/Seiji Ozawa
                    8. Xerxes: Act 1. Largo - Orpheus CO
                    9. Magic Flute: Papageno's Aria - Heinz Holliger/Ursula Holliger/Gabriel Burgin
                    10. Ser For Strs: Valse - Orpheus CO
                    11. Ser, K.320 'Posthorn': Rondeau - Walter Singer
                    12. Vc Son No.1 in G, BWV 1027: Allegro Ma Non Tanto - Mischa Maisky/Martha Argerich
                    13. Pno Son in C, K.545: Allegro - Christoph Eschenbach
                    14. Divert in D, K.131: Menuetto - Orpheus CO
                    15. Canon In D - Orpheus CO
                    16. Pno Con No.14 in E flat, K.449: Allegro Ma Non Troppo - Geza Anda
                    17. Brandenburg Con No.4 in G, BWV 1049: Presto - Michel Schwalbe/Karlheinz Zoeller/Matthias Rutters
                    18. A Musical Joke, K.522: Presto - Orpheus CO
                    19. Don Giovanni: Champagne Aria - Netherlands Wind Ens
                    The Desert Song / The New Moon
                    Average customer rating: Not rated
                      The Desert Song / The New Moon
                      Sigmund Romberg , Oscar Hammerstein II , Otto Harbach , Kitty Carlisle , Wilbur Evans , Felix Knight , Jeffrey Alexander Chorus , Thomas Hayward , Jane Wilson , and Lee Sweetland
                      Manufacturer: Decca Broadway
                      ProductGroup: Music
                      Binding: Audio CD

                      Romberg, SigmundRomberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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                      ASIN: B00006AWBJ
                      Release Date: 2002-07-30

                      Tracks:

                      1. Opening Chorus and Riff Song - From The Desert Song (Romberg / Harbach / Hammerstein II) with Kitty Carlisle, Wilbur Evans, and Felix Knight
                      2. French Military Marching Song
                      3. Romance
                      4. Then You Will Know
                      5. The Desert Song
                      6. Finale of Act I
                      7. One Flower Grows Alone in Your Garden
                      8. One Alone
                      9. The Sabre Song
                      10. Finale: French Military Marching Song & One Alone
                      11. Overture - From The New Moon (Hammerstein & Romberg) with Thomas Tibbett Hayward, Lee Sweetland, and Jane Wilson
                      12. Marianne
                      13. The Girl on the Prow
                      14. Softly, As in a Morning Sunrise
                      15. Stouthearted Men
                      16. One Kiss
                      17. Wanting You
                      18. Lover, Come Back to Me

                      Music Review:

                      1. Canteloube-Bailly: Chants d'Auvergne
                      2. Christmas Magnificants & Grego
                      3. Classical Meditation
                      4. Claudio Arrau Plays Liszt, Schumann, Debussy
                      5. Compositions for Piano Trio
                      6. Concert de Chambre
                      7. Concerti for 2 Guitars & Strings
                      8. Cortot Plays Schumann, Vol.1
                      9. Cortot plays Schumann, Vol.II
                      10. Denyce Graves - Heroines ~ French Romantic Opera Arias

                      Music Review

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