Piece De Clavecin

On this CD:

1. Nouvelles suites de pièces de clavecin, for harpsichord Nos 1-7
Composed by Jean-Philippe Rameau
Performed by Lisa Goode Crawford, Marilyn McDonald, Catherina Meints

2. Pièces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin)
Composed by Jean-Philippe Rameau
Performed by Lisa Goode Crawford, Marilyn McDonald, Catherina Meints

3. Pièces de Clavecin for harpsichord
Composed by Joseph-Nicholas-Pancrace Royer
Performed by Lisa Goode Crawford, Marilyn McDonald, Catherina Meints

Tracks:

Andante
Andantino
Lento
Romance De Los Pinos
Madronos
Serenata Burlesca
Variations On A Theme From Mozart's 'The Magic Flute'
Mesto E Calmo
Theme, Variations & Finale
Cancion Mexicana No.X
Sevillana, Op.29
Sarabanda
Capriccio Diabolico, Op.85
Tonadilla For Guitar On The Name Of Andres Segovia
No.1 In E Minor
No.3 In A Minor
Guitarreo
Segovia, Op.29

Tracks:

If My Complaints
Now, O Now I Need Must Part
Sarabande
1. Prelude (Transposed In D Major)
4. Tempo Di Bourree
Courante
3. Gavotte En Rondeau
Aria E Corrente
Moderato
Menuet In G Major
Andantino Variato
No.7 In A Major
2. Canzonetta
2. Quasi Lento (Preludio)
1. Andantino Poco Allegretto (Allegretto)
2. Il Vecchio Castello
Allegretto
Tres Calme Et Doucement Expressif
No.4 In E Flat Minor
5. Asturias. Leyenda - Preludio
7. Zambra Granadina
Estudio Sin Luz
Allegro Con Brio

Amazon.com

DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis

Customer Reviews:

A Man and His Art - Magnificently Captured.......2007-04-06

This 2-CD set produced by Deutche Grammmophon and first released in 2002 is one set of the hundreds that could have been or the dozens that actually have been made and sold successfully all over the world. The exceptional feature of this particular collection is not, of course, the performer. Quite to the contrary, the miraculous consistency of stylings and performance are amongst the most remarkable aspects of the man who was, arguably, the 20th Centry's virtuoso supreme of the classical guitar, Andres Segovia (1893-1987.) Rather, it is the collection itself - the pieces chosen to be produced on this one set - this, to steal a German word, gestalt. While his style did not remain constant throughout his long life and career, by the time he had developed his most masterful skills that included doing his own arrangements - the era represented on this particular set (1951-1960) - his playing had become completely his own - unchallenged and unmatched by even other clearly great guitarists with whom he shared this era.

There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.

Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.

What can you say - it's Segovia!.......2007-02-10

I saw Segovia perform live in my youth. What a treat! Anyone who loves Classical Guitar should love this collection.

EVERYBODY KNOWS.......2007-01-13

EVERYBODY KNOWS THAT ANDRES SEGOVIA WAS/IS THE WORLD'S GREATEST CLASSICAL GUITAR PLAYER. THIS CD IS A COMPILATION OF HIS RECORDINGS FROM THE THE EARLY 50'S TO THE LATE 60'S. HIS GUITAR MASTERY IS UNQUESTIONED AND HE IS AN INSPIRATION. I WISH I COULD PLAY GUITAR LIKE ANDRES SEGOVIA (BUT I CAN'T AND I NEVER WILL!).

Immortal guitar.......2006-08-02

Two CD's with Segovia's immortal music - an incredible treat at a great price!

WOW.......2006-02-23

Even though there is hiss from the original analog recordings this one is a must. Segovia! What more can you say. Anyone who likes classical guitar will love this.

Average customer rating:

Great Collection
A remarkable anthology
High-quality, marvelously varied intro to baroque music

Essential Baroque

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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25 Baroque Favorites
The Best of Baroque Music
Baroque Masterpieces
Greatest Hits: Harpsichord
Baroque Guitar

ASIN: B00006L3IL
Release Date: 2002-10-08

Customer Reviews:

Great Collection.......2007-01-19

Essential Baroque is a great collection, especially for the price. It has two CDs packd full of the best Baroque music. Like most Baroque collections, it has the best of some of the better known artists like Handel, Bach, and Vivaldi. However, unlike most other collections, it excels in adding some good pieces from lesser known artists from the period.

A remarkable anthology.......2005-09-08

A fine selection of pieces excerpted from the chamber ensemble, solo and opera repertory. Some recordings, though from paramount artists, are elderly; yet, performers are anyway flawless. It may be objected that a few of Vivaldi's masterpieces were disregarded.

High-quality, marvelously varied intro to baroque music.......2003-12-13

I am buying this as the perfect gift for Russian and Chinese scientist friends. They have knowledge of classical music but perhaps not much about baroque music, which achieved special popularity in the U.S. during the 1970's and 1980's. Russians seem to have more familiarity with romantic classical music, while the more recently arrived Asian classical buffs have special affinity to the "Classical" classical period and the great 19th Century romantics. How can a baroque sampler be better than with a span of music ranging from solo harpsichord to full orchestra and chorus, and from the very familiar (Pachelbel Canon and Hallelujah Chorus from Handel's Messiah) to a trio sonata by Zelenka and the Dardanus Overture by Rameau. Not only that, but both the period instrument and living tradition baroque styles are represented by noted performers (e.g. Trevor Pinnock and Christopher Hogwood; and Henryk Szeryng, Andras Schiff, Pepe Romero, and Alicia de Larrocha, respectively). The producers were careful enough to state that the "Albinoni Adagio in g minor" was actually composed by Remo Giazotto - though in fact Giazotto did use a fragment of Albinoni. This is definitely not a supermarket special, but a box of choice musical bonbons.

Average customer rating:

"Best Harpsichord Recording"
Great
a must-have for harpsichord lovers
keeno
The Most Superb Harpsichord Sampler

Greatest Hits: Harpsichord

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

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Toccatas | Forms & Genres | Classical | Styles | Music

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Bach: Harpsichord Concertos 1
Essential Baroque
Complete Harpsichord Concertos
Rameau: Harpsichord Music (Complete), Vol. 1
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ASIN: B000002C0U
Release Date: 1995-08-22

Tracks:

Air And Variations In E Major From Harpsicord Suite No. 5: The Harmonious Blacksmith
Keyboard Suite No. 11 In D Minor: Sarabande
Greensleeves (16th Century)
Lavolta
The Earl Of Salisbury: Pavan, The Earl Of Salisbury
Ut re mi fa sol la, In F
The King's Hunt
The Nightingale (17th Century)
For Two Virginals
The Prince Of Denmark's March
The 18th Order (3rd Book Of Pieces For Harpsicord): Le tic-toc-choc, No. 6
The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Choisi, No. 4
Le Tambourin
La poule
Le Coucou
Sonata In D Minor, 'Pastorale'
Sonata In E Major, 'Capriccio'
Sonata in D Major
Goldberg Variations, BWV 988: Aria
The Well-Tempered Clavier, Book 1, BWV 846: Prelude and Fugue No. 1 In C Major
Italian Concerto In F Major, BWV 971: III. Presto
The Anna Magdalena Notebook: Minuet In G Major, BWV Anh. 114
Sonata No. 11 In A Major, K. 331: III. (Rondo) Alla Turca
Wo0 10, No. 2: Minuet in G Major
Trumpet Tune 'Martial Air'
Round O (Rondo)
The 6th Order (2nd Book Of Pieces For Harpsichord): Les baricades misterieuses, No. 5
The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Taverni, No. 5
Cuckoo Toccata

Customer Reviews:

"Best Harpsichord Recording".......2005-11-05

I have always loved the sound of the Harpsichord and for many years hearing poorly recorded or played Harpsichord this treasure is a must have. From the fine compositions to the good sound quality this CD is definately a keeper.
Plenty of music for a moderate price as well.

Great.......2005-08-09

This CD is very very good just what I was looking for. I highly recommend this CD if you are planning on purchasing a Harpsicord CD, this one is the best.

a must-have for harpsichord lovers.......2004-04-30

I love the sound of this most unusual instrument, the harpsichord. Especially the fast intricately melodic songs. Very enjoyable. This "Greatest Hits" includes many compositions perfectly suited to this wonderful old predecessor to the piano. There's even a little funny trivia thrown in: on the song sheet is written: Q:"what did the famous conductor Sir Thomas say that the harpsichord sounds like? A: "Like two skeletons screwing on a hot tin roof" :)

David Rehak
author of "Love and Madness"

keeno.......2001-01-08

This is a fun cd. BYRD, BULL, BACH ETC come through great Scarlatti bits sound like a flock of unhappy cows running of a field of burnt popcorn but those bits generally do unless played on the African Kalimba [or thumb piano] in Africa where I need not hear them.

This is a well engineered CD. Many featuring the harpsichord demand a level of equipment beyond that of any regular person with bills, which means this disk sounds just fine on a boom box. Everybody in the family will like some part of this disk `cept for the 13 year old whose lost to punk rock or hip hop.

The Most Superb Harpsichord Sampler.......2000-07-27

I can't imagine a better sampler of harpsichord 'hits' played by one of the great stereo-era masters. A full complement of emotions is displayed here, from the most delicate and sparing texture to the most rip-roaring martial roar. If you're wondering what the harpsichord is about, or if you're already a fan and want a great sampler to play for your own delight and amusement, you cannot go wrong with this recording.

Saint-Saens Symphony No. 3 "Organ" / Encores a la Francaise / Ormandy, Murray, Philadelphia Orchestra (Stereo Hybrid SACD)

Average customer rating:

Ormandy & Philadelphia do Saint-Saens: A Classic of the recorded literature

Saint-Saens Symphony No. 3 "Organ" / Encores a la Francaise / Ormandy, Murray, Philadelphia Orchestra (Stereo Hybrid SACD)
Saint-Saens , Michael Murray , Eugene Ormandy , and Philadelphia Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Tchaikovsky 1812 Overture etc. / Kunzel, Cincinnati Pops (Multichannel Hybrid SACD)
Mussorgsky: Pictures at an Exhibition, A Night on Bald Mountain, and Other Russian Showpieces [Hybrid SACD]
Stravinsky: The Firebird (Complete Ballet); Fireworks [Hybrid SACD]

ASIN: B0002IQHE8
Release Date: 2004-07-27

Tracks:

Adagio; Allegro Moderato Poco Adagio
Allegro Moderato, Presto; Maestoso Allegro; Molto Adagio
Chacone in G Minor
Carillon, Op. 27, No. 4
Scherzo
Piece Heroique
Toccata, Symphony No. 5
Sinfonia, Cantata 29
Final, Symphony No. 1, Opus 14
Musette, Opus 51
Fanfare

Customer Reviews:

Ormandy & Philadelphia do Saint-Saens: A Classic of the recorded literature.......2007-05-21

If memory serves, Eugene Ormandy did the Saint-Saens Third Symphony several times in various recordings. Given the brilliant orchestration, plus the use of the great French pipe organ, this piece just has to be a show piece. It demonstrated vinyl LP stereo, then it demonstrated the early failed vinyl quad, then it demonstrated CD stereo, and now it arrives on SACD. This master tape was made in the transition years before superaudio surround sound actually arrived, yet it represented a sterling technical step forward, thanks to the 50 Hz soundstream system that allowed an increase in resolution and something closer to what fanatics have long called, tube-like warmth.

Now this soundstream master is successfully transferred into DSD superaudio, albeit limited to two stereo channels. Which just serves to demonstrate how very much can be accomplished in two channels, given the higher resolution that DSD procedures allow. Yes, the dynamic range and detail and sense of tonal presence are all remarkable and lovely. And if this doesn't approximate the holy grail of tube-like warmth, then I do not think we are ever going to get there via digital methods.

Such technical capacities would mean little if this disc were not also showing off the rich sheen of the famed Philadelphia strings, christened with woodwinds in platinum, and golden glowing brass. The organ is particularly effective, yet integrated always into the larger orchestral fabric. Needless to say, there are never any problems of musical technique with the members of the Philadelphia. They excel, as a matter of course. Yet we must not take their excellence for granted, even though they are so generous with their talents that being cup bearer to the gods must come to seem for a while like the most ordinary of musical occupations.

The Saint-Saens was recorded complete with organ, played by virtuoso Michael Murray, at the Saint Francis de Sales church in Philadelphia, so it has special claims to care and to adopting a clean, non-gimmicky approach. Nearby streets were actually closed to traffic during the sessions, and special voicing of the organ and the church as an acoustic recording venue were carried out.

All of this effort paid off handsomely, now that we can hear what the original master captured.

There is nothing eccentric in this performance. It is entirely mainstream in its tempos and accents. Ormandy was often under-rated, like Fritz Reiner ... competent, yes, but ... Hearing him again after all these years reveals the rock solid tempo management he could take for granted, as well as his ability to get out of the way of the music and let the composer ring through without mannerism or fuss. This is all to the good, since with a facile composer like Saint-Saens, it is easy to try to hitch things up a bit by plastering on somebody's version of Frenchification, gone usually all glitzy. The end results of such pushing and pulling is not only to maul and distort the music, but in the end to make the music seem even shallower and less substantial than ever.

Ormandy does not let his players play down to the composer, nor does Michael Murray condescend, despite the composer's use of the organ for color and weight, as well as for display.

The remainder of the SACD is a second complete French music organ recital, played solo by Michael Murray on the great organ installed in Boston's Symphony Hall. It is difficult to imagine an organist who could play this recital repertoire better, nor a better instrument upon which the music could be played. The famed acoustics of Symphony Hall add their hallowed luster.

Murray as an organist is a masterful twin to Ormandy as band leader. Fuss, muss, and fiddle are foregone in favor of the organist adopting a direct, astute, and very rewarding transparency as a channel of musical communication. The tonal occupations of each different recital piece come through, clearly, and if we have to hear something after the symphony so grandly concludes, it is hard to gripe about this recital being it.

Among the full-channel superaudio competition, I am favorably disposed to the Nezet-Seguin/Montreal Metro outing. It has its own special values. The recent recording by Eschenbach with Philadelphia is also getting loud raves, so that one is probably in the high running, too.

Yet if you grew up with Ormandy - or if you didn't, and have been wondering just what the talk was all about during his long-standing tenure as music director - this disc is a blessedly welcome blast from the past. Bravo to Telarc for re-releasing it in superaudio, and not just consigning it to the past.

Why just have one Saint-Saens' Third? Plus you can use the organ recital portion to help voice and balance your chosen subwoofer into the home system you have been dying to test. Sounds like a win-win-win, thanks to soundstream, and thanks to solid musical values.

Saint-Saëns: Symphony No. 3 (Organ") Encores à la française

Average customer rating:

Saint-Saëns: Symphony No. 3 (Organ") Encores à la française

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B0001KL4JK
Release Date: 2004-03-23

Bach: Cantatas Nos. 10 & 47 (Includes Bonus Baroque Sampler)

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Bach: Cantatas Nos. 10 & 47 (Includes Bonus Baroque Sampler)

Manufacturer: Lyrichord Discs Inc.
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

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Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B0002VGQ9Q
Release Date: 2004-09-21

Tracks:

Chorus - Neil Howlett
Aria - Neil Howlett
Recitativo - Neil Howlett
Aria - Neil Howlett
Duet - Neil Howlett
Recitativo - Neil Howlett
Chorale - Neil Howlett
Chorus (Dictum) - Neil Howlett
Aria - Neil Howlett
Recitativo - Neil Howlett
Aria - Neil Howlett
Chorale - Neil Howlett

Tracks:

L'Agracante - The Queens Chamber Band
The Coffee Cantata BWV No. 211 - Ann Monoyios
The Cat's Fugue - Elaine Comparone
Aria De Passacaglia - Drew Minter
Boffins - Pro Arte Recorder Ensemble of Argentina
Allemande - Richard Troeger
Me, O Ye Gods - Howard Crook
Grave - Le Triomphe De L'Amour
Orfeo - Gwendolyn Toth
Complete Keyboard Trio Sonatas - John Paul
Sarabande - La Follia Salzburg
Presto - Paul Wolfe
Vivace - Tom Moore
Recitativo - Nogel Rogers
The Complete Toccatas - Richard Troeger
Allegro - Melomani
Toccata In D Minor 'Dorian' - Robert Noehren

The Harmonious Blacksmith: Favourite Harpischord Pieces

Average customer rating:

The Harmonious Blacksmith: Favourite Harpischord Pieces

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000057CH
Release Date: 1990-10-25

Average customer rating:

Harpsichord music at its best

La Sophie

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000A6G
Release Date: 1996-09-24

Tracks:

Italian Concerto, BWV 971: I. (Allegro)
Italian Concerto, BWV 971: II. Andante
Italian Concerto, BWV 971: III. Presto
Quatrieme livre de pieces de clavecin: Rondeau : La Pothouin
Deuxieme livre de clavecin, sixieme ordre: Les baricades misterieuses
Pieces de clavecin avec une methode sur la mecanique des doigts: Rondeau : Les cyclopes
Suite : 'Harmonious Blacksmith' In E Major: I. Prelude
Suite : 'Harmonious Blacksmith' In E Major: II. Allemande
Suite : 'Harmonious Blacksmith' In E Major: III. Courante
Suite : 'Harmonious Blacksmith' In E Major: IV. Air And Variations
Premier livre de clavecin, quatrieme ordre: Le reveil - matin
Premier livre de pieces de clavecin, troisieme suite: Rondeau : Le coucou
Quatrieme livre de clavecin, cingt - sixieme ordre: La Sophie
Sonata, K. 513 In C major
Sonata, K. 24 In A Major
Nouvelles suites de pices de clavecin: La poulle
Nouvelles suites de pices de clavecin: Gavotte And Variations

Customer Reviews:

Harpsichord music at its best.......2002-10-13

If you enjoy the sound of harpsichord all by itself (without an orchestra), you'll love this CD. Melodic and soothing, yet upbeat and vibrant. Sophie Yates has clearly mastered her instrument.

Tracks:

Son in G: I. Adagio
Son in G: II. Allegro
Son in G: III. Largo
Son in G: IV. Giga
Son in G: I. Adagio
Son in G: II. Allegro
Son in G: III. Adagio
Son in G: IV. Menuet
'Pieces de clavecin' (exc): I. Prld
'Pieces de clavecin' (exc): II. Gayement
'Pieces de clavecin' (exc): III. (Largo)
'Pieces de clavecin' (exc): IV. Vivement
Collection of Old Scots Tunes (exc): Logan Water
Collection of Old Scots Tunes (exc): O dear Mother, what shall I do
Collection of Old Scots Tunes (exc): Lord Aboyne's welcom on Cumberland
Son in G: I. Adagio
Son in G: II. Allegro assai
Son in G: III. Minuet
Son in e: I. Andante
Son in e: II. Allegro
Son in e: III. Tempo di Minuet
Pieces de clavecin: Tendrement
Collection of Ol Scots Tunes (exc): Thro' the Wood, Laddie
Collection of Ol Scots Tunes (exc): The Birks of Envermay
Collection of Ol Scots Tunes (exc): The Bonny Earl of Murray
Son in a: I. Grave
Son in a: II. Allegro
Son in a: III. Grave
Son in a: IV. Allegro

Average customer rating:

Fulfilling Overview of the Baroque Era in Music and Words
An Excellent Introduction to the Music of the Baroque Era

Discover Music of the Baroque Era

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Improvisation | Forms & Genres | Classical | Styles | Music

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General | Classical | Styles | Music

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Release Date: 2005-03-22

Customer Reviews:

Fulfilling Overview of the Baroque Era in Music and Words.......2005-05-09

Yet another great bargain-priced package from Naxos effectively provides an overview of the rich Baroque period with two discs containing more than 2 ½ hours of music and a comprehensive, 140-page primer booklet. Compiled by music historian Clive Unger-Hamilton, the collection is well-chosen to represent the many different facets of the era without recycling the more obvious candidates like Vivaldi's "The Four Seasons". The quality of the playing and singing is top-notch throughout, and the program contains quite a smorgasbord of pieces from dramatic opera arias to harpsichord pieces (sometimes played on authentic instruments, other times on modern grands) to full-blown choruses. Standout tracks include Allegri's "Miserere mei" with an ethereal boy treble soloist; two arias sung by soprano Ingrid Kertesi, in particular, Almirena's lament, "Lascia ch'io pianga" from Handel's "Rinaldo"; and a lovely "When I am laid in earth" from Purcell's "Dido and Aeneas" performed by soprano Kym Amps. The choral pieces can be astounding from Bach's "St Matthew Passion (BWV 244)" performed by the large Hungarian Festival Chorus and full symphony orchestra to the eight voices that wrap themselves around "For unto us a child is born" from Handel's "Messiah".

The booklet itself provides great value as you listen to the selections. There is a well written 85-page essay by Unger-Hamilton, who manages to encapsulate an enormous amount of information about this period which leaves a novice like me with a more solid basis of understanding the music of the Baroque era. In fact, what is quite valuable is that Unger-Hamilton provides a specific historical reference for each piece on the recording in his essay. There is also a very helpful glossary and an intriguing timeline which covers musical milestones relative to similar milestones in history, arts and architecture and literature. Moreover, there is an alphabetical list of the key Baroque composers and an accompanying map of Europe with important music centers and the composers associated with these cities. The thoughtful presentation of this package really makes the $8.98 price tag one of the great bargains here.

An Excellent Introduction to the Music of the Baroque Era.......2005-04-04

This is one of a series of the 'Discover ...' 2 CD sets -- at super-budget price -- from Naxos that makes use of complete movements of music from the era in question. It is accompanied by an excellent booklet - a thick one! - with an explanatory essay that gives background on the music as well as blow-by-blow descriptions of the music being presented. All the selections (from such composers as Monteverdi, Handel, Bach, Scarlatti, Schütz, Purcell, Corelli, Pachelbel, Charpentier, et al.) are from Naxos's extensive library of recorded music and as far as I can tell all the performances are top-notch.

In addition there is a Timeline of the Baroque Era that includes material about the music, history, art, architecture and literature of the times. There is a map of Europe that shows where various composers lived and worked. There is a list of composers (more than just those whose music provides the audio examples) with their dates and locations. There is a glossary of common musical terms. There is also an extensive list of music suggested for further listening. I can easily imagine this set being the springboard for a newcomer to baroque music to begin a lifetime of enjoyment of these and similar works.

The presentation is thoughtfully done and the whole thing is in a slipcase that will preserve the CDs as well as the booklet for years to come.

Scott Morrison

Music Review:

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