Die Himmel Ruehmen [Import]
Track Listings
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1. Schafers Sonnatgslied
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2. Im Schonsten Wiesengrunde
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3. So Nimm Denn Meine Hande
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4. Wer Hat Dich Du Schoner W
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5. Wir Gingen Hand In Hand
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6. Ich Bin So Gern Daheim(Me
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7. Grober Gott Wir Loben Dic
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8. Sonntag Ist's
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9. 's Ist Feierabend
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10. Abendglocken
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11. Dort Unten In Der Muhle
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12. Waldandacht
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13. Die Himmel Ruhmen Des Ewi
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14. Wahre Freundschaft Soll N
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15. Droben Stehet Die Kapell
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16. Abschied Hat Der Tag Geno
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17. Schon Die Abendglocken Kl
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18. Hort Ihr Herrn Und Labt E
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Die Himmel Ruehmen, Music, Montanara Chor, Classical
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The King's Consort Collection
Manufacturer: Hyperion UK
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- The King's Consort Baroque Collection
- Essential Handel
- Concert for the Prince of Poland
- Handel: Complete Violin Sonatas
ASIN: B0007PHARO
Release Date: 2005-04-12 |
Customer Reviews:
A Fabulous Baroque CD: .......2006-08-27
I love baroque music, so this was a natural for me. I borrowed the CD 3 times from our library, and finally realized that I simply had to have it. It is sung by the King's Consort Choir, directed by Robert King, and using period instruments in the orchestral ensemble. They play pieces I was not familiar with, but which I have come to love, such as Monteverdi's Laetatus Sum, and old favorites like Vivaldi's Gloria. There is a fresh, beautiful sound that makes the music come really alive for me. I recommend it.
Average customer rating:
- Bortolazzi would be proud.
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Hummel: Mandolin Concerto, Trumpet Concerto, Ballet Music
Manufacturer: Chandos
ProductGroup: Music
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Similar Items:
- Hummel: Piano Concerto in C major, Op.34
- Hummel: Piano Concerto in F major, Op, post. 1 / Theme and Variations in F major, Op. 97 / Piano Concerto in A major, S4/W24 - Howard Shelley / London Mozart Players
- Hummel: Violin Concerto
- Johann Nepomuk Hummel: Piano Concerto in A Minor and B Minor
- Hummel: Piano Concerto in E major, Op. 110 / Concerto for Piano & Violin, Op. 17 - Howard Shelley / Hagai Shaham / London Mozart Players
ASIN: B00005M0JP
Release Date: 2001-07-24 |
Tracks:
- Freudenfest Overture, S148
- Mandolin Concerto in G major, S28: Allegro moderato
- Mandolin Concerto in G major, S28: Andante con variazioni
- Mandolin Concerto in G major, S28: Rondo: Allegro
- Trumpet Concerto in E major, S49: Allegro con spirito
- Trumpet Concerto in E major, S49: Andante (versione prima)
- Trumpet Concerto in E major, S49: Rondo-Minore-Maggiore
- Ballet Music For "Das Zauberglockchen": Ensemble: Allegro energico
- Ballet Music For "Das Zauberglockchen": Pas de deux: Un poco lento-Allegretto grazioso
- Ballet Music For "Das Zauberglockchen": Pas suel, et pas de trois a la
- Ballet Music For "Das Zauberglockchen": Groteschi: Allegro non troppo
- Ballet Music For "Das Zauberglockchen": Ballo generale: Allegro molto vivace
Amazon.com
Although the packaging cannily plays up the Corelli's Mandolin connection, this disc should simply be treasured as a particularly fine collection of Hummel's music, ably performed by sympathetic soloists and a topnotch orchestra under the baton of the composer's most ardent modern-day champion, Howard Shelley. The Concerto in G was originally composed for virtuoso mandolinist Bartholomeo Bortolazzi in 1799, and its outstanding virtue is that, unlike much other mandolin repertoire, it appeals to non-aficionados of the little Italian instrument too. Its weighty orchestral introduction (there's a joke about that in Louis de Bernières's novel) sets the scene for a work of real substance and broad melodic appeal. Soloist Alison Stephens has captured the market in mandolin performances of late, but in this expressive performance of a tough piece she effortlessly justifies her workload (her cadenza in the Rondo is an especial treat). Here she performs a previously unknown later revision of the concerto that has significant variations in the solo part across all three movements, emphasizing the ringing arpeggios that lend themselves so well to the double strings of the instrument.
Urban Agnas is the forthright soloist in the well-known Concerto in E, a staple of the trumpet repertoire and for years about the only piece that kept Hummel's name alive. The concertos are bookended by two previously unrecorded works: the jolly Freudenfest Overture, which has fun with "God Save the King" among other national melodies, and the ballet suite Das Zauberglöckchen, the kind of breezily tuneful yet ultimately unmemorable work that might have doomed Hummel to obscurity if it were not for the persuasive advocacy of Shelley and his soloists. The depth and clarity of Chandos engineering brings out the best in everybody. --Mark Walker
Customer Reviews:
Bortolazzi would be proud........2001-09-13
The orchestral works are beautifully performed and recorded, but, as I regard much of Hummel's purely orchestral output, not particularly memorable. I do like the nod to popular music in the Freudenfest Overture. Where this recording truly shines is in the concerti. Every part is crisply defined. The balance between orchestra and soloists is perfect. This is as good a recording of the sprightly trumpet concerto as I've ever heard. While the differences are evident, I believe this newly discovered version of the mandolin concerto would require a very critical listen by a familiar aficionado to aurally differentiate from the published version. How many would discern that this reaches a half tone or so higher than the typical mandolin of Hummel's day? Bortolazzi played the rather obscure Cremonese mandolin and I'd be interested to know if this revision was intended for him or somebody with a standard Neapolitan instrument tucked neatly under arm. I confess my great admiration for Alison Stephens. Of all the professional classical mandolinists recording today, she may make the least effort to dazzle through pyrotechnics. However, she manages to dazzle more than most through her disciplined, infallible technique and crisp clear tone. This is as much beauty as can be squeezed out of a mandolin and Ms. Stephens' squeezin' is effortless.
Average customer rating:
- Hot Lips Trumpets
- "Abblassen" Used in "Sunday Morning"
- fun trumpets
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Masters of the Trumpet
Manufacturer: Deutsche Grammophon
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- Trumpet Concertos
- Glorious Sound of Brass
- Wynton Marsalis - Baroque Music for Trumpet
ASIN: B000A2H8YY
Release Date: 2005-08-09 |
Tracks:
- Abblasen - Don Smithers
- Rondeau - Wynton Marsalis
- Allegro Assai - Thomas Stevens
- I. Allegro - Maurice Andre
- II. Largo - Maurice Andre
- III. (Allegro) - Maurice Andre
- I. Andante - Hakan Hardenberger
- II. Allegro Moderato - Hakan Hardenberger
- I. Allegro - John Wilbraham
- II. Largo - John Wilbraham
- III. Allegro - John Wilbraham
- I. Adagio - Maurice Andre
- II. Allegro - Maurice Andre
- I. Allegro - Aldoph Herseth
- II. Andante - Adolph Herseth
- III. Finale. Allegro - Adolph Herseth
- I. Allegro Con Spirito - John Wilbraham
- II.Andante - John Wilbraham
- III. Rondo - John Wilbraham
- La Virgen De La Macarena - Ronald Romm
- Theme & Variations On 'The Carnival Of Venice' - John Wilbraham
Tracks:
- Reiterfanfare - Berlin Philharmonic Brass Ensemble
- XXI: Sonata A 3 - Michael Laird
- Sonata A 7 - The Philip Jones Brass Ensemble
- March For 3 Trumpets And Timpani - The London Festival Brass Ensemble
- I. Allegro - The Philip Jones Brass Ensemble
- II. Andante - The Philip Jones Brass Ensemble
- III. Vivace - The Philip Jones Brass Ensemble
- I. Moderato - John Wilbraham
- II. Menuett - John Wilbraham
- III. Larghetto - John Wilbraham
- IV. Vivace - John Wilbraham
- Fanfare For St. Edmundsbury - The Philip Jones Brass Ensemble
- Quiet City - Thomas Stacy
- Concertino For Trumpet, Piano And Strings - Pierre Thibaud
- Fanfare For A New Theatre - Raymond Mase
- Marche Royale - ARMANDO GHITALLA
- Etude Characteristique - Elgar Howarth
- Hora Staccato - Rafael Mendez
- Czardas - Rafael Mendez
Customer Reviews:
Hot Lips Trumpets.......2007-01-10
I appreciate this CD, it is high quality and a great variety and I enjoy it very much.
Vernon M. Dean
"Abblassen" Used in "Sunday Morning".......2006-02-01
The CBS News show "Sunday Morning" is using "Abblassen" as their theme music.
fun trumpets.......2005-09-13
"Masters of The Trumpet" is a simple and accurate title for this 2- disc collection. The recordings cover trumpet/cornet literature ranging from Gabrieli to Stravinsky.
Especially enjoyable moments are Don Smithers playing Reiche's "Abblasen" & Armando Ghitalla's work on Stravinsky's "Marche Royale" (L'Histoire du Soldat).
Rafael Mendez sounds as though he has more fun playing than should be legal...exciting!..and Adolph Herseth is a pleasure to hear whether he's playing in "delicate mode" or shattering asteroids with his power.
Get this recording.
dj
Average customer rating:
- Romantic Pianism
- The No.1 in Moiseiwitsch's Eyes
- A Pianist of the Highest Calibre
- Worth it for the mazurkas
- GREAT playing, bad marketing
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Great Pianists (series) - Ignaz Friedman plays Beethoven, Chopin, Hummel, Mendelssohn, etc.
Manufacturer: Philips
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Binding: Audio CD
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Similar Items:
- Wilhelm Kempff 3 (III) (Great Pianists of the Century series) - Beethoven / Brahms / Faure / Mozart /Schubert
- Leopold Godowsky
- Artur Rubinstein 3
- Benno Moiseiwitsch
- Daniel Barenboim
ASIN: B00000IX8J
Release Date: 1999-06-01 |
Tracks:
- Ballade No.3 In A Flat, Op.47
- Impromptu No.2 In F Sharp, Op.36
- Polonaise No.6 In A Flat, Op.53 'Heroic'
- Polonaise No.9 In B Flat, Op.71 No.2
- Prelude In D Flat, Op.28 No.15 'Raindrop'
- Prelude In E Flat, Op.28 No.19
- Nocturne No.16 In E Flat, Op.55 No.2
- Mazurkas: In B Flat, Op.7 No.1
- Mazurkas: In A Minor, Op.7 No.2
- Mazurkas: In F Minor, Op.7 No.3
- Mazurkas: In D, Op.33 No.2
- Mazurkas: In B Flat Minor, Op.24 No.4
- Mazurkas: In B Minor, Op.33 No.4
- Mazurkas: In C Sharp Minor, Op.41 No.1
- Mazurkas: In A Flat, Op.50 No.2
- Mazurkas: In C Sharp Minor, Op.63 No.3
- Mazurkas: In C, Op.67 No.3
- Mazurkas: In A Minor, Op.67 No.4
- Mazurkas: In A Minor, Op.68 No.2
- Berceuse In D Flat, Op.57
- Waltz In A Minor, Op.34 No.2
- Piano Sonata No.2 In B Flat Minor, Op.35: Marche funebre. Lento
- Piano Sonata No.2 In B Flat Minor, Op.35: Finale. Presto
Tracks:
- Waltz In D Flat, Op.64 No.1 'Minute'
- Etudes: In G Sharp Minor, Op.25 No.6
- Etudes: In G Flat, Op.10 No.5 'Black Keys'
- Etudes: In G Flat, Op.25 No.9 'Butterfly'
- Etudes: In C, Op.10 No.7
- In C Minor, Op.10 No.12 'Revolutionary'
- Hark! Hark! The Lark
- La campanella
- Hungarian Rhapsody No.2
- Rondo favori In E flat, Op.11
- Valse caprice
- Aufforderung zum Tanz
- Lieder ohne Worte: Op.19 No.3 'Jagerlied'
- Lieder ohne Worte: Op.19 No.6 'Venezianisches Gondellied'
- Lieder ohne Worte: Op.102 No.5
- Lieder ohne Worte: Op.30 No.6 'Venezianisches Gondellied'
- Lieder ohne Worte: Op. 38 No.2
- Lieder ohne Worte: Op.38 No.6
- Lieder ohne Worte: Op.53 No.2 'Widmung'
- Lieder ohne Worte: Op.53 No.4
- Lieder ohne Worte: Op.67 No.2
- Scherzo In E Minor, Op.16 No.2
- Piano Sonata In C Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
- Piano Sonata In C Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
- Piano Sonata In C Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato
Customer Reviews:
Romantic Pianism.......2004-01-29
Ignaz Friedman (1882-1948)studied the piano with Theodore Leschitzy and gave over 3000 concerts in Europe, North and South America, and Australia in a long performing career. His recorded legacy is, alas, small; but much of it is included on this two-CD set which is part of an outstanding series called "Great Pianists of the 20th Century". The disc includes informative and balanced liner notes and a short biography of the artist. Friedman richly deserves to be included among the great pianists. The recordings on this compiliation date from 1923--1936.
Friedman had a virtuoso, powerhouse technique and a romantic playing style. He played with a great sense of rhythmic freedom and individuality. Notoriously, he did not always follow strictly the notes in the score but improvised and added. His style was controversial then and, more so, today. I recently read a review of a variety of Chopin recordings which criticized Friedman's rendition of Chopin's "heroic" polonaise, opus 53, included in this collection, as mostly empty thumping. I listened and listened again to the recording and couldn't bring myself to agree.
This set includes a great variety of Chopin but none of the complete sets (say complete mazurkas, nocturnes) common in modern recordings. The sound as as good as can be expected given the age of the pressings, but undoubtedly much of Friedman's beauty of tone fails to come through. The highlight of the collection is the recording of 12 Chopin mazurkas with Friedman's intensity, rhythmic idiosyncracy, and sense of melancholy which pervades most of these pieces. They are a beautiful introduction to Chopin.
I also enjoyed the selection of 5 Chopin etudes, particularly the devilish "study in thirds", opus 25 no. 6 which captures Friedman's masterly technique. The Berceuse, opus 57 with its fluttering thirds, and the two movements presented here of Chopin's second piano sonata, opus 35 also are fine performances and show Friedman at his best.
The other major highlight of this disc for me was Friedman's performance of 9 of Mendelsson's "Songs without Words". This music is frequently underestimated. Friedman takes these pieces seriously and performs them with thought and individuality, making it difficult to conceive of these pieces as mere parlor-music.
The disc also includes several works that are infrequently heard today. I enjoyed the piano rendition of Weber's "Invitation to the Dance" which is heard most often nowadays in orchestral transcription. The short pieces by Anton Rubenstein and Hummel were also unfamiliar to me and idiomatically played.
The only large-scale work performed in full on this disc is Beethoven's "Moonlight" sonata, opus 27 no. 2. Friedman takes the first movement very slowly and the second movement somewhat ponderously. The third movement is all speed and lightening, with the long prestissimo passages blurred in some cases.
Friedman was a virtuoso performer who played in a romantic style that was greatly influential two or three generations ago but is mostly out of fashion today. But it is still a beautiful way to make music. The listener unfamiliar with this music will be moved by it and by Friedman's pianism. Listeners who know and love the piano will enjoy this great performer of the past.
The No.1 in Moiseiwitsch's Eyes.......2003-05-13
I have just gone back to some of the historic recordings in particular Horszowski, Hofmann, Rachmaninoff, Rosenthal and Friedman and some others.
Rosenthal was simply too old when he made his first record ( Pupils of Liszt contains excellent transfer of his); and Horszowski or even Moiseiwitsch are not quite as interesting as the other three. Hofmann's superb legato touch is stunning ( only Sauer's Blue Danube was any better): piano in his hands sounds like a small but extremely refined orchestra. Some, including Rachmaninoff, ranked him the No.1 pianist of the century.
Rachmaninoff as a pianist on the other hand lacked Hofmann's glamour, but he was armed with the depth and insight of a composer, the so-called "a heart of gold", something which he compared favourably with Hofmann.
But Friedman had got the strong points of both of them. Like Hofmann, he was a child prodigy who was later landed with a Degree from Leizig University in Composition, Philosophy and Esthetics. He soon become a pupil of and later the assistant of Leschetisky.
He had composed over 100 works and had made extensive scholarly editions of music scores! And above all, he was also an enormously successful performer since his early 20's-- with a success much bigger than Horowitz. If one ever finds Schnabel ( his fellow Leschetiskian ) interesting or musically illuminating, do not miss out Friedman: Schnabel's playing tells you WHAT IS MUSIC, but Friedman's tells you WHAT MUSIC IS!
What Friedman undertook and succeeded in doing was most challenging: he didn't just capture life but recreated it in his music. (Cortot did that too but only in a different way.) This involves a lot of originality and imagination. His rhythm is full of life. (Cortot's was instead full of dreams and adventures!) His Mazurkas well illustrated this point: the beats are organized in accordance with the movements of the dancers, not with the metronome. The balance of both his hands are so subtle and again so full of life. Pedal was so sparingly and carefully used...
Needless to say, other pieces including his own are equally interesting. There is so much drama in his music, more than either Hofmann or Rachmaninoff. The rhythm,the skeleton of music is astoundingly under control and the colour, the so called flesh and blood of music, is amazingly beyond the imagination of Horowitz on whom his influence was quite strong. ( But Horowitz simply lacked one whole dimension! ) He had a technique even more colossal than Rachmaninoff: his repertoire is virtually limitless, and he could play, especially his left hand, as daring as Cziffra plus Rachmaninoff's depth and above all, with more colours! It's as if his ten fingers are literally independent, each capble of creating a different timbre, a different rhythm and yet the whole thing is as subtle and breathing as if with life. Yes, you can really feel the breath and pulses of his music: a four-dimensional playing something which so far on record ONLY a few like D'albert, De Greef and Erno Dohnanyi were capble of ( but the colour of the latters are not so well captured ). And he played music more from a performer's ( like Horowitz ) rather than from a composer's point of view like Rachmaninoff.
That helps to explain why Friedman's playing is so fresh and exciting and why Moiseiwitsch ranked him the No.1.
A Pianist of the Highest Calibre.......2003-02-13
Ignaz Friedman is a pianist of the highest calibre. He assisted in teaching Leschetizky's pupils. The latter remarked that technically he was even better than himself; and Moiseisitsch bowed to Friedman and ranked him on par with Rachmaninoff and Moriz Rosenthal and Moiseiswitsch wasn't alone doing so.
Friedman was most imaginative in breathing life into music and his mazurkas are particularly vivid and exciting. Some may criticise him for taking the liberty of some more notee and another octave here and there to bring out more colour and sensation. But each performer has his own whims and hence showmanship. In Europe Friedman was a huge success having given literally thousands of concerts so much so that even Horowitz felt flattered to have him attending one of his recitals, and Casal often teamed up with him playing chamber music.
In terms of talents, he compares favourably with Horowitz as he had a colossal musical background very much parallel to Hofmann save that he had a decent education something which both Hofmann and Horowitz lacked. The result, he arranged and composed so much music with such ease that Horowitz could only dream of. Even in terms of technique, no matter it was sight-reading or memory, Friedman was even more exciting. But the American audience for some obscure reason was not particularly impressed.
In this regard, Friedman wasn't alone. Arrau and even Cortot until very recently weren't very popular either. Even then, Dohnanyi, Egon Petri, Backhaus and quite a few more were allowed to go into oblivion!! Brendel is more fortunate but not as much as he deserves. Thus being the fate of the artists. Yes, most preposterous and that partly explains the need and worth of showmanship.
Poor marketing these CDs may be, but there are some who are not sure who Ignaz Friedman was, nor Leschetizky nor even Czerny. How can we expect them to buy a 4CD box set, when a 2 CD set is already too much a luxury! Buy them unless you can afford the 4CD set, they are such a treasure.
Worth it for the mazurkas.......2001-07-17
It is interesting to see how widely opinion on Friedman's interpretations varies! The liner notes to this 2CD set address this point, and a reading of the few user comments here attests to the fact as well. These are unique interpretations, which do occasionally--far less than one reviewer below indicates, I would certainly argue--take liberties with the score. Chopin wrote these pieces as interpretations of his native Poland's folk dances, and in listening to the great interpreters, particularly Rubinstein (through the years) one can only conclude, after study, that spontaneity is a large part of what the composer was attempting to capture in these little gems, and that studied, classically-true, concert hall performance doesn't really do these pieces justice. As a jazz pianist myself, I admit partiality to freer interpretation of folk-music-derived melody, but I am also a product of classical training, and appreciate the importance of adherence to the composer's line. The preludes--there, I will take Rubinstein. Still, given all this, I truly encourage any admirer of Chopin's music to hear what Friedman does. Even given the rough mono sound of these early recordings, you can hear the sheer joy this man finds in these pieces--it is an impulsive, happy naturalness which, I think, is quite rare in the whole of recorded music. I can't say nearly as much about the Beethoven or other couplings, but this Chopin is magical stuff. Not totally by the book. But what art. Don't miss it.
GREAT playing, bad marketing.......2001-03-20
DO NOT BUY THIS CD. If you want to listen to the great Ignaz Friedman, buy the 4 CD set released by Pearl-Koch "The Complete Solo Recordings of Ignaz Friedman". I bought this CD only to realize that that set existed, and i've wasted my money.
Average customer rating:
|
Classical Legends
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000076HTH
Release Date: 2003-05-06 |
Tracks:
- I. Allegro - Nigel Kennedy
- The Heart Asks Pleasure First/The Promise - Michael Nyman
- II. Andantino (Extract) - James Galway
- L'amour Est Un Oiseau Rebelle (Habanera) - Maria Callas
- Air - Sarah Chang
- I. Adagio - Moderato (Opening) - Jacqueline Du Pre
- I. Adagio Sostenuto (Extract - Dame Moura Lympany
- O Soave Fanciulla - Robert Merrill
- II. Adagio (Opening) - Yehudi Menuhin
- Swan Theme - Andre Previn
- O Mio Babbino Caro - Angela Gheorghiu
- La Donna E Mobile - Roberto Alagna
- Jupiter - Philharmonia Orchestra
- E Lucevan Le Stelle - Placido Domingo
- In Paradisum - Peter Barley
- Caprice In A Minor, Op.1 No.24 - Itzhak Perlman
- Summertime - Dame Kiri Te Kanawa
- Adagio For Strings - Philadelphia Orchestra
- Ave Maria (Adapted Peterson) - Sarah Brightman
- Waltz No.6 In D Flat 'Minute' - John Ogdon
- The Ride Of The Valkyries - London Philharmonic Orchestra
Tracks:
- Toccata & Fugue In D Minor - Vanessa-Mae
- Rodrigo (Adapted From En Aranjuez Con Tu Amor) - The Planets
- Gabriel's Oboe - Ennio Morricone And His Orchestra
- Fruhling - Elisabeth Schwarzkopf
- Gigue - Mstislav Rostropovich
- Flower Duet - Natalie Dessay
- Waltz No.15 In A Flat - Dame Moura Lympany
- III. Rondo (Allegro Molto) - Maurice Andre
- Pavane - Izzy
- The Lark Ascending - Nigel Kennedy
- Casta Diva - Maria Callas
- Sarabande - Academy Of St. Martin In The Fields
- Theme - Tasmin Little
- Variation 18 - Cecile Ousset
- Ingemisco - Luciano Pavarotti
- IV. Adagietto (Conclusion) - New Philharmonia Orchestra
- Tuesday (Extract) - London Symphony Orchestra
- Nessun Dorma - Jose Carreras
Average customer rating:
- Has anyone seen Bob in here?
- Ignore the other other reviewer
- ignore the other reviewer
- Huh?
|
The Great History of Austrian Classical Music
Manufacturer: Columbia River Ent.
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000067VP
Release Date: 1998-03-17 |
Tracks:
- Harpsichord Concerto: Allegro Moderato
- String Quartet In D Major: Vivace
- Largetto - Allegro - Largo-Allegro
- Symphony No. 7: Allegro Moderato
- 'Mass' in E Minor: Kyrie
- 'Mass' in E Minor: Gloria
- 'Mass' in E Minor: Agnus Dei
- Piano Concerto op. 204: Variations and Rondo
- Harp Concerto in A Major: Allegro molto
Tracks:
- Symphony No. 104 in D Major: Adagio - Allegro
- Symphony No. 94 in G Major: Andante
- Quartet op. 3/5: Serenade
- Emperor Quartet: Poco Adagio cantabile
- The Seasons: Finale - 'Dann bricht der grosse Morgen an'
- String Quartet in A Major: Presto
- Ave maris stella
- Piano Concerto No. 2 in A minor: Allegro Moderato
- Viel Larm um nichts: Stage music op. 11
- Liebesfreud
- Liebesleid
Tracks:
- Tarantella Galop
- Paganini: Liebe - du Himmel auf Erden
- The Count of Luxembourg: Unbekkant - doch nicht minder interessant
- The Czarevitch: Hab' nur dich allein
- Quintetto concertante in F Major: Menuetto
- Adagietto
- Das Lied von der Erde: The Drunken One in Spring
- Der Bettelstudent: Und da soll man noch galant sein
- Der Bettelstudent: Nur das ein bitt' ich dich
- Gasparone: Anzoletta's Song - 'Komm - mia bella'
- Gasparone: Dunkelrote Rosen
- Harpsichord Concerto: Allegro
- Piano Concerto op. 14: Allegro
- Symphony No. 40 in G minor: Molto Allegro
- Piano Concerto No. 21: 'Elvira Madigan' Andante
- Sonata No. 11 in A Major: Rondo alla Turca
Tracks:
- Eine kleine Nachtmusik: Serenade No. 13 - Allegro
- 'Der Holle Rache'
- Boys trio: :Bald prangt, den Morgen zu verkunden'
- 'In Diesen heil'gen Hallen'
- O zittre nicht
- Ave verum corpus
- Requiem: Domine Jesu Christe
- Laudate Dominum
- Franz Lehrndorfer; organ: Hallelujah por la Resurrectione
- Dance of the Elves
- Tafelmusik: Intrada
- Intermezzo from Notre Dame
- Desire Waltz: Allegro Moderato
- Desire Waltz: op 9a in A flat Major
- The Trout Quintet: Andante - Theme with Variations
Tracks:
- Der Erlkonig (Goethe)
- Heindenroslein
- Ungeduld
- Rastlose Liebe
- Die Winterreise: Der Lindenbaum
- Carmen Quadrille
- Radetzky March
- The Blue Danube Waltz
- Medley from 'Die Fledermaus': Champagne Polka
- Medlef rom 'Die Fledermaus': So muss allein ich bleiben
- Oje oje wie ruhrt mich dies
- Medley from :Die Fledermaus': Klange der Heimat
- Intermezzo from '1001 Nights'
- Souvenior Polka
- Galop of the Bandits
- Boccaccio March
- 6 pieces for Orchestra, No. 1 - Langsam, No. 2 - Bewegt
- Sei nicht bos
- Faschingskinder
Customer Reviews:
Has anyone seen Bob in here?.......2006-05-23
Hey, has anyone seen my friend Bob in here? He said he'd meet me here. Oh well...
Ignore the other other reviewer.......2004-03-21
Five stars, one star, has anyone actually heard this recording? The first reviewer makes it pretty clear he's reviewing the search engine; the second reviewer is reviewing NOTHING.
ignore the other reviewer.......2004-03-19
I haven't heard this recording; I just wanted to give to something to boost its rating because obviously the other reviewer was writing a review of amazon's search engine and not this recording. I really don't know what rating it deserves, but seeing a recording w/ Wunderlich on it that gets one star just seems wrong.
Huh?.......2003-12-26
Oddly enough, Amazon's search engine brought me here when I was searching for "Blue Man Group"....unfortunately, the closest we get is the Blue Danube. Wonderful though it might be, it's NOT Blue Man Group.
Let me reiterate, there is NO Blue Man Group at all on this CD. Not even one track. None. Niente. Nada.
Heck, they aren't even Austrian. Or Australian, for that matter.
Good search engine, Amazon. Way to go.
Average customer rating:
|
Liszt: Beethoven & Hummel Septets and Other Transcriptions
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Liszt: Excelsior! and Other Rare Original Works
- Liszt: The Early Beethoven Transcriptions
- Liszt at the Opera: Operatic Fantasies, Paraphrases, and Transcriptions, Vol. VI (Complete Music for Solo Piano, Vol. 54)
- Liszt: Années de Pélerinage III; Historical Hungarian Portraits; Five Hungarian Folksongs
- Liszt: Rarities, Curiosities, Album Leaves and Fragments
ASIN: B000002ZVB
Release Date: 1993-10-05 |
Customer Reviews:
Liszt does it again.......1999-09-17
The transcriptions of excerpts of Mozart's Requiem is alone worth the price of admission. Another revelation from Liszt and pianist Leslie Howard.
Average customer rating:
|
DIETRICH FISCHER-DIESKAU Early Recordings on Deutsche Grammophon
Manufacturer: Deutsche Grammophon
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Similar Items:
- The Art of Fritz Wunderlich
- Herbert Von Karajan in Rehearsal & Performance
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- Wagner: Das Rheingold
- Wagner: The Ring
ASIN: B0008064XO
Release Date: 2005-09-13 |
Tracks:
- I. Aria: Ich Will Den Kreuzstab Gerne Tragen - Dietrich Fischer-Dieskau
- II. Recitative: Mein Wandel Auf Der Welt - Dietrich Fischer-Dieskau
- III. Aria: Endlich, Endlich Wird Mein Joch - Dietrich Fischer-Dieskau
- IV. Recitative And Arioso: Ich Stehe Fertig Und Bereit - Dietrich Fischer-Dieskau
- V. Chorale: Komm, O Tod, Du Schlafes Bruder - Dietrich Fischer-Dieskau
- I. Aria: Ich Habe Genug - Dietrich Fischer-Dieskau
- II. Recitative: Ich Habe Genug! Mein Trost Ist Nur Allein - Dietrich Fischer-Dieskau
- III. Aria: Schlummert Ein, Ihr Matten Augen - Dietrich Fischer-Dieskau
- IV. Recitative: Mein Gott! Wann Kommt Das Schone: Nun! - Dietrich Fischer-Dieskau
- V. Aria: Ich Freue Mich Auf MEinen Tod - Dietrich Fischer-Dieskau
- VI. Versus 5: Hier Ist Das Rechte Osterlamm - Dietrich Fischer-Dieskau
- No.2 Aria: Presti Omai L'Egizia - Dietrich Fischer-Dieskau
- No.9 Aria: Non E Si Vago E Bello - Dietrich Fischer-Dieskau
- No.14 Aria: Va Tacito E Nascotsto - Dietrich Fischer-Dieskau
- No.33 Accompagnato And Aria: Dall'Ondoso Periglio/Aure, Deh, Per Pieta - Dietrich Fischer-Dieskau
- No.34 Aria: Quel Torrente Che Cade Dal Monte - Dietrich Fischer-Dieskau
Tracks:
- I. Denn Es Gehet Dem Menschen Wie Dem Vieh - Dietrich Fischer-Dieskau
- II. Ich Wandte Mich Und Sahe An Alle - Dietrich Fischer-Dieskau
- III. O Tod, Wie Bitter Bist Du - Dietrich Fischer-Dieskau
- IV. wen Ich Mit Menschen-Und Mit Engelszungen Redete - Dietrich Fischer-Dieskau
- IV. Gesegnet Sei, Durch Den Die Welt Enstund - Dietrich Fischer-Dieskau
- V. Selig Ihr Blinden - Dietrich Fischer-Dieskau
- VII. Der Mond Hat Eine Schwere Klag' Erhoben - Dietrich Fischer-Dieskau
- VIII. Nun Lass Uns Frieden Schliessen - Dietrich Fischer-Dieskau
- XIII. Hoffartig Seid Ihr, Schones Kind - Dietrich Fischer-Dieskau
- XIV. Geselle, Woll'n Wir Uns In Kutten Hullen - Dietrich Fischer-Dieskau
- XVII. Und Willst Du Deinen Liebsten Sterben Sehen - Dietrich Fischer-Dieskau
- XVIII. Heb Auf Dein Blondes Haupt - Dietrich Fischer-Dieskau
- XXII. Ein Standchen Euch Zu Bringen - Dietrich Fischer-Dieskau
- XXIII. Was Fur Ein Lied - Dietrich Fischer-Dieskau
- XXXIII. Sterb' Ich, So Hullt In Blumen - Dietrich Fischer-Dieskau
- XXXIV. Und Steht Ihr Fruh Am Morgen Auf - Dietrich Fischer-Dieskau
- XXXV. Benedeit Die Sel'ge Mutter - Dietrich Fischer-Dieskau
- XXXVII. Wie Viele Zeit Verlor Ich - Dietrich Fischer-Dieskau
- XLI. Heut' Nacht Erhob Ich Mich - Dietrich Fischer-Dieskau
- XLII. Nicht Langer Kann Ich Singen - Dietrich Fischer-Dieskau
- Brav, Alter Hans - Dietrich Fischer-Dieskau
- Ego Sum Abbas - RIAS-Kammerchor
- Estuans Interius - RIAS-Kammerchor
- Tempus Est Iocundum - RIAS-Kammerchor
Tracks:
- I. Im Wunderschonen Monat Mai - Jorg Demus
- II. Aus Meinen Tranen Spriessen - Jorg Demus
- III. Die Rose, Die Lilie, Die Taube, Die Sonne - Jorg Demus
- IV. Wenn Ich In Deine Augen Seh' - Jorg Demus
- V. Ich Will Meine Seele Tauchen - Jorg Demus
- VI. Im Rhein, Im Heiligen Strome - Jorg Demus
- VII. Ich Grolle Nicht - Jorg Demus
- VIII. Und Wussten's Die Blumen, Die Kleinen - Jorg Demus
- IX. Das Ist Ein Floten Und Geigen - Jorg Demus
- X. Hor' Ich Das Liedchen Klingen - Jorg Demus
- XI. Ein Jungling Liebt Ein Madchen - Jorg Demus
- XII. Am Leuchtenden Sommermorgen - Jorg Demus
- XIII. Ich Hab' Im Traum Geweinet - Jorg Demus
- XIV. Allnachtlich Im Traum Seh' Ich Dich - Jorg Demus
- XV. Aus Alten Marchen Winkt Es - Jorg Demus
- XVI. Die Alten BAosen Lieder - Jorg Demus
- Freisinn Op.25 No.2 - Dietrich Fischer-Dieskau
- Schneeglockchen Op.79 No.26 - Dietrich Fischer-Dieskau
- Standchen Op.36 No.2 - Dietrich Fischer-Dieskau
- Venezianisches Lied I Op.25 No.17 - Dietrich Fischer-Dieskau
- Venezianisches Lied II Op.25 No.17 - Dietrich Fischer-Dieskau
- Des Sennen Abschied I Op.79 No.22 - Dietrich Fischer-Dieskau
- Talismane Op.25 No.8 - Dietrich Fischer-Dieskau
- I. Lust Der Sturmnacht - Dietrich Fischer-Dieskau
- II. Stirb, Lieb' Und Freud'! - Dietrich Fischer-Dieskau
- III. Wanderlied - Dietrich Fischer-Dieskau
- IV. Erstes Grun - Dietrich Fischer-Dieskau
- V. Sehnsucht Nach Der Waldgegend - Dietrich Fischer-Dieskau
- VI. Auf Das Trikglas Eines Verstorbenen Freundes - Dietrich Fischer-Dieskau
- VII. Wanderung - Dietrich Fischer-Dieskau
- VIII. Stille Liebe - Dietrich Fischer-Dieskau
- IX. Frage - Dietrich Fischer-Dieskau
- X. Stille Tranen - Dietrich Fischer-Dieskau
- XI. Wer Machte Dich So Krank? - Dietrich Fischer-Dieskau
- XII. Alte Laute - Dietrich Fischer-Dieskau
Tracks:
- I. Keinen Hat Es Noch Gereut - Jorg Demus
- II. Traun! Bogen Und Pfeil Sind Gut - Jorg Demus
- III. Sind Es Schmerzen, Sind Es Freuden - Jorg Demus
- IV. Liebe Kam Aus Fernen Landen - Jorg Demus
- V. So Willst Du Des Armen Dich Gnadig Erbarmen? - Jorg Demus
- VI. Wie Soll Ich Die Freude, Die Wonne Denn Tragen? - Jorg Demus
- VII. War Es Dir, Dem Diese Lippen Bebten? - Jorg Demus
- VIII. Wir Mussen Uns Trennen, Geliebtes Saitenspiel - Jorg Demus
- IX. Ruhe, Sussliebchen - Jorg Demus
- X. So Tonet Denn, Schaumende Wellen - Jorg Demus
- XI. Wie Schnell Verschwindet So Licht Als Glanz - Jorg Demus
- XII. Muss Es Eine Trennung Geben - Jorg Demus
- XIII. Geliebter, Wo Zaudert Dein Irrender Fuss? - Jorg Demus
- XIV. Wie Froh Und Frisch Mein Sinn Sich Hebt - Jorg Demus
- XV. Treue Liebe Dauert Lange - Jorg Demus
- Sommerabend Op.85 No.1 - Jorg Demus
- Mondenschein Op.85 No.2 - Jorg Demus
- Es Liebt Sich So Lieblich Im Lenze Op.71 No.1 - Jorg Demus
- Meerfahrt Op.96 No.4 - Jorg Demus
- Es Schauen Die Blumen Op.96 No.3 - Jorg Demus
- Der Tod, Das Ist Die Kuhle Nacht Op.96 No.1 - Jorg Demus
Tracks:
- I. Aggio Saputo Ca La Morte Vene - Dietrich Fischer-Dieskau
- II. A L'Acqua De Li Funtanelle - Dietrich Fischer-Dieskau
- III. Amaie 'Na Nenne Pe' Tridece Mise - Dietrich Fischer-Dieskau
- IV. Amaie 'Nu Ninno Cu' Sudore E Stiente - Dietrich Fischer-Dieskau
- V. Arbero Piccerillo, Te Chantaie - Dietrich Fischer-Dieskau
- And God Stepped Out On Space - Dietrich Fischer-Dieskau
- Then God Reached Out - Dietrich Fischer-Dieskau
- Then God Himself Stepped Down - Dietrich Fischer-Dieskau
- And He Spat Out The Seven Seas - Dietrich Fischer-Dieskau
- Then The Green Grass Sprouted - Dietrich Fischer-Dieskau
- Then God Walked Around - Dietrich Fischer-Dieskau
- Up From The Bed Of The River - Dietrich Fischer-Dieskau
- Amen Isorhythmique - Dietrich Fischer-Dieskau
- I. Ist Alls Zu End Das Freudenmahl - Dietrich Fischer-Dieskau
- II. Ach Gott, Wie Graust Mir Vor Dem Tod - Dietrich Fischer-Dieskau
- III. Ist Als Wenn Eins Gerufen Hatt - Dietrich Fischer-Dieskau
- IV. So Wollt Ich Ganz Zernichtet Sein - Dietrich Fischer-Dieskau
- V. Ja! Ich Glaub: Solches Hat Er Vollbracht - Dietrich Fischer-Dieskau
- VI. O Ewiger Gott! O Gottliches Gesicht! - Dietrich Fischer-Dieskau
- Overture - Dietrich Fischer-Dieskau
- Mein Ariel! - Dietrich Fischer-Dieskau
- Hin Sind Meine Zauberei'n - Dietrich Fischer-Dieskau
Tracks:
- Overture - RIAS-Kammerchor
- No.1 Chorus: O Wenn In Diesen Dunklen Hainen - RIAS-Kammerchor
- No.2 Recitative: O Freunde, Dieses Klagen - RIAS-Kammerchor
- No.3 Pantomime - RIAS-Kammerchor
- No.4 Chorus: O Wenn In Diesen Dunklen Hainen - RIAS-Kammerchor
- No.5 Recitative: Lasst Mich Allein! - RIAS-Kammerchor
- No.6 Ritornello - RIAS-Kammerchor
- No.7 Aria: So Klag Ich Ihren Tod - RIAS-Kammerchor
- No.8 Recitative: Eurydike Teurer Schatten! - RIAS-Kammerchor
- No.9 Aria: Wehklagend Irr Ich So - RIAS-Kammerchor
- No.10 Recitative: eurydike, Dein Susser Name - RIAS-Kammerchor
- No.11 Aria: Weinend Gedenk Ich Dein - RIAS-Kammerchor
- No.12 Recitative: Grausame Gotter - RIAS-Kammerchor
- No.13 Aria: Deines Saitenspiels Harmonien - RIAS-Kammerchor
- No.14 Recitative: Wie, Ich Soll Sie Weidersehn! - RIAS-Kammerchor
- No.15 Aria: Mit Freuden Den Willen Der Gotter Erfullen - RIAS-Kammerchor
- No.16 Recitative: Was Hor' Ich? Ist Es Wahr? - RIAS-Kammerchor
- No.18 Dance Of The Furies - RIAS-Kammerchor
- No.19 Chorus: Wer Ist Der Sterbliche - RIAS-Kammerchor
- No.20 Dance Of The Furies - RIAS-Kammerchor
- No.21 Chorus: Wer Ist Der Sterbliche - RIAS-Kammerchor
- No.22 Solo And Chorus: Ach, Erbarmt Euch Mein - RIAS-Kammerchor
- No.23 Chorus: Jammernder Sterblicher - RIAS-Kammerchor
- No.24 Aria: Tausend Qualen, Drohende Schatten - RIAS-Kammerchor
- No.25 Chorus: Welch Ungewohnter Trieb - RIAS-Kammerchor
- No.26: Aira: Todesgotter, Horet Gnadig - RIAS-Kammerchor
- No.27 Chorus: Sein Sanftes Trauerlied - RIAS-Kammerchor
- No.28 Dance Of The Furies - RIAS-Kammerchor
- No.29 Ballet - RIAS-Kammerchor
- No.30 Ballet - RIAS-Kammerchor
- No.32 Aria And Chorus Diese Auen Sind Seligem Frieden - RIAS-Kammerchor
- No.33 Aria: Welch Reiner Himmel Deckt Diesen Ort - RIAS-Kammerchor
- No.34 Chorus: Komm Ins Reich Begluckter Schatten - RIAS-Kammerchor
- No.34 Recitative And Chorus: O Sel'Ge, Begluckte Schatten - RIAS-Kammerchor
- No.37 Chorus: Aus Dem Reich Begluckter Schatten - RIAS-Kammerchor
Tracks:
- No.38 Recitative: So Komm, Eurydike, Folge Mir - RIAS-Kammerchor
- No.39 Duet: KKomm Und Vertrau Meiner Treue - RIAS-Kammerchor
- No.40 Recitative: Ach, Warum Bleibet Er - RIAS-Kammerchor
- No.41 Aria And Duet: Welch Grausame Wandlung - RIAS-Kammerchor
- No.42 Recitative: Ach, Nun Erneut Sich Mein Jammer! - RIAS-Kammerchor
- No.43 Aria: Ach, Ich Habe Sie Verloren - RIAS-Kammerchor
- No.44 Recitative: So Mag Der Tiefe Schmerz Mit Meinem Leben - RIAS-Kammerchor
- No.45 Chorus And Solos: Triumph Sei Amor - RIAS-Kammerchor
- Couplet: Votre Toast, Je Peux Vous Le Rendre/Toreador, En Garde - RIAS-Kammerchor
- Invocation: Avant De Quitter Ces Lieux - RIAS-Kammerchor
- Recitative And Aria: L'Orage S'est Calme/O Nadir, Tendre Ami De Mon Jeune Age - RIAS-Kammerchor
- Aria: Resta Immobile - RIAS-Kammerchor
- Scena And Aria: Morir! Tremenda Cosa!/Urna Fatale Del Mio Destino - RIAS-Kammerchor
- Aria: Di Provenza Il Mar - RIAS-Kammerchor
- Recitative And Aria: Nemico Della Patria?!/Un Di M'era Di Gioia - RIAS-Kammerchor
- Si Puo? Signore! - RIAS-Kammerchor
Tracks:
- Menschenfeindlich - Dietrich Fischer-Dieskau
- Hor Ich Das Liedchen Klingen - Dietrich Fischer-Dieskau
- Die Rose, Die Lilie, Die Taube - Dietrich Fischer-Dieskau
- Komm (Du Schones Fischermadchen) - Dietrich Fischer-Dieskau
- Der Garten Des Herzens - Dietrich Fischer-Dieskau
- Le Poete Mourant - Dietrich Fischer-Dieskau
- Standchen - Dietrich Fischer-Dieskau
- Die Rosenblatter - Dietrich Fischer-Dieskau
- Le Chant Du Dimanche - Dietrich Fischer-Dieskau
- Sie Und Ich - Dietrich Fischer-Dieskau
- Sicilienne - Dietrich Fischer-Dieskau
- Cantique Du Trappiste - Dietrich Fischer-Dieskau
- Scirocco - Dietrich Fischer-Dieskau
- Mina - Dietrich Fischer-Dieskau
- Gott - Jorg Demus
- Feiger Gedanken - Jorg Demus
- Die Schone Nacht - Jorg Demus
- Einziger Augenblick - Jorg Demus
- Einschrankung - Jorg Demus
- Mut - Jorg Demus
- Rhapsodie - Jorg Demus
- An Lotte - Jorg Demus
- Aus Euphrosyne - Jorg Demus
- Rastlose Liebe - Jorg Demus
- Um Mitternacht - Jorg Demus
- Gleich Und Gleich - Jorg Demus
- Wo Geht's Liebchen (Mailied) - Jorg Demus
- Auf Dem Lande Und In Der Stadt - Jorg Demus
- Sie Scheinen Zu Spielen - Jorg Demus
- Romanze - Jorg Demus
- Serenade - Jorg Demus
Tracks:
- Mit Madeln Sich Vertragen - Jorg Demus
- Ein Bettler Vor Dem Tor - Jorg Demus
- Zur Logenfeier - Jorg Demus
- Aus 'Faust' - Jorg Demus
- Lied Des Mephistopheles - Jorg Demus
- Branders Lied - Jorg Demus
- Canzon, S'al Dolce Loco La Donna Nostra Vedi - Jorg Demus
- Erano I Capei D'Oro - Jorg Demus
- O Poggi, O Valli, O Fiume, O Selve, O Campi - Jorg Demus
- Piu Volte Gia Dal Bel Sembiante Umano - Jorg Demus
- Di Tempo In Tempo Mi Si Fa Men Dura - Jorg Demus
- Or Ch 'L Ciel E La Terra, E 'L Vento Tace - Jorg Demus
- Childhood And Adolescence - Dietrich Fischer-Dieskau
- First Steps In Cantata, Lied And Opera - Dietrich Fischer-Dieskau
- Singing For Wilhelm Furtwangler - Dietrich Fischer-Dieskau
- Programming Lieder Recitals - Dietrich Fischer-Dieskau
- Opear Appearances In The 1950s - Dietrich Fischer-Dieskau
- Accompanists And Othmar Schoeck - Dietrich Fischer-Dieskau
- Contemporary Music And The Stage - Dietrich Fischer-Dieskau
- The Horizons And Responsibilities Of The Performing Artist - Dietrich Fischer-Dieskau
Average customer rating:
- Romantic style; not very baroque
- A Fantastic Selection
- Great, even without full recordings...
- ummm
- It is the UlTIMATE
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The Ultimate Trumpet Collection
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
 |