Halt

On this CD:

1. Work(s) Sonata in C major
Composed by Domenico Cimarosa
Performed by Salvatore Moltisanti

2. Work(s) Sonata in G minor
Composed by Domenico Cimarosa
Performed by Salvatore Moltisanti

3. Work(s) Sonata in D minor
Composed by Domenico Cimarosa
Performed by Salvatore Moltisanti

4. Work(s) Sonata in B flat major
Composed by Domenico Cimarosa
Performed by Salvatore Moltisanti

5. Work(s) Sonata in C minor
Composed by Domenico Cimarosa
Performed by Salvatore Moltisanti

6. Work(s) Sonata in D minor
Composed by Domenico Cimarosa
Performed by Salvatore Moltisanti

7. Work(s) Sonata in F major
Composed by Domenico Cimarosa
Performed by Salvatore Moltisanti

8. Piano Sonata No. 7 in F sharp major ("White Mass"), Op. 64
Composed by Alexander Nikolayevich Skryabin
Performed by Salvatore Moltisanti

9. Regards (20) sur l'enfant Jésus, for piano, I/27 Regard du Père
Composed by Olivier Messiaen
Performed by Salvatore Moltisanti

10. Regards (20) sur l'enfant Jésus, for piano, I/27 Regard de l'Etoile
Composed by Olivier Messiaen
Performed by Salvatore Moltisanti

11. Regards (20) sur l'enfant Jésus, for piano, I/27 Première Communion de la Vierge
Composed by Olivier Messiaen
Performed by Salvatore Moltisanti

12. Regards (20) sur l'enfant Jésus, for piano, I/27 Regard des Anges
Composed by Olivier Messiaen
Performed by Salvatore Moltisanti

13. A Little Suite for Christmas, A. D. 1979, for piano The Visitation
Composed by George Crumb
Performed by Salvatore Moltisanti

Halt, Music, Domenico Cimarosa, George Crumb, Olivier Messiaen, Alexander Scriabin, Salvatore Moltisanti, 20th/21st Century Sonata/Sonatina for Keyboard, Classical, Coll. of Character/Single-Movement/Misc. Works for Keyb., Keyboard, Miscellaneous, Miscellaneous Music, Music for Keyboard, Suite/Partita for Keyboard
Very Best of
Average customer rating: 5 out of 5 stars
  • The very best performance by Victoria de los Angeles
  • In Memoriam: A Tribute To The Late Victoria
  • the genius of de los angeles
  • A n angelic voice
 Very Best of
Victoria De Los Angeles
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000083GOE
Release Date: 2003-04-22

Tracks:

  1. O Mio Babbino Caro
  2. Un Bel Di Vedremo
  3. Si. Mi Chiamano Mimi - Jussi Bjorling
  4. Senza Mamma
  5. Voi Lo Sapete, O Mamma
  6. Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
  7. Ebben? Ne Andro Lontana
  8. Nacqui All'Affano...Non Piu Mesta
  9. Una Voce Poco Fa
  10. E Strano!... Ah, Fors' E Lui...Sempre Libera
  11. Porgi, Amor
  12. Dich, Teure Halle
  13. Einsam In Truben Tagen
  14. Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
  15. Les Grands Seigneurs...Ah! Je Ris
  16. Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle

Tracks:

  1. Auf Flugein Des Gesanges
  2. Ich Liebe Dich
  3. Wiegenlied
  4. Les Filles De Cadiz
  5. Cuba Dentro De Un Piano
  6. Chevre
  7. Punto De Habanera
  8. Cancion De Cuna Para Dormir A Un Negrito
  9. Canto Negro
  10. De Espana Vengo
  11. Cancion Del Amor Dolido
  12. Cancion Del Fuego Fatuo
  13. La Pastoura Als Camps
  14. Bailero
  15. Chut, Chut
  16. Uno Jionto Postouro
  17. Oh! Had I Jubal's Lyre
  18. An Die Musik
  19. Dein Blaues Auge
  20. Vergebliches Standchen - Gerald Moore
  21. L'Invitation Au Voyage
  22. La Flute Enchantee
  23. Chanson Espagnole
  24. Chanson Francaise
  25. Chanson Italienne
  26. Clavelitos!
  27. Malaguena - Gerald Moore
  28. Granadina - Gerald Moore
  29. Adios, Granada
  30. Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha

Customer Reviews:

5 out of 5 stars The very best performance by Victoria de los Angeles.......2006-09-13

Is the recording on Allegro records of her performance of Madame Butterfly in New Orleans in 1954, not the Rome recording. She is simply radiant, perfect, a voice truly that is a victory for the angels. Unbelievably marvelous.

5 out of 5 stars In Memoriam: A Tribute To The Late Victoria.......2005-02-01

Victoria De Los Angeles died Saturday of heart failure at the age of 83 in Barcelona, Spain. The world of opera mourns her loss. She was a gifted soprano and a wonderful human being. On stage, she was able to directly speak to her audience and communicate with them in a very special and rare way that is not always seen today. She never hid herself behind a facade nor distanced herself from fans and audiences. She was born to sing opera. It was in her blood. This album showcases De Los Angeles in her most memorable and successful roles. Victoria De Los Angeles was one of the first singers from Spain to win worldwide acclaim. Others would follow- Placido Domingo and Montserrat Caballe. De Los Angeles is showcased in this album which may also serve as a tribute to the now late soprano.

Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.

Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.

Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.

5 out of 5 stars the genius of de los angeles.......2004-02-14

the incomparable de los angeles combines exquisite sound and nuance to the world of superb singing. her mastery of a variety of styles is astounding and yet it always sounds natural.her magic will live forever.

5 out of 5 stars A n angelic voice.......2004-02-06

De los Angeles' ability to sing with elegance and style has rarely been equalled and never been surpassed. She's the greatest Charlotte in "Werther", the most tender Santuzza in "Cavalleria Rusticana" and the most sumptuos Nedda in "I Pagliacci". Her Lieder-Recordings are legendary, my favourites are the Spanish ones of course. What a piano-culture and what a velvet sound! Get this set, it's cheap and it has GREAT singing!
Little Drummer Boy: Christmas Favorites by the World Renowed Vienna Boys's Choir
Average customer rating: 5 out of 5 stars
  • As usual....
  • John P. Cutler
 Little Drummer Boy: Christmas Favorites by the World Renowed Vienna Boys's Choir

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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  1. Christmas Favorites
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ASIN: B000001V9E
Release Date: 1995-10-17

Tracks:

  1. Adeste Fideles
  2. Pueri Concinite
  3. Joy To The World
  4. The First Noel
  5. Deck The Halls
  6. The Little Drummerboy
  7. Hark!The Herald Angels Sing
  8. Tochter Zion (Daughter Zion)
  9. Maria Durch Ein Dornwald Ging (Maria Went Through Teh Thornwoods)
  10. Als Ich Bei Meinen Schafen Wacht' (As I Watch Over My Sheep)
  11. O Heiland Reiss Die Himmel Auf (O Savior Open Your Heavens)
  12. Von Himmel Hoch Komm' Ich Her (From The Heavens Above I Come)
  13. Es Kommt Ein Schiff Geladen (There Comes A Hsip Of Abundance)
  14. Gloria Gloria Gott In Der Hoh (Gloria Gloria God In The Highest)
  15. In Natale Domini
  16. Es Hat Sich Halt Eroffnet
  17. Still Still Still
  18. Stille Nacht Heilige Nacht (Silent Night Holy Night)

Customer Reviews:

5 out of 5 stars As usual...........2002-07-27

As expected, the Vienna Boys Choir would make an excellent Christmas offering, as usual, this is not an disappointment. The production is excellent and the singing is, as usual, the highest quality.

5 out of 5 stars John P. Cutler.......1999-12-31

This is another great CD by the Vienna Boys Choir. I love to listen to it at Christmas, or any other time of the year.I think You'll love it too.
Christmas With the Trapp Family Singers
Average customer rating: 4.5 out of 5 stars
  • A new musical Christmas tradition
  • Christmas Songs from Many Nations - Flawlessly Sung
 Christmas With the Trapp Family Singers
The Trapp Family
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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  5. Volume 1

ASIN: B0002KV296
Release Date: 2004-10-12

Tracks:

  1. Es ist ein' Ros' entsprungen (Speierisches Gesangbuch, K 1599) - (German Chorale)
  2. Hirrten, wachet auf!
  3. Zu Bethlehem geboren
  4. Deck the hall with boughs of Holly
  5. A la nanita nana
  6. Il est ne divin enfant
  7. La canzone di natale
  8. Es hat sich halt eret
  9. Jesus Jesus Rest Your Head
  10. Shepherds come a-running
  11. Lobt Gott, ihr Christen alle gleich
  12. Es wird schon glei dumpa
  13. Nu det jul igen
  14. Ihr Kinderlein, kommet
  15. Der Scheibendudler
  16. Carol of the Drum - Transcribed by C.R.W. Robertson
  17. Deine Wangelen
  18. Stille Nacht, heilige Nacht
  19. Angelus ad pastores ait
  20. In Nativitate Domini
  21. Puer natus est nobis
  22. Beata Viscera
  23. Pastorale
  24. Quem pastores - Den die Hirten
  25. Senex Puerum Portabat

Customer Reviews:

5 out of 5 stars A new musical Christmas tradition.......2004-12-14

This recording was my first experience with the Trapp Family Singers (other than knowing the story from The Sound of Music). I cannot state how pleasently surprised I was.

First of all, the technical quality of the recording is extraordinary. The selections were originally mastered between 1951 - 1953 by Deutsche Grammophon. Yet, despite the early dates, they sound like they were recorded yesterday.

The performances are even more extraordinary. The a capella settings of these traditional Christmas songs are rich in harmony and performed with a clarity rarely heard today. Of particular interest is the Michael Praetorius setting of Es ist ein Ros' entsprungen (Lo how a rose err blooming), Deck the hall with boughs of holly, and the Bach setting of Lobt Gott, ihr Christen alle gleich.

The family is conducted by Dr. Franz Wasner and the enclosed booklet offers a wonderful history of the family by writer Steven Ledbetter.

Overall, this recording has quickly become a new Christmas favorite of mine. I cannot recommend it highly enough.

4 out of 5 stars Christmas Songs from Many Nations - Flawlessly Sung.......2004-10-14

The first 18 tracks on this CD are from an LP of the same name that was a family favorite of ours since the 60s. The vocals are very precise, with noticeable German accents (especially on "Jesus Rest Your Head"). The Trapps, directed by Fr. Wasner, perform songs from their native Austria, including the hauntingly beautiful Scheibendudler (a kind of solemn jodler). Some listeners may not much like their rendition of traditional English or American songs (Deck the Halls, Jesus Rest Your Head). The less familiar Latin and foreign songs are a real treat. Favorites are "A la Nanita" (Spanish), Nu ar de Jul Igen (Swedish), and "Zu Bethlehem Geboren" (German). Most songs are done a capella, although there is recorder accompaniment on one or two. A songbook containing the first 18 songs with music is available from Amazon. All in all, a fine recording and great change of pace from the more usual Christmas music.
Classical Wedding Vol. 2
Average customer rating: 4 out of 5 stars
  • The Best Brass Wedding Album
 Classical Wedding Vol. 2

Manufacturer: Spring Hill
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000600L
Release Date: 1998-04-21

Tracks:

  1. Rondeau
  2. Jesu, Joy Of Man's Desiring
  3. 'Water Music': Hornpipe
  4. Suite: Gaillarde
  5. Suite: Courante
  6. Suite: Aria
  7. Suite: Passepied
  8. Trumpet Tune
  9. Trumpet Sonata: Moderato
  10. Trumpet Sonata: Adagio
  11. Trumpet Sonata: Allegro
  12. 'Clarinet Concerto': Adagio
  13. Aida: Grand March
  14. Little Ronde
  15. Simple Gifts
  16. 'Cantata 78': Aria Duetto
  17. Pilgrim's Chorus
  18. Rigaudon
  19. Bridal Chorus
  20. Trumpet Tune
  21. Trumpet Voluntary
  22. Wedding March
  23. Canzona per sonare No. 2

Customer Reviews:

4 out of 5 stars The Best Brass Wedding Album.......2003-09-03

The performances are solid & clean, and the arrangements are perfect. But the group doesn't even have a name, so the question is, where can we get the sheet music for these arrangements? They're the most useful I've heard.
Very Best of
Average customer rating: 4.5 out of 5 stars
  • Remarkable double set for a master voice
  • The Finest Collection of German Lieder
 Very Best of
Dietrich Fischer-Dieskau
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. An die Musik [2 CD & DVD Limited Edition]

ASIN: B000083GON
Release Date: 2003-04-22

Tracks:

  1. Die Schone Mullerin
  2. Whoin?
  3. Halt!
  4. Danksagung An Den Bach
  5. Ungeduld
  6. Das Lied Im Grunen
  7. Der Tod Und Das Madchen
  8. Heidenroslein
  9. Die Forelle
  10. Standchen
  11. Du Bist Die Ruh'
  12. Erlkonig/Winterreise
  13. Gute Nacht
  14. Die Post
  15. Von Ewiger Liebe
  16. Die Mainacht
  17. Wiegenlied
  18. Auch Klein Dinge
  19. Fussreise
  20. Gebet
  21. Der Gartner
  22. Lebewohl
  23. Morgen!
  24. Freundiche Vision
  25. Mit Deinen Blauen Augen
  26. Des Antonius Von Padua Fischpredigt

Tracks:

  1. Grosser Herr, O Starker Kong
  2. Erleucht' Auch Meine Finstre Sinnen
  3. Cara Sposa, Amante Cara
  4. Die Frist Ist Um
  5. Leb' Wohl
  6. Il Balen Del Suo Sorriso (II Travatore, Act III)
  7. Cortigiani, Vil Razza Dannata!
  8. Per Me Giunto E Il Di Supremo
  9. Alzati!...Eri Tu
  10. Vanne...Credo In Un Dio Crudel
  11. Era La Notte...Si, Pel Ciel

Customer Reviews:

4 out of 5 stars Remarkable double set for a master voice.......2007-03-25

Dietrich Fischer-Dieskau is not only one of the most remarkable opera singers but probably the best performer of german lieder ever, and this double set of EMI's The Very Best series is it a vivid proof of it. His noble singing, impressive characterizations and powerful understanding of music is clearly portrayed here.
There is only one thing missing for perfection: Fischer-Dieskau's marvelous performance of Mozart music, absent in this set, but you can find high peaks: Schubert's Das Wandern, Die Forelle (always one of my favorite lieder), Brahms'Wiegenlied, Wagner's Die Frist ist um (chilling) and Verdi's Eri tu (sour mix of rage and sorrow).

5 out of 5 stars The Finest Collection of German Lieder.......2005-01-15

Dietrich Fischer-Dieskau is the master when it comes to German song. He is the king when it comes to Lied (song) interpretation by any German composer from Gluck to Schubert to Wolf. Sure, people may prefer Fritz Wunderlich or newer greats like Thomas Quasthoff, but everybody must first hear Fischer-Dieskau's take on the song.

I received this CD as a Christmas gift, and was very excited to hear the quality of all the performances. Fischer-Dieskau's specialty is his Schubert Lieder, and his renditions are all fantastic-my favorites are Track 1, Die Schoene Mullerin, with its catchy accompaniment, Staendchen (Track 10), the serenade, and Du bist die Ruh (Track 11). Of course Erlking is a fan favorite, and FD's interpretation is fantastic.

Many people try to describe Fischer-Dieskau's style of interpretation and I find it quite difficult to explain. He has the ability to sing with a feeling of spontaneity, as if he is thinking and feeling the lyrics off the cuff, and yet technically each song is perfect, as if there is complete attention to detail.

The second CD contains excerpts from some of FD's opera/oratorio career, and some of the tracks are quite impressive. I personally prefer James Morris singing Wotan's Abschied by Wagner, but FD's version is extremely moving. FD is a bigger fish in the Lieder world than he is in the opera world, however (if the Lieder world is actually big enough to be a world--maybe just a region).

My take is that anybody who loves Fischer-Dieskau, German Lieder, or just good singing in general will be impressed and happy to own such a CD. I'm not familiar with all of FD's recordings (check it out, there are a lot) to know if these tracks really are HIS BEST, or if there are any glaring omissions, but I think everything on this CD is top-drawer.

How fortunate we are that a man like Fischer-Dieskau came along during the era of recorded sound. This CD is fantastic, and all music-lovers will approve.
Great Recordings Of The Century - Humperdinck: Hansel Und Gretel / Karajan, Schwarzkopf, Grummer, Metternich, et al
Average customer rating: 4.5 out of 5 stars
  • HANSEL GRETEL AND UNCLE HERBERT
  • Great performance of a great opera.
  • Still the recommended version.
  • Exelent
  • High quality and captivating characterizations
 Great Recordings Of The Century - Humperdinck: Hansel Und Gretel / Karajan, Schwarzkopf, Grummer, Metternich, et al
Herbert von Karajan , Loughton Girls School Chorus , Bancroft School Boys' Choir , Elisabeth Schwarzkopf , Josef Metternich , Maria von Ilosvay , Else Schurhoff , and Anny Felbermayer
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  3. Humperdinck: Hänsel & Gretel
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ASIN: B00000K4FQ
Release Date: 1999-09-21

Tracks:

  1. Overture
  2. Suse, Liebe Suse, Was Raschelt Im Stroh?
  3. So Recht! Und Willst Du Nun Nicht Mehr Klagen
  4. Bruderchen, Komm, Tanz Mit Mir
  5. Holla!...Himmel!
  6. Marsch! Fort In Den Wald!
  7. Ral La La La...Heissa, Mutter, Ich Bin Da!
  8. Ho Ho! Wer Spek-Spekta-Kelt Mir
  9. Doch Halt, Wo Bleiben Die Kinder?
  10. Wenn Sie Sich Verirrten Im Walde Dort
  11. Eine Hex', Steinalt
  12. Witch's Ride
  13. Ein Mannlein Steht Im Walde
  14. Mein Erbelkorbchen Ist Voll Bis Oben!
  15. Gretel, Ich Weiss Den Weg Nicht Mehr!
  16. Der Kleine Sandmann Bin Ich, S-t!
  17. Abends, Will Ich Schlafen Gehn
  18. Dream Pantomime

Tracks:

  1. Prelude
  2. Der Kleine Taumann Heiss' Ich
  3. Wo Bin Ich?
  4. Bleib Steh'n!
  5. Wie Duftet's Von Dorten
  6. Knusper, Knusper Knauschen
  7. Ich Bin Rosina Leckermaul
  8. Halt!...Hokuspokus
  9. Nun, Gretel, Sei Vernunftig Und Nett!
  10. Hurr Hopp Hopp Hopp
  11. Auf! Wach Auf, Mein Jungelchen
  12. Juchhei! Nun Ist Die Hexe Tot
  13. Erlost, Befreit, Fur Alle Zeit!
  14. Vater! Mutter!

Amazon.com

Humperdinck's supremely ingratiating opera has an astoundingly starry recorded history. Its singable, easily learned roles have become sort of a drop-in-for-divas occasion (as in the recording by Christa Ludwig and Frederica von Stade, for example), often with extremely big names singing minor roles. This pre-stereo recording starring Elisabeth Schwarzkopf and Elisabeth Grümmer in the titles roles with the youngish Herbert von Karajan would seem to be a forerunner to that, though, in fact, those starry names prove to be window dressing. All the secondary roles are sung by names not familiar to us now, but give us something the starrier casts don't: thoughtful characterizations rather than somewhat-indulgent star turns. Else Schurhoff not only sings the Witch pretty much as written but without mugging--and still manages to be funny. Anny Felbermayer's Sandman is an imaginative piece of vocal characterization that suggests what such an otherworldly creature might actually sound like. Karajan and the Philharmonia Orchestra supply all the orchestral color one could hope for in a mono recording, but without turning it into a showpiece. --David Patrick Stearns

Customer Reviews:

5 out of 5 stars HANSEL GRETEL AND UNCLE HERBERT.......2007-03-06

Can it really have been as long ago as 1953 that this famous performance was recorded? I can no longer remember how the original issue sounded, but the sound comes over very well in general on this remastered set. As often with analogue-to-digital transfers there is a slight `edge' to the effect, particularly of the voices, but that is a very minor matter when set against the flawless clarity throughout. It has been a real thrill too to be reminded of the tone of the great Philharmonia Orchestra in its heyday. The horn sound right away in the first bars is exquisite by way of getting off to a perfect start, and the engineers for their part have done a brilliant job with the echo-effects in the forest.

The only names among the singers that I have stayed familiar with down the years are those of the Hansel and Gretel themselves, Elisabeth Gruemmer and Elisabeth Schwarzkopf. However the entire cast is, to my own way of thinking, something close to ideal. Shwarzkopf and Gruemmer do not attempt any childlike vocal tone, and thank goodness for that. These vocal roles are written for adult sopranos and they call for a good deal of power on occasions. It is the music itself that evokes childhood with its innocent and beautiful tunes, a number of which are songs that that would remain as songs if this opera were given as a spoken stage-play. The other singers all seem to me to understand their parts very well too. What they bring to them is what this music calls for - tact, sensitivity, beauty of tone and musicianship first last and always. Fairy tales only involve simple and schematic characterisation. The witch obviously has to sound witchy to a certain extent, and I find the effect nicely judged here and not overdone. Similarly with the jovial father after a good day's trading and a few drinks to celebrate. Perhaps Maria von Isolvay could have suggested a little more annoyance when she knocks over the milk-jug and have sounded a trifle more aghast when she becomes aware of the danger from the witch. However even if so I still prefer restraint to exaggeration. This is not grand opera, after all.

It is singularly beautiful opera. The witty and stylish, though desperately shallow, Viennese critic Hanslick quotes with rueful agreement someone's statement that Hansel and Gretel is the finest opera since Wagner. I sincerely hope that, superficial though he was, he meant German opera - Verdi's Otello was only from a few years earlier, and Falstaff must have been premiered at something like the same time as Hansel and Gretel was. Assuming this interpretation, I guess I would have to agree as well.

I like the composer's photograph, with his innocent, vulnerable features. I would have liked another, of Karajan as he was in 1953, and I'm trying to recall him as he was then with his hair brushed back from his temples as if in the slipstream of his powerboat. The years have softened a certain antipathy I used to feel towards his showman's approach, and I am coming increasingly to admire some of his earlier work. This is a reissue that I recommend cordially, but please be aware that at a budget price the full libretto is not included. However the German liner-notes on the work and the composer are translated into English, the story must be familiar to everyone and it is easy enough to follow what is happening. All these years later it is still as fresh as the strawberries that the children picked in the forest.

5 out of 5 stars Great performance of a great opera........2002-02-20

Yes, a great opera. Of course, Hansel and Gretel is an easy target, with its obvious story, highly accessible lyricism, strong appeal to six-year-olds, and composer named after a pop singer. But was there ever a lovelier and more moving little song than the evening prayer? Do the familiar tunes ever sound hackneyed? Is there anyone whose heart doesn't start to crack as the two children begin bravely to fend for themselves in the dark forest?

Perhaps the reviewer who called the music mundane was the victim of mundane performances. I've heard pianists make the Appassionata and the F-minor ballade sound mundane.

Many years ago, and old lady very close to me, a lady who in the 1920s and early 1930s had sung Puccini, Verdi, and Mozart throughout Europe and North America opposite some of the greatest singers of the day, told me that she believed Hansel and Gretel to be a great opera indeed. In its own way, she maintained, it is quite profound, but we so often hear it sung without emotional commitment.

Is it subliminal fear of Hansel and Gretel that leads people to belittle and disparage it? Why does just a mention of the title sometimes evoke laughter? Is there a little nervousness in that laughter? How many of us divorced parents have figuratively abandoned our trusting children to the wilderness? How many other listeners find themselves identifying uncomfortably closely with the two waifs? I couldn't listen to this opera for eight years after my divorce. Traviata? Boheme? No problem. I could handle tragedy for Violetta or Mimi, but seeing the effect of divorce on my 10-year-old boy and 9-year-old girl made Hansel and Gretel too much to bear. And is the witch with the cannibalistic designs any worse than what's really out there, just released by some judge or parole board, awaiting the innocent?

I put the Karajan on recently-my first try in eight years-and the hair on the back of my neck unexpectedly stood up with the first few notes. This performance cast a magic spell from first note to last, and neither the 1953 sound nor the mono recording was the least distraction. The singers are fine, their voices beautiful, and the sound is actually quite passable, but the greatness of this performance derives from the players' total commitment: they sing Hansel and Gretel as if it were Tosca or Trovatore. Perhaps Karajan's direction was a factor. This performance isn't some matinee for the kiddies. It's serious, and deadly so.

One reviewer mentioned slow tempos in places. Yes, but they're right for this performance. Listen to the Eichhorn for a superbly sung, high-fidelity, spirited performance that's lots of fun. It really is wonderful. The Karajan? Beware.

4 out of 5 stars Still the recommended version........2001-11-22

Lying in the EMI vaults are many tapes of superb opera recordings made in the 1950s. Herbert von Karajan, prior to his Berlin Philharmonic days, was often engaged to conduct them by the producer, Walter Legge. The recording venue was London's Kingsway Hall - blown to smithereens recently when a bomb that had lodged in the roof during a W W 2 air raid was dislodged.

Amongst these splendid productions, this 1953 recording of "Hänsel und Gretel" has inspired great affection and received many reissues. Early reviewers, writing in the "Record Guide" thought the heroes of the occasion were Elisabeth Grümmer and Herbert von Karajan. Later reviewers have praised Schwarzkopf and Grümmer for their skill at "acting with the voice". Currently this EMI set is still the recommended version of the opera listed in the "Gramophone".

If these are some of the recommendations, are there any cautions? I offer only one. Don't expect 1953 mono recording to deliver the luscious listening experience that modern technology provides.

Listening to the long orchestral introduction to Act Two, you could be excused for thinking that the score was ghost-written by Wagner. In fact the reverse is partly true. In his younger years Humperdinck became strongly influenced and actively associated with Wagner at Bayreuth. Wagner called on his young disciple to help put the finishing touches to "Parsifal".

5 out of 5 stars Exelent.......2000-10-23

I highly recomend this recording. It's greatly sang, and conducted, as It couldn't be in any other way, becouse It's sang by Schwarzkopf, that has a beautiful voice, and gives you the impression that she really is a child. Von Karajan, it's a genious, and gives the orchestra a beutiful sound. If you want to buy Hansel Und Gretel, please buy this version, It's marvelouse.

5 out of 5 stars High quality and captivating characterizations.......2000-02-17

While it may be cliche, the old maxim rings true here: they just don't make them like this anymore. True, this set has its drawbacks, but a performance like this makes any such quibbles easy to forget.

Firstly, mention must be made of the exceptional cast assembled here: virtually everyone is excellent. Pride of place must go to Elisabeth Grummer's excellent Hansel. While this is a part normally assumed by mezzos, Grummer's lovely soprano has enough weight in the lower range to present no problems with the low tessitura. The higher-lying passages are, predictably, no problem for her. Her voice remains radiantly beautiful throughout, and her characterization is sweetly boyish without being cloying (a trap many interpreters of these roles fall into).

Elisabeth Schwarzkopf is a singer whose recordings continue to fascinate decades after they were made. Casting her as Gretel is an unusual choice (she normally took on slightly weightier roles -- she and Grummer, in fact, sang many of the same parts) and while she has to work to sound childlike, her way with the text is unmatched by any recorded Gretel. Her minx-like teasing of Hansel or her gauzy wonder at the appearance of the gingerbread house are just two notable examples. She also sings her Act 2 opening solo with a hushed innocence: for once, Gretel actually sounds like she's singing a folk tune to herself.

The rest of the cast is quite good, if without the obvious excellence of the two leads. Else Schurhoff's Witch is fine; she really sounds like an old crone, but manages to sound frighteningly imposing when casting her spell. Maria von Ilsovay and Josef Metternich are both good, and Anny Felbermayer's soft-grained, childlike tone is right-on for her otherworldly assignments. She is marginally better as the Dew Fairy. What really sets the entire cast apart, however, is their scrupulous attention to the text and the interplay between characters. Everyone seems to be listening to each other, and that concentration and involvement really shines through.

The sound, particularly in this remastered version, is excellent: not a digital sonic spectacular, true, but you'll probably forget you're listening to a mono recording.

I'm not crazy about Herbert von Karajan's conducting in this piece. The loftier sections are really wonderful, but the lighter moments lack the propulsion and fleetness to really sweep us along (the awakening scene seemed interminable here).

For the best recording of Hansel and Gretel, I'd recommend the Kurt Eichorn recording with Helen Donath and Anna Moffo. It also contains the best Sandman, Dew Fairy, and Witch (Christa Ludwig) on records. But if you have room for another classic recording, don't pass this one up.
Wagner: Parsifal/Die Meistersinger von Nürnberg
Average customer rating: 5 out of 5 stars
  • Invaluable musical treasures!
 Wagner: Parsifal/Die Meistersinger von Nürnberg

Manufacturer: Koch Schwann (Germ.)
ProductGroup: Music
Binding: Audio CD

All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ASIN: B000001SUP
Release Date: 1994-05-31

Tracks:

  1. Vorspiel zum 1. Auzfug - Vienna State Opera Orch, Choir, & Cast
  2. Nun achte wohl und lass mich seh'n-Zum letzten Liebesmahle - Vienna State Opera Orch, Choir, & Cast
  3. Vospiel zum 2. Aufzug-Die Zeit ist da - Vienna State Opera Orch, Choir, & Cast
  4. Wie lachen ihm die Rossen der Wangan-Hier! Hier war das Tosen-Ihr schonen Kinder - Vienna State Opera Orch, Choir, & Cast
  5. Und willst Du uns nicht schelton-Komm, komm, holder Knabe - Vienna State Opera Orch, Choir, & Cast
  6. Sie beut dir heut' als Muttersegens letzen Gruss-Amfortas! Die Wunde - Vienna State Opera Orch, Choir, & Cast
  7. Hilfe! Hilfe! Herbei! - Vienna State Opera Orch, Choir, & Cast
  8. Vorspiel zum 3. Aufzug - Vienna State Opera Orch, Choir, & Cast
  9. Du siehst, das ist nicht so - Vienna State Opera Orch, Choir, & Cast
  10. Ich sah sie welken, die einst mir lachten - Vienna State Opera Orch, Choir, & Cast
  11. Verwandlungsmusik-Geleiten wir im bergenden Schrein - Vienna State Opera Orch, Choir, & Cast
  12. Hochsten Heiles Wunder - Vienna State Opera Orch, Choir, & Cast
  13. Vospiel zum 1. Aufzug-Da zu dir der Heiland kam - Vienna State Opera Orch, Choir, & Cast
  14. Halt, Meister! Nicht so geeilt! - Vienna State Opera Orch, Choir, & Cast

Tracks:

  1. Was duffet Doch der Flieder - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  2. Gut'n Abend, Meister - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  3. Jerum! Jerum! Hallohallohe! - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  4. Oha! Wollt mich beim Wahne fassen - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  5. So lang als Beckmesser lebt - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  6. dass mit Vergumst-Ist das erlaubt, so spat zur Nacht - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  7. Vorspiel zum 3. Auzfug (fragment) - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  8. Wahn! Wahn! Uberall Wahn!-Gruss Gott, mein junker - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  9. Doch lasst dem Ruh'-Mein Freund, in holder Jugendzeit - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  10. O Sachs, mein Freud-Aha, da streicht die Lene schoon um's Haus-Ein Kind ward geboren - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  11. Selig, wie die Sonne-Verwandlungsmusik - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  12. Ach auf! Es nahet gen den Tag - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  13. sein Tochterlein, sein hochstes Gut-O saschs mein Freund! - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  14. Das Lied, furwahr, ist nicht von mir - Vienna State Opera/Nurnberg Operahouse Choir & Cast
  15. Verachtet mit die Meister nicht - Vienna State Opera/Nurnberg Operahouse Choir & Cast

Customer Reviews:

5 out of 5 stars Invaluable musical treasures!.......2005-12-20

The presence of these two giants of the conducting world reserve for you a journey through the time.

Die Meistersinger Von Nürnberg is dated from September 1938 and Parsifal was recorded on April 1939 at the Wiener Staatsoper. Hans Sachs is Rudolf Bockelman and Veit Pogner is Josef von Manowarda; while in Parsifal Parsifal is Hans Grahl, Gurnemanz is Herbert Alsen, Kundry is Anny Konetzi and Klingsor is Hermann Wiedemann.

Go for this admirable collection whose historical importance will increase exponentially through the years.
Bach: Sacred Cantatas
Average customer rating: 5 out of 5 stars
  • Harnoncourt
  • As Close as I can Imagine for Authentic Bach
  • Recording's Greatest Achievement
  • recommended
  • Teldec Set Still Holds Up After 30 Years
 Bach: Sacred Cantatas

Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
ClassicalClassical | Box Sets | Stores | Music
ASIN: B000000SKY
Release Date: 1994-12-20

Tracks:

  1. Discs 1 - 6: Cantatas BWV 1 - 19
  2. Discs 7 - 12: Cantatas BWV 20 - 36
  3. Discs 13 - 18: Cantatas BWV 37 - 60
  4. Discs 19 - 24: Cantatas BWV 61 - 78
  5. Discs 25 - 30: Cantatas BWV 79 - 99
  6. Discs 31 - 36: Cantatas BWV 100 - 117
  7. Discs 37 - 42: Cantatas BWV 119 - 137
  8. Discs 43 - 48: Cantatas BWV 138 - 162
  9. Discs 49 - 54: Cantatas BWV 163 - 182
  10. Discs 55 - 60: Cantatas BWV 183 - 199
  11. Ach Gott, Vom Himmel Sieh Darein, BWV 2, BC A98, Aria: Durchs Feuer Wird Das Silber Rein - Kurt Equiluz
  12. Ach Gott, Vom Himmel Sieh Darein, BWV 2, BC A98, Chor: Das Wollst Du, Gott, Bewahren Rein - Wiener Sangerknaben/Hans Gillesberger
  13. Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Chor: Ach Gott, Wie Manches Herzeleid - Wiener Sangerknaben/Hans Gillesberger
  14. Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Recitativo: Wie Schwerlich Lasst Sich Fleisch Und... - Soloist Of The Wiener Sangerknaben/Kurt Equiluz/Max Van Egmond/Paul Esswood/Wiener Sangerknaben...
  15. Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Aria: Empfind Ich Hollenangst Und Pein - Max Van Egmond
  16. Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Recitativo: Es Mag Mir Leib Und Beist Verschmachten - Kurt Equiluz
  17. Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Aria: Wenn Sorgen Auf Mich Dringen - Soloist Of The Wiener Sangerknaben/Paul Esswood
  18. Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Chor: Erhalt Mein Herz Im Glauben Rein - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Christ Lag In Todes Banden, BWV 4, BC A54b: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  2. Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus I: Christ Lag In Todes Banden - Wiener Sangerknaben/Hans Gillesberger
  3. Christ Lag In Todes Banden, BWV 4, BC A54b, Duetto, Versus II: Den To Niemand Zwingen Kunnt - Soloist Of The Wiener Sangerknaben/Paul Esswood
  4. Christ Lag In Todes Banden, BWV 4, BC A54b, Aria, Versus III: Jesus Christus, Gottes Sohn - Kurt Equiluz
  5. Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus IV: Es War Ein Wunderlicher Krieg - Wiener Sangerknaben/Hans Gillesberger
  6. Christ Lag In Todes Banden, BWV 4, BC A54b, Aria, Versus V: Hier Ist Das Rechte Osterlamm - Max Van Egmond
  7. Christ Lag In Todes Banden, BWV 4, BC A54b, Duetto, Versus VI: So Feiern Wir Das Hohe Fest - Soloist Of The Wiener Sangerknaben/Kurt Equiluz
  8. Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus VII, Chor: Wir Essen Und Leben Wohl - Wiener Sangerknaben/Hans Gillesberger
  9. Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Chor: Wo Soll Ich Fliehen Hin - Wiener Sangerknaben/Hans Gillesberger
  10. Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Der Sunden Wust Hat Mich Nicht Nur Befleckt - Max Van Egmond
  11. Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Aria: Ergiesse Dich Reichlich - Kurt Equiluz
  12. Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Mein Treuer Heiland Trostet Mich - Paul Esswood
  13. Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Aria: Verstumme, Hollenheer - Max Van Egmond
  14. Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Ich Bin Ja Nur Das Kleinste Teil Der Welt - Soloist Of The Wiener Sangerknaben
  15. Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Chor: Fuhr Auch Mein Herz Und Sinn - Wiener Sangerknaben/Hans Gillesberger
  16. Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Bleib Bei Uns, Denn Es Will Abend ... - Wiener Sangerknaben/Hans Gillesberger
  17. Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Aria: Hochgelobter Gottessohn - Paul Esswood
  18. Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Auch Bleib Bei Uns, Herr Jesu Christ - Soloist Of The Wiener Sangerknaben
  19. Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Recitativo: Es Hat Die Dunkelheit An ... - Max Van Egmond
  20. Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Aria: Jesu, Lass Uns Auf Dich Sehen - Kurt Equiluz
  21. Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Beweis Dein Macht, Herr Jesu Christ - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Chor: Christ Unser Herr Zum Jordan Kam - King's College Chor Cambridge/David Willcocks
  2. Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Merkt Und Hort, Ihr Menschenkinder - Max Van Egmond
  3. Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Recitativo: Dies Hat Gott Klar Mit Worten - Kurt Equiluz
  4. Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Des Vaters Stimme Liess Sich Horen - Kurt Equiluz
  5. Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Recitativo: Als Jesus Dort Nach Seinen Leiden - Max Van Egmond
  6. Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Menschen, Glaubt Doch Dieser Gnade - Paul Esswood
  7. Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Chor: Das Aug Allein Das Wasser Sieht - King's College Chor Cambridge/David Willcocks
  8. Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Chor: Liebster Gott, Wenn Werd Ich Sterben? - King's College Chor Cambridge/David Willcocks
  9. Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Aria: Was Willst Du Dich Mein Geist... - Kurt Equiluz
  10. Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Recitativo: Zwar Fuhlt Mein Schwaches Herz - Paul Esswood
  11. Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Aria: Doch Weichet, Ihr Tollen... - Max Van Egmond
  12. Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Recitativo: Behalte Nur, O Welt, Das Meine! - Soloist Of The Regensburger Domspatzen
  13. Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Chor: Herrscher Uber Tod Und Leben - King's College Chor Cambridge/David Willcocks
  14. Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Chor: Es Ist Das Heil Uns Kommen Her - King's College Chor Cambridge/David Willcocks
  15. Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Gott Gab Uns Ein Gesetz - Max Van Egmond
  16. Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Aria: Wir Waren Schon Zu Tef Gesunken - Kurt Equiluz
  17. Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Doch Musste Das Gesetz Erfullet Werden - Max Van Egmond
  18. Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Aria: Herr, Du Siehst Statt Guter Werke - Soloist Of The Regensburger Domspatzen/Paul Esswood
  19. Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Wenn Wir Die Sund Aus Dem Gestz Erkennen - Max Van Egmond
  20. Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Chor: Ob Sichs Anliess, Als Wollt Er Nicht - King's College Chor Cambridge/David Willcocks

Tracks:

  1. Meine Seel Erhebt Den Herren, BWV 10, BC A175, Chor: Meine Seel Erhebt Den Herren - King's College Chor Cambridge/David Willcocks
  2. Meine Seel Erhebt Den Herren, BWV 10, BC A175, Aria: Herr, Der Du Stark Und Machtig Bist. - Soloist Of The Regensburger Domspatzen
  3. Meine Seel Erhebt Den Herren, BWV 10, BC A175, Recitativo: Des Hochsten Gut Und Treu - Kurt Equiluz
  4. Meine Seel Erhebt Den Herren, BWV 10, BC A175, Aria: Gewaltige Stosst Gott Vom Stuhl - Max Van Egmond
  5. Meine Seel Erhebt Den Herren, BWV 10, BC A175, Duetto: Er Denket Der Barmherzigkeit - Paul Esswood/Kurt Equiluz
  6. Meine Seel Erhebt Den Herren, BWV 10, BC A175, Recitativo: Was Gott Den Vatern Alter Zeiten - Kurt Equiluz
  7. Meine Seel Erhebt Den Herren, BWV 10, BC A175, Chor: Lob Und Preis Sei Gott Dem Vater - King's College Chor Cambridge/David Willcocks
  8. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Lobet Gott In Seinen Reichen - Wiener Sangerknaben/Hans Gillesberger
  9. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Der Herr Jesus Hub Seine Hande Auf - Kurt Equiluz
  10. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Ach, Jesu, Ist Dein Abschied Schon So Nah? - Max Van Egmond
  11. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Aria: Ach, Bleibe Doch, Mein Liebstes Leben - Paul Esswood
  12. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Und Ward Auf Gehoben Zusehends - Kurt Equiluz
  13. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Nun Lieget Alles Unter Dir - Wiener Sangerknaben/Hans Gillesberger
  14. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Und Da Sie Ihm Nachsahen - Kurt Equiluz/Max Van Egmond
  15. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Ach Ja! So Komme Bald Zuruck - Paul Esswood
  16. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Sie Aber Beteten Ihn An - Kurt Equiluz
  17. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Aria: Jesu, Deine Gnadenblicke - Soloist Of The Wiener Sangerknaben
  18. Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Wann Soll Es Doch Geschehen - Wiener Sangerknaben/Hans Gillesberger
  19. Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68: Sinf - Leonhardt-Consort/Gustav Leonhardt
  20. Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Chor: Weinen, Klagen, Sorgen, Zagen - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
  21. Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Arioso: Wir Mussen Durch Viel Trubsal - Paul Esswood
  22. Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Kreuz Und Krone Sind Verbunden - Paul Esswood
  23. Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Ich Folge Christo Nach - Max Van Egmond
  24. Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Sei Getreu, Alle Pein - Kurt Equiluz
  25. Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Chor: Was Gott Tut, Das Ish Wohlgetan - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks

Tracks:

  1. Meine Seufzer, Meine Tranen, BWV 13, BC A34, Aria: Meine Seufzer, Meine Tranen - Kurt Equiluz
  2. Meine Seufzer, Meine Tranen, BWV 13, BC A34, Rectiativo: Mein Liebster Gott Lasst Mich Annoch - Paul Esswood
  3. Meine Seufzer, Meine Tranen, BWV 13, BC A34, Chor: Der Gott Der Mir Hat Versprochen - Paul Esswood
  4. Meine Seufzer, Meine Tranen, BWV 13, BC A34, Recitativo: Mein Kummer Nimmt Zu - Walter Gampert
  5. Meine Seufzer, Meine Tranen, BWV 13, BC A34, Aria: Achzen Und Erbarmlich Weinen - Max Van Egmond
  6. Meine Seufzer, Meine Tranen, BWV 13, BC A34, Chor: So Sei Nun, Seele, Deine - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
  7. War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Chor: War Gott Nicht Mit Uns Diese Zeit - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
  8. War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Aria: Unsre Starke Heisst Zu Schwach - Peter Hinterreiter
  9. War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Recitativo: Ja, Hatt es Gott Nur Zugegeben - Marius Van Altena
  10. War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Aria: Gott, Bei Deinem Starken Schutzen - Max Van Egmond
  11. War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Chor: Gott Lob Und Dank, Der Nicht Zugab - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
  12. Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor: Herr Gott, Dich Loben Wir - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
  13. Herr Gott, Dich Loben Wir, BWV 16, BC A23, Recitativo: So Stimmen Wir Bei Dieser Frohen Zeit - Max Van Egmond
  14. Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor & Aria: Lasst Uns Jauchzen, Lasst Uns Freuen - Max Van Egmond/Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/ ...
  15. Herr Gott, Dich Loben Wir, BWV 16, BC A23, Recitativo: Ach Treuer Hort - Paul Esswood
  16. Herr Gott, Dich Loben Wir, BWV 16, BC A23, Aria: Geliebter Jesu, Du Allein - Marius Van Altena
  17. Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor: All Solch Dein Gut Wir Preisen - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks

Tracks:

  1. Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Chor: Wer Dank Opfert, Der Preiset Mich - Wiener Sangerknaben/Hans Gillesberger
  2. Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Es Muss Die Ganze Welt - Paul Esswood
  3. Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Aria: Herr, Deine Gute - Soloist Of The Wiener Sangerknaben
  4. Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Einer Aber Unter Ihnen - Kurt Equiluz
  5. Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Aria: Welch Ubermass Der Gute - Kurt Equiluz
  6. Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Sieh Meinen Willen An - Max Van Egmond
  7. Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Chor: Wir Sich Ein Vatr Erbarmet - Wiener Sangerknaben/Hans Gillesberger
  8. Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  9. Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Recitativo: Gleichwie Der ... - Max Van Egmond
  10. Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Recitativo: Mein Gott, Hier Wird.. - Soloist Of The Wiener Sangerknaben/Kurt Equiluz/Max Van Egmond/Wiener Sangerknaben/Hans Gillesberger
  11. Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Aria: Mein Seelenschatz Ist ... - Soloist Of The Wiener Sangerknaben
  12. Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Chor: Ich Bitt, O Herr, Aus ... - Wiener Sangerknaben/Hans Gillesberger
  13. Es Erhub Sich Ein Streit, BWV 19, BC A180, Chor: Es Erhub Sich Ein Streit - Wiener Sangerknaben/Hans Gillesberger
  14. Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Gottlob! Der Drache Liegt - Max Van Egmond
  15. Es Erhub Sich Ein Streit, BWV 19, BC A180, Aria: Gott Schickt Uns Mahanaim Zu - Soloist Of The Wiener Sangerknaben
  16. Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Was Ist Der Schnode Mensch - Kurt Equiluz
  17. Es Erhub Sich Ein Streit, BWV 19, BC A180, Aria: Bleibt, Ihr Engel - Kurt Equiluz
  18. Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Lasst Uns Das Angescht - Soloist Of The Wiener Sangerknaben
  19. Es Erhub Sich Ein Streit, BWV 19, BC A180, Chor: Lass Dein Engel Mit Mir Fahren - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Chor: O Ewigkeit, Du Donnerwort - Wiener Sangerknaben/Hans Gillesberger
  2. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Recitativo... - Kurt Equiluz
  3. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: Ewigkeit, Du Machst Mir Bange - Kurt Equiluz
  4. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Recitativo: Gesetzt... - Max Van Egmond
  5. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: Gott Ist Gerecht - Max Van Egmond
  6. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: O Mensch, Errette Deine Seele - Paul Esswood
  7. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Chor: Solang Ein Gott Im Himmel Lebt - Wiener Sangerknaben/Hans Gillesberger
  8. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Aria: Wacht Auf, Wacht Auf... - Max Van Egmond
  9. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Recitativo: Verlass, O Mensch... - Paul Esswood
  10. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Aria: O Menschenkind... - Paul Esswood/Kurt Equiluz
  11. O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Chor: O Ewigkeit, Du Donnerwort - Wiener Sangerknaben/Hans Gillesberger
  12. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  13. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Chor: Ich Hatte Viel Bekummernis - Wiener Sangerknaben/Hans Gillesberger
  14. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Aria: Seufzer, Tranen, Kummer, Not - Soloist Of The Wiener Sangerknaben
  15. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Recitativo: Wie Hast Du Dich, Mein Gott - Kurt Equiluz
  16. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Aria: Bache Von Gesalznen Zahren - Kurt Equiluz
  17. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Chor: Was Betrubst Du Dich, Meine Seele - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
  18. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Recitativo: Ach Jesu, Meine Ruh - Walker Wyatt/Soloist Of The Wiener Sangerknaben
  19. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Duetto: Komm, Mein Jesu - Walker Wyatt/Soloist Of The Wiener Sangerknaben
  20. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Coro: Sei Nun Wieder Zufrieden - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
  21. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Aria: Erfreue Dich, Seele - Kurt Equiluz
  22. Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Coro: Das Lamm, Das Erwurget Ist - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...

Tracks:

  1. Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria,Chor: Jesus Nahm Zu Sich Die Zwolfe - Kurt Equiluz/Max Van Egmond
  2. Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria: Mein Jesu, Ziehe Mich Nach Dir - Paul Esswood
  3. Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Recitativo: Mein Jesu, Ziehe Mich - Max Van Egmond
  4. Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria: Mein Alles In Allem - Kurt Equiluz
  5. Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Chor: Ertot Uns Durch Dein Gute - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
  6. Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Aria: Du Wahrer Gott Und Davids Sohn - Paul Esswood/Walter Gampert
  7. Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Recitativo: Ach, Gehe Nicht Voruber - Marius Van Altena
  8. Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Chor: Aller Augen Warten, Herr - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
  9. Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Chor: Christe, Du Lamm Gottes - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
  10. Ein Ungefarbt Gemute, BWV 24, BC A102, Aria: Ein Ungefarbt Gemute - Paul Esswood
  11. Ein Ungefarbt Gemute, BWV 24, BC A102, Recitativo: Die Redlichkeit Ist Eine Von Den Gottesgaben - Kurt Equiluz
  12. Ein Ungefarbt Gemute, BWV 24, BC A102, Chor: Alles Nun, Das Ihr Wollet - Wiener Sangerknaben/Hans Gillesberger
  13. Ein Ungefarbt Gemute, BWV 24, BC A102, Recitativo: Die Heuchelei Ist Eine Brut - Max Van Egmond
  14. Ein Ungefarbt Gemute, BWV 24, BC A102, Aria: Treu Und Wahrheit Sei Der Grund - Kurt Equiluz
  15. Ein Ungefarbt Gemute, BWV 24, BC A102, Chor: O Gott, Du Frommer Gott - Wiener Sangerknaben/Hans Gillesberger
  16. Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Chor... - Wiener Sangerknaben/Hans Gillesberger
  17. Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Recitativo... - Kurt Equiluz
  18. Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Aria: Ach, Wo Hol Ich Armer Rat - Max Van Egmond
  19. Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Recitativo: O Jesu, Lieber Meister - Soloist Of The Wiener Sangerknaben
  20. Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Aria: Offne Meinen Schlechten Liedern - Soloist Of The Wiener Sangerknaben
  21. Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Chor: Ich Will Alle Meine Tage - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Chor: Ach Wie Fluchtig, Ach Wie Nichtig - Wiener Sangerknaben/Hans Gillesberger
  2. Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Aria: So Schnell Ein Rauschend Wasser Schiesst - Kurt Equiluz
  3. Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Recitativo: Die Freude Wird Zur Traurigkeit - Paul Esswood
  4. Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Aria: An Irdische Schatze Das Herze Zu Hangen - Siegmund Nimsgern
  5. Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Recitativo: Die Hochste Herrlichkeit Und Pracht - Soloist Of The Wiener Sangerknaben
  6. Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Chor: Ach Wie Fluchtig, Ach Wie Nichtig - Wiener Sangerknaben/Hans Gillesberger
  7. Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Chor: Wer Weiss, Wie Nahe Mir Mein Ende! - Wiener Sangerknaben/Hans Gillesberger
  8. Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Recitativo: Mein Leben Hat Kein Ander Ziel - Kurt Equiluz
  9. Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Aria: Willkommen! Will Ich Sagen - Paul Esswood/Soloist Of The Wiener Sangerknaben
  10. Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Recitativo: Ach, Wer Doch Schon Im Himmel War! - Soloist Of The Wiener Sangerknaben
  11. Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Aria: Gute Nacht, Du Weltgetummel! - Siegmund Nimsgern
  12. Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Chor: Welt Ade! Ich Bin Dein Mude - Wiener Sangerknaben/Hans Gillesberger
  13. Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Aria: Gottlob! Nun Geht Das Jahr Zu Ende - Soloist Of The Wiener Sangerknaben
  14. Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Chor: Nun Lob, Mein Seel, Den Herren - Wiener Sangerknaben/Hans Gillesberger
  15. Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Recitativo - Arioso: So Sprict Der Herr - Siegmund Nimsgern
  16. Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Recitativo: Gott Ist Ein Quell... - Kurt Equiluz
  17. Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Aria: Gott Hat Uns Im Heurigen Jahr Gesegnet - Kurt Equiluz/Paul Esswood
  18. Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Chor: All Solch Dein Gut Wir Preisen - Wiener Sangerknaben/Hans Gillesberger
  19. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  20. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Chor: Wir Danken Dir Gott, Wir Danken Dir - Wiener Sangerknaben/Hans Gillesberger
  21. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Halleluja, Stark Und Macht - Kurt Equiluz
  22. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Recitativo: Gottlob! Es Geht Uns Wohl! - Max Van Egmond
  23. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Gedenk An Uns Mit Deiner Liebe - Soloist Of The Wiener Sangerknaben
  24. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Recitativo: Vergiss Es Ferner Nicht - Paul Esswood/Wiener Sangerknaben/Hans Gillesberger
  25. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Halleluja, Stark Und Macht - Paul Esswood
  26. Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Chor: Sei Lob Und Preis Mit Ehren - Concentus Musicus Wien/Nikolaus Harnoncourt

Tracks:

  1. Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Coro: Freue Dich, Erloste Schar - Wiener Sangerknaben/Hans Gillesberger
  2. Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Recitativo: Wir Haben Rast - Max Van Egmond
  3. Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Aria: Gelobet Sei Gott, Gelobet Sein Name - Max Van Egmond
  4. Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Recitativo: Der Herold Kommt - Paul Esswood
  5. Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Aria: Kommt, Ihr Angefochtnen Sunder - Paul Esswood
  6. Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Chor: Eine Stimme Lasst Sich Horen - Wiener Sangerknaben/Hans Gillesberger
  7. Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo: So Bist Du Denn, Mein Heil... - Max Van Egmond
  8. Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Aria: Ich Will Nun Hassen - Max Van Egmond
  9. Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo... - Soloist Of The Wiener Sangerknaben
  10. Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Aria: Eilt, Ihr Stunden, Kommt Herbei - Soloist Of The Wiener Sangerknaben
  11. Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo: Geduld, Der Angenehme Tag - Kurt Equiluz
  12. Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Chor: Freue Dich, Geheilgte Schar - Wiener Sangerknaben/Hans Gillesberger
  13. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b: Son - Concentus Musicus Wien/Nikolaus Harnoncourt
  14. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Chor: Der Himmel Lacht! Die Erde Jubilieret - Wiener Sangerknaben/Hans Gillesberger/Soloists Of The Wiener Sangerknaben
  15. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: Erwunschter Tag! Sei, Seele ... - Siegmund Nimsgern
  16. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Furst Des Lebens, Starker Streiter - Siegmund Nimsgern
  17. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: So Stehe Dann... - Kurt Equiluz
  18. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Adam Muss In Uns Verwesen - Kurt Equiluz
  19. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: Weil Denn Das Hauupt Sein Glied - Soloist Of The Wiener Sangerknaben
  20. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Letzte Stunde, Brich Herein - Soloist Of The Wiener Sangerknaben
  21. Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Chor: So Fahr Ich Hin Zu Jesu Christ - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Leibster Jesu, Mein Verlangen - Walter Gampert
  2. Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Recitativo: Was Ists, Dass Du Mich Gesuchet? - Max Van Egmond
  3. Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Hier, In Meines Vaters Statte - Max Van Egmond
  4. Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Recitativo: Ach! Heiliger Und Grosser Gott - Max Van Egmond/Walter Gampert
  5. Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Nun Verschwinden Alle Plagen - Max Van Egmond/Walter Gampert
  6. Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Chor: Mein Gott, Offne Mir Die Pforten - Knabenchor Hannover/Heinz Henning
  7. Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Chor: Allein Zu Dir, Herr Jesu Christ - Knabenchor Hannover/Heinz Henning
  8. Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Recitativo: Mein Gott Und Richter - Max Van Egmond
  9. Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Aria: Wie Furchtsam Wankten Meine Schritte - Rene Jacobs
  10. Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Recitativo: Mein Gott, Verwirf Mich Nicht - Marius Van Altena
  11. Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Aria: Gott, Der Du Die Liebe Heisst - Marius Van Altena/Max Van Egmond
  12. Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Ehr Sei Gott In Dem Hochsten Thron - Knabenchor Hannover/Heinz Henning
  13. O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Chor: O Ewiges Feuer, O Ursprung Der Liebe - Wiener Sangerknaben/Hans Gillesberger
  14. O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Recitativo: Herr!... - Kurt Equiluz
  15. O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Aria: Wohl Euch, Ihr Auserwahlten Seelen - Paul Esswood
  16. O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Recitativo... - Siegmund Nimsgern
  17. O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Chor: Friede Uber Israel!... - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Geist Und Seele Wird Verwirret, BWV 35, BC A125: Prima Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  2. Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Aria: Geist Und Seele Wird Verwirret - Paul Esswood
  3. Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Recitativo: Ich Wundre Mich... - Paul Esswood
  4. Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Aria: Gott Hat Alles Wohlgemacht - Paul Esswood
  5. Geist Und Seele Wird Verwirret, BWV 35, BC A125: Seconda Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  6. Geist Und Seele Wird Verwirret, BWV 35, BC A125, Seconda Parte: Recitativo: Ach, Starker Gott... - Paul Esswood
  7. Geist Und Seele Wird Verwirret, BWV 35, BC A125, Seconda Parte: Aria: Ich Wunsche Mir... - Paul Esswood
  8. Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Schwingt Freudig Euch Empor - Wiener Sangerknaben/Hans Gillesberger
  9. Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Nun Komm, Der Heiden Heiland - Paul Esswood/Soloist Of The Wiener Sangerknaben
  10. Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Aria... - Kurt Equiluz
  11. Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Zwingt Die Saiten In Cythara - Wiener Sangerknaben/Hans Gillesberger
  12. Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Aria: Willkommen, Werter Schatz - Ruud Van Der Meer
  13. Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Chor: Der Du Bist Dem Vater Gleich - Kurt Equiluz
  14. Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Aria: Auch Mit Gedampften... - Soloist Of The Wiener Sangerknaben
  15. Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Chor: Lob Sei Gott, Dem Vater, G'ton - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Wer Da Glaubet Und Getauft Wird - Wiener Sangerknaben/Hans Gillesberger
  2. Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Aria: Der Glaube Ist Das Pfand Der Liebe - Kurt Equiluz
  3. Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Choral: Herr Gott Vater, Mein Starker Held - Soloist Of The Wiener Sangerknaben/Paul Esswood
  4. Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Recitativo: Ihr Sterblichen, Verlanget Ihr Mit Mir - Ruud Van Der Meer
  5. Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Aria: Der Glaube Schafft Der Seele Flugel - Ruud Van Der Meer
  6. Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Choral: Den Glauben Mir Verleihe - Wiener Sangerknaben/Hans Gillesberger
  7. Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Coro: Aus Tiefer Not Schrie Ich Zu Dir - Wiener Sangerknaben/Hans Gillesberger
  8. Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Recitativo: In Jesu Gnade Wird Allein - Paul Esswood
  9. Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Aria: Ich Hore Mitten In Dem Leiden - Kurt Equiluz
  10. Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Recitativo: Ach! Dass Mein Glaube Noch So Schwach - Soloist Of The Wiener Sangerknaben
  11. Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Aria: Wenn Meine Trubsal Als Mit Ketten - Soloist Of The Wiener Sangerknaben/Paul Esswood/Ruud Van Der Meer
  12. Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Choral: Ob Bei Uns Ist Der Sunden Viel - Wiener Sangerknaben/Hans Gillesberger
  13. Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Coro: Brich Dem Hungrigen Dein Brot - Knabenchor Hannover/Heinz Hennig
  14. Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Recitativo: Der Reiche Gott Wirft Seinen Uberfluss - Max Van Egmond
  15. Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Aria: Seinem Schopfer Noch Auf Erden - Rene Jacobs
  16. Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Aria: Wohlzutun Und Mitzuteilen - Max Van Egmond
  17. Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Aria: Hochster, Was Ich Habe - Soloist Of The Knabenchor Hannover
  18. Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Recitativo: Wie Soll Ich Dir, O Herr - Rene Jacobs
  19. Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Choral: Selig Sind, Die Aus Erbarmen - Knabenchor Hannover/Heinz Hennig
  20. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Coro: Darzu Ist Ist Erschienen Der Sohn Gottes - Knabenchor Hannover/Heinz Hennig
  21. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Recitativo: Das Wort Ward Fleisch - Marius Van Altena
  22. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Die Sund Macht Leid - Knabenchor Hannover/Heinz Hennig
  23. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Aria: Hollische Schlange, Wird Dir Nicht Bange - Max Van Egmond
  24. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Recitativo: Die Schlange, So Im Paradies - Rene Jacobs
  25. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Schuttle Deinen Kopf Und Sprich - Knabenchor Hannover/Heinz Hennig
  26. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Aria: Christenkinder, Freuet Euch - Marius Van Altena
  27. Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Jesu, Nimm Dich Deiner Glieder - Knabenchor Hannover/Heinz Hennig

Tracks:

  1. Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Coro: Jesu, Nun Sei Gepreiset - Wiener Sangerknaben/Hans Gillesberger
  2. Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Aria: Lass Uns, O Hochster Gott, Das Jahr Vollbringen - Soloist Of The Wiener Sangerknaben
  3. Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Recitativo: Ach! Deine Hand, Dein Segen Muss Allein - Paul Esswood
  4. Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Aria: Woferne Du Den Edlen Frieden - Kurt Equiluz
  5. Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Recitativo: Doch Weil Der Feind Bei Tag Und Nacht - Ruud Van Der Meer
  6. Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Choral: Dein Ist Allein Die Ehre - Wiener Sangerknaben/Hans Gillesberger
  7. Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  8. Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Recitativo: Am Abend Aber Desselbigen Sabbats - Kurt Equiluz
  9. Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Wo Zwei Und Drei Versammlet Sind - Paul Esswood
  10. Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Verzage Nicht, O Hauflein Klein - Soloist Of The Wiener Sangerknaben
  11. Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Recitativo: Man Kann Hiervon Ein Schon... - Ruud Van Der Meer
  12. Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Jesus Ist Ein Schild Der Seinen - Ruud Van Der Meer
  13. Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Choral: Verleih Uns Frieden Gnadiglich - Wiener Sangerknaben/Hans Gillesberger
  14. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Coro: Gott Fahret Auf Mit Jauchzen - Wiener Sangerknaben/Hans Gillesberger
  15. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Recitativo: Es Will Der Hochste... - Kurt Equiluz
  16. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Aria: Ja Tausendmal Tausend Begleiten... - Kurt Equiluz
  17. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Recitativo: Und Der Herr... - Peter Jelosits
  18. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Aria: Mein Jesus Hat Nunmehr - Peter Jelosits
  19. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Es Kommt Der Helden Held - Ruud Van Der Meer
  20. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Aria: Er Ists, Der Ganz Allein - Ruud Van Der Meer
  21. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Der Vater Hat Ihm Ja - Paul Esswood
  22. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Aria: Ich Sehe Schon Im Geist - Paul Esswood
  23. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Er Will Mir Neben Sich - Peter Jelosits
  24. Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Choral: Du Lebensfurst, Herr Jesu Christ - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Sie Werden Euch In Den Bann Tun - Kurt Equiluz/Ruud Van Der Meer
  2. Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Coro: Es Kommt Aber Die Zeit - Wiener Sangerknaben/Hans Gillesberger
  3. Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Christen Mussen Auf Der Erden - Paul Esswood
  4. Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Choral: Ach Gott, Wie Manches Herzeleid - Kurt Equiluz
  5. Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Recitativo: Es Sucht Der Antichrist - Ruud Van Der Meer
  6. Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Es Ist Und Bleibt Der Christen Trost - Peter Jelosits
  7. Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Choral: So Sei Nun, Seele, Deine - Wiener Sangerknaben/Hans Gillesberger
  8. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Coro: Es Ist Dir Gesagt... - Knabenchor Hannover/Heinz Hennig
  9. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Recitativo: Der Hochste... - Kurt Equiluz
  10. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Aria: Weiss Ich Gottes Rechte - Kurt Equiluz
  11. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Arioso: Es Werden Viele... - Hanns-Friedrich Kunz
  12. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Aria: Werr Gott Bekentt... - Rene Jacobs
  13. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Recitativo: So Wird Denn Herz. - Rene Jacobs
  14. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Chor: Gib... - Knabenchor Hannover/Heinz Hennig
  15. Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Chor: Schauet Doch Und Sehet... - Knabenchor Hannover/Heinz Hennig
  16. Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Recitativo: So Klage Du... - Kurt Equiluz
  17. Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Aria: Dein Wetter Zog Sich... - Hanns-Friedrich Kunz
  18. Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Recitativo: Doch Bildet Euch... - Rene Jacobs
  19. Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Aria: Doch Jesus Will Auch... - Rene Jacobs
  20. Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Chor: O Grosser Gott Der Treu - Knabenchor Hannover/Heinz Hennig
  21. Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Chor: Wer Sich Selbst Erhohet - Wiener Sangerknaben/Hans Gillesberger
  22. Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Aria: Wer Ein Wahrer Christ.. - Peter Jelosits
  23. Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Recitativo: Der Mensch Ist Ko - Ruud Van Der Meer
  24. Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Aria: Jesu Beuge Doch Mein... - Ruud Van Der Meer
  25. Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Chor: Der Zeitlichen Ehr... - Wiener Sangerknaben/Hans Gillesberger

Tracks:

  1. Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Coro: Ich Elender Mensch... - Wiener Sangerknaben/Hans Gillesberger
  2. Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Recitativo: O Schmerz, O Elend... - Paul Esswood
  3. Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Choral: Solls Ja So Sein - Wiener Sangerknaben/Hans Gillesberger
  4. Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Aria: Ach Lege Das Sodom... - Paul Esswood
  5. Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Recitativo: Hier Aber Tut Des Heilands.. - Kurt Equiluz
  6. Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Aria: Vergibt Mir Jesus Meine Sunden - Kurt Equiluz
  7. Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Choral: Herr Jesu Christ, Einiger Trost - Wiener Sangerknaben/Hans Gillesberger
  8. Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
  9. Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Ich Geh Und Suche Mit Verlangen - Ruud Van Der Meer
  10. Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Recitativo: Mein Mahl Ist Zubereit - Ruud Van Der Meer
  11. Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Ich Bin Herrlich, Ich Bin Schon - Peter Jelosits
  12. Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Recitativo: Mein Glaube Hat Mich Selbst... - Peter Jelosits/Ruud Van Der Meer
  13. Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Dich Hab Ich Je Und Je Geliebet - Peter Jelosits/Ruud Van Der Meer
  14. Nun Ist Das Heil Und Die Kraft BWV 50, BC A.194: Coro: Nun Ist Das Heil Und Die Kraft - Wiener Sangerknaben/Hans Gillesberger
  15. Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Jauchzet Gott In Allen Landen - Marianne Kweksilber
  16. Jauchzet Gott In Allen Landen BWV 51, BC A.134: Recitativo: Wer Beten Zu Dem Tempel An - Marianne Kweksilber
  17. Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Hochster, Mache Deine Gute - Marianne Kweksilber
  18. Jauchzet Gott In Allen Landen BWV 51, BC A.134: Chor: Sei Lob Und Preis Mit Ehren - Marianne Kweksilber
  19. Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Alleluja - Marianne Kweksilber

Tracks:

  1. Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Sinf - Leonhardt-Consort/Gustav Leonhardt
  2. Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Recitativo: Falsche Welt, Dir Trau Ich Nicht - Seppi Kronwitter
  3. Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Aria: Immerhin, Immerhin, Wenn Ich Gleich... - Seppi Kronwitter
  4. Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Recitativo: Gott Ist Getreu! - Seppi Kronwitter
  5. Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Aria: Ich Halt Es Mit Dem Lieben Gott - Seppi Kronwitter
  6. Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Choral: In Dich Hab Ich Gehoffet, Herr - Knabenchor Hannover/Heinz Hennig
  7. Widerstehe Doch Der Sunde BWV 54, BC A.51: Aria: Widerstehe Doch Der Sunde - Paul Esswood
  8. Widerstehe Doch Der Sunde BWV 54, BC A.51: Recitativo: Die Art Verruchter Sunden - Paul Esswood
  9. Widerstehe Doch Der Sunde BWV 54, BC A.51: Aria: Wer Sunde Tut, Der Ist Vom Teufel - Paul Esswood
  10. Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Aria: Ich Armer Mensch, Ich Sundenknecht - Kurt Equiluz
  11. Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Recitativo: Ich Habe Wider Gott Gehandelt - Kurt Equiluz
  12. Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Aria: Erbame Dich, Lass Die Tranen Dich... - Kurt Equiluz
  13. Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Recitativo: Erbarme Dich! Jedoch Nun - Kurt Equiluz
  14. Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Choral: Bin Ich Gleich Von Dir Gewichen - Knabenchor Hannover/Heinz Hennig
  15. Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Aria: Ich Will Den Kreuzstab Gerne Tragen - Michael Schopper
  16. Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Recitativo: Mein Wandel Auf Der Welt - Michael Schopper
  17. Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Aria: Endlich, Wird Mein Joch - Michael Schopper
  18. Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Recitativo: Ich Stehe Fertig Und Bereit - Michael Schopper
  19. Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Choral: Komm, O Tod, Du Schlafes Bruder - Knabenchor Hannover/Heinz Hennig

Tracks:

  1. Selig Ist Der Mann BWV 57, BC A.14: Aria: Selig Ist Der Mann - Ruud Van Der Meer
  2. Selig Ist Der Mann BWV 57, BC A.14: Recitativo: Ach! Dieser Susse Trost - Peter Jelosits
  3. Selig Ist Der Mann BWV 57, BC A.14: Aria: Ich Wunschte Mor Den Tod - Peter Jelosits
  4. Selig Ist Der Mann BWV 57, BC A.14: Recitativo: Ich Reiche Dir Die Hand - Peter Jelosits/Ruud Van Der Meer
  5. Selig Ist Der Mann BWV 57, BC A.14: Aria : Ja, Ja, Ich Kann Die Feinde Schlagen - Ruud Van Der Meer
  6. Selig Ist Der Mann BWV 57, BC A.14: Recitativo: In Meiner Schoss Liegt Ruh Und Leben - Peter Jelosits/Ruud Van Der Meer
  7. Selig Ist Der Mann BWV 57, BC A.14: Aria: Ich Ende Behende Mein Irdisches Leben - Peter Jelosits
  8. Selig Ist Der Mann BWV 57, BC A.14: Choral: Richte Dich, Liebste, Nach Meinem Gefallen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  9. Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ach Gott, Wie Manches Herzeleid... - Peter Jelosits/Ruud Van Der Meer
  10. Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Recitativo: Verfolgt Dich Gleich Die Arge Welt - Ruud Van Der Meer
  11. Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ich Bin Vernugt In Meinem Leiden - Peter Jelosits
  12. Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Recitativo: Kann Es Die Welt Nicht Lassen - Peter Jelosits
  13. Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ich Hab Fur Mir Ein Schwere Reis... - Peter Jelosits/Ruud Van Der Meer
  14. Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Duetto: Wer Mich Liebet - Peter Jelosits/Ruud Van Der Meer
  15. Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Recitativo: O, Was Sind Das Vor Ehren - Peter Jelosits
  16. Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Chor: Komm, Heiliger Geist, Herre Gott - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  17. Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Aria: Die Welt Mit Allen Konigreichen - Ruud Van Der Meer
  18. Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Chor: Du Heilige Brunst - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  19. O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Aria: O Ewigkeit, Du Donnerwort - Herr... - Kurt Equiluz
  20. O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Recitativo: O Schwerer Gang Zum Letzten Kampf - Kurt Equiluz/Paul Esswood
  21. O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Aria: Mein Letztes Lager Will Mich Schrecken - Kurt Equiluz/Paul Esswood
  22. O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Recitativo: Der Tod Bleibt Doch Der Menschlichen... - Paul Esswood/Ruud Van Der Meer
  23. O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Choral: Es Ist Genung, Herr, Wenn Es Dir Gefallt - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

  1. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Ov: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  2. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Der Heiland Ist Gekommen - Kurt Equiluz
  3. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Komm, Jesu, Komm Zu Deiner Kirche - Kurt Equiluz
  4. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Siehe, Ich Stehe Vor Der Tur - Ruud Van Der Meer
  5. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Offne Dich, Mein Ganzes Herze - Seppi Kronwitter
  6. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Chor: Amen, Amen! Komm Du Schone Freudenkrone - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  7. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  8. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Bewundert, O Menschen, Dies Grosse Geheimnis - Kurt Equiluz
  9. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitative: So Geht Aus Gottes Herrlichkeit - Ruud Van Der Meer
  10. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Streite, Siege, Starker Held - Ruud Van Der Meer
  11. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitativo: Wir Ehren Diese Herrlichkeit - Peter Jelosits/Paul Esswood
  12. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Lob Sei Gott, Dem Vater, Ton - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  13. Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Christen, Atzet Diesen Tag - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  14. Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: O Selger Tag! O Ungemeines Heute - Paul Esswood
  15. Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Gott, Du Hast Es Wohl Gefuget - Peter Jelosits/Ruud Van Der Meer
  16. Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: So Kegret Sich Non Heut Das Bange Leid - Kurt Equiluz
  17. Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Ruft Und Fleht Den Himmel An - Paul Esswood/Kurt Equiluz
  18. Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: Verdoppelt Euch Demnach - Ruud Van Der Meer
  19. Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Hochster, Schau In Gnaden An - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

  1. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Sehet, Welch Eine Liebe... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  2. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Das Hat Er Alles Uns Getan - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  3. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Geh, Welt! Behalte.. - Paul Esswood
  4. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Was Frag Ich Nach Der... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  5. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Was Die Welt In Sich Halt - Peter Jelosits
  6. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Der Himmel Bleibet.. - Ruud Van Der Meer
  7. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Von Der Welt Verlang Ich.. - Paul Esswood
  8. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Gute Nacht, O Wesen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  9. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Sie Werden Aus Saba Alle Kommen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  10. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Die Kon'ge Aus Saba Damen Dar - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  11. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Was Dort Jesaias Vorhergesehn - Ruud Van Der Meer
  12. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Gold Aus Ophir Ist Zu Schlecht - Ruud Van Der Meer
  13. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Verschmahe Nicht, Du Meiner Seelen... - Kurt Equiluz
  14. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Nimm Mich Dir Zu Eigen Hin - Kurt Equiluz
  15. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Ei Nun, Mein Gott, So Fall Ich Dir - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  16. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Erfreut Euch, Ihr Herzen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  17. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Es Bricht Das Grab Und Damit Unsre Not - Ruud Van Der Meer
  18. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Aria: Lasset Dem Hochsten Ein Danklied Erschallen - Ruud Van Der Meer
  19. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Bei Jesu Leben Freudig Sein - Paul Esswood/Kurt Equiluz
  20. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Duetto: Ich Furchte Zwar (Nicht) Des Grabes Finsternissen - Paul Esswood/Kurt Equiluz
  21. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Alleluja! Alleluja! Alleluja! - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe

Tracks:

  1. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Halt Im Gedachtnis Jesum Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  2. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Mein Jesus Ist Erstanden - Kurt Equiluz
  3. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Mein Jesu, Heissest Du Des Todes Gift - Paul Esswood
  4. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Erschienen Ist Der Herrlich Tag - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  5. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Doch Scheinet Fast, Dass Mich Der... - Paul Esswood
  6. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Friede Sei Mit Euch - Max Van Egmond/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  7. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Du Friedefurst, Herr Jesu Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  8. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Also Hat Gott Die Welt Geliebt - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  9. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Mein Glaubiges Herze - Peter Jelosits
  10. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Recitativo: Ich Bin Mit Petro Nicht Vermessen - Ruud Van Der Meer
  11. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Du Bist Geborer Mir Zugute - Ruud Van Der Meer
  12. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Wer An Ihn Glaubet - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  13. Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Wie Gross Ist Gottes Gute Doch - Wilhelm Wiedl
  14. Lobe Den Herrn, Meine Seele, BWV 69, B10, Aria: Mein Seele, Auf, Erzahle - Paul Esswood
  15. Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Der Herr Hat Grosse Ding An Uns Getan - Kurt Equiluz
  16. Lobe Den Herrn, Meine Seele, BWV 69, B10, Chor: Es Danke, Gott, Und Lobe Dich - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  17. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Lobe Den Herrn, Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  18. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Ach, Dass Ich Tausend Zungen Hatte - Wilhelm Wiedl
  19. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Meine Seele, Auf, Erzahle - Kurt Equiluz
  20. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Gedenk Ich Nur Zuruck - Paul Esswood
  21. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Mein Erloser Und Erhalter - Ruud Van Der Meer
  22. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Was Gott Tut, Das Ist Wohlgetan - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

  1. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Wachet! Betet! Betet! Wachet! - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  2. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Erschrecket, Ihr Verstockten Sunder - Ruud Van Der Meer
  3. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Wenn Kommt Der Tag - Paul Esswood
  4. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Auch Bei Dem Himmlischen Verlangen - Kurt Equiluz
  5. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Lasst Der Spotter Zungen Schmahen - Wilhelm Wiedl
  6. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Jedoch Bei Dem Unartigen Geschlechte - Kurt Equiluz
  7. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Freu Dich Sehr, O Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  8. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Hebt Euer Haupt Empor - Kurt Equiluz
  9. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Ach, Soll Nicht Dieser Grosse Tag - Ruud Van Der Meer
  10. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Seligster Erquickungstag - Ruud Van Der Meer
  11. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Nicht Nach Welt, Nach Himmel Nicht - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  12. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Gott Ist Mein Konig - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  13. Gott Ist Mein Konig, BWV 71, BC B1, Aria: Ich Bin Nun Achtzig Jahr-Soll Ich Auf Dieser Welt - Wilhelm Wiedl
  14. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Dein Alter Sei Wie Deine Jugend - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  15. Gott Ist Mein Konig, BWV 71, BC B1, Arioso: Tag Und Nacht Ist Dein - Lieuwe Visser
  16. Gott Ist Mein Konig, BWV 71, BC B1, Aria: Durch Machtige Kraft - Paul Esswood
  17. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Du Wollest Dem Feinde Nicht Geben - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  18. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Das Neue Regiment - Wilhelm Wiedl/Paul Esswood/Kurt Equiluz/Lieuwe Visser/Tolzer Knabenchor/Gerhard Schmidt-Gaden
  19. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Alles Nur Nach Gottes Willen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  20. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: O Selger Christ - Paul Esswood
  21. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mit Allem, Was Ich Hab Und Bin - Paul Esswood
  22. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: So Glaube Nun! - Ruud Van Der Meer
  23. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mein Jesus Will Es Tun - Wilhelm Wiedl
  24. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Was Mein Gott Will, Das Gescheh Allzeit - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  25. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Herr, Wie Du Willt, So Schicks Mit Mir - Jorg Erler/Max Van Egmond/Kurt Equiluz/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/...
  26. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Ach, Senke Doch Den Geist Der Freuden - Kurt Equiluz
  27. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Recitativo: Ach, Unser Wille Bleibt Verkehrt - Max Van Egmond
  28. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Herr, So Du Willt - Max Van Egmond
  29. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Das Ist Des Vaters Wille - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe

Tracks:

  1. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Wer Mich Liebet, Der Wird Mein... - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  2. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Komm, Komm, Mein Herze Steht ... - Jorg Erler
  3. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Die Wohnung Ist Bereit - Paul Esswood
  4. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Ich Gehe Hin Und Komme Wieder ... - Max Van Egmond
  5. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Kommt, Eilet, Stimmet Sait Und ... - Kurt Equiluz
  6. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Es Ist Nichts ... - Max Van Egmond
  7. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Nichts Kann Mich Erretten - Paul Esswood
  8. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Kein Menschenkind Hier Auf Der Erd - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  9. Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Die Elenden Sollen Essen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  10. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Was Hilft Des Purpurs Majestat - Max Van Egmond
  11. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Jesus Soll Mein Alles Sein - Adalbert Kraus
  12. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Gott Sturzet Und Erhohet - Adalbert Kraus
  13. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Ich Nehme Mein Leiden Mit Freuden Auf Mich - Markus Klein
  14. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Indes Schenkt Gott Ein Gut Gewissen - Markus Klein
  15. Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohl Getan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
  16. Die Elenden Sollen Essen, BWV 75, BC A94: Sinf - Leonhardt-Consort/Gustav Leonhardt
  17. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Nur Eines Drankt Ein Christliches Gemute - Paul Esswood
  18. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Jesus Macht Mich Geistlich Reich - Paul Esswood
  19. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Wer Nur In Jesu Bleibt - Max Van Egmond
  20. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Herze Glaubt Und Liebt - Max Van Egmond
  21. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: O Armut, Der Kein Reichtum Gleicht! - Adalbert Kraus
  22. Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohlgetan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe

Tracks:

  1. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Die Himmel Erzahlen Die Ehre Gottes - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  2. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: So Lasst Sich Gott Nicht ... - Kurt Equiluz
  3. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Hort, Ihr Volker - Wilhelm Wiedl
  4. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Wer Aber Hort - Ruud Van Der Meer
  5. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Fahr Hin, Abgottische Zunft! - Ruud Van Der Meer
  6. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Du Hast Uns, Herr, Von Allen ... - Paul Esswood
  7. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Es Woll Uns Gott Genadig Sein - Tolzer Knabenchor/Gerhard Schmidt-Gaden
  8. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt

Amazon.com

There are certain musical monuments to Western civilization that no music lover should be without, at least in part. These include Haydn's symphonies and string quartets, Mozart's piano concertos, Handel's oratorios, Beethoven's string quartets and piano sonatas, Scarlatti's keyboard sonatas, and this, perhaps the biggest monument of all, the Bach sacred cantatas. About 200 of them survive and at least 100 are lost. All of them consist of a series of arias, choruses, and hymns based on sacred texts. Bach had to compose a new one every week for several years, and what makes the music so amazing is not only its quantity, but its sheer quality. There is literally no such thing as "bad" Bach, and this series of performances not only stands as one of the great achievements in the history of recording, it introduced many listeners to the fascinating sound of "authentic instruments." Is this set too much of a good thing? Nah! --David Hurwitz

Customer Reviews:

5 out of 5 stars Harnoncourt.......2005-09-24

The big CD collection of Harnoncourt is really to recommend to everybody who is interested in.
It is a wonderful collection, with alle the works of Bach.The whole Box is amazing and every song is fantastic.
It also looks very good wehn you put it into the shelf.
The price is really justified in accord to the number of CD and the quality you get.

4 out of 5 stars As Close as I can Imagine for Authentic Bach.......2005-08-02

If you like your Bach with a heavy Bernstein beat, operatic sopranos, and a huge concert hall sound, or in contrast if you would like to hear Bach as his parishoners did, then these recordings are probably not for you. If you want excellent recordings of the Bach Cantatas using period instruments and boys' voices, to include the occasional flaw, then this discounted, but still pricy set is for you. Here, for the first time, anyone can explore and study the marvels of Bach's Jahrgaenge close to the way it was meant to be heard.

When one considers that Bach had to produce a new cantata each week, and that the performers were local musicians, then one should not expect a perfect performance. When one recalls that the Cantata merely served to reinforce the message of the week according to the church calendar, one should not expect consistently brilliant music. To this, add the fact that the parishioners would have much preferred someone not so old fashioned as Bach to produce their church music. Set up so perfectly for failure, Bach produced some of the most perfect music ever written. Here, bad Bach does not exist.

The use of boys' voices is brilliant. A boy soprano simply does not sound like a woman. A good boy soprano's voice is clear and pure, without the extreme tremolo found in "trained women sopranos." The result is Bach at its purest.

In the mid to late 1950's, preforming Bach on original instruments became an interesting experiment. One group attempting this was the Bach Aria Group, directed by Frank Brief, who performed at the Town Hall in New York City. Over a two year span, Mr. Brief decided that it might be interesting to use a boy's choir instead of a women's choir once each year. He chose the Columbus Boychoir (now called the American Boychoir) of which I was a member for those two occasions. From the critical reviews, the results were very well accepted. Mr. Brief, however, did not go the full way. Instead of using boy soprano soloists, he called on women sopranos such as Beverly Sills. While they gave outstanding performances, it was not "original Bach." But when we asked why didn't he use a boy soprano, Mr. Brief responded that boys' voices could not be sufficiently trained to do Bach justice.

These recordings belie this judgement. Bach did know what he was doing! Highly recommended.

5 out of 5 stars Recording's Greatest Achievement.......2003-04-14

Had this set not been made, then the history of performance practice in the last quarter of the 20th century and beyond would have proceeded very differently. Had this set not been made we would not have many of the current leading figures in the field of early music performance, nearly all of whom were in some way connected with the performance revolution which found its most profound expression in these recordings. For it was during the 14 or so years of this recording project (between 1971 and 1985) that three of the greatest musicians of our time, Gustav Leonhardt, Nikolaus Harnoncourt and Frans Bruggen forever altered the public's perception of the surviving remnants of Bach's fabled, but rarely heard, "Jahrgaenge", or yearly cycles of church cantatas. For this reason alone, this recording is of profound importance.

Leonhardt, with his consort in Amsterdam, and Harnoncourt, with his Concentus Musicus of Vienna shared the task of recording, with an unmatched team of vocal and instrumental soloists, Bach's roughly 200 surviving "concerti sacri", perhaps a further hundred being lost to us. It was a repertoire more honoured in the history books than experienced in performance. This enterprise changed that state of affairs for ever.

The arguments which are now sometimes made (chiefly by those who are unaware of the extraordinary and revolutionary step which these performances represented), decrying the slightly "raw" (I prefer "vocal") sound of original instruments, or the occasional shakiness of a boy soprano soloist, miss the point of this enterprise, which was to present the music in a new way using Bach's own contemporary resources. Leonhardt and Harnoncourt are the first to insist that using "historical instruments" makes sense because those are simply the best tools for the job. Re-constituting something old has never been their aim. Rather, their idea was to break free of the mindless tradition of performance which took no account of the sounds that Bach actually had in his head when he created his "well-regulated" music for the churches of Saxony. And how does this work in practice? We are left to marvel at an extraordinary level of accomplishment on the part of nearly everyone associated with this project, vocally and instrumentally.

Gustav Leonhardt was well aware (and hopeful) that subsequent generations would likely improve upon aspects of performance which still remained to be sorted out. But, as he said, it was a start. Indeed, when he and Harnoncourt were jointly awarded the Erasmus prize in the Netherlands in 1980, he remarked, with singular modesty and self-awareness: "It was not done well, but it is remarkable that it was done at all". This tells us more about Leonhardt's famous humility, than it does about the standards of these performances, which are usually (with few exceptions) very high indeed. In many instances they will never be surpassed. What we have here is a glimpse of one of music's "golden" ages captured forever on disc. What the listener will marvel at is the extraordinary assuredness of technique and style which is evident in every one of these cantata performances.

The solo vocal contributions of Kurt Equiluz, Max van Egmond, Paul Esswood, Marjanne Kweksilber (BWV 51) are simply without equal, and the current generation of fine Bach singers would be the first to concede their enormous debt to the participants in this great enterprise (their teachers, in many cases). The choirs should also be singled out for attention: Wiener Sangerknaben, Tolzer Knabenchor, Hannover Knabenchor, Choir of Kings College, Cambridge as well as directors Heinz Hennig, Gerhard Schmidt-Gaden, Philippe Herreweghe, David Willcocks and Hans Gillesberger. So Europe's finest were all involved in this.

The instrumental soloists: Frans Bruggen, Walter van Hauwe, Kees Boeke, Anner Bylsma, Jurg Schaftlein, Lucy van Dael, Sigiswald, Wieland and Bart Kuijken, Ton Koopman, Bob van Asperen, Lidewij Schiefes, Alice Harnoncourt, Herbert and Herwig Tachezi, Erich Hobarth, Friedemann Immer - to list only the more familiar names - have created a whole world of intelligent and vital performance which has transformed musical thought in our time. No-one in any area of musical performance has remained untouched by the ideas which are so forcefully presented here (even those who'd be the last to admit it). The fundamental idea of treating each period's music as a vital and representative product of its time is one which now extends to music of all periods, signaling the fulfilment of one of Leonhardt's and Harnoncourt's chief aims: to eliminate the artificial distinction between mainstream and "early" music, and, instead, to treat all music with proper respect for its origins and context.

What this recording continues to offer the listener is the experience of hearing the music for the first time, which the technical polish of subsequent surveys cannot quite match. For the young person wishing to learn about music, there is no better starting point than investing in this set, now available at a fraction of its original cost (unfortunately, minus the scores, which were one of the hallmarks of this series in its first incarnation on LP.

It seems pointless to list highlights, but one might start with the following: BWV 1, 6, 8, 11, 13, 19, 23, 29 and so on. The list is endless. Better still, buy the set and begin a life-time's voyage of discovery instead. Bach, Leonhardt and Harnoncourt: you can't do better than that. Oh, and we should also acknowledge the contribution of the founder recording producer for this project, Wolf Erichson (even though he didn't stay with Teldec to the end of it). Without him, the revolution in informed and intelligent music performance on recordings would never have happened.

5 out of 5 stars recommended.......2002-12-07

This complete set of Bach sacred cantatas is not only a bargain price, but it contains some of the most profound interpretations these pieces ever had. Recorded during the 1970s on period instruments, with some of most prodiguous singers (Equiluz, Esswood) and an outstanding orchestral support, this is the best integral collection of cantatas there is. In order to restore the forgotten sence of baroque music, instrumentation is reduced to a minimum, the continuo is supported with antique instruments such as the basoon, tenors have been thoughtfully selected as NON-operatic. Another reconstructionist aspect was the use of boy choirs, which in later recordings Harnoncourt gave up. Boy choirs are not only authentical, but have the advantage of pitch purity. While in some arias (such as the extraordinary duet "lobe den herren" - BWV 137) this seems an excellent choice, in most it fails in more or less apparent manner.

While Herreweghe's or Gardiner's new interpretations are CERTAINLY better in both orchestral and vocal support, they all are greatly in debt of Harnoncourt/Leonhard, for it's always simple to improve something ALREADY existing instead of breaking new grounds (as this stellar 1970's recording did). Not to be forgotten is the fact newer version bring a sence of lightness which pleases anyone's ears, but it's manytimes inappropriate for the content of the music.

5 out of 5 stars Teldec Set Still Holds Up After 30 Years.......2001-04-11

This set of almost 200 cantatas is, without a doubt, a milestone in recording history, and that alone makes it valuable. There are now at least two other competing sets on the market (Helmuth Rilling's complete set--on modern instruments, alas!--and Ton Koopman's period performance set still in the works), but this one, warts and all, still captivates and draws the listener into the world of Bach's cantatas like no other.

I would argue that no one can really claim to know Bach without knowing both his organ works and his cantatas. After all, this is the music that occupied him for most of his professional life. Most of these cantatas were written as part of his duties at Leipzig, and while in the hands of any lesser composer that might have meant uninspired music cranked out week by week out of necessity, Bach rarely, if ever, had an off day. Each cantata is a little world unto itself, a place you can retreat to for 20 minutes and either reflect on their spiritual message (which, be warned, is sometimes grim indeed), or just lose yourself in the beauty and grace of the melodic lines.

Harnoncourt and Leonhardt choose to keep these performances intimate; this is not the Bach of the concert hall; these are direct, personal expressions that work well in the private space of one's living room. Some of the playing sounds a bit shaky by today's standards--apparently some of the soloists were still discovering how to play period instruments that had not been heard in centuries--and the boy soloists seem to strain at their parts sometimes, especially in the earlier recordings, but that only adds to the charm: I much prefer the uncertain readings to letter-perfect performances offered by others. The performances actually draw the listener's attention away from the playing itself, forcing attention on the music and the text, which is entirely consistent with the nature of these pieces.

For those who don't want to spend the 500+ dollars all at once, Teldec also offers these in six-CD sets at a great budget price. They're worth every penny. My only disappointment is that the CD package doesn't include the scores, as the old Telefunken vinyl sets did. But that's perfectly understandable. This set reminds us why Harnoncourt and Leonhardt were once at the forefront of the period-instrument movement. Let's hope that Teldec keeps these recordings in print for a long, long time.
The Music Survives: Degenerate Music
Average customer rating: 5 out of 5 stars
  • Regarding study of music banned by 3rd Reich
 The Music Survives: Degenerate Music

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Viktor Ullmann: Der Kaiser von Atlantis/Hölderlin-Lieder
  2. The Conformist (Extended Edition)

ASIN: B0000042FG
Release Date: 1997-06-10

Tracks:

  1. Die V (Libretto: Braunfels After Aristophanes): Vorspiel - Prolog
  2. Between Two Worlds: The World At War - The Next World
  3. Der Kaiser von Atlantis (Libretto: Kien): Wer da? Halt! Steh! - Ist's wahr, das es Landschaften gibt - Komm fort von hier - Schau, die Wolken
  4. Das Wunder der Heliane (Libretto: Muller after Kaltneker): Act 2, Scene 3: Ich ging zu ihm
  5. Flammen (Libretto: Benes, Brod): Scene 8: Introduzione - Karnevalsnacht
  6. Rondeau: `Rue du Rocher' (excerpt) - Berthold Goldschmidt
  7. Die Gezeichneten (Libretto: Schreker): Act 3, Scene 15: Maskenzug - Was fliehst du vor mir?
  8. Deutsche Sinfonie, Op. 50: Prdium
  9. Der gewaltige Hahnrei: Act Two: Zwischenspiel - Du bist so blas wie ein Licht bei Tage!
  10. String Quartet No. 2 - From The Monkey Mountains - III: Largo e misterioso - The Moon And I
  11. Johnny Spielt Auf (Libretto: Krenek): Ob er kommt

Description

CD Video boxed set. Londn Rec. CD sample of wks by compose rs banned by Nazi regime. 40 min. vid. documentary of how & why these composers were labelled degenerate by Nazis. Never-before-seen cover art by Art Spiegelman (Maus).

Customer Reviews:

5 out of 5 stars Regarding study of music banned by 3rd Reich.......2004-12-09

I know Michael Haas, executive producer. He has made a total commitment to locating and recording work of musicians whose work was banned by the Hitler regime because composers, etc. were even suspected to be Jewish, gay, gypsy, etc. One atheist or agnostic composer was sent to concentration camp because his father had been a Jew in the past.

This is needed to give a picture of the survival of music by talented people under duress.
Jessye Norman - Brahms: Lieder / Barenboim
Average customer rating: 5 out of 5 stars
  • A treasure in the Brahms lieder catalog
  • Some of Brahms' best by an incomparable singer
  • Wonderful
  • ESSENTIAL
 Jessye Norman - Brahms: Lieder / Barenboim
Johannes Brahms , Daniel Barenboim , and Jessye Norman
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Anne Sofie von Otter - Johannes Brahms Lieder
  2. Brahms: Lieder [Box Set]
  3. Brahms: Deutsche Volkslieder; Elisabeth Schwarzkopf; Dietrich Fischer-Dieskau
  4. Strauss: Four Last Songs/Songs With Orchestra
  5. Richard Strauss Lieder

ASIN: B00003ZA2A
Release Date: 2000-03-14

Tracks:

  1. Sechs Gesange Op.3: 1. Liebestreu
  2. Sechs Gesange Op.6: 1. Spanisches Lied
  3. Sechs Gesange Op.7: 5. Die Schmied
  4. Funf Gedichte Op.19: 4. Der Schmied
  5. Funf Lieder Op.47: 5. Die Liebende schreibt
  6. Sieben Lieder Op.48: 3. Liebeskiage des Madchens
  7. Sieben Lieder Op.48: 4. Gold uberwiegt die Liebe
  8. Lieder und Gesange Op.57: 1. Von waldbekranzter Hohe
  9. Lieder und Gesange Op.59: 5. Agnes
  10. Lieder und Gesange Op.59: 8. Dein Blaues Auge halt so still
  11. Lieder und Gesange Op.59: Regenlied WoO post.23
  12. Funf Lieder WoO post.22 (Ophelia-Lieder)_: 1. Wie erkenn' ich dein Treulieb
  13. Funf Lieder WoO post.22 (Ophelia-Lieder)_: 2. Sein Leichenhemd, weiss wie Schnee
  14. Funf Lieder WoO post.22 (Ophelia-Lieder)_: 3. Auf morgen ist Sankt Valentins Tag
  15. 4. Sie trugen ihn auf der Bahre bloss
  16. 5. Und kommt er nicht mehr zuruck
  17. Neun Gesandge Op.69: 1. Klage 2 - Ach, mir fehlt, nicht ist da
  18. Neun Gesandge Op.69: 2. Klage 2 - o Felsen, lieber Felsen
  19. Neun Gesandge Op.69: 4. Des Liebsten Schwur
  20. 6. Vom Strande
  21. 8. Salome
  22. 9. Madchenfluch
  23. Funf Gesange Op.72: 1. Alte Liebe
  24. Romanzen und Lieder Op.84_: 1. Sommerabend
  25. Romanzen und Lieder Op.84_: 2. Der Kranz
  26. Romanzen und Lieder Op.84_: 3. In den Beeren
  27. Romanzen und Lieder Op.84: 4. Vergebliches Standchen
  28. 5. Spannung
  29. Sechs Lieder Op.85: Madchenlied - Ach, und du men kuhles Wasser!

Tracks:

  1. Sechs Lieder Op.86: 1. Therese
  2. Sechs Lieder Op.86: 6. Todessehnen
  3. Zwei Gesange Op.91: 1. Gestillte Sehnsucht
  4. Zwei Gesange Op.91: 2. Geistliches Wiegenlied
  5. Funf Lieder Op.94: 4. Sapphische Ode
  6. Sieben Lieder Op.95: 1. Das Madchen
  7. Sieben Lieder Op.95: 4. Der Jager
  8. Sieben Lieder Op.95: 5. Borschneller Schwur
  9. Sieben Lieder Op.95: 6. Madchenlied
  10. Sechs Lieder Op.97: 4. Dort in den Weiden
  11. Zigeunerlieder Op.103: 1. He, Zigeuner, greife in die Saiten ein!
  12. Zigeunerlieder Op.103: 2. Hochgeturmte Rimaflut
  13. Zigeunerlieder Op.103: 3. Wisst ihr, wann mein Kindchen
  14. Zigeunerlieder Op.103: 4. Lieber Gott, du weisst
  15. Zigeunerlieder Op.103: 5. Brauner Bursche fuhrt zum Tanze
  16. Zigeunerlieder Op.103: 6. Roslein dreie in der Reihe
  17. Zigeunerlieder Op.103: 7. Kopmmt dir manchmal in den Sinn
  18. Zigeunerlieder Op.103: 11. Rote Abendwolken ziehn
  19. Funf Lieder P.105: 1. Wie melodien zieht es
  20. Funf Lieder P.105: 2. Immer leiser wird mein Schlummer
  21. Funf Lieder P.105: Klage
  22. Funf Lieder op.107: Das Madchen spricht
  23. Funf Lieder op.107: 5. Madchenlied - Wuf die nacht in der Spinnstub'n

Customer Reviews:

5 out of 5 stars A treasure in the Brahms lieder catalog.......2006-09-29

Acclaimed as she was as a lieder singer, Jessye Norman showed a special affinity for Brahms. She made no less than three complete recitals of his songs, more than any other singer I can remember except Fischer-Dieskau. Not every lied is a mstepiece, and most are either folk-based or imitate folksongs in their simple strophic design. This can make for tiring listening after ten songs or so, but Norman's plush voice is to richly suited to Brahms's romanticism that it's hard to pull away.

Her initial recital on Philips with Geoffrey Parsons (1980) was a greatest hits collection, and Norman was wise not to overlap too many on her later two recitals with Barenboim. She was rather grand on that first disc. Here, she sings with great delicacy and sensitivty. In many ways this is her best Lieder recording, despite the unevenness of the material. Don't expect Mainacht or the famous lullabye or Von ewiger liebe. And I wouldn't advise anyone to tr and listen to this two-fer straight through. That said, Barenboim equals Norman in his artistry, so all told, this release is a treasure.

5 out of 5 stars Some of Brahms' best by an incomparable singer.......2006-01-25

Ask someone about Lieder, meaning basically German "art songs"
and he or she will immediately think of Schubert or perhaps
Schumann. Brahms is just not that well known for his songs,
and it's a shame because they are among his best works.

Jessye Norman is famous for her artistry in Lieder; I still
recall hearing her in recital over twenty years ago. This is
a fabulous recording; you will fall in love with most of these
songs on first hearing. As a bonus, the two record set actually
includes full texts and translations. whereas the trend
these days is to omit those and you're lucky if the company
offers them "on line". This is among the most treasured recordings in my
huge collection. Don't miss it!

5 out of 5 stars Wonderful.......2002-12-24

This is a wonderful album and should be in the collection of everyone who cares about Lieder. I use to study how she works her magic with a song, and it is worth digging into a single piece to see how she does it.

5 out of 5 stars ESSENTIAL.......2000-07-12

I have been waiting for years for this two CD set to be released. I have had the recording on vinyl since the 80's and, for whatever reason, DGG did not release it on CD til very recently. For fans of Brahms' songs (there are 52 of them here), for fans of Jessye Norman's magnificent soprano, for fans of Daniel Barenboim's pianism, this is an essential album. To make it even more enticing, the price, online, is quite low.

Music Review:

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  2. Hommage A Michel-Georges Bregent
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  4. Jan Kiepura, Vol. 1: 1902-1966
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  7. La Luce e L'ombra di Venezia: Keiko Kashima, alto
  8. Langgaard: Lieder
  9. Latin Choral Tradition
  10. Laurel Zucker- Erkel Chamber Orchestra: Bach: Suite for orchestra No2; Telemann: Overture

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