Great Verdi & Puccini Arias [Import]

Track Listings

1. Donna E Mobile

2. De'miei Bollenti Spiriti

3. Oh! Fede Negar Potessi... Quando Le Sere Al Placido

4. Dovunque Al Mondo

5. Addio Fiorito Asil

6. Mimi E Una Civetta

7. Questa O Quella

8. Scena Della Borsa: Ogni Suo Aver Tal Femmina

9. Rivedra Nell'estasi

10. Or Tu' Sibiloa... Di Tu Se Fedele

11. Ma Se M'e Forza Perderti

Tracks:

La Boheme: Che gelida manina
Manon Lescaut: Donna non vidi mai
Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
Luisa Miller: O! fede negar potessi .. Quando le sere al placido
La Traviata: Lunge da lei ... De' miei bollenti spiriti
Martha: M'appari
Giordano: Amor ti vieta
L'Africaine: Mi batte il cuor .. O paradiso
La Favorita: Favorita del re . . . Spirto gentil
Werther: 'Pourquoi me reveiller'
Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
Les Contes d'Hoffmann: O Dieu! De quelle ivresse
TOSCA: E lucevan le stelle
Pagliacci: Recitar! ... Vesti la giubba
Il Trovatore: Di quella pira
Aida: Se quel guerrier .. Celeste Aida
TOSCA: Recondita armonia
L'Elisir d'Amore: Una furtiva lagrima
La Gioconda: Cielo e mar!
Turandot: Nessun dorma

Customer Reviews:

The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!

Average customer rating:

Introducing the Greatest Voice of All Time
The Greatest Tenor of the 20th Century.
Easy listening
Lanza of the joyous voice!
Not bad as an introduction to Lanza

Lanza: Greatest Hits

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Christmas with Mario Lanza
Mario Lanza Sings Songs From The Student Prince & The Desert Song / Romberg
Sixteen Most Requested
Mario Lanza: At His Best!
You'll Never Walk Alone

ASIN: B000003FVZ
Release Date: 1995-04-11

Tracks:

The Toast Of New Orleans: Be My Love
Because
Very Warm For May: All The Things You Are
The Student Prince: Serenade
Rigoletto - La Donna e Mobile
Pagliacci: Vesti La Guibba
O Sole Mio
The Student Prince: Beloved
South Pacific: Younger Than Springtime
The Great Caruso: The Loveliest Night Of The Year
Carousel: If I Loved You
Carmen: Flower Song
The Student Prince: Golden Days
Spring Is Here: With A Song In My Heart
The Land Of Smiles: Yours Is My Heart Alone
Because You're Mine
Cavalleria Rusticana: Adido Alla Madre
Aida: Celeste Aida
The Lord's Prayer
Granada

Customer Reviews:

Introducing the Greatest Voice of All Time.......2007-03-13

A new generation of music lovers deserves to know, understand and appreciate the greatness of Mario Lanza. Five decades after his passing, millions of lovers of "grand voices" still are held in awe by the power, passion and beauty of his voice.

This selection of recordings has a number of fine selections that give a small "flavor" of his fantastic talent and skills. It is a good beginning for someone who wants to know "The American Caruso."

The Greatest Tenor of the 20th Century........2007-01-21

In a professional career that lasted just a bit over ten years Mario Lanza created more memorable recordings, broadcasts, concert perfomances and feature films than any other major vocalist in the classical and pop-jazz music genre. He was a man blessed with arguably the finest tenor voice in recorded music. Fans of Caruso, Pavarotti, Jan Peerce, Placido Domingo or Careras may argue that their tenor interpreted a particular aria better than anyone else but few if any can argue against the sheer beauty, power and emotion of Mario Lanza. He achieved worldwide success too fast and his penchant for the good life: wine, women and good food got the best of him in the end. It is so sad, when one contemplates Lanza's short but brilliant career and what might have been, that he was gone at age 38, an age when some tenors are just beginning to hit their stride. This album is a fine overview of some of his most memorable heavy classics as well as lighter operetta standards and showcases his voice so well. Nearly fifty years have transpired since his untimely death in 1959 and there is yet to appear on the scene a tenor with the power, charisma or sheer beauty of Lanza's voice. I highly recommend this album to the Lanza novice or those just starting their Opera CD collections.

Easy listening.......2006-02-27

I have always liked Mario Lanza and the album is wonderful and relaxing.

Lanza of the joyous voice!.......2005-07-14

This album has some really splendid songs, and yes, it's a good introduction to the King of the high last notes. I grew up with one of Lanza's albums and more or less learned to sing by singing along with his wonderful warm voice. What good energy he had... and too bad he died so young (sigh). It certainly lifts my spirits to listen to his music again and I hope anyone reading this will take a chance and get to know him too.

Not bad as an introduction to Lanza.......2001-11-13

I recommend this collection as a good starting point for those interested in this extraordinary tenor. It's not a complete representation of the man by any stretch of the imagination, but it includes a handful of unforgettable recordings that will make newcomers to Lanza sit up in astonishment.

Highlights include the immortal Serenade & Golden Days from The Student Prince, Beloved (from the film version of the Student Prince, and arguably Lanza's best English-language love song), Because You're Mine, If I Loved You, and the stirring Addio Alla Madre from Cavalleria Rusticana. If love songs seem a little over-represented at the expense of arias and (notably) Italian & Neapolitan Songs, then blame BMG for their habitual neglect of Lanza's more serious side. In any event, this is essentially a one-CD version of the three-CD set, The Mario Lanza Collection. All of the renditions are the same as on the earlier CD, as are the sound sources. With the exception of The Student Prince Serenade, most of the selections here have never sounded better.

Be aware, however, that several of the arias are in fact retakes of more familiar versions. Vesti La Giubba, for instance, is an alternate take from Lanza's May 1950 session, and although the tenor is in great voice, the orchestra lets him down on the climactic phrase by moving on before he has finished his High A on the word "infranto". The Flower Song is even more unrestrained than the familiar take - great fun, but not the kind of recording you'd want newcomers to Lanza to hear! (Lanza never quite "nailed" this aria, but his heart was in the right place.) La Donna E Mobile is the familiar 1950 version in the first half, but is replaced by an inferior retake in the second half, followed by an edited-in High B ending (on "pensier") from the original recording!

The only truly bad recording is the inexplicably popular With A Song In My Heart. Lanza is unfocused, and strains his way throughout the piece. Yours Is My Heart Alone is somewhat better, but is easily surpassed by the tenor's 1956 recording with the conductor Henri Rene (and currently unavailable on CD).

Tracks:

Celeste Aida
O mio babbino caro
Donna non vidi mai
Quando le sere al placido
Mon coeur s'ouvre a ta voix
Una furtiva lagrima
Signore, ascolta!
Recondita armonia
Vissi d'arte
E lucevan le stelle
Habanera: L'amour est un oiseau rebelle
Amor ti vieta
Gualtier Malde...Caro nome
Cielo e mar
Quando m'en vo
La fleur que tu m'avais jetee
O mio Fernando
Pourquoi me reveiller
Voi che sapete
Un bel di (One fine day)
Nessun dorma

Customer Reviews:

listening to this cd.......2007-02-19

this is a wonderful cd. i have it in my car and listen to it all the time. you wont go wrong buying this cd if you love the operah and great voices.

If you are unsure about opera, this is where to begin.......2004-06-22

Many people are turned off of opera because of the nature of the beast - unknown tongue, the continual singing and particularly the sopranos whose voices are as piercing as they are diffdicult to understand. These selections are ravishing in their beauty. It has been estimated that 2/3 of all classical effort was put into opera. Thus it is not surprising that some of the best music ever penned can be found here, particularly those that deal with that most human of emotion - love.

The orchestration is wonderful, the voices emotional and quite sincere, the authenticity is present. It is difficult to surpass Verdi or Puccini in plumbing the emotional depths. All in all a good experience.

The Perfect Opera CD.......2002-08-08

I'm so in love with this CD, I'm giving it to as many ppl as I can. It's a great introduction to opera for ppl who don't listen to it very often. It has all the great hits with all the great singers, who can make shivers go down your spine. My friends who don't know opera as much as I do love it too.

Romantic.......2000-05-12

If you have just got to be interested in Opera, this is a good start. You can listen to the best pieces of the most famous (an romantic) Operas performed by the best singers. If you are a long-time Opera lover, this CD will remind you of all the performances that you went with your loved one and romantic moments after the concerts.

Average customer rating:

heywhattsamattayou
full of passion and love
Absolutely Beautiful!
Where is Amore I?

Amore II ~ Great Italian Love Arias

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Amor--Opera's Great Love Songs
The Best of Italian Opera
The Most Famous Opera Arias
The Most Famous Opera Duets
Rapture: Opera's Most Heavenly Moments

ASIN: B00004C4MX
Release Date: 2000-02-01

Tracks:

Gianni Schicchi: O mio babbino caro
La rondine: Chi il bel sogno di Doretta
La Boheme: Quando m'en vo
La Boheme: Mi chiamano Mimi
La Boheme: Che gelida manina
TOSCA: Vissi d'arte
Madama Butterfly: Un bel di
Madama Butterfly: Bimba dagli occhi pieni di malia
Turandot: Tu, che di gel sei cinta
Rigoletto: La donna e mobile
Rigoletto: Caro nome
La Traviata: Lunge da lei...De miei bollenti spiriti...oh mio rimorso
Aida: Celeste Aida
L'Elisir d'Amore: Prendi, per me sei libero
L'Elisir d'Amore: Una furtiva lagrima
Don Pasquale: Quel guardo il cavaliere
Fedora: Amor ti vieta
Turandot: Nessun dorma

Customer Reviews:

heywhattsamattayou.......2007-06-12

i'm a tellin you..... if you dont a like a this music....well you musta been born with the stone for a heart...heh

full of passion and love.......2007-03-31

This CD is full of passion and love. Whenever I listen to it, I get the butterfly feeling in my stomach...must have CD!!!! I strongly recommend!

Absolutely Beautiful!.......2002-03-02

Two words describe the music found on this CD: ABSOLUTELY BEAUTIFUL! The beauty of the vocals and music combine to allow one to transcend from the daily grind to a world of beauty. Bravo!

Where is Amore I?.......2001-02-16

This CD is a selection of arias from Italian operas. Most of the time when you get a compilation like this, you feel lucky if you like 2/3 of the selections. In this case, whoever did the selecting did a great job, there isn't a clinker in the lot. About half of the arias are by Puccini, the rest are by Verdi, Donizetti, and Giordano. Singers include Kiri Te Kanawa, Luciano Pavarotti, Richard Tucker, and Andrea Rost. There is enough variety to keep the whole CD interesting, yet the mood is consistent throughout. The sound is generally quite good, and while I am not generally a fan of live recordings, the audience response in the performance by Pavarotti really does add excitement to the presentation. Given the title of this CD, I assumed this was the second in a series, and I liked it so much I went looking for the original. Unfortunately, I can find no other CD on the Sony label titled Amore - too bad.

The Movies Go To The Opera: Great Operatic Melodies featured in

Average customer rating:

Unbelievable , this is Opera
For those who like the stirring operatic bits
EDUCATIONAL
Some of Opera's Best Gems
Some of Opera's Best Gems

The Movies Go To The Opera: Great Operatic Melodies featured in

Manufacturer: Angel Records
ProductGroup: Music
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Opera Goes to the Movies
Panorama: Music from the Movies
The Most Famous Opera Duets
The Most Famous Opera Arias
The #1 Opera Album

ASIN: B000002SQ3
Release Date: 1990-10-25

Tracks:

Fatal Attraction- Madama Butterfly- Un bel di
Death Of Butterfly
Giacomo Puccini / Turandot-Nessun Dorma (Witches Of Eastwick)
Lakme-Viens, Mallika (Someone To Watch Over Me)
La Boheme: Musetta's Waltz (Moonstruck)
La Boheme-Mimi's Farewell (Moonstruck)
Dark Eyes / Una voce poco fa
Apocalypse Now / Ride of the Valkyries
Jean De Florette, Manon Of The Spring / Overture
La Wally-Ebben? Ne Andr Lontano (Diva)
Les Pecheurs De Perles-Au Fond Du Temple Saint (Gallipoli)
Manon Lescaut-Sola, Perduta E Abbandonata (Hannah And Her Sisters)
Gianni Schicchi-Firenze-Come...(Room With A View)
Gianni Schicchi-O Mio Babbino Caro (Room With A View)
Chi Il Bel Sogno Di Doretta
Cavalleria Rusticana-Intermezzo (Raging Bull)

Customer Reviews:

Unbelievable , this is Opera.......2007-06-26

These are opera melodies that have been adapted to some outstanding feature films. Looking at some of the scenes and hearing the music has enforced sight and sound. Even if you are not an opera buff or a movie buff you will be entralled by what you hear. You may even want to buy the film or the music album/

For those who like the stirring operatic bits.......2004-04-29

I'm not a diehard opera fan. That means I can't sit through the no or low musical sections. After all, opera is a visual art as well as an aural one, and there's alot of low energy periods where one would have to be watching it live to avoid slipping into a coma. If that. I tend to like the arias and the duets. These are the bill of fare on this album, with a healthy portion of brain glue added by each piece's tie-in with a major motion picture. For instance, a favorite picture of mine is the Australian production of "Gallipoli", which depicts the carnage inflicted on Aussie and Kiwi troopers doing the Queen's dirty work with wave after wave of direct frontal infantry assaults against Turkish heavily fortified breastworks and murdurous interlocking fields of fire of many heavy machine gun positions and pre-sited mortar batteries. There is a certain eerie and sad scene depicting a couple of young Aussie junior officers, boys really, in the tent of a superior on the night before the early morning attack. The viewer has the superior vision of recorded history, while these apple cheeks have no inkling of the mailed fist that will hammer them down in a few hours. The older officer puts a platter on the crank up Victrola, and for most of us, we get our first introduction to the haunting strains of "Au Fond du Temple Saint" from the French opera "Pêcheurs de Perles". I'm sure a portion of the haunting and eerie qualities stem from my total lack of french language skills. That piece will forever be associated with the bloodbath at Gallipoli Peninsula, at least as far as my brain goes. And so it goes with many of the other pieces of music in this collection. From "Apocolypse Now" is included the best piece of music to attack an enemy by, "Ride of the Valkyries" from the famous AirMobile copter assault, an attack scene that redefined cinematic battle sequencing forever. Everyone should recognise at least one musical movie slice here.
Tie ins include Raging Bull, Fatal Attraction, and Someone to Watch Over Me.

EDUCATIONAL.......2002-04-20

I BOUGHT THIS CD SOMETIME AGO WHEN I WANTED TO LEARN MORE ABOUT OPERA. THIS IS ONE OF THE BEST CD'S OUT WHEN CONSIDERING TRYING TO TURN YOUNG PEOPLE ON TO THE ARTS, ANYONE WHO LISTENS TO THIS WILL DEFINETLY HAVE AT LEAST ONE FAVORITE.

Some of Opera's Best Gems.......2002-04-01

I've long been an opera fan, so you might expect me to sneer at a compilation. Not so! For opera fans, this is a "stroll down memory lane," offering some lovely jewels from well-loved operas. For those new to opera, this is a wonderful introduction. Even if you don't know the language or the story, you will be utterly transported by several of these arias.

Just to whet your appetite, here are a few tidbits about some of my favorites on this CD:

- The angelic duet from Lakmé is about a sacred river in India whose banks are overflowing with fragrant spring flowers.

- In the duet from Les Pecheurs de Perles (Pearl Fishers), two men who are best friends sing rapturously about falling in love at first sight with a beautiful woman; for each it was an almost mystical experience. When they realize they are in love with the SAME woman, they are alarmed, and vow to not let anything destroy their friendship.

- "Quando m'en vo" from La Bohème is really funny because a woman is bragging loudly about how popular she is, to make an ex-boyfriend jealous. (It works, and she wins him back.)

- The second aria from La Bohème--Mimi's dying words to her lover Rodolfo and her dear friends--is beautiful and touching. However, you should also hear the glorious songs that Mimi and Rudolfo sing when they first fall in love! (Those are not in this collection.)

- The dreamy and mysterious "Nessun Dorma" is sung by a man who eagerly anticipates being married to a beautiful princess the next day, but who may very well be put to death instead. His fate hangs in the balance as all the residents of ancient Peking stay awake all night, trying to discover his secret.

Of course, the only way to really know what opera is about is to go to a live performance, where you not only hear the glorious music but also enjoy the entertaining story, costumes, sets, and action. Good bets at first are operas by Puccini, Bizet, Mozart, Verdi, and Rossini--hold off on Wagner for a while! ....

For what it's meant to do, I would give this CD full marks (5 stars).

Some of Opera's Best Gems.......2002-04-01

Just to whet your appetite, here are a few tidbits about some of my favorites on this CD:

- The angelic duet from Lakmé is about a sacred river in India whose banks are overflowing with fragrant spring flowers.

- "Quando m'en vo" from La Bohème is really funny because a woman is bragging loudly about how popular she is, to make an ex-boyfriend jealous. (It works, and she wins him back.)

For what it's meant to do, I would give this CD full marks (5 stars).

Verdi: Il Trovatore (complete opera) EMI Great Recordings of the Century with Maria Callas, Giuseppe di Stefano, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan
Average customer rating:

IT'S GOOD, BUT IT'S GOT SOME STIFF COMPETITION

One of the great opera recordings

Superb performance.

Verdi: Il Trovatore (complete opera) EMI Great Recordings of the Century with Maria Callas, Giuseppe di Stefano, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan
Giuseppe Verdi , Maria Callas , Herbert von Karajan , Giuseppe Di Stefano , and Rolando Panerai
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Bellini: Norma (complete opera) EMI's Great Recordings of the Century with Maria Callas, Tullio Serafin, Chorus & Orchestra of La Scala, Milan

Verdi: La Traviata (complete opera live 1955) with Maria Callas, Giuseppe di Stefano, Carlo Maria Giulini, Orchestra & Chorus of La Scala, Milan

Puccini: Turandot (Complete Opera) Maria Callas; Elisabeth Schwarzkopf: Eugenio Fernandi; Tullio Serafin

J. Strauss: Die Fledermaus / Schwarzkopf, Gedda, Streich, Krebs, Kunz, Christ; Karajan

ASIN: B0002VEQHU
Release Date: 2004-09-07

Tracks:

All'erta! All'erta!
Di Due Figli Vivea Padre Beato
Abbietta Zingara, Fosca Vegliarda!
Brevi E Tristi Giorni Visse
Sull'orlo Dei Tetti
Che Piu T'Arresti?
Tacea La Notte Placida
Quanto Narrasti Di Turbamento M'ha Piena L'Alma!
Di Tale Amor
Tace La Notte!
Il Trovator! Lo Fremo!...Deserto Sulla Terra
Non M'Inganno...Ella Scende!...Anima Mia!
Di Geloso Amor Sprezzato
Vedi! Le Fosche Notturne Spoglie
Stride La Vampa!
Mesta E La Tua Canzon!
Soli Or Samo
Condotta Ell'Era In Ceppi
Non Son Tuo Figlio!
Mal Reggendo All'Aspro Assalto
L'Usato Messo Ruiz Invia!
Perigliarti Ancor Languente
Tutto E Deserto
Il Balen Del Suo Sorriso
Qual Suono! Oh Ciel!
Per Me Ora Fatale
Ah! Se L'Error T'Ingombra
Perche Piangete?...O Dolci Amiche
E Deggio E Posso Crederlo?

Tracks:

Or Co' Dadi, Ma Fra Poco
In Braccio Al Mio Rival!
Giorni Poveri Vivea
Deh! Rallentate, O Barbari
Quale D'Armi Fragor
Ah Si, Ben Mio, Coll'Essere Io Tuo
L'Onda De' Suoni Mistici Pura Discenda Al Cor!
Di Quella Pira, L'Orrendo Foco
Siam Giunti; Ecco La Torre
D'Amor Sull'Ali Rosee
Miserere...Quel Suon, Quelle Preci
Di Te, Di Te Scordarmi! Tu Vedrai Che Amore In Terra
Udiste?
Mira, D'Acerbe Lagrime
Conte!...Ne Basti!
Colui Vivra...Vivra! Contende Il Giubilo
Madre, Non Dormi?
Si, La Stanchezza M'Opprime
Ai Nostri Monti Ritorneremo
Che! Non M'Inganna
Parlar Non Vuoi?...Ha Quest'Infame L'Amor Venduto
Ti Scosta!
Prima Che D'Altri Vivere

Customer Reviews:

IT'S GOOD, BUT IT'S GOT SOME STIFF COMPETITION.......2006-02-07

This "Trovatore" was recorded in 1956, and has enjoyed pretty much of a "clasic" status for a long time. Some of it is very, very good indeed. Herbert von Karajan performed this opera a lot (most famously, in Salzburg in 1962, with the super-star cast comprising Leontyne Price, Franco Corelli, Giulietta Simionato and Ettore Bastianini --- and yes, there's an avilable recording, and it's spectacular!), and his particular way with Verdi's fiery score is certainly impressive. On this particular recording, he has four great singers certainly, but somehow this recording has never been, for me anyway, all THAT unforgettable. The assets: Maria Callas brings out all the darkness and mystery of Leonora. She is by far the most compelling and vivid exponent of this role. That said, it must also be noted that this role was no longer completely comfortable for her vocally at this point in her career. She had sung the role in Chicago eight months earlier ------- to (according to those who heard it)perfection. Here, however, it cannot be denied that she makes some very unpleasant sounds in the uppermost notes. Her singing in the more florid sections has plenty of bite and fire, however, and overall her performance is certainly one to admire. Fedora Barbieri, to my ears, THE dramatic mezzo of her generation, is considerably less vocally effective here than she was in the same role on the classic 1952 RCA Victor recording with Milanov, Bjoerling and Warren. On THAT recording, she sets her scenes on fire. Here, she considerably more vocally and dramatically subdued. Giuseppe di Stefano's voice is not really large or dramatic enough for Manrico. True, his voice is no larger than was Jussi Bjoerling's, but the way he uses his voice is very, very different. Rolando Panerai is a good di Luna --- suave, lush-voiced ---almost too beautiful sounding for such a mean-spirited character. I have listened to this recording many times, and recently purchased this new edition. Of course it's good, and there are moments when one thinks that this is the ultimate "Trovatore". It's really not. There are some other wonderful recordings available as well: Milanov/Bjoerling on RCA; Price/Corelli live in Salzburg; Price/Domingo on RCA; also, I believe there is a live Caballe' version available. Whatever the case, "Trovatore" is such a "singer's opera", that one is bound to have particular preferences. Lastly, EMI's newly re-mastered sound is excellent.

One of the great opera recordings.......2005-08-15

I am very impressed by EMI's new remastering of the famous Karajan/Callas recording of Il Trovatore, one of the greatest opera recordings ever made, in my view.

Karajan elicits a remarkable degree of precision and refinement from the Scala orchestra, without ever losing that fiery and intense charge characteristic of the old-style Italian operatic tradition.

Callas's magnificent portrayal of Leonora has those same qualities -- it is an inimitably expressive and committed performance sung with extraordinary control, coloring, and musical accuracy.

The rest of the cast is not quite at their level. Di Stefano sounds hard-pressed, and indeed this role was a few sizes too large for him; but it's still a beautiful sound and his natural, unaffected phrasing and crystal-clear diction provide deep pleasure. Rolando Panerai's somewhat edgy and tense voice has never been my favorite, but he does a fina job as Luna. Fedora Barbieri is in typically vivid form as Azucena, though her earlier recording of this role (with Bjorling, Milanov, and Cellini on RCA) may be preferred.

A great recording and a must buy.

Superb performance. .......2005-07-21

Being myself a fan of Von Karajan, I went straight to this version of Il Trovatore. His conducting as always is flawless, powerful and marvelous.
There are not enough words to tell you how great the singers are. Just seeing their names will make you order this:
Maria Callas as Leonora. Fedora Barbieri as Azucena. Giuseppe di Stefano as Manrico and Rolando Panerai as Il Conte di Luna. All of them sing their roles with such passion. Few singers will match them. The set includes the libretto in Italian, English, French and German and several pictures of the singers and Herr Von Karajan. It's worth every penny.
The sound is monoaural but the performance is the thing that counts in this.

Average customer rating:

Great Voice
Florez shines in enticing variety, versatility of repertoire
Third album by Florez
Florez in another dazzling disc!
Muy bien cantado...Pero falta algo

Great Tenor Arias

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Juan Diego Florez ~ Rossini Arias
Una Furtiva Lagrima
Sentimiento Latino
Sentimiento Latino
Rossini - Il Barbiere Di Siviglia / Juan Diego Florez, Maria Bayo, Pietro Spagnoli, Ruggero Raimondi, Bruno Pratico, Gianluigi Gelmetti, Madrid Opera

ASIN: B0002K6ZWU
Release Date: 2004-09-14

Tracks:

J'ai Perdu Mon Euridice
Pietoso Al Lungo PiantoAlfin M'arride Amore...Deh! Lasciate A Un'Alma Amante
La Speranza Piu Soave Gia Quest'Alma Lusingava
Eccomi Finalmente...Feste? Pompe? Omaggi? Onori?
Loin De Son Amie Vivre Sans Plaisirs
Languir Per Una Bella
La Donna E Mobile
Pria Che Spunti In Ciel L'aurora
Com'e Soave Quest'Ora Di Silenzio Al Mio Dolente Cor... Anch'io Provai Le Tenere Smanie D'un Puro Amore
Avete Torto!...Firenze E Come Un Albero Fiorito

Amazon.com

Here the remarkable young Peruvian tenor Juan Diego Florez not only offers us what we've become accustomed to---gorgeous, graceful singing of very difficult bel canto gems (in this case, high-flying, virtuosic arias from Rossini's Semiramide and L'Italiana in Algeri. He also ventures into unknown waters. He sings an aria added by Donizetti for an Italian production of The Daughter of the Regiment ("La figlia" rather than the usual "La fille") which turns out to be just right for his voice, and he charms with his crisp diction and youthful approach. Paolino's aria from Cimarosa's Il matrimonio segreto is a substantial piece of bel canto writing, with some nice coloratura fireworks near the end which Florez sails through with ease, and Rinuccio's ditty from Puccini's Gianni Schicchi---perhaps the most heavily orchestrated piece he's sung and stylistically the opposite of anything else on the CD---is also tossed off with true élan. On the other hand, Florez has a lot to learn about the Gluckian style, judging from his Romantic approach to Orphée's aria, and his French could use some brushing up if he's going to sing anything from Halévy's La Juive, although the vocal hurdles that the composer put in the tenor's way do not seem to bother him at all. A surprising disappointment is "La donna e mobile," which is over-sung and charm free. But can any tenor around be expected to sing all of these (and a few others, too) perfectly? Florez remains a true delight, his sound beautiful, his production easy from top to bottom. Despite reservations, highly recommended. --Robert Levine

Customer Reviews:

Great Voice.......2007-05-13

This young tenor is a worthy successor to Carreras, he will be a superb singer.

Florez shines in enticing variety, versatility of repertoire.......2005-03-14

An altogether delightful disc. The arias on here that do not require heavy pryotechnics are delightful and reveal a very pleasant insouciance of tone and character that are very fitting, only very intermittently offset by a slight hardness of tone on top. The aria from Semiramide and cabaletta to the charming Cimarosa aria serve up the fireworks, so common on the first disc and perhaps the one that followed it, for those listeners who are attracted to this disc by having heard especially the first and highly brilliant all-Rossini outing. Rossini is also well represented here by a charming romanza and lively cabaletta from Italiana in Algeri.

Several rarities are included, unlike with the above, and he makes something very charming and inviting of the selection from Verdi's Un giorno di regno (Verdi's rarely performed comedic second opera). The alternate Italian aria from Fille du regiment is a welcome supplement to his having recorded the more famous aria for Tony on his second recital disc. The aria from Donizetti's Lucrezia Borgia (an easy equal to Lucia in inspiration) is also a highlight, Florez's insouciance of manner here particularly telling, as it has fatal consequences for his character and all this character's buddies in this opera. Eleazar's aria, or one of them, from Halevy's La Juive reveals the possibility of a little greater reach into repertoire that approaches the dramatic for this tenor - but one senses as well that he will and can, should take his time getting there. The tribute to Firenze from Gianni Schicchi at or toward the end of this recital is compelling enough to convince the most hardened travel cynic buying this disc to call the airlines/hotels, inns to book for there right away. The "Che faro" from Orfeo (but sung in French) is an ideal vehicle from which Florez can deliver such a sublime and heartfelt lament, as heard here, albeit a bit too closely recorded.

Carlo Rizzi, not always dependable, gives fine accompaniments here. The engineering does place the voice just a bit too forward, however, yet ironically a voice that has developed full body and better evenness than when his first all-Rossini disc was recorded (yet still certainly too early to tackle the part of Eleazer on stage as of yet), erasing any concerns I may have had at that time. For some readers, any problem with the sound quality here might demote this outing to four stars, but taking the singing, the interesting repertoire chosen for this disc, and the fine, deft accompaniments from Rizzi and the Verdi orchestra from Milan (some alternate band to Muti's peerless one at La Scala? - the endless nature of so much politics in music), have me sticking with five, and with a mind about several other vocal recital discs that have been getting rated too highly on this website.

Ditto. Just received credible correction from Vince Chau of one piece of misinformation I submitted here. The aria that Florez sings from La Juive belongs to the second tenor part of Leopold, not that of Eleazar. While I am on the subject of corrections of my reviews, he also had said that I had incorrectly challenged Gheorghiu's Laggiu nel Soledad for having ended on a high C. Not having been so graphic as that in how I describe what happened there, I had led him to believe and perhaps a few others that I was saying there was no high C in the aria at all, so I have just taken pains to fully explain the situation on the new Gheorghiu Puccini recital by thereby editing my review of it. I would not trade Gina Cigna's ONLY high C TOWARD the end of Laggiu nel Soledad for all the gold in Fort Knox, or Nilsson's or Tebaldi's ...

Third album by Florez.......2005-01-01

This, the young Peruvian tenor Juan Diego Florez' third album, includes more of the bel canto repertory with which he has risen to international fame. Hearing Lindoro's scene from L'Italiana in Algeri, to cite one example, will make the first-time listener realize why. The tenor's firm, even tone, agility in coloratura and secure high notes--all the way up to a solid high D in one selection--are still sources of wonder.

"Great Tenor Arias" also includes forays into other areas of the repertory, from operas which Florez has not yet sung and may never sing on stage. Indeed, one hopes that no one talks him into trying Verdi's Duke of Mantua any time soon--his rendition of "La Donna e Mobile" is solid, if a bit lacking in charm, but the entire role would surely overtax his vocal resources. Puccini's Rinuccio, from the evidence of Florez' take on the aria from Gianni Schicchi that concludes this somewhat short (less than an hour of music) CD, would be a more comfortable fit, but he is already too much of a marquee name to take on what is basically a supporting role.

If this CD as a whole leaves a slightly unsatisfying impression, it is because the experiments by Florez remain just that--vocal explorations rather than performances undertaken out of deep dramatic or musical conviction. In addition, some of the more obscure music, Cimarosa and early Verdi in particular, is not of the highest quality, and here Florez' comparative inability to characterize vocally becomes a liability. All in all, despite the outstanding singing, a newcomer to this tenor's art would probably be better served by starting with one of his two earlier albums, the first of Rossini, the second Bellini/Donizetti.

Florez in another dazzling disc!.......2004-11-25

Juan Diego Florez is definitely on a spin and that well-deserved
journey is the product of fine training, excellent coaching, and a keen sense of pacing in a career that tends to push the gifted ones too quickly. Though Florez' crowning gifts are in the bel canto repertoire, with this recording he just starts there and pushes into the range of more lyrical arias, and to these ears he succeeds in demonstrating how special is this beautiful voice.

Even the decision about lineup of arias on this fine recording is intelligent: Florez moves from Gluck, Cimarosa and Rossini into Donizetti, Verdi and Puccini with great ease. Here is a tenor who can belt out the high notes to please the balcony but who is equally sensitive to the diminuendos and barely audible phrases that mark the true artist.

Dashingly handsome, and physically as well as vocally a fine actor on stage, this CD simply further demonstrates that Juan Diego Florez is one of the brightest tenors before us today. It is interesting to see how many Latin American tenors are suddenly becoming so important - Villazon, Calleja, Alvarez, Florez, etc. Refreshing! GRady Harp, November 2004.

Muy bien cantado...Pero falta algo.......2004-11-07

JUAN DIEGO FLOREZ es sin duda alguna el mejor tenor de la actualidad en su repertorio (Rossini y ciertos roles belcantistas) y sus trabajos discograficos siempre consiguen los mas fervientes aplausos. Yo mismo, ya elogie en su dia aqui sus dos registros anteriores en solitario con este mismo sello.
Pero ahora, en este tercer trabajo, la magia no se produce de igual manera que las veces anteriores: la voz sigue estando ahi, bellisima y con un alarde de agudos bastante importante...Pero el repertorio no es el mas adecuado a la vocalidad de Florez, por lo que le ofrece escasas posibilidades de lucimiento. Un repertorio como este, en la voz de un tenor desconocido que comienza pudo haber sido interesante, pero en la voz de un tenor ya consagrado como es Florez, deja una sensacion de vacio bastante grave. Habra que esperar al cuarto (ya se anuncian "Canciones latinoamericanas" en lo que puede ser un interesante cambio de registrio) para ver si se vuelve a producir la magia.
CARLO RIZZI y la orquesta rinden a un buen nivel, mucho mayor que la orquesta y el director del disco anterior de Florez.

Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti

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what a voice....
Amazing!!
Renee Fleming - Signatures-Great Oper Scenes
BEAUTIFUL CROSS SECTION OF STYLES
Renee Fleming's greatest recital ever!

Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti
Wolfgang Amadeus Mozart , Pyotr Il'yich Tchaikovsky , Antonin Dvorak , Giuseppe Verdi , Benjamin Britten , Richard Strauss , London Symphony Orchestra , Sir Georg Solti , Renée Fleming , Larissa Diadkova , and Jonathan Summers
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Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Renée Fleming
Renée Fleming - Visions of Love ~ Mozart Arias / Mackerras
Renée Fleming: Bel Canto
Renee Fleming: By Request

ASIN: B0000042HU
Release Date: 1997-09-09

Tracks:

Le nozze di Figaro: Porgi, Amor
Le nozze di Figaro: E Susanna Non Vien!...Dove Sono I Bei Momenti
Eugene Onegin: Nu, Zaboltalas Ya!...Puskai Pogibnu Ya (Letter Scene)
Rusalka: Mesicku Na Nebi Hlubokem (O Silver Moon)
Otello: Era Piu Calmo?...'Piangea Cantando Nell Erma Landa'... Ave Maria
Peter Grimes: Peter Seems To Have Disappeared...Embroidery In Childhood Was A Luxury Of Idleness
Daphne: Ich Komme - Ich Komme (Transformation Scene)

Amazon.com essential recording

As the possessor of one of the great lyric soprano voices of our time, soprano Renée Fleming is in demand in the world's great opera houses. (It doesn't hurt that she's also lovely and a fine actress.) This album is an outstanding collection of great arias, ravishingly sung. It shows something of Fleming's range, including as it does music by Mozart, Tchaikovsky, Dvorák (the sumptuous "Song to the Moon" from Rusalka, the best part of the entire opera, and sung here in definitive fashion), Verdi, Britten (an effective "Embroidery Scene" from Peter Grimes), and Richard Strauss. This disc is a good starting point for someone seeking to learn more about operatic singing, and a valuable addition to the library of anyone already converted. Fleming is given strong support by mezzo-soprano Larissa Diadkova, baritone Jonathan Summers, and by the late Sir Georg Solti in one of his last recordings. --Sarah Bryan Miller

Customer Reviews:

what a voice...........2006-09-14

I love this recital which is my first introduction to a solo album by Fleming.
Her voice , with its richness and dusky timbre and beautiful, strong higher notes is a treat to hear.
She did sound expressive too but has not yet touched a chord in me when it comes to emotion and feeling.
Call me a helpless Callas fan, but I couldn't help but wonder how La Divina would sound if she sang Russian and played Tatyana in the "Letter" scene; what a great vehicle for acting!
But it does take voices a while to grow on me and that might be it.
I do plan on buying more of her CDs.

Amazing!!.......2005-09-28

This may be one of my favorite albums of all time. Renee Fleming is of course amazing with Mozart...but there are other gems on this album. The scene from Otello is truly astounding!! My personal favorite on this album is the Embroidery Scene from Peter Grimes by Benjamin Britten...WOW!!! And of course we all know that the Song to the Moon from Dvorak's Rusalka is amazing. The Tchaikovsky is so wonderful!! The scene from R. Strauss's Daphne is awesome! Brava Renee!!!

Renee Fleming - Signatures-Great Oper Scenes.......2005-08-11

I gave this item as gift so I cannot review it.

BEAUTIFUL CROSS SECTION OF STYLES.......2004-11-22

I really loved this CD, mainly however due to "Mesicku Na Nebi Hlubokem" as it was the first version I had ever heard. Her phrasing, emotion, and tone were a perfect match for Dvorak's lone mermaid. I was also surprised to find Richard Strauss's Daphne here. It is not a common opera or aria so it was all I could do to listen to the beauty of the music that was not a real aria as it was vocal renderings controlled by the orchestra. It may not ever be common but it shows Richard Strauss in a more lyrical way verses his usual more heavy and harsh operas including "Salome" and "Elektra". Now if only we could get Fleming to record "Daphne" in it's entirety. Her other pieces were rich and warm as I have always adored her in the Countess road and she has always does Desdemona proud even if it is just a literary character. This CD is Renee Fleming at her best!

Renee Fleming's greatest recital ever!.......2004-04-16

What can I say that hasn't been said already? The great Solti (Who adored Fleming btw) and Renee Fleming made magic here. One of the greatest recitals in operatic history. Brava Renee!

Average customer rating:

Major Orchestras, Major Conductor, Major Power!
Thunder and Lightning
Wonderful
Big, Beautiful Music!
Solti at his best!!

Thunder & Lightning

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Thunderous Classics
Heavy Classix
Time Life Presents: Classical Thunder
Holst: The Planets/John Williams: Star Wars/Strauss: Also Sprach Zarathustra
Simply the Best Classical Anthems

ASIN: B00000DLUS
Release Date: 1998-11-10

Tracks:

William Tell Overture: Galop - Georg Solti
Ga Parisienne: Cancans 1 & 2 - Georg Solti
La Gioconda: Dance of the Hours - Georg Solti
Russlan And Ludmilla: Overture - Georg Solti
Die Walkide of the Valkyries - Georg Solti
Carmen: Prelude, Act I (March of the Toreadors) - Georg Solti
1812 Overture: Finale - Georg Solti
Les Preludes: Finale - Georg Solti
Symphony No. 6 in F: 'Pastoral' - Storm - Georg Solti
Aida: Triumphal Chorus & Grand March - Georg Solti
Lohengrin: Prelude to Act III - Georg Solti
Prince Igor: Polovtsian dances - Georg Solti
Requiem: Dies irae - Georg Solti
Requiem: Tuba mirum - Georg Solti
Symphonie Fantastique: March to the Scaffold - Georg Solti
Romeo and Juliet Overture Fantasia: Montagues and Capulets, Love Theme and Finale - Georg Solti
Pictures At An Exhibition: The Hut on Hens' Legs - Georg Solti
Pictures At An Exhibition: The Great Gate of Kiev - Georg Solti

Tracks:

Also sprach Zarathustra: Sunrise - Solti
The Planets: Mars - Solti
Romeo And Juliet Ballet Suit: Dance of the Knights - Solti
Symphony No. 4 In F Minor: IV. Allegro con fuco - Solti
A Night On The Bare Mountain - Solti
Pomp and Circumstance March No. 1 in D - Solti
Damnation Of Faust: Hungarian March - Solti
Tannhauser: Fest March (Entrance of the Guests) - Solti
Enigma Variations: Troyte (Variation No. 7) - Solti
Enigma Variations: E.D.U. (Variation No. 14) - Solti
Il Trovatore: Anvil Chorus - Solti
Bolero: Conclusion - Solti
Symphony No. 9: Ode To Joy - Solti
The Twilight Of The Gods: The Immolation Of The Gods - Solti

Customer Reviews:

Major Orchestras, Major Conductor, Major Power!.......2004-06-16

I own multiple recordings of most of the works on Georg Solti's Thunder & Lightning, but I always hold this collection as my reference. Not only with his beloved Chicago Symphony Orchestra, but several other world class ensembles, the Maestro shows his monumental interperative talents to make old warhorses sound as if we've never heard them before. He could inspire an orchestra to "open the heavens or open a flower" with his baton. His presence is missed, but his work is forever.

Thunder and Lightning.......2004-02-22

If you wish to relax using this CD set after work, you are buying the wrong album. But, if you MUST drive between one and six in the morning, this set, by repeating all just once, can keep you awake on the road, however boring it is. Trust me, TRUST SOLTI!

Wonderful.......2002-05-23

Solti shows here why he is one of the best interpreters of classical music. while conducting Wagner is his best work, here he shows that he can interpret well just about any composer. also, in this 2-disc set, there is a nice wide range of music, so for those who are just getting into classical music, this is a good place to start.

Big, Beautiful Music!.......1999-05-17

This collection is great fun. I can't imagine a better way to drive home from work on a Fri afternoon than listening to Solti's "Thunder and Lightning" LOUD on an excellent car stereo. Order and ENJOY!!:)

Solti at his best!!.......1999-05-13

A wonderful collection of Solti's intensity and drive in this music. He is at his best here and how nice to hear a variety of orchestras. Good "sampler" for future purchases.

Jennifer Larmore Sings Great Operatic Arias

Average customer rating:

The Art of Serious Fun
Larmore at her best again!

Jennifer Larmore Sings Great Operatic Arias

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Anna Netrebko & Rolando Villazón: Duets
Soprano
Russian Album
Rossini - L'Italiana in Algeri
La Nilsson: My Life in Opera

ASIN: B000NY166A
Release Date: 2007-05-22

Tracks:

Star Of the Evening
O My Beloved
Fierce Flames Are Raging
Love Like Mine Is the Light Of Creation
That Ungrateful Man Betrayed Me
Where Was I?
My Beloved
Hence, Iris Hence Away!
Tell Me, My Beating Heart
See, O Norma
O Hated Gift
Juliet's Waltz Song

Customer Reviews:

The Art of Serious Fun.......2007-07-01

While most opera stars are submitting to record label hype and narrow artistic freedom, Jennifer Larmore seems to be flourishing in the recording studio. With Opera Rara and now Chandos behind her, she continues to offer sumptuous recordings that are both entertaining and of great artistic caliber. Certainly Larmore does not have to prove herself as she has been performing for nearly 25 years. Anyone who has seen her live knows she is the real deal and she is in top form on this arias disc. Now, mind you, she is singing both mezzo and soprano roles here. And in English. I was skeptical. Being a huge Larmore fan, I though "uh, oh"...My last Chandos purchase was Elizabeth Futral's arias disc and I was not impressed. But here the translations (sung in delicious theatrical English), top-notch singing by Je La and perfect conducting by David Parry with the Philharmonia Orchestra combine to make a highly addictive disc that will go down in history with Larmore's classics Where Shall I Fly and Call Me Mister. She really sets the bar high for other singers.

Thankfully, Larmore goes out of her comfort zone and sings some arias that one would not normally associate with this fearless singer. The Don Carlos and Trovatore arias will certainly give her naysayers something to chew on, but she does it! Note the last few bars of "O Hated Gift". I was on the edge of my seat.

The opening number ("Star of the Evening" from Adriana Lecouvreur) alone is worth the price of the disc. Orchestra and singer match brilliantly and Larmore's final bars brought tears to my eyes. It's good stuff.

The weak spots are minor. Poor Colin Lee is left on the floor in the Favorita duet. A more experienced tenor would have made this duet electrifying. On the other hand, Larmore alone (track 2) singing "O My Beloved" from Favorita proves (as she did in 2001 with OONY) that she should be singing this role on the stage and in a full recording while we're at it. She is Leonora and the tension she creates is heartbreaking.

I could have done without Hence, Iris Hence Away, heard on her In Performance DVD and Where Shall I Fly cd (surely there are other Handel arias, but perhaps that's another Chandos disc in the works???!!!), but it displays how she can still sing Handel like no other. The Tancredi aria is a nice surprise.

The Gioconda track is a blood and guts duet thanks to Susan Patterson and Larmore's singing. I love how Opera Rara and Chandos recital cds always include duets and more. Larmore is a generous singer and part of her genius is how she works off other artists.

As with every Larmore recital disc, she closes with a treat. Juliet's Waltz Song from Gounod's Romeo and Juliet???? Is she kidding??? Nope. I've heard many a soprano struggle though this aria and merely pull it off with a pinched high note. Should Larmore be singing this aria? Hell, no...Can she? Hell, yes!!! But what's so special is she sings it with pure pleasure; as if she'd sung this song her whole career. Not as a mezzo slumming it in soprano territory. And I think that's what she's trying to tell us here. Have fun, be true to your art form and never pander to your audience.

Larmore at her best again!.......2007-06-01

Jennifer Larmore is my favorite mezzosoprano since the very first time. Such an extraordinary artist! To enjoy!

Jennifer Larmore es mi mezzosoprano favorita desde la primera vez que la escuché. Es una artista extraordinaria y este nuevo cd, a pesar de estar grabado en inglés, muestra, una vez más, la calidad interpretativa de esta maravillosa cantante. Incluso se permite el lujo de cantar el vals de Juliette con más seguridad que muchas sopranos que la tienen en repertorio.

Music Review:

Music Review

music review

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Collectables Classics

The Very Best of Billy Dean

1. Donna E Mobile
2. De'miei Bollenti Spiriti
3. Oh! Fede Negar Potessi... Quando Le Sere Al Placido
4. Dovunque Al Mondo
5. Addio Fiorito Asil
6. Mimi E Una Civetta
7. Questa O Quella
8. Scena Della Borsa: Ogni Suo Aver Tal Femmina
9. Rivedra Nell'estasi
10. Or Tu' Sibiloa... Di Tu Se Fedele
11. Ma Se M'e Forza Perderti