Night in Vienna

On this CD:

1. An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314)
Composed by Johann II Strauss
Performed by Berlin Philharmonic Orchestra
Conducted by Erich Kleiber

2. Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437)
Composed by Johann II Strauss
Performed by Berlin Philharmonic Orchestra
Conducted by Erich Kleiber

3. Wein, Weib und Gesang (Wine, Women and Song), waltz for orchestra (with voice ad lib), Op. 333 (RV 333)
Composed by Johann II Strauss
Performed by Berlin Philharmonic Orchestra
Conducted by Erich Kleiber

4. Accelerationen, waltz for orchestra, Op. 234 (RV 234)
Composed by Johann II Strauss
Performed by Berlin Philharmonic Orchestra
Conducted by Erich Kleiber

5. Dorfschwalben Aus Osterreich Waltzes, Op 164
Composed by Josef Strauss
Performed by Berlin Philharmonic Orchestra
Conducted by Erich Kleiber

6. Die Schönbrunner, waltz for orchestra, Op 200
Composed by Joseph Lanner
Performed by Berlin Philharmonic Orchestra
Conducted by Erich Kleiber

7. Der Zigeunerbaron (The Gypsy Baron), operetta (RV 511) Overture
Composed by Johann II Strauss
Performed by London Symphony Orchestra
Conducted by Bruno Walter

8. Die Fledermaus (The Bat), overture to the operetta (RV 503-1)
Composed by Johann II Strauss
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

9. Der Opernball, operetta Overture
Composed by Richard Heuberger
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

10. Der Zigeunerbaron (The Gypsy Baron), operetta (RV 511) Auf auf auf vorbei ist die Nacht
Composed by Johann II Strauss

Conducted by Clemens Krauss

11. Der Zigeunerbaron (The Gypsy Baron), operetta (RV 511) Hurra die Schlacht mitgemacht
Composed by Johann II Strauss

Conducted by Clemens Krauss

Tracks:

Third Man Theme (The Harry Lime Theme) (Original Version)
Anton Karas Second Theme
Cafe Mozart Waltz (Original Version)
Carol Theme
That Dear Old Song (Original Version)
Rendezvous Waltz (Previously Unissued)
Farewell To Vienna (Previously Unissued)
Alt Wiener Tanz In C-Dur
Visions Of Vienna
Danube Dreams
Anton Karas Medley Pt. 1
Anton Karas Medley Pt. 2
Im In The Middle Of A Riddle (V. Kay Arment)
Where Do I Go From You? (V. Kay Armen)
Zither Rhythm Of Anton Karas
Vienna, Women And Song (Later Version)
Cherry Stones
Wo Grunes Kranzel Hangt
Silent Night, Holy Night
Vienna, City Of My Dreams
Vienna, Women And Song (Original Version)
Third Man Theme (Later Version)
Cafe Mozart Waltz (Later Version)
That Dear Old Song (Later Version)
Wenn Der Herrgott Net Will / The Third Man Theme (Brief Reprise)

Customer Reviews:

perfect score for a perfect movie.......2007-02-19

Carol Reed's veteran cinematographer Robert Krasker's quirky angles under Reed's direction perfectly framed the ready-made-for-an-art designer bombed out shadows and stark, isolated street lights of post-war Vienna and its underworld. Unique to cinema history the whole score (but for some canned incidental cafe music) was just the brilliant zither playing of Anton Karas, adding his nuances to every dramatic transition. Krasker won an Oscar, and Karas was nominated.

The "Third Man Theme" (also known as the "Harry Lime Theme") is alternately brittle, jaunty, bittersweet, romantic, wry, and even sardonic piece of music--which fits the mood of the story and the film perfectly -- that, once heard, can't be forgotten.

The "Third Man Theme" turned Anton Karas into a wealthy man after 28 years of toiling in obscurity an relative poverty in Vienna.

One night, Carol Reed was passing by a wine tavern where growers offer their own wines for sale directly, and heard Anton Karas's playing in the background. Reed had never heard a zither before and found the sound to be attractive. He approached Karas and persuaded him to play for him at his hotel, and made a recording, which Reed brought back to the studio to test. He liked the effect when the zither's sound was placed against the recorded dialogue and, ignoring the protests of many around him, hired Karas and brought him to London for 12 weeks.

Anton Karas screened the movie hundreds of times, devising music for each scene. The Third Man ended up with a vast amount of music, scored in virtually every scene of its 104 minutes. Ironically, the piece that became known as the "Third Man Theme" was something that Anton Karas had written two decades earlier and hadn't played in over 15 years. As he later explained to Reed, playing the zither for a whole night for tips was hard work, and one tended to play the easiest pieces the most often, to save the fingers.

Other zither players never got it to sound just right. The truth was that as recorded for the movie, "The Third Man Theme" was one of the first practical examples of overdubbing on a hit record, rivaling Les Paul's work--Anton Karas had gotten just the right effect working underneath Reed's kitchen table, and had gotten the piece just right by recording and mixing more than one zither part.

The Third Man was finished and prepared for release, and Reed and the production company, London Films, tried to raise interest in it through the music. None of the record companies, however, was interested in recording Karas or releasing the "Third Man Theme." The music was too strange and different, and although British movies had produced some soundtrack successes in the past, those were usually more conventional light classical pieces, not a jangly piece of music played on a central European folk instrument.

Pleasant "ethnic" melodies.......2007-01-22

The tunes on this disc have a nice, comforting sound. Some of the selections are haunting, some have a peasant-liveliness. Nothing great or revolutionary, but plain good zither music, very enjoyable.

Third Man & Other Original Records.......2006-11-10

We bought it for a friend. They loved it.

The first man of the zither.......2006-03-10

The CD didn't sound as good as the movie sound track. Ity sounded a bit rushed as if the sampling during the transfer was not sufficient

This is the one you're looking for........2004-04-26

You've been looking for the original version of the music in "The Third Man", right? Every other CD on the market wouldn't work for you. But lucky for you, this is the one! Don't go wrong.

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

The Beautiful Galatea
Light Cavalry
Fatinitza
Bocaccio Marsch
Fortune's Labyrinth
Morning, Noon And Night In Vienna
Jolly Robbers
Queen Of Spades
Gay Blades
Poet And Peasant

Customer Reviews:

Well-recorded, jolly music.......2006-06-19

Yet another Naxos jem. This collection of famous operetta overtures by Austrian composer Franz von Suppe is not only an exceptional value, but the music included is just plain fun.

While his complete operettas are rarely performed, much of the music Suppe wrote for them has become famous, in particular LIGHT CAVALRY (which we've all heard in countless cartoons) and POET AND PEASANT. Suppe's overtures brim with good humor and infectiously catchy tunes; I would challenge anyone not to be uplifted by this recording.

The over-all technical qualities of this album are excellent. Not only does the (very talented) Slovak State Philharmonic play with enthusiasm, but audiophiles will appreciate the roudy brashness of the sound.

excellent value.......2000-05-29

This is an excellent value [...]. The Slovak Philharmonic is quite good. Recording quality is very good. Many of these Suppe' pieces are hard to find. It you like the composer, you will like this recording. Suppe' wrote many operettas and Slovak Philharmonic has recorded several volumes of the Suppe' overtures. I plan to purchase more in the series.

Average customer rating:

Half the tracks are march or played like one
decent for dancing
Recommended
Wonderful selection, but not really dancing music
This Will Keep You Dancing

25 Classical Dance Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

25 Classical Favorites
A Night at the Ballet (Box Set)
Symphony (25) Favorites
Favorite Waltzes
25 Concerto Favorites

ASIN: B0000058IQ
Release Date: 1997-07-01

Tracks:

Blue Danube Waltz
Midsummer's Night Dream: Scherzo
Sleeping Beauty: Introduction
Sleeping Beauty: Adagio pas d'action
Annen Polka
Tales From The Vienna Woods
Turkish March
Bella Bolka Polka
Les Patineurs: Pas de Duex From Les Patineurs
Les Patineurs: Finale From Les Patineurs
Dance Of the Nubian Slave Girls
Samson: Ballet Music From Samson
Entry Of The Gladiators
La Gioconda: Dance Of The Hours
Washington Post
Peaches & Cream
Polovtsian Dances (Extract)
Slavic Dance In G Minor, Op.46 No. 8
Der Rosenkavalier Waltz
Galop (La Vie Parisienne)
Orpheus: Can Can (Orpheus)
Sabre Dance
Gavotta Choro
Faust: Ballet (Extract)
Bolero

Customer Reviews:

Half the tracks are march or played like one.......2007-06-05

This disc reminded me of Leonard Bernstein's conducting: somehow many of his conducting session became marches. Many tracks on this disc is like that. I am a novice when it comes to classical music, so part of allure of this disc was that it contained many titles I didn't recognize, so it wasn't a total loss. I guess I should have read the track listing more carefully... what is Washington Post by Sousa doing on dance compilation?

decent for dancing.......2006-12-31

There are quite a few tracks on here that do well for recital music. THere's different ones from the unoriginal swan lake's and nutcracker..my students loved to hear what came next....it gets better towards the end of the cd!

Recommended.......2005-10-03

For those who would enjoy a fast, fun, and cheerful kind of classical music, I guess this cd is a very good choice. Also, if you want to make your kids a classic music lover, you could start with this fun, lighthearted music.

Wonderful selection, but not really dancing music.......2000-06-27

I agree that this is indeed absolutely beautiful light classical music. It is indeed a perfect beginning to a lifelong passion to have classical music playing in the background or to turn up the volume and immerse yourself in it. But it consists of mostly ballet music, several marches, polkas, an entrance of the gladiators, a gavotte and just to show that he can-can, a delightful little march by Beethoven of all people (Turkish March). Or can you dance to the continuous hypnotic rhythm of Ravel's Bolero? Quite tiring, I would think. Nevertheless, great music at an astounding price. Consider buying all or most of the "25 Favorites" series. You will not regret it

This Will Keep You Dancing.......2000-03-30

If you like to dance and you like classical, this cd is a must have. Who says you can't dance to classical? This CD proves those who think so wrong. Highlights include Tchaikovsky's Sleeping Beauty, Mendhelsson's Midsummer Night's Dream, Gounod's Dance of the Slave Girls and Faust, Dvorak's Slavonic Dance, Offenbach's can-can (yeah!) Katchaturian's Sabre Dance and Ravel's Bolero. All these are excellent. Sousa Marches are here too. You must get this CD if you are a serious lover of the classical. In fact, this was my first Classical CD. Make it a part of your life and dance to the great beats of the classics ! Yeah I'm serious.

Average customer rating:

Fantastic
Famous Overtures
Spectacular
Excellent
The best Overture Album !

Famous Overtures

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Favorite Overtures
Suppe: Overtures

ASIN: B00002MXN4
Release Date: 1999-11-09

Tracks:

Light Cavalry - Suppe
Ruslan and Lyudmila - Glinka
La Traviata - Prelude, Act I - Verdi
Die Meistersinger von Nurnberg - Prelude, ACt I - Wagner
Les Francs-Juges - Berlioz
Le nozze di Figaro - Mozart
Egmont - Beethoven
Oberon - Weber
Academic Festival Overture - Brahms
Pique Dame - Suppe

Tracks:

Morning, Noon and Night in Vienna - Suppe
Il barbiere di Siviglia - Rossini
Prince Igor - Borodin
Carmen - Prelude, Act I - Bizet
Der fliegende Hollander - Wagner
Leonore No 3 - Beethoven
Hansel und Gretel - Humperdinck
Khovanshchina - Mussorgsky
Poet and Peasant - Suppe

Customer Reviews:

Fantastic.......2006-06-30

First of all anything with Sir Solti's name on is worth purchasing. Solti has such a way with interpreting music! If you like overtures this CD is for you. It has the best overtures here in one collection. With orchestras like chicago, london, and the vienna you cannot argue with the performances. There are a few "weaker" ensembles, but when compared with the other ensembles there are few that will not sound weak. Again any work Solti has done is worth purchasing!

Famous Overtures.......2005-08-16

Did not like the way these musical pieces were "interpretted".
Did not like the tempo and in one piece one of the instruments played a portion which I would say they played a flat instead of a natural note. This is based on hearing the same pieces played by someone else, it's just my opinion.

Spectacular.......2003-09-25

Not only does it include some of the most famous overtures, but they are played in such an exciting style, full of life and passion. The Suppe overtures are superior and the Wagner overtures are wonderful as well. There is not a bad point to this recording - highly recommended!

Excellent.......2002-06-11

This is an excellent collection of overtures, especially of Von Suppe's overtures. Solti truly brings out life in these pieces.

The best Overture Album !.......2000-02-28

If you like overtures, here is the album. Never have these been performed so musically and with such excitement. The orchestras involved vary in their abilities, yet the Chicago, Vienna, and London Symphony perfom with style. Solti loves this music and it shows.

Average customer rating:

Divas Of More Recent Years
As an opera lover, or a beginner this is great
Soprano Songbirds In All Their Glory
You too will become "Mad About Sopranos"

Mad About Sopranos

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Mad About Italian Opera
Ten Top Sopranos
Mad about Piano
Mad About Violins
Mad About Bach

ASIN: B000001GKL
Release Date: 1993-07-13

Tracks:

TOSCA: Vissi d'darte
La Traviata: Sempre libera
The Marriage Of Figaro: Porgi, amor
The Tales Of Hoffmann: The Doll's Song
Don Giovanni: Batti, batti
Die Walkure: Du bist der Lenz
Aida: Ritorna vincitor
The Marriage Of Figaro: Venite...inginocchiatevi
Cosi fan tutte: Despina's Aria (In uomini)
The Magic Flute: Queen Of The Night's Vengeance Aria
The Magic Flute: Ach, ich fuhl's
Turandot: Signore, ascolta
Madama Butterfly: Vedrai, piccolo amor
Manon Lescaut: In quelle trine morbide
Manon Lescaut: Sola, perduta, abbandonata
Turandot: Death Of Liu (Tu che di gel)
Don Giovanni: Or sai chi l'onore
Der Rosenkavalier: Final Trio
Die Gotterdammerung: Brunnhilde's Immolation (Fliegt heim)

Amazon.com

Mirella Freni, Kiri Te Kanawa, Edita Gruberova, Katia Ricciarelli, Edith Mathis, Barbara Hendricks, Hildegard Behrens, and more than a fistful more of the world's greatest sopranos sing here some of the world's greatest music, with some of the greatest conductors and orchestras to assist them. This CD is for aficionados and newcomers as well: It's a feast for the ear. Despite the fact that specialists are sure to miss one of their favorites, this should please, entertain, and teach everyone about the glories of those high, sweet, sometimes agile, sometimes dramatically piercing voices that fall under the category of "soprano." From Mozart (a delicious "Ach ich fuhls" from Mathis) to Wagner to Verdi to Puccini (a gorgeous Liu from Hendricks), this is rich. Enjoy. --Robert Levine

Customer Reviews:

Divas Of More Recent Years.......2005-06-18

When I brought this album I assumed the sopranos featured in it would be more classic sopranos of decades past- Maria Callas, Renata Tebaldi, Birgit Nilsson, Leontyne Price, Montserrat Caballe, Joan Sutherland, Beverly Sills, etc. But instead we get a fine collection of soprano arias sung by divas of more recent years. The album feautes such artists as Edita Gruberova- an essentially lyric-coloratura soprano who sings one hell of a Doll Song from Tales of Hoffman is showcased here. Cheryl Struder as Violetta, Edith Mathis as Pamina, Karen Ott as the Queen as the Queen of the Night (Magic Flute) Kathleen Battle as Zerlina from Don Giovanni (Batti Batti)..I'm not thrilled about Miss Battle though her voice, a coloratura miracle, is good, she herself was an unprofessional and terrible diva drama queen with very bad manners. Mirella Freni is gloriously showcased her singing the emotionally moving Puccini heroines- Madame Butterfly and Manon Lescaut. Mirella Freni is a soprano I am very fond of. She had a voice that was flexible so she could sing not only fine Puccini roles as the ones previously mentioned (not to mention her Tosca) but Tatiana in Tchaikovsky's Russian opera Eugene Onegin and the French reperotire- she sings the best Micaela ever from Bizet's Carmen and Marguerite in Gounod's Faust as well as Juliette and Mirelle. It's fitting that Mirella Freni should be here in this album, for she is truly the last great "Italian" diva.

Anna Tomowa Sintow, a dramatic lyric soprano possessing a huge voice, is showcased here as Dona Ana in Don Giovanni singing "Or Sai Che L'onore" in a grand manner. She is also in the Trio with Agnes Baltsa for the richly layered cake of an opera that is Strauss' Der Rosenkavalier. Barbara Hendricks is here, as is Hildegard Behrens and Jessye Norman. These singers were making it big in the 80's and early 90's. I wish they could have made this album bigger. In the 80's there were many singers that were shining as brightly as any of these. For instance, the very neglected Ghena Dimitrova whose voice has to be without a doubt the most powerful ever!! Carol Vanness could have been featured as well, certainly she's a singer harkening to the best of Callas with a big voice as well as lyric subtle beauty.

I wish they could have just showcased sopranos of great allure from past and present. Kiri Te Kenawa as the Countess is fine but she did much more than Mozart- she sang Strauss extremely well. Callas is not here ? Whats' that all about ? She needs no introduction so I shan't comment on her. Anyone who knows opera will never avoid the mention of Callas. Katia Ricciarelli is here but she is singing Aida, something more fitting for the voice of Leontyne Price who did the best damn Aida ever. If only they could have featured her in this. Ricciarelli was much better as Tosca, Queen Elisabeth Valois in Don Carlo, Desdemona in Otello, or Luisa Miller- her voice is big but very lyric. And for an album of newer divas where is Renee Fleming ? Enough said. But not a bad album really.

As an opera lover, or a beginner this is great.......2004-04-03

I love opera and confess to being a soprano junkie. Even so, this is an impressive CD. I have a lot of opera in my collection, but this is one of the CDs that I reach for over and over again. This is a delightful confection, every track a joy. If you haven't liked opera before, this CD could convert you. If you love opera, you will be ecstatic. I would consider many of the tracks on this CD to be the definitive versions of the songs. Track 4 - The Doll's Song, is by itself worth the price of the CD, and started a love affair for me with Edita Gruberova that contines to this day. Track 2 - Sempre Libera is the best version of this very famous aria that I have ever heard. Track 10 - Otts Queen of the Night's Vengeance aria is excellent. If you have any love for sopranos, you cannot be without this CD.

Soprano Songbirds In All Their Glory.......2004-02-21

This compilation album is a dazzling showcase of the multiple range and repertoire of the female singing voice in opera. It is a cd which fans of the opera and of sopranos should not be without. This "Mad About" series is a great way to get you into opera if you're not hooked into it already. Other titles in the "Mad" labels include "Mad About Puccini" "Mad About Wagner" "Mad About Italian Opera" etc. Look for them to add to you're collection. They're all very impressive. As the title indicates, this cd features the beauty and virtuosity of the soprano voice. The compilation album features some of the best singers of the last 30 years - among them Mirella Freni, Hildegard Behrens, Cheryl Struder, Kiri Te Kenawa and Agnes Baltsa. Of course, considering the total number of amazing sopranos who have graced the opera stage, this catalog of sopranos is very limited. Not showcased here is Maria Callas and her contribution to the opera world, Cecilia Bartoli whose mezzo-soprano style is dynamic, Beverly Sills whose coloratura ranks among the finest, Joan Sutherland, Shirley Verrett, Leontine Price, Elizabeth Schwartzkopff and Birgit Nilsson. These opera women have all been great artists throughout the 20th century and should have been featured on this cd.

The album makes use of the coloratura richness of Cheryl Struder in her role as Violetta from Verdi's Traviata. "Sempre Libera" is a tour de force aria and Struder really delivers all the goods. On here is the art of Mirella Freni, who was quite skilled at singing various Puccini heroines, from Tosca to Madama Butterfly. Freni's arias on here are "Vissi D'arte" and "Un Bel Di" respectively. But something that should have been used is her Russian repertoire. Mirella Freni performed as Tatiana from Tchaikovsky's Eugene Onegin to great acclaim. Kiri Te Kenawa first achieved international recognition in her performance as The Countess in Mozart's Le Nozze Di Figaro. Her aria "Porgi Amor" is exquisite. Hildegard Behrens, a Wagnerian and German-singing soprano, was able to achieve equal success as Brunhilde and even as Tosca. The Immolation Scene from Gotterdammerung, Wagner's masterpiece, is featured on the last track and Behrens is sensational as the suicidal Valkyrie. There it is, folks. This is a must have for fans of the soprano voice in opera. Look also for "Mad About Tenors".

You too will become "Mad About Sopranos".......2000-08-30

Mad about Sopranos, is a wonderful collection of fantastic voices singing outstanding and well known music. Not only is it's music selection diverse from Offenbach's "The Doll Song" to Wagner's Brunnhilde, but the complilation of different voice types is a real treat. This is a great album for an oprera lover at any level, but is also a excellent album to compliment the growing repertiore of a young singer studying opera. I loudly echo Robert Levine's review regarding this cd; "It's a feast for the ears".

Average customer rating:

Up and Down
A Whiz-Banger!
Dizzying, Whirling, Fantastic, and Superlatively Energetic
wonderful music from a wonderful artist

Suppe: Overtures

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Suppé: Famous Overtures
Famous Overtures
Rossini: Overtures (14)
Rossini: Complete Overtures
Franz von Suppé: Marches, Waltzes, Polkas

ASIN: B0000026Q8
Release Date: 1989-11-20

Tracks:

Poet And Peasant
Tantalus's Torment
The Jolly Robbers
The Beautiful Galatea
The Queen Of Spades
Light Cavalry
Vienna Jubilation
Morning, Noon And Night In Vienna

Customer Reviews:

Up and Down.......2002-11-05

This overture is beautiful. I think Zubin Mehta is a terrific conductor. I would enjoy the music much more if the engineers did a better job recording the CD. There is too much change in the volume level (and not by the composer). If the volume is high it is very high and if low, very low.

A Whiz-Banger!.......2002-10-11

I purchased this CD because I've always enjoyed Suppe's light, bouncy overtures and Zubin Mehta and the Vienna Philharmonic doesn't fail here with it's nice moving tempos and great colorful sound. The trumpet call at the beginning of "Light Cavalry" has always been an attention-getter (a musical alarm clock mind you). Another overture on this disc that I wasn't familiar with was "Vienna Jubilation" (which also starts off with a trumpet call) got my attention also which also includes a somewhat Suppe tradition (the waltz). Very vibrant and beautiful. The rest of the overtures are up to the same performance quality. However, I must say that if you want some of Suppe's overtures that have a faster tempo, then try Solti and the same orchestra if they are still around. I have an old London LP that has four of the mentioned overtures (Light Cavalry, Poet & Peasant, Morning, Noon & Night in Vienna, The Beautiful Galatea). These really move!! If you're looking for Suppe with a tempo that is just a tad slower than Mehta, then try the Janos Sandor/Hungarian State Opera Orchestra on Laserlight. With this CD you get a march (O du mein Ossterreich) plus eight overtures. These are very-well performed and sounds great! All these recommendations (my opinion) are about the best you can get!!!

Dizzying, Whirling, Fantastic, and Superlatively Energetic.......2002-06-06

I certainly made a good purchase with this one. I was in the mood for some peppy overtures AND I GOT 'EM!
The well-known Light Cavalry Overture is well-represented here (even though Mehta takes some liberties in the tempo at the end, I still enjoyed it), as are the almost as well-known Poet and Peasant and Morning, Noon, and Night in Vienna overtures. There isn't a weak track on the whole CD, and my favorite is the Queen of Spades Overture, Track 5. The highly-caffeinated orchestra starts out deceptively quietly, throws in some out-of-nowhere fortissimo chords (a la Haydn Symphony #94), and then begins to spin indefatigably faster and louder, accelerating beautifully even to the last note. You can't help but stay for the rest of the opera. The overtures grab you and won't let you go.

There is nothing but sheer audience candy in any of Suppe's works, but over a hundred years later, those shameless hooks still work. I relish every second of vivacity and bombast that overflows in copious quantities from this CD.

wonderful music from a wonderful artist.......1999-04-05

This is a great CD. It isn't the type that will put you to sleep. It is upbeat. Von Suppe keeps you tapping you foot and bouncing your head throughout the album. My personal favorite is the last one, "Morning, Noon, and Night in Vienna."

Angelic Voices: The Best of the Vienna Boys' Choir

Average customer rating:

It is a great CD
Found it to lack real depth
John P. Cutler

Angelic Voices: The Best of the Vienna Boys' Choir

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Bach: Voices Of Angels

ASIN: B00000HY8N
Release Date: 1999-01-12

Tracks:

Jesu Joy Of Man's Desiring
Ave verum corpus - K. 618
Hear My Prayer: O, For The Wings Of A Dove
Messiah: Hallelujah
Requiem: Pie Jesu
Exsultate, jubilate - K. 165 (Excerpt)
Silent Night, Holy Night
Samson: Let The Bright Seraphim
Rinaldo: Lascia ch'io pianga
Zadok The Priest
Fruhlingsstimmen - Op. 410
The Keeper Would A-Hunting Go
Scarborough Fair
Loch Lomond
Shenandoah
Now Is The Hour
The Girl From Ipanema
El condor pasa
La Guantanamera
Cielito lindo
Heidenroslein
Kuckuck, Kuckuck, ruft's aus dem Wald

Customer Reviews:

It is a great CD.......2001-03-22

I get this item and I can say is great, if you really want to get an idea about the vienna boys choir's work, you have to get this, you can admire the soloist voice, Emanuel Cencic, he has an outstanding voice, principally the track "let the bright querubin" but in general is a great compilation, you can stop listening.

Found it to lack real depth.......2000-01-12

The songs are nice and the music pleasant to listen to, but the titles are fairly short and there is something missing. I just didn't find it to be very moving, perhaps it's just the recording.

John P. Cutler.......1999-12-29

This CD covers a wide range of music.The Vienna Boys Choir have done another great job. I believe this CD is a great choice, one that You will be happy with.

Little Drummer Boy: Christmas Favorites by the World Renowed Vienna Boys's Choir

Average customer rating:

As usual....
John P. Cutler

Little Drummer Boy: Christmas Favorites by the World Renowed Vienna Boys's Choir

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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Christmas Angels

ASIN: B000001V9E
Release Date: 1995-10-17

Tracks:

Adeste Fideles
Pueri Concinite
Joy To The World
The First Noel
Deck The Halls
The Little Drummerboy
Hark!The Herald Angels Sing
Tochter Zion (Daughter Zion)
Maria Durch Ein Dornwald Ging (Maria Went Through Teh Thornwoods)
Als Ich Bei Meinen Schafen Wacht' (As I Watch Over My Sheep)
O Heiland Reiss Die Himmel Auf (O Savior Open Your Heavens)
Von Himmel Hoch Komm' Ich Her (From The Heavens Above I Come)
Es Kommt Ein Schiff Geladen (There Comes A Hsip Of Abundance)
Gloria Gloria Gott In Der Hoh (Gloria Gloria God In The Highest)
In Natale Domini
Es Hat Sich Halt Eroffnet
Still Still Still
Stille Nacht Heilige Nacht (Silent Night Holy Night)

Customer Reviews:

As usual...........2002-07-27

As expected, the Vienna Boys Choir would make an excellent Christmas offering, as usual, this is not an disappointment. The production is excellent and the singing is, as usual, the highest quality.

John P. Cutler.......1999-12-31

This is another great CD by the Vienna Boys Choir. I love to listen to it at Christmas, or any other time of the year.I think You'll love it too.

Music Review: