The Romantic Side Of Vivaldi
On this CD:
1. Violin Concerto ("L'estate", The Four Seasons) for violin, strings & continuo in G minor, Op. 8/2, RV 315
Composed by Antonio Vivaldi
Performed by I Musici de San Marco
2. Flute Concerto ("La Notte"), for flute, strings & continuo in G minor, Op. 10/2, RV 439
Composed by Antonio Vivaldi
Performed by Camerata Romana
Conducted by Eugen Duvier
3. Violin Concerto, for violin, strings & continuo in D minor, Op.6/6, RV 239
Composed by Antonio Vivaldi
Performed by Camerata Romana
Conducted by Eugen Duvier
4. Concerto, for 4 violins, strings & continuo in D major ("L'estro armonico" No. 1), Op. 3/1, RV 549
Composed by Antonio Vivaldi
Performed by Camerata Romana
Conducted by Eugen Duvier
5. Concerto, for 4 violins, cello, strings & continuo in F Major (L'estro armonico No. 7) Op. 3/7, RV 567 Concerto for Cello and 4 Violins
Composed by Antonio Vivaldi
Performed by Camerata Romana
Conducted by Eugen Duvier
6. Response, for voice & piano II Andante e sprituoso
Composed by George Walker
Performed by Camerata Romana
Conducted by Eugen Duvier
7. Chamber Concerto, for viola d'amore, 2 horns, 2 oboes, bassoon & continuo in F major, RV 97 I Allegro
Composed by Antonio Vivaldi
Performed by I Musici de San Marco
8. Work(s) Concerto in C major II Larghetto
Composed by Antonio Vivaldi
Performed by Solisti di Zagreb
Conducted by Anton Nanut
9. Work(s) Concerto for 2 Violins and Harpsichord I Allegro
Composed by Antonio Vivaldi
Performed by I Musici de San Marco
The Romantic Side Of Vivaldi, Music, Antonio Vivaldi, George Walker, Anton Nanut, Eugen Duvier, Camerata Romana, I Solisti di Zagreb, Musici di San Marco, Solisti di Zagreb, 20th/21st Century Music for Voice and Keyboard, Chamber, Classical, Concerto, Flute Concerto, Miscellaneous, Miscellaneous Music, Violin Concerto, Vocal
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Average customer rating:
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Classical Hits
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Pure Classics
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- Russell Watson · The Voice
- The Andrew Lloyd Webber Collection
- Josh Groban
ASIN: B00005NNNC
Release Date: 2001-09-11 |
Tracks:
- Pie Jesu from Requiem
- Ave Maria, "Ellens Gesang III"
- Duel Of The Fates from Star Wars Episode 1: The Phantom Menace
- Wishing You Were Somehow Here Again from Phantom of the Opera
- Rose
- Nella fantasia
- Pavane for Guitar and String Orchestra
- 'O mio babbino caro (from Gianni Schicchi)
- Jesus, bleibet meine Freude (Jesus, Joy of Man's Desiring)
- 'O sole mio
- Maria from West Side Story Suite
- The Second Waltz (Music from the motion picture Eyes Wide Shut)
- Now We Are Free (from the Original Motion Picture Soundtrack of Gladiator)
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- 'O Fortuna from Carmina Burana
- Theme From Braveheart (from the Original Motion Picture Soundtrack)
- The Prince of Denmark's March
- Spring - I. Allegro
- Appalachia Waltz
- Nessun dorma! (from Turandot)
Average customer rating:
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Inspector Morse, Volume 2 (English TV Series)
Barrington Pheloung , Christoph Willibald Gluck , and Antonio Vivaldi
Manufacturer: Blue Plate Caroline
ProductGroup: Music
Binding: Audio CD
Quintets
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| Bach, Johann Sebastian
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Similar Items:
- Inspector Morse, Volume 1 (English TV Series)
- Inspector Morse, Volume 3 (English TV Series)
- The Magic of Inspector Morse
- The Complete Inspector Morse
- Sherlock Holmes TV Soundtrack
ASIN: B000003RV0
Release Date: 1996-03-05 |
Tracks:
- Inspector Morse Theme - ITV Version
- The Warmer Side Of Morse
- 'Che Faro Senza Eurydice'
- Gently Sinister Revelation
- Con For 2 Mandolini In G
- Sad Echoes
- 'Mitradi Quell' Alma Ingrata
- Gentle Loving
- Andante From Piano Sonata In D
- Lewis And Morse
- Chorale 'Er Kenne Mich Mein Huter
- Morse's Sympathetic Ear
- Excerpt From Adagio
- Tenderness
- Terzettino 'Soave Sia Il Vento'
- Morse's Second Chance
- 'Signore, Ascolta!'
- Inspector Morse Theme-The Full Version
Average customer rating:
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The Most Relaxing Violin Music in the Universe
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Bernstein, Leonard
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| Brahms, Johannes
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| Debussy, Claude
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| Elgar, Sir Edward
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| ( L )
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| Mozart, Wolfgang Amadeus
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| Mendelssohn, Felix
| ( M )
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| ( P )
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| ( R )
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| Rachmaninov, Sergei
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| Szymanowski, Karol
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Vivaldi, Antonio
| ( V )
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ASIN: B0009JPVF6
Release Date: 2005-06-14 |
Tracks:
- Meditation from Thais -- Massenet
- Violin Concerto No. 3, Andantino quasi allegretto -- Saint-Saens
- Violin Concerto, Blues-Moderato -- Ravel
- Violin Concerto, II. Canzonetta-Andante -- Tchaikovsky
- Violin Sonta, II. Andante. -- Faure
- Violin Sonata, II. Andante -- Mendelssohn
- Violin Sonata, II. Recitativo-Fantasia -- Franck
- Violin Concerto, II. Adagio -- Brahms
- Violin Concerto No. 3, II Adagio -- Mozart
- Sonata for Violin and Piano, II. Internede-Fantastique et leger -- Debussy
- Sonata in F for Violin and Piano, II. -- Dvorak
Tracks:
- "Somewhere" from West Side Story -- Bernstein
- Violin Concerto, II. Adagio -- Paganini
- Violin Concerto in E Major, I. Allegro -- Bach
- Vocalise -- Rachmaninov
- Salut d'amour -- Elgar
- Concerto NO. 5, II Largo -- Vivaldi
- Romantic Pieces, IV. Larghetto -- Dvorak
- Sonata for Violin and Harpsichord, I. Largo (alla Siciliano) -- Bach
- Concerto No. 1, II. Adagio -- Bruch
- Lalo: Symphonic Espagnole, IV. Andante -- Lalo
- Sonata for Violin and Piano, II. Andantino tranquillo e dolce -- Szymanowski
- Sonata for Violin and Piano No. 1, Adagio -- Saint-Saens
Average customer rating:
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To Have and to Hold: Cherished Favorites for Weddings
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
Quartets
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| Beethoven, Ludwig van
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| Bernstein, Leonard
| ( B )
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| Theatrical, Incidental & Program Music
| Forms & Genres
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| Historical Periods
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| Baroque (c.1600-1750)
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| Forms & Genres
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| Historical Periods
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| Historical Periods
| Classical
| Styles
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Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
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Violin
| Strings
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| Classical
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General
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| Classical
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General
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Baroque (c.1600-1750)
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| Styles
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Modern & 20th Century
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Romantic (c.1820-1910)
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General
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German
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General
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| Pop
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ASIN: B00094AS3G
Release Date: 2005-05-24 |
Tracks:
- Wedding March - Felix Mendelssohn
- Canon In D - Johann Pachelbel
- Overture To 'The Marriage Of Figaro' - Wolfgang Amadeus Mozart
- Overture To 'Music For The Royal Fireworks' - George Frederick Handel
- Violin Concerto In E, Allegro - Jean-Jacques Kantorow
- Liebestraume - Ayako Shinozaki
- Somewhere From 'Westside Story' - Akira Eguchi
- Minuetto - Luigi Boccherini
- Winter From 'The Four Seasons' - Antonio Vivaldi
- Air On A G String - Johann Sebastian Bach
- 'Eine Kleine Nachtmusik', Romance - Wolfgang Amadeus Mozart
- Meditation From 'Thais' - Akira Eguchi
- Symphony No. 5, Andante Con Moto - Ludwig Van Beethoven
- Jesu, Joy Of Man's Desiring - Johann Sebastian Bach
Average customer rating:
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The Most Romantic Violin Music in the Universe
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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| ( F )
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| ( G )
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| Khachaturian, Aram
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| ( L )
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| Mozart, Wolfgang Amadeus
| ( M )
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All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
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ASIN: B000C3H4MW
Release Date: 2006-01-10 |
Tracks:
- Andante - Festival Strings Lucerne
- Allegro Ma Non Troppo - Kocian Quartet
- I. Allegro Molto Vivace - Jean-Jacques Kantorow
- Allegretto Ben Moderato - Jean-Jacques Kantorow
- Andantino Doucement Expressif - Carmina Quartet
- Allegro Moderato - Carmina Quartet
- Andante - Jean-Jacques Kantorow
- Adagio - I Solisti Italiani
- III. Lento Assai - Cantante E Tranquillo - Smetana Quartet
- Sarabande - Andante - Baroque Strings Zurich
- Finale - Allegro Vivace - Sofia Chamber Orchestra
Tracks:
- Pezzo In Forma Di Sonatina - Sofia Chamber Orchestra
- Nocturne - Akira Eguchi
- II. Andante Ma Non Troppo - Jean-Jacques Kantorow
- La Capricieuse - Akira Eguchi
- Variations - Andantino Con Moto - Jean-Jacques Kantorow
- Allegro - Josef Suk
- II. Canzonetta - Andante - Jean-Jacques Kantorow
- Somewhere - Akira Eguchi
- II. Andante - Jean-Jacques Kantorow
- La Fontaine D'Arethuse - Akira Eguchi
- Adagio For Strings - Baroque Strings Zurich
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Massive Classics
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ASIN: B00008H2KO
Release Date: 2003-03-11 |
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Love at the Movies: Classic Love Themes
Manufacturer: Sony
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ASIN: B0000026QI
Release Date: 1991-07-01 |
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The Romantic Side Of Vivaldi
Manufacturer: Romantic Classics
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ASIN: B00005YCUL
Release Date: 1996-02-16 |
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Deutsche Grammophon Centenary Collection, 1978-1987 (Box Set)
Manufacturer: Deutsche Grammophon
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ASIN: B00000DI2R
Release Date: 1998-11-10 |
Tracks:
- Vn Con No.5 in A K.219: 1. Allegro Aperto - Anne-Sophie Mutter
- Vn Con No.5 in A K.219: 2. Adagio - Anne-Sophie Mutter
- Vn Con No.5 in A K.219: 3. Rondeau: Tempo Di Menuetto - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 1. Vorspiel: Allegro Moderato/Attaca - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 2. Adagio - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 3. Finale: Allegro Energico/Presto - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: Intro: Allegro Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: I. Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: II. Lento Assai - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: III. Allegro Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: IV. Moderato - Anne-Sophie Mutter
Tracks:
- Vn Con in D Op.35: 1. Allegro Moderato - Gidon Kremer
- Vn Con in D Op.35: 2. Canzonetta: Andante - Attaca: - Gidon Kremer
- Vn Con in D Op.35: 3. Finale: Allegro Vivacissimo - Gidon Kremer
- Ser Melancolique in b flat Op. 26 - Gidon Kremer
- Con in d: 1. Allegro - Gidon Kremer/Martha Argerich
- Con in d: 2. Adagio - Gidon Kremer/Martha Argerich
- Con in d: 3. Allegro Molto - Gidon Kremer/Martha Argerich
Tracks:
- Sym Espagnole Op.21: 1. Allegro Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 2. Scherzando: Allegro Molto - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 3. Intermezzo: Allegretto Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 4. Andante - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 5. Rondo: Allegro Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym No.3 in c Op.78 'Organ Sym': 1. Adagio - Allegro Moderato - Poco Adagio - Daniel Barenboim/Gaston Litaize
- Sym No.3 in c Op.78 'Organ Sym': 2. Allegro Moderato - Presto - - Daniel Barenboim/Gaston Litaize
- Sym No.3 in c Op.78 'Organ Sym': 2. Maestoso - Allegro - Daniel Barenboim/Gaston Litaize
- Conc Paraphrase On The Qrt From Giuseppe Verdi's Opr `Rigoletto': Preludio: Allegro - Andante... - Daniel Barenboim
Tracks:
- Pno Son No.2 in b flat, Op.35: 1. Grave - Doppio Movimento - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 2. Scherzo - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 3. Marche Funebre: Lento - Attaca: - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 4. Finale: Presto - Ivo Pogorelich
- Gaspard De La Nuit: 1. Ondine: Lent - Ivo Pogorelich
- Gaspard De La Nuit: 2. Le Gibet: Tres Lent - Ivo Pogorelich
- Gaspard De La Nuit: 3. Scarbo: Modere - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Allegro Moderato - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Allegretto - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Tempo Di Valzer Lentissimo - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Vivace - Ivo Pogorelich
Tracks:
- Falstaff: Act I, Part One: 'Falstaff!'/'Ola!'/'Sir John Falstaff' - Michael Sells/Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'Sei Polli: Sei Scellini' - 'So Che Andiam, La Notte' - Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'Ma E Tempo D'Assotigliar L'Ingegno' - Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'L'Onore! Ladri!' - Renato Bruson
- Falstaff: Act I, Part Two: 'Alice'/'Meg'/'Nannetta' - Brenda Boozer/Katia Ricciarelli/Lucia Valentini Terrani/Barbara Hendricks
- Falstaff: Act I, Part Two: 'Fulgida Alice!' - 'Quell'otre! Quel Tino!' - Brenda Boozer/Katia Ricciarelli/Lucia Valentini Terrani/Barbara Hendricks/Michael Sells...
- Falstaff: Act I, Part Two: 'In Due Parole: L'enorme Falstaff Vuole' - William Wildermann/Michael Sells/Leo Nucci/Francis Egerton/Dalmacio Gonzalez/Barbara Hendricks...
- Falstaff: Act I, Part Two: 'Pst, Pst, Nannetta'/'Labbra Di Foco!' - Dalmacio Gonzalez/Barbara Hendricks/Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani
- Falstaff: Act I, Part Two: 'Udrai Quanta Egli Sfoggia' - Francis Egerton/Leo Nucci/William Wildermann/Michael Sells/Dalmacio Gonzalez...
- Falstaff: Act II, Part One: 'Siam Pentiti E Contriti' - 'Reverenza!' - Francis Egerton/William Wildermann/Renato Bruson/Lucia Valentini Terrani
- Falstaff: Act II, Part One: 'Alice E Mia!...Va', Vecchio John' - Renato Bruson/Francis Egerton
- Falstaff: Act II, Part One: 'Signore, V'Assista Il Cielo!' - Leo Nucci/Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act II, Part One: 'C'e A Windor Una Dama' - Leo Nucci/Renato Bruson
- Falstaff: Act II, Part One: 'E Segno? O Realta' - Leo Nucci/Renato Bruson
Tracks:
- Falstaff: Act II, Part Two: 'Presenteremo Un Bill'/'Giunta All'albergo' - Katia Ricciarelli/Lucia Valentini Terrani/Brenda Boozer/Barbara Hendricks
- Falstaff: Act II, Part Two: 'Gaie Comari Di Windsor!' - Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani/Barbara Hendricks
- Falstaff: Act II, Part Two: 'Alfin T'ho Colto, Raggiante Fior' - Renato Bruson/Katia Ricciarelli
- Falstaff: Act II, Part Two: 'Quand'ero Paggio' - Renato Bruson/Katia Ricciarelli/Lucia Valentini Terrani
- Falstaff: Act II, Part Two: 'Mia Signora!' - Lucia Valentini Terrani/Renato Bruson/Katia Ricciarelli/Brenda Boozer/Leo Nucci...
- Falstaff: Act II, Part Two: 'Vien Qua, Che Chiasso!' - Barbara Hendricks/Dalmacio Gonzalez/Michael Sells/Leo Nucci/William Wilderman/Francis Egerton
- Falstaff: Act II, Part Two: 'C'e, C'e, Se T'Agguanto! Se Ti Piglio!' - Leo Nucci/Michael Sells/Lucia Valentini Terrani/Brenda Boozer/Francis Egerton/William Wildermann...
- Falstaff: Act III, Part 1: 'Ehi! Taverniere!' - 'Mondo Ladro' - Renato Bruson
- Falstaff: Act III, Part 1: 'Reverenza. La Bella Alice...'/'Quando Il Rintocco Della Mezzanotte' - Lucia Valentini Terrani/Renato Bruson/Katia Ricciarelli/Leo Nucci/Barbara Hendricks/Brenda Boozer...
- Falstaff: Act III, Part 1: 'Brava. Quelle Corna Saranno La Mia Gioia!' - Leo Nucci/Katia Ricciarelli/Brenda Boozer/Dalmacio Gonzalez/Barbara Hendricks/Michael Sells...
- Falstaff: Act III, Part 2: 'Dal Labbro Il Canto Estasiato Vola' - Dalmacio Gonzalez/Barbara Hendricks/Katia Ricciarelli/Lucia Valentini Terrani/Brenda Boozer
- Falstaff: Act III, Part 2: 'Una, Due, Tre, Quatro' - Renato Bruson/Katia Ricciarelli/Brenda Boozer
- Falstaff: Act III, Part 2: 'Ninfe! Elfi! Silfi!' - 'Sul Fil D'un Soffio Etesio' - Barbara Hendricks/Los Angeles Master Chorale/Roger Wagner/Renato Bruson/Katia Ricciarelli
- Falstaff: Act III, Part 2: 'Alto La!' - 'Pizzica, Pizzica' - Francis Egerton/William Wildermann/Renato Bruson/Lucia Valentini Terrani/Katia Ricciarelli...
- Falstaff: Act III, Part 2: 'Ogni Sorta Di Gente Dozzinale' - Renato Bruson/Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani/Leo Nucci/Michael Sells...
- Falstaff: Act III, Part 2: 'Facciamo Il Parentado' - 'Tutto Nel Mondo E Burla' - Leo Nucci/Katia Ricciarelli/Barbara Hendricks/Brenda Boozer/Lucia Valentini Terrani...
Tracks:
- Sym No.4 in A Op.90 'Italian': 1. Allegro Vivace - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 2. Andate Con Moto - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 3. Con Moto Moderato - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 4. Saltarello: Presto - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.2 in C Op.61: 1. Sostenuto Assai - Allegro, Ma Non Troppo - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 2. Scherzo: Allegro Vivace - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 3. Adagio Espressivo - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 4. Allegro Molto Vivace - Vienna PO/GIuseppe Sinopoli
Tracks:
- Candide: Ov - LSO/Leonard Bernstein
- Candide: The Best Of All Possible Worlds - Adolph Green/Jerry Hadley/June Anderson/Kurt Ollmann/Della Jones
- Candide: Glitter And Be Gay - June Anderson
- Candide: Nothing More Than This - Jerry Hadley
- Trouble In Tahiti: 'Doo - Da - Day - Day -' - Louise Edeiken/Mark Tomsen/Kurt Ollmann
- Trouble In Tahiti: 'How Could You Say' - Edward Crafts/Wendy White
- Trouble In Tahiti: 'Yes? Oh, Mr. Partridge!' - Edward Crafts/Louise Edeiken/Mark Tomsen/Kurt Ollmann
- Trouble In Tahiti: 'I Was Standing In A Garden' - Wendy White/Edward Crafts
- Trouble In Tahiti: 'Well, Of All People' - Edward Crafts/Wendy White
- West Side Story: Prologue - Leonard Bernstein/Orch
- West Side Story: Jet Song - Kurt Ollmann/Chor
- West Side Story: Maria - Jose Carreras
- West Side Story: Balcony Scene (Tonight) - Jose Carreras/Kiri Te Kanawa
- West Side Story: America - Tatiana Troyanos/Louise Edeiken/Chor
- West Side Story: I Feel Pretty - Kiri Te Kanawa/Tatiana Troyanos/Louise Edeiken
- West Side Story: Ballet Sequence (With 'Somewhere') - Marilyn Horne
Tracks:
- Vc Son No.1 in G, BWV 1027: 1. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 2. Allegro Ma Non Tanto - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 3. Andante - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 4. Allegro Moderato - Mischa Maisky/Martha Argerich
- Vc Con in a, RV 418: 1. Allegro - Mischa Maisky
- Vc Con in a, RV 418: 2. [Without Tempo Indication] - Mischa Maisky
- Vc Con in a, RV 418: 3. Allegro - Mischa Maisky
- Vc Son No.2 in D, BWV 1028: 1. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 2. Allegro - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 3. Andante - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 4. Allegro - Mischa Maisky/Martha Argerich
- Vc Con in b, RV 424: 1. Allegro Non Molto - Mischa Maisky
- Vc Con in b, RV 424: 2. Largo - Mischa Maisky
- Vc Con in b, RV 424: 3. Allegro - Mischa Maisky
- Vc Son No.3 in g, BWV 1029: 1. Vivace - Mischa Maisky/Martha Argerich
- Vc Son No.3 in g, BWV 1029: 2. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.3 in g, BWV 1029: 3. Allegro - Mischa Maisky/Martha Argerich
Tracks:
- Son in E K.380 (L.23): Andante Comodo - Vladimir Horowitz
- Pno Son in C K.330 (300h): 1. Allegro Moderato - Vladimir Horowitz
- Pno Son in C K.330 (300h): 2. Andante Cantabile - Vladimir Horowitz
- Pno Son in C K.330 (300h): 3. Allegretto - Vladimir Horowitz
- Prld in G, Op.32 No.5: Moderato - Vladimir Horowitz
- Prld in g#, Op.32 No.12: Allegro - Vladimir Horowitz
- Etude in c#, Op.2 No.1: Andante - Vladimir Horowitz
- Etude in d#, Op.8 No.12: Patetico - Vladimir Horowitz
- Soirees De Vienne: Valse-Caprice No. 6: Allegro Con Spirito - Vladimir Horowitz
- Sonetto 104 Del Petraca: Agitato Assai - Adagio - Vladimir Horowitz
- Mazurka in c#, Op.30 No.4: Allegretto - Vladimir Horowitz
- Mazurka in f, Op.7 No.3 - Vladimir Horowitz
- Kinderszenen: Traumerei - Vladimir Horowitz
- Etincelles Op.36 No.6, Morceau Caracteristique: Allegro Scherzando - Vladimir Horowitz
- Polka De W. R.: Allegretto - Vladimir Horowitz
Tracks:
- Ballade No.1 in g, Op.23 - Krystian Zimerman
- Ballade No.2 in F, Op.38 - Krystian Zimerman
- Ballade No.3 in A flat, Op.47 - Krystian Zimerman
- Ballade No.4 in f, Op.52 - Krystian Zimerman
- Pno Con No.1 in E flat: 1. Allegro Maestoso - Krystian Zimerman
- Pno Con No.1 in E flat: 2. Quasi Adagio - Allegretto Vivace - Allegro Animato - Krystian Zimerman
- Pno Con No.1 in E flat: 3. Allegro Marziale Animato - Presto - Krystian Zimerman
- Dance Macabre (Totentanz): Andante - Allegro - Allegro Moderato (Var. I & II) - Molto Vivace... - Krystian Zimerman
Amazon.com
This is the decade when Deutsche Grammophon discovered America. Though the label's motherland is still well represented by Herbert von Karajan's unveiling young Anne-Sophie Mutter in Mozart's Violin Concerto No. 5 and Bruch's Violin Concerto No. 1 (both played with the freshness of youth), Carlo Maria Giulini brought the yellow label to Los Angeles in a much-heralded return to opera with Verdi's Falstaff. The mellifluous though not always dramatically attuned dream cast features Barbara Hendricks (Nannetta), Katia Ricciarelli (Alice Ford), and Renato Bruson as the most poetic Falstaff on record. Leonard Bernstein's all-star but problematic Candide and West Side Story recordings are heard in well-chosen excerpts, and the one-act opera Trouble in Tahiti is reconstituted from his opera A Quiet Place (in which it was dispersed and imbedded). Elsewhere, Ivo Pogorelich's early Chopin Sonata No. 2, Ravel's "Gaspard de la nuit," and Prokofiev's Sonata No. 6 show a musician of staggering imagination limited by unrefined technique. Horowitz in Moscow, Krystian Zimerman's Chopin Ballades and Daniel Barenboim's Saint-Saëns Symphony No. 3 have all aged well, though Gidon Kremer's Tchaikovsky Violin Concerto and Giuseppe Sinopoli's Mendelssohn "Italian" Symphony paired with Schumann's Symphony No. 2 have surprisingly little to say. Mischa Maisky's Bach and Vivaldi recordings (many with Martha Argerich on modern piano) have lots to say, but not to the historically informed performance crowd. --David Patrick Stearns
Customer Reviews:
Superb Schumann, etc........2000-11-08
Seven years ago I was in a Vienna music shop and passed on the opportunity to buy the original Sinopoli recording of the Schumann Second - my favorite musical work - with the Vienna Philharmonic. Until this collection was released, I had never heard this particular 2nd Symphony recording which is now truly my favorite (and I have them all). It even led me to find the original release (which includes the Manfred Overture) by searching the Internet for used CDs. Sinopoli and Vienna beautifully convey the struggle and ultimate triumph of this great symphony.
The other recordings are also among DG's best and helped to fill in several repertoire gaps in my collection. I highly recommend the entire set. Thanks to DGG for reissuing these great recordings, especially Sinopoli's Schumann.
Who says there was nothing good in the 1980s?.......2000-04-09
Not enough can be said for this marvellous compilation of some of the finest recordings from 1978-87! Nevertheless, I will try to do some justice and start at the beginning. Anne-Sophie Mutter's Mozart concerto and stellar Bruch set the tone for this set. Very few recordings have the depth of insight into the Mozart that she does, and for such a young woman! The next disc is dedicated to another violinist par excellence: Gidon Kremer, whose Tchaikowsky concerto will blow you out of your chair, even compared with the Perlman recording of the same work. Disc three focuses on Daniel Barenboim the conductor, although the last track features one of his finest recorded piano works, the paraphrase of Rigoletto by Liszt. The two recordings featured are (brace yourself), the Perlman/Paris recording of the Lalo Symphonie Espagnole, the likes of which have not been known before or since, and the Saint-Saens Organ Symphony with Chicago and the organ of Chartres. The little catch in the Saint-Saens is that the organ part and orchestral work were recorded a month seperate from each other and across the Atlantic, but if you didn't read the liner notes, it would be impossible to tell; the editing is so well done! Ivo Pogorelich's Gaspard de la Nuit gives the work new meaning, not to say any less of his Chopin Second sonata. Giulini's conducting of Verdi's Falstaff is a force not to be reckoned with, with flawless casting to boot. I would expect more from Sinopoli than the Schumann delivers, however this is partly DG's fault for picking one of his least successful recordings. The Bernstein disc is all of his own music, including highlights from the splendid Candide and Trouble in Tahiti. Have a laugh over Carreras' pronunciation in West Side Story (why cast him as the American! ) and the other thoroughly inappropriate voices for this work, but remember that Bernstein was given the cold shoulder on this work and was trying to make it appeal to the classical crowd that had unfortunately shunned it on Broadway.
Maisky's cello playing is next, with the three sonatas originally for harpsichord and viola da gamba being played on modern cello with Martha Argerich at the piano. These are excellent recordings if inauthentic, but are certainly the best modernizations available, as are the two Vivaldi concerti with Orpheus. Saving the best for last, Vladimir Horowitz's landmark 1986 return to Moscow is no less breathtaking on the 1000th listening than on the first. There may be no better single CD of piano music in existance; the simplest track "Träumerei" from Schumann's Kinderszenen is utter perfection and emotion molded into one. Zimerman holds his own beautifully, though, with some of the best Chopin Ballades to be had. True, they lack some of the momentum and drive of the Rubinstein recordings, but the sheer technical ability displayed along with absolute control (and they're not at all skimpy on the emotion either!), they are in the top five recordings of these works ever. Add to this his recording of the Liszt E-flat concerto with Seiji Ozawa/Boston Symphony, which is flawless. The cherry on top (!) is the Liszt Totentanz, which is so often played as an overly flashy, bangy, loud and raucous showpiece. Not so here, even in such a murderously difficult and crashing work, Zimerman displays control, even if it means wrestling the work to the floor. This set is pricey, no doubt, but well worth it (and the sore arms you'll get carrying it home, another good reason to mail-order it) for the unmatched brilliance.
Music Review:
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- Alfred Koerppen Edition, Volume 4
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- Beethoven: Piano Concerto No.5, Piano Sonata Nos.8 & 23
- Best Ever Family Favorites
- Boris Blacher: Concertante Musik; Cello Konzert; Orchester Fantaisie
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