Track Listings
| 1. Tinctorian Blue | ||
| 2. Obrecht Blue | ||
| 3. Monteverdian Blue | ||
| 4. Victorian Blue | ||
| 5. Franconian Blue | ||
| 6. Byrd Blue | ||
| 7. Guidonian Blue | ||
| 8. Leonin Blue |
Editorial Reviews Three works from 1992 and 93 - tracks 1, 5, and 8 - are named after early musical theorists: Johannes Tinctoris, Franco of Cologne and Guido of Arezzo. Tracks 2, 4, and 6 are three faster fugal works. Obrecht Blue Victorian Blue and Dufay Blue use minimal subjects and are named after early polyphonic classical composers. The two newer chorales - tracks 3 and 7 - Monteverdian Blue and Byrd Blue employ minimal melodic ideas and are also named after early composers. Leonin Blue is an electro-orchestration of an early instrumental work of mine and is an example of my early minimal polyphonic style. lk 990901
Matt Borghi theorganizationofsound.com
Kucharz masters the beauty of the choral style ... true to his Minimalist style, but incorporating beautiful melodic waves of sound.
Eric Prindle - Ujamaa's Ambient Experience
... there is plenty to appreciate here, whether one is a fan of ambient atmospheres or classical orchestrations.
Album Description
DigiChoral Blue Portraits is the third CD in my electrochoral series. The style of these electrochoral works came from my early austere 1970s minimal music combined with consonant new age harmonies and gestures from our Western Choral Classical Music Tradition. The works on these CDs were selected to appeal to both classical and new age/ambient music listeners. DigiChoral Blue Portraits has some of my older and newer electrochoral works on it. The various tracks show some development of my minimal choral style.
DigiChoral Blue Portraits
DigiChoral Blue Portraits, Music, synths, electronic synth music, Larry Kucharz
Average customer rating: |
DigiChoral Blue Portraits
ProductGroup: Music Binding: Audio CD ASIN: B00005TRYP Release Date: 1999-10-22 |
Tracks:
Album Description
DigiChoral Blue Portraits is the third CD in my electrochoral series. The style of these electrochoral works came from my early austere 1970's minimal music combined with consonant new age harmonies and gestures from our Western Choral Classical Music Tradition. The works on these CD's were selected to appeal to both classical and new age/ambient music listeners. DigiChoral Blue Portraits has some of my older and newer electrochoral works on it. The various tracks show some development of my minimal choral style.Three works from 1992 and 93 - tracks 1, 5, and 8 - are named after early musical theorists: Johannes Tinctoris, Franco of Cologne and Guido of Arezzo.
Tracks 2, 4, and 6 are three faster fugal works. Obrecht Blue Victorian Blue and Dufay Blue use minimal subjects and are named after early polyphonic classical composers.
The two newer chorales - tracks 3 and 7 - Monteverdian Blue and Byrd Blue employ minimal melodic ideas and are also named after early composers.
Leonin Blue is an electro-orchestration of an early instrumental work of mine and is an example of my early minimal polyphonic style. lk 990901
Music Review:
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Il Grandi Successi Di [Import]
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