In the Well
On this CD:
1. In the Well, opera
Composed by Vilem Blodek
Performed by Prague National Theatre Orchestra
with Karel Berman, Vojtech Kocian, Libuse Marova, Daniela Sounova
Conducted by Jan Stych
In the Well, Music, Blodek, Stych, Prague Nat'l Theatre Chorus, Classical, Opera / Operetta / Oratorio
Average customer rating:
- the most relaxing classical music in the university
- Relaxing Classical Music
- Stress-freedom
- Greatly enjoy!
- the most relaxing classical music in the universe
|
The Most Relaxing Classical Music in the Universe
Johann Sebastian Bach , Ralph Vaughan Williams , George Frideric Handel , Gustav Holst , Samuel Barber , Edvard Grieg , Jean Sibelius , Antonin Dvorak , Franz Liszt , Charles Gounod , Fryderyk Chopin , Alexander Borodin , Maurice Ravel , Antonio Vivaldi , Satie, Erik , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Most Relaxing Classical Album In the World Ever, Volume II
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ASIN: B00008RH16
Release Date: 2003-04-08 |
Tracks:
- Canon - Pachelbel
- Eine Kleine Nachtmusik-Andante - Mozart
- Fur Elise - Beethoven
- String Quartet #1 - Tchaikovsky
- Clair De Lune - Debussy
- Idyl for Strings - Adagio - Janacek
- Adagio in G Mnor - Albinoni
- The Girl with the Flaxen Hair - Debussy
- Air on a G String - Bach
- Greensleeves - Vaughn Williams
- Largo from Xerxes - Handel
- Prelude in C - Bach
- The Planets - Venus - Holst
- Goldberg Variations - Aria - Bach
- Adagio for Strings - Barber
Tracks:
- Prelude to the Afternoon of a Faun - Debussy
- Fur Elise - Beethoven
- Holberg Suite - Sarabande - Grieg
- Valse Triste - Sibelius
- Concerto in F Minor - Largo - Bach
- Serenade for String - Moderato - Dvorak
- Liebestraume - Liszt
- Ave Maria - Bach/Bounod
- Etude in E Major - Chopin
- String Quartet No 2 - Nocturne - Borodin
- Arabesque - Debussy
- Pavane for Dead Princess - Ravel
- The Four Seasons - Largo - Vivaldi
- Gymno0pedie 1 - Satie
- Moonlight Sonata - Adagio - Beethoven
- Piano Concerto No 21 - Andante - Mozart "Elvira Madigan"
Customer Reviews:
the most relaxing classical music in the university.......2007-05-12
All my favorites. I can start the CD player, which is wired to speakers in every room of my house, and just let it play, along with "The Most Relaxing Classical Music in the World" and "The Most Relaxing Classical Guitar in the World." I enjoy an awareness of familiar and beautiful strains of my favorites all day long and never get tired of it.
My brother visited me recently and noticed it right away. That will be another order for this fabulour music.
Relaxing Classical Music.......2007-01-08
I was not really a classical music fan but I am now. I purchased this cd for my 14 year old grand-daughter, not knowing we would both enjoy the music so much. She has always enjoyed classical music along with all of the other teen music, rap, rock, country, etc.
Also, it really helped being able to listen to parts of the music before purchasing.
Stress-freedom.......2006-03-14
Perfect music to end the work day. After listening to this I can face the evening. If the morning is hard, a little at lunch time gets me through the afternoon.
Greatly enjoy!.......2006-02-23
I first developed a taste for this music a number of years ago when my daughter started playing in the orchestra. The reason I made this purchase however, was because I have a great deal of difficulty with anxiety and I was looking for ways to find help. I love these CDs. It helps so much to sit and close my eyes and enjoy the music. The CDs are full of beautiful music.
the most relaxing classical music in the universe.......2005-09-21
it's the best next to the first one...
Average customer rating:
- Beautiful music
- Andrea Bocelli-Sacred Arias
- An "experience" of sacred arias more than "listening" of sacred arias
- amazing talent
- Perfect arias for the perfect voice
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Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli
Manufacturer: Philips
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- Romanza
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ASIN: B00002ND9N
Release Date: 1999-11-09 |
Tracks:
- Caccini/Mercurio: Ave Maria
- Mascagni: Sancta Maria
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Rossini: Cuius animam
- Verdi: Ingemisco
- Mozart: Ave verum
- Wagner: Der Engel
- Handel: Ombra mai fu
- Niedermeyer: Pieta signore
- Rossini: Dominus Deus
- Schubert/Mercurio: Mille Cherubini in coro
- Gruber/Mercurio: Silent Night
- Wade: Adeste Fideles
- Gloria a te, Cristo Ges
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May
Customer Reviews:
Beautiful music.......2007-01-12
This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.
Andrea Bocelli-Sacred Arias.......2006-08-25
Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.
An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28
I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.
amazing talent.......2006-03-25
worth the price the songs are breathtaking and talent is indescribable
Perfect arias for the perfect voice.......2006-03-04
These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.
I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?
Average customer rating:
- Jaques Brel still lives
- Fabulous Show
- Jacques Brel lives on through English Translation of his songs
- A Little Night Music....
- Fine Singer / Actors Do Brel Justice
|
Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)
Jacques Brel , Ocr , Elly Stone , and Mort Shuman
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B000067AS5
Release Date: 2002-05-28 |
Tracks:
- Marathon
- Alone
- Madeleine
- I Loved
- Mathilde
- Bachelor's Dance
- Timid Frieda
- My Death
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- Desperate Ones
- Sons Of.
- Amsterdam
- The Bulls
- Old Folks
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- The Middle Class
- You're Not Alone
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- Carousel
- If We Only Have Love
Amazon.com
At the time of this show's 1968 Greenwich Village debut, French singer-songwriter Jacques Brel's body of theatrically insightful ballads was already an obscure but deeply influential treasure trove for many American musicians. The revue's success would go on to influence artists as diverse as Leonard Cohen, Bowie (who covered "Amsterdam" shortly thereafter), and Sinatra, and it may even be responsible for one-hit wonder Terry Jacks's revival of "Seasons in the Sun".
More important, the pioneering musical-without-a-book helped introduce Brel's oft-brooding, ever evocative art to a wider American audience--and arguably had an evolutionary influence on Broadway itself. This complete reissue of the 1968 boxed set cast album offers up a rich cross-section of Brel's songs about life, death, and love--and typically sharp-eyed observations about the human follies that season them--deftly performed by a cast that includes Elly Stone, Alice Whitfield, Shawn Elliott, and, crucially, rock pioneer, Brel associate, and co-producer Mort Shuman. This new edition fleshes out the set with the sessions' only unreleased song, a sprightly take on the deliciously cynical "The Middle Class." --Jerry McCulley
Customer Reviews:
Jaques Brel still lives.......2007-04-02
The CD of the original cast is still fresh and still gives Brel's music the most fitting rendition
Fabulous Show.......2007-02-22
This compilation of Brel's songs remains one of my favorite musicals. I would recommend it to everyone!
Jacques Brel lives on through English Translation of his songs.......2007-02-12
Although I've never heard but one Jacques Brel song in French (song by he, himself on the DVD - which is a MUST BUY), I heard this "album" shortly after it came out, in the early 70's. My dad got me turned on to this music and it's stayed with me all these 40+ years. This is very special music to me and I'm thrilled to have both the CD and the DVD.
A Little Night Music...........2007-01-23
I can't explain why I might review this...it's been a long while since listening. Yet it was a show that was transformative obviously not just for me. I'm thinking Bowie and other thoughts that way...and it shaped my hopes and dreams and now, older and not so well, I listened to this tonight at 2AM, not sleeping again, recalling how I heard it then, how I hear it now.
I had a good friend who was in the show for one summer, maybe 79 or 80. Just a sad staging in a little town in Appalachia trying on some Paris. We had a dinner theater in our town, which meant an old building , some tables, small area and a stage kind of and some curtains. Rather ambitious for the town, they staged summer shows of Brel. And other things too, finally. My girlfriend as she often did hooked me into her evenings and I made drinks there as well as gave a few musical efforts and some easily forgotten attempts at choral support. On nights someone didn't show. You actually also made the food and sang the show, in those days for your audience, who tended to tip fairly poorly and be the local lawyers and med school doctors dragged out by wives seeking a cultural night of dinner theater. It was a kind of starving kids for ten bucks sing, act, cook, serve vodka/tonics, smoke and tell you the story of Boheme life while mixing blue cheese from packets of powder and creme in a frenzy preparing to figure out who plays the piano well enough as the player won't being pissed over low wages and a remark made about his big derrière. That kind of a summer. Songs probably wasted on the young.
All that said, it was/is a lovely collection of songs. Even better an experience when you learn and sing the French and can then argue incessantly about the translations and "feel" of the shows on two continents. I loved then to sing them, and find a tune floating in my head tonight from no where-just there- when "No. Love You're Not Alone" actually woke me. The American film was awful, the show best seen in revival and smoky nights in clubs. Then, in 1980 or so, it made my life richer, it's probably a good thing Susanna was such a friend...though I didn't understand, we dragged ourselves to a lot of meaning.And that rather odious experience in the Bahamas.
I think this worthy of time and listening. And a big moon would be cool, to walk on the shore and hear it once more. Think I'll slip out awhile.
Fine Singer / Actors Do Brel Justice.......2007-01-15
In 1966, an American producer named Nat Shapiro introduced Eric Blau to Mort Shuman. Five years earlier, Mr. Shapiro had introduced Mr. Blau and his wife, Elly Stone, to the songs of Jacques Brel. After hearing a recording of one of Brel's concerts, Elly Stone informed her husband that Brel was the greatest songwriter of the 20th century, and she induced him to be the very first to translate Brel into English. Shortly thereafter, Elly Stone premiered Brel's love song, Ne me quitte pas (Don't Leave Me) to American audiences in the off-Broadway revue, O Oysters, along with the first English Brel translation, Carousel, showcasing Brel's melody for La valse a mille temps (The Waltz A Thousand Times As Fast) and loosely translated lyrics.
Unbeknownst to them, about the same time Elly Stone heard her first Brel recording, Mort Shuman was undergoing something of a revelation across the Atlantic. In the midst of a successful career writing rock and roll songs (including hits for Elvis Presley, and the ubiquitous teenage anthem, Save The last Dance For Me), Mort Shuman had been wandering restlessly around Europe, and came to settle for a time in Paris. There, he became acquainted with Brel's music, and, later, with the man himself, and the two became close friends. Shuman convinced Brel that he should be allowed to translate some of his better-known songs into English, and bring them to America. More on the strength of their friendship than Shuman's reputation as a songwriter, Brel agreed, but a problem soon emerged. Although Shuman had mastered French surprisingly well, he was finding the task of translating Brel's songs quite daunting. After several attempts, Shuman found his English versions sorely lacking. He realized that it was not only that he had become too enraptured with Brel's work to find the objectivity required to do them justice, but it also became apparent that Brel's songs reflected too much of the French philosophy and politics to appeal to an American public largely besotted on syrupy, trite love songs.
Shuman returned to America, vowing to find a way to introduce Brel's songs to an English speaking public. By this time, Nat Shapiro had heard Elly Stone perform Eric Blau's first translations of Brel, and wanted more. In November 1966, Nat Shapiro persuaded Mort Shuman to hear Elly Stone perform at Julius Monk's Plaza 9, despite Shuman's reluctance, which derived from his belief that only a male singer could do Brel justice. At a table with Shapiro and a very nervous Eric Blau, Shuman applauded politely. "She's good", he told Blau, "the translations are real good". It must have rankled him somewhat that it was Blau and not Shuman who first successfully translated Brel to English.
Nat Shapiro also had the idea for the perfect venue to introduce Brel to America - an off-Broadway show. Not exactly a revue, since that implied that the songs had been heard before, what eventually took shape was the first "libretto-less" musical, Jacques Brel Is Alive and Well and Living in Paris. In addition to Elly Stone and Eric Blau's enthusiasm for Brel's music, Elly's amazing talent had won Shuman over and convinced him to work with Blau on the translations. Two years later, their labor of love finally introduced Brel's songs to an American public that was as ready for Brel, as Brel's songs were ready for America.
I am somewhat puzzled by the negative reviews by those who insist that Brel's songs can never be appreciated in anything but the original French. When Eric Blau realized, as Mort Shuman had earlier, that Brel's songs could never be translated exactly to American English (steeped as they were in French life and politics), they agreed to go for the next best thing. They opted to translate Brel's songs as closely as they could, but, when this was not possible, they kept Brel's melodies while attempting to retain the spirit of his writing, if not his actual words. What resulted were often very good translations indeed. One only has to compare the French text of songs that became Jackie, the Old Folks, Brussels, the Middle Class, Madeleine or Amsterdam to realize that, for the most part, the narrative and spirit (and sometimes even the lyrics) closely matched Brel's originals. Two additional translations, Song For Old Lovers and My Childhood, which also resembled the originals, were recorded by Elly Stone on her (now very rare) self-titled Columbia album. Miss Stone also recorded Goodbye My Friends for her second album, which was arguably a superior version of Brel's Le Moribond than the dreadful version by Rod McKuen, Seasons In the Sun.
In other cases, the translations altered Brel's songs in such a way as to make them more palatable to American tastes, while retaining Brel's concept. Thus, Jef, a song in which a man tries to cheer up a drinking buddy who has lost a great love, becomes a love song, in which one partner attempts to bolster the melancholy spirit of their beloved. In fact, some would argue that the beautiful prose of No Love You're Not Alone not only equals the poetic imagery of Brel's original lyrics quite adequately, they are actually an improvement. Conversely, When We Only Have Love was transformed from a love song to an anthem for brotherly love, yet did not destroy Brel's concept or his "poetry", but successfully built on it. Brel, by the way, often pointed out that, in his culture, it would be unforgivably vain for a songwriter to compare himself to a poet. To the French, poetry is not only a much higher art form than songwriting, Brel did not consider songwriting an art at all, but merely "a craft". All told, there are, in fact, only a few songs in this show where the lyrics, content, spirit, tone and / or subject matter were completely altered from Brel's originals.
When the show premiered in Canada, the creators were terrified that they would be taken to task by the French Canadian press for daring to present Brel in English there, as Brel is highly prized in Canada. Instead, it was the English Canadian press who savaged the show. But the French Canadian journalist, Rudel-Tessier (a bi-lingual writer, quite familiar with Brel in French) stated flatly that, although in translating the work, some of Blau / Shuman went in and some of Brel came out, he found it marvelous to have Brel in English at all. And, he gently chided his peers by pointing out that, while Shakespeare is quite popular in French, the Bard will never be quite the same in French as he is in English. So, to those who say you cannot appreciate Brel's songs in anything but French I reply, this show was written for those who never have, and never will, understand a single word of French. Does anyone really think that those who only speak French should be deprived of Shakespeare?
Even if none of this were true, I would like to point out that Jacques Brel himself, armed with exact French translations of the English lyrics, personally approved every song that was written for the show before the decision to produce it was finalized.
Besides, the passion and reverence that these performers feel for Brel and this material is evident in every song, and to those who claim that this show is an insult to Brel, I answer that it's an insult to the efforts of this fine cast to suggest that they had anything but his best interests at heart, and, as someone who is quite familiar with Brel in French, I believe they succeeded brilliantly. And as fine a songwriter as you can argue that Brel is in French, well, Elly Stone is equally as fine a singer in any language, and I bemoan the fact that she virtually squandered the balance of her career championing Brel's work, when she could have made a major name for herself, based solely on her own talent. Having seen Elly Stone perform live many times (in and out of this show), I will attest to the fact that, in her prime, she had the most impressive voice I have ever heard in a concert hall.
And in the end, it was Brel himself who gave the supreme complement to this effort. At one point, Eric Blau fretted when, in order to more closely translate Brel's lyrics to la Mort (My Death), he and Shuman had to alter Brel's melody. When they sent the new song to Brel, he responded, "You have improved it; it's better than mine". A year after the show opened, Brel flew in to New York to see it. That night, he led a standing ovation for the performers, and modestly told Blau and Shuman repeatedly that they had not only exceeded his expectations, in many instances, they had improved his work. He also told Elly Stone that she was, "the finest lady performer" he had ever seen (including Piaf, whom she was often compared to unfairly) and he told her that he wanted to write new songs specifically for her. Unfortunately for us, he never had time, but it was a testament to her talent and artistic integrity that Brel offered.
And if Brel himself was pleased with the translations featured in this glorious production, why should anyone quarrel with that?
Average customer rating:
- This should never have worked at all
- A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS
- Chess
- One of my favorites!
- Concepts get better with practice
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Chess
Bjorn Ulvaeus , and Tim Rice
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Similar Items:
- Chess (1988 Original Broadway Cast)
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ASIN: B000002GLR
Release Date: 1996-07-23 |
Tracks:
- Merano - The Ambrosia Singers/Anders Eljas/Murray Head
- The Russian And Molokov/ Where I Want To Be - The Ambrosia Singers/Anders Eljas/Tommy Korberg/Denis Quilley
- Opening Ceremony - The Ambrosia Singers/Anders Eljas/Bjorn Skifs
- Quartet (A Model Of Decorum And Tranquility) - Elaine Paige/Tommy Korberg/Denis Quilley/Bjorn Skifs
- The American And Florence/Nobody's Side - Elaine Paige/Murray Head
- Chess - LSO/Anders Eljas
- Mountian Duet - Elaine Paige/Tommy Korberg
- Florence Quits - Elaine Paige/Murray Head
- Embassy Lament - Tommy Korberg/The Ambrosia Singers/Anders Eljas
- Anthem - Tommy Korberg
Tracks:
- Bangkok
- One Night In Bangkok
- Heaven Help My Heart
- Argument
- I Know Him So Well
- The Deal (No Deal)
- Pity The Child
- Endgame
- Epilogue: You And I / The Story Of Chess
Amazon.com
Chess is a musical that sounds like it shouldn't work but instead succeeds surprisingly well. This is the original concept album that was recorded before the musical was staged in London. Chess is the story of a love triangle told against the backdrop of an international chess tournament during the height of the cold war. The composers are Benny Andersson and Bjorn Ulvaeus (the Bs in ABBA) and the lyrics are by Tim Rice, who supplied the words for Andrew Lloyd Webber's Jesus Christ Superstar and Evita, as well as Disney's Aladdin (with Howard Ashman), The Lion King, and Beauty and the Beast. The six-member cast does a beautiful job with the songs, which are a combination of ballads, rock, and operatic choruses. Murray Head's version of "One Night in Bangkok" became a surprise hit in the mid-'80s and it still turns up on the turntables in dance clubs around the world. --Michael Simmons
Customer Reviews:
This should never have worked at all.......2007-06-18
And on that basis alone, you've got to cut it some slack. Fortunately, not all that much slack turns out to be necessary.
While "Chess" may be a document of an era that no longer exists, there's a lot more going on than the surface metaphor. It holds up very well indeed. When it aims for humor, it generally succeeds, and likewise when it aims to devastate. What more can you ask for?
A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS.......2007-03-04
`Chess' is a musical that should be counted among the best of what the 1980-is had produced: side by side with `Cats', `The Phantom of the Opera', `Les Miserables' or `Miss Saigon'. The score as heard on this concept album, written by Björn Ulvaeus and Benny Andersson (formerly of ABBA) and with the exceptional lyrics written by Tim Rice, stand proof to this. And yet, due to various reasons, like the changing of the director half way through London staging; a heavy rewrite for Broadway and a pan review from Frank Ritch (a.k.a. `The Butcher of Broadway'), `Chess' seems to be unjustly neglected.
This concept album is the main reason why the show has so many ardent fans until this day. Tim Rice wanted to write the show with the main plot revolving around chess for years and after his long time partner Andrew Lloyd Webber remained uninterested, he found the new collaborators in Ulvaeus and Andersson. The subject matter follows two international chess players in a championship, a Russian (Tommy Körberg) and an American (Murray Head) and a woman called Florence (Elaine Paige) who is a manager to the American but falls in love with the Russian. The story also draws a parallel between the game of chess and the cold war/real life situations.
This concept album was recorded in 1984, two years before the original London production took place. As the authors noted in the accompanying booklet, it was a work in progress and thusly the story is not quite readable here from the musical numbers alone. Despite that fact (which is amended by the synopsis included in the booklet), this album remains a winner. The score (played here by the London Symphonic Orchestra) itself makes an intriguing bland of the famous ABBA sound, the classical; the rock and the pop enhanced by the orchestral solo passages and the strong choral parts. The lush orchestrations add an epic touch to it and on the whole it is melodic and hummable, packed with great tunes. Some of the songs achieved huge success outside the musical: `I know him so well', a duet between Elaine Paige and Barbara Dickson, held the number one spot on the UK singles charts for 4 weeks in February 1985 and won Ivor Novello Award as the Best Selling Single; Murray Head's `One night in Bangkok' became one of the biggest dance hits of its time, often heard today. Some other notable tunes include `The Anthem' (Russian's deliberation on his homeland); the soaring rock songs `Where I want to be' and `Pity the child' (in the former, the Russian reflects upon his life under the spotlight; in the latter, the American ponders about his own unhappy childhood) or the gentle `Heaven help my heart' (in which Florence weighs up her relationship with the Russian).
A special reference must be made to Tim Rice's excellent lyrics. With `Chess' he managed to keep up to the high standards he set himself in `Jesus Christ Superstar' and Evita'. Again in this case he shows he is a lyrical wizard, with his familiar cynical touch. `The story of chess', in which he gives a history of the game in a couple of crafty verses, is a pure masterpiece. The same can be said of the song `I know him so well', where the two women reexamine their relationship with the same man. As a whole, `Chess' owes a lot of its appeal to Tim Rice's written word.
The cast on this album ranks the high standard of the material. The principal parts (sung by Elaine Paige, Tommy Körberg and Murray Head) are delivered in a strong and impeccable fashion.
This 2-disc edition comes with a booklet containing a note from the authors, a text about chess, a full synopsis and a libretto, together with the photos of the principal singers.
Anyone interested in the modern musical theatre should find `Chess' to be a great score with great lyrics, which should be enough to satisfy any aficionado.
Chess.......2007-01-15
A magnificent musical, i have enjoyed the music since i first heard it and read the storyline. Had been unable to find it in our local music stores.Very pleased to find it on your site.
One of my favorites!.......2007-01-12
I love "Chess"! I still remember the first time I heard the single "One Night in Bangkok" on my car radio. I thought it was so unusual and so very cool, so I tracked down the album and bought it. Then I taped it onto a cassette, which is what I've been listening to for years, so I finally broke down and got it on CD. Of course, it's on my iPod now. I've seen the musical, and I loved that, too.
Concepts get better with practice.......2006-11-27
I love this show! That said, I do not care for this version of it. The inclusion of the word "concept" in the title means it is just that. This was, thankfully, not the final version of the show that would later spawn the hit song, "One Night In Bangkok".
With most Broadway musicals, the musical numbers tell the basic story of the show. If you listen to the recordings of Phantom, Mama Mia, Beauty and the Beast, you can discern the basic storyline of the show. Listening to this particular recording of Chess, though, will leave you wondering "What was that?" The Broadway arrival of Chess saw a much needed reworking of the storyline and arrangement of the musical numbers. This recording seems too much like a mish-mash of songs that don't really relate to each other.
For musical fanatics (like myself), I say "yes, you should have this recording in your collection", if only to understand how much work went into the show before it opened on Broadway.
If you are only buying the album because of "One Night In Bangkok", purchase the Broadway recording instead; you'll be much happier with the performance by Phillip Casnoff rather than Murray Head.
Average customer rating:
- Yo-Yo Ma and Bobby McFerrin
- Yo-Yo keeps on experimental
- This is no "Don't Worry, Be Happy"
- Excellent CD!
- My 1st introduction to Bobby McFerrin (3.5-4 stars)
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Hush
Manufacturer: Sony
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ASIN: B0000027VR
Release Date: 1992-01-28 |
Tracks:
- Grace
- Concerto In D Minor For 2 Mandolins: Andante
- The Legend Of Tsar Saltan: Flight Of The Bumblebee
- Stars
- Hush Little Baby
- Vocalise
- Notebook For Anna Magdalena Bach: Musette
- Coyote
- Sonata For 2 Cellos: Allegro prestissimo
- Ave Maria
- Hoedown!
- Orchestral Suite No. 3: Air
- Good-Bye
Amazon.com
The idea here was to put two masters together--one classical cellist, one improvisational singer/sound-effects performer--and voilà! instant amazing, unique, hip--and, hopefully, hit--record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians' good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin's impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma's highly refined, formalized musicianship. Originally planned as a disc for children, Hush goes far beyond its initial premise, with each of the 13 tracks demonstrating these musicians' unique gifts and showing that, whether it's Vivaldi or jazz, it's all music and it's all a lot of fun. --David Vernier
Customer Reviews:
Yo-Yo Ma and Bobby McFerrin.......2007-05-12
This CD is one of my favorites. I give it away and buy another. Playful and fun as well as great music. It never fails to make me laugh. A joy. If you aren't a little silly, don't bother. Kids love it, too.
Yo-Yo keeps on experimental.......2006-03-04
One of the best parts of a genius is to try out of his layers. In this case Yo-Yo tried to go out from the classic, and with a very good singer, in a easy say, as Bobby. They make a very special music between classic and jazz, with some elements of pop.
It's an incredible fusion of strings and vocal strings, in some moments it is not possible to separate them, some times is like a big keyboard directed by a single musician. In a word, they experiment, and the result was incredible.
This is no "Don't Worry, Be Happy".......2005-10-23
Have never been a big Bobby McFerrin fan, probably due to that god-awful, "Don't Worry, Be Happy." But I am a classical music junkie and one day listening to our local classical station I heard a selection that I thought was the most beautiful thing I had ever heard. What a shock when I learned that it was McFerrin and Yo-Yo Ma doing Vivaldi's Andante!
Honestly, I could do without the non-classical pieces on this CD...although I enjoy them.
But the classical interpretations are some of the most heavenly, wonderful, beautiful, awe-inspiring things that I have ever heard, on any CD, in any genre! Yes, that good!
McFerrin uses his voice as the perfect instrument and accompanient to Ma's cello. They were made for each other.
Listen to the samples of the classical pieces if you're a doubter...
Excellent CD!.......2005-09-22
While I admit to being a newbie in my connoisseurship of the classical music genre, not only do I think that this disc is a good collection of some of the best classical music ever written, it is actually FUN sometimes, with silly bits thrown in by Bobby and Yo-Yo Ma every now and then! These guys make great music and have a great time making it.
Bobby uses his voice as a fantastic sounding 'instrument' to sing notes much like an instrument playing a duet with Yo-Yo; sometimes his voice sounds so much like a real instrument that you even forget that you are hearing vocals--I don't even know what other vocalist could pull this off. It is a fascinating experiment. I recommend it highly!
My 1st introduction to Bobby McFerrin (3.5-4 stars).......2005-05-29
I think I kinda heard this back in elementary school (maybe like in the 2nd, 3rd, 4th grade or so, I get kinda mixed when I say that), it's like sumthin I never heard be4, A guy who sings, scats and does it all goes by the name Bobby McFerrin and a cellist by the name of Yo Yo Ma. I'd have follow thru his work as a cellist/string player from various TV apperances, shows, movies, etc. and he does sounds good 2 this day, believe me.
Anyway as I was gonna say this was the 1st album I got introduced a bit by Bobby McFerrin. Not SIMPLE PLEASURES nor SPONTANEOUS INVENTIONS. Just this 1. I hope to hear more from him and collect all of his albums incl. Yo Yo Ma's. They still sound good. No doubt.
Average customer rating:
- I hate to be rude, but . . .
- Outstanding
- Sacred Songs
- My favorite of Fleming's CDs so far
- Inspiring and beautiful
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Sacred Songs
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- HOMAGE: The Age of the Diva
ASIN: B000AM6OXK
Release Date: 2005-09-27 |
Tracks:
- Ave Maria
- Jesu bleibet meine Freude
- Dank sei dir, Herr
- Ave Maria, D839
- Laudamus te
- Panis Angelicus
- Air: "He shall feed his Flock"
- Simple Song
- Pie Jesu
- Domine Deus
- Laudate Dominum omnes gentes
- Air: Rejoice greatly, o daughter of Zion
- Abends will ich schlafen gehn
- L'Adieu des bergers
- Mariiegenlied, Op.76/52
- Amazing Grace
Amazon.com
This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine
Customer Reviews:
I hate to be rude, but . . ........2007-05-06
As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!
Outstanding.......2007-03-07
I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.
Sacred Songs.......2007-01-21
I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style
My favorite of Fleming's CDs so far.......2006-12-07
There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.
Inspiring and beautiful.......2006-07-20
I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.
Average customer rating:
- nice to remember
- It is amazing!!!
- The best Latin music I've heard
- 60's and the Latin Mass
- Latinlover
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Catholic Latin Classics
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Similar Items:
- Latin High Mass for Nostalgic Catholics
- Salve Regina: Gregorian Chant
- Treasured Hymns of the Church/ Catholic
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ASIN: B00004YRAW
Release Date: 2000-10-17 |
Tracks:
- Ave Maria
- O Salutaris Hostia
- Panis Angelicus - John Eskola
- Tantum Ergo
- Ave Maria - Lorelei McDermott
- O Sanctissima
- O Bone Jesu
- Ave Verum Corpus
- Jubilate Deo
- Confirma Hoc Deus
- Adoro Te, O Panis
- O Esca Viatorum
- Veni, Jesu, Amor Mi
- Emitte Spiritum Tuum
- Adoremus In Aeternum - William Combs
- Ave Maris Stella
- Regina Caeli Laetare
- Adoramus Te, Christe - The Cathedral Singers/Richard Proulx T
- Tantum Ergo
- Ecce Sacerdos Magnus
Customer Reviews:
nice to remember.......2007-01-04
Takes my husband & I back to the 60s........not a bad memory......
It is amazing!!!.......2006-11-10
I am very happy with my purchase. This item is better than what I was expecting. It was amazing how fast I received my order, I highly recommend it and hope that more people order it.
The best Latin music I've heard.......2006-04-18
The music in this CD is done beautifully! If features "Panis Angelicus", which if you like Charlotte Church singing it, you will like this- with a man's voice! There is no goofy revisions and modernization done to the music that I can tell. (I only say that in case some smart 15th century music history scholar comes around and disagrees!) It is very peaceful and will help anyone to calm down and give thanks to God. I think because the music is in Latin you will not grow tired of it as easily, and not to mention the fact that this music will continue to inspire you and put you in the presence of Christ better. OHHHHH!!!!!!!!!!! How I wish we were singing this sort of Latin music instead of "All our Welcome" and "Sing a new Church"! Let's keep the same Church Christ established thank you! And let's keep the Latin!!!!!!!
60's and the Latin Mass.......2006-03-15
I am one of those 60s people. We did not throw out the Latin mass. Why would we? We liked it. I served most of the high masses of the holidays. It was a small cabal of newly ordained priests and bishops in the Vatican II committees who threw it out. They wanted to be more like their Protestant bretheren; have the congregation face them instead of God. Read the book MISSING MARY while you are listening to this CD. They threw her out at the same time; no women in high places - their answer to the feminists of the 60s.
Latinlover.......2005-12-18
As a devoted lover of Catholic Latin hymns, I was disappointed at the enemic presentation of these beautiful hymns to God. I believe that the singers had the best of intentions but I would suggest to look for other versions of these wonderful songs to heaven.
Average customer rating:
- A Beautiful, Relaxing Project
- It just cannot be the end for Charlotte's classical career! :(
- Charlotte Church
- Somewhat decent but still mediocre
- R&B For Charlotte
|
Prelude: The Best of Charlotte Church
Charlotte Church
Manufacturer: Sony
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Similar Items:
- Enchantment
- Voice of an Angel
- Charlotte Church
- Tissues and Issues
- Dream a Dream
ASIN: B00006LFGG
Release Date: 2002-11-26 |
Tracks:
- Pie Jesu from Requiem
- My Lagan Love
- In Trutina (from Carmina Burana)
- Panis Angelicus
- Amazing Grace
- Just Wave Hello
- La Pastorella (The Little Shepherdess)
- She Moved Through The Fair
- Ave Maria
- Dream A Dream (w/ Billy Gilman)
- The Flower Duet
- Haba
- The Prayer (w/ Josh Groban)
- All Love Can Be
- It's The Heart That Matters Most
- Tantum Ergo
- Bridge Over Troubled Water
- Sancta Maria
Amazon.com
Need more evidence of the record industry's obsession with youth? Consider that budding Welsh diva Charlotte Church was a ripe, old 16 when this, her first greatest-hits anthology was released. Spanning her first four releases, as well as some outside collaborations and unreleased material, this 18-track collection underscores the soprano's seemingly boundless potential--as well as some potential career obstacles ahead. Her crystalline, still-maturing voice is best showcased on classically oriented works like Andrew Lloyd Webber's "Pie Jesu," Franck's "Panis Angelicus," and her now-ubiquitous rendering of Delibes' "Flower Duet." She also excels on folk traditionals such as "She Moved Through the Fair" and "My Langan Love." But overwrought productions like the already-dated "Dream a Dream" and "Habanera," a faux-flamenco take on Bizet, nearly get the best of her. Still, her promising duet with fellow young phenom Josh Groban on "The Prayer" and her mature, dreamy reading of A Beautiful Mind's "All Love Can Be," as well as strong performances on the previously unreleased "It's the Heart That Matters Most" and "Bridge over Troubled Waters," are ample evidence of her potential for rewarding pop crossover--if she doesn't retire by 21. --Jerry McCulley
Customer Reviews:
A Beautiful, Relaxing Project.......2007-06-15
My only other experience with Charlotte Church was seeing part of a PBS special on her, where she sang songs like "Some Enchanted Evening". I actually enjoy her voice on this style of music.
I love her rendition of "Amazing Grace". She also did good on covering "Bridge Over Troubled Water", though I was disappointed she didn't try the high note on the verses as Garfunkel did. My favorite on the project was "It's the Heart That Matters Most".
If I want some beautiful sounding music to relax to while I'm working, this would be a very good project for that.
It just cannot be the end for Charlotte's classical career! :(.......2006-08-20
I'm just shocked that Charlotte has decided to end her classical career with this mediocre assortment of her most loved pieces from her other albums! I wish that she had re-sung all of the pieces to make them sound better than ever with her mature voice! To me, it seems disgusting that anyone would want to end their career with a last album that sounds the way this album does!
Her beginning pieces (Pie Jesu, My Lagan Love, In Trutina, Panis Angelicus, and Amazing Grace) were sung at the beginning of her classical career, and you can hear her flat vowels and shaky low notes. You can also hear it in "She Moved Thru the Fair". It's really annoying!
La Pastorella is a beautiful song to sing, and Church masters it beautifully! Just Wave Hello - the Ford Anthem, is also a beautiful piece, with amazing work from the orchestra.
Ave Maria is a complete annoyance! Church lays on the high notes too much, putting too much emphasis on them, and it's an annoyance! Her vowels are also flat on the high notes - I just hate it!
Dream a Dream is a very nice piece, leaning more towards the pop scene. Church still seems to make it work, and I would listen to it all day!
The Flower Duet is a beautiful song, but Church's vocals are strained, which makes it hard to listen to with a smile on your face! It's still beautiful!
The Prayer (w/ Josh Groban) is a very nice piece, originally sung by Celine Dion. She's still a little bit flat here!
All That Love can Be is sung beautifully, completely smooth and connected. The vocals are flawless and have a mezmerizing effect.
It's the Heart that Knows is a pop piece that Church sings with strong vocals. It's just showing us that she's ending her career as a classical superstar!
Tantum Ergo, Bridge Over Troubled Water, and Sancta Maria, are all beautiful pieces!
I am a Charlotte Chruch fan, no doubt, but I really didn't like this album! I still wish that she would stay with opera, but I guess dreams don't come true! I wouldn't advise you to buy this CD - but as long as you have Voice of an Angel, Charlotte Church (the Self Titled Album) and Enchantment, there's no need for this CD!
Sorry Charlotte!
Charlotte Church.......2006-07-29
Love that voice!! This is a great CD and any one who had not heard this young lady sing should buy it and prepare for some musical enjoyment.
Somewhat decent but still mediocre.......2006-06-07
I am well aware of Charlotte's age. However, I am also aware of her amazing vocals and powerful range. But these things don't make you a good singer. Charlotte chose to stick to opera in most of her songs. And face it, not just anyone can do opera.
Charlotte's voice is very well trained - maybe too trained. From a very young age she's been hitting the same notes as Sarah Brightman. But I feel that Charlotte's over-worked and not to mention overdone voice has been declining tremendously.
But I guess none of this really matters now because I haven't heard her do anything classical for a while. If you want to listen to Charlotte now, go find the song 'Crazy Chick.'
If you want to listen to other angel voiced sopranos, I'd go with Sarah Brightman or Renee' Fleming.
R&B For Charlotte .......2006-05-07
If a bird can be annoying as in a Rooster Crowing in the morning, some people will like it. A dog can bark in the nights we sleep, some People will like it. A human voice so light, so vibrated within their own dimensions, people will like it, but not I. I never really saw the beauty of opera, agitating to the ears, just like a Rooster calling on it's hens. With that said, Charlotte needs to turn to Blues Rock or R&B. Yes, Boogie style Blues Rock, she has the voice for it. No matter how many here perceive Opera or know what should sound good, no opera singer could ever sing Blues without a voice and a heart for it. Not One! So why should a girl with soulful music embedded in her, do the same? I say, "it's time to really Rock Charlotte!"
Average customer rating:
- Jacques Brel 2006 production - terrific
- JACQUES BREL AND GAY MARSHALL
- Not the original... better
- Superb
- Well I don't know about the CD...
|
Jacques Brel Is Alive and Well and Living in Paris
Manufacturer: Ghostlight
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Fantasticks
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- Curtains (2007 Original Broadway Cast)
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
ASIN: B000JCETBK
Release Date: 2006-11-21 |
Tracks:
- Le Diable (Ca Va) - Gay Marshall
- If We Only Have Love (Intro) - Gay Marshall
- Alone - The Company
- Jackie - Robert Cuccioli
- My Childhood - Gay Marshall
- Madeleine - The Company
- Timid Frieda - Robert Cuccioli
- Fanette - Robert Cuccioli
- Le Moribond/My Last Supper - Gay Marshall
- Sons Of - Gay Marshall
- Amsterdam - The Company
- Ne Me Quitte Pas - Gay Marshall
- The Middle Class - Robert Cuccioli
- Old Folks - The Company
- Funeral Tango - Robert Cuccioli
- My Death - Natascia Diaz
- Marieke - Gay Marshall
- Song For Old Lovers - Robert Cuccioli
- Next - The Company
- No Love, You're Not Alone - Natascia Diaz
- Carousel - The Company
- If We Only Had Love - The Company
Customer Reviews:
Jacques Brel 2006 production - terrific.......2007-05-19
The 2006 production of this show was excellent, and the CD is also excellent. Some thrilling and some very moving performances by a very talented group of singers.
JACQUES BREL AND GAY MARSHALL.......2007-02-15
I had heard of Jacques Brel, and I knew two songs from the show. But what made me buy the CD was the performer Gay Marshall who I had seen in Las Vegas when she performed the role of DIANA in A CHORUS LINE in the 1980's.
Surprise surprise! She was terrific, of course, and I fell in love with the rest of the show, which I will recommend to community theatres to produce here. I am also buying the DVD---break a leg, Gay! Teri
Not the original... better.......2006-12-11
It should be noted that this is NOT the original, or even a revival (though I believe they call it that). This is a reworking of the original. It has deleted many of the songs from the '60s version, including "Marathon". Now before you wail too loudly, the replacement will knock your socks off: the powerfully rendered "Ca Va" sets the tone with an even darker humor than the original. There are other additions and deletions, but I swear, you won't mind. And you won't have to decide which version is better, because they are different. Also having seen this production (the week before this recording was made), sitting in my living room in Kansas I was transported back to the Zipper Theatre and the magic created by this spectacular cast and their incredibly talented musical director (you hear him singing on the "The Middle Class"). Sit back, close your eyes and enjoy!
Superb.......2006-12-02
I may be slightly biased because i've seen this show with this cast seven times so far, but it is utterly magnificent. the cast album is beautiful and the vocal ranges are spectacular. Each song is a complete story, some dealing with love, despair, anguish, war, ageing, joy and just about all aspects of human emotion.
If you saw the show in the sixties or have the CD from that show, you will totally disregard it after you have heard this cast. These performers are so talented that they are thrilling. You owe it to yourself to experience the joy of this cast album.
Well I don't know about the CD..........2006-10-11
...but the off-Broadway revival of which it's a recording was fantastic. Like unbelievably fantastic. I was raised on Brel (a younger brother was named after him), and this is simply the finest I've ever heard. Buy it, but it, buy it.
Everyone involved should be very, very proud. Kudos!
Average customer rating:
- Truly A Masterpiece!
- Definitive, historical, all-in-one
- Súper Colección
- Walter's best
- Loved It All Over Again
|
Switched-On Boxed Set
Manufacturer: East Side Digital
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Similar Items:
- A Clockwork Orange: Wendy Carlos's Complete Original Score
- Sonic Seasonings + [Enhanced CD]
- The Well-Tempered Synthesizer
- Beauty in the Beast
- By Request
ASIN: B00002DDS5
Release Date: 1999-10-26 |
Tracks:
- Sinfonia to Cantata #29
- Air on a G String
- Two-Part Invention in F Major
- Two-Part Invention in B-Flat Major
- Two-Part Invention in D Minor
- Jesu, Joy of Man's Desiring
- Prelude and Fugue #7 in E-Flat Major
- Prelude and Fugue #2 in C
- Chorale Prelude "Wachet Auf" Bradenburg Concerto No. 3 in G Major
- Brandenburg Concerto #3 in G: I. Allegro
- Brandenburg Concerto #3 in G: II. Adagio
- Brandenburg Concerto #3 in G: III. Allegro
- Brandenburg Concerto #3 in G: II. Adagio
- Brandenburg Concerto #3 in G: Initial Experiments
Tracks:
- Orfeo Suite: Toccata/Ritornello I/Choro II/Ritornello II/Choro II/Ritor
- Sonata in G Major
- Sonata in D Major
- Bourree
- Air
- Allegro Deciso
- Sonata in E Major
- Sonata in D Major
- Bradenburg Concerto #4 in G Major: I. Allegro
- Bradenburg Concerto #4 in G Major: II. Andante
- Bradenburg Concerto #4 in G Major: III. Presto
- Domine Ad Adjuvandum
- Stereo Allignment Tones
- Well-Tempered Experiments
Tracks:
- Badinerie
- Minuet
- Bourree
- Two-Part Invention in A-Minor
- Two-Part Invention in a Major
- Sheep May Safely Graze
- Suite from Anna Magdalena Notebook: Musette in D Major
- Suite from Anna Magdalena Notebook: Minuet in G Major
- Suite from Anna Magdalena Notebook: Bist du Bei Mir
- Suite from Anna Magdalena Notebook: Marche in D Major
- Little Fugue in G Minor
- Bradenburg Concerto #5 in D Major: Allegro
- Bradenburg Concerto #5 in D Major: Affettuoso
- Bradenburg Concerto #5 in D Major: Allegro
Tracks:
- Brandenburg Concerto #1 in F Major: I. Allegro
- Brandenburg Concerto #1 in F Major: II. Adagio
- Brandenburg Concerto #1 in F Major: III. Allegro
- Brandenburg Concerto #1 in F Major: IV. Menuuetto, Trio I, Polocca, Trio
- Brandenburg Concerto #2 in F Major: I. Allegro
- Brandenburg Concerto #2 in F Major: II. Andante
- Brandenburg Concerto #2 in F Major: III. Allegro Assai
- Brandenburg Concerto #6 in B-Flat Major: I. Allegro
- Brandenburg Concerto #6 in B-Flat Major: II. Adagio Ma Non Tanto
- Brandenburg Concerto #6 in B-Flat Major: III. Allegro
Amazon.com
In 1968, keyboardist-composer Wendy Carlos released Switched-On Bach, her bestselling LP featuring baroque music performed on the Moog synthesizer. Carlos intended to spread the gospel of electronic classical music through this quirky release; instead, she sold more albums than Karlheinz Stockhausen could ever dream of, released a few follow-ups, and paved the way for Hot Butter's "Popcorn." Carlos has since become well known for more than just these wacky classical interpretations--she recorded the soundtracks to A Clockwork Orange and Tron and released new works--but the Switched-Ons are the goofy synthesizer recordings that most of us still remember.
No less than Glenn Gould proclaimed, "Carlos's realization of the Fourth Brandenburg Concerto is, to put it bluntly, the finest performance of any of the Brandenburgs--live, canned, or intuited--I've ever heard." We're not sure what he meant by that, but if you have half the enthusiasm Gould did for this music, check out this box set. All four of Carlos's baroque-gone-space-age LPs from the '70s are included here--Switched-On Bach, The Well-Tempered Synthesizer, Switched-On Bach II, and Switched-On Brandenburgs--completely remastered in all their stereophonic glory and containing bonus tracks (the fourth CD is even enhanced for use on your computer). The liner notes weigh in at around 150 pages, filled with photos and background information even on the evolution of Carlos's studio (you get the original LP notes in their entirety, too). The music? It's hilarious, absolutely riveting, and--whether Scarlatti, Bach, Handel, or Monteverdi--played successfully by Carlos and her battery of special effects. For the lover of the eclectic or the classical fan who knows how to let loose, this is a box set to get. --Jason Verlinde
Customer Reviews:
Truly A Masterpiece!.......2007-05-11
This collection is a treasured addition to our music library here at home, in part because I have long been a fan of the artist. Also, because we all enjoy the spin that Wendy puts on many of the classical works of the old masters of music. I heartily recommend this boxed set to any listener who wants to be delighted by the sounds of the Moog synthesizer, played in a masterful way by Wendy Carlos...
Definitive, historical, all-in-one.......2007-03-04
If you've loved the Walter/Wendy Carlos recordings over the years, this is a great way to get them all in one place. If you are at all interested in the production process, this is a _must have_ item.
Some have complained about the discussion tracks at the end of some CDs; I guess I can see how some might find them annoying. For pure ambience, you'll want to program your CD player to not play them, or just rip these CDs and burn a new copy minus those tracks.
One minor complaint I have is that the Brandenburgs are scattered throughout. I don't think it should have been all that bad to just have some of them duplicated. But I do understand the rationale, including them as is on the albums where they appeared individually, and then only putting the rest on the actual Brandenburgs pair of CDs. Personally, I love being able to listen to all the Brandenburgs straight through, so again I just made new versions of CD for my own use with them all together in their original order.
And of course, these days so many people aren't even listening to their CDs on the CD player. The music is ripped and then played using an MP3 player, computer, or similar device. Making playlists for your preferred track arrangements obviates any of the above complaints.
Regardless, I think that the value of having an all-in-one collection of these classic electronic instruments and performances far outweighs any minor issues regarding one's opinion of the choice of production arranagement.
Súper Colección.......2007-01-03
Una joya de arte, en su estuche y con un gran contenido de los primeros volúmenes de esta gran interprete.
Simplemente una gran colección para los fanaticos de Wendy
Walter's best.......2006-06-09
I know record and CD covers have been reprinted to reflect that Walter goes by the name of Wendy now. But this is all his best stuff in one collection. If you never had "Switched-On Brandenburgs Vol. 1 & 2" on LP and didn't get them either on CD back in 1987, then this is your chance to get them along with bits from his other works. Also get his other masterpiece "By Request" and the soundtrack of the movie "A Clockwork Orange". That's all you need if you are a fan of 60's analog synthesizer classical music, which only Walter was doing at that time.
Loved It All Over Again.......2005-08-03
When I heard the first piece from the first album as a young boy, I was completely hooked. I don't think Wendy could have picked a better song to start with. The power and expansiveness of the Sinfonia is surely what Bach must have heard in his head when he wrote it over 300 years ago.
Honestly, some of the music on these albums is so good you may never hear Bach, Handel, or Scarlatti the same way again.
When I saw this boxed set for sale, I purchased it with a little trepidation, unsure if it would live up to my memory of it and not sure what my wife or daughter would make of it. I'm glad I got it, though. It's a wonderful recording and the two bonus tracks are fun to listen to. In fact, I wish CDs had the same "commentary" tracks that DVDs have as I would have enjoyed hearing more about how this recording was put together.
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