Viola Power

On this CD:

1. Arrival Platform Humlet for viola solo, RMTB 7
Composed by Percy Grainger
Performed by Patricia Pollett

2. Sonata for viola & piano
Composed by Margaret Sutherland
Performed by Patricia Pollett

3. Enyato II, for solo viola
Composed by Ross Edwards
Performed by Patricia Pollett

4. Points of Departure Resting Point
Composed by Nigel Sabin
Performed by Patricia Pollett, Colin Spiers

5. Arch, for 3 violas
Composed by Robert Davidson
Performed by Patricia Pollett

6. Sonata for viola & percussion
Composed by Peter Sculthorpe
Performed by Michael Askill, Patricia Pollett

7. Attack, for solo viola
Composed by Andrew Schultz
Performed by Patricia Pollett

8. Duo Variations, for viola & piano
Composed by Andrew Schultz
Performed by Patricia Pollett, Colin Spiers

Viola Power, Music, Robert Davidson, Ross Edwards, Percy Grainger, Nigel Sabin, Andrew Schultz, Peter Sculthorpe, Margaret Sutherland, Michael Askill, Colin Spiers, Patricia Pollett, Chamber, Chamber Music, Classical, Classical Composers, Orchestral & Symphonic, Viola Solo
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
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  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Walton, Rubbra: Viola Concertos
Average customer rating: Not rated
    Walton, Rubbra: Viola Concertos

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

    Rubbra, EdmundRubbra, Edmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by WaltonAll Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    ViolaViola | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    ClassicalClassical | Imports | Stores | Music
    ASIN: B000PKG53G
    Release Date: 2007-08-10

    Tracks:

    1. Andante Comodo
    2. Vivo, Con Molto Preciso
    3. Allegro Moderato
    4. Meditations On a Byzantine Hymn
    5. Introduzione Quasi Una Fantasia
    6. Molto Vivace
    7. Collana Musicale: Andante Moderato
    Falling into Place
    Average customer rating: 4.5 out of 5 stars
    • Love Is Infectious
    • Pure Power Pop by a Natural
    • FANTASTIC!!!!
    • What a suprise!
    • an under-appreciated talent
    Falling into Place
    Mike Viola & The Candy Butchers
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    Power PopPower Pop | Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    Similar Items:
    1. Play With Your Head
    2. Hang On Mike
    3. Catchall
    4. The Live at La Bonbonniere
    5. Moustache

    ASIN: B00000K2B0
    Release Date: 1999-08-31

    Tracks:

    1. Falling Into Place
    2. Killing Floor
    3. All I Have
    4. Too Much Going On
    5. Let It Ride
    6. Give Me Some Time
    7. Hills Of L.A.
    8. I Don't Know Anything
    9. Can't We Do Anything Right?
    10. Stop When It Hurts
    11. Doing It The Wrong Way
    12. Break Your Heart
    13. Fall Back Down
    14. Once I Was

    Customer Reviews:

    4 out of 5 stars Love Is Infectious.......2002-11-23

    With a new CD this year called "Play With Your Head," it's time to dust off Mike's first full length outing. More than Elvis Costello or some of the power pop bands, I hear a strong similarity to Neil Finn & Crowded House. The title track is pop perfection, a joyful loud mix. "Killing Floor" has that abrupt staccato machine gun guitar riff on which Viola hangs the lyric, "My man I dig you Jonah, two-tailed spermatozoa, killed them with your bleeding lance, you just couldn't keep it in your pants." "You're in my bed tonight, I'm on my best behavior," he sings on "All I Have" to thundering guitar riffs. On of my favorites is the bouncy "Too Much Going On." "Let It Ride" has a pretty melody hung on locomotive guitar, sounding a bit like Split Enz. "Give Me Some Time" quiets down for acoustic guitar and a pretty McCartney-like melody with a splash of dissonant strings. My favorite track is the throbbing "Hills of L.A.," "I worry about what I've become, I'm looking for someone to blame it on." "I Don't Know Anything" is great rock while "Can't We Do Anything Right" boasts great harmonies. "Stop When It Hurts" shows Mike's better when he doesn't slow down. "Doing It the Wrong Way" & "Fall Back Down" are great power pop rockers sounding lots like the Brothers Finn. The CD concludes with the softer, somewhat plodding "Once I Was." This CD is great because it is amazingly consistent and strong. All the rockers pop with energetic guitar melody. Based on this strong outing, I'm looking forward to "Play with Your Head." Enjoy!

    4 out of 5 stars Pure Power Pop by a Natural.......2001-07-11

    Creating a three-minute pop song is nothing less than an artform, but Mike Viola makes it seem like a breeze. His songwriting is sharp, his gravely tenor voice fits perfectly, the hooks abound, and producer Bob Clearmountain adds a bright, "up-front" 90's polish to it all.

    This album differs substantially from the 60's moptop sound of "That Thing You Do," or even the folksy feel of the Candybutchers' debut EP, showcasing a more raw, edgy rock sound. I was searching for a suitable analogy, and one reviewer's reference to Graham Parker nailed it. The hooks and changes, as well as the faint sneer in Viola's singing style bears an almost eerie resemblance to Parker at times.

    The album falls somewhat short of a pop classic. The ideas start to trail off and tend towards cliches towards the end, and Clearmountain's engineering, while fresh at first, starts making everything sound the same. Nevertheless, songs like the first track, with its chiming guitars and churning beat, and the uptempo "All I Have," among others, are real pop gems. Viola is a natural, and I can only hope he continues to refine his craft.

    5 out of 5 stars FANTASTIC!!!!.......2001-03-13

    If you do one thing today, buy this CD!!!! They just don't play music like this anymore, it's a shame they don't give this band more airplay. I bought this beauty three months ago, and haven't stopped listening. The songs really grow on you - very catchy but not too "pop." I especially like some of the uptempo songs with horns ("I Don't Know Anything", "Fall Back Down") but this album has everything from well written ballads ("Give Me Some Time", Stop When It Hurts), to songs which could have EASILY gone top-40 (the cover song, and "Let It Ride"). This album has something for everyone...I can honestly say its one of the best I own. To describe Mike Viola's style is difficult, but think of it as Elvis Costello meets Paul McCartney meets Tom Waits meets Tom Petty with Sqeeze and a little Roy Orbison thrown in (okay, at least the sunglasses)...with the whole being greater than the sum of its parts! "Hills of LA" could have been a Springsteen song, but Viola has a better voice.

    To put things into perspective, I haven't got this excited about a record since Nevermind, even though my musical tastes have changed considerably since then. Even my wife got into the act and works out to the CandyButchers. This stuff is GREAT!

    4 out of 5 stars What a suprise!.......2000-07-26

    I have read all the reviews and must say I agree with most of them. I happened across this cd at a listening station and I was immediately taken with it. I put it in my car and I don't think I took it out for quite some time. Even my 16 year old son likes parts of it(he's into 311-POPA ROACH-etc.). There are some really good songs on this cd and they don"t all sound alike. I personally really like "Let It Ride". I believe if you buy this cd you will be glad you did.

    4 out of 5 stars an under-appreciated talent.......2000-07-23

    Mike's vocals give this album the edge it needs. While never really threatening to become too poppy, the album has its moments. its definately got some good elements of glam, disco, and pop, while not hesitating to have a ballad or a few... the killing floor is a good song to pick you up, while stop when it hurts has a tendency to soothe. Overall, a good buy if you have many musical interests, or if you liked what you heard during That Thing You Do, since mike did the lead vocals, and wrote the songs.
    Cotton-Poly Blend
    Average customer rating: Not rated
      Cotton-Poly Blend
      Vanessa Van Spall
      Manufacturer: n/a
      ProductGroup: Music
      Binding: Audio CD

      Contemporary BluesContemporary Blues | Blues | Styles | Music
      GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
      GeneralGeneral | Adult Contemporary | Pop | Styles | Music
      ASIN: B000P9GWN0
      Release Date: 2007-03-29

      Tracks:

      1. Hopeful
      2. I Couldn't Cry
      3. Follow Me
      4. Palm Of Your Hand
      5. Truth
      6. Not Sorry
      7. Foolish Bride
      8. Ivory Lady
      9. After The Fall
      10. Rapture
      11. Save Me
      12. You Open My Eyes

      Product Description

      Vanessa Van Spall explores spiritual and emotional experiences through a melding of rock, blues, gospel and pop. Vocals soar over sultry grooves, driving keyboards and catchy viola riffs, fusing elements of Motown and late-era Beatles with the vocal styles of Annie Lennox, Sarah Mclachlan, Aretha Franklin and Sheryl Crow. All songs are written together by Ian Hisert and Vanessa Van Spall. Hear samples at http://vanessavanspall.com/music.html
      York Bowen: Viola Concerto; Cecil Forsyth: Viola Concerto
      Average customer rating: 5 out of 5 stars
      • A genuine revelation
      York Bowen: Viola Concerto; Cecil Forsyth: Viola Concerto

      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      ViolaViola | Strings | Instruments | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ClassicalClassical | Imports | Stores | Music
      Similar Items:
      1. The Elegant Viola: Yizhak Schotten, Viola
      2. William Primrose: Viola Transcriptions
      3. Lillian Fuchs: Complete Music for Unaccompanied Viola
      4. York Bowen: Violin Concerto; Piano Concerto
      5. Bach: 6 Suites for Cello Solo

      ASIN: B00095L8XE
      Release Date: 2005-06-14

      Customer Reviews:

      5 out of 5 stars A genuine revelation.......2005-12-03

      It's good if you already know some of the music Bowen wrote once he had found his voice, because it allows you to put Bowen's Concerto in it's proper persepctive as one work among his canon, and as an independent work jockeying for position among the other viola compositions written previously and those of the day. On display are all of the influences that eventually amalgamated to become the recognizably mature Bowen style: the harmonic inventiveness of the French school via Debussy, the surging and passion of the Russian romantics via Tchaikovsky, the yearning modality of the new English school and the overwhelming technicolor of the Austro-German school via Strauss in Bowen's orchestration. While it's remarkable that the young Bowen had absorbed all this, it is even more amazing that just a short time later he was able to forge these disparate musics into a style recognizable as York Bowen. (See his Phantasy for viola and piano for the first manifestation of the mature Bowen. York Bowen: Viola Sonatas No. 1 & No. 2; Phantasy for Viola & Piano) The fact that these influences are clearly on display in the Viola Concerto doesn't lessen the incredible impact made by the work. It is just fantastic; compelling, ceaselessly interesting from moment to moment, showing incredible imaginative resources. There is one weak moment: the cadenza in the 3rd movement. It seems to be from another piece, and Lewis Foreman (author of the booklet note) thinks it was actually written by Tertis.

      This isn't the first viola concerto, but it is surely the first truly virtuosic viola concertante work. There simply was no viola writing like this up to this time. (Remember that Harold in Italy is really of student level difficulty, and though it came later than Bowen's, Walton's Concerto isn't much more difficult than the Berlioz.) Bowen puts the soloist through paces expected of a violinist, while the orchestra has its own virtuoso duties to fulfill. How is it that violists don't know this work? I can only imagine that Bowen himself didn't try to promote it much, even while Lionel Tertis (the dedicatee) was alive, much less so once he was gone. Trust me, this work is a masterpiece from a young genius, and it should be played everywhere, instead of trotting out tired warhorses like Telemann and Bartok.

      From the above you may think that the Forsyth Concerto is completely overshadowed by Bowen's, but that isn't the case. It is a fine work, considerably less adventurous harmonically and stylistically, but a work that is more than professionally written and is completely within the bounds of English taste at that time. Forsyth's is a classy work which wears its virtuosity lightly. It too could easily replace some of the hoary viola concertante works to which we're usually subjected.

      All in all, a great, important disc, and in the case of the Bowen, a find and a revelation in the development of the virtuoso viola repertoire. Get it!.
      Brahms: Viola Sonatas; Trio in A minor
      Average customer rating: Not rated
        Brahms: Viola Sonatas; Trio in A minor

        Manufacturer: Hyperion UK
        ProductGroup: Music
        Binding: Audio CD

        All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
        ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        ClassicalClassical | Imports | Stores | Music
        Similar Items:
        1. Nathan Milstein - In Portrait
        2. A Portrait of the Viola

        ASIN: B000N2H83C
        Release Date: 2007-04-10

        Tracks:

        1. Allegro Appassionato
        2. Andante Un Poco Adagio
        3. Allegretto Grazioso
        4. Vivace
        5. Allegro
        6. Adagio
        7. Andantino Grazioso
        8. Allegro
        9. Allegro Amabile
        10. Alelgro Appassionato
        11. Andante Con Moto-Allegro Non Troppo
        Grainger: Works for Chorus and Orchestra
        Average customer rating: 5 out of 5 stars
        • Very High Quality 'Easy Listening'
        Grainger: Works for Chorus and Orchestra

        Manufacturer: Chandos
        ProductGroup: Music
        Binding: Audio CD

        DancesDances | Ballets & Dances | Classical | Styles | Music
        TriosTrios | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        All Works by GraingerAll Works by Grainger | Grainger, Percy Aldridge | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
        GeneralGeneral | Strings | Instruments | Classical | Styles | Music
        GeneralGeneral | Symphonies | Classical | Styles | Music
        GeneralGeneral | Sacred & Religious | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
        Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
        HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
        MarchesMarches | Miscellaneous | Styles | Music
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        Similar Items:
        1. Grainger Edition Vol 13 - Works for Chamber Ensemble
        2. The Grainger Edition Vol. 18: Works For Unaccompanied Chorus
        3. Grainger Edition, Vol.6: Orchestral Works
        4. Grainger: Works for Wind Orchestra 2
        5. Grainger: Works for Chamber Ensemble 2

        ASIN: B000000B09
        Release Date: 1996-11-19

        Tracks:

        1. Shallow Brown
        2. Marching Tune
        3. I'm Seventeen Come Sunday
        4. Two Sea Chanties: I Shenandoah
        5. Two Sea Chanties: II Stormy
        6. Molly On The Shore
        7. Brigg Fair
        8. Early One Morning
        9. After-word
        10. There Was A Pig Went Out To Dig
        11. The Lonely Desert-Man Sees The Tents Of The Happy Tribes
        12. Thou Gracious Power
        13. County Derry Air
        14. Handel In The Strand
        15. Six Dukes Went Afishin
        16. Anchor Song
        17. Ye Banks And Braes O' Bonnie Doon

        Customer Reviews:

        5 out of 5 stars Very High Quality 'Easy Listening'.......2007-01-18

        This is the second of Chandos 'The Grainger Edition' recordings I have reviewed and it is much closer to the heart of my tastes than the piano accompanied baritone solos of Volume 2 I previously reviewed. Just as I will value a cookbook if it has just one extraordinary recipe or a computer book if it has just one extraordinarily good programming idea, I wouldlove this album even if everything else but 'Scotch Strathspey and Reel' were junk. But, of course, all the other tracks on the album are not junk, they are very, very good. Just not as enjoyable as this superb rendition of the famous sea chanty, better known by its first line 'What do we do with a drunken sailor...' The 'Joyful Company of Singers' earns their name on this one. Next to Russian liturgical choral singing, sea chanties are my favorite, so I confess to being just a bit less than impartial on this one, but there you are. This one is simply lovely.
        Brahms & Mozart: Quintets
        Average customer rating: Not rated
          Brahms & Mozart: Quintets

          Manufacturer: BBC Music Magazine
          ProductGroup: Music
          Binding: Audio CD

          All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          ASIN: B000N2BMO8

          Product Description

          Radio 3, New Generation Artists. BBC Music Magazine release. DDD Stereo.
          Enharmonic Vision
          Average customer rating: 5 out of 5 stars
          • One of the most original, stimulating recordings I've heard.
          Enharmonic Vision
          Martha Mooke
          Manufacturer: Maximum Music Connec
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Classical | Styles | Music
          ASIN: B000005BQC
          Release Date: 1998-02-03

          Tracks:

          1. Raindance
          2. News
          3. Winds Of Arden
          4. Awaken
          5. Terminal Baggage
          6. Drifting
          7. Fanfare
          8. Bones
          9. Enharmonic Vision

          Customer Reviews:

          5 out of 5 stars One of the most original, stimulating recordings I've heard........1999-03-16

          Ms. Mooke uses space age musical colors and patterns, with her five-string electric viola leading the way,altogether exotic, hypnotic, and personal.
          A Cello Century of British Women Composers / Wilmers, Marlow
          Average customer rating: Not rated
            A Cello Century of British Women Composers / Wilmers, Marlow
            Simon Marlow
            Manufacturer: Quicksilva Records
            ProductGroup: Music
            Binding: Audio CD

            Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
            GeneralGeneral | Classical | Styles | Music
            GeneralGeneral | Chamber Music | Classical | Styles | Music
            ASIN: B00004U5FS
            Release Date: 2000-08-22

            Tracks:

            1. Passacaglia On An Old English Tune
            2. The Hamadryad
            3. The Light Wind
            4. Ste No.1 in E: I. Prld
            5. Ste No.1 in E: II. Arioso
            6. Ste No.1 in E: III. Giga
            7. Two Contrasting Pieces: Lonely Mere
            8. Two Contrasting Pieces: Rigaudon
            9. Hebridean Ste: Isle Of Jura (Two Impressions): Summer Sea
            10. Hebridean Ste: Isle Of Jura (Two Impressions): The Paps Of Jura
            11. Hebridean Ste: The Blue Lochan
            12. Hebridean Ste: A Day Dream
            13. Hebridean Ste: Shieling Song
            14. Hebridean Ste: Fisherman's Song
            15. Twilight (A Reverie)
            16. Irish Melody, Op.17 No.1
            17. Country Dance, Op.17 No.2
            18. Arrangement Of Two Scottish Airs: My Only Joe And Dearie
            19. Arrangement Of Two Scottish Airs: Come Under My Plaidie
            20. Polka A La Strauss
            21. Elegie In Memoriam Joan Dickson
            22. Sontag 2

            Music Review:

            1. Vivaldi: Concertos for Strings
            2. Vivaldi: Die Vier Jahreszeiten
            3. Wagner: Grandes Pages Orchestrales [Import]
            4. Wagner & Verdi: Great Opera Choruses [SACD] [Hybrid SACD] [Hybrid SACD]
            5. Zilberkant Plays Rachmaninoff, Tchaikovsky & Mussorsgsky
            6. A Gift of Bach & Baroque: The Most Beautiful Melodies
            7. A Gift of Beethoven: The Most Beautiful Melodies
            8. A Gift of Mozart: The Most Beautiful Melodies
            9. A Gift of Piano: The Most Beautiful Melodies
            10. A Gift of Tchaikovsky: The Most Beautiful Melodies

            Music Review

            music review

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            Music: Techno All Stars [Box set] [Import]

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            Dirty [Explicit Lyrics]

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            Six

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