6 Sonatas Op 2

On this CD:

1. Sonata for flute & continuo in G major, Op. 2/1
Composed by Michel Blavet

2. Sonata for flute & continuo in D minor, "La Vibray", Op. 2/2
Composed by Michel Blavet

3. Sonata for flute & continuo in E minor, "La Dhérouville" Op. 2/3
Composed by Michel Blavet

4. Sonata for flute & continuo in G minor, "La Lumaque", Op. 2/4
Composed by Michel Blavet

5. Sonata for flute & continuo in D major, Op. 2/5
Composed by Michel Blavet

6. Sonata for flute & continuo in A minor, "La Boucot", Op. 2/6
Composed by Michel Blavet

Tracks:

Sonata No.1 In F Minor, Op.2 No.1: Allegro
Sonata No.1 In F Minor, Op.2 No.1: Adagio
Sonata No.1 In F Minor, Op.2 No.1: Menuetto: Allegretto
Sonata No.1 In F Minor, Op.2 No.1: Prestissimo
Sonata No.2 In A Major, Op.2 No.2: Allegro vivace
Sonata No.2 In A Major, Op.2 No.2: Largo appassionato
Sonata No.2 In A Major, Op.2 No.2: Scherzo: Allegretto
Sonata No.2 In A Major, Op.2 No.2: Rondo: Grazioso
Sonata No.3 In C Major, Op.2 No.3: Allegro con brio
Sonata No.3 In C Major, Op.2 No.3: Adagio
Sonata No.3 In C Major, Op.2 No.3: Scherzo: Allegro
Sonata No.3 In C Major, Op.2 No.3: Allegro assai

Tracks:

Sonata No.5 In C Minor, Op.10 No.1: Allegro molto e con brio
Sonata No.5 In C Minor, Op.10 No.1: Adagio molto
Sonata No.5 In C Minor, Op.10 No.1: Finale: Prestissimo
Sonata No.6 In F Major, Op.10 No.2: Allegro
Sonata No.6 In F Major, Op.10 No.2: Allegretto
Sonata No.6 In F Major, Op.10 No.2: Presto
Sonata No.7 In D Major, Op.10 No.3: Presto
Sonata No.7 In D Major, Op.10 No.3: Largo e mesto
Sonata No.7 In D Major, Op.10 No.3: Menuetto: Allegro
Sonata No.7 In D Major, Op.10 No.3: Rondo: Allegro
Sonata No.22 In F Major, Op.54: In tempo di Menuetto
Sonata No.22 In F Major, Op.54: Allegretto - Piu allegro

Tracks:

Sonata No.4 In E Flat Major, Op7: Allegro molto e con brio
Sonata No.4 In E Flat Major, Op7: Largo con gran espressione
Sonata No.4 In E Flat Major, Op7: Allegro
Sonata No.4 In E Flat Major, Op7: Rondo: Poco allegretto e grazioso
Sonata No.9 In E Major, Op.14 No.1: Allegro
Sonata No.9 In E Major, Op.14 No.1: Allegretto
Sonata No.9 In E Major, Op.14 No.1: Rondo: Allegro comodo
Sonata No.10 In G Major, Op.14 No.2: Allegro
Sonata No.10 In G Major, Op.14 No.2: Andante
Sonata No.10 In G Major, Op.14 No.2: Scherzo: Allegro assai

Tracks:

Sonata No.11 In B Flat Major, Op.22: Allegro con brio
Sonata No.11 In B Flat Major, Op.22: Adagio con molta espressione
Sonata No.11 In B Flat Major, Op.22: Menuetto
Sonata No.11 In B Flat Major, Op.22: Rondo: Allegretto
Sonata No.12 In A Flat Major, Op.26: Andante von variazioni
Sonata No.12 In A Flat Major, Op.26: Scherzo: Allegro molto
Sonata No.12 In A Flat Major, Op.26: Marcia funebre sulla morte d'un Eroe: Maestoso andante
Sonata No.12 In A Flat Major, Op.26: Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Andante - Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Allegro molto e vivace
Sonata No.13 In E Flat Major, Op.27 No.1: Adagio con espressione - Allegro vivace

Tracks:

SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Grave - Allegro molto e con brio
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Adagio cantabile
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Rondo: Allegro
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato - Adagio - Presto agitato
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro assai - Piu allegro
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Andante con moto
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro ma non troppo - Presto

Tracks:

Sonata No.15 In D Major, Op.28 'Pastoral': Allegro
Sonata No.15 In D Major, Op.28 'Pastoral': Andante
Sonata No.15 In D Major, Op.28 'Pastoral': Scherzo: Allegro vivace
Sonata No.15 In D Major, Op.28 'Pastoral': Rondo: Allegro ma non troppo
Sonata No.21 In C Major, Op.53 'Waldstein': Allegro con brio
Sonata No.21 In C Major, Op.53 'Waldstein': Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
Sonata No.19 In G Minor, Op.49 No.1: Andante
Sonata No.19 In G Minor, Op.49 No.1: Rondo: Allegro
Sonata No.20 In G Major, Op.49 No.2: Allegro ma non troppo
Sonata No.20 In G Major, Op.49 No.2: Tempo di menuetto

Tracks:

Sonata No. 16 In G Major, Op. 31 No. 1: Allegro vivace
Sonata No. 16 In G Major, Op. 31 No. 1: Adagio grazioso
Sonata No. 16 In G Major, Op. 31 No. 1: Rondo: Allegretto - Adagio - Presto
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Largo - Allegro
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Adagio
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Allegretto
Sonata No.18 In E Flat Major, Op.31 No.3: Allegro
Sonata No.18 In E Flat Major, Op.31 No.3: Scherzo: Allegretto vivace
Sonata No.18 In E Flat Major, Op.31 No.3: Menuetto: Moderato grazioso
Sonata No.18 In E Flat Major, Op.31 No.3: Presto con fuoco

Tracks:

Sonata No.24 In F Sharp Major, Op.78: Adagio cantabile - Allegro ma non troppo
Sonata No.24 In F Sharp Major, Op.78: Allegro vivace
Sonata No.25 in G major, Op.79: Presto alla tedesca
Sonata No.25 in G major, Op.79: Andante
Sonata No.25 in G major, Op.79: Vivace
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux): Adagio - Allegro
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Abwesenheit (L'Absence): Andante espressivo
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1
Sonata No.27 In E Minor, Op.90: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Sonata No.27 In E Minor, Op.90: Nicht zu geschwind und sehr singbar vorzutragen

Tracks:

Sonata No.28 In A Major, Op.101: Allegretto ma non troppo
Sonata No.28 In A Major, Op.101: Vivace alla Marcia
Sonata No.28 In A Major, Op.101: Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Scherzo: Assai vivace - Presto - Tempo 1
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Adagio sostenuto
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze)

Tracks:

Sonata No.30 In E Major, Op.109: Vivace, ma non troppo - Adagio espressivo - Tempo 1
Sonata No.30 In E Major, Op.109: Prestissimo
Sonata No.30 In E Major, Op.109: Tema: Andante molto cantabile e espressivo - Variazioni 1-6
Sonata No.31 In A Flat Major, Op.110: Moderato cantabile, molto espressivo
Sonata No.31 In A Flat Major, Op.110: Allegro molto
Sonata No.31 In A Flat Major, Op.110: Adagio ma non troppo
Sonata No.31 In A Flat Major, Op.110: Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno allegro
Sonata No.32 in C minor, op.111: Maestoso - Allegro con brio ed appassionato
Sonata No.32 in C minor, op.111: Arietta: Adagio molto semplice e cantabile - Variazioni

Customer Reviews:

Barenboim's Beethvoen.......2007-06-27

I heard Bachaus play all Beethoven recitals at Carnegie Hall, in NYC. At that time he was the acknowledged master of the Beethvoen Sonata. With Barenboim, the old order changeth, yielding place to new. These recordings have fire, tempestuousness and passion, all emotions that belong in Beethoven.

One of the very best ever.......2007-02-15

This set has to be experienced. The clarity of these performances is beyond belief. If it's not the best set of Beethoven Sonatas, it is certainly among the very best. Take for example the first movement of Sonata number 21. It is so easy to have a performer play all the notes just as Beethoven wrote them and yet leave the listener in a morass of confusion without the slightest idea of what he had in mind. Not here. The ideas pour forth in a white light that has to be experienced. It really has to be experienced!! I love these performances. I will play them until I die. Oh...and the recordings are technically excellent. At least when played through Levinson electronics and Maggies....superb!

dead in the water.......2007-01-12

Sorry, I just don't like Barenboim's renditions. Beethoven is my favourite composer, depending on my mood that is, and nothing moves me as his music can. But I just don't get Barenboim's renditions... doesn't do a thing for me. Something of Beethoven's depth and richness gets totally "lost in translation".

Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)

Sublime expression nourished by a colossal vision!.......2006-03-23

Thanks to this immense and untiring activity in the field of the orchestral direction, his vision as pianist has enriched himself quite a lot: Barenboim performs these well known Sonatas with a splendid architectural construction; according Schnabel `s tradition.

And that is a very remarkable good point in this musical moment where the pianist technique is eclipsing and even annulling the personal approach in the most of pianists all over the world. Honesty, conviction, vision and commitment dress those interpretations loaded of expression and personality.

In the great tradition of the great Beethovenian keyboard giants of the past, Daniel explores and plays every little bar with that well felt intensity of someone who in Beethoven `s there is much more than simple music. In Beethoven the music is not a goal by itself; but a revelation superior to any philosophy; all his musical legacy possess values that are placed of the standards. There is not art without second intention and that is precisely what Barenboim has made with this fabulous cycle of Beethoven Sonatas.

If you really want to listen remarkable performances far beyond of the trivial conventionalisms, go for this record.

Performed with great enthusiasm.......2004-05-16

This is classic early Barenboim (he was just 24 when he started recording this set in 1966). He is very enthusiastic and expressive (if you don't like him, he "takes liberties" and "shows off"). The slow movements are veerrry slow, and the fast ones really rip. Pianissimo is extremely soft, and fortissimo rattles the windows! [My wife insists that I wear headphones for late-night listening.]

Tracks:

Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Andante
Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Largo Andante
Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Allegro
Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Menuetto & Trio: Vivace
Duet For Violin & Cello In D Major: Poco Adagio
Duet For Violin & Cello In D Major: Tempo di Menuetto
Duet For Violin & Cello In D Major: Allegro (non troppo)
Eight Pieces For Violin And Cello: Tuning & Gavotte
Eight Pieces For Violin And Cello: Two Menuets
Eight Pieces For Violin And Cello: Air
Eight Pieces For Violin And Cello: Menuet With 2 Variations
Eight Pieces For Violin And Cello: Impertinence
Eight Pieces For Violin And Cello: Sarabande
Eight Pieces For Violin And Cello: Menuet With 2 Variations
Eight Pieces For Violin And Cello: Air
Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Andante
Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Allegro
Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Aria with 3 Variations
Sonata For Violin & Cello In D Major: Allegretto Spiritoso
Sonata For Violin & Cello In D Major: Vivace
Sonata For Violin & Cello In D Major: Grave
Sonata For Violin & Cello In D Major: Allegro Assai
Sonata In D Minor For 2 Violins & Basso Continuo: Andante Molto Cantabile
Sonata In D Minor For 2 Violins & Basso Continuo: Allegro
Sonata In D Minor For 2 Violins & Basso Continuo: Andante Pastorale
Sonata In D Minor For 2 Violins & Basso Continuo: Allegro

Customer Reviews:

Wonderful and delightful evenings.......2007-06-27

If you are a really follower of Jack Aubrey adventures you must have the 2 Volumes. The best companion for you reading every evenings. A must have.
Enjoy it.

Great Music.......2007-04-05

I bought this as an accompaniment while I read Patrick O'Brian's Aubrey-Maturin series of books, and it goes very well. I've enjoyed every piece on this album, and recommend it for music lovers and readers alike.

excellent compile.......2007-01-16

It is dead-on excellent. Perfectly in tune with the entire series and spirit of Patrick's work. A simply joy to listen to time after time. You grasp the character of the age in crisply performed versions of various collection.

Pleasant backdrop .......2006-01-10

As a child growing up in the city of Salem, known for it's working class backbone, I was the only kid I knew who had been to Symphony Hall more than Fenway Park. Going in to Boston for the symphony's open practices was what I lived for. It gave me a true appreciative, although untrained ear. The one lasting lesson is that while you may not notice good classical music, EVERYONE notices bad classical music. And this is NOT bad classical.

I have been a reader of the Aubrey Maturin Novels for 8 years (only two a year for dramatic suspense) and while I am a huge fan of Patrick O'Brian's writing, I find that with the addition of the music he scored his work to, I stand in awe. The music is well grounded to the situations and feelings in the book. Either Mr. O'Brian was a very well rounded, or he did his homework.

The CD is a wonderful insight to the author, and the characters he created. Pour a glass of claret, listen to the cd, read the books...

but pay no heed to Killick's "scrape, scrape , scrape..never a song you could dance to.."

Musical soothing of the soul.......2002-06-11

I have been a fan of Baroque music since childhood (and I'm not all that old either). But I've only started reading the Patrick O'Brian books in the last few months, since it was announced that my favorite actor, Russell Crowe, was about to star as Captain Jack Aubrey in the Peter Weir movie. I am reading the books in order, and am currently on "HMS Surprise," so what else could be a more perfect accompaniment than this CD? Aubrey is such a multi-layered character, filled with imperfections and bad puns, however he has a great love for music and he plays the violin quite well. Often paired with ship's surgeon Dr. Stephen Maturin on the cello, music is a great release for this sea captain, and the pieces on this CD are fine representations of what Aubrey might have played while on assignment or heard when on land. The selections by Hadyn, Locatelli, Handel, Boccherini and Leclair are pleasant, soothing compositions that are complex and varied enough that they are not redundant, and range from peaceful to nimble. While listening to the CD, I could vividly imagine Jack Aubrey below decks in his cabin and asking Maturin to strike up a tune with him. And then they begin an Andante or an Allegro, allowing Aubrey to set aside his absolutely awful puns and jokes so he can clear his mind and relax. Considering some of the battles he's involved himself in so far in the series, he definitely needs it. Reading his adventures while listening to these charming pieces will relax you as well, and definitely take your imagination to some wondrous places in an era of great change.

Average customer rating:

The final testament of a great classicist
Wilhelm Kempff Plays the Beethoven Piano Sonatas
full of artistry, very nice.
Which One To Get, That Is The Question
essential

Beethoven: The Complete Piano Sonatas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Similar Items:

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Chopin: The Piano Works
Beethoven - The Complete String Quartets / Alban Berg Quartet

ASIN: B000001GCC
Release Date: 1991-07-12

Tracks:

Sonata No. 1, Op. 2 In F Minor: 1. Allegro - Beethoven
Sonata No. 1, Op. 2 In F Minor: 2. Adagio - Beethoven
Sonata No. 1, Op. 2 In F Minor: 3. Menuetto. Allegretto - Beethoven
Sonata No. 1, Op. 2 In F Minor: 4. Prestissimo - Beethoven
Sonata No. 2, Op. 2 In A Major: 1. Allegro vivace - Beethoven
Sonata No. 2, Op. 2 In A Major: 2. Largo appassionato - Beethoven
Sonata No. 2, Op. 2 In A Major: 3. Scherzo. Allegretto - Beethoven
Sonata No. 2, Op. 2 In A Major: 4. Rondo. Grazioso - Beethoven
Sonata No. 3, Op. 2 In C Major: 1. Allegro con brio - Beethoven
Sonata No. 3, Op. 2 In C Major: 2. Adagio - Beethoven
Sonata No. 3, Op. 2 In C Major: 3. Scherzo. Allegro - Beethoven
Sonata No. 3, Op. 2 In C Major: 4. Allegro assai - Beethoven

Tracks:

Sonata No. 5, Op. 10 In C Minor: 1. Allegro molto e con brio - Beethoven
Sonata No. 5, Op. 10 In C Minor: 2. Adagio molto - Beethoven
Sonata No. 5, Op. 10 In C Minor: 3. Finale. Prestissimo - Beethoven
Sonata No. 6, Op. 10 In F Major: 1. Allegro - Beethoven
Sonata No. 6, Op. 10 In F Major: 2. Allegretto - Beethoven
Sonata No. 6, Op. 10 In F Major: 3. Presto - Beethoven
Sonata No. 7, Op. 10 In D Major: 1. Presto - Beethoven
Sonata No. 7, Op. 10 In D Major: 2. Largo e mesto - Beethoven
Sonata No. 7, Op. 10 In D Major: 3. Menuetto. Allegro - Beethoven
Sonata No. 7, Op. 10 In D Major: 4. Rondo. Allegro - Beethoven

Tracks:

Sonata No. 4, Op. 7 In E Flat Major: 1. Allegro molto e con brio
Sonata No. 4, Op. 7 In E Flat Major: 2. Largo, con gran espressione
Sonata No. 4, Op. 7 In E Flat Major: 3. Allegro
Sonata No. 4, Op. 7 In E Flat Major: 4. Rondo. Poco allegretto e grazioso
Sonata No. 8, Op. 13 'Pathetique' In C Minor: 1. Grave - Allegro di molto e con brio
Sonata No. 8, Op. 13 'Pathetique' In C Minor: 2. Adagio cantabile
Sonata No. 8, Op. 13 'Pathetique' In C Minor: 3. Rondo. Allegro
Sonata No. 9, Op. 14 In E Major: 1. Allegro
Sonata No. 9, Op. 14 In E Major: 2. Allegretto
Sonata No. 9, Op. 14 In E Major: 3. Rondo. Allegro comodo
Sonata No. 10, Op. 14 In G Major: 1. Allegro
Sonata No. 10, Op. 14 In G Major: 2. Andante
Sonata No. 10, Op. 14 In G Major: 3. Scherzo. Allegro assai

Tracks:

Sonata No. 11, Op. 22 In B Flat Major: 1. Allegro con brio
Sonata No. 11, Op. 22 In B Flat Major: 2. Adagio con molta espressione
Sonata No. 11, Op. 22 In B Flat Major: 3. Menuetto
Sonata No. 11, Op. 22 In B Flat Major: 4. Rondo. Allegretto
Sonata No. 12, Op. 26 In A Flat Major: 1. Andante con Variazioni
Sonata No. 12, Op. 26 In A Flat Major: 2. Scherzo. Allegro molto
Sonata No. 12, Op. 26 In A Flat Major: 3. Marcia funebre sulla morte d'un Eroe
Sonata No. 12, Op. 26 In A Flat Major: 4. Allegro
Sonata No. 13, Op. 27 In E Flat Major: 1. Andante - Allegro - Tempo I - attaca:
Sonata No. 13, Op. 27 In E Flat Major: 2. Allegro molto e vivace - attaca:
Sonata No. 13, Op. 27 In E Flat Major: 3. Adagio con espressione - attaca:
Sonata No. 13, Op. 27 In E Flat Major: 4. Allegro vivace
Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 1. Adagio sostenuto - attaca:
Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 2. Allegretto - attaca:
Sonata No. 14, Op. 27 'Mondschein-Sonate' In C Sharp Minor: 3. Presto agitato

Tracks:

Sonata No. 16, Op. 31 In G Major: 1. Allegro vivace - L.V. Beethoven
Sonata No. 16, Op. 31 In G Major: 2. Adagio grazioso - L.V. Beethoven
Sonata No. 16, Op. 31 In G Major: 3. Rondo. Allegretto - L.V. Beethoven
Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 1. Largo - Allegro - L.V. Beethoven
Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 2. Adagio - L.V. Beethoven
Sonata No. 17, Op. 31 'Sturm-Sonate' In D Minor: 3. Allegretto - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 1. Allegro - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 2. Scherzo. Allegretto vivace - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 3. Menuetto. Moderato e grazioso - L.V. Beethoven
Sonata No. 18, Op. 31 In E Flat Major: 4. Presto con fuoco - L.V. Beethoven

Tracks:

Sonata No.15, Op. 28 'Pastorale' In D Major: 1. Allegro
Sonata No.15, Op. 28 'Pastorale' In D Major: 2. Andante
Sonata No.15, Op. 28 'Pastorale' In D Major: 3. Scherzo. Allegro vivace
Sonata No.15, Op. 28 'Pastorale' In D Major: 4. Rondo. Allegro, ma non troppo
Sonata No. 19, Op. 49 In G Minor: 1. Andante
Sonata No. 19, Op. 49 In G Minor: 2. Rondo. Allegro
Sonata No. 20, Op. 49 In G Major: 1. Allegro, ma non troppo
Sonata No. 20, Op. 49 In G Major: 2. Tempo di Menuetto
Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 1. Allegro con brio
Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 2. Introduzione. Adagio molto - attaca:
Sonata No.21, Op. 53 'Waldstein-Sonate' In C Major: 3. Rondo. Allegretto moderato
Sonata No. 23, Op. 57 'Apassionata' In F Minor: 1. In tempo d'un Menuetto
Sonata No. 23, Op. 57 'Apassionata' In F Minor: 2. Allegretto

Tracks:

Sonata No. 23, Op. 57 'Appasionata' In F Minor: 1. Allegro assai
Sonata No. 23, Op. 57 'Appasionata' In F Minor: 2. Andante con moto - attaca:
Sonata No. 23, Op. 57 'Appasionata' In F Minor: 3. Allegro, ma non troppo - Presto
Sonata No. 24, Op. 78 In F Sharp Major: 1. Adagio cantabile - Allegro, ma non troppo
Sonata No. 24, Op. 78 In F Sharp Major: 2. Allegro vivace
Sonata No. 25, Op. 79 In G Major: 1. Presto alla tedesca
Sonata No. 25, Op. 79 In G Major: 2. Andante
Sonata No. 25, Op. 79 In G Major: 3. Vivace
Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 1. Das Lebewohl (Les Adieux): Adagio - Allegro
Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 2. Abwesenheit (L'Absence): Andante espressivo
Sonata No. 26, Op. 81a 'Les Adieux' In E Flat Major: 3. Das Wiedersehn (Le Retour): Vivacissimamente
Sonata No. 27, Op. 90 In E Minor: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Sonata No. 27, Op. 90 In E Minor: 2. Nicht zu geschwind und sehr singbar vorzutragen

Tracks:

Sonata No. 28, Op. 101 In A Major: 1. Etwas lebhaft und mit der innigsten Empfindung: Allegretto, ma non troppo
Sonata No. 28, Op. 101 In A Major: 2. Lebhaft, marschmassig: Vivace alla Marcia
Sonata No. 28, Op. 101 In A Major: 3. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto - attaca:
Sonata No. 28, Op. 101 In A Major: 4. Geschwinde, doch nicht zu sehr und mit Entschlossenheit: Allegro
Sonata No. 29, Op. 106 In B Flat Major: 1. Allegro
Sonata No. 29, Op. 106 In B Flat Major: 2. Scherzo. Assai vivace
Sonata No. 29, Op. 106 In B Flat Major: 3. Adagio sostenuto. Appasionato e con molto sentimento
Sonata No. 29, Op. 106 In B Flat Major: 4. Largo - Allegro risoluto

Tracks:

Sonata No. 30, Op. 109 In E Major: 1. Vivace, ma non troppo - L.V. Beethoven
Sonata No. 30, Op. 109 In E Major: 2. Prestissimo - L.V. Beethoven
Sonata No. 30, Op. 109 In E Major: 3. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) - L.V. Beethoven
Sonata No. 31, Op. 110 In A Flat Major: 1. Moderato cantabile molto espressivo - L.V. Beethoven
Sonata No. 31, Op. 110 In A Flat Major: 2. Allegro molto - L.V. Beethoven
Sonata No. 31, Op. 110 In A Flat Major: 3. Adagio, ma non troppo - Fuga. Allegro, ma non troppo - L.V. Beethoven
Sonata No. 32, Op. 111 In C Minor: 1. Maestoso - Allegro con brio ed appassionato - L.V. Beethoven
Sonata No. 32, Op. 111 In C Minor: 2. Arietta. Adagio molto semplice e cantabile - L.V. Beethoven

Amazon.com

Wilhelm Kempff was the premier German pianist of the postwar period, so it's no surprise that he was considered one of the supreme interpreters of Beethoven. He recorded complete sets of the sonatas and concertos twice, and just about all the rest of the chamber music with piano as well. Kempff was a classicist by nature, and his approach to Beethoven was clear and poised rather than impulsive, but it was never lacking in sheer power or virtuosity when necessary. His last cycle of Beethoven sonatas is rightly regarded as his musical testament. Even if the mono recordings offered a few more exciting moments in a couple of works, you can't go wrong here--there isn't a dud in the lot. --David Hurwitz

Customer Reviews:

The final testament of a great classicist.......2005-11-10

I waited a long time before finally buying this. I already had Gilels, Barenboim, Schnabel, Richter(for almost all),Annie fischer(a damn fine set also!) Brendel, and Arrau. I have always held gilels monumental set in the highest regard for its mixture of respect and power, beauty and ferocity. I knew that the Kempff box had ggod things, but after all these former sets, what knew could be said(similar to what i thought about michelangeli before i heard his op 2\3 and debussy preludes) But this set kept popping up in my life. Over and over respectable musicians kept hinting that this was the set to go for, a modern answer to schnabel's initial recording. Finally I bought it and my only regret is that i didnt succumb to it sooner. Kempff is, in my mind, not the most exciting of pianist's, but he everything that our modern school is not, in the best sense of the word. His sound and touch is crystalline, his authority over the notes unequalled. There isnt any of these sonata's i dont turn to when i want to investigate them for myself with score at hand, which in a word, can be described as revelatory. Dont hesitate like I did. Who knows maybe, in this age of classical deprecation, it may disappear before you had the chance. It is the end all of Beethoven interpretation. It lacks the machismo of Gilels, and Richter for that matter, but what it lacks in the thunder it makes up for in the calm of the storm.

Wilhelm Kempff Plays the Beethoven Piano Sonatas.......2005-08-17

Beethoven's "Tagebuch" includes the following famous entry: "The starry heavens above, the moral law within -- Kant!" Beethoven was alluding to Kant's statement in the "Critique of Practical Reason" of the two things that filled him with awe. But, in a simple way, Beethoven's statement could be read to show two related ways of understanding his music: the first as heroic, heaven-storming, and outwardly directed, and the second as inward, reflective, and meditative. Some of Beethoven's music can be seen as occupying on or the other end of the polarity. Much of the music somehow occupies both ends.

The same holds true as a rough approach to the performance of Beethoven's music -- including the 32 piano sonatas. Some artists emphasize the dramatic, rugged and virtuosic characteristics of the sonatas while others focus upon the music's inward and introspective qualities. The great German pianist Wilhelm Kempff's classic recording of the complete piano sonatas is clearly within the latter approach. Kempff (1895 -- 1991) recorded the complete Beethoven sonata-cycle twice, the first time in the 1950s and the second time in the 1960s. I had the original version on LP and purchased the CD set when LPs became obsolete. I recently had the opportunity to relisten to Kempff's renditions of the sonatas in their entirety.

Kempff's readings of the sonatas are highly personal and introspective. His tempos tend to be slow and fluid, the pedal is used a great deal, phrasing is highly legato, and volume is, for the most part, subdued and restrained. He offers a metaphysical, thoughtful reading of Beethoven which probes within. It is a moving and convincing way of rendering the sonatas, and I came away from my experience with the set over the past several days with a renewed devotion to this music. I have attempted about half of the sonatas myself over the years on the piano.

Beethoven's sonatas date from his youthful years in Bonn before his 1792 move to Vienna (the two sonatas of opus 49) to about 1822 (opus 111), five years before the composer's death. Thus, they occupied Beethoven for almost the entirety of his creative life. In listening to this complete set, the listener can follow Beethoven's development essentially chronologically and learn more first-hand about the sonatas and about the changes in Beethoven's styles of composition than can be gained from reading many studies.

Listeners interested in a complete set of the Beethoven sonatas will probably have some familiarity with some of the better-known
named sonatas, such as the "Pathetique", opus 13, the "Moonlight" opus 27 no. 2, the "Waldstein", opus 53, or the "Appassionata", opus 57. After falling in love with some of these works, it will be time for the listener to explore the entire series.

Kempff brings his own personal and introspective readings to each of these familar works. I think he does best with the rondo finale of the "Waldstein," with the "Moonlight" sonata, and with the two final movements of the "Tempest", opus 31 no. 2. His readings of these familiar works on the whole will offer fresh insight into these great sonatas.

But the greatest attraction of this set is the opportunity it provides to explore some of Beethoven's less frequently performed works. Again, Kempff is at his best in works of an introspective character. Thus, those coming to the sonata-cycle for the first time will enjoy his performances of the opus 26 sonata, with the opening variations and the celebrated funeral march, of opus 78, 79, and 81a ("Les Adieux"), of opus 90, and of opus 101, 109, 110, and the great end to the series, opus 111. Opus 90, 101, and 109 are particular favorites of mine, and Kempff plays them beautifully.

There is yet another group of sonatas that also receive excellent readings on the set. This group includes two excellent ambitious early works, opus 2 no. 3 and opus 7 (another favorite), the three sonatas of opus 10, the under-appreciated opus 22, the companion to the more famous "Moonlight" sonata, opus 27 no. 1, opus 31 no. 3 and the enigmatic opus 54, sandwiched between the "Waldstein" and the "Appassionata". The magisterial and heroic "Hammerklavier" sonata, opus 106, is in a class by itself. Each listeners's choices and fovorites among the 32 will vary and change with time and repeated hearings. This collection is an excellent introduction to all of them.

There are many recordings of the set of 32 sonatas and many approaches to the interpretation of Beethoven. His music is broader and deeper than any single reading. I have lived with my set of Kempff for a long time and am still moved and inspired by his playing of this inexhaustible music. Listeners wanting to get to know this great body of work will find much to cherish in these performances by Wilhelm Kempff.

Robin Friedman

full of artistry, very nice........2005-06-06

Among the great pianists who played Beethoven's sonatas, I love Kempff and Gilels most. Kempff's play is colorful(also with cleaness), while Gilels's play is clean. Of course,if you only prefer highly keyboard technique, Pollini is a better choice.

I think, Kempff was born not only as a great pianist, but also as a musical artist. listen to Kempff just like listen to a small orchestra(among instruments, only piano can do this). His left hand accompanied very well and his right hand song nicely. Some one may say Kempff lacks energetics, but I prefer his style---just like a stream flows naturally, accompanied with birds and flowers.

unlike some energetically played pianists, I never get tired in listening to Kempff. Though those CDs was recorded in 60s, the sonic quality is good enough. highly recommended.

Which One To Get, That Is The Question.......2005-02-10

For those who are not too familiar with Kempff, he is generally regarded as one of the most reputed Beethoven interpreter after Schnabel. Gulda was supposed to succeed them and was somehow stopped short. In Kempff, just like most pianists of the older generation, there is a strong element of improvisation, an element in the making of music which make him sound so fresh and spontaneous which left even Brendel way behind. Furthermore, his playing is so inspired that it never fails to remind us of some transcending church music.

Having said that, Kempff even in the 50s, was never quite as dynamic as Gulda; whereas some may instead find Schnabel's Beethoven even more instructive and not at all less inspired. But Schnabel's are all historic recordings. My no.1 choice for these sonatas is always Backhaus (Decca, in wonderful stereo sound), for some may find Arrau's early Beethoven sonatas boring and Gilel's (which is not exactly a whole cycle in any event) not soulful enough, however much conviction he had for them. And to be honest, I have never finished Brendel's and I have never even tried Ashkenazy's Beethoven except his piano trio with Perlman and Harell and somehow I just stopped there...

Roughly speaking, Kempff's 50s cycle is more energetic, fiery and forceful, wheras his 60s is more colourful, more sublime, and with more subtleties. But that doesn't mean he was off his peak or insufficiently fiery (unlike Schnabel whose first cycle is more preferable than his second cycle recorded in the 50s). Being a complete musician as well as a remarkable composer, there was still some obvious development in his music making even between these two cycles which makes him fairly and squarely an authoritative alternative even to Backhaus: another reason that we should try to listen to both.

And as far as the recorded sound is concerned, there is the difference of more than one whole generation, so that the ordinary music lovers may not find the 50s recording delightful or acceptable at all; whereas few could really complain against the sound of the 60s.

So, if you are a pianist, or if you are a fan of Kempff, you probably will get both his 50s and 60s recordings: for like most great pianists or indeed most great musicians, every time they play, it is going to be different and they are all instructive and inspiring in their own way. I myself grapped both. But if your emphasis is on the early sonatas or just for general enjoyment or even for the last sonatas, it is better to get the 60s.

essential.......2004-06-02

what else can you say about kempff that isn't said before? this is the best beethoven ever record, he has a magic touch and this sets clearly shows it off. i have both recordings of his beethoven sonatas (1951 & 1964) as well as his schumann, brahms, schubert, bach, mozart, liszt etc and would recomand them all... enjoy the piano master

Average customer rating:

Sometimes the old ways are the best
The Love of Schubert
Great, but Prefer the Schiff
Elegance, accuracy and expressiveness!
Heavenly Length and Breadth

Schubert: The Piano Sonatas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SA8A
Release Date: 2000-10-10

Tracks:

Sonata In B Flat Major D 960: 1. Molto Moderato
Sonata In B Flat Major D 960: 2. Andante Sostenuto
Sonata In B Flat Major D 960: 3. Scherzo. Allegro Vivace
Sonata In B Flat Major D 960: 4. Allegro Ma Non Troppo
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 1. Allegro Moderato
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 2. Allegro
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 3. Adagio
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 4. Scherzo. Allegro
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 5. Allegro Patetico

Tracks:

Sonata In C Minor D 958: 1. Allegro
Sonata In C Minor D 958: 2. Adagio
Sonata In C Minor D 958: 3. Menuetto. Allegro
Sonata In C Minor D 958: 4. Allegro
Sonata In A Major D 959: 1. Allegro
Sonata In A Major D 959: 2. Andantino
Sonata In A Major D 959: 3. Scherzo. Allegro Vivace
Sonata In A Major D 959: 4. Rondo. Allegro

Tracks:

Sonata In G Major D 894(Op. 78): 1. Molto Moderato E Cantabile
Sonata In G Major D 894(Op. 78): 2. Andante
Sonata In G Major D 894(Op. 78): 3. Menuetto. Allegro Moderato
Sonata In G Major D 894(Op. 78): 4. Allegretto
Sonata In D Major D 850 (Op. 53): 1. Allegro Vivace
Sonata In D Major D 850 (Op. 53): 2. Con Motto
Sonata In D Major D 850 (Op. 53): 3. Scherzo. Alegro Vivace
Sonata In D Major D 850 (Op. 53): 4. Rondo. Allegro Moderato

Tracks:

Sonata In A Minor D 845 (Op. 42): 1. Moderato
Sonata In A Minor D 845 (Op. 42): 2. Andante Poco Mosso
Sonata In A Minor D 845 (Op. 42): 3. Scherzo. Allegro Vivace - Trio. Un Poco Piu Lento
Sonata In A Minor D 845 (Op. 42): 4. Rondo. Allegro Vivace
Sonata In C Major 840 ('Reliquie' - Fragment): 1. Moderato
Sonata In C Major 840 ('Reliquie' - Fragment): 2. Andante
Sonate In A Minor D 784 (Op. 143): 1. Allegro Giusto
Sonate In A Minor D 784 (Op. 143): 2. Amdante
Sonate In A Minor D 784 (Op. 143): 3. Allegro Vivace

Tracks:

Sonata In a Major D 664 (Op. 120): 1. Allegro Moderato
Sonata In a Major D 664 (Op. 120): 2. Andante
Sonata In a Major D 664 (Op. 120): 3. Allegro
Sonata In F Minor D 625: 4. Allegro
Sonata In F Minor D 625: 2. Scherzo. Allegretto
Sonata In F Minor D 625: 3. Allegro
Sonata In B Major D 575 (Op. 147): 1. Allegro Ma Non Troppo
Sonata In B Major D 575 (Op. 147): 2. Andante
Sonata In B Major D 575 (Op. 147): 3. Scherzo. Allegretto
Sonata In B Major D 575 (Op. 147): 4. Allegro Giusto

Tracks:

Sonata In E Flat Major D 568 (Op. 122): 1. Allegro Moderato
Sonata In E Flat Major D 568 (Op. 122): 2. Andante Molto
Sonata In E Flat Major D 568 (Op. 122): 3. Menuetto. Allegretto
Sonata In E Flat Major D 568 (Op. 122): 4. Allegro Moderato
Sonata In A Major D 557: 1. Allegro Moderato
Sonata In A Major D 557: 2. Andante
Sonata In A Major D 557: 3. Allegro
Sonata In E Minor D 556 (First And Second Movements): 1. Moderato
Sonata In E Minor D 556 (First And Second Movements): 2. Allegretto

Tracks:

Sonata In A Minor D 537 (Op. 164): 1. Allegro Ma Non Troppo
Sonata In A Minor D 537 (Op. 164): 2. Allegretto Quasi Andantino
Sonata In A Minor D 537 (Op. 164): 3. Allegro Vivace
Sonata In C Major D 279 (Fragment): 1. Allegro Moderato
Sonata In C Major D 279 (Fragment): 2. Andante
Sonata In C Major D 279 (Fragment): 3. Menuetto. Allegro Vivace
Sonata In E Major D 157(Fragment): 1. Allegro Ma Non Troppo
Sonata In E Major D 157(Fragment): 2. Andante
Sonata In E Major D 157(Fragment): 3. Menuetto. Allegro Vivace

Amazon.com

Wilhelm Kempff was a master of poetic lyricism, with a wondrous keyboard touch and a breathtaking command of subtle dynamics and tonal colorations--all invaluable attributes of any Schubert interpreter. He also had the knack of holding together large structures that can often seem aimless, thus avoiding another trap many pianists fall into, that of lavishing so much attention on passing detail that Schubert's "heavenly lengths" can seem wayward wanderings. The one criticism often heard is that Kempff emphasizes poetry at the expense of drama. This magnificent set leaves that claim unsubstantiated.

Few pianists have been so successful, for example, in what may be Schubert's wildest single movement, the nightmarish Andantino of the A major Sonata, D. 959. Here, Kempff captures the tortured mood of the piece to perfection without breaking its Classical frame. Tempos are generally expansive, but Kempff's tonal luster and unerring sense of natural phrasing never make you want him to step on the accelerator. A special treat is the inclusion of rarely heard early works. Some of these were left unfinished; others reflect a composer still mastering his craft. But most are of more than passing interest, and some have an enchanting, aching beauty. Kempff's Schubert set has been a recording classic since its release on LP; its availability in a space-saving CD box at a budget price is cause for celebration. --Dan Davis

Customer Reviews:

Sometimes the old ways are the best.......2007-04-27

Kempff himself wrote the liner notes to this highly satisfying set and states the following: "The deeper we penetrate into the world of Schubert, however, the greater is our surprise at discovering that the 'heavenly length' for which he is reproached is to be regarded relatively. If the length becomes evident as longueurs, the fault lies with the interpreter (I speak from my own experience...)." Indeed, in listening to Kempff play the Schubert sonata canon the thoughts of "overly long" or "needlessly repetitive" never entered my head. Barring some extraordinary performances of individual sonatas over the years, such as Richter's old Russian recording of the c minor (D 958) on Melodiya or Serkin's equally old recording of the B-flat (D 960), this is the best playing of the Schubert sonatas I know.

I used to think of some of the earlier sonatas as practice or training pieces for the later masterworks (which of course by definition they are, but they need not be viewed retrospectively from the vantage point of the late works). Unfortunately, they often sound boring and immature. This is due to defects in players and the playing, not a problem with Schubert. Kempff makes all the sonatas here, including the early ones, glow with the utmost musicality so they stand on their own as beautiful works. Just one example: In the earlier of the a minor sonatas he handles little secondary figures that are intercalated within major theme phrases in an amazingly musical and beautiful way. As a pianist myself, I could never figure out how to make them unobtrusive, let alone desirable. Under Kempff's fingers they fit sublimely into the fabric of the work. The playing is clearly layered, every note and phrase has its place and purpose, his internal logic is such that nothing Schubert wrote sounds less than as it should. One more example: The first movement of the G major sonata ("Fantasy" sonata, D 894) floats in its ethereal haze but goes fast, not slow. Kempff can produce the effect of suspended animation without suspending the actual motion. This is no doubt what Schubert intended but it is very difficult to pull off as a performer. Kempff's treatment of the last 5 sonatas (D, G, A, c minor, and B flat) is breathtaking.

This set is a revelation. What a magnificent panorama of Schubert's development as a composer! Also, the origins of later composers' styles can be traced to Schubert's writing for piano. The roots of Bruckner's iterated and protracted symphonies can be heard, for example, in the way the finale of the a minor sonata begins. (I don't think this is apparent from other players, who lack Kempff's lyricism and mysticism.) Included beside the actual titled sonatas are various fragments of incomplete sonatas and collections of piano pieces that in effect are untitled sonatas (such as D 459/459A).

The recordings are from around 1965-1970 and the piano sound is singing, glowing, radiant. I recommend this set wholeheartedly to anyone interested in great musicianship, masterly piano playing, Schubert's piano music, and Schubert's evolution as a composer. Kempff makes you realize that the magic didn't all happen in the last year of Schubert's life, and I can't think of another pianist who does that for me. (There are few, if any, major players of Schubert with whom I'm not familiar.) Kempff was the leading German pianist of the immediate post-WW II era, but I think he has largely been forgotten. His Schubert, Beethoven, and Brahms are wonderful. Modern players, despite their steel fingers and elephantine endurance and machine-like (sometimes machine-gun-like) techniques, stand to learn a lot from this old master's art.

The Love of Schubert.......2007-03-30

Absolutely must have for true music lover and particularly the music of Schubert. This is already an old recording but still stands up the comparison with later, newer CD's ( Brendel, Schiff,Lupu, Perahia). Kempff, the old master, now deceased, left a memorable,moving and romantic in spirit rendition of Schubert Piano Sonatas (the first complete set). I heard Kempff performed in live, and always thought of him as the greatest German Romantic Pianist.
This set is the work of true love.

Great, but Prefer the Schiff.......2006-08-06

How can it be that the Schiff cycle is out of print? How does that concept even make sense in 2006?

The one review on the late sonatas by Schiff holds some clues as to why they are so special.

I know that years of listening produces version biases, but I really did try and look past that here, but the C minor 958 is so much less dramatic and compelling in this version. The Schiff version is very hypnotic. Kempff's tempos are totally different. It is interesting, during the runs, there is a tremendous sense of fluidity in Kempff's sound, but in the rest of the piece, it sounds too mechanical. The same holds for some of the others, though in some of the pieces, for instance, 568, the results are less pronounced.

Ironically, I usually like the less embellished versions of pieces, especially when a composer like Beethoven is involved and performers reinterpret him as a romantic, but in this case, the opposite is true. 958 in Schiff's version sounds like one of the towering achievements of solo piano. Here, the elements are all there, but the overall effect is lost.

Elegance, accuracy and expressiveness!.......2006-01-24

These gems recordings are authentic milestones performances. Because there has not been any other pianist capable of making sing the piano like Wilhelm Kempff. His fingering is precise and crystalline, the cantabiles are sumptuous and the arpeggios are phrased with such clarity and expression, that hardly you will be able to forget it.

Go for these performances. They are part of the legend.

Heavenly Length and Breadth.......2006-01-11

There are a number of classical pianists who perform Schubert's piano sonatas extremely well (Brendel, Uchida, Schiff, and Richter come immediately to mind), all of whom bring their own individual brilliance to this music. Given that it is probably impossible to render the "best" performance of each of these pieces, the question arises as to why anyone would want to invest in one musician's complete recordings of these sonatas.

My analysis of this question takes into account several factors. The first of these is economic. The Kempff set is budget price and a significant savings over the acquisition of the sonatas by other artists. Even if economics are not a factor, it may be valuable to compare Kempff's way with these pieces with other pianists and this set will allow the collector to at least have one complete set for comparison purposes.

The basis for investing in these recordings is, however, far from solely economic. There seem to be two components a successful Schubertian must bring to the sonatas: an ability to properly convey the various dynamic markings found in each piece and the ability to understand and convey the complete architecture of each piece, instead of being caught up in the various eddies that so many of the movements contain with them. Kempff is able to satisfy both of these components brilliantly. These albums contain what may be the most beautiful pianissimo I have ever heard. Kempff also seems to have a sure conception of each complete work and does not lose the listener in various musical cul de sacs.

In short, performances this beautiful are bargains at any cost.

Average customer rating:

really like it

Cello Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001WU1QK
Release Date: 2004-05-11

Tracks:

Carnival Of The Animals - Bruno Canino
Vocalise, Op.34 No.14 - Lynn Harrell
Thais - Julian Lloyd Webber
Adagio - Janos Starker
Apres Un Reve - Bruno Canino
Adagio - Julian Lloyd Webber
Ave Maria - Julian Lloyd Webber
Adagio - Julian Lloyd Webber
Traumerei (Dreaming) - Bruno Canino
Notturno: Andante - Julian Lloyd Webber
Sicilienne - Bruno Canino
An Die Musik, D547 - Bruno Canino
Reverie - Julian Lloyd Webber
Prayer - Bruno Canino
Ebben? Ne Andro Lontana - Bruno Canino
Salut D'amour, Op.12 - Bruno Canino
Valse Sentimentale, Op.15 No.6 - Samuel Sanders
Kol Nidrei, Op.47 - Julian Lloyd Webber

Tracks:

Air (Air On A G String) - Julian Lloyd Webber
Clair De Lune - Julian Lloyd Webber
Elegie, Op.24 - Jullian Lloyd Webber
Andante - Heinrich Schiff
Romance In D Minor, Op.62 - Julian Lloyd Webber
Beau Soir - Bruno Canino
Sicilienne, Op.78 - Bruno Canino
Panis Angelicus - Julian Lloyd Webber
Nocturne In E Flat Major, Op.9 No.2 - Julian Lloyd Webber
Cantabile - Samuel Sanders
Liebesleid - Samuel Sanders
Adagio Ma Non Troppo - Janos Starker
Bereuse - Julian Lloyd Webber
Cantilena - Julian Lloyd Webber
Melodie, Op.20 No.1 - Julian Lloyd Webber

Customer Reviews:

really like it.......2007-03-05

This is the first classical cd I have ever bought. The two-disc album was a great price. I really love the performance of Lynn Harrell. I like the collection of Adagios because they are perfect to fall asleep to or study to.

Average customer rating:

This is a fantastic deal!
Excellent, Broad Selection
$70....when was this???
$70/40... you do the math.

Vivaldi: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00062FLHY
Release Date: 2004-11-30

Customer Reviews:

This is a fantastic deal!.......2007-02-25

If you are a fan at all of the Four Seasons you should love this music. I will admit right now that I am a classical music fan. I don't write or perform it. I am a novice listener. I have never taken any music lessons(though I am leaning in that direction) and certainly have not gone through any university music training. I started out in rock and roll but found classical as I got older and fell in love with it a few years ago.

With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are

The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance

This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!

If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me

So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in my novice classical music fan's opinion

Excellent, Broad Selection.......2007-01-25

This 40-cd collection affords me a rare pleasure almost daily: the thrill of hearing something new by Vivaldi. Despite my best efforts over the years, I've managed to miss hearing a lot of great works by the master. Listening to a single CD now and then, catching tunes on the radio... you can't possibly get a comprehensive understanding of Vivaldi's output that way.

But when you work your way systematically from CD 1 through 40, you're sure to find many pleasant surprises. I've been skipping through everything I already know -- in some cases, it has only taken me about a minute to get through a whole CD (first 3 seconds of each track is usually enough). But then I stop and listen carefully three or four times to anything that's new.

Ah, what a pleasure. I've already acquired some new favorites. And some old standbys have proved even more rewarding, e.g. at first I thought RV 127 (CD 7, tracks 10-12) was performed too slowly (Naxos No: 8.553742 is much faster), but now I'm not sure; maybe it's BETTER that way! I can't recommend this set highly enough.

$70....when was this???.......2006-11-25

Wish the cost was $70 now. Guess the record producer (or Amazon) got tired of making less than $2 per CD.

$70/40... you do the math........2006-04-07

No, I don't own this collection...yet. However, the price of the collection compels me to review it beforehand. Never have I seen such a complete collection of Vivaldi compositions at such an incredibly low price. At $1.75 dollars a CD, the record producer (Brilliant Classics) isn't making much of a profit. The compilation pulls some of its works from DG Achiv Produktion's vault (see Standage), such as the violin concertos, as well as from unknown producers (the Poland Philharmonic Chamber Orchestra is heavily featured). The collection is so complete that it is academic, and I would not be surprised if music libraries quickly emptied it from Amazon's shelves. The collection is simply worth it for the incredible price (English Concert's recording of the violin concertos cost nearly 30 bucks, and is exactly featured here). Overall, the price alone makes this collection exceptionally attractive, and the ensembles featured aren't bad either.

Average customer rating:

Incredible
Greatest cycle of the greatest violin sonatas ever
Best complete set I know of
Magnetic from start to finish!!
Two contemporary musical masters pay homage

Beethoven: The Violin Sonatas

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Classical | Box Sets | Stores | Music

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Similar Items:

Mozart: The Violin Sonatas
Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
Beethoven: The Five Piano Concertos
Beethoven: The String Quartets
Beethoven: The Piano Trios

ASIN: B0000041UF
Release Date: 2002-09-10

Tracks:

Violin Sonata No.1 in D major, Op.12 No.1: l Allegro con brio
Violin Sonata No.1 in D major, Op.12 No.1: ll Tema con variazioni: Andante con moto
Violin Sonata No.1 in D major, Op.12 No.1: lll Rondo: Allegro
Violin Sonata No.2 in A major, Op.12 No.2: l Allegro viva
Violin Sonata No.2 in A major, Op.12 No.2: ll Andante, piu tosto allegretto
Violin Sonata No.2 in A major, Op.12 No.2: lll Allegro piacevolo
Violin Sonata No.3 in E flat major, Op.12 No.3: l Allegro con spirito
Violin Sonata No.3 in E flat major, Op.12 No.3: ll Adagio con molt'espressione
Violin Sonata No.3 in E flat major, Op.12 No.3: lll Rondo: Allegro molto

Tracks:

Violin Sonata No.4 in A minor, Op23: l Presto
Violin Sonata No.4 in A minor, Op23: ll Andante scherzoso, piu allegretto
Violin Sonata No.4 in A minor, Op23: lll Allegro molto
Violin Sonata No.6 in A major, Op.30 No.1: l Allegro
Violin Sonata No.4 in A minor, Op23: ll Adagio molto espressivo
Violin Sonata No.4 in A minor, Op23: lll Allegretto con variazioni
Violin Sonata No.8 in G major, Op.30 No.3: l Allegro assai
Violin Sonata No.8 in G major, Op.30 No.3: ll Tempo di minuetto, ma molto moderato e grazioso
Violin Sonata No.8 in G major, Op.30 No.3: lll Allegro vivace

Tracks:

Violin Sonata No.9 in A major, Op.47 'Kreutzer': l Adagio sostenuto-Presto-Adagio
Violin Sonata No.9 in A major, Op.47 'Kreutzer': ll Andante con variazioni
Violin Sonata No.9 in A major, Op.47 'Kreutzer': lll Finale: Presto
Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': l Allegro
Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': ll Adagio molto espr
Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': lll Scherzo & trio:
Violin Sonata No.5 in F Major, Op.24 'Spring'-'Le Printemps'-'Fruhlingssonate': lV Rondo: Allegro ma

Tracks:

Violin Sonata No.7 in C minor, Op.30 No.2: l Allegro con brio
Violin Sonata No.7 in C minor, Op.30 No.2: ll Adagio cantabile
Violin Sonata No.7 in C minor, Op.30 No.2: lll Scherzo: Allegro
Violin Sonata No.7 in C minor, Op.30 No.2: lV Finale: Allegro
Violin Sonata No.10 in G major, Op.96: l Allegro moderato
Violin Sonata No.10 in G major, Op.96: ll Adagio espressivo
Violin Sonata No.10 in G major, Op.96: lll Scherzo: Allegro
Violin Sonata No.10 in G major, Op.96: lV Poco allegretto

Amazon.com essential recording

There are two really famous Beethoven violin sonatas, the Kreutzer and the Spring. The Kreutzer Sonata inspired the story by Leo Tolstoy, which in turn became the subject of Janácek's First String Quartet, so if you're into comparative studies in the arts, there's a thesis topic for you! The Spring Sonata was featured in Woody Allen's Love and Death, among other places. And perhaps most intriguingly of all, the scherzo of the late sonata, Op. 96, turns up quite clearly in the third movement of Mahler's Second Symphony. So you may already know more about this splendid music than you think. Why not take the plunge with these superb performances and get to know the sonatas at first hand? Just as there are two truly famous Mozart sonatas, there are also two sides to Itzhak Perlman's musical career--the flashy virtuoso and the considerate partner. Chamber-music recordings such as this feature Perlman in this second role, one that gets less attention than his other, more sensational, persona, but which for many listeners is even more musically rewarding. Ashkenazy, no mere accompanist, is very much involved in the proceedings, and the two musicians combine to produce one of the finest sets of Beethoven violin sonatas available as well as one of Perlman's very greatest recordings in any genre. --David Hurwitz

Customer Reviews:

Incredible.......2005-04-03

Let me just start off by saying that this set is an absolute no brainer. What more could you ask for than amazing pieces such as the Beethoven Violin Sonatas performed by none other than Itzhak Perlman and Vladimir Ashkenazy, who are both GIANTS in the violin and piano worlds. These recordings are absolutely wonderful, and the performances are definitely what is expected from these incredible musicians, if not more. The sound quality is very good, even though the recording was converted from analog to digital. Highly recommended.

However, if you would like to only have the most famous, and the best, Beethoven Violin Sonatas, you can still get Perlman and Ashkenazy performing the Spring and Kreutzer Sonatas on a separate disc. It is obviously less expensive, because it is only one CD as opposed to four, even though this four CD set is relatively cheap.

Greatest cycle of the greatest violin sonatas ever.......2004-05-11

I agree that this is the greatest cycle of the greatest set of violin sonatas ever written. Gidon and Argerich are also good but Argerich doesn't articulate her notes clearly like Ashkenazy. You feel that Argerich is kind of "cheating" by skimming to lightly over some notes - whereas Beethoven needs to be played with a greater force. Ashkenazy provides just the right kind of Beethovenian playing.

This set also contains the greatest performance of the greatest violin sonata ever written - the Kreutzer - plus a highly delectable Spring sonata.

If you're not familiar with the rest of Beethoven's sonatas, you'll be surprised at how magnetic they are in the hands of musicians the likes of Ashkenazy and Perlman.

I cannot recommend this too highly. Enjoy.

Best complete set I know of.......2004-04-01

There are probably better-known recordings of the individual sonatas, but if you are looking for a consistently good collection from start to finish, this would be it, especially if you are familiar only with the Spring & Kreutzer sonatas. This is a collection that gets wonderfully intimate at times, and is a consistent delight to the listener. This is definitely a worthy addition to any collection.

Magnetic from start to finish!!.......2004-01-06

This classic set is magnetic from the first note to the last. If you haven't heard it, you haven't heard Beethoven's Violin Sonatas.

Two contemporary musical masters pay homage.......2002-08-08

Listen to this music if you want a searching, thoughtful dialog by the Great Brooder between two superb interpreters of their respective instruments....two instruments only, that manage to fill the room and the world completely.....
Listen with the best equipment you can justify, because this music alone justifies the technology- the access of which to the common man fulfills Beethoven's wildest, unnamed hope.

Beethoven: The Complete Piano Sonatas & Concertos

Average customer rating:

The one collection I cannot imagine being without
MASTERY
Magisterial... mystical
Beethoven + Arrau = Divinity
Beethoven himself would be proud.

Beethoven: The Complete Piano Sonatas & Concertos
Claudio Arrau , Janos Starker , Ludwig van Beethoven , Bernard Haitink , Eliahu Inbal , Concertgebouw Orchestra Amsterdam , New Philharmonia Orchestra , and Henryk Szeryng
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Liszt: Piano Works
Chopin: The Piano Works
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Brahms: Works for Solo Piano
Bach: Well-Tempered Clavier

ASIN: B00000C2F7
Release Date: 1999-11-09

Tracks:

Piano Sonata No. 1 In F Minor, Op. 2 No. 1: 1 Allegro
Piano Sonata No. 1 In F Minor, Op. 2 No. 1: 2. Adagio
Piano Sonata No. 1 In F Minor, Op. 2 No. 1: 3. Menuetto. Allegretto
Piano Sonata No. 1 In F Minor, Op. 2 No. 1: 4. Prestissimo
Piano Sonata No. 2 In A, Op. 2 No. 2: 1. Allegro vivace
Piano Sonata No. 2 In A, Op. 2 No. 2: 2. Largo appassionato
Piano Sonata No. 2 In A, Op. 2 No. 2: 3. Scherzo. Allegretto
Piano Sonata No. 2 In A, Op. 2 No. 2: 4. Rondo. Grazioso
Piano Sonata No. 5 In C Minor, Op. 10 No. 1: 1. Allegro molto e con brio
Piano Sonata No. 5 In C Minor, Op. 10 No. 1: 2. Adagio molto
Piano Sonata No. 5 In C Minor, Op. 10 No. 1: 3. Finale. Prestissimo
Piano Sonata No. 19 In G Minor, Op. 49 No. 1: 1. Andante
Piano Sonata No. 19 In G Minor, Op. 49 No. 1: 2. Rondo. Allegro

Tracks:

Piano Sonata No.3 In C, Op.2 No.3: 1. Allegro con brio
Piano Sonata No.3 In C, Op.2 No.3: 2. Adagio
Piano Sonata No.3 In C, Op.2 No.3: 3. Scherzo. Allegro
Piano Sonata No.3 In C, Op.2 No.3: 4. Allegro assai
Piano Sonata No.4 In E Flat, Op.7: 1. Allegro molto e con brio
Piano Sonata No.4 In E Flat, Op.7: 2. Largo, con gran espressione
Piano Sonata No.4 In E Flat, Op.7: 3. Allegro
Piano Sonata No.4 In E Flat, Op.7: 4. Rondo. Poco allegretto e grazioso
6 Piano Veriations In F On An Original Theme, Op.34

Tracks:

Piano Sonata No.6 In F, Op.10 No.2: 1. Allegro
Piano Sonata No.6 In F, Op.10 No.2: 2. Allegretto
Piano Sonata No.6 In F, Op.10 No.2: 3. Presto
Piano Sonata No.7 In D, Op.10 No.3: 1. Presto
Piano Sonata No.7 In D, Op.10 No.3: 2. Largo e mesto
Piano Sonata No.7 In D, Op.10 No.3: 3. Menuetto. Allegro
Piano Sonata No.7 In D, Op.10 No.3: 4. Rondo. Allegro
Piano Sonata No.8 in C minor, Op.13 'Pathetique': 1. Grave - Allegro di molto e con brio
Piano Sonata No.8 in C minor, Op.13 'Pathetique': 2. Adagio cantabile
Piano Sonata No.8 in C minor, Op.13 'Pathetique': 3. Rondo. Allegro
Piano Sonata No.9 In E, Op.14 No.2: 1. Allegro
Piano Sonata No.9 In E, Op.14 No.2: 2. Allegretto
Piano Sonata No.9 In E, Op.14 No.2: 3. Rondo. Allegro comodo

Tracks:

Piano Sonata No.10 In G, Op.14 No.2: 1. Allegro
Piano Sonata No.10 In G, Op.14 No.2: 2. Andante
Piano Sonata No.10 In G, Op.14 No.2: 3. Scherzo. Allegro assai
Piano Sonata No.11 In B Falt, Op.22: 1. Allegro con brio
Piano Sonata No.11 In B Falt, Op.22: 2. Adagio con molta espressione
Piano Sonata No.11 In B Falt, Op.22: 3. Minuetto
Piano Sonata No.11 In B Falt, Op.22: 4. Rondo. Allegretto
Piano Sonata No.12 In A Flat, Op.26: 1. Andante con Variazioni
Piano Sonata No.12 In A Flat, Op.26: 2. Scherzo. Allegro molto
Piano Sonata No.12 In A Flat, Op.26: 3. Marcia Funebre sulla morte d'un Eroe
Piano Sonata No.12 In A Flat, Op.26: 4. Allegro
Piano Sonata No.25 In G, Op.79: 1. Presto alla tedesca
Piano Sonata No.25 In G, Op.79: 2. Andante
Piano Sonata No.25 In G, Op.79: 3. Vivace

Tracks:

Piano Sonata No.13 In E Flat, Op.27 No.1: 1. Andante - Allegro - Tempo I
Piano Sonata No.13 In E Flat, Op.27 No.1: 2. Allegro molto e vivace
Piano Sonata No.13 In E Flat, Op.27 No.1: 3. Adagio con espressione
Piano Sonata No.13 In E Flat, Op.27 No.1: 4. Allegro vivace - Tempo I - Presto
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 'Moonlight': 1. Adagio sostenuto
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 'Moonlight': 2. Allegrettro
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 'Moonlight': 3. Presto agitato
Piano Sonata No.15 In D, Op.28 'Pastorale': 1. Allegro
Piano Sonata No.15 In D, Op.28 'Pastorale': 2. Andante
Piano Sonata No.15 In D, Op.28 'Pastorale': 3. Scherzo. Allegro vivace
Piano Sonata No.15 In D, Op.28 'Pastorale': 4. Rondo. Allegro ma non troppo
Piano Sonata No. 22 In F, Op.54: 1. In Tempo d'un Menuetto
Piano Sonata No. 22 In F, Op.54: 2. Allegretto

Tracks:

Piano Sonata No.16 In G, Op.31 No.1: 1. Allegro vivace
Piano Sonata No.16 In G, Op.31 No.1: 2. Adagio grazioso
Piano Sonata No.16 In G, Op.31 No.1: 3. Rondo. Allegretto
Piano Sonata No.17 In D Minor, Op.31 No.2 'Tempest': 1. Largo - Allegro
Piano Sonata No.17 In D Minor, Op.31 No.2 'Tempest': 2. Adagio
Piano Sonata No.17 In D Minor, Op.31 No.2 'Tempest': 3. Allegretto
Piano Sonata No.18 In E Flat, Op.31 No.3: 1. Allegro
Piano Sonata No.18 In E Flat, Op.31 No.3: 2. Scherzo. Alllegretto vivace
Piano Sonata No.18 In E Flat, Op.31 No.3: 3. Menuetto. Moderato e grazioso
Piano Sonata No.18 In E Flat, Op.31 No.3: 4. Presto con fuoco

Tracks:

Piano Sonata No.21 In C, Op.53 'Waldstein': 1. Allegro con brio
Piano Sonata No.21 In C, Op.53 'Waldstein': 2. Introduzione. Adagio molto - Rondo. Allegretto moderato - Prestissimo
15 Piano Variations And Fugue In E Flat, Op.35 'Eroica' Variations: Inroduzione col Basso del Tema. Allegretto vivace
15 Piano Variations And Fugue In E Flat, Op.35 'Eroica' Variations: Variazioni I-XV
15 Piano Variations And Fugue In E Flat, Op.35 'Eroica' Variations: Finale. Alla Fuga. Allegro con brio - Andante con moto
32 Piano Variations In C Minor On An Original Theme, WoO 80
Rondo In G, Op.51 No.2

Tracks:

Piano Sonata No.23 In F Minor, Op.57 'Appassionata': 1. Allegro assai
Piano Sonata No.23 In F Minor, Op.57 'Appassionata': 2. Andante con moto
Piano Sonata No.23 In F Minor, Op.57 'Appassionata': 3. Allegro ma non troppo
Piano Sonata No.24 In F Sharp, Op.78 'For Therese': 1. Adagio cantabile - Allegro ma non troppo
Piano Sonata No.24 In F Sharp, Op.78 'For Therese': 2. Allegro vivace
Piano Sonata No.26 In E Flat, Op.81a 'Les adieux': 1. Das Lebewohl. Adagio - Allegro
Piano Sonata No.26 In E Flat, Op.81a 'Les adieux': 2. Abwesenheit. Andante espressivo
Piano Sonata No.26 In E Flat, Op.81a 'Les adieux': 3. Das Wiedersehn. Vivacissimamente
Piano Sonata No.27 In E Minor, Op.90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Piano Sonata No.27 In E Minor, Op.90: 2. Nicht zu geschwind und sehr singbar vorgetragen
Piano Sonata No.20 In G, Op.49 No.2: 1. Allegro, ma non troppo
Piano Sonata No.20 In G, Op.49 No.2: 2. Tempo di Menuetto

Tracks:

Piano Sonata No.28 In A, Op.101: 1. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo
Piano Sonata No.28 In A, Op.101: 2. Lebhaft. Marschmassig. Vivace alla Marcia
Piano Sonata No.28 In A, Op.101: 3. Langsam, und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
Piano Sonata No.28 In A, Op.101: 4. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
Piano Sonata No.29 In B Flat, Op.106 'Hammerklavier': 1. Allegro
Piano Sonata No.29 In B Flat, Op.106 'Hammerklavier': 2 Scherzo. Assai vivace - Presto - Prestissimo - Tempo I
Piano Sonata No.29 In B Flat, Op.106 'Hammerklavier': 3. Adagio sostenuto. Appassionato e con molto sentimento
Piano Sonata No.29 In B Flat, Op.106 'Hammerklavier': 4. Largo - Allegro risoluto

Tracks:

Piano Sonata No.30 In E, Op.109: 1. Vivave, ma non troppo - Adagio espressivo - Tempo I -2. Prestissimo
Piano Sonata No.30 In E, Op.109: 3. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Piano Sonata No.31 In A Flat, Op.110: 1. Moderato cantabile molto espressivo
Piano Sonata No.31 In A Flat, Op.110: 2. Allegro molto
Piano Sonata No.31 In A Flat, Op.110: 3. Adagio ma non troppo
Piano Sonata No.31 In A Flat, Op.110: 4. Fuga. Allegro ma non troppo
Piano Sonata No.32 In C Minor, Op111: 1. Maestoso - Allegro con brio ed appassionato
Piano Sonata No.32 In C Minor, Op111: 2. Arietta. Adagio molto semplice e cantabile

Tracks:

33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Tema : Vivace - Variation I. Alla marcia maestoso
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation II Poco allegro
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation III L'istesso tempo
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation IV Un poco piu vivace
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation V Allegro vivace
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation VI Allegro ma non troppo e serioso
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation VII Un poco piu allegro
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation VIII Poco vivace
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation IX Allegro pesante e risoluto
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation X Presto
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XI Allegretto
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XII Un poco piu moto
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XIII Vivace
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XIV Grave e maestoso
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XV Presto scherzando
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XVI Allegro
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XVII
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XVIII Poco moderato
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XIX Presto
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XX Andante
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXI Allegro con brio - Meno allegro - Tempo I - Meno allegro
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXII Allegro molto alla 'Notte giorno faricar' di Mozart
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXIII Allegro assai
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXIV Fughetta. Andante
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXV Allegro
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXVI
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXVII Vivace
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXVIII Allegro
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXIX Adagio ma non troppo
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXX Andante sempre cantabile
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXXI Largo, molto espressivo
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXXII Fuga. Allegro - Poco adagio
33 Piano Variations In C On A Waltz By Anton Diabelli, Op.120: Variation XXXIII Tempo di minuetto moderato

Tracks:

Piano Concerto No.1 In C, Op. 15: 1. Allegro con brio
Piano Concerto No.1 In C, Op. 15: 2. Largo
Piano Concerto No.1 In C, Op. 15: 3. Rondo. Allegro scherzando
Piano Concerto No.2 In B Flat, Op.19: 1. Allegro con brio
Piano Concerto No.2 In B Flat, Op.19: 2. Adagio
Piano Concerto No.2 In B Flat, Op.19: 3. Rondo. Molto allegro

Tracks:

Piano Concerto No.3 in C minor, Op.37: 1. Allegro con brio
Piano Concerto No.3 in C minor, Op.37: 2. Largo
Piano Concerto No.3 in C minor, Op.37: 3. Rondo. Allegro
Piano Concerto No.4 In G, Op.58: 1. Allegro moderato
Piano Concerto No.4 In G, Op.58: 2. Andante con moto
Piano Concerto No.4 In G, Op.58: 3. Rondo. Vivace

Tracks:

Piano Concerto No.5 In E Flat, Op.73 'Emperor': 1. Allegro
Piano Concerto No.5 In E Flat, Op.73 'Emperor': 2. Adagio un poco mosso
Piano Concerto No.5 In E Flat, Op.73 'Emperor': 3. Rondo. Allegro
Triple Concerto For Piano, Violin And Cello In C, Op.56: 1. Allegro
Triple Concerto For Piano, Violin And Cello In C, Op.56: 2. Largo
Triple Concerto For Piano, Violin And Cello In C, Op.56: 3. Rondo alla Polacca

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Claudio Arrau played with seriousness of purpose that could make other pianists seem like dilettantes and with respect for the composer's score that bordered on veneration. He had nothing but scorn for pianists who played the opening of Beethoven's Opus 111 with two hands instead of one because there were fewer risks. If something was technically difficult, Arrau assumed that the composer had written it that way because the difficulties had an expressive value that it was the interpreter's duty to find.

Arrau's devotion to Beethoven is memorialized by this budget-priced, 14-CD collection of his recordings, mostly from the 1960s, of the composer's 32 sonatas, five concertos (with Bernard Haitink conducting the Concertgebouw Orchestra of Amsterdam), and most important sets of variations. His Beethoven is not always successful. His sometimes ponderous seriousness keeps early works, such as the Sonata No. 3 and the Concerto No. 2, from smiling, and his lack of spontaneity makes the whimsy in Sonata No. 26 and the "Diabelli Variations" sound labored. But in the composer's weightiest works, Arrau can produce revelations. Certainly, no one plays Sonata No. 32 better. The first movement sounds like thunder that comes ever closer and the finale's chains of trills, played with exquisite finish and expressive perfection, transport the listener to a higher realm. If Arrau could be single-minded in his devotion to the composer's score, he also believed that music could encompass everything. When Arrau was at his best--as he frequently is in this set--it does. --Stephen Wigler

Customer Reviews:

The one collection I cannot imagine being without.......2007-01-30

It would be absurd to recommend recommending one Beethoven cycle to the exclusion of all others, yet it is Arrau's cycle to which I repeatedly return, despite some flaws mentioned by other reviewers.

They are flaws which can be forgiven. Scherzi which would be brimming with mirth & vitali