Keyboard Series

On this CD:

1. Nocturne for piano in E flat major, Op. 55/2, CT 123
Composed by Fryderyk Chopin
Performed by Jack Richard Crossan

2. Nocturne for piano E minor, KK IV/b, CT 128
Composed by Fryderyk Chopin
Performed by Jack Richard Crossan

3. Nocturne for piano in F sharp minor, Op. 48/2, CT 121
Composed by Fryderyk Chopin

4. Nocturne for piano in F major, Op. 15/1, CT 111
Composed by Fryderyk Chopin
Performed by Jack Richard Crossan

5. Nocturne for piano in D flat major, Op. 27/2, CT 155
Composed by Fryderyk Chopin
Performed by Jack Richard Crossan

6. Nocturne for piano in C sharp minor, Op. 27/1, CT 114
Composed by Fryderyk Chopin
Performed by Jack Richard Crossan

7. Nocturne for piano in C minor, Op. 48/1, CT 120
Composed by Fryderyk Chopin
Performed by Jack Richard Crossan

8. St François de Paule marchant sur les flots, for piano (Légendes No. 2), S. 175/2 (LW A219/2) St Francis Walking on Waves
Composed by Franz Liszt
Performed by Jack Richard Crossan

9. Liebestraum (3), notturnos for piano (after songs LW N18), S. 541, LW A103 Nocturne II
Composed by Franz Liszt
Performed by Jack Richard Crossan

10. Valse oubliée, for piano No. 1, S. 215/1 (LW A311/1)
Composed by Franz Liszt
Performed by Jack Richard Crossan

11. Valse-Impromptu (I & II), for piano, S. 213 (LW 84c)
Composed by Franz Liszt
Performed by Jack Richard Crossan

12. Consolation, for piano No. 3 in D-flat Major "Lento placido", S. 172/3 (LW A111a/2/2)
Composed by Franz Liszt
Performed by Jack Richard Crossan

13. Ballade, for piano No. 2 (II) in B minor, S. 171 (LW A181)
Composed by Franz Liszt
Performed by Jack Richard Crossan

Tracks:

Ave Maria (new recording)
La Wally (from Time To Say Goodbye)
Winter Light (new recording)
Anytime, Anywhere (from Eden)
Alhambra (new recording)
Lascia Ch'io Pianga (from Eden)
Dans La Nuit (new recording)
Serenade/How Fair This Place (from La Luna)
O Mio Babbino Caro (new recording)
La Luna (from La Luna)
Pie Jesu (new recording)
Figlio Perduto (from La Luna)
Nessun Dorma (new recording)
Bailero (from Eden)
Time To Say Goodbye (New solo version--previously unavailable)

Amazon.com

Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Diva: The Singles Collection
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

Sarah's Best Easy Listening CD.......2007-03-15

Sarah Brightman's talent is limitless. Her soprano and/or alto voice is among the best and she lets it show in 'CLASSICS'. CLASSICS is a beautiful, easy listening, and peaceful CD. CLASSICS is one to listen to in tranquil or relaxing moments. "CLASICS" is a collection of great pieces of music written by great composers (Shuburt, Handel, Chopin, Puccini, and the like). I have listened to CLASSICS about 15 times now and it always puts me in a quiet and peaceful mood (I am ~50 years old).

Best Brightman CD.......2007-02-07

A classical composition which showcases the beautiful voice of Sarah Brightman. A timeless CD which will continue to be a favourite over the years.

Sarah Brightman is a Classic.......2007-01-02

Sarah Brightman is at her best in "Classics." From Dvorak's "Rusalka" (Opera B.203) to Beethoven's haunting Op 52, slow movement (Symphony #7), Brightman's voice and lyrical style are a joy. I particularly enjoy her performances of Schubert's Ave Maria and Andrew Lloyd Weber's Pie Jesu. This is a great add to my collection of serious music.

Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30

After purchasing this CD for my iPod for iTunes, I must say that I'm a little bit dissapointed. 7 new recordings and 8 old ones, ones that I already happen to have. I do like the fact that they're all on one CD! Some of her new recordings, including, "Ave Maria", "Winter Light", "Alhambra", "Dans La Nuit", and the new recording of "Pie Jesu" are just too breathy for my taste. It seems as with every changing CD, Sarah's voice changes. I'm not saying that the result is bad; it actually gives the songs more of a dream like quality, but I'm used to the younger, more Andrew Lloyd-Webber integrated Sarah. Scooping continually occurs in new recordings of "O Mio Babbino Caro", and "Nessun Dorma". In some tracks from La Luna, like "Figlio Perduto", Sarah's voice is TOTALLY dominated by harmonizing recordings that sound almost mechanical.

OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!

Nice Cover.......2006-12-27

I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).

As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.

In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...

Soul of the Tango: The Music of Astor Piazzolla

Average customer rating:

Excellently performed, Not much Variety
A Classy CD
Great Music BUT - Stupid Sony CD
Very good but not what I heard live in Cerritos
Fantastic Marriage of Two Worlds

Soul of the Tango: The Music of Astor Piazzolla

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Obrigado Brazil
Tango: Zero Hour
Astor Piazzolla - The Soul Of Tango: Greatest Hits
Silk Road Journeys: When Strangers Meet
Classic Yo-Yo

ASIN: B0000029XQ
Release Date: 1997-10-02

Tracks:

Libertango
Tango Suite: Andante
Tango Suite: Allegro
Tango Suite: Sur: Regreso Al Amor
Tango Suite: Le Grand Tango
Tango Suite: Fugata
Tango Remembrances
Mumuki
Tres Minutos Con La Realidad
Milonga Del Angel
Cafe 1930

Amazon.com essential recording

Yo-Yo Ma might seem like an unlikely protagonist for the tango, but this intrepid musical explorer has taken his task seriously, collaborating with experienced tango musicians. Ma even participates in a posthumous collaboration with one 1987 Piazzolla recording. Furthermore, while he's obviously the headliner here, he doesn't dominate the arrangements nearly as much as he does the billing and photography of the disc. While the result isn't your essential Piazzolla album (that would have to include more of the composer's own playing), it's an atmospheric and convincing collection, perhaps a good introduction for those who don't know the music. --Leslie Gerber

Customer Reviews:

Excellently performed, Not much Variety.......2007-01-12

Yo-Yo Ma leads an all-star cast in his "Sould of the Tango" project. He offers fresh new arrangements of Piazzolla's masterpieces including "Libertango," "Tango Suite," "Fugatta," and more. The arrangements are expertly performed and the playing is exciting and energetic. There is a lush palatte of sound colors coming from guitars, cellos, pianos and the bandoneon. The music is beautiful and flashy. Pieces are reorchestrated such as the "Tango Suite" pieces which are originally guitar duos now with a cello in the mix and the last track on the album, "Cafe 1930" was originally flute and guitar but Ma performs it on cello and bandoneon. The result is freshly interpreted Piazzolla masterpieces that feature new sound color and new perspective. The music is really quite enchanting.

The only problem with this particular recording is that I think Piazzolla is better heard in moderation. Piazzolla wrote in such a constrianed genre, (classical tango), and thus a whole hour of Piazzolla is a little much to take. This great album doesn't make for much of a great straight through listen, but is much better as a plesant surprise when the computer library or iPod is on shuffle.

A Classy CD.......2004-06-23

Great intro to tango, great to relax and read to.

Great Music BUT - Stupid Sony CD.......2003-07-16

I love this music - plays great on my CD player, but when I tried to play it on my computer at work, I wouldn't work. Sony wanted me to install something that didn't work on my machine (my computer is farely new), so I ended up having a friend copy the music over to a new CD without all that SONY stuff they use to stop pirating probably. Now I can listen at work and it is wonderful. BUT BEWARE ON BUYING CDs like this!

Very good but not what I heard live in Cerritos.......2003-03-05

When I first heard Yo-Yo Ma live in Cerritos several years ago, his closing piece was from the yet released Soul of the Tango.
With that music, the subdued audience was enlightened. With only a Cello and a Piano, the music that was created was unbelievable. It was several months before the CD came out and I was a little disappointed that the energy that was present in the live concert did not translate to the CD. I hope that a Live recording or DVD will eventually be released which does capture the real Soul of the Tango.

Fantastic Marriage of Two Worlds.......2003-03-05

I have always thought that Tango deserved a more elevated standing with both professional and amateur music lovers and what better way to attain that wish than having Yo Yo Ma join in for a session.(Is that a question or statement?) This is a remarkable CD that ranges a wide spectrum of Tango music, most of it exciting, sensual and daring.

Piazzolla, a transcendent artist, was determined to broaden Tango's appeal and he did so admirably. Lovers of jazz and classical now appreciate this fusion and nowhere is it expressed better than this offering. Ma admits he was delighted with the chance to work with the other artists and though he is the star it is never totally given over to the cello. As much as I like the cello, it cannot hold a candle to the bandoneon, perhaps the closest thing to a human voice outside of humanity.

Some of these works are magnificent interpretations and in the case of Tango, what is important is staying true to the spirit and not the letter of the note. I love the subtle, whining melodies, the rising and falling of the "voice"...the continual yearning.

An added bonus is that this CD contains an introduction for the PC. One can watch an interview with the performer, view photos or watch a video that intersperces the playing of Yo Yo Ma with cutouts from the movie. But this is something I discovered two full years after listenting to the CD. Get this recording and enjoy.

Gurdjieff, Tsabropoulos: Chants, Hymns and Dances
Average customer rating:

Must have!

an artistic triumph

Interpretations of Gurdjieff's Music

Inspired Subjectivity Encounters An Objective Music

Stunning

Gurdjieff, Tsabropoulos: Chants, Hymns and Dances

Manufacturer: ECM
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Sacred Hymns

Seekers of the Truth: The Complete Piano Music of Georges I. Gurdjieff and Thomas de Hartmann, Volume One

The Triangle

Weeping Meadow

Ojos Negros

ASIN: B0002ONC72
Release Date: 2004-09-28

Tracks:

Chant from a Holy Book
Bayaty
Prayer
Duduki
Interlude I
Trois Morceaux aprHymnes Byzantins I
Trois Morceaux aprHymnes Byzantins II
Trois Morceaux aprHymnes Byzantins III
Dance
Chant
Interlude II
Assyrian Woman Mourners
Armenian Song
(No. 11)
Womans Prayer
Chant from a Holy Book, var. 1

Amazon.com

Philosopher, seeker after the truth, reconciler of science and religion, teacher, guru to artists, writers and musicians, Gurdjieff was an enigmatic figure; even his birthdate is uncertain: 1866 or 1877. He taught movements "to alter or heighten consciousness" at his Institute for the Harmonious Development of Man, located outside Paris---a highly improvisatory process for which he composed equally improvisatory music. Technically untrained, he depended on skilled assistants to realize and write down his ideas, and found one in a devoted disciple: Ukranian pianist/composer Thomas de Hartmann, who selflessly suspended his own career and, after Gurdjieff's death in 1948, privately published and recorded some of their collaborations. As a composer, Gurdjieff, born at the border of Armenia and Turkey, was influenced by the region's ethnic and cultural diversity, by his childhood memories of the religious and philosophical songs improvised by his father, a Greek troubadour, by the hymns of the Greek Orthodox Church, and by his extensive travels through Europe and Asia. For this recording, the performers themselves arranged his compositions for cello and piano, adding five pieces by pianist Tsabropoulos, including three based on Byzantine hymns. Both players have been involved with Armenian, Ukranian and Greek Orthodox music; both are expert improvisers. Their strong feeling and affinity for the material allows them to approach it with both reverence and freedom; the playing is primarily subdued and inward. The piano texture ranges from delicate tinkling to full-blooded chords and arpeggios; the cello, playing mostly in the low and middle register, often in unison with the piano, sounds dark, warm and beautiful. The music, except for one lively dance, is slow, solemn, and mournful, in the minor mode. Melodies featuring oriental intervals are elaborated but not developed; based on single-note drones, harmonies are static or move in stepwise progressions but do not modulate. This lack of contrast and variety creates an otherworldly, disembodied atmosphere, despite several buildups of motion, dynamics, and intensity. --Edith Eisler

Customer Reviews:

Must have!.......2006-01-12

This amazingly beautiful album to me is the soundtrack of Anatolia, of an era gone by when Turks, Greeks, Armenians and other ethnic groups shared their lives peacefully and harmoniously. Its sadness inevitably reminds me of millions who unnecessarily died on this soil in many wars fought in early twentieth century, of people forced to leave the only land the knew for unknown destinations and destinies, of the unimaginable hardships endured by its people. And more personally it takes me fom New York and puts me right next to my father's grave in a forgotten Anatolian village, 6000 miles away.

an artistic triumph.......2005-12-28

Peaceful, meditative, sad, introspective, deceptively simple. Classical. Coming from a deep sense of inner peace, like all things from the Work, but NOT New Agey.

Mystical.

Mr Gurdjieff sang or hummed his songs and Thomas deHartmann "wrote them down and added harmony". Hard to tell where Mr. G stops and deHartmann starts, but we will never know. Mr G speaks of Objective Music and the vast majority pieces of subjective music. This is the former.

I must confess that many other peformances and arrangements of the music of Gurdjieff/de Hartmann, the way it was "supposed to be played", left me cold. Most of the other renditions I heard were played by those Drunk with Orthodoxy, amaturish or just plain lacking in musical ability.

This version is a revelation!

I think G would approve of this.

I like this, I think that the arrangements for cello and piano instead of just piano, as written, is an artistic triumph. The cello played by Anja Lechner expresses the peace and meditative sadness inherent in the music, even if that wasn't the way it's usually played. Composers are often not the best intepreters of their music.

That having been said there are three part to this music, pieces by G/deH, Tsabropoulos and then more G/deH and when the pianist sticks his own works in the middle of Mr G's the quality of composition falls somewhat. His compositions are or similar mood and type to G/deH, but really don't have the same achieve the same heights of depth and soul. (Mr G would say they are not Objective Music, I guess.) Perfomances of all pieces are uniformly good.

I would hope this group will arrange more of Mr G's music in this format in the future.

Recommended.

Interpretations of Gurdjieff's Music.......2005-12-14

You may want to pass this one up if you enjoy Gurdjieff's music as he intended it to be. To me these seem like rambling, flimsy interpretations of strong, articulate works (if you have heard any of the Kremski recordings, you know).

The arrangements do not seem to have captured the spirit of Gurdjieff's music very well. If someone did with Beethoven what has been done with Gurdjieff's music here, I don't think it would be taken seriously.

If you are interested in a new "twist" on Gurdjieff's music, then you may enjoy this. If you enjoy Gurdjieff's music closer to the way which he composed it, then you will want to look for a different recording.

Inspired Subjectivity Encounters An Objective Music.......2005-03-19

Georges Ivanovitch Gurdjieff's music was first given a broad public exposure with Keith Jarrett's recording "Sacred Hymns" in 1980. The public was perhaps already partly prepared for this music in 1979, due to the release of director Peter Brook's beautiful film on the life of G.I. Gurdjieff, "Meetings with Remarkable Men". The closing sequences of "Meetings with Remarkable Men" show the middle-aged Gurdjieff being taught about deep ontological truths through live performances of both music and dance.

In the 1920's, at his Institute for the Harmonious Development of Man, Gurdjieff continued this work by collaborating with Thomas de Hartmann on creating an "objective music". A music that "would work upon all listeners equally, focusing their mental life and bringing them to a new relationship with the living universe". It is probably Keith Jarrett, who has worked closely with the Gurdjieff Societies of both London and New York, that has produced the most "authentic" or "objective" reading of Gurdjieff's music in recent years.

On this ECM New Series disc of 2004, "Chants, Hymns and Dances", Anja Lechner and Vassilis Tsabropoulos decided to take a more liberal, "subjective", approach. Their interest in these compositions is perhaps more "musical than philosophical". Their suitability for this task should be apparent. Lechner's most recent work has involved interpreting the music of both Armenian Composer Tigran Mansurian and the Ukrainian Valentin Silvestrov. While Tsabropoulos, for his part, has worked with ancient Byzantine music and the music of the Greek Orthodox Church.

According to the informative liner notes by Steve Lake, "This music exists for the individual to make of it what he or she will, according to capacity". Lechner and Tsabropoulos both have deep experience with composed music and also with the process of free improvisation. Indeed, these two performers brilliantly interpret Gurdjieff's music with gentle assurance and a bright spontaneity. The five original compositions on this disc by Tsabropoulos even suggest an affinity with the Gurdjieff sensibility that borders on predestination.

"Chants, Hymns and Dances" is worthy of repeated encounter and remains serenely vital with each new audition. This is an ambiguous music that defies easy spiritual classification.

Stunning.......2005-03-02

This is one of the most moving records I have ever heard. It is a must have for any classical music lover or anyone who appreciates deeply emotional music. So simple, so powerful. Wow.

Average customer rating:

Movie Themes CD
"three decades of film composers ~ Simply The Best"

Simply the Best Movie Themes

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Great Movie Love Themes: Five Star Collection
Hollywood's Greatest Hits, Vol. 2
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Paramount 90th Anniversary Collection: Scores
The Wings of a Film: The Music of Hans Zimmer

ASIN: B0001CNRL6
Release Date: 2004-02-24

Tracks:

Theme From Mission Impossible - Schifrin
Theme From Gladiator - Zimmer
Hedwig's Theme - Williams
Harry's Wondrous World - Williams
Allegro Moderato - Symphony No. 8 'Unfinished' - Schubert
Suite From Shakespeare In Love - Warbeck
Out Of Africa - Barry
Requiem, Rex Tremendae - Mozart
Prelude In E Minor, Op. 28, No. 4 - Chopin
Suite No. 3 In D, Air On The G String - J.S. Bach
I Will Always Love You - Parton
Symphony No. 40, Molto Allegro - Mozart
Finlandia - Sibelius
My Heart Will Go On - Horner

Tracks:

Theme From Lord Of The Rings - Shore
Overture To All That Jazz - Kander & Ebb
'Trout' Quintet, Theme, Andantino And Variations - Schubert
Prelude No. 15 In D-Flat - Chopin
Windmills Of Your Mind - LeGrand
(Everything I Do) I Do It For You - KAMEN
Theme From Schindler's List - Williams
Also Sprach Zarathustra, Excerpt - Strauss
Symphony No. 3, Lento Cantabile - Semplice - Gorecki
Die Walkure, Ride Of The Valkyries - Wagner
Goldberg Variations, Aria Da Capo - J.S. Bach
Theme From License To Kill - KAMEN
Sonata No. 8, Op. 13, 'Pathetique,' Andante Cantabile - Beethoven
Die Another Day - Arnold
Symphony No. 9, Ode To Joy, Excerpt - Beethoven

Customer Reviews:

Movie Themes CD.......2007-03-10

Very nice CD with beautiful music from past movies. Very relaxing music to listen to.

"three decades of film composers ~ Simply The Best".......2004-03-06

Rhino Movie Music presents "Simply The Best Movie Themes", featuring the Royal Philharmonic Orchestra and other various artists ~ within the realm of the following composers David Arnold, John Barry, Alan Bergman, Marilyn Bergman, Wendy Carlos, Fred Ebb, James Horner, James Newton Howard, Michael Kamen, John Kander, Michel Legrand, Alex North, Basil Poledouris, Howard Shore, Wladyslaw Szpilman, Stephen Warbeck, John Williams and Hans Zimmer ~ each composer has created one or more of the scores in this twenty nine classic line up.

Film scores covering over three decades with "2001:SPACE ODYSSEY", "A CLOCKWORK ORANGE", "APOCALYPSE NOW", "THE BODYGUARD(I Will Always Love You)", "CHICAGO(Overture to All That Jazz), "DIE ANOTHER DAY", "EYES WIDE SHUT", "FEARLESS", "GLADIATOR(Theme)", "HANNIBAL", "HARRY POTTER AND THE SORCERER'S STONE(Hedwig's Theme)", "HARRY POTTER AND THE SORCERER'S STONE(Harry's Wondrous World)", "THE HUNT FOR RED OCTOBER", "JURASSIC PARK:THE LOST WORLD", "LICENSE TO KILL, "LIVING DAYLIGHTS", "THE LORD OF THE RINGS(Theme)", "MINORITY REPORT", "MISSION IMPOSSIBLE (Theme)", "OUT OF AFRICA", "THE PIANIST", "ROBIN HOOD, PRINCE OF THIEVES", "SCHINDLER'S LIST", "SE7EN", "SHADOWLANDS", "SHAKESPEARE IN LOVE", "THE SIXTH SENSE", "THE THOMAS CROWN AFFAIR"and "TITANIC(My Heart Will Go On)" ~ a mixture of original compositions and classics of the old masters. Loaded with not just themes, but full of orchestral arrangements that are fresh and rewarding ~ sure to bring back those special moments from the film.

The presentation is superb with every cue inclusive with spectacular performances from suspense, romance and adventure all rolled into a two disc package. Rhino must be commended on doing such a great job and doing it well. Most serious "film-score-buffs" will welcome this compilation, has many cues available all under one banner ~ Rhino Records...gotta love it!

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Simply unreal
a brave journey
A for effort, C for execution
BARBRA,BARBRA,BARBRA!
A promise fulfilled

Classical Barbra
Barbra Streisand
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Je M'appelle Barbra
Simply Streisand
Color Me Barbra
The Third Album
Lazy Afternoon

ASIN: B000002549
Release Date: 1990-10-25

Tracks:

Beau Soir
Brezairola
Verschwiegene Liebe
Pavane (Vocalise)
Apres Un Reve
In Trutina
Lascia Ch'io Pianga
Mondnacht
Dank Sei Dir, Herr
I Loved You

Customer Reviews:

Simply unreal.......2007-05-16

I find it utterly, amazingly, unthinkable that ANYone can come up with ONE 'negative' thing to say about this collection by the inimitable Ms Streisand. This CD..this music --- just transports me....elevates me...changes my mood and outlook......it is an ethereal listening experience..almost religiously hypnotic in its beauty, eloquence, and simplistic beauty. Some of the songs bring a lump to my throat. It's a joy and a privilege to hear this Artist render her vocal and emotional interpretation of these classic aural wonders.........a true gift to the ears. Bravo. I wish I could give it more than 5 stars/ Lisa Guerci in CT

a brave journey.......2007-05-14

to record this set of songs was a huge risk for barbra streisand to take. but what other singer would put themselves on the line like this and record a whole album of classical material except barbra streisand?

dusty springfield had a song or two that borrowed melodies from the classical music genre, and aretha franklin famously growled her way through 'nessun dorma' at the grammys back in 1999. but this is very different and bold.
and no one, not even those with the vocals chops and training like linda ronstadt wouldn't take this one on for size.

it is easy to hear that streisand has put all her stylistic trademarks on hold and performed her recital with integrity. and at times, a different streisand emerges and it's quite nice. it's only a phrase here and a note there but it's interesting to hear.

be warned--she still sounds like barbra streisand. and there's one song i personally wish she hadn't sang (the canteloube), only because there's another song in that canon that might have served her even better called 'la dellaisado'.

A for effort, C for execution.......2006-08-23

One does have to applaud Barbra for the effort, for showing that she really does care about music, not just her own. Everyone knows about her forays into pop, rock and even disco. Alas, while her voice is lovely, it seems more like an album of lullabies than classical lieder. She actually did a more authentic classical performance of a Schubert song on her TV special "Barbra Streisand and Other Musical Instruments." Alas, this serious effort never comes close to showing the range of her voice that she played with in that 2 1/2 minute song. A missed opportunity.

BARBRA,BARBRA,BARBRA!.......2006-03-04

This CD shows why Streisand is who she is; the ultimate DIVA! This lady can sing anything and on this wonderful collection she proves it. Barbra recored the album way back in 1973, and because the record label was afraid of low sales due to the classical nature of the material, didn't release it until 1976. What a treat for fans of Barbra and fans of classical music. Barbra showcases hew vocal strengths in the 10 tracks singing in different languages. I first heard this CD at a dinner party 15 years ago and pretty much forgot about it until I saw a few for sale on Ebay. I remembered loving it and immediately bought it through Amazon. I highly recommend this CD for all those people who simply love music. It will put you in a very relaxed mood, almost as if your home is filled with candles. Since I bought it I've listened to it at least 20 times or more and will continue playing it in my home. Don't worry if you can't understand what Barbra is saying if you don't comprehend the laguage of the song; you'll know it's still Barbra doing what she does the best. A few final notes ; Barbra Streisand was nominated for a Grammy for the album. And Streisand has personally stated that this was the hardest album vocally she has ever worked on in her career. In short a beautiful CD for any home.

A promise fulfilled.......2006-02-02

In 1963, when Streisand released her first album, there was no doubt she was a unique and talented singer. Some ten years later, after becoming a great success, she proved with "Classical Barbra" what a nurtured and developed talent is capable of. She didn't sit on her laurels and continue to churn out Broadway warhorses in an attempt to play it safe. Instead, like a true artist, she challenged her abilities. Her reward, and ours as well, is this absolutely gorgeous CD. Her voice, at a level of near perfection, glides effortlessly across each tender note of these well picked gems. If anyone ever doubted man's reason for existence, please, do yourself a favor and buy this CD. You will be inspired for a lifetime.

Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss

Average customer rating:

The best of the best.
Beautiful and creamy voice
Renee Fleming;THE BEAUTIFUL VOICE
The most gorgeous soprano voice I've ever heard
Wow!!!

Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Gustave Charpentier , Charles Gounod , Jules Massenet , Antonin Dvorak , Friedrich von Flotow , Giacomo Puccini , Erich Wolfgang Korngold , Carl Orff , Richard Strauss , Sergey Rachmaninov , Johann II Strauss , Franz Lehar , Jose Maria Cano , Marie-Joseph Canteloube , Jeffrey Tate , Sir Charles Mackerras , Renée Fleming , English Chamber Orchestra , Osian Ellis , London Voices , and Clive Greensmith
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Renée Fleming
Renee Fleming: By Request
Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti
Sacred Songs
Handel

ASIN: B0000042I6
Release Date: 1998-02-10

Tracks:

Louise (Acte 3): Depuis le jour ou je me suis donnee
Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
La rondine (Act 1): Chi il bel sogno di Doretta
Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
Carmina Burana (No. 21): In trutina
Vier Lieder, Op. 27 No. 4: Morgen!
Vocalise, Op. 34 No. 14: Vocalise
Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
LUNA: Epilogo
Chants d'Auvergne, Series 1: Bailero

Amazon.com essential recording

This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns

Customer Reviews:

The best of the best........2007-04-11

I've given away at least a dozen copies of this CD. I'm running low, so I just refilled the stash. For people who haven't discovered Renee Fleming or who think they don't care for opera, this CD is the best possible way to blow down the walls. If you think there's nothing new to be heard in these old arias, you owe it to yourself to find out how wrong you can be.

Beautiful and creamy voice.......2006-02-28

I like so much Ren?e Fleming and this is special cd !

Renee Fleming;THE BEAUTIFUL VOICE.......2006-01-30

IT'S A FINE RECORDING THAT OFFERS A VARIETY OF SELECTIONS FROM OPERA, OPERETTAS AND FOLK SONGS, ALL WITH FLEMING AT HER BEST.

The most gorgeous soprano voice I've ever heard.......2006-01-02

I am a 19-year-old voice student at the University of Central Arkansas and I came across Renee by way of a soprano in my voice studio. She said it was her favorite soprano and that I should give her a listen. I was a little hesistant because I'm a baritone and my voice teacher told me that I should listen to men, but I just want to hear it all. So this past summer I first bought Renee's self-titled album with all of the lolipop arias on it and I was just amazed, not just because of how good she is but how easy she is to listen to. I loved her voice immediately. From the the moment the first tone passed through her throat on Puccini's "O Mio Babbino Caro." So I had to hear more. The Beautiful Voice is even better. It wasn't as easy to listen to at first because some of the songs on this album are not as famous as those on the other one, but these songs are all gems. The Korngold with the pianissimi B flats is my personal favorite. Even my mother who screams at me to turn down that "noise" when I listen to opera cds has grown to be quite fond of Renee Fleming. Sometimes her interpretations can be over the top, but the voice is beyond spectacular. It pours out like melted butter. It's vibrant, rich, expressive, free and always perfectly in tune. There is no hint of strain from any sound emitted from her body. She will undoubtedly be remembered like Callas & Sutherland and all the other great soprano voices before her. Not for the dramatic intensity of Callas or the coloratura & technical ease of Sutherland, but for the sheer unspeakable beauty of her voice. This is a must have for any vocalist seriously dedicated to classical training.

Wow!!!.......2005-09-28

This album is the album that introduced me to Renee Fleming. Every selection on this recording is a gem. Her voice is so gorgeous and her technique is so solid. I love her voice so much, her interpretations of J. Strauss, Jr.'s Csardas is incredible and Puccini's Chi il bel sogno di Doretta makes me cry everytime I listen to it. She is a true American treasure. Brava Renee!!!

Average customer rating:

Sensuality Personified!

The Very Best of Régine Crespin

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Legend: Régine Crespin [CD & DVD]
The Very Best of Lucia Popp
Very Best of
Italian Opera Arias
Berlioz: Les Nuits d'été; et al / Crespin, Ansermet

ASIN: B0006VYEJQ
Release Date: 2005-04-26

Tracks:

Ils S'Eloignent Enfin...Sombre Foret
D'Amour L'Ardente Flamme
Les Grecs Ont Disparu...Malheureux Roi!
Nous Avons Vu Finir...Chers Tyriens
Je Vais Mourir...Adieu, Fiere Cite
Ah! Salome! Dans Ce Palais...Il Est Doux, Il Est Bon
Je Souffre
Mes Cheres Filles, J'Ai Encore A Vous Dire
Soir
Le Secret
Apres Un Reve
Clair De Lune
Lo Fiolaire
Lou Coucut
Coeur En Peril
Berceuse Creole

Tracks:

Einsam In Truben Tagen
Euch Luften, Die Mein Klagen
Eine Waffe Lass Mich Dir Weisen...Der Manner Sippe
Ich Sah Das Kind
I. Der Engel
II. Stehe Still!
III. Im Treibhaus
IV. Schmerzen
V. Traume
I. In Der Fremde
II. Intermezzo
III. Waldesgesprach
Timor Di Me?...D'Amor Sull'Ali Rosee
Ecco L'Orrido Campo...Ma Dall'Arido Stelo Divulsa
Tu Che Le Vanita
D'Art Et D'Amour

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Sensuality Personified!.......2005-04-27

This is one of the best collections of Regine Crespin. Of course, her Berlioz/Ravel set with Ansermet is definitive, but the beauty and soft womanliness of her voice can be heard in all the selections on this disc. The engineers went for her vocal best and they created a fine collection aptly titled "The Best of..." One would be unduly captious to find Crespin "brittle" of tone here.

It is by now, very difficult to imagine anyone singing "Il est doux" with more apt expression of the line than La Crespin. Wagner's Wesendonk lieder is simply sublime from start to finish and the Faure takes on new meaning. That she is comical, melancholy, fun and happy by turns singles her out. This collection captures all her awesome talent. Underneath it all seems to be a very, if I may, sexual energy.

Crespin must be heard to be believed and the miracle lies in that even her softest tones are really enveloping, never thin. All tones are open and this is why there are enough colors in Regine Crespin's delicious voice to paint the world a thousand times, but it may also be why she infamous for being short and edgy on top but I remind, never here is she such. She is a relaxed singer in superb voice, comfortable in her own olive skin and makes the most out of every word those poets wrote.

The whole collection is unique in pace, style, and voice. It is Regine Crespin...in a nutshell fabulous!

Angelika Kirchschlager - when night falls

Average customer rating:

Gentle crossover that gets a bit sleepy
An Example of When Crossover Works
Lullabies for All Ages
A Wonderful Gift for a Baby!
Voice of an Angel

Angelika Kirchschlager - when night falls
Wolfgang Amadeus Mozart , Marie-Joseph Canteloube , Stephen Sondheim , Franz Schubert , Gian Carlo Menotti , Franz Joseph Haydn , Johannes Brahms , Richard Rodgers , Carl Maria von Weber , Manuel de Falla , Xavier Montsalvatage , Aaron Copland , Miguel Kertsman , Alexander Zemlinsky , Angelika Kirchschlager , Roger Vignoles , Helmut Deutsch , John [guitar] Williams , Yuri Bashmet , London Metropolitan Ensemble , and Jonathan Rees
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Angelika Kirchschlager - Debut Recital Recording / Helmut Deutsch
Bach Arias
Erste Begegnung (First Encounter)
Angelika Kirchschlager Handel arias
Renée Fleming - Strauss Heroines / Bonney, Graham, Eschenbach

ASIN: B00002MZ4Y
Release Date: 1999-11-02

Tracks:

'Not While I'm Around'
The Sound Of Music: 'Edelweiss'
'Wiegenlied'
'Gestilte Sehnsucht'
'Geistliches Wiegenlied'
'Wiegenlied (Wie sich der Auglein)'
'Sandmannchen'
The Consul: 'Mother's Aria'
'Brezairola' (Berceuse)
Chants d'Auvergue: 'Oi Ayai'
'Ar hyd y nos' (All Through The Night)
'Sehnsucht nach dem Fruhling'
'Lass mich schlummern, Herzlein, schweige'
Siete Canciones populares espanolas: 'Nana' (Berceuse)
'Cancion de cuna para dormir a un negrito'
'The Little Horses' (Lullaby)
'Cantiga de Ninar' (Baby's Goodnight Song)
'Susse, susse Sommernacht'
'Wiegenlied' (Schlafe, schlafe, holder susser Knabe)
Into The Woods: 'Stay With Me'

Amazon.com

This record is most notable for its performances. Kirchschlager's singing is ravishingly beautiful and deeply expressive; the pianists and other instrumentalists are all first rate. Its content seems designed less for consistent musical quality and a balanced program than for variety and popular appeal. Yet the predominantly slow songs induce a certain monotony, and Mozart and Menotti, Brahms and Broadway musicals make strange stylistic bedfellows. However, many gems stand out in the mix: the two Brahms songs with viola, in which the renowned Yuri Bashmet is unfortunately almost inaudible; two Schubert Cradle Songs, one famous, one unknown; several enchanting Spanish songs; a Haydn arrangement of a Welsh lullaby better known as "All through the Night"; a lovely romantic song by Zemlinsky; and a lush, soaring one by Miguel Kertsman written for Kirchschlager and just right for her expressively inflected voice. She identifies with every idiom and pours so much care and affection into each song that one can well imagine a loving mother singing to her child, and indeed the record is dedicated to her little son. --Edith Eisler

Customer Reviews:

Gentle crossover that gets a bit sleepy.......2006-06-01

When Sony's artist executives were German, they tried to promote the young Austrian mezzo Angelika Kirchschlager, but because of her difficult name (I am guessing) and the slackening classical music market, she never caught on. Today Kirchschlager is a star in Europe, and one sees her name on the Met roster. This, her second CD, is a gentle recital of lullabies, made more varied by adding Broadway tunes into the mix and bringing in star musicians like John Williams on guitar and Yuri Bashmet on viola.

The result is winning and thoroughly professional. Kirchschlager sings especially well in English, with a hybrid British-American accent but almost no German mannerisms. The closest comparison in terms of high mezzos would be with von Otter, and Kirchschlager's voice is at least as beautiful. But she lacks von Otter's imaginaiton, and after a while everything sounds a bit too square and placid--after all, these songs may be for babies, but the intended audience is also adults who go to lieder recitals, isn't it?

An Example of When Crossover Works.......2006-01-09

Angelika Kirchschlager is well known on the operatic stage and in chamber and orchestral programs where her forte is Mozart and Bach. Hers is a voice creamy rich and produced with incredible intelligence. She is also a communicator - in recital, in opera, in anything she does. It comes as no surprise then that an artist of this caliber (or her agent....!) is able to set the standard for the now ubiquitous 'crossover album' that most of the major singers find it necessary to make to gather in more admirers.

Selecting a wide variety of lullabies with varying settings feels so natural in Kirchschlager's elegant mezzo-soprano voice. Other artists have produced recitals of lullabies: Dawn Upshaw and Richard Goode immediately come to mind. But in this album, though not all of the works are of genius quality, Kirchschlager gives each her considerable talent and the result is a little night music that is equally as lovely for adults as for the intended audience of children (and of course their parents...).

With fine support from the London Metropolitan Ensemble, pianists Roger Vignoles and Helmut Deutsch, guitarist John Williams and violist Yuri Bashmet among others, Kirchschlager offers a rich variety of songs from Mozart, von Weber, Haydn, Brahms, Schubert, Canteloube, de Falla, Copeland, Sondheim, Rogers and Hammerstein and Zelimsky. And no matter the language or the setting they all work. This is an album to cherish and share and raises the respect for Angelika Kirchschlager even higher. Highly Recommended. Grady Harp, January 06

Lullabies for All Ages.......2005-07-13

I bought this CD as a gift for my first grandchild to introduce her to the world of classical music. But when I played it, it enchanted me and my grandchild's parents even more than it did the baby. Angelika Kirschlager is a young Austrian mezzo-soprano who had previously been unknown to me. She sings these simple songs with a beautiful round warmth of tone.

The twenty selections on this CD include Brahms famous lullaby together with two lesser-known songs of Brahms accompanied by piano and viola. Schubert's two lullabies are included, and they are melting. There is a Mozart song (the theme of which he used in the third movement of his final piano concerto) and a Haydn arrangement of the Welsh folk -song "All Through the Night", which features an accompanying trio of violin, cello, and piano.
Aaron Copland's arrangement of "All the Pretty Little Horses" will delight young listeners, and there are songs by Richard Rogers, Steven Sondheim, C.M. Von Weber, and others to fill out an enchanting CD of music and dreams. Ms Kirschlager's singing is the highlight of this CD. She is accompanied well by a variety of pianists and by performers on the guitar, violin, cello, and flute. Texts and translations for the songs are included in the liner notes.

Although I bought this CD for my granddaughter, others dear to me have expressed interest, and I will be buying another copy.

Thanks to my Amazon friend Scott Morrison for recommending this CD and to the other perceptive reviewers of this lovely music.

Robin Friedman

A Wonderful Gift for a Baby!.......2005-02-15

Our family has just been blessed with a new grandson and one of my very thoughtful friends had the brilliant and generous idea to send the baby a copy of this wonderful collection of lullabies and nightsongs done so stunningly by the marvelous German mezzo, Angelika Kirchschlager. I am happy to report that the very first selection, Schubert's 'Wiegenlied' ('Cradle Song'), seemed to make him smile, even at his tender age. This bodes well for his developing discriminating musical taste because Ms Kirchschlager is a terrific singer. Her various accompanists provide sensitive support for her lovely and perfectly managed voice. She sings with impeccable diction in several languages and even in English I don't pick up any accent at all.

I must point out, however, that Amazon has listed the contents of this disc in an order different from that on the CD, but the musical samples they provide do match the titles listed.

Scott Morrison

Voice of an Angel.......2000-05-02

I was first introduced to Ms. Kirchlager three years ago and was instantly impressed. Her sumptuous voice and incredible beauty make her a delight to listen to, time and time again. When Night Falls, is only the most recent of what promises to be a long and impressionable career. From the ever popular "Edelweiss" to the easily recognizable "Wiegenlied", Ms. Kirchschlager approaches each song with the same heart-felt emotion as if she were singing to her own child. I have often listened to her CD late at night to help myself fall into my own sweet dreamland of "The Little Horses".

Average customer rating:

Highly recommended

Ultimate Movie Album

Manufacturer: Polygram Int'l
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Paramount 90th Anniversary Collection: Scores
Reel Chill: The Cinematic Chillout Album
Reel Love: The Cinematic Romance Album
The Incredible Film Music Box
The Greatest Hits

ASIN: B00005QC28
Release Date: 2001-11-20

Tracks:

Bridget Jones's Diary: Out Of Reach - Gabrielle
Gladiator: Now We Are Free - Gavin Greenaway
Moulin Rouge: One Day I'll Fly Away - Nicole Kidman
Notting Hill: When You Say Nothing At All - Ronan Keating
American Beauty: Dead Already - Thomas Newman
Braveheart: Main Theme - For The Love Of A Princess - London Symphony Orchestra
Four Weddings And A Funeral: You're The First, The Last, My Everything - Barry White
O Brother Where Art Thou: Down To The River To Pray - Alison Krauss
Hannibal: Vide Cor Meum - Gavin Greenaway
The Shawshank Redemption: Courtyard Theme: Che Soave Zeffiretto (Marriage Of Figaro) - Chor und Orchester der Deutschen Oper Berlin
The Thomas Crown Affair: Windmills Of Your Mind - Sting
Platoon: Adagio - Neville Marriner
Ghost: Unchained Melody - Hollywood Bowl Orchestra
Fantasia: The Sorcerer's Apprentice - Montreal Symphony Orchestra
The Big Lebowski: Just Dropped In (To See What My Condition Was In) - Kenny Rogers & The First Edition
Philadelphia: La Mamma Morta - Monserrat Caballe
Snatch: Hernando's Hideaway - The Johnstone Brothers
Lock, Stock & Two Smoking Barrels: Eighteen With A Bullet - Lewis Taylor And Carleen Anderson
A Room With A View: O Mio Babbino Caro - Sylvia McNair

Tracks:

Billy Elliot: Cosmic Dancer - Marc Bolan & T-Rex
Captain Corelli's Mandolin: Pelagia's Song - Orchestra
Four Weddings And A Funeral: Love Is All Around - Wet Wet Wet
Robin Hood Prince Of Thieves: Maid Marian At The Waterfall/Everything I Do - Michael Kamen
Dances With Wolves: John Dunbar Theme - John Mauceri
American Beauty: Any Other Name - Thomas Newman
Gladiator: The Battle (Excerpt) - Gavin Greenaway
The Silence Of The Lambs: Goldberg Variations (Aria) - Andrei Gavrilov
Notting Hill: She - Elvis Costello
Pulp Fiction: Son Of A Preacher Man - Dusty Springfield
Mission Impossible: Main Theme - Orchestra
Waking Ned: Let The Draw Begin - Orchestra
Out Of Africa: Love Theme - John Williams
Shine: Piano Concerto No.3 In D Minor, Op.30 - Concertgebouw Orchestra
The Godfather Part III: Intermezzo From Cavalleria Rusticana - Pavarotti
The Mexican: End Credits Medley - The Hollywood Film Chorale
Body Heat: Main Theme - John Williams
Apocalypse Now: The Ride Of The Valkyries - Chicago Symphony Orchestra
Star Trek: The Final Frontier - Main Theme & March Of The Klingons - John Williams

Album Description

UK compilation featuring a combination of hit songs & theme music from some great soundtracks. Tracks include, Gabrielle 'Out Of Reach' (Bridget Jones Diary), 'Now We Are Free' (Gladiator), 'Dead Already' (American Beauty), Alison Kraus 'Down To The River To Pray' (O Brother Where Art Thou), Ronan Keating 'When You Say Nothing At All' (Notting Hill) & many more. 35 tracks on 2 CDs. 2001.

Customer Reviews:

Highly recommended.......2002-08-20

This pricey UK import CD filled a lot of gaps in my music collection and is an excellent overview of notable music of (mostly) recent films. It's difficult to find consistently listenable soundtrack collections like this, by that I mean free from the obligitory Whitney Houston or Celine Dion embarrassments. Usually rights issues prevent comprehensive compilations like this in the US, too. While I enjoy a lot of soundtrack music, there aren't so many complete soundtracks that I would care to own, some examples of exceptions being Ennio Morricone scores and the About a Boy Soundtrack. While certainly most of these tracks are the actual recordings used in their respective films, I noticed that "La mamma morte" from Philadelphia is not the Maria Callas version. There might be other cases like this, I'm not sure. And "Unchained Melody" from Ghost is an orchestral version, not the pop song (but I consider this a plus). This collection seems to focus on the subtle and quirky, yet melodic music of indie films, with less emphasis on the loud sweeping orchestral scores of major Hollywood hits, but of course there are a few like Gladiator and Braveheart, which are welcome here because like I've said, I probably wouldn't listen to the whole score. I love the two Thomas Newman compositions from American Beauty, and it's good to have some music from films by the Cohen Brothers here. My only complaint would have to be the order of the songs. You would think they would avoid jumping back and forth between pop songs, orchestral scores, and quiet music, but it just seems thrown together by random. I would compare this collection to the excellent "Miramax Films Greatest Hits" but the makers of that album knew to group the two pop/rock songs at the end.

Music Review: