Baroque Instrumental Music

On this CD:

1. Trio Sonata, for recorder, bassoon & continuo in A minor, RV 86
Composed by Antonio Vivaldi

2. Sonata for recorder & continuo in G minor
Composed by Martino Bitti

3. Sonata Quarta
Composed by Dario Castello

4. Trio Sonata for recorder, viola da gamba & continuo in D minor
Composed by Johann Christoph Pepusch

5. Divisions upon an Italian, for recorder (from The delightful companion)
Composed by Robert Carr

6. Sonata for flute & continuo in G major, Op. 1/10
Composed by Charles McLean

7. Trio Sonata for flute, viola da gamba & continuo in A minor, TWV 42:a7
Composed by Georg Philipp Telemann

8. Trio sonata for flute, bass viol & continuo in G major
Composed by Johann Joachim Quantz

Tracks:

Wedding March (Lohengrin)
Allegro I (Water Music) - Stanislaw Skrowaczewski
Trumpet Voluntary
Minuet (Music For The Royal Fireworks)
Canon in D Major
Spring - Susan Lautenbacher
Arrival Of The Queen Of Sheba (Solomon)
Air (Water Music) - Stanislaw Skrowaczewski
Sheep May Safely Graze (Cantana No. 208)
Arioso
Bist Du Bei Mir' (Anna Magdalena Notebook)
Panis Angelicus
Weichet Nur' (Wedding Cantata)
Silent Worship (Tolomeo) - Mary Ann Hart
Ave Maria
Sehet In Zufriedenheit' (Wedding Cantata)
Ave Maria
Jesu Joy Of Man's Desiring
Air On The G String - Mainz Chamber Orchestra
Pastorale (Messiah) - Eastman Chorale
Nocturne - Rochester Philharmonic Orchestra
Wedding Day At Troldhaugen - Utah Symphony Orchestra
Hornpipe (Water Music)
Wedding March
Toccata (5th Symphony)

Customer Reviews:

Excellent resource for wedding planners.......2007-04-05

I work regularly with people planning church weddings who want the service to be dignified, traditional and formal. Often they have "ear memory" of music they've heard in other weddings, but no idea about its composer or title. This CD is the best compilation I've found of music that fits those requirements. Selections include great music and performances make it easy to imagine how they would sound in a particular church or other setting. Includes works by Protestant, Catholic and secular composers.

Great item!.......2007-03-29

Great CD! Perfect when planning your wedding music. There are a variety of songs from various composers.

Preview your wedding day.......2006-08-14

This CD was inexpensive, and provided a great way to preview songs for my wedding. The CD had a good song selection. My fiance and I were able to get a better idea of how the songs would be at our wedding. Definitely an inexpensive tool that is worthwhile.

25 WEDDING FAVORITES.......2006-07-20

My daughter had to move her wedding 3 weeks before the event and the music she had arranged could not be there. I purchased this CD and we were thrilled with the price, the selections on the cd and how quickly it arrived. Thanks for providing the music for a beautiful wedding.

25 Wedding Favorites.......2006-02-24

This is an excellent CD for a formal wedding, so-so for a casual one.

Average customer rating:

Not A Music Critic ... But A Lover Of All Music ...
Misleading title scheme
Don't Bother...Really!
Could have been better
Some great tracks, but flawed nonetheless

25 Romantic Classics

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

25 Classical Favorites
25 Mozart Favorites
25 Beethoven Favorites
25 Tchaikovsky Favorites
25 Vivaldi Favorites

ASIN: B0000058HR
Release Date: 1996-01-30

Tracks:

Suite No. 3 In D Major: Air On The G String - Frank Shipway
Fur Elise - Beethoven
Piano Concerto No. 23 In A Major, K. 488: II. Adagio - Arie Vardi
The Four Seasons, Op. 8: Summer: I. Allegro - Alberto Lizzio
Nutcracker Suite: Dance Of The Flutes - Jonel Perlea
Ombra mai fu: Handel's Largo - Philip Gibson
Waltz In A-Flat Major, Op. 39 - Brahms
Prelude In A Major, Op. 28 No. 7 - Chopin
Reverie - DeBussy
Canon In D - Gunter Kehr
Spring Song - Mendelssohn
Symphony No. 9 In C Major, K. 73: III. Menuetto - Gunter Kehr
Sarabande - I Musici di Zagreb
Eine kleine Nachtmusik: III. Menuetto; Allegretto - Libor Pesek
Suite No. 2 In B Minor: Menuet - Gunter Kehr
Concerto Grosso In D Major, Op. 6 No. 4: Vivace - I Musici di Zagreb
Ave Maria - Hans Hagan And His Orchestra
Sleeping Beauty Ballet Suite: Waltz - Lawrence Siegel
Concerto In D Minor For 2 Oboes & Strings, Op. 42 No. 2: I. Largo - Piero Santi
Trumpet Concerto In D Major - Gunter Kehr
Lullaby - Hans Hagan And His Orchestra
Nutcracker Suite: Chinese Dance - Don Jackson
Symphony No. 5 In D Minor, Op. 107: Andante - David Zinman
Oboe Concerto In D Minor: II. Andante e spicatto - Paul Angerer
Gianni Schicci: O mio babbino caro - Nikea Baroza

Customer Reviews:

Not A Music Critic ... But A Lover Of All Music ..........2006-08-29

Let's not be too harsh regarding this CD. I purchased this as my first baby step into the classical genre and it absolutely made me fall in love with classical music and appreciate it in a way I never could when people tried to make me like it. It is such a wide variety of classical music and I find romance to be joyful, tragic, gentle, harsh & a complete roller coaster that I found all in this ONE CD! It also made my boyfriend who hates, or shall I say HATED classical music NOW like it! That was an amazing feat! We now have many classical cd's and we always go back to this one for dinner parties, romantic baths and other things... I played this CD so much, that it got damaged and I just purchased another one to replace the one I bought years ago. If you are a critic, stay away from this cd, you will rob it of its beauty & innocence. If you are a beginner and want to open your mind to all that classical music has to offer, then this is the best money you can spend. BUY & ENJOY!!!

Misleading title scheme.......2006-01-01

This is what bothered me about the CD. Three of the biggest eras in classical music were: the baroque era, the classical era, and the romantic era. Now, with CD's titled baroque favorites, classical favorites and romantic classics, one would expect these CD's to be era specific. Such is not the case. If you read the back of the CD it even says "from the romantic era of music", but the there are composers like Vivaldi (baroque) and Debussy (impressionism) on this CD. About more than half are from the wrong eras. So this music is romantic in the non-musical sense of the word, which is fine, but a little bit misleading.

Don't Bother...Really!.......2005-02-21

Not what I call classical composers! THis cd is annoying in a way I really can't stand. It lacks the pure elegance of the classical days. Don't buy this cd unless you want a phony all around bad album played by cheap ameteurs.

Could have been better.......2004-02-19

I think the quality is good, and better on a few tracks, but all these romantic tracks?? Not what I listened to. Actually I was kind of disappointed; I had purchased an abundance of the "Favorites" collection some were better than others.
I was kind of perturbed when some same tracks on this CD were on another CD, and visa versa.

Still, I suppose for the price, one can't go wrong.

Some great tracks, but flawed nonetheless.......2004-01-12

Whether or not this CD lives up to its promise of "Romantic" music is not truly a concern, being that the entire nature of classical music is that it is open to one's own interpretation. However, I can speak to the quality of the recordings themselves.

A few of the tracks (Reverie, Canon, Sarabande, a few others) are absolutely superb. Well recorded, and played with genius bravado, coupled with great arrangements (it was interesting to hear Reverie outside of its native instrument, the Piano). Most of the tracks, however, are absolutely horrid. Fur Elise for the sheer amateurish quality, Vivaldi's Concerto for oboe and strings sounds like it was copied from an old phonograph record, as does Tchaikovsky's Sleeping Beauty Suite, Mendelssohn's Spring Song, and Puccini's Gianni Schicci, and a few others. A few other tracks still are played horribly, most of them already mentioned.

Tracks:

Rigaudon - Empire Brass
Sinfonia - Michael Murray
Toccata - Michael Murray
Wedding March - Michael Murray
The Prince Of Denmark's March - Michael Murray
Trumpet Tune In D Major - Michael Murray
Te Deum - Michael Murray
Ave Maria - Michael Murray
Canon In D Major - Yolanda Kondonassis
Jesu, Joy Of Man's Desiring - Yolanda Kondonassis
Prelude No. 1 In C Major - Yolanda Kondonassis
Entrance Of The Queen Of Sheba - Keith Clark
Air - Orchestra Of St. Luke's
Hornpipe - Orchestra Of St. Luke's
Rondeau - Empire Brass
Unchained Melody - Erich Kunzel
Through The Eyes Of Love - William Tritt
Love Theme From Romeo And Juliet - William Tritt
The Wedding Song (There Is Love - Danny Donnelly
Dodi Li - Shira Kammen

Tracks:

Rondeau - Michael Murray
Sheep May Safely Graze - Michael Murray
Ave Maria - Michael Murray
Gymnopedie No. 1 - Michael Chertock
Clair De Lune - Michael Chertock
Adagio Sostenuto - Michael Chertock
Largo - Angel Romero
Largo - Larry Cooperman
Largo - Keith Clark
Allegro - Boston Symphony Orchestra
Adagio In G Minor For Strings - Keith Clark
Fantasia On 'Greensleeves' - Leonard Slatkin
Adagio For Strings - Erich Kunzel
'Treulich Gefuart,' Bridal Chorus - Atlanta Symphony Orchestra And Chorus
Wedding March - Atlanta Symphony Orchestra

Customer Reviews:

GORGEOUS!.......2007-06-13

I wish this CD had been around when I was planning my wedding as it would have been great for helping the bride to select music! Still, it's wonderful to listen to now.

Wonderful intro To MEHDl ..........2006-06-08

I've always enjoyed Great Wedding music and this album is no exception, but while reading some of the customer recommendations posted on this site I discovered a group by the name of MEHDl (pronounced medie). After an online search I found their site (S00THINGMUSIC,C0M) and listened to the samples...
I was instantly blown away by the quality of this music and so I gave it a try and now that I have listened to these CDs several times I really must say that although I'm still a Tomaso Albinoni fan of, I find MEHDl to be a great addition to this CD. I had them both in my multi-disc CD player during the wedding and love the way they compliment each other. I highly recommend that you give this artist a try or atleast just go listen to the samples, I have a feeling you'll be glad you did.

great.......2006-02-19

Highly recommended. Even has suggestions for pre-ceremony, processional, ceremony, and recessional inside. 2 different versions of Midsummer Night's Dream march included - one with trumpet and organ and one with a full orchestra. Lots of great selections, well recorded.

The Complete Wedding Album.......2005-08-05

This album has a lot of great wedding music. It had all of the songs I was looking for. There also is great background music for the ceremony. Glad I purchased it

Almost the compete wedding album.......2004-05-07

I used this cd to help me plan which songs I wanted to use for each part of the wedding. This cd helps you suggest the placement for the prelude, processional, ceremony and recessional. The cd mainly has classical songs, but it does have a few of "today's" songs. There could have been a few more songs they could have added. But overall, its a good cd.

Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott

Average customer rating:

a voice teacher and early music fan
A "Regular People" Review
exceptional tone quality
The Fabulous Andrew Parrott
Fabulous introduction to Venetian sacred music

Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
Giovanni Gabrieli , Claudio Monteverdi , Antonio Vivaldi , Dario Castello , Giovanni Legrenzi , Antonio Lotti , Alessandro Grandi , Andrew Parrott , and Choir & Players Taverner Consort
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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$7.99 and Under | Blowout Music | Stores | Music

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Similar Items:

Monteverdi: Vespro della Beata Vergine 1610/Venetian Vespers
A Venetian Coronation 1595
Venetian Music for Double Choir
The Antiphonal Music of Gabrieli
Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort

ASIN: B00005IA23
Release Date: 2001-10-09

Tracks:

Canzonas, Sonatas And Motets: Dulcis Jesu
Canzonas, Sonatas And Motets: Son Pian E Forte
Canzonas, Sonatas And Motets: Jubilate Deo
Canzonas, Sonatas And Motets: Son a 14
Canzonas, Sonatas And Motets: O Jesu Mi Dulcissime
Canzonas, Sonatas And Motets: Canzon
Canzonas, Sonatas And Motets: Hic Est Filius Dei
Canzonas, Sonatas And Motets: Son Con Tre Violini
Canzonas, Sonatas And Motets: Son a 22
Canzonas, Sonatas And Motets: Miserere Me Deus - Gloria Patri
Canzonas, Sonatas And Motets: Canzon In Echo Duodecimi Toni
Canzonas, Sonatas And Motets: Audite Principes

Tracks:

Intonationi D'Organo, 1593: Intonatione Del Nono Tono
Sacrae Symphoniae II, 1965: In Ecclesiis
Motetti In Lode D'Iddio Nostro Signore, 1620: Adoramus Te, Christe
Ghirlanda Sacra, 1625: O Quam Tu Pulchra Es
Sonate Concertate, Libro Secondo, 1629: Sonata Seconda
Arie De Diversi, 1624: Exulta, Filia Sion
Sonate, Libro Terzo, Op.8, 1663: Son Da Chiesa A 3, Op.8 No.8 'La Bevilaqua'
Crucifixus
Clarae Stellae, Scintillate, RV625: Aria: Clarae Stellae, Scintillate: Aria: Clarae Stellae, Scintillate
Clarae Stellae, Scintillate, RV625: Aria: Clarae Stellae, Scintillate: Recitativo: Coeli Repleti Iam Novo Splendore
Clarae Stellae, Scintillate, RV625: Aria: Clarae Stellae, Scintillate: Aria: Nunc Jubilare
Clarae Stellae, Scintillate, RV625: Aria: Clarae Stellae, Scintillate: Alleluia
Crucifixus
Ghirlanda Sacra, 1625: Currite Populi
Montetti In Lode D'Iddio Nostro Signore, 1620: Christe, Adoramus Te
Canzoni Et Sonate, 1615: Canzon VIII
Berlin, Deutsche Staatsbibliothek, MS Lynar A1: Fuga Del Nono Tono
Sacrae Symphoniae II, 1615: Magnificat

Customer Reviews:

a voice teacher and early music fan.......2007-04-01

Polychoral music-music written for several groups of musicians separated spatially-was not peculiar to Venice, but it was associated with the Basilica of San Marco and ceremonial events in the Venetian cultural calendar.
Chordal writing reached its peak in the polychoral works of Giovanni Gabrieli(1555-1612), the principal church composer in Italy of the progressive development. He not only increased the number of choirs to four and the total pitch range to over four octaves, but also juxtaposed passages of conventional rhythm with strikingly jagged suncopated motifs. These dramatic contrasts were further intensified by occasional chromatic harmony and unusual dissonances and, more significantly, by the use of instruments that alternated or combined with the voices. All of these traits are well demonstrated in the music on disc 1 of this set. His music is wonderfully exciting!!!!
Upon his death, Monteverdi succeeded him, and took his own direction musically; much different from Gabrielli. It is not just that their styles are different, but the instrumentation is much different as you will hear upon listening to disc 2.
Two subsequent directors of music represented here are Legrenzi and Lotti, both primarily opera composers.
Vivaldi had no direct connection with the basililca; he worked at the 'Pieta', and his motet 'Clarae stellae' was written for a 'Signora Gertruda, a singer who sang at the Pieta. This is one of the most attractive pieces on disc 2, and is often recorded by countertenors (altos)but on this disc is sung by Randi Stene, mezzo soprano, who sings it quite well. Andreas Scholl has recorded this, and I do personally prefer Scholl's countertenor quality for this particular piece.
Monteverdi's 'Currite populi' is another favorite of mine, and its excellently performed herein.
There is just so much to enjoy on these two discs for the early music lover. The instruments are very skillfully played and the styles of the various composers are adhered to all the time. The balance between the voices and the instruments is perfect as one might expect from Parrott's performers. The soloists: Emily van Evera (soprano), Randi Stene (mezzo) and Jeffrey Thomas (tenor) all sang with the correct emotional investment. Certainly worth listening to!!!!

A "Regular People" Review .......2007-01-09

Venetian Church Music?....never thought I'd be listening to that, anyway this music is for those who seek it out, If thats not you this probably won't interest you (but you can try some renaissance/baroque experimental listening to see if you'd like it!). If your into this though, this is a good deal.

exceptional tone quality.......2006-03-28

When I purchased this recording, I had not yet had the pleasure of owning an Andrew Parrott/Taverner Consort recording. I was so impressed! Andrew really excercises an understanding of this genre, an understanding that I haven't often seen. In particular I was quite pleased with this rendintion of Gabrieli's "In ecclesiis" (although the Bass, I don't know his name, is too lacking in volume). Other than that, I just adore this CD set. I also recommend Andrew Parrot for anything predating Bach (*not including Bach!). There is a 5 CD of particular interest and quality called "From Monteverdi to Vivaldi" by this same ensemble that you might consider purchasing instead of this set (almost exact same price, and one of the CDs- the better of the two in this set- is included in the 5CD set).

The Fabulous Andrew Parrott.......2005-08-04

Who else but Andrew Parrott?! The fabulous adventurer in the field of early music, Parrott has time and again unearthed unknown masterpieces, shedding light on their original luster through a keen sense of the historical settings, employment of the proper historic instruments & period vocal style, and his own inspired musicianship. Throughout the 2nd half of the 20th century music lovers like me knew the works of Gabrieli through the appropriations by well-meaning ensembles of modern brass instruments: Chicago Symphony Brass, Canadian Brass, etc. Parrott has been the first to perform and record many of these works with early 17th century instruments, providing a restored sonic image for the 21st century connoisseur. Bravo! Encore, please!

Fabulous introduction to Venetian sacred music.......2003-07-24

This fantastic collection of music is probably one of the best introductions to Venetian Baroque (early to late) on offer.
The first disc, devoted to Giovanni Gabrieli, is nothing short of amazing. Cornetts, Baroque violins, tenor cornetts, sackbuts and multiple organs (try the first track - the huge Dulcis Jesu patris imago à 20 voci) can be heard on this disc and they are all played with great panache, style and, most importantly, expression. I bought both of these discs when they were issued on EMI Reflex over ten years ago - and I have never stopped loving these magnificent and colourful performances.

If you want only one recording of Giovanni Gabrieli's music - then this might be the one for you! The other might be the Gabrieli Consort's 'A Venetian Coronation'? (if you want two Gabrieli recordings in your collection!)

The second disc contains a very tasty selection of music by Legrenzi, Monteverdi, Vivaldi and, again, Giovanni Gabrieli (the star of the show!).

Tracks:

Bach: Jesu, Joy Of Man's Desiring
Vivaldi: Largo Winter
Bach: Air On A G String
Torelli: Trumpet Concerto
Bach: Sheep May Safely Graze
Handel: Let The Bright Seraphim
Handel: Pastoral Symphony
Boccherini: String Quintet, Minuet
Mendelssohn: On Wings Of Song
Liszt: Dream Of Love
Rachmaninov: Vocalise
Debussy: Claire De Lune
Satie: Gymnopedie No.1
Gluck: Dance Of The Blessed Spirits
Debussy: Arabesque
Bizet: Intermezzo
Elgar: Salut D'amour
Debussy: Prelude A L'apres - Midi D'un Faun

Tracks:

Wagner: Bridal Chorus
Clarke: Trumpet Voluntary
Handel: Royal Fireworks Music, Overture
Gabrieli: Canzon V
Charpentier: Te Deum
Purcell: Trumpet Tune
Mussorgsky: Promenade
Pachebel: Canon In D
Handel: Larghetto
Vivaldi: Guitar Concerto In D Major, Largo
Handel: Water Music, Air
Macdowell: To A Wild Rose
Beethoven: Pathetique Sonata, Adagio
Melchior: Adagio
Gounod: Ave Maria
Schubert: Ave Maria
Franck: Panis Angelicus
Faure: Pie Jesu
Rachmaninov: Rhapsody On A Theme Of Paganini
Schumann: Romance For Violin And Piano
Massenet: Meditation

Tracks:

Mendelssohn: Wedding March
Vivaldi: Concerto For Two Trumpets In B, Allegro
Telemann: Trumpet Concerto In D, Allegro
Vivaldi: Spring, Allegro
Telemann: Trumpet Concerto In B, Allegro
Handel: Concerto Grosso, Hornpipe
Bach: Brandenburg Concerto No.4, Allegro
Handel: Arrival Of The Queen Of Sheba
Schumann: Piano Quintet In E Flat Major
Widor: Toccata
Dubois: Toccata
Walton: Crown Imperial
Bach: Cantata No.51. 'Jauchzet Gott In Allen Landen.' Alleluia
Mozart: Exsultate Jubilate, Alleluia
Handel: Water Music, Hornpipe
Chopin; Variations On A Theme From 'La Cenerentola'
Faure: Sicilienne
Offenbach: Barcarolle
Faure: Berceuse
Saint-Saens: The Swan
Brahms: Waltz In A Flat
Grieg: Wedding Day At Troldhaugen

Album Description

The process of choosing music for a wedding day can certainly be a daunting process for any couple. There are many choices and the questions can be endless. Traditional music or something off the beaten path? Will your Mom cry (and not in a good way) if you do not come down the aisle to the traditional Wedding March from Wagner, or are you eager to try something new? This collection is designed to give the bridal couple some key pointers to navigate the world of classical music for their wedding day. The package includes over 3 1/2 hours of music on 3 CDs for all portions of the wedding service, all from the Naxos classical label (known for high-quality recordings at inexpensive prices). Wedding day favorites are there, along with new discoveries and tunes you may have never considered for a wedding. All pieces are hand selected by professional wedding musicians and consultants. As a bonus, the 20 page booklet will lead you through the process of choosing music, from hiring musicians to sample programs. Everything you need to create your own unique personal wedding soundtrack.

Customer Reviews:

GREAT WEDDING MUSIC!.......2007-01-24

I used these CD's for my wedding, and I was so happy I did. You need to buy this CD if you like having a traditional wedding! :)

Good Music.......2006-07-05

I bought these CDs for my wedding, in ceremony and reception. Also, when I created my own wedding video, I used it as background music.

A very complete selection of ceremony music!.......2005-02-02

I am getting married in several months and we couldn't decide what music we wanted at our wedding ceremony. This three disk compilation reminded us of all the great ones- including new options we hadn't thought about. I really enjoyed hearing the organ and strings versions of the songs. If you're someone who hears a classical or baroque piece of music, but can't remember the name or the precise tune, this is a must-have to jog your memory and trigger the tear ducts!

Comprehensive Classical Selection.......2004-04-15

I searched all over for a CD set that had a somewhat comprehensive list of classical selections that are traditionally played at weddings. When I found this 3 CD set, I was very pleased. It contains 61 works from almost as many composers. This set might not contain the "best recording ever" of each of the selections, however it is very well done and the quality is very good. I used it primarily to choose the pieces that I wanted to have played by the church organist, and so the actual recordings were more for my consumption rather than for use in the ceremony/reception itself. However, I would not have hestitated to use the CD's in the wedding itself if needed. The book inside includes a list of suggested songs for various wedding styles (formal, outside, morning, etc.). From the classical neophyte to the seasoned classical music expert, this CD set will meet if not exceed expectations.

Just one note..........2003-06-07

I have not heard this album, so I cannot rate it as a whole. (The form made me include a rating, but disregard that.) However, I want to point out that track 36, the Pie Jesu from Gabriel Faure's Requiem is - well, from a requiem, a mass for the dead. The Pie Jesu is a lovely, gentle movement, and it has a beautiful and pure sound that does seem to fit the mood of a wedding. The Latin words, however, mean "Merciful Lord Jesus, grant them everlasting rest," where "them" refers to the dead.

Tracks:

Air 'On The String' - Philippe Saisse
Ave Maria - Paul McCandless
Arioso - Tracy Silverman
Nocturne - Steve Erquiaga
Sarabande - Paul Schwartz
Intermezzo No.6 - David Benoit
Adagio - Brian Dunning
Adagio - Patrick O'Hearn
Prelude In C-Sharp Minor - Edgar Meyer
Adagio - Richard Schonherz
Adagio For Strings - Philip Aaberg
Largo - Tim Story

Amazon.com

Adagio follows in the rosin-dusted footsteps of The Impressionists, A Different Mozart, and A Different Prelude. As with those releases, it was produced by Dawn Atkinson and features many of the same artists. The results are as varied as the musicians. Violinist Tracy Silverman cuts one of his patented echo-delayed pizzicato violin arrangements of a Bach arioso, while Patrick O'Hearn drapes a somber keyboard shroud around the Adagio from Rodrigo's Fantasy for a Gentleman. Jeff Johnson and Brian Dunning find the Celtic air in the Adagio from Handel's Sonata in G, while Philip Aaberg discovers infinity between the notes of Barber's ubiquitous Adagio for Strings. He stretches the melody across his piano in finely drawn lines, subtlety filled out with synthesizer undertones. Subtlety is a casualty on Philipe Saisse's bongos, bells, and synth arrangement of Bach's Air on a G String. It's also sacrificed in a corny confection of Handel's Sarabande by Paul Schwartz. His ham-fisted electronic keyboards would've sounded dated even before Switched-On Bach. But Adagio features plenty of musicians who are willing to surrender themselves to their elegiac themes, including guitarist Steve Erquiaga, Mike Marshall, and Edgar Meyers. --John Diliberto

Customer Reviews:

Simply Gorgeous !.......2003-10-05

This is the first Windham Hill compilation I've purchased in a long, long time, and I am thrilled with the music.
The artistry is stunning, the artists bring themselves to the music while at the same time maintaining the integrity of the original piece.
My favorite is Grieg's Nocturne, arranged and performed by Steve Erquiaga. I have been in love with his music from the moment
I heard his CD "Cafe Paradiso" (Imaginary road Records). It is absolutely stunning!
When I saw that he was on "Adagio" I went for it. I'm so happy that I did ...
Other hightlights for me are Philip Aaberg's "Adagio for Strings", Tracy Silverman's "Arioso" ..... they're all beautiful.
Thank You for this wonderful music.

Average customer rating:

Clara Rockmore Rocks!
Amazing Album
Lost, but still priceless

Lost Theremin Album

Manufacturer: Bridge Records, Inc.
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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The Art Of The Theremin
Theremin - An Electronic Odyssey
Music from the Ether: Original Works for Theremin
Ondes Martenot
Day the Earth Stood Still (Score)

ASIN: B000KJTGNI
Release Date: 2006-12-26

Product Description

Long regarded as "The Queen of the Theremin," Clara Rockmore's virtuosity as the world's leading exponent of the theremin, was commonly acknowledged during her long and successful career. Intimately involved with Leon Theremin in the development of the instrument, Clara Rockmore's career as a thereminist had her performing with major orchestras and with her sister, the legendary pianist, Nadia Reisenberg. The Rockmore/Reisenberg duo is heard on this CD in 13 never-before released tracks, recorded in 1975. Also heard here are three tracks with the accompaniment of a cello ensemble, and one with the accompaniment of the much admired Argentine composer/guitarist, Jorge Morel. This recording comes with a booklet which includes numerous historic photographs of the performers, as well as excerpts from an interview conducted by Robert Sherman, in which his mother, Nadia Reisenberg; his aunt, Clara Rockmore; and the electronic pioneer Robert Moog discuss their lives and the background of their involvement with the theremin and its creator, Leon Theremin.

Customer Reviews:

Clara Rockmore Rocks!.......2007-05-18

Clara Rockmore's theremin artistry comes forth beautifully with this achingly lovely collection of classical music. Highly recommended for anyone interested in the theremin as a musical instrument and for the classical music lover in general.

Amazing Album.......2007-03-22

I've got a couple of Clara's other CD's and this one is just stellar. There are two standouts - Estrellita and Summertime that show the incredible artistry of both Clara and her equally talented sister Nadia Reisenberg in something other than classical music. I wish more people would discover Clara and Nadia's work - they're both under appreciated if you ask my humble but accurate opinion (LOL).

The booklet that comes along with the CD is quite funny and very loving as it's written by Clara's nephew/Nadia's son who brought this gem to life.

This is definitely a CD to add to the collection.

Lost, but still priceless.......2007-03-03

Although Clara Rockmore is universally acclaimed as one of the best musicians of her era, very few of her performances were ever recorded. An aspiring violinist, she took up the strange and wonderful Theremin when physical problems forced her to give up the violin. She invented a method for playing the radical new instrument, and her classical concerts gave the instrument respectability.
In keeping with her style, all the material on this CD is classical in nature, often somber or serious in tone. And while these recordings were made long after her heyday, the performances are still top rate examples of Theremin playing and her discipline and passion for the material is clearly undiminished by time.
Her few earlier recordings had long been an inspiration to several generations of Thereminists. This set of recordings enlarges the available corpus of her work tremendously. Let us hope it inspires as many new musicians as the first round!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Galliard
Alman: The Honeysuckle
The Silver Swan
Coranto: Heigh Ho Holiday
Oft Have I Vowed
My Bonny Lass
Coranto: Alarm
Fortune
Doe You Not Know
Pavan
Rowland (Lord Willoughby's March)
Thus Bonny-Boots
Jig
The Lady Oriana
The Satyr's Dance
Pavan Of Five Parts
Callino Casturame
O Care, Thou Wilt Despatch Me
Lullaby
The Fitzwilliam Suite: The Woods So Wilde
The Fitzwilliam Suite: Alman
The Fitzwilliam Suite: Pavana
The Fitzwilliam Suite: Galiarda
The Fitzwilliam Suite: La Volta
The Fitzwilliam Suite: The Earle Of Oxford's Marche
The Bells

Customer Reviews:

English Renaissance music done beautifully........2007-05-13

I bought this CD to have some authentic English Renaissance music in my collection,
and fell in love with it. The Earl of Oxford March is particularly appealing.

They don't come much better........2005-08-23

The incomparable Canadian Brass make this album a rare treat. From the first notes of Holborne's "Galliard" to the magnificent complexity of Byrd's "Fitzwilliam Suite", their renditions are sheer delight. The music is both relaxing and enjoyably stimulating. Repeated hearings allow the listener to discover some hidden turn or embellishment that was not noticed before, or to appreciate again the antiphonal and complementary interplay of the instruments in the antique harmonies they create. A most enjoyable recording.

The finest brass ensembles all on 1 album.......2002-01-31

I got this CD quite a while ago, and I still listen to it almost daily. Best at night in a candlelit room while it's raining sipping fine wine and reminising of the Renaissance festival! (wierd, I know. But that's just me) If you have an interest in this time period, you won't regret buying this CD.

An interesting spin on English Renaissance Music.......2000-08-09

The composers of 16th century England were able to take the music of other countries and produce something uniquely their own. So, too, has Canadian Brass taken English Renaissance music and made it into something wonderfully different. Immediately accessible (and acceptable) to modern ears, these tunes are a splendid treat. Almans and Galliards take on a whole new flavor when done entirely by brass instruments.

Great sound. Definitely a must for your collection........1999-11-05

I listen to this CD about once a week while riding to work so that I can keep my sanity. It was a gift from my daughters that keeps on giving.

Average customer rating:

have been searching for this for years
Been looking for years
An Excellent Introduction to Renaissance Dance
renaissance dance music
Wonderful reissue from early days of early music recordings

Panorama: Dances of the Renaissance

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Galliardes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
English Renaissance Music
Praetorius: Dances from Terpsichore
Music for a Medieval Banquet
Early Music Festival / David Munrow, Early Music Consort

ASIN: B00004YMTN
Release Date: 2001-02-27

Tracks:

Terpsichore: 1. Entree - Courante - Collegium Terpsichore
Terpsichore: 2. Gavotte - Collegium Terpsichore
Terpsichore: 3. Spagnoletta - Collegium Terpsichore
Terpsichore: 4. La Bouree - Collegium Terpsichore
Terpsichore: 5. Ballet - Collegium Terpsichore
Terpsichore: 6. Volte - Collegium Terpsichore
Musikalischer Tugenspiegel: Sophia (no.13) - Anna (no.4) - Collegium Terpsichore
Musikalischer Tugenspiegel: Clara (no.6) - Collegium Terpsichore
Musikalischer Tugenspiegel: Magdalena (no.3) - Collegium Terpsichore
Musikalischer Tugenspiegel: Agatha (no.15) - Collegium Terpsichore
Musikalischer Tugenspiegel: Regina (no.12) - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 1. Pavane - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 2. Gaillarde - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 3. Courante - Collegium Terpsichore
Banchetto musicale: Suite No.4 - 4. Allemande - Tripla - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 1. Pavane - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 2. Gaillarde - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 3. Courante - Collegium Terpsichore
Banchetto musicale: Suite No.5 - 4. Allemande - Tripla - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 1. Pavane - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 2. Gaillarde - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 3. Courante - Collegium Terpsichore
Banchetto musicale: Suite No.3 - 4. Allemande - Tripla - Collegium Terpsichore
Lamento di Tristano - Rotta - Ulsamer Collegium
Trotto - Ulsamer Collegium
Istampita Ghaetta - Ulsamer Collegium
Istampita Cominciamento di gioia - Ulsamer Collegium
Saltarello - Ulsamer Collegium
Bassa danza a 2 - Ulsamer Collegium
Alta danza a 3 - Ulsamer Collegium
Bassa danza a 2 - Ulsamer Collegium
Bassa danza a 3 - Ulsamer Collegium
Basse danse La brosse - Tripla - Tourdion - Ulsamer Collegium
Bassa danse La gratta - Ulsamer Collegium
Basse danse La Magdalena - Ulsamer Collegium

Tracks:

Calata ala Spagnola
Der Judentanz
Welscher Tanz - Wascha mesa - Hupfauff
Pavana I - II
Romanesca Guarda me las vacas
Passamezzo - Saltarello
Branle de Bourgogne
Englischer Tanz
Tanz Du hast mich wollen nemmem
Schiarazula
Ungaresca - Saltarello
Ronde
Branle de Bourgogne
Branle de Champagne
Passamezzo d'Italye - Reprise - Gaillarde
Schiarazula Marazula
Tedesca - Saltarello
Ungaresca - Saltarello
Branle - Branle gau
Mascherade
Saltarello
Ballo detto 'Il Conte Orlando' - Saltarello
Gagliarda del Principle di Venosa
Barriera
Celeste Giglio
Pavana de Spaigne
Courante
Courante
Volte
Volte
Pavan: The Funerals
Noel's Galliard
Coranto: High Ho Holiday
Kemp's Jig
Queen Elizabeth her Galliard
Mrs. Winter's Jump
Alman
Galliard
Galliarde de Monsieur Wustron
Galliarde de la guerre
Reprinse
Tantz
Paduan
Galliard
Catkanei

Customer Reviews:

have been searching for this for years.......2007-06-11

Happy to see the Collegium Terpsichore CD out again (disc 1), though hiding in this bargain set, wasn't immediately obvious. But one listen to the Praetorius samples and knew I found it. This album was played continuously on the air on KKHI when I was in college (circa late-hippie_, and I never tired of it. I wore out my LPs. Now I've misplaced that single CD so might have to buy it again if I can't locate it soon. Phooey. At least it's available. It's the most refreshing CD you'll ever put on your player.

Been looking for years.......2007-02-13

I have been looking for the Deutsche Grammophon "Dances from Terpsicore" from the 60's but to no avail till now. The entire album is included in this two disc set...

Yippee

An Excellent Introduction to Renaissance Dance.......2005-06-23

This is my first disc of Renaissance dance music, for which I have been searching for quite a while. I thought ir was very excellent. I have heard some before when I was in a few Shakespeare plays, and ever since, I have been looking. These selections provide a broad range of the music of the courts during the 15th and 16th centuries. There is music from all over Europe, including what sounds like Southeastern Europe. The interpretations are also very good, and they put me, at least, back into that time period. The only problem I found was the glockenspiel like instrument, which was sometimes a little annoying. Otherwise, wonderful.

renaissance dance music.......2004-10-24

This CD is a compilation of three recordings which are From The Vault: Dance Music of the High Renaissance by Fritz Neumeyer, Dance Music of the Renaissance by Josef Ulsamer, and Early Baroque Music by Konrad Ragossnig.

Wonderful reissue from early days of early music recordings.......2004-01-28

This cd is a reissue of material from several albums in the 60s. The Fritz Neumeyer recordings of Praetorius are from an old Archiv LP that was one of my first introductions to "early music", and it can be charged that it was more enthusiastic than historically informed. A recorder consort will take up one section of a tune, and then a group of viols will swirl in, maybe followed by crumhorns playing another brief phrase, and then a solo harpsichord finishing off the tune. Different instruments provide a variety of textures of sound, keeping things interesting even though most of the tunes are played fairly "straight", without a lot of improvisation. There's been quite a bit of research and rediscovery of Renaissance techniques since this record was first out, and I appreciate those, but these old recordings really get my toe tapping and remind me why I fell in love with early music in the first place.

Music Review:

Music Review

music review

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