Romantic Arias
On this CD:
1. Rigoletto, opera Ella mi fu rapita
Composed by Giuseppe Verdi
Performed by Luciano Pavarotti
2. Rigoletto, opera Parmi veder le lagrime
Composed by Giuseppe Verdi
Performed by Luciano Pavarotti
3. La Traviata, opera Dei miei bollenti spiriti
Composed by Giuseppe Verdi
Performed by Jose Carreras
4. Aida, opera Quale insolita fiamma
Composed by Giuseppe Verdi
Performed by Fiorenza Cossotto, Placido Domingo
5. La favorita, opera A lei son presso alfine!
Composed by Gaetano Donizetti
Performed by Luciano Pavarotti
6. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) Ingemisco
Composed by Giuseppe Verdi
Performed by Jose Carreras
7. La forza del destino, opera Gonfio hai di gioia il core, e lagrimi!
Composed by Giuseppe Verdi
Performed by Placido Domingo
8. La Traviata, opera Scena Della Borsa
Composed by Giuseppe Verdi
Performed by Jose Carreras
9. I Puritani, opera A te, o cara
Composed by Vincenzo Bellini
Performed by Luciano Pavarotti
10. Rigoletto, opera Wlla mi fu rapita...Parmi veder le lagrime...Possente amor mi chiama
Composed by Giuseppe Verdi
Performed by Jose Carreras
11. La forza del destino, opera Solenne in quest'ora
Composed by Giuseppe Verdi
Performed by Placido Domingo
12. Rigoletto, opera Della mia bella incognita borghese
Composed by Giuseppe Verdi
Performed by Luciano Pavarotti
13. Rigoletto, opera Questa o quella
Composed by Giuseppe Verdi
Performed by Luciano Pavarotti
Romantic Arias, Music, Vincenzo Bellini, Gaetano Donizetti, Giuseppe Verdi, José Carreras, Luciano Pavarotti, Plácido Domingo, The Three Tenors, Fiorenza Cossotto, Choral, Christmas, Classical, Classical Artists, Classical Crossover, Classical Music, Classical Vocals, Italian Romantic Opera, Opera, Requiem/Requiem Section
Average customer rating:
- The End of the Big Voice?
- Fla Gator Lady
- 20 Great Tenor Arias
- Plesantly surprised...
- Absolutely Agree About Corelli
|
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B000007OTX
Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.
Fla Gator Lady.......2007-01-12
Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.
20 Great Tenor Arias.......2007-01-09
A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.
Plesantly surprised..........2006-01-14
I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
Average customer rating:
- Great for kids!
- Mediocre Sound Quality
- I was pleased
- The Most Famous Opera Arias
- Okay But.... - a review of "The Most Famous Opera Arias"
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The Most Famous Opera Arias
Manufacturer: EMI Classics
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Binding: Audio CD
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- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
ASIN: B000002SCE
Release Date: 1994-07-19 |
Tracks:
- Rigoletto: Act I - Caro nome
- Rigoletto: Act III - La donna e mobile
- Gianni Schicchi: O mio babbino caro
- Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
- Orfeo ed Euridice: Act III - Che faro senz Euridice
- Madama Butterfly: Act III - Un bel di, vedremo
- Romeo et Juliette: Act I - Ah! je veux vivre
- Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
- Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
- Tosca:: Act II - Vissi d'arte, vissi d'amore
- Aida: Act I-Celeste Aida
- Il Barbiere Di Siviglia: Act I-Una voce poco fa
- Lakme: Act II - Ou va la jeune indoue?
- La Wally: Act I - Ebben? Ne andro lontano
- La Boheme: Act I - Che gelida manina
- Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen
Customer Reviews:
Great for kids!.......2007-06-27
I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.
Mediocre Sound Quality.......2007-03-31
If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.
It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.
I was pleased.......2007-02-18
I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.
The Most Famous Opera Arias.......2007-01-05
I was completely surprised in the product as well as the time in which it was delivered.
I would not only refer this seller but I will come back myself.
Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18
My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.
This was the first we purchased and it is okay but not great.
Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)
Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.
Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
Average customer rating:
- Beautiful music
- Andrea Bocelli-Sacred Arias
- An "experience" of sacred arias more than "listening" of sacred arias
- amazing talent
- Perfect arias for the perfect voice
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Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli
Manufacturer: Philips
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ASIN: B00002ND9N
Release Date: 1999-11-09 |
Tracks:
- Caccini/Mercurio: Ave Maria
- Mascagni: Sancta Maria
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Rossini: Cuius animam
- Verdi: Ingemisco
- Mozart: Ave verum
- Wagner: Der Engel
- Handel: Ombra mai fu
- Niedermeyer: Pieta signore
- Rossini: Dominus Deus
- Schubert/Mercurio: Mille Cherubini in coro
- Gruber/Mercurio: Silent Night
- Wade: Adeste Fideles
- Gloria a te, Cristo Ges
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May
Customer Reviews:
Beautiful music.......2007-01-12
This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.
Andrea Bocelli-Sacred Arias.......2006-08-25
Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.
An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28
I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.
amazing talent.......2006-03-25
worth the price the songs are breathtaking and talent is indescribable
Perfect arias for the perfect voice.......2006-03-04
These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.
I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?
Average customer rating:
- Anna Netrebko: Opera Arias
- First DGG album--very promising
- Remarkable!
- Beautiful voice, beautiful girl
- Fresh soprano blood
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Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
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Binding: Audio CD
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- Sempre Libera
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ASIN: B00008MLSH
Release Date: 2003-09-09 |
Tracks:
- Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
- Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
- Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
- La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
- Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
- Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
- Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
- Rusalka: "Mesicku na nebli hlubokem" - Dvorak
- La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini
Amazon.com
Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella talethe bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May
Customer Reviews:
Anna Netrebko: Opera Arias.......2007-03-29
Her voice takes my breath away, I fell in love with her.
I highly reccomend it.
First DGG album--very promising.......2007-02-01
Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.
A few selections illustrate:
Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.
Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.
Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.
Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.
Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.
Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.
All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.
Remarkable!.......2006-11-02
Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.
Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.
Beautiful voice, beautiful girl.......2005-11-22
When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!
Fresh soprano blood.......2005-09-07
Any budding soprano that doesn't choose the usual warhorses, and opens her debut album with an aria from Mozart's Idomeneo, and turns it into a tour de force, sparkling performance, is worth all the hype. And the best is yet to come- the second track, Non mir dir from Don Giovanni is even better. Not technically, far from it: the way she fudges that trill at the end is astounding, but this Anna is so alive, so achingly beautiful, that it remains one of my favourites among the many versions I have heard over the years. Netrebko has performed Donna Anna on stage - to a great acclaim- and that shows here.
The rest of the album offers energetic Berlioz, great bits of Lucia - a wonderful mezzo Elina Garanca joins Netrebko on this one- and La sonnambula sung in a way that makes Dionizetti and Bellini palatable for me... The runs are little messy sometimes, but give Netrebko the vocal challenges, the idiotic libretti and a sleeping gown and she can act the hell out of it, even in a studio recording. The spunky Manon makes her mark in the gavotte, the Faust is charming- and devoid of many written trills and such, but it's good clean fun and she is putting some life into that chirpy classic.
And then, the kinky Rusalka, lovely, strong and devoid of any of that cheese and swooning nonsense that many other singers have splattered on it. I love this opera and Mesicku aria is one of my big favourites, and I have heard countless renditions of it, from a near perfect Benackova to a very cool Karita Mattila to a horrible, slurring and scooping, bottom of the lake Fleming, and Netrebko really gets it right for me. When I was a kid reading all the stories about rusalki, this is how I imagined them- sad, erotic, and with some character. I can understand her Czech too, how often that happens! I guess only someone from our Slavic language pool would understand how well she controls that super rounded Russian oh's from overtaking what she is singing, and even though her diction is funny business overall, the voice more than makes up for it.
The closing Musetta's Waltz is just about perfect- once again, not too much, not too little, would make me see the tired old Boheme if it played around here and she was in it... Netrebko has some work to do on varying the colors of her lovely, dark voice, and kicking up the diction, but she is shaping to be major economic force in the opera world and from this debut CD it is clear why- the looks are backed by a high wattage talent, acting skills and plain good taste.
Average customer rating:
- Great to hear the Great Tenor
- A childhood memory
- Great collection.
|
The Legendary Enrico Caruso: 21 Favorite Arias
Manufacturer: RCA
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ASIN: B000003EOH
Release Date: 1990-10-25 |
Tracks:
- Pagliacci: Vesti la giubba
- TOSCA: E lucevan le stelle
- Rigoletto: Questa o quella
- Rigoletto: La donna e mobile
- L'africana: O paradiso
- La Juive: Rachel, quand du Seigneur
- La Boheme: Che gelida manina
- Aida: Se quel guerrier io fossi; Celeste Aida
- Andrea Chenier: Come un bel di di maggio
- La Favorita: Romanza: Spirto gentil, ne' sogni miei
- La forza del destino: O tu che in seno agli angeli
- Otello: Ora e per sempre addio
- Les pecheurs de perles: Je crois entendre encore
- La Gioconda: Cielo e mar!
- Carmen: La fleur que tu m'avais jetee (Flower Song)
- TOSCA: Recondita armonia
- Faust: Salut, demeure chaste et pure
- L'Elisir d'Amore: Una furtiva lagrima
- Martha: M'appari tutt'amor
- Serse: Ombra mai fu (Largo)
- Il Trovatore: Di quella pira
Amazon.com
There's a plethora of single-disc Caruso collections, but this one's the preferred choice for opera fans who treasure this golden- voiced epitome of Golden Age singing. It's a Greatest Hits collection to beat all Greatest Hits collections. Selections span Caruso's career, from the lyric effusions of 1906-7 to the darker-voiced later recordings, including one of his last records, the 1920 La Juive aria, "Rachel, quand du Seigneur," which he invests with a heartbreaking poignancy that hasn't been bettered. Caruso shines brightest in the Italian repertory, capturing the pathos of Vesti la Giubba, the insouciance of the Duke's Rigoletto arias, and the hero's dilemma in Celeste Aida, among much else. But everything here is wonderful--great music, great singing. --Dan Davis
Customer Reviews:
Great to hear the Great Tenor.......2007-04-11
I am impressed how well these almost 100 year old recordings have been transfered to CD. Of course they aren't perfect but considering their age it is still a miracle. It is nice to hear Caruso in his prime and not on a scratchy vinyl. I would recommend this to any lover of Caruso's singing.
A childhood memory.......2006-05-28
I do not really know Opera. I am writing this review because I remember hearing Caruso's voice coming from a seventy- eight on an old Victor gramophone in my paternal grandparents house. The power and lyric quality of the voice struck me so strongly especially in 'Pagliacci'. The phrase has been with me, and comes back occasionally through all the years.
Caruso was then, and I believe still is considered at the very top of operatic singers. And it is a remarkable experience to hear so many years later , and in a stronger and clearer way sounds which one heard long ago in childhood, and have for years only lived in the mind.
Great collection........2000-11-04
This CD is an older RCA release, but still one of the best! A great introduction to Caruso.
Average customer rating:
- The best opera album ever
- Beautiful Music, Nice price
|
Puccini: Great Opera Arias
Manufacturer: Sony
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ASIN: B00005YQLA
Release Date: 2002-01-29 |
Tracks:
- Gianni Schicchi: O mio babbino caro
- Gianni Schicchi: Firenze e come un albero fiorito
- La Rondine: Chi il bel sogno di Doretta
- La Boheme: Si, mi chiamano Mimi
- La Boheme: Quando m'en vo
- Madama Butterfly: Un bel di vedremo
- Madama Butterfly: The Flower Duet
- Madama Butterfly: The Humming Chorus
- Madama Butterfly: Tu? tu? Piccolo iddio
- Tosca: Dammi i colori
- Tosca: Vissi d'arte
- Tosca: E lucevan le stelle
- Turandot: Signore, ascolta!
- Turandot: In questa reggia
- Turandot: Nessun dorma
- La Fanciulla Del West: Ch'ella mi creda libero e lontano
- Suor Angelica: Senza mamma, o bimbo
- Le Villi: Se come voi piccina io fossi
- Manon Lescaut: In quelle trine morbide
- Manon Lescaut: Sola, perduta, abbandonata
Customer Reviews:
The best opera album ever.......2007-01-26
I have listened this album almost every day for the past 4 years. For begginers and amateurs in this kind of music, the album rocks in every song with the exception of track 2 and 5.
Beautiful Music, Nice price.......2007-01-04
I purchased this CD for my daughter while searching specifically for arias. She was very pleased and I find myself enjoying it as well.
A wonderful collection for a terrific price, super fast shipping too- as always.
Average customer rating:
- heywhattsamattayou
- full of passion and love
- Absolutely Beautiful!
- Where is Amore I?
|
Amore II ~ Great Italian Love Arias
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ASIN: B00004C4MX
Release Date: 2000-02-01 |
Tracks:
- Gianni Schicchi: O mio babbino caro
- La rondine: Chi il bel sogno di Doretta
- La Boheme: Quando m'en vo
- La Boheme: Mi chiamano Mimi
- La Boheme: Che gelida manina
- TOSCA: Vissi d'arte
- Madama Butterfly: Un bel di
- Madama Butterfly: Bimba dagli occhi pieni di malia
- Turandot: Tu, che di gel sei cinta
- Rigoletto: La donna e mobile
- Rigoletto: Caro nome
- La Traviata: Lunge da lei...De miei bollenti spiriti...oh mio rimorso
- Aida: Celeste Aida
- L'Elisir d'Amore: Prendi, per me sei libero
- L'Elisir d'Amore: Una furtiva lagrima
- Don Pasquale: Quel guardo il cavaliere
- Fedora: Amor ti vieta
- Turandot: Nessun dorma
Customer Reviews:
heywhattsamattayou.......2007-06-12
i'm a tellin you..... if you dont a like a this music....well you musta been born with the stone for a heart...heh
full of passion and love.......2007-03-31
This CD is full of passion and love. Whenever I listen to it, I get the butterfly feeling in my stomach...must have CD!!!! I strongly recommend!
Absolutely Beautiful!.......2002-03-02
Two words describe the music found on this CD: ABSOLUTELY BEAUTIFUL! The beauty of the vocals and music combine to allow one to transcend from the daily grind to a world of beauty. Bravo!
Where is Amore I?.......2001-02-16
This CD is a selection of arias from Italian operas. Most of the time when you get a compilation like this, you feel lucky if you like 2/3 of the selections. In this case, whoever did the selecting did a great job, there isn't a clinker in the lot. About half of the arias are by Puccini, the rest are by Verdi, Donizetti, and Giordano. Singers include Kiri Te Kanawa, Luciano Pavarotti, Richard Tucker, and Andrea Rost. There is enough variety to keep the whole CD interesting, yet the mood is consistent throughout. The sound is generally quite good, and while I am not generally a fan of live recordings, the audience response in the performance by Pavarotti really does add excitement to the presentation. Given the title of this CD, I assumed this was the second in a series, and I liked it so much I went looking for the original. Unfortunately, I can find no other CD on the Sony label titled Amore - too bad.
Average customer rating:
- Mario Lanza Opera
- Outstanding
- Unsurpassed!
- BMG Needs to hire Folks in the Know
- Mario Lanza WAS a trained opera singer
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Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
Manufacturer: RCA
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Similar Items:
- Mario Lanza: At His Best!
- The MARIO LANZA Collection
- Lanza: Greatest Hits
- Mario Lanza Sings Songs From The Student Prince & The Desert Song / Romberg
- Live at Hollywood Bowl: Historical Recordings (1947 & 1951)
ASIN: B00000JMH3
Release Date: 2001-10-08 |
Tracks:
- Celeste Aida
- Amor Ti Vieta
- Di All'azzurro Spazio [From "Andrea Chenier]
- O Soave Fanciulla
- Fleur Que Tu M'Avais Jetee
- O Paradiso
- Tal Giocco/Vesti la Giubba
- Stolta Paura l'Amor - Mario Lanza,
- Donna E Mobile
- Vesti la Giubba
- M'Appari
- Nessun Dorma
- Testa Adorata
- Come un Bel Di Maggio
- Lamento Di Federico
- Dio Ti Giocondi - Licia Albanese, Mario Lanza
Customer Reviews:
Mario Lanza Opera.......2007-05-12
This CD of mario is absolutely fabulous. It is the only recording I have managed to find of him singing Nessum Dorma. It is not to be missed. One of operas greatest.
Outstanding.......2006-11-06
Hey, this is Mario Lanza, it can't get any better. A great collection of the best Arias!
Unsurpassed!.......2005-12-13
I am sick and tired of all these technical reviews and critical remarks leveled against everything Mario Lanza did in his short life!
True, musically Mario made some mistakes....but so has every other great tenor in history....from Caruso to Pavarotti and beyond!
And perhaps he sang some arias with too much fortissimo....so what?
Every single song on here, be it among his best or worst work, is a masterpiece when compared to renditions of the same arias by other, more legit and operatically acclaimed tenors.
In order to "get" Lanza one must discard all notions of "finesse", "grace" and " elegance" for Lanza operated, and sang on raw, unadulterated, gut wrenching emotion.
THAT was the genious of Mario Lanza.
We can argue for another 40 years as to his operatic legitimacy...for nought!
Lanza was a VOCAL master and his approach to song was as unconventional and idiosyncratic as was his life.
That's what makes these songs so special and unique.
No one other than perhaps Corelli had the voice and the balls to sing with such uninhibited emotion and that's what this CD is all about.
It is a testament of a great voice.
The fact that Lanza did not have the benefit of a great conductor or teacher guiding him through most of his career, makes these recordings all the more great.
He sang the music as he felt it and that's a big no-no in the stuffy, overbearing and self-righteous world of opera.
Lanza earned millions of dollars because his voice touched all who heard it. His art brought more people to opera than all the leading tenors of his day combined....and this during the golden age of tenors and opera as a whole!
The only word of lesser praise I can offer is the inclusion of the duets. Mario did not have the temprament for duet singing, and subsequently he ended up drowning his partners out, or engaging in a sort of vocal warfare which was the case with much of what he and Grayson recorded during his MGM days.
The arias are great....the duets are medicore on all accounts.
In closing, I apologize for not having spen time on the actual songs. It's been done to death.
All I can say is that, if you wish to hear opera arias sung in a way such as will never be heard again in our lifetime, then this is a CD for you.
If you want proper, technically proficient opera, sung by some big name opera jerk, then stick to that....you'll only end up feeling like all the other good people who have so much negative to say about this CD.
BMG Needs to hire Folks in the Know.......2004-06-15
There are several cuts on this CD that Lnaza did in fact record much better at other times. I have all his records LPs, 78s and movies and I wish BMG would consult a Lanza fan,or me,for the cuts would make the perfect CD. I think its great that we have such a wonderful collection of recordings of Lanza and this one warts and all is still one of the best. The best Lanza set was the RCA LP 2 record set put out in the 70s with Lanza on the cover in M. Butterfly. Where oh where can it be??? Long live Mario Lanza!
Mario Lanza WAS a trained opera singer.......2003-11-13
To the reviewer from Michigan who said Mario never performed an opera on stage, you are wrong. He did two performances as Pinkerton in Madame Butterfly before going off to Hollywood.
Mario had extensive operatic training from some top teachers. He was sought after by many opera companies, including the Met in New York.
It is true that some of Mario's recordings are not as good as others. He did various versions of much of his material, both live and studio, so of course you will find some you prefer to others. But the beauty, power and expressiveness of his voice is unmatched by any tenor I have ever heard.
Average customer rating:
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Luciano Pavarotti - Nessun dorma (Arias & Duets)
Luciano Pavarotti , Mirella Freni , and Katia Ricciarelli
Manufacturer: Decca
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Similar Items:
- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
- Luciano Pavarotti - Passione - Neapolitan Songs
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ASIN: B00004Z32N
Release Date: 2001-03-27 |
Tracks:
- La Traviata: Libiamo ne' lieti calici (Brindisi)
- Werther: Pourquoi me reveiller
- L'Elisir d'Amore: Una parola ... Chiedi all'aura
- La Gioconda: Cielo e mar
- La Traviata: Parigi, o cara
- L'africana: Mi batte il cor ... O paradiso
- Turandot: Nessun dorma
- Petite Messe solennelle: Domine Deus
- Requiem: Ingemisco
- La Traviata: Lungi da lei ... De' miei bollenti spiriti
- Macbeth: Ah, la paterna mano
- I lombardi: La mia letizia infondere
- Otello: Gia nella notte densa
Average customer rating:
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Sacred Arias [Special Edition with Bonus DVD]
Andrea Bocelli , Giulio Caccini , Cesar Franck , Charles Gounod , Franz Xaver Gruber , George Frideric Handel , Jean-Paul Lecot , Eric Levi , Steven Mercurio , Wolfgang Amadeus Mozart , Louis Niedermeyer , Gioachino Rossini , Franz Schubert , Giuseppe Verdi , John Francis Wade , Richard Wagner , Myung-Whun Chung , and Santa Cecilia National Academy Orchestra Rome
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Andrea Bocelli - Amore
- Romanza
- Sentimento: Andrea Bocelli with Lorin Maazel and the London Symphony Orchestra [Limited Edition w/ Bonus Track]
- Andrea Bocelli - The Opera Album ~ Aria
- Cieli di Toscana
ASIN: B0000CE9VO
Release Date: 2003-10-14 |
Tracks:
- Ave Maria
- Sancta Maria
- Ave Maria
- Ave Maria
- Panis Angelicus - Norbert Balatsch
- Cujus Animam
- Ingemisco
- Ave Verum Corpus
- Der Engel
- Frondi Tenere... Ombra Mai Fu
- Pieta, Signore - Norbert Balatsch
- Domine Deus
- Mille Cherubini In Coro - Norbert Balatsch
- Silent Night
- Adeste Fideles (O Come, All Ye Faithful) - Norbert Balatsch
- Gloria A Te, Cristo Gesu (The Hymn Of The Great Jubilee)
- Agnus Dei
- I Believe
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. This new special edition includes two bonus tracks on a CD enhanced with a picture gallery as well as a full-length DVD of Bocelli in concert filmed at the Basilica of Santa Maria sopra Minerva in Rome. --Thomas May
Album Description
Special Edition includes enhanced CD with bonus tracks and concert DVD.
Customer Reviews:
A spiritual experience.......2003-11-27
The DVD is the full 77 minute concert with two featurettes previously released alone. The CD is the full 72 minute concert previously released alone, except that two bonus tracks have been added. The audio quality of each one is quite good. (If you have a Dolby Digital stereo, then you must go into the setup menu on the DVD to select Dolby Digital sound. The default music track is the stereo 2.0 sound.) The video quality of the DVD is astonishing.
The DVD gives the feeling that you are in the church with the other worshippers. It literally sends chills up and down my spine. I highly recommend this CD/DVD combination Special Edition while it is still available.
Music Review:
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