Tchaikovsky: Violin Concerto/Dvorak: Cello Concerto
On this CD:
1. Violin Concerto, for violin & orchestra (or violin & piano) in D major, Op. 35
Composed by Pyotr Il'yich Tchaikovsky
Performed by Bamberg Philharmonic Orchestra
2. Cello Concerto in B minor, B. 191 (Op. 104)
Composed by Antonin Dvorak
Performed by Slavonic Philharmonic Orchestra
with Herbert Krepel
Tchaikovsky: Violin Concerto/Dvorak: Cello Concerto, Music, Herbert Krepel, Antonin Dvorak, Pyotr Il'yich Tchaikovsky, Bamberg Philharmonic Orchestra, Slavonic Philharmonic Orchestra, Cello Concerto, Classical, Concerto, Violin Concerto
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Hear Her Live
- Weilerstein Debut
- powefull
- Florida Music Lover
- Love it or hate it!
|
DEBUT - Alisa Weilerstein & Vivian Hornik Weilerstein ~ Works for Cello and Piano
Niccolo Paganini , Antonin Dvorak , Alberto Ginastera , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Gabriel Faure , Leos Janacek , Camille Saint-Saens , Manuel de Falla , Alisa Weilerstein , and Vivian Hornik Weilerstein
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Dvorak Trios; Weilerstein Trio
- Folklore
- Gounod: Messe Solennelle de Sainte Cécile; Petite Symphonie for wind instruments
- Starker Encore Album
- The Road To Cello Playing
ASIN: B00003ZKRO
Release Date: 2000-08-01 |
Tracks:
- Variations On One String On A Theme By Rossini
- Forest Quietude, Op.68 No.5
- Pampeana No.2, Op.21
- Lied Ohne Worte, Op.109 (Posth.)
- Pezzo Capriccioso, Op.62
- Apres Un Reve, Op.7, No.1: After A Dream
- Pohadka - Fairy Tale: I
- Pohadka - Fairy Tale: II
- Pohadka - Fairy Tale: III
- The Carnival Of The Animals: The Swan
- Popular Spanish Suite: I. El Pano Moruno (The Moorish Cloth)
- Popular Spanish Suite: II. Asturiana
- Popular Spanish Suite: III. Jota
- Popular Spanish Suite: IV. Nana (Lullaby)
- Popular Spanish Suite: V. Cancion (Song)
- Popular Spanish Suite: VI. Polo
Customer Reviews:
Hear Her Live.......2006-12-19
You must witness Alisa Weilerstein live. I fell in love with her playing at the Spoleto festival where she played the basso continuo part of a Bach Brandenberg Concerto as if it was the Dvorak Cello Concerto. She has a passion for music that i have not heard or seen. And in her early 20s. Oh my gosh what a performer she will eventually be!
Weilerstein Debut.......2006-01-21
I've been playing the cello for almost 40 years and I agree about the complaints about the vibrato and phrasing: overdone! I also agree with the question about "aristocratic" playing: why all of the exaggeration? Instrument playing should ideally be like that of a vocalist, where one is not limited by one's technical abilities. I doubt that Ms. Weilerstein would sing these phrasese the same way she plays them. There is still time for her to develop, however. If you want to hear more refined playing, listen to Gendron, Rose, Fournier or Rostropovich.
powefull.......2005-12-18
I am a cellist of 15 years on the breakthrough of becoming a renowed cellist. This cellist tone is so powerfull and clear.she tells a story this is so clear to understand because the music speaks. alisa should watch the slurs from the f to b and be more gracefull. The apres un reve was ok i guess. she really should of tooken more time. like floating on a dream cloud. when i play this piece i take the music from the begining as a fuzzy dream and play the pitch so the music tells a story and becomes more clear every measure. The elgar is somenthing she might not want to touch because no one plays it better than du pre.
Florida Music Lover.......2002-10-12
I have been fond of the cello for years. I have enjoyed Casals even though he was somewhate austere. I love Rostropovich's tone and color but have felt that no one has ever played with the passion of Du Pre until I heard Weilerstein on, I believe, NPR when they played an unreleased tape of the Elgar Concerto by Weilerstein. I missed the intro and would have bet the farm that I was listening to Du Pre until the announcement at the end. I immediately ordered this disc and it has me wondering about re-incarnation. Is Du Pre back? This disc is a wonderful sample of the immense talents of this new young artist. I can't wait for Alisa to record the my favorite Elgar for EMI.
Love it or hate it!.......2002-05-21
SUCH PRESENCE! This is cello playing without apologies. She is always secure in what she is saying whether that is what you wanted to hear or not. She is the real thing. May she go onto continue to create controvery through her playing!
Average customer rating:
- not too bad
- A well-produced classical variety album
- Great Concertos from Baroque to Romantic Era
- Great cd, especially for the cost
|
25 Concerto Favorites
Manufacturer: Vox (Classical)
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Similar Items:
- Symphony (25) Favorites
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ASIN: B0000058IS
Release Date: 1997-07-01 |
Tracks:
- Concerto For Two Trumpets In C Major PV 75 (1st Mvt.) - Antonio Vivaldi
- Brandenburg Concerto No. 5 (1st Mvt.) - Johann Sebastian Bach
- Lute Concerto In D Major (3rd Mvt.) - Antonio Vivaldi
- Trumpet Concerto In D Major, 'Etienne Roger' (1st Mvt.) - Giuseppe Torelli
- Four Seasons: Winter (1st Mvt.) - Antonio Vivaldi
- Concerto For 2 Harpsichords In C Minor (3rd Mvt.) - Johann Sebastian Bach
- Concerto Grosso No. 12 In B Minor (2nd Mvt.) - George Frideric Handel
- Four Seasons: Summer (3rd Mvt.) - Antonio Vivaldi
- Trumpet Concerto In E Flat Major (2nd Mvt.) - Franz Josef Haydn
- Flute Concerto No. 1 In G Major (1st Mvt.) - Wolfgang Amadeus Mozart
- Piano Concerto No. 21 In C Major 'Elvira Madigan' (1st Mvt.) - Wolfgang Amadeus Mozart
- Clarinet Concerto In A Major (3rd Mvt.) - Wolfgang Amadeus Mozart
- Concerto In C Major For Flute & Harp (2nd Mvt.) - Wolfgang Amadeus Mozart
- Piano Concerto (Divertimento) In C Major, Finale - Franz Josef Haydn
- Piano Concerto No. 23 In A Major (1st Mvt.) - Wolfgang Amadeus Mozart
- Concerto Rondo For Cello & Orchestra - Jacques Offenbach
- Piano Concerto In A Minor (1st Mvt.) - Edvard Grieg
- Violin Concerto (3rd Mvt.) - Johannes Brahms
- Cello Concerto (1st Mvt.) - Antonin Dvorak
- Piano Concerto No. 2 (2nd Mvt.) - Sergey Rachmaninov
- Violin Concerto 'La Campanella': Rondo - Niccolo Paganini
- Piano Concerto No. 3 (1st Mvt.) - Sergey Rachmaninov
- Violin Concerto In E Minor (1st Mvt.) - Felix Mendelssohn
- Violin Concerto In D Major (2nd Mvt.) - Pyotr Il'yich Tchiaikovsky
- Piano Concerto No. 5 In E Flat Major 'Emperor' (3rd Mvt.) - Ludwig Van Beethoven
Customer Reviews:
not too bad.......2004-02-19
For the price, you can't go wrong.
*I had purchased an abundance of the "Favorites" collection some were better than others. This one was not too bad compared to the others, but not the best one.
I was kind of perturbed when some same tracks on this CD were on another CD, and visa versa.
A well-produced classical variety album.......2003-10-13
This album could have easily been filled with selections just from Bach, Mozart, Vivaldi, and Beethoven, but thankfully the record producers chose some deeper cuts. Though the above mentioned greats are prominently featured (and rightly so), Grieg and Offenbach are welcome additions.
Like all the "25 _____ Favorites" albums I've listened to, the pieces are well-chosen, expertly performed, and excellently produced with sharp, clear sound. The album's variety is welcome as well, giving the listener 70+ minutes of a changing but continuous audio landscape.
There's not much here that will knock the socks off a classical purist, but that's part of its appeal. The pieces are good enough to satisfy the more refined classical music palate but accessible enough for those less-experienced in concertos. 25 CONCERTO FAVORITES comes recommended to those seeking a well-produced and pleasant classical variety album.
Great Concertos from Baroque to Romantic Era.......2000-08-16
The excerpts from 25 concertos range from the Baroque to Romantic Periods. They are all masterfully performed by virtuoso musicians (example: Brendel is the pianist in the last track, the Beethoven Emperor piano concerto). The violinists are skillful and well-known artists. Concerto music by Baroque legends such as Torelli and Bach. Mozart and Haydn's music is marvelous to hear. We have Mozart's piano concerto movements and flute concertos. Finally, in the Romantic field, Brahms, Mendelsshon and Tchaikovsky. This an affordable price for a cd that contains such excellent music.
Great cd, especially for the cost.......1999-05-04
25 great songs, and for $3.57, its a great buy
Average customer rating:
- Forget what they SAY
- Most Aggravating Album in the World!
- A fair introduction to Classical Music
- Great for Beginners
- Exellent compilation
|
The Best Classical Album in the World... Ever!
Stanley Myers , Antonio Vivaldi , Gregorian Chant , John Williams , Edward Elgar , Giuseppe Verdi , Giacomo Puccini , Michael Nyman , Edvard Grieg , Ludwig van Beethoven , Umberto Giordano , Riccardo Muti , Fryderyk Chopin , Tomaso Giovanni Albinoni , Georges Bizet , Wolfgang Amadeus Mozart , Johann Pachelbel , Antonin Dvorak , Carl Orff , Pyotr Il'yich Tchaikovsky , Léo Delibes , George Gershwin , Maurice Ravel , Charles Gounod , Erik Satie , Sergey Prokofiev , and Sergey Rachmaninov
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002S6K
Release Date: 1996-04-23 |
Tracks:
- The Four Seasons: Concerto No.1 In E 'Spring': I. Allegro
- Schindler's List: Theme
- Requiem: Ingemisco
- The Piano: The Heart Asks Pleasure First
- Symphony No.5 In C Minor: I. Allegro con brio
- The Deer Hunter: Cavatina
- Puer natus est nobis
- Cello Concerto In E Minor: I. Adagio
- Turandot: Nessun dorma
- Piano Concerto: I. Allegro molto moderato
- Andrea Chenier: La mamma morta
- Waltz No.6 In D Flat, 'Minute'
- Adagio In G Minor
- Carmen: Habanera
- Horn Concerto No.4 In E Flat: III. Rondo (Allegro vivace)
- Canon In D
- Gianni Schicchi: O mio babbino caro
- New World Symphony: II. Largo
- La Traviata: Brindisi
- Carmina Burana: O Fortuna
Tracks:
- Piano Concerto No.1In B Flat Minor: I. Allegro non troppo e molto maestoso (Opening)
- Symphony No.3 'Symphony Of Sorrowful Songs': II. Lento e largo - Tranquillissimo
- Flute and Harp Concerto In C: II. Andantino
- Lakme: Flower Duet
- The Four Seasons: Winter: I. Allegro non molto
- Porgy And Bess: Summertime
- Bolero
- Ave Maria
- Gymnopedie No.1
- Romeo & Juliet: Montagues and Capulets
- Rhapsody On A Theme OF Paganinni: Variation 18
- Walking In The Air
- Sonata No.14 In C Sharp Minor 'Moonlight': I. Adagio sostenuto
- Messiah: Hallelujah Chorus
- Eine kleine Nachtmusik: I. Allegro
- NIMROD: Enigma Variations
- Swan Lake: Act One: Finale
- Orchestral Suite No.3 In D: Air on the G String
- The Planets: Jupiter
- 1812 Overture
Customer Reviews:
Forget what they SAY.......2003-11-10
Many of these prior reviewers complain that the abundance of operas and vocals degrate this compilation. They don't know what they're talking about. These genres are what made Classical music popular in it's age. In that era the forum for showcasing "classical music" was operas! Hence why most of these works are lost in the shuffle. Most of us know Mozart and Beethoven's compositions by ear but there are so many other great composers that existed and these CD's will show you but a PIECE. But, fair warning, these CD's show only a small fraction of the whole movement (song). If you truly dig the genre you're in for a treat, investigate!
Most Aggravating Album in the World!.......2002-05-26
This CD is the first thing I ever returned to Amazon. It is an inferior product--selections cut off abruptly before the end, volume fades and returns in the middle of a cut...production values are pure schlock here. Maybe I should have expected as much from such a sophomoric title.
A fair introduction to Classical Music.......2001-03-03
I purchased this CD because I am new to Classical Music and thought this would be a good introduction CD. There is some wonderful music on this CD. The only problem I have with this CD is every other track is Opera of one form or another. As a new listener I found that after the Opera tracks I felt I had been yelled at and it was a distraction to the other music contained on the CD. I now know to hit the skip button on my CD player just about every other track. I only gave it 3 stars because I felt put off by the vocal tracks. I believe that when someone is new to Classical Music they do not think of Opera. If you don't mind hitting the skip button a lot or if you like Opera this CD is for you!
Great for Beginners.......2000-07-14
This is a nice recording for folks who don't know much about classical music, and would serve as a wonderful introduction. It covers centuries of great music in a very listener-friendly format. I am sure that I will use this CD in my music classroom. For a seasoned classical music lover, however, the CD proves a bit frustrating, including only segments of masterworks (not even the entire movement of the Holst). I bought the CD for a few recordings, which I truly enjoy and make the CD a worthwile purchase. But I found (and I think that most classical musicians will find) that I already had many of these works in their entirety.
Exellent compilation.......2000-04-12
This is a fine collection of classical songs for those that have little experience with classical music. Howver, I truly love it.
Average customer rating:
- Great perfomances - cheap price
|
The Romantic Violin Vol. 2 - Famous Encores
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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ASIN: B000004101
Release Date: 1990-10-25 |
Tracks:
- Ave Maria - Op.52 No.6
- Meditation de 'Thais'
- Siciliano, Op.3 No. 11
- Tambourin
- Minuet In G
- Melodie
- Traumerei, Op.15 No. 7
- Serenade, D 957 No.4
- Minuet - Divertimento In D, K. 334
- Ave Maria
- Estrellita
- Rondino On A Theme By Beethoven
- La Capricieuse, Op.17
- Apres un reve, Op.7 No. 1
- Nocturne, Op.51 No. 3
- Andantino
- Larghetto - Sonatina in G, Op.100
- Sonata No. 12, Op.3 No. 6
- Sicilienne
- Valse sentimentale, Op.51 No. 6
- Songs My Mother Taught Me, Op.55 No. 4
Customer Reviews:
Great perfomances - cheap price.......2004-12-06
This is another one of those Philips concept albums where they cobble together performances from their catalogue and then package them under some corny title to attract the general public who might not have much knowledge or interest in classical music.
Good news for those of use who are knowledgeable and interested in classical is that this is a CD of all Arthur Grumiaux performances at a great discount price! Grumiaux is one of my favorite performers, and Philips uses his performances in a variety of concept albums, one other worth checking out is "Mozart for Coffee."
All of these songs and performances on this CD are excellent, and the sound quality is wonderful. Some of the selections fall more on the "pop" side of classical music, but with Grumiaux they are rendered wonderfully.
Instead of shelling out full price for a second rate violinst (hear that, Andre Rieu fans?), why not pay half price for a first-rate violinist?
Average customer rating:
- you can't beat it for the price
- BEAUTIFUL AND ENCHANTING MUSIC
- Best CD Ever....
- 20 Classical Favorites
- Great CD
|
20 Classical Favorites
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
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| Pachelbel, Johann
| ( P )
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| Vivaldi, Antonio
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ASIN: B000000K6T
Release Date: 1995-04-16 |
Tracks:
- Nutcraker-Suite: Dance Of The Reed Flutes
- Moonlight Sonata In C- Sharp Minor, Op.27 - 2: Adagio Sostenuto
- Fantasy In D-Minor K. 397
- Minute Waltz In D Flat Major, Op. 64 No.1
- Thus Spoke Zoroaster
- Prelude No.1, BWV 846
- The Thieving Magpie: Overture
- Les Toreadors: Carmen
- The Four Seasons: Winter
- The Messiah: Halelujah
- Turkish March - W.A. Mozart
- For Elise
- Swanlake: Czardas - Tchaikovsky
- Slavonic Dance No. 1
- Ave Maria
- Fireworks Music: Allegro
- Menuetto K.525 - W.A. Mozart
- The Barber Of Sevilla: Overture
- Canon In D-major For String Orchestra
- Lohengrin: Prelude III Act
Customer Reviews:
you can't beat it for the price.......2001-12-10
I can't remember why I bought this cd but I can't be happier that I did. What a pleasant surprise. A disk of 20 songs for about [price]. Very nicely arranged and perfect for relaxing, driving, or work.
BEAUTIFUL AND ENCHANTING MUSIC.......2000-06-14
You won't regret purchasing this amazing classical cd, with many well known tunes played on instruments such as the violin and piano. Pachelbel's Canon and Vivaldi's Winter from The Four Seasons are, in my opinion, the two best songs on the cd.
Best CD Ever...........2000-04-19
This CD was excellent. I just received it today and so far its one of the best CD's in my collection. I recommend this CD to anyone who enjoys a wide variety of classical music.
20 Classical Favorites.......2000-03-23
This is a really nice collection. It is like a sampler of some of the best classical works. Well conducted and played. A terrific value for money. I highly recomend it to anyone from beginner to seasoned listener.
Great CD.......1999-09-05
This CD is definitely one of my favorites. It has all of the great composers and a great selection of their works. Every recording is very good quality. I have to give it an A++
Average customer rating:
- Even better in the Great Recordings of the Century remastered edition
- THE Violinist
- Fritz Kreisler, the King of Violinists
- Listen to the Master
- Fritz Kreisler is great!
|
Kreisler: Original Compositions & Arrangements
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002S4T
Release Date: 1993-07-20 |
Tracks:
- Caprice Viennois. Op. 2
- Tambourin Chinois, Op. 3
- Schon Rosmarin
- La Gitana
- Liebesleid
- Liebesfreud
- Pollchinelle (Serenade)
- Rondino On A Theme By Beethoven
- La Precieuse (In The Style Of Couperin)
- Chanson Louis XIII & Pavane (In The Style Couperin)
- Scherzo alla Dittersdorf
- Gavotte (Partita No. 3, BWV 1006)
- The Londonderry Air
- Ballet No. 2 ('Rosamunde', D. 797)
- The Old Refrain
- Poupee Valsante
- Andante Cantabile (String Quartet No. 1)
- Humoresque, Op. 101 No. 7
- Serenade Espagnole, Op. 20 No. 2
- Larghetto (Violin Sonata No. 1)
- Midnight Bells ('Der Opernball')
- Chanson Hindoue ('Sadko')
- Lotus Land, Op. 47 No. 1
- Danza Espanola ('La Vida Breve')
Customer Reviews:
Even better in the Great Recordings of the Century remastered edition.......2007-05-26
Potential purchasers might note that these performances have been remastered and reissued in EMI's Great Recordings of the Century series, and that CD is also available now via Amazon sellers, in some cases from less than $9.00, new.
THE Violinist.......2006-02-24
There is no one like Kreisler-perfect intonation and just beautiful sound from that instrument are his, without being mawkish or sentimental in his playing.
I prefer other composers' music, but he is a master on anything. To hear what a violin should sound like, listen to Kreisler!
Fritz Kreisler, the King of Violinists.......2003-11-14
Fritz Kreisler was definitly one of the most recognized and best violin player of all times,after Jascha Heifetz. Besides being well known by his compositions, he was a violin virtuoso.His great sense of melodie, made him compose and make wonderful arrangments, with a great importance for the violin repertoire. The sound of his playing in unmistakable, and has a very particular way to play his musics, like for example, the beautiful Schön Rosmarin, where the first notes, make so easy to recognize the Kreisler's playing. I recommend this CD to every violinists and specially to those that want to hear a Master of the Violin playing. Just great !
Listen to the Master.......2000-08-01
Kreisler was the one of greatest of his generation of violinists. This collection highlights his own compositions and transcriptions, and is a wonderful example of his playing style--very polished, refined, with a touch of humor when needed. A great disc, and a worthy addition to your collection, especially if you like historic recordings.
Fritz Kreisler is great!.......1999-07-21
I heard Tamborine Chinois on the Prairie Home Companion in their Towns Under 2000 Talent contest and really liked it. My son then started learning some other Kreisler songs and so I thought it would be great to hear the Master play his own music and I wasn't disappointed. My only regret is that I didn't get to hear Leibesleid years ago otherwise I would have studied violin over string bass.
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50 All Time Favorite Classics (Box Set)
Manufacturer: Madacy Records
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Binding: Audio CD
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ASIN: B000000L7D
Release Date: 1994-09-09 |
Tracks:
- The Marriage Of Figaro
- Exultate Jubilate: Halleluiah
- Eine Kleine Nachtmusik
- The Blue Danube
- Emperor Waltz
- Die Fliedermaus
- The Sleeping Beauty: Waltz
- The Nutcracker Suite: March
- 1st Movement: Piano Concerto No. 1 -
- Serenade For Strings
- 1st Movement: Moonlight Sonata
- Pastoral Symphony No. 6 Finale
- Symphony No. 2
- Finale: Piano Sonata No. 20
- 1st Movement: Symphony No 5
- La Fille Aux Cheveux De Lin
- 1st Movement: Concerto for Violin
- 3rd Movement: Symphony No. 4
- 2nd Movement: Piano Concerto
- The Carnival Of Animals: The Aviary
- The Flying Dutchman
- Humoresque
- Ballet Music: Rosamunde
- 3rd Movement: Symphony No. 2
Tracks:
- 2nd Movement: Symphony No. 40
- Symphony in C
- 3rd Movement: Violin Concerto
- Arabesque
- Waltz: Tales From The Vienna Woods
- A Midsummer Night's Dream: Nocturne
- Berceuse
- Siegfried Idyll
- Piano Quintet: The Trout
- Ballet Suite: Swan Lake
- Swan Lake: Hungarian Dance And Czardas
- Oh Lamb Of God
- To Spring
- Finale: Piano Cocerto in a Miror
- Light Calvary
- Mazurka
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- Radetzky March
- Consolation E Major
- March
- Waltz No 2
- Moment Musical F Minor Op. 94
- Raindrops
- Minute Waltz AS-Major
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Unforgettable Classics: Cello
Manufacturer: Classics for Pleasur
ProductGroup: Music
Binding: Audio CD
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Tortelier, Paul
| ( T )
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General
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Similar Items:
- Jewish Cello Masterpieces
- Chopin: Polonaise brilliante; Cello Sonata; Piano Trio
ASIN: B00000I765
Release Date: 1999-02-23 |
Tracks:
- Cello Concerto In D, Op 3 No 9: I Allegro - Vivaldi
- Cello Concerto In G Minor: I Allegro - Artistes Varies
- Cello Concerto In D: II Adagio - Haydn _
- Cello Concerto In B Flat: III Rondo (Allegro) - Boccherini
- Cello Suite No 1 In G: Prelude - Bach
- Cello Suite No 1 In G: Courante - Bach
- Cello Sonata No 3 In A: II Scherzo (Allegro molto) - Beethoven
- Double Concerto for Violin and Cello In A Minor: III Vivace non troppo (opening) - Brahms
- Allegro Appassionato - Artistes Varies
- Elegie in C minor - Faure
- Cello Concerto In B Minor: I Allegro (opening) - Dvorak
- Cello Concerto In E Minor: III Adagio - Elgar
- The Carnival Of The Animals: The Swan - Artistes Varies
- Swan Lake: Act II - Dance of Odette and the Prince (conclusion) - Tchaikovsky
- The Protecting Veil: The Incarnation - Tavener
- Variations on a Rocco Theme: Introduction, Theme and Variation I Moderato semplice - Tchaikovsky
- Variations on a Rocco Theme: Variations on a Rocco Theme, Variation III Allegro vivo - Tchaikovsky
Music Review:
- The Art of Paderewski, Vol.II
- The Chopin Mazurkas, Volume 2
- The Complete Solo Recordings 1929-36
- The Ghost in the Machine: Music by John Woolrich
- The Greatest Classics: Tchaikovsky
- The Longwood Gardens Organ Volume 1
- The Wanderer: Organ Works of C. Hubert H. Parry
- The World's Greatest Composers (Box Set) [Box set]
- The World's Greatest Symphonies [Box set]
- Transcriptions for 2 Pianos
Music Review
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