Viola Power
On this CD:
1. Arrival Platform Humlet for viola solo, RMTB 7
Composed by Percy Grainger
Performed by Patricia Pollett
2. Sonata for viola & piano
Composed by Margaret Sutherland
Performed by Patricia Pollett
3. Enyato II, for solo viola
Composed by Ross Edwards
Performed by Patricia Pollett
4. Points of Departure Resting Point
Composed by Nigel Sabin
Performed by Patricia Pollett, Colin Spiers
5. Arch, for 3 violas
Composed by Robert Davidson
Performed by Patricia Pollett
6. Sonata for viola & percussion
Composed by Peter Sculthorpe
Performed by Michael Askill, Patricia Pollett
7. Attack, for solo viola
Composed by Andrew Schultz
Performed by Patricia Pollett
8. Duo Variations, for viola & piano
Composed by Andrew Schultz
Performed by Patricia Pollett, Colin Spiers
Viola Power, Music, Robert Davidson, Ross Edwards, Percy Grainger, Nigel Sabin, Andrew Schultz, Peter Sculthorpe, Margaret Sutherland, Michael Askill, Colin Spiers, Patricia Pollett, Chamber, Chamber Music, Classical, Classical Composers, Orchestral & Symphonic, Viola Solo
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Walton, Rubbra: Viola Concertos
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Rubbra, Edmund
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Walton
| Walton, Sir William
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Viola
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Classical
| Imports
| Stores
| Music
ASIN: B000PKG53G
Release Date: 2007-08-10 |
Tracks:
- Andante Comodo
- Vivo, Con Molto Preciso
- Allegro Moderato
- Meditations On a Byzantine Hymn
- Introduzione Quasi Una Fantasia
- Molto Vivace
- Collana Musicale: Andante Moderato
Average customer rating:
- Love Is Infectious
- Pure Power Pop by a Natural
- FANTASTIC!!!!
- What a suprise!
- an under-appreciated talent
|
Falling into Place
Mike Viola & The Candy Butchers
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Power Pop
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Play With Your Head
- Hang On Mike
- Catchall
- The Live at La Bonbonniere
- Moustache
ASIN: B00000K2B0
Release Date: 1999-08-31 |
Tracks:
- Falling Into Place
- Killing Floor
- All I Have
- Too Much Going On
- Let It Ride
- Give Me Some Time
- Hills Of L.A.
- I Don't Know Anything
- Can't We Do Anything Right?
- Stop When It Hurts
- Doing It The Wrong Way
- Break Your Heart
- Fall Back Down
- Once I Was
Customer Reviews:
Love Is Infectious.......2002-11-23
With a new CD this year called "Play With Your Head," it's time to dust off Mike's first full length outing. More than Elvis Costello or some of the power pop bands, I hear a strong similarity to Neil Finn & Crowded House. The title track is pop perfection, a joyful loud mix. "Killing Floor" has that abrupt staccato machine gun guitar riff on which Viola hangs the lyric, "My man I dig you Jonah, two-tailed spermatozoa, killed them with your bleeding lance, you just couldn't keep it in your pants." "You're in my bed tonight, I'm on my best behavior," he sings on "All I Have" to thundering guitar riffs. On of my favorites is the bouncy "Too Much Going On." "Let It Ride" has a pretty melody hung on locomotive guitar, sounding a bit like Split Enz. "Give Me Some Time" quiets down for acoustic guitar and a pretty McCartney-like melody with a splash of dissonant strings. My favorite track is the throbbing "Hills of L.A.," "I worry about what I've become, I'm looking for someone to blame it on." "I Don't Know Anything" is great rock while "Can't We Do Anything Right" boasts great harmonies. "Stop When It Hurts" shows Mike's better when he doesn't slow down. "Doing It the Wrong Way" & "Fall Back Down" are great power pop rockers sounding lots like the Brothers Finn. The CD concludes with the softer, somewhat plodding "Once I Was." This CD is great because it is amazingly consistent and strong. All the rockers pop with energetic guitar melody. Based on this strong outing, I'm looking forward to "Play with Your Head." Enjoy!
Pure Power Pop by a Natural.......2001-07-11
Creating a three-minute pop song is nothing less than an artform, but Mike Viola makes it seem like a breeze. His songwriting is sharp, his gravely tenor voice fits perfectly, the hooks abound, and producer Bob Clearmountain adds a bright, "up-front" 90's polish to it all.
This album differs substantially from the 60's moptop sound of "That Thing You Do," or even the folksy feel of the Candybutchers' debut EP, showcasing a more raw, edgy rock sound. I was searching for a suitable analogy, and one reviewer's reference to Graham Parker nailed it. The hooks and changes, as well as the faint sneer in Viola's singing style bears an almost eerie resemblance to Parker at times.
The album falls somewhat short of a pop classic. The ideas start to trail off and tend towards cliches towards the end, and Clearmountain's engineering, while fresh at first, starts making everything sound the same. Nevertheless, songs like the first track, with its chiming guitars and churning beat, and the uptempo "All I Have," among others, are real pop gems. Viola is a natural, and I can only hope he continues to refine his craft.
FANTASTIC!!!!.......2001-03-13
If you do one thing today, buy this CD!!!! They just don't play music like this anymore, it's a shame they don't give this band more airplay. I bought this beauty three months ago, and haven't stopped listening. The songs really grow on you - very catchy but not too "pop." I especially like some of the uptempo songs with horns ("I Don't Know Anything", "Fall Back Down") but this album has everything from well written ballads ("Give Me Some Time", Stop When It Hurts), to songs which could have EASILY gone top-40 (the cover song, and "Let It Ride"). This album has something for everyone...I can honestly say its one of the best I own. To describe Mike Viola's style is difficult, but think of it as Elvis Costello meets Paul McCartney meets Tom Waits meets Tom Petty with Sqeeze and a little Roy Orbison thrown in (okay, at least the sunglasses)...with the whole being greater than the sum of its parts! "Hills of LA" could have been a Springsteen song, but Viola has a better voice.
To put things into perspective, I haven't got this excited about a record since Nevermind, even though my musical tastes have changed considerably since then. Even my wife got into the act and works out to the CandyButchers. This stuff is GREAT!
What a suprise!.......2000-07-26
I have read all the reviews and must say I agree with most of them. I happened across this cd at a listening station and I was immediately taken with it. I put it in my car and I don't think I took it out for quite some time. Even my 16 year old son likes parts of it(he's into 311-POPA ROACH-etc.). There are some really good songs on this cd and they don"t all sound alike. I personally really like "Let It Ride". I believe if you buy this cd you will be glad you did.
an under-appreciated talent.......2000-07-23
Mike's vocals give this album the edge it needs. While never really threatening to become too poppy, the album has its moments. its definately got some good elements of glam, disco, and pop, while not hesitating to have a ballad or a few... the killing floor is a good song to pick you up, while stop when it hurts has a tendency to soothe. Overall, a good buy if you have many musical interests, or if you liked what you heard during That Thing You Do, since mike did the lead vocals, and wrote the songs.
Average customer rating:
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Cotton-Poly Blend
Vanessa Van Spall
Manufacturer: n/a
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
General
| Adult Contemporary
| Pop
| Styles
| Music
ASIN: B000P9GWN0
Release Date: 2007-03-29 |
Tracks:
- Hopeful
- I Couldn't Cry
- Follow Me
- Palm Of Your Hand
- Truth
- Not Sorry
- Foolish Bride
- Ivory Lady
- After The Fall
- Rapture
- Save Me
- You Open My Eyes
Product Description
Vanessa Van Spall explores spiritual and emotional experiences through a melding of rock, blues, gospel and pop. Vocals soar over sultry grooves, driving keyboards and catchy viola riffs, fusing elements of Motown and late-era Beatles with the vocal styles of Annie Lennox, Sarah Mclachlan, Aretha Franklin and Sheryl Crow. All songs are written together by Ian Hisert and Vanessa Van Spall. Hear samples at http://vanessavanspall.com/music.html
Average customer rating:
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York Bowen: Viola Concerto; Cecil Forsyth: Viola Concerto
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Viola
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Classical
| Imports
| Stores
| Music
Similar Items:
- The Elegant Viola: Yizhak Schotten, Viola
- William Primrose: Viola Transcriptions
- Lillian Fuchs: Complete Music for Unaccompanied Viola
- York Bowen: Violin Concerto; Piano Concerto
- Bach: 6 Suites for Cello Solo
ASIN: B00095L8XE
Release Date: 2005-06-14 |
Customer Reviews:
A genuine revelation.......2005-12-03
It's good if you already know some of the music Bowen wrote once he had found his voice, because it allows you to put Bowen's Concerto in it's proper persepctive as one work among his canon, and as an independent work jockeying for position among the other viola compositions written previously and those of the day. On display are all of the influences that eventually amalgamated to become the recognizably mature Bowen style: the harmonic inventiveness of the French school via Debussy, the surging and passion of the Russian romantics via Tchaikovsky, the yearning modality of the new English school and the overwhelming technicolor of the Austro-German school via Strauss in Bowen's orchestration. While it's remarkable that the young Bowen had absorbed all this, it is even more amazing that just a short time later he was able to forge these disparate musics into a style recognizable as York Bowen. (See his Phantasy for viola and piano for the first manifestation of the mature Bowen. York Bowen: Viola Sonatas No. 1 & No. 2; Phantasy for Viola & Piano) The fact that these influences are clearly on display in the Viola Concerto doesn't lessen the incredible impact made by the work. It is just fantastic; compelling, ceaselessly interesting from moment to moment, showing incredible imaginative resources. There is one weak moment: the cadenza in the 3rd movement. It seems to be from another piece, and Lewis Foreman (author of the booklet note) thinks it was actually written by Tertis.
This isn't the first viola concerto, but it is surely the first truly virtuosic viola concertante work. There simply was no viola writing like this up to this time. (Remember that Harold in Italy is really of student level difficulty, and though it came later than Bowen's, Walton's Concerto isn't much more difficult than the Berlioz.) Bowen puts the soloist through paces expected of a violinist, while the orchestra has its own virtuoso duties to fulfill. How is it that violists don't know this work? I can only imagine that Bowen himself didn't try to promote it much, even while Lionel Tertis (the dedicatee) was alive, much less so once he was gone. Trust me, this work is a masterpiece from a young genius, and it should be played everywhere, instead of trotting out tired warhorses like Telemann and Bartok.
From the above you may think that the Forsyth Concerto is completely overshadowed by Bowen's, but that isn't the case. It is a fine work, considerably less adventurous harmonically and stylistically, but a work that is more than professionally written and is completely within the bounds of English taste at that time. Forsyth's is a classy work which wears its virtuosity lightly. It too could easily replace some of the hoary viola concertante works to which we're usually subjected.
All in all, a great, important disc, and in the case of the Bowen, a find and a revelation in the development of the virtuoso viola repertoire. Get it!.
Average customer rating:
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Brahms: Viola Sonatas; Trio in A minor
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Clarinet
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Classical
| Imports
| Stores
| Music
Similar Items:
- Nathan Milstein - In Portrait
- A Portrait of the Viola
ASIN: B000N2H83C
Release Date: 2007-04-10 |
Tracks:
- Allegro Appassionato
- Andante Un Poco Adagio
- Allegretto Grazioso
- Vivace
- Allegro
- Adagio
- Andantino Grazioso
- Allegro
- Allegro Amabile
- Alelgro Appassionato
- Andante Con Moto-Allegro Non Troppo
Average customer rating:
- Very High Quality 'Easy Listening'
|
Grainger: Works for Chorus and Orchestra
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Dances
| Ballets & Dances
| Classical
| Styles
| Music
Trios
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by Grainger
| Grainger, Percy Aldridge
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Choruses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Hymns
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Marches
| Miscellaneous
| Styles
| Music
Classic Big Band
| Swing Jazz
| Jazz
| Styles
| Music
Similar Items:
- Grainger Edition Vol 13 - Works for Chamber Ensemble
- The Grainger Edition Vol. 18: Works For Unaccompanied Chorus
- Grainger Edition, Vol.6: Orchestral Works
- Grainger: Works for Wind Orchestra 2
- Grainger: Works for Chamber Ensemble 2
ASIN: B000000B09
Release Date: 1996-11-19 |
Tracks:
- Shallow Brown
- Marching Tune
- I'm Seventeen Come Sunday
- Two Sea Chanties: I Shenandoah
- Two Sea Chanties: II Stormy
- Molly On The Shore
- Brigg Fair
- Early One Morning
- After-word
- There Was A Pig Went Out To Dig
- The Lonely Desert-Man Sees The Tents Of The Happy Tribes
- Thou Gracious Power
- County Derry Air
- Handel In The Strand
- Six Dukes Went Afishin
- Anchor Song
- Ye Banks And Braes O' Bonnie Doon
Customer Reviews:
Very High Quality 'Easy Listening'.......2007-01-18
This is the second of Chandos 'The Grainger Edition' recordings I have reviewed and it is much closer to the heart of my tastes than the piano accompanied baritone solos of Volume 2 I previously reviewed. Just as I will value a cookbook if it has just one extraordinary recipe or a computer book if it has just one extraordinarily good programming idea, I wouldlove this album even if everything else but 'Scotch Strathspey and Reel' were junk. But, of course, all the other tracks on the album are not junk, they are very, very good. Just not as enjoyable as this superb rendition of the famous sea chanty, better known by its first line 'What do we do with a drunken sailor...' The 'Joyful Company of Singers' earns their name on this one. Next to Russian liturgical choral singing, sea chanties are my favorite, so I confess to being just a bit less than impartial on this one, but there you are. This one is simply lovely.
Average customer rating:
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Brahms & Mozart: Quintets
Manufacturer: BBC Music Magazine
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
ASIN: B000N2BMO8 |
Product Description
Radio 3, New Generation Artists. BBC Music Magazine release. DDD Stereo.
Average customer rating:
- One of the most original, stimulating recordings I've heard.
|
Enharmonic Vision
Martha Mooke
Manufacturer: Maximum Music Connec
ProductGroup: Music
Binding: Audio CD
General
| Classical
| Styles
| Music
ASIN: B000005BQC
Release Date: 1998-02-03 |
Tracks:
- Raindance
- News
- Winds Of Arden
- Awaken
- Terminal Baggage
- Drifting
- Fanfare
- Bones
- Enharmonic Vision
Customer Reviews:
One of the most original, stimulating recordings I've heard........1999-03-16
Ms. Mooke uses space age musical colors and patterns, with her five-string electric viola leading the way,altogether exotic, hypnotic, and personal.
Average customer rating:
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A Cello Century of British Women Composers / Wilmers, Marlow
Simon Marlow
Manufacturer: Quicksilva Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B00004U5FS
Release Date: 2000-08-22 |
Tracks:
- Passacaglia On An Old English Tune
- The Hamadryad
- The Light Wind
- Ste No.1 in E: I. Prld
- Ste No.1 in E: II. Arioso
- Ste No.1 in E: III. Giga
- Two Contrasting Pieces: Lonely Mere
- Two Contrasting Pieces: Rigaudon
- Hebridean Ste: Isle Of Jura (Two Impressions): Summer Sea
- Hebridean Ste: Isle Of Jura (Two Impressions): The Paps Of Jura
- Hebridean Ste: The Blue Lochan
- Hebridean Ste: A Day Dream
- Hebridean Ste: Shieling Song
- Hebridean Ste: Fisherman's Song
- Twilight (A Reverie)
- Irish Melody, Op.17 No.1
- Country Dance, Op.17 No.2
- Arrangement Of Two Scottish Airs: My Only Joe And Dearie
- Arrangement Of Two Scottish Airs: Come Under My Plaidie
- Polka A La Strauss
- Elegie In Memoriam Joan Dickson
- Sontag 2
Music Review:
- Vivaldi: Concertos for Strings
- Vivaldi: Die Vier Jahreszeiten
- Wagner: Grandes Pages Orchestrales [Import]
- Wagner & Verdi: Great Opera Choruses [SACD] [Hybrid SACD] [Hybrid SACD]
- Zilberkant Plays Rachmaninoff, Tchaikovsky & Mussorsgsky
- A Gift of Bach & Baroque: The Most Beautiful Melodies
- A Gift of Beethoven: The Most Beautiful Melodies
- A Gift of Mozart: The Most Beautiful Melodies
- A Gift of Piano: The Most Beautiful Melodies
- A Gift of Tchaikovsky: The Most Beautiful Melodies
Music Review
music review
Recommended Music:
Taking It To The Millenium And Beyond
Clarinet at the Opera
Down the Road I Go
Music: Techno All Stars [Box set] [Import]
Drowning Mona: Music from and Inspired by the Motion Picture [Soundtrack]
Dirty [Explicit Lyrics]
Cross Purposes [Import]
Fall Behind Me [CD-single] [Import]
Cafe Du Siecle [Import]
Edward Elgar: Cell Concerto, Op 85/The Dream Of Gerontius, Op 38
Cold and Bouncy [Extra tracks]
Ciné Stars: 1929-1939
Doggystyle [Explicit Lyrics]
Six
Genuine Chestnut