I Do: Classical Wedding Music
On this CD:
1. Lohengrin, opera, WWV 75 Bridal Chorus
Composed by Richard Wagner
Conducted by Josif Conta
2. Brandenburg Concerto No. 4 in G major, BWV 1049 Allegro
Composed by Johann Sebastian Bach
Performed by Slavonica Philharmonia
Conducted by Rudolf Pribil
3. The Swan Lake, ballet, Op. 20 Wedding Dance
Composed by Pyotr Il'yich Tchaikovsky
Performed by London Festival Orchestra
Conducted by Alfred Scholz
4. Suite bergamasque, for piano, L. 75 Clair de lune
Composed by Claude Debussy
Performed by Adriano Jordao
5. Canon and Gigue for 3 violins & continuo in D major Canon in D minor
Composed by Johann Pachelbel
Performed by Sofia Chamber Orchestra
Conducted by Emil Tabakov
6. Music for the Royal Fireworks, for orchestra, HWV 351 Allegro: La réjouissance
Composed by George Frideric Handel
Conducted by Luigi Varese
7. Ave Maria for voice & orchestra (or piano) (after Bach)
Composed by Charles Gounod
Performed by Ricardo Cassinelli
Conducted by Alexander von Pitanic
8. Mandolin Concerto, for mandolin, strings & continuo in C major, RV 425 Allegro Giusto
Composed by Antonio Vivaldi
Performed by Slovak Chamber Orchestra, Jozef Zsapka
Conducted by Bohdan Warchal
9. Liebesträume, notturno for piano in A-flat major No. 3 (O Lieb, so lang du lieben kannst), S. 541/3 (LW A103/3)
Composed by Franz Liszt
Performed by Marian Pivka
10. Parlami D'Amore, Mariu for voice & orchestra
Composed by Cesare Andrea Bixio
Performed by Pavol Maurery
Conducted by Jiri Hudec
11. Water Music Suite, No.2 for orchestra in D major, HWV 349 Overture (Andante-Allegro)
Composed by George Frideric Handel
Performed by Slovak Chamber Orchestra
Conducted by Bohdan Warchal
12. Messiah, oratorio, HWV 56 Pifa - Sinfonia pastorale
Composed by George Frideric Handel
Performed by Sofia Philharmonic Orchestra
Conducted by Alipi Naidenov
13. Scheherazade, symphonic suite for orchestra, Op. 35 The Young Prince and the Young Princess
Composed by Nikolay Andreyevich Rimsky-Korsakov
Performed by London Festival Orchestra
Conducted by Alfred Scholz
14. La bohème, opera O soave fanciulla
Composed by Giacomo Puccini
Performed by Slovak Radio Symphony Orchestra Bratislava
with Peter Dvorsky, Sidonia Haljakova
Conducted by Ondrej Lenard
15. A Midsummer Night's Dream, incidental music, Op. 61 Wedding March (Allegro vivace)
Composed by Felix Mendelssohn
Performed by London Festival Orchestra
Conducted by Alfred Scholz
16. Suite for orchestra No 3 in D major, BWV 1068 2nd movement, "Air on the G String"
Composed by Johann Sebastian Bach
Performed by Camerata Romana
Conducted by Eugen Duvier
17. Det første Møde (The First Meeting), melody for string orchestra (or piano) No. 2, Op 53/2
Composed by Edvard Grieg
Performed by Bratislava Chamber Orchestra
Conducted by Vlastimil Horak
18. Water Music Suite, No.1 for orchestra in F major, HWV 348 Menuet
Composed by George Frideric Handel
Performed by I Musici de San Marco
Conducted by Luigi Varese
19. Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6)
Composed by Franz Schubert
Performed by Slovak Chamber Orchestra
Conducted by Bohdan Warchal
20. Brandenburg Concerto No. 1 in F major, BWV 1046 Allegro
Composed by Johann Sebastian Bach
Performed by Slavonic Philharmonic Orchestra
Conducted by Rudolf Pribil
21. Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 Adagio Sostenuto
Composed by Ludwig van Beethoven
Performed by Dubravka Tomsic
22. The Prince of Denmark's March (Trumpet Voluntary in D major) for brass, winds, & percussion (or keyboard or trumpet & organ)
Composed by Jeremiah Clarke
Conducted by Frank Shipway
23. Serse (Xerxes), opera, HWV 40 Largo
Composed by George Frideric Handel
Performed by Salzburg Consort
24. Liebesleid "Love's Sorrow" for violin & piano
Composed by Fritz Kreisler
Performed by Andreas Reiner, Aci Bertoncelj
25. Piano Sonata No. 4 in E flat major, K. 282 (K. 189g) Adagio - Allegretto
Composed by Wolfgang Amadeus Mozart
Performed by Marian Pivka
26. Solomon, oratorio, HWV 67 Arrival of the Queen of Sheba
Composed by George Frideric Handel
Performed by Salzburg Consort
27. Il Matrimonio Segreto, opera Overture
Composed by Domenico Cimarosa
Performed by London Festival Orchestra
Conducted by Alfred Scholz
28. Tannhäuser, opera, WWV 70 Entry of the Guests
Composed by Richard Wagner
Conducted by Ondrej Lenard
29. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Overture, KV 492
Composed by Wolfgang Amadeus Mozart
Performed by London Festival Orchestra
Conducted by Alfred Scholz
30. Water Music Suite, No.1 for orchestra in F major, HWV 348 Air
Composed by George Frideric Handel
Performed by I Musici de San Marco
Conducted by Luigi Varese
31. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 Jesu, Joy of Man's Desiring
Composed by Johann Sebastian Bach
Performed by Slovak Chamber Orchestra, Jozef Zsapka
Conducted by Bohdan Warchal
32. Violin Concerto ("La Primavera", The Four Seasons) for violin, strings & continuo in E ("Il cimento" No. 1), Op.8/1, RV 269 Allegro
Composed by Antonio Vivaldi
Performed by Nova Filarmonia Portuguesa
Conducted by Alvaro Cassuto
33. Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a Chorale St. Antoni (Andante)
Composed by Johannes Brahms
Performed by Sofia Philharmonic Orchestra
Conducted by Emil Tabakov
34. Joyeuse marche (Marche française), for orchestra or piano 4-hands
Composed by Emmanuel Chabrier
Performed by Slovak Radio Symphony Orchestra Bratislava
Conducted by Ondrej Lenard
35. Adagio, for violin, strings & organ in G minor (composed by Remo Giazotto; not by Albinoni), T. Mi 26
Composed by Tomaso Giovanni Albinoni
Performed by Sofia Chamber Orchestra
with Georgi Robev
Conducted by Alipi Naidenov
36. Water Music Suite, No.2 for orchestra in D major, HWV 349 Alla Hornpipe
Composed by George Frideric Handel
Performed by Slovak Chamber Orchestra
Conducted by Bohdan Warchal
37. Gymnopedie for piano No.1, for piano
Composed by Erik Satie
Performed by Bojan Gorisek
38. O Sole Mio for voice & piano (or orchestra)
Composed by Eduardo di Capua
Performed by Slovak Radio Symphony Orchestra Bratislava
with Peter Dvorsky
Conducted by Ondrej Lenard
39. Aida, opera Triumphal March and Chorus Act. 2
Composed by Giuseppe Verdi
Conducted by Marko Munih
40. Exsultate, jubilate, motet for soprano & orchestra, K. 165 (K. 158a)
Composed by Wolfgang Amadeus Mozart
Performed by Salzburg Camerata Academica, Gabriele Fuchs
Conducted by Ernst Hinreiner
I Do: Classical Wedding Music, Music, Various Artists, Classical, Classical Collections-Composer Desc., Classical Music, Orchestral & Symphonic
Average customer rating:
- Love it
- CP as Grandmother Tzeitel
- Never Ending Joy!
- Great a classic
- Liked the movie, loved the songs!
|
Fiddler on the Roof
Jerry Bock , Sheldon Harnick , and Topol
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
Williams, John [guitar]
| ( W )
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Similar Items:
- Fiddler on the Roof (Special Edition)
- My Fair Lady (1964 Film Soundtrack)
- The King and I (1956 Film Soundtrack)
- The Music Man (1962 Film Soundtrack)
- South Pacific (1958 Film Soundtrack)
ASIN: B00005OB07
Release Date: 2001-10-09 |
Tracks:
- Prologue/Tradition/Main Title
- Matchmaker
- If I Were A Rich Man
- Sabbath Prayer
- To Life
- Miracle Of Miracles
- Tevye's Dream
- Wedding Procession
- Sunrise, Sunset
- Wedding Celebration/The Bottle Dance
- First Act Finale
- Entr'acte
- Do You Love Me?
- Far From The Home I Love
- Chava Ballet Sequence
- The Rejection Scene
- Anatevka
- Finale
- Any Day Now
Amazon.com
This new version of the Fiddler on the Roof soundtrack coincides with the movie's 30th anniversary (which is also celebrated by a special edition DVD). The CD is notable for several instrumental tracks by John Williams, as well as for "Any Day Now," a previously unreleased song performed by Perchik/Paul Michael Glaser (better known for his starring role in TV's Starsky and Hutch). The soundtrack is often compared unfavorably with the original 1964 cast album, in which Zero Mostel played the part of Tevye (here performed by Topol, who had been in the 1967 London production). But this CD has a lot going for it, including glossy remastering and, of course, Isaac Stern as the fiddler. In the end, whatever version you decide to pick up, Fiddler remains one of the most enduring musicals of all time. --Elisabeth Vincentelli
Customer Reviews:
Love it.......2007-05-16
I had looked everywhere for this CD. I am so happy to have found the "real" Fiddler on the Roof!
CP as Grandmother Tzeitel.......2007-03-30
At first, I thought this musical was weird but then I grew to like it. It has a sad ending but the thems in the movie are really interesting. Life really is like being a fiddler on the roof. In a musical coming up at my school, I am playign the part of Grandmother Tzeitel in Tevye's dream. I am excited to play the part and I think our musical will go very well!
Never Ending Joy!.......2006-11-22
The music from Fiddler on the Roof is exciting, fun, interesting and funny! This CD is mixed with humor, music from different cultures and a wide mix of different songs. Each song is so different that I can listen to it for hours. I was surprised how enjoyable and pleasent it really is. Although...it is easy to get this music stuck in your head!
-Christian Fobian, Author of Why Christ?
Great a classic.......2005-11-08
Totally enjoyable. After a few listens you can't help but sing along.
Liked the movie, loved the songs!.......2005-03-10
Aside from the fact that I loved the movie, most of that came from loving the songs on the movie. I got to a place where I wanted to hear them a lot, but didn't want to skip around on the movie to find the song I wanted to hear. So I bought this soundtrack. It was well worth it.
From the intro song "Tradition" to "If I Were a Rich Man" to "Sunrise, Sunset", this CD has music that is absolutely gorgeous. If you loved the movie, I recommend getting the soundtrack.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Its awesome but HELP!!!!!!
|
Mobil Masterpiece Theatre
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
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Josephs, Wilfred
| ( J )
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Similar Items:
- Henry V: Original Soundtrack Recording (1989 Film)
- The Flame Trees of Thika
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ASIN: B000000711
Release Date: 1996-08-22 |
Tracks:
- Masterpiece Theatre Series Music, Television Version
- Theme One from Upstairs, Downstairs - Studio Orchestra
- Theme Two from Upstairs, Downstairs - Studio Orchestra
- Theme from Poldark - Studio Orchestra
- Theme from I, Claudius - Studio Orchestra
- Theme from Love for Lydia - South Bank Orchestra
- Theme from the Duchess of Duke Street
- Theme from the Citadel
- Theme from to Serve Them All My Days
- Theme from the Irish R.M.
- Theme One from the Jewel in the Crown
- Theme Two from the Jewel in the Crown
- Theme from by the Sword Divided
- Theme from on Approval - David Ralph
- Theme from a Town Like Alice
- Theme One from the Flame Trees of Thika
- Theme One from the Flame Trees of Thika (Love Theme)
- Theme One from Prime Suspect: The Lost Child
- Theme Two from Prime Suspect: The Lost Child
- Masterpiece Theatre Series Music, Complete Version
Customer Reviews:
Its awesome but HELP!!!!!!.......2007-05-25
This is defintely a very fine soundtrack of a classic television series.
BUT..... Aaaargh I'm looking for the opening theme not of Masterpiece Theater but of MOUSEterpiece Theater, the Disney show from the 80s, you know?
If ANYBODY has info on the name/composer of the theme plase let me know!!!
It is very similar to the opening theme of this cd, but its not the same...
HELP!!!
Average customer rating:
|
The Essential Wedding Collection
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Quartets
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| Bach, Johann Sebastian
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- Classical Wedding
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ASIN: B0001U0GCG
Release Date: 2004-05-11 |
Tracks:
- Sheep May Safely Graze - Stuttgarter Kammerorchester
- Jesu, Joy Of Man's Desiring - Stuttgarter Kammerorchester
- Aria (Air On The G String) - Stuttgarter Kammerorchester
- Air - Academy Of St. Martin-In-The-Fields
- Love Divine, All Loves Excelling - Richard Farnes
- Canon in D major - Stuttgarter Kammerorchester
- Bridal Chorus - Stephen Cleobury
- The Prince Of Denmark's March - Michael Laird Brass
- Trumpet Tune And Air - Peter Hurford
- Panis Angelicus - Luciano Pavarotti
- Ave Maria - Wandsworth School Boys' Choir, National Philharmonic Orchestra and Luciano Pavarotti
- Exsultate, Jubilate, K. 165 - Leontyne Price
- Water Music - Stephen Cleobury
- Wedding March - Peter Hurford
- The Lord's My Shepherd - Huddersfield Choral Society
- Laudate Dominum - Wren Orchestra
- Let The Bright Seraphim - Dame Joan Sutherland
- Abide With Me - Anthony Way
- Ombra Mai Fu - Anthony Way
- On Wings Of Song - Utah Symphony Orchestra
- Toccata - Stephen Cleobury
- Praise, My Soul, The King Of Heaven - Richard Farnes
Tracks:
- My Heart Will Go On - James Horner
- I Will Always Love You - Dolly Parton
- Love Theme - Nino Rota
- Up Where We Belong - Will Jennings
- As Time Goes By - Herman Hupfeld
- Take My Breath Away - Giorgio Moroder
- Can You Feel The Love Tonight? - Elton John
- Evergreen - Barbra Streisand
- Love Is All Around - Reg Presley
- Maid Marian At The Waterfall (Everything I Do) I Do For You - Seattle Symphony Orchestra
- Moon River - Henry Mancini
- Where Do I Begin - Francis Lai
- When A Man Loves A Woman - Andrew Wright
- The Way We Were - Marvin Hamlisch
- Unchained Melody - Hollywood Bowl Orchestra
Average customer rating:
- Hymns in the Anglican Tradition Beautifully Performed
- Very inspiring music
- Great English Hymns
- Buy this CD!
- English Choirs
|
Best Loved Hymns
Anonymous , James Bain , Louis Bourgeois , Edmond Budry , Orlando Gibbons , John [composer] Goss , William H. Harris , Herbert Howells , John Ireland , Stephen Jackson , Martin Luther , Edward Miller , Sir Charles H.H. Parry , Clement Cotterill Scholefield , Cyril Taylor , German Traditional , Irish Traditional , Ralph Vaughan Williams , Wallace Collection , Sioned Williams , Benjamin Bayl , Tom Williamson , Choir of King's College at Cambridge , and Stephen Cleobury
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Baroque Dance Suites
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ASIN: B000058BGQ
Release Date: 2001-03-27 |
Tracks:
- Michael: A Fanfare Setting: All My Hope On God Is Founded
- Praise, My Soul: Praise, My Soul, The King Of Heaven
- Bunessan: Morning Has Broken
- Down Ampney: Come Down, O Love Divine
- Ein' Feste Burg: A Mighty Fortress Is Our God
- Regnator Orbis: O What Their Joy And Their Glory Must Be
- Rockingham: When I Survey The Wondrous Cross
- Repton: Dear Lord And Father Of Mankind
- Slane: Be Thou My Vision
- St. Clement: The Day Thou Gavest, Lord, Is Ended
- Picardy: Let All Mortal Flesh Keep Silence
- Hast Du Denn, Jesu: Praise To The Lord, The Almighty, The King Of Creation
- Love Unknown: My Song Is Love Unknown
- Brother James' Air: The Lord's My Shepherd
- Maccabaeus: Thine Be The Glory
- Song 46: Drop, Drop, Slow Tears
- Abbot's Leigh: Glorious Things Of Thee Are Spoken
- The Old Hundredth: All People That On Earth Do Dwell
Customer Reviews:
Hymns in the Anglican Tradition Beautifully Performed.......2007-01-24
This is one more example of hymns in the Anglican Tradition, sung by the always excellent choir of King's College, Cambridge. It is a splendid example of the sonorous sound of men and boys, accompanied by a classic English organ and, for the quieter hymns, the gentle sound of harp. All the familiar hymns and hymn tunes are here. You will not regret adding this CD to your collection.
Very inspiring music.......2005-07-06
I always enjoy listening to this Cd and particularly because of the orchestra and mellifluous choir. I especially enjoy: A Mighty Fortress, Come Down, O Love Divine, Praise to the Lord, the Almighty, and Thine Be The Glory. Some of the selections are soft such as "The Lord's My Shepherd" and "Drop, Drop, Slow Tears." Still, it is a fabulous selection and one of my favorites.
Great English Hymns.......2005-02-10
This was one of my Christmas gifts and I really looked forward to listening to it. I had just visited King's College, Cambridge back in August and really liked it--you should try to make it out there if possible.
Anyway, this CD was great to listen to. Some hymns are scored for orchestral accompaniment, choir and organ, while the majority of tracks are just for choir and organ.
Recorded in the King's College Chapel (the front cover has a great shot of the ceiling's trademark "fan" stone carving), the hymns are pure English sound--boys' treble voices along with men's changed voices singing with a pure, clean, straight tone. It's very sweet-sounding.
The hymns chosen are also great; "Be Thou My Vision," an Irish classic, appears along with "When I Survey the Wondrous Cross," "All People That on Earth Do Dwell," and "Morning Has Broken" (later recorded by Cat Stevens).
The singing isn't especially elaborate--they're just simple hymns. They're orchestrated very well, however, and they sound great.
Religious people may prefer these recordings more in general--these are Christian hymns after all--but I think it's a great recording and is worth listening too, especially if you enjoy that English sound!
Buy this CD!.......2004-09-20
Having heard Kings College Choir twice, in the flesh, at Kings, this CD is a wonderful example of what you might hear. If you can't make it to Cambridge, buy this CD. It contains many of the old favorites and also some hymns that are not found on other English hymn CD's.
English Choirs.......2002-12-18
Having visited many Cathedrals throughout the UK and listened to the enchanting voices of the boys choirs, I was disappointed with this particular rendering from Kings. Perhaps I am biased in that I enjoy the organ background or no background but the use of a full blown orchestra, in my opinion, tended to overwhelm and was totally unnecessary and somewhat grandoise choice on the part of Stephen Cleobury. Apart from that, much of the music was excellent. In comparison with other CD's from Kings, this was disappointing.
Average customer rating:
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Shakespeare's Songbook, Vols. 1 & 2
Manufacturer: Azica
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
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General
| Classical
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Similar Items:
- Shakespeare's Songbook
- Songs and Dances from Shakespeare
- Shakespeare Songs
- Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe
- William Shakespeare's Hamlet (Two-Disc Special Edition)
ASIN: B0002IQL08
Release Date: 2004-07-06 |
Tracks:
- Ah Robin (Round)
- And Let Me The Cannikin Clink
- And Will He Not Come Again
- Be Merry, Be Merry
- Black Spirits
- Blow, Blow Thou Winter Wind
- Bonny Sweet Robin
- But Shall I Go Mourn
- Can'st Thou Not Hit It
- Come Away
- Come Away, Hecate
- Come Live With Me
- Come O'er The Burn
- Come Thou Monarch (Version 2)(Round)
- Come Unto These Yellow Sands
- A Cup Of Wine
- Farewell, Dear Heart
- Fathers That Wear Rags
- Fear No More
- Fie On Sinful Fantasy
- Fill The Cup (Round)
- Flout 'Em And Cout 'Em (Round)
- Fools Had Ne'er Less Grace
- For I'll Cut My Green Coat
- The Friar And The Nun
- Full Fathom Five
- The George Alow (Version 1)
- Get You Hence
- The God Of Love
- Hark, Hark The Lark
- Have I Caught My Heavenly Jewel
- Heart's Ease
- Hold Thy Peace (Version 2)(Round)
- Honor, Riches
- I Am Gone Sir
- I Loathe The I Did Love
- It Was A Lover And His Lass
- Jepha
- Jog On
- Jolly Shepherd (Round)
- King Stephen Was A Worthy Peer
- Lawn As White
- Love, Love, Nothing But Love (Version 2)
- The Master, The Swabber (Version 2)
- No More Dams
- An Old Hare Hoar (Version 1)
- O Mistress Mine (Version 1)
- Orpheus With His Lute
- O Sweet Oliver
- Pardon Goddess Of The Night
- Roses Their Sharp Spines
- Sigh No More, Ladies
- Some Men For Sudden Joy (Version 1)
- Take, O Take Those Lips
- Tell Me, Where Is Fancy Bred
- That Sir Which Serves
- There Dwelt A Man In Babylon (Version 1)
- There Was Three Fools
- Three Merry Men (Round)
- Tomorrow Is St. Valentine's Day
- Under The Greenwood Tree
- Up And Down (Round)
- Urns And Odours Bring Away
- Walsingham
- Was This Fair Face
- Wedding Is Great Juno's Crown
- What Shall He Have (Round)
- When Arthur First In Court
- When Daffodils Begin To Peer
- When Daisies Pied
- When Griping Grief
- When Icicles Hang By The Wall
- When That I Was And A Little Tyne Boy
- Where The Bee Sucks
- While You Here Do Snoring Lie
- Who Is Silvia
- Why Let The Strucken Deer
- Willow, Willow (Version 1)
- Will You Buy Any Tape
- The Woosel Cock
- You Spotted Snakes
Tracks:
- Awake, Awake
- Battle Of Agincourt
- Bride's Goodmorrow
- Broom
- Callino
- Carmen's Whitle
- Chi Passa
- Come Kiss Me, Kate (Round)
- Come Thou Monarch (Version 1)
- Cup Of Wine (Version 1)
- Damon
- Daphne
- Diana (2 Versions)
- Dulcina
- Eglamore
- Eighty-Eight
- Fortune My Foe
- George Alow (Version 2)
- Glass Doth Run
- Goddesses
- Go From My Window
- Greensleeves (2 Versions)
- Guy Of Warwick
- Hem Boys (2 Versions)
- Hey Ho for A Husband (2 Versions)
- Hobbyhorse
- Hold Thy Peace (Versions 1 & 3)
- Hunt's Up
- I Cannot Come Every Day (2 Versions)
- In Crete
- In Peascod Time
- Jack Boy (Round)
- King Cophetua
- King Lear
- King Solomon
- Light O Love
- Loath To Depart (2 Versions)
- Love, Love (Version 1)
- Master, Swabber (Version 1)
- Mounsier Mingo
- Mounsieur's Almaine
- My Mind To Me
- Nutmegs (Of All The Birds)
- Nutmegs (Wooing Of The Baker's Daughter)
- O Death (2 Versions)
- Old Hare Hoar (Version 2)
- O Mistress Mine (Version 2)
- O' The Twelfth Day Of December
- Oyster Pie
- Peg A Ramsey (2 Versions)
- Phillida (3 Versions)
- Please One
- Pyramus
- Queen Dido (2 Versions)
- Ratcatcher
- Rich Jew
- Robin Goodfellow
- Robin Hood
- Rogero
- Rowland
- Sellenger's Round
- Shore's Wife (2 Versions)
- Sick, Sick (3 Vesions)
- Some Men For Sudden Joy (Round)
- There Dwelt A Man (Version 2)
- Titus Andronicus
- Tom A Bedlam (2 Versions)
- Troilus
- Troy Town
- Wellady
- Whenas We Sat In Babylon
- Where Is The Life
- Whoop
- Why Let The Strucken (If Care Do Cause)
- Willow, Willow (Version 2)
- Will Ye Buy A Fine Dog
- With A Fading
Average customer rating:
- Transcendent Vocalism
- Beautifully delivered as always, but not my material.
- Lives up to their reputation
- One of the best I've picked up in ages
- Fantastic recording of contemporary choral works
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Colors of Love
Steven Stucky , John Tavener , Bernard Rands , Long Zhou , Chen Yi , Augusta Read Thomas , Steven Sametz , Marianne Kach , and Chanticleer
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
All Works by Tavener
| Tavener, John Kenneth
| ( T )
| Featured Composers, A-Z
| Classical
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Chanticleer
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Similar Items:
- Our American Journey
- Tavener: Lamentations & Praises
- Lost in the Stars
- Chanticleer: Magnificat (A Capella Works by Josquin, Palestrina, Titov, Victoria, and Others)
- Wondrous Love: A World Folk Song Collection
ASIN: B00000IWR3
Release Date: 1999-05-18 |
Tracks:
- Cradle Songs: Rouxinol do pico preto (Brazil)
- Cradle Songs: Lilajze, Jezuniu (Poland)
- Cradle Songs: Buy Baby Ribbon (Tobago)
- Village Wedding
- Canti d'Amor: 'Winds of May, that dance on the sea'
- Canti d'Amor: 'O cool is the valley'
- Canti d'Amor: 'This heart that flutters near my heart'
- Canti d'Amor: 'Silently she's combing her long hair'
- Canti d'Amor: 'Gentle lady, do not sing sad songs'
- Canti d'Amor: 'Sleep now, O you unquiet heart'
- Canti d'Amor: 'All day I hear the noise of waters'
- Words of the Sun
- Tang Poems: Written on a Rainy Night
- Tang Poems: Wild Grass
- The Rub of Love
- in time of
- Love Songs: 'Look out upon the stars, my love'
- Love Songs: 'Love is a beautiful dream'
- Love Songs: 'Alas, the love of women!'
- Love Songs: 'For stony limits cannot hold love out'
- Love Songs: 'All mankind love a lover'
Amazon.com
This compilation of modern-day madrigals, the latest in a fascinating series of discs from the San Francisco-based all-male vocal group Chanticleer, won the Grammy for Best Small Ensemble Performance of 1999. The selections range over a variety of styles and aesthetics, from the haunting, hypnotic sounds of Steven Stucky's Cradle Songs to the archaic, ethereal beauty and Eastern inflections of John Tavener's "Village Wedding." There are the soft (and somewhat affected) asperities of Bernard Rands' Canti d'Amor as well as the gentle, almost English pastoralism of Zhou Long's "Words of the Sun" (beautiful!) and the colorfully exotic Orientalism of Chen Yi's Tang Poems. Other examples of the wide range here are the self-conscious busywork of Augusta Read Thomas's Love Songs to the darkly lush, 12-part weave of Steven Sametz's "In Time Of," with its radiant climax and pulsating chordal sonorites like the tolling of bells. All of this Chanticleer sings with striking freshness and commitment, virtuosic to a fare-thee-well, always sensitive to the emotional cues of the texts. The recording, made at Skywalker Ranch in January of 1999, is vivid and warm, and so is much of the music. Truly a winning disc. --Ted Libbey
Customer Reviews:
Transcendent Vocalism.......2005-01-31
This compilation is essential listening, especially (but not exclusively) for those already introduced to the marvels of Chanticleer. It features a wide variety of contemporary madrigals all dedicated to the theme of love. Gorgeous polyphony, entrancing dissonance; the music is very difficult, but Chanticleer's vocalism is exemplary, as always. The whole feel of the album takes some getting used to for the uninitiated. After a few listenings, though, one can fully perceive its unique and sublime beauty.
Highlights abound. The first three tracks, all lullabies by Steven Stucky, are brilliantly executed, but it is track four, Village Wedding by John Taverner, that first knocked my socks off. It seems to represent the absolutely ideal match between composer and performer, between written and sung text. It consists of a wonderful poem by Greek poet Angelos Sikelianos, with a recurring excerpt from the Eastern Orthodox wedding ceremony interspersed throughout. Taverner is himself a member of the Eastern Orthodox church, and the song is as much a spiritual experience as a musical one.
Another fantastic piece is Words of the Sun, by Chinese composer Zhou Long. It is probably the most accessible song on the CD, with numerous lovely subtleties and nuances that can be fully appreciated after multiple exposures.
Lastly, I'd like to express my sincere conviction that In Time Of (by Steven Sametz, set to a poem by E.E. Cummings) is the single most gorgeous piece of music I have ever had the great fortune to hear. The sonority is perfectly balanced, each arching phrase better than the one before. Please, for the sake of pure unadulterated beauty, purchase this CD. You will not regret it.
Beautifully delivered as always, but not my material........2002-07-30
I came to this album as a fan of Chanticleer more than of contemporary art music, though I like to think I do have a certain ear for the stuff. I haven't been educated in it, but I've sung some in my time in choruses, and I learned to appreciate those pieces the way that I learned to appreciate the more classical stuff as a child--by feeling it and hearing it come out of my own body, the ways that it worked, what was exciting, ect. That said, there is a point where I don't get it, and I reached that point all over this album. I thought I'd pass it on because it is hard for most of us to pick this kind of music off the shelf--there will be pieces that skewer us and some that make us fidget. For my part, I am grateful to have the album for the sake of three (long) songs. The Tavner Wedding song itself is probably worth it. But the album will never be put on leisurely.
Lives up to their reputation.......2001-03-07
Just recently had the opportunity to hear Chanticleer in concert...this CD certainly gives a cross section of their range...especially liked the "Tang Poems" and "Words of the Sun", which they performed live...very esoteric mix of musical styles...well worth the purchase for Chanticleer lovers!
One of the best I've picked up in ages.......2000-11-25
First of all let me state that the 4 stars isn't for the performance...which is truly outstanding...it is for a few pieces that are a tad sub-par. I also want to mention that its not that the pieces are modern either, I happen to be extremely sympathetic to modern music.
I usually don't like to do reviews this way, but I'm going to make a few comments piece by piece:
1) CRADLE SONGS - The first two of this trio of lullabies are great...the ones from Brazil & Poland are hauntingly beautiful...I'm not so crazy about the one from Tobago. A fairly strong piece, its certainly interesting.
2) VILLAGE WEDDING - This is one of the best three pieces on the album, and probably the best. Hearing John Tavener's work next to his contemporaries is an easy indicator of why he is considered one of this century's greatest and certainly one of the greatest living composers. Simultaneously it is joyous, austere, reverent & spiritual. Simply beautiful & amazing.
3) CANTI D'AMOUR - This is an up & down work. I'm not sure what the composer had in mind, but I find the first part to be amusing. It reminds me of barbershop quartet. It has more somber moments too that are quite moving. Overall though, its okay.
4) WORDS OF THE SUN - After the Tavener piece, this is my favorite one. I would like to hear some of Zhou Long's other works. It is a very subtle piece. Very Chinese too, yet simultaneously western. This is one of my favorite pieces by eastern composers of western music. Lyrically, it is amazing. Its borrowed from a 20th century Chinese poem that is gorgeous in English, I'm sure its even more so in Chinese. Musically, it is very stirring.
5) TANG POEMS - This piece too is written by a Chinese composer (Chen Yi) and it is distinctly Chinese. I am intrigued at some of the techniques used by the composer. I am really pleased with the piece, although I'm sure some find it a little "too eastern." It is extremely pretty if one is accustomed to eastern melodies. The 2nd part is a bit sharper and probably less accessible than the first part.
6) THE RUB OF LOVE - One of the duller pieces on the album.
7) IN TIME OF - Sublime. The opening few bars are unearthly. Definately one of the three best pieces. They definately need to keep this one in their concert repetoire (along with the Tavener and the two pieces by Chinese composers.) This is one of those works you have to hear to believe.
8) LOVE SONGS - This is a quirky collection of tunes by Augusta Read Thomas. It runs the gamut of serious to extremely silly. There are some strong points here, but some of it is too silly to stand the test of time ("Alas, The Love of Women"). Eventhough it is extremely unconventional, the part entitled "For Stony Limits Cannot Hold Love Out" is powerful. It is piercing & strange, but it really works with the text.
There are times when I love everything on this CD, and times when some of it gets on my nerves. It is, however, never boring and the performances are superb. I highly congratulate Chanticleer for not sitting on their laurels. This is adventursome stuff and it works 90% of the time, which is more than I can say for 99% of the ensembles out there.
I highly recommend this disc for "Village Wedding," "Words of the Sun," "In Time of," and "Tang Poems."
Pick it up, be adventuresome. Enjoy.
Fantastic recording of contemporary choral works.......2000-09-21
Chanticleer is one of the USA's finest choral ensembles, and they have picked a marvelous and diverse program for this recording -- with something that would appeal to absolutely everybody. The inclusion of two "husband-wife" pairs in the choice of music also makes for a special connection to the theme of the disc. Of special note to this reviewer are the "delicious" sonorities of Bernard Rands's "Canti d'Amor" and Augusta Read Thomas's "Love Songs" -- Chanticleer is a group who is able to pull off this difficult music beautifully. This recording was absolutely deserving of the Grammy that is received -- one of the finest discs of modern choral music in the past few years.
Average customer rating:
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Wedding Collection
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
Polkas
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| Bach, Johann Sebastian
| ( B )
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| Boccherini, Luigi
| ( B )
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| Gounod, Charles
| ( G )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Mendelssohn, Felix
| ( M )
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| Saint-Saëns, Camille
| ( S )
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| ( S )
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| Strauss Sr., Johann
| ( S )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Wagner, Richard
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ASIN: B000000KGE
Release Date: 1997-06-03 |
Tracks:
- Wedding Chor From 'Lohengrin' - Choir Of Belgrad Nat Opr
- Matrimonial Benediction in F, Op.9 - Joseph Berger
- 'A Midsummer Night's Dream': Wedding March - LPO/Alfred Scholz
- The Beautiful Blue Danube: Waltz Op.314 - Vienna Opr Orch/Carl Michalski
- Wedding March: Mazurka Op.20a - London Festival Orch/Alberto Lizzio
- Champagne Polka From 'The Bat' Op.211 - RPO London/Frank Shipway
- Flower Waltz Op.71a/8 - London Festival Orch/Alberto Lizzio
- Str Qt Op.13: Menuett in A - Stuttgart CO/Bernhard Guller
- Radetzky March Op.228 - Vienna Opr Orch/Carl Michalski
- Menuett in D - Stuttgart CO/Bernhard Guller
- Emperor Waltz Op.437 - Vienna Opr Orch/Peter Falk
- Ave Maria - Ernst Riedlinger
Tracks:
- I Finally Found Someone
- Power Of Love
- Tonight I Celebrate My Love For You
- Unchained Melody
- Just The Way You Are
- You Are So Beautiful
- My Love
- (Everything I Do) I Do It For You
- You're In My Heart
- Always
- Love Is All Around
- Enless Love
Customer Reviews:
wedding songs.......2005-10-12
I don't think this CD is for weddings....I personaly didn't care for it. It's to circus like music...
Average customer rating:
- Pure Perfection
- Had a Freudian moment
- No Villa-Lobos
- Be warned!
- Unforgettable
|
American Soprano
Manufacturer: Delos Records
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Binding: Audio CD
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| Bach, Johann Sebastian
| ( B )
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| Britten, Sir Benjamin
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| Copland, Aaron
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| Handel, George Frideric
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| Mahler, Gustav
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| Schubert, Franz
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| Schumann, Robert
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Similar Items:
- Arleen Auger - Love Songs / Dalton Baldwin
- Arleen Auger - Handel · Bach Arias / The Mostly Mozart Orchestra · Gerard Schwarz
- Haydn - Arias & Cantatas / Auger · H&H · Hogwood
- Strauss: Ein Heldenleben - Four Last Songs / Auger, Previn
- Bach Bachianas / Arleen Augér, The Yale Cellos of Aldo Parisot
ASIN: B00004W1PQ
Release Date: 2000-07-25 |
Tracks:
- Rejoice Greatly - Messiah
- Piangero - Giulio Cesare
- Care Selve - Atalanta
- Let The Bright Seraphim - Samson
- Lascia Ch'io pianga - Rinaldo
- Ricetti Gramezza
- Bist du bei mir
- Weichet nur, betrubte Schatten
- Sich uben im lieben
- Blute nur
- Ich will dir mein Herze schenken
- Bachianas Brasileiras No. 5 For Soprano And Orchestra Of Violoncellos: Aria
- Bachianas Brasileiras No. 5 For Soprano And Orchestra Of Violoncellos: Dansa
- Pastorale
- Del Cabello mas sutil
- Azulao
- Standchen
- Selige Nacht
- Fleurs
- Stornello
- Music, When Soft Voice Die
- Je t'aime
- Love's Philosophy
- Widmung
- Du bist wie eine Blume
- Das Rosenband
- Liebst du um Schonheit
- Cantares
- How Do I Love Thee?
- I'll Follow My Secret Heart
- Serenade
- Liebe Schwarmt auf allen Wegen
- Love Went A-Riding
- Why, No One to Love
- O del mio amato ben
- The Salley Gardens
- Heart, We Will Forget Him
- Before I Gaze at You Again
Customer Reviews:
Pure Perfection .......2006-09-25
Words cannot express how much I adore these two discs, but here goes anyway. A friend gave me a burned copy 'Love Songs' which I lost and so I purchased this double disc set. Arleen is by far and away my favorite soprano of all time and if you end up owning these cd's, I have no doubt she will become yours as well. Arleen had the most gorgeous voice, a pure yet colorful tone. And her technique as demonstrated on these recordings was superb. If you are a singer as am I, you will not be able to ignore her phrasing on The Salley Gardens - it's truy astonishing. If you are in to doing side by side comparison, try listening to Arleen's version of O Del Mio Amato Ben, then listen to Sumi Jo's version. But be forewarned if you're a Sumi Jo fan, you won't be able to listen to her version ever again. Arleen wrings every bit of naked emotion out of that song without ever being cheesy or over the top. Her musical instinct and interpretation was as flawless as her voice and technique. I use these cd's as my personal master classes with an impeccable artist who was taken from us all much too soon.
Had a Freudian moment.......2005-08-12
Be it known, I had no intention of writing a review of this recording. I still do not in fact. But I listened to the late Ms. Auger's reading of 'Lascia chio pianga' and nearly seized (cigarette in hand and all.) I've yet to move beyond track five. That being documented, I implore both the fastidious collector of vocal music and the layman alike to purchase this set. Oh, and about the Freud...following the aforementioned revelatory aural sensation of some five minutes, I typed amazing.com in place of the amazon.com destination. "Behind every mishap in speech, writing, etc. there lies an unconcious motive..."
Well,
No Villa-Lobos.......2003-05-28
Since I purchased this album specifically for the recording of the Villa-Lobos, I am extremely disappointed that it was replaced by "He Shall Feed His Flock." She sings everything beautifully, but it is not the recording it pretends to be.
Be warned!.......2003-05-03
My copy did not have the works by Heitor Villa-Lobos. The first disk in the set is Delos 3026, "Bach, Handel: Arias," which includes two selections from Alexander's Feast and "He Shall Feed His Flock" from the Messiah. I am not disappointed. Ms. Auger sings wonderfully. My second disk is Delos 3029 "Love Songs," which makes it a good bargain. But there are no texts.
Unforgettable.......2002-05-16
After much auditioning and re-auditioning, Auger's "Rejoice" here has finally replaced Kathleen Battle's fine performance on "Grace" as my favorite.
Both singers are at their best in the repeat, where their technique and ornamentation will knock anyone's socks off. But where Battle does a musical and brilliant concerto-like display of Kathleen Battle, Auger instead serves Handel with overriding sincerity. She builds intensity to an incredible pitch, ending on an almost trumpet-like flourish to announce the coming of the King.
As did so much of her singing, this recording sets the all-time standard. Fortunately for the world, the damned brain cancer that killed her body could not take her music from us.
Average customer rating:
- I do
- A lovely collection of a variety of tunes
- Classic Wedding Music
- Lovely Strings
- Great CD
|
"I Do"
Manufacturer: Schnitzer Productions LLC
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Serenade
- Heart's Desire
- A Classic Christmas
- Dances with Strings
- Classical Wedding
ASIN: B00015EL36
Release Date: 2003-10-04 |
Tracks:
- Canon in D (Pachelbel)
- Jesu Joy of Man's Desiring (Bach)
- Ave Maria (Schubert)
- Trumpet Voluntary (Clarke)
- Traditional Bridal Processional (Wagner)
- Sunrise, Sunset (from Fiddler on a Roof)
- Traditional Wedding Recessional (Mendelssohn)
- Hornpipe from Water Music (Handel)
- Eine Kleine Nachtmusic exerpt (Mozart)
- Hava Nagila
- Someone to Watch Over Me
- Can't Help Falling in Love With You
- Unchained Melody
- Evergreen
- When I Fall In Love
- All I Ask Of You
Album Description
"I Do" is a special edition CD for Brides-to-be. The first half of the recording features music for the ceremony, mostly classical. The second half of the recording is "first dance" tunes. The instrumentation consists of rich Violin melody accompanied by acoustic guitar, or elegant string quartet, or by sparkling piano and bass. It is a recompilation of tracks from Gary Schnitzer's previous CD's, plus new music. It makes a perfect engagement gift, and it is also a great introduction and overview to Gary's discography. This CD, like all of Gary's Violin Romance CD titles, is beautifully packaged to make an elegant gift item or stocking stuffer.
Customer Reviews:
I do.......2006-06-02
I first got this CD a couple years ago and my friends liked it so much they used several of the tracks for their own wedding. It's a very well thought out collection of nicely performed pieces. Worth every penny in short. The violin is the perfect instrument for a romantic occasion such as a wedding, and Gary plays it as well as anyone I have seen. I also listen to it just to relax. Bravo!
A lovely collection of a variety of tunes.......2006-06-01
Even though intended for a wedding, I've enjoyed listening to the music on "I Do" anytime I want to be lifted by Gary's engaging performances. Pachelbel's Canon in D is beautifully done, as is, in my opinion, the entire CD. A worthy buy, with a nice variety of tunes, classical and popular.
Classic Wedding Music.......2006-05-29
Have owned this CD for several years now. My wife and I often play it in the car on the way to weddings and funerals. The songs are timeless, the performance very tasteful.
Lovely Strings.......2006-05-29
"I DO" enhances the Romantic Mood for your Special Wedding Day. This Beautiful Music is timeless and memorializes the Love and Romance that you will cherish forever.
Great CD.......2006-05-27
My wife & I bought and used this CD for music in our outdoor wedding in March 2006. We spent weeks searching the Internet for a good wedding music CD - and found an assortment of interesting ones - but the violin music by Gary just beat out the competition hands down. It's beautiful stuff. I highly, highly recommend it.
Music Review:
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Music Review
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