Nos Souvenirs: French Violin Music [Import]
Track Listings
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1. Reve D'enfant
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2. Allegro Molto
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3. Andante
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4. Allegro Vivo
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5. Allegro Quasi Presto
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6. Nos Souvenirs
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7. Serenade Espagnole
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8. Allegretto Moderato
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9. Allegro
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10. Moderato
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11. Allegretto Poco Mosso
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12. Beau Soir
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Editorial Reviews
Album Details
Their Ancestral Roots Are from the Mediterranean, but their Respective Universally Acknowledged Musical Talents Enable Korcia and Luisada to Create Recordings that Are Exquisite in Passion and Fire. This Collection Includes Pieces by Faure, Chausson, Ysaye, Chaminade, Franck and Debussy. Each is Distinctively French, but These Performances Add New Tones and Emphases Previously Unheard.
Nos Souvenirs: French Violin Music, Music, Laurent Korcia, Jean-Marc Luisada, Chamber Music & Recitals, Classical
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Wonderful!
- Simple and sweet songs
- Marvellous cd, enchanting music
- Good if you want to sing from the book but can't read music
- Didn't like the voice.
|
Lullabies: A Songbook Companion
Manufacturer: Essay
ProductGroup: Music
Binding: Audio CD
All Works by Brahms
| Brahms, Johannes
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| ( O )
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Similar Items:
- Lullabies: An Illustrated Songbook
- Lullabies and Poems for Children (Everyman's Library Pocket Poets)
- A Treasury of Children's Songs: Forty Favorites to Sing and Play
- Go In and Out the Window: An Illustrated Songbook For Children
- The Library of Children's Song Classics
ASIN: B00000083Z
Release Date: 1997-11-18 |
Tracks:
- All Through The Night
- All The Pretty Little Horses
- All Night, All Day
- Armenian Lullaby
- Baby's Bed's A Silver Moon
- Baloo, Baleerie
- Brahms' Lullaby
- Brezairola
- Traumerei, Op. 15, No. 1
- Can Ye Sew Cushions
- By'm Bye
- Bye, Baby Bunting - Golden Slumbers
- Dance To Your Daddy - Dance, Little Baby
- Fais Dodo
- Good Night To You All
- Jocelyn: Berceuse
- Hush, Little Baby
- Kumbayah
- Little Boy Blue
- Suo Gan
- Matthew, Mark, Luke, And John
- Mozart's Lullaby
- Chanson de Nuit, Op. 15, No. 1
- Now The Day Is Over - Raindrops
- Raisins And Almonds
- Rock-A-Bye, Baby
- Rocking - The Sandman
- Tales Of Hoffman: O Bell Nuit - Bacarolle
- Skidamarink
- Sleep, Baby, Sleep
- Sweet And Low
- Swing Low, Sweet Chariot
- Toora, Loora, Loora
- Twinkle, Twinkle, Little Star: Twinkel, Twinkel, Little Star
- When At Night I Go To Sleep
Amazon.com
Released as a companion piece to the award-winning book Lullabies: An Illustrated Songbook, this hour-plus of music is a wonderful mix of stately classical themes and child-friendly vocals. The selections range from "All the Pretty Little Horses" to a global spread of lullabies drawn from classical and folk traditions. The music is spare, with Kapp on piano, Julianne Baird and Kapp's daughter Madeline on vocals, and Mela Tenenbaum on violin, viola, and occasional vocals. Most of the classical selections (from Robert Schumann, Johannes Brahms, Edmund Elgar, W.A. Mozart, et al.) get a straight-ahead, accomplished treatment. Lest you think the project stuffy, each of the melodies is in the one- to two-minute range, which effectively mandates a stronger sense of flow than most children's collections. Kapp, who managed to create a visual and poetic flow in the Lullabies book, keeps things nicely in a groove here, knowing enough to segue into silly tracks about halfway through the CD to provide a wider emotional range. This album every bit as accomplished as the book. --Andrew Bartlett
Customer Reviews:
Wonderful!.......2007-02-14
I love this CD. It's very well-done, and the approach is different than most children's CDs - very refined, yet soothing. I don't get tired of listening to it the way I do others -- which is important when trying to get a little one to sleep! I highly recommend it and the companion book.
Simple and sweet songs.......2006-04-02
With just piano, violin and vocals, this is a simple and heartfelt album. Ms. Baird's voice conveys the full emotions that a mother feels for her new baby with clean and open singing. The first track in particular, "All Through The Night," still makes me teary. I played this in the hospital when my son was born, and we use it as part of our wind-down ritual. I do agree that some of the songs are a little upbeat for bedtime. We just skip those in the evening (using iTunes).
Marvellous cd, enchanting music.......2005-10-18
Our whole family loves this cd. I am continually charmed and refreshed by the subtlety, taste and musicianship that has gone into these arrangements of well- and lesser-known gems. Apart from the joy of the simple yet perfect chordal progressions, listen to the warm, caressing tone imparted by the low bass notes in the piano in many of the tracks. The pace is so wonderfully leisurely, there is time to savour each song or piece, and yet each lasts only two or three minutes. The three diverse yet complementary singers, each with a tender and gentle presence suiting the subject matter, give a sense of a 19th century family musical evening. Magical.
Good if you want to sing from the book but can't read music.......2004-02-10
I bought this solely because I have the book and wanted to sing the lullabies to my kids, but I can't read music. For this purpose it is fine. The songs are not in the same order as in the book but I can deal. As a stand-alone lullaby CD I wouldn't really recommend it--the songs are not sung in a soothing manner, there's lots of variety in tempo and volume, some are even sung up-beat. The voices are not pitched high enough for babies either. That being said, I am back on Amazon today to buy it for my sister who is due any day now with her 3rd kid--we both like to sing and have the book, and songs (in book or music form) are a great present that the baby won't grow out of for a long time, and helps you bond with your little one too.
Didn't like the voice........2002-12-11
I bought this cd to go with the book and it is very frustrating because the songs on this cd are not even in the same order as the book. The singing voice fluctuates too much, it will be really soft and then it gets really high pitch. And if you have the volume set at a lower level for some songs then you can't hear other songs. I think there are better cds to buy than this one.
Average customer rating:
- Very Enjoyable for all music fans
- Absolutely Amazing! Two CDs packed with the world's most beautiful classical music...
|
The Classical Album 2005
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Ballets
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All Works by Chopin
| Chopin, Frédéric
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All Works by Donizetti
| Donizetti, Gaetano
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General
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| ( D )
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| Handel, George Frideric
| ( H )
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| Mascagni, Pietro
| ( M )
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| Meyerbeer, Giacomo
| ( M )
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| Pachelbel, Johann
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| Satie, Erik
| ( S )
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| ( S )
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| Tavener, John Kenneth
| ( T )
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| Theodorakis, Mikis
| ( T )
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| Verdi, Giuseppe
| ( V )
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| Vivaldi, Antonio
| ( V )
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The Decca Records Store
| Specialty Stores
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Similar Items:
- The Number One Classical Album 2006
- Time to Say Goodbye
- Vittorio
- Defined
- Romanza
ASIN: B000A8AXWW
Release Date: 2005-09-13 |
Customer Reviews:
Very Enjoyable for all music fans.......2006-03-02
This is very good collection of music that brings to life a wide variety of music that is both old and contemporary. The selections vary from composers, historical and famous such as Pavarotti and Puccini to today's James Horner (Titanic, A Beauituful Mind) and John Williams (Star Wars, Sabrina, Jaws, Saving Private Ryan).
If you enjoy the sounds of Sarah Brightman, Charlotte Church, Enya, Kate Bush, Andrea Bocelli, and various theatre music (Andrew Lloyd Webber (Evita, Cats), then you will find this collection worthy of your appreciation.
I have often wondered why classical music radio channels do not play modern composers (i.e., Horner, Willams), and am glad that this album gives them credit that they deserve. There is so many good compositions being created every day that only appear to have a voice on the big screen, which is unfortunate.
Track 11, composed by The Doors, and is a nice version, indeed. I also enjoy the Bond players giving a new twist to some old favourites.
Ciao,
Neil
Absolutely Amazing! Two CDs packed with the world's most beautiful classical music..........2005-11-08
First, let me begin by saying that I am by no means an expert in classical music, but have grown to appreciate it immensely in the past year. I can say wholeheartedly that this is the most beautiful compilation of music I have ever had the pleasure of listening to. It's simple irresistible. There are few words to describe how emotional it is to hear Pavarotti sing "II Canto", or Placido Domingo belt out "Questa o quella". You just get numb with joy!! I have NO idea what they are saying but a translation not necessary. The entire collection (TWo jammed-packed CDs) is phenomenal (excluding the selections from "Bond" which I found to be particularly annoying and not at all "classical" in the true sense of the word). There is something here for everyone, regardless of your personal musical tastes or tolerances.
A guaranteed hit -- Don't miss this one.
CD One
Andrea Bocelli "En Aranjuez con tu amor"
Bryn Terfel - "Granada"
Bond - "Viva" ( not my favorite, sounds almost disco-ish)
Hayley Westenra - "Pokarekare Ana"
Luciano Pavarotti - "Una Mattina"
Katherine jenkins - "Time To Say Goodbye" (a heart stopper - so beautiful!)
Duel - "Canon" (lovely!)
Janine Jansen - "Allegro from 'Spring'"
Andreas Scholl - "Ombra mai fu"
Nigel Kennedy - "The Unknown Soldier"
Kiri Te Kanawa - "Nuns' Chorus"
Nelson Freire - "Chopin Etude No. 1 op. 25
Julian Lloyd Webber - "Flight of the Bumble-bee"
James Horner - "For the Love of a Princess
Hans Zimmer & Lisa Gerrard "Now We Are Free"
Renee Fleming - "Mesicku na nebi hlubokem"
Russell Watson - "Amore e Musica"
CD TWO
Luciano Pavarotti - "II Canto" (I MUST see him sing this in person!!)
Placido Domingo - "Questa o quello" (I never tire of hearing this)
Andrea Bocelli & Bryn Terfel - "the Pearl Fisher's Duet"
Jose Carreras - "Funiculi, funicula
Dominc Miller & Kaori Muraji - "Fragile"
Tavener - "Song for Athene"
Josep Calleja - "La donna e mobile"
Jean-Yves Thibaudet - "Gymopedie No. 1"
Juan Diego Florez - "Una furtiva lagrima"
Kathleen Ferrier - "Blow the Wind Southerly"
Angela Gheorghiu - "Ave Maria"
Janine Jansen - "Schindler's List Main Theme"
Bond - "explosive"
Secret Garden - "You Raise Me Up"
Hayley Westenra - "Never Say Goodbye"
The Three Tenors - "Nessun Dorma"
Enjoy!
Cris Cunningham for Amazon.com
Average customer rating:
|
Classical Album
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
Waltzes
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All Works by J.S. Bach
| Bach, Johann Sebastian
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| Barber, Samuel
| ( B )
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| Bruch, Max
| ( B )
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| Chopin, Frédéric
| ( C )
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| Dvorák, Antonín
| ( D )
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| ( F )
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| Gershwin, George
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| Handel, George Frideric
| ( H )
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| ( M )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Nyman, Michael
| ( N )
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| Puccini, Giacomo
| ( P )
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| ( R )
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| ( S )
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| Schubert, Franz
| ( S )
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| Tartini, Giuseppe
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Marches
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General
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ASIN: B00005Y8UJ
Release Date: 2000-11-21 |
Tracks:
- Caruso
- Concerto for Two Violins in D Minor, BWV1043: 1. Vivace
- Tosca: E Lucevan le Stelle
- Tuesday (Excerpt)
- Songs My Mother Taught Me
- Mission, Filmscore: Gabriel's Oboe
- Eternal Knot
- Minute Waltz in D Flat, Op. 64/1
- Porgy and Bess, Musical Play: Summertime
- Danny Boy
- Pearl Fishers: Au Fond du Temple Saint
- Carnival of the Animals: The Swan
- Nocturne, Song
- Annie's Song
- We'll Keep a Welcome
- Gianni Schicchi: O Mio Babbino Caro
- Adagio for Strings
- Gladiator: Now We Are Free
- Granada
Tracks:
- L'Amour Est un Oiseau Rebelle [From Carmen]
- Devil's Trill
- Misa Criolla: Kyrie
- Jackie's Song
- Ave Maria
- Traviata: Libiamo, Ne' Lieti Calici
- Victory
- Tosca: Vissi d'Arte
- Requiem: In Paradisum
- Wonderland: Molly
- Serse: Ombra Mai Fu
- Violin Concerto No. 1 in D Minor, Op. 26: 2. Adagio (Opening)
- Lugebat David (After Faur"Pavane")
- Aida: Se Quel Guerrier Io Fossi...Celeste Aida
- Saving Private Ryan, Filmscore: Hymn to the Fallen
- Solemn Vespers, K339: Laudate Dominum
- Cats: Memory
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Jascha Heifetz: The Decca Masters, Vol. 2 - Gershwin Foster Weill Berlin
Manufacturer: Mca
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Similar Items:
- Jascha Heifetz - The Decca Masters Volume 1
ASIN: B000009I7Y
Release Date: 1990-10-25 |
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Movie Classics ~ Brief Encounter, Amadeus, Death in Venice, 2001, Apocalypse Now, Philadelphia
Gustav Mahler , Giuseppe Verdi , Wolfgang Amadeus Mozart , Sergey Rachmaninov , Johann II Strauss , Johann Pachelbel , Carl Orff , Richard Wagner , Umberto Giordano , Léo Delibes , Percy Grainger , Antonin Dvorak , Alfredo Catalani , Maurice Ravel , Giacomo Puccini , Ruggero Leoncavallo , Pietro Mascagni , Jules Massenet , Wiener Philharmoniker , Academy of St. Martin-in-the-Fields , London Philharmonia Orchestra , Vienna Johann Strauss Orchestra , London Philharmonic Orchestra , Royal Philharmonic Orchestra , Philharmonia Chorus and Orchestra , Rome Opera Orchestra & Chorus , and Chorus and Orchestra du Theatre National de L'opera-Comique
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000UWB
Release Date: 1996-03-12 |
Tracks:
- Piano Concerto No.2: Allegro moderato (Brief Encounter)
- La Forza Destino: Overture (Jean de Florett - Manon de Sources)
- Eine Klein Nachtmusik: Allegro (Amadeus)
- Symphony No.5: Adagietto (Death In Venice)
- The Blue Danube Waltz (2001 - A Space Odyssey)
- Piano Concerto No. 21: Andante (Elvira Madigan)
- Rhapsody On A Theme Of Paganini: Variation No.18 (Somewhere In Time)
- (Ordinary People): Canon
- Clarinet Concerto: Adagio (Out Of Africa)
- O Fortunea (Carmina Burana): O Fortuna (Glory)
- (Die Walkure): Ride Of The Valkyries (Apocalypse Now)
Tracks:
- (Andrea Chenier): La Mama Morte (Philadelphia)
- (Lakme): Flower Duet (True Romance)
- Mock Morris (Howard's End)
- Piano Sonata No.18 In D: Adagio (The French Lieutenant's Woman)
- Song To The Moon: Rusalka (Driving Miss Daisy)
- La Wally (Diva)
- The Emperor Waltz (Age Of Innocence)
- Piano Trio: Modere (Un Coeur en hiver)
- Madama Butterfly: Humming Chorus (Jenniger Eight)
- Visti la giubba: l pagliacci (The Untouchable)
- Internezzo: Cavaleria rusticana (Raging Bull)
- Piano Sonata No.11 In A: Alla Turca (The Wedding Banquet)
- Meditation: Thais (Angie)
- Radtzky March (Age Of Innocence)
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Noels & Carols The Olde World
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD
All Works by Biber
| Biber, Heinrich Ignaz
| ( B )
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| Charpentier, Marc-Antoine
| ( C )
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| ( P )
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Similar Items:
- A Colonial Christmas
- Scarborough Fayre: Traditional Tunes from the British Isles and the New World
- A Renaissance Christmas
- Home for Christmas
- Christmas Goes Baroque, Vol. 2
ASIN: B0002VETVS
Release Date: 2004-10-05 |
Tracks:
- He Is Born, The Holy Child
- On Christmas Night
- The Olde Yeare Now Away Has Fled
- Willie, Take Up Your Drum
- Noel Nouvelet
- Sonata No. 2 In G Minor
- Sonata No. 1 In D Minor
- Sweet Was The Song The Virgin Sang
- I Saw Three Ships
- Mystery Sonata No. 1, 'Annunciation'
- When Christmas Comes
- Now Tell Us, Mary
- Tell Me, Some Pitying Angel
- You Who Desire Eternally
- Joseph Is Well Married
- El Noi De La Mare
- The Song Of The Birds
- Fum, Fum, Fum
- Entre Le Boeuf Et L'ane Gris
- Riu, Riu, Chiu
Average customer rating:
- Wonderful! But Amazon's track list is incomplete...
- Delightful, spirited renaissance Christmas program.
|
Sweet Was the Virgin's Song: Noels & Carols from the Olde World
Manufacturer: Eclectra Records
ProductGroup: Music
Binding: Audio CD
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| Biber, Heinrich Ignaz
| ( B )
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| Charpentier, Marc-Antoine
| ( C )
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| ( P )
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ASIN: B00000JLM4
Release Date: 1999-09-07 |
Tracks:
- Il est ne le divin enfant
- Sussex Carol
- The Old Yeare Now Away Is Fled
- Guillo, prends ton tambourin
- Noel Nouvelet
- Sonate No. 2 In G Minor
- Sonate No. 1 In D Minor
- Sweet Was The Song The Virgin Sang
- I Saw Three Ships
- Mystery Sonata No. 1
- A la venue de Noel
- Or nous dites, Marie
- Tell Me, Some Pitying Angel!
- Vous qui desirez sans fin
- Joseph est bien marie
- El Noi de la Mare
- El Cant dels Ocells
- Fum, fum, fum!
- Entre le boeuf et l'ane gris
- Riu riu, chiu
Customer Reviews:
Wonderful! But Amazon's track list is incomplete..........1999-12-30
I agree with Jeffrey Stone's review that this is a delightful, spirited program in the style of the Baltimore Consort (and both groups share Mark Cudek).
The entire program is in 17th century styles (i.e. Baroque), and performed with energetic expression. I particularly enjoy the flexible continuo playing. The group's original arrangements in 17th century fashion are also marvelous; the only (very small) quibble I would have is that I think the "Il est ne, le divin enfant" arrangement would sound more natural if the group accented it on the opposite half of each measure (reverse the weak and strong alternation).
I'm writing mostly to correct problems with Amazon's listing:
"Apollo's Fire" and "Cleveland Baroque Orchestra" are not two separate entities. And the complete track listing is as follows:
1. Il est ne le divin enfant (instrumental) - trad. French; 2. Sussex Carol - trad. English; 3. The Old Yeare Now Away is Fled - trad. English; 4. Guillo, prends ton tambourin (inst.) - trad. French; 5. Noel Nouvelet - trad. French; 6. Sonate #2 in G Minor (inst.) - G. P. Cima; 7. Sonate #1 in D Minor (inst.) - G. P. Cima; 8. Sweet was the Song the Virgin Sang - trad. English; 9. I Saw Three Ships - trad. English; 10. Mystery Sonata #1 (Annunciation) (instr.) - H. I. F. Biber; 11. A la venue de Noel (inst.) - M.-A. Charpentier; 12. Or nous dites, Marie (inst.) - Charpentier; 13. Tell Me, Some Pitying Angel! (The Blessed Virgin's Expostulation) - Henry Purcell; 14. Vous qui desirez sans fin (inst.) - Charpentier; 15. Joseph est bien marie (inst.) - Charpentier; 16. El Noi de la Mare - trad. Catalan; 17. El Cant dels Ocells (inst.) - trad. Catalan; 18. Fum, fum, fum! (inst.) - trad. Spanish; 19. Entre le boeuf et l'ane gris - trad. French; 20. Riu, riu, chiu - trad. Spanish.
This CD is also available on the Eclectra label (Quebec) with the same catalogue number: 2041.
Delightful, spirited renaissance Christmas program........1999-11-04
This is a delightful, spirited renaissance Christmas program. The instrumental ensemble of strings, lute, cittern, recorder, etc. plays in the style of the Baltimore Consort. Vocalist Sandra Simon has a sweeter voice than the Baltimore Consort's singer -- she sounds like an angel. Highly recommended.
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Classical Journey (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001VVX
Release Date: 1991-08-23 |
Tracks:
- Symphony No. 40: Molto allegro
- 'Unfinished' Symphony: Andante con moto
- 'Emperor' Quartet: Poco adagio cantabile
- The Beautiful Danube: Waltz
- Eine kleine Nachtmusik: Allegro
- Symphony No. 94 'Surprise': Andante
- O du mein Osterreich: March
- String Quartet, Op. 3 No. 5: Serenade
- Rondo Alla Turca
- Notre Dame: Intermezzo
- Radetzky March
Tracks:
- Hunyadi Laszlo: Csardas
- Zigeunerweisen
- Hungarian Dance No. 5
- Hungarian Fantasy - Liszt
- 'The Damnation Of Faust': Rakoczy March
- Hungarian Rhapsody No. 6 - Liszt
- The Gypsy Baron: March
- The Merry Widow
- The Csardas Princess
Tracks:
- Pomp And Circumstance, Op.39: March No.1
- Greensleeves: Fantasia
- Salut d'amour: Op.12
- Voluntary In G: Op.7, No.9
- Trumpet, Tune And Air
- Concerto Grosso: Op.6 No.1
- The Earle Of Oxford's March
- Music For The Royal Fireworks
- Sonata In D
- Solomon: Arrival Of The Queen Of Sheba
Tracks:
- La Vie Parisienne: Overture
- Fra Diavolo: Overture
- Zampa: Overture
- The Lady In White: Overture
- Coronation March
- Coppelia: Festive Dance And Waltz Of The Hours
- Thais: Meditation
- The Damnation of Faust: Dance Of The Sylphs
- Joyeuse Marche
- Danse macabre
Tracks:
- Rhapsody In Blue
- Ragtime
- West Side Story: America
- Belle Of The Ball
- Candide: Overture
- Adagio
- Symphony No. 9 'From The New World': Largo
- 'Porgy And Bess': Bess, You Is My Woman Now
Tracks:
- Concierto de Aranjuez - Allegro con spirito: Adagio
- Castilla No.7
- 'Love the Magician': Ritual Fire Dance
- Espana
- Capriccio Espagnol
- Carmen Suite No.1
Tracks:
- Ruslan And Ludmilla: Overture
- Eugene Onegin: Polonaise
- 'Gayaneh': Sabre Dance
- Snegourotchka: Dance Of The Tumblers
- Chanson triste - Tchaikovsky
- A Night On The Bare Mountain
- Ouverture solennelle, '1812', Op.49 - Tchaikovsky
- Flight Of The Bumble Bee
- Khovanshchina: Dance Of The Persian Slaves
- Mlada: Cortege
Tracks:
- The Four Seasons: Spring: Allegro
- Adagio
- The Barber Of Seville: Storm Music
- Nabucco: Overture
- Manon Lescaut: Intermezzo
- La Gioconda: Dance Of The Hours
- Cavalleria Rusticana: Intermezzo sinfonico
- Caro mio ben
- William Tell: The Soldiers' Dance
- The Sicilian Vespers: Overture
Tracks:
- 'Rhenish' Symphony: First Movement
- Violin Concerto No. 1: Adagio
- Waltz In A Flat, Op. 39, No. 15
- Spring Song, Op 62, No. 6 - Mendelssohn
- Martha - Overture
- Minuet
- Kinderscenen: Von fremden Landern und Menschen
- Fur Elise
- Orchestral Suite No. 3: Air - Bach
- Der Freischutz: Overture
- Die Meistersinger: Overture
Tracks:
- Holberg Suite: Prelude
- Rustle Of Spring
- Romance, Op.26
- Peer Gnyt: Sonata No.2, Op.55
- Finlandia, Op.26 No.7
- Two Elegiac Melodies, Op.34: Heart Wounds
- Two Elegiac Melodies, Op.34: Last Spring
- The Swan Of Tuonela, Op.22
Average customer rating:
|
Centenary Edition 1897-1907, Vol. 1
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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| Brahms, Johannes
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| Delibes, Léo
| ( D )
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| Donizetti, Gaetano
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| Debussy, Claude
| ( D )
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| Goldmark, Karl
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| Gounod, Charles
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| Leoncavallo, Ruggiero
| ( L )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Mendelssohn, Felix
| ( M )
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| Sarasate, Pablo de
| ( S )
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| Schubert, Franz
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| Sullivan, Arthur
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| Tchaikovsky, Peter Ilyich
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| Verdi, Giuseppe
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| Wagner, Richard
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| Rossini, Gioacchino
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ASIN: B000002SA8
Release Date: 1998-02-17 |
Tracks:
- Ave Maria - Edith Clegg
- Manon Lescaut: C'Est L'Histoire Amoureuse - Ellen Beach Yaw
- Vn Con in e - Jacques Jacobs
- Les Filles De Cadix - Marie Tempest
- Queen Of Spades: It Is Nearly Midnight - Medea Mei-Figner
- Pagliacci: Recitar!... Vesti La Giubba - Enrico Caruso
- Faust: Vous Qui Faites L'endormie - Pol Plancon
- Carmen: L'Amour Est Un Oiseau Rebelle (Habanera) - Emma Calve
- Die Walkure: Leb' Wohl - Anton van Rooy
- Heidenroslein - Minnie Nast
- Die Forelle - Leopold Demuth
- The Mikado: A More Humane Mikado - Richard Temple
- Hungarian Dance No.2 in d - Joseph Joachim
- Otello: Esultate! - Francesco Tamagno
- To The Spring - Edvard Grieg
- Simon The Cellarer - Sir Charles Santley
- Caprice Basque - Pablo De Sarasate
- Pelleas Et Melisande: Mes Longs Cheveux - Mary Garden
- Lucia Di Lammermoor: Del Ciel Clemente - Dame Nellie Melba
- Otello: Era La Notte - Victor Maurel
- Il Barbiere Di Siviglia: Ecco Ridente In Cielo - Fernando Di Lucia
- Die Konigin Von Saba: Magische Tone - Leo Slezak
- Don Giovanni: Or Sai Chi L'Onore - Lilli Lehmann
- Il Barbiere Di Siviglia: Largo Al Factorum - Titta Ruffo
- La Sonnambula: Ah, Non Credea Mirarti - Adelina Patti
- Romeo Et Juliette: Je Veux Vivre Dans Ce Reve - Geraldine Farrar
- Don Pasquale: Va Ben Ma Riflettete - Giuseppe De Luca/Ferrucio Corradetti
Music Review:
- Oh Dear! What Can The Matter Be?
- Orgeln In Leipzig
- Original 3 Tenors [Import]
- PARABLES - John Graham, viola
- Piano Concerto 2 / Piano Sonata 26 (Les Adieux)
- Piano Concerto 2 (Rhapsody on Theme of Paganini)
- Piano Concertos of the Twenties
- Pictures At An Exhibition
- Plays English Horn & Oboe Works By Britten & Haas
- Praeludium
Music Review
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