Verdi: Falstaff [Box set]
On this CD:
1. Falstaff, opera
Composed by Giuseppe Verdi
Performed by Anna Maria Canali, Rosanna Carteri, Cloe Elmo, Cloe Elmo, Tito Gobbi, Giuseppe Nessi, Augusta Oltrabella, Paolo Silveri, Franca Somigli, Mariano Stabile, Mariano Stabile, Ferruccio Tagliavini
Conducted by Victor De Sabata, Tullio Serafin
2. Aida, opera Act 3: Scene 3: Pur ti riveggo, mia dolce Aida
Composed by Giuseppe Verdi
Performed by Gina Cigna, Beniamino Gigli
Conducted by Victor De Sabata
3. Aida, opera Act 3: Scene 3: Aida; Aida: Tu non m'ami Va!
Composed by Giuseppe Verdi
Performed by Beniamino Gigli
Conducted by Victor De Sabata
4. Aida, opera Act 3: Scene 3: Ma dimmi
Composed by Giuseppe Verdi
Performed by Gina Cigna
Conducted by Victor De Sabata
5. Otello, opera Act 1: Duet of Otello and Desdemona (to the end of Act 1): Gia nella notte
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Maria Caniglia, Francesco Merli
Conducted by Victor De Sabata
6. Otello, opera Act 2: Recitative and Credo of Jago: Vanne, la tua meta gia vedo
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra
with Piero Biasini
Conducted by Victor De Sabata
Verdi: Falstaff, Music, Mariano Stabile, Piero Biasini, Tito Gobbi, Giuseppe Verdi, Tullio Serafin, Victor de Sabata, Cloe Elmo, L'Orchestra del Teatro alla Scala, Augusta Oltrabella, Franca Somigli, Gina Cigna, Maria Caniglia, Beniamino Gigli, Ferruccio Tagliavini, Francesco Merli, Anna Maria Canali, Cesare Valletti, Giuseppe Nessi, Mariano Caruso, Paolo Silveri, Renata Tebaldi, Rosanna Carteri, Box Sets (Audio Only), Classical, Classical Music, Italian Romantic Opera, Opera, Opera / Operetta / Oratorio, Opera/Operetta Collections
Average customer rating:
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Life & Works of Verdi
Verdi
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Spoken Word
| Poetry, Spoken Word & Interviews
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- The Life and Works of Franz Liszt
ASIN: B00007FPFM
Release Date: 2003-04-15 |
Tracks:
- Aida: Grand March And Triumphal Chorus / Background, Childhood And Youth
- La Traviata: Brindisi 'Libiam Ne' Lieti Calici'
- Early Manhood, Civil Strife And The Start Of A Career
- Overture To 'Oberto, Conte Di San Bonifacio'
- Tragedy, Creation, And The Birth Of A True Professional
- Overture To 'Un Giorno Di Regno'
- Failure, Despair, And Rescue: The Genesis Of Nabucco
- Nabucco: Chorus Of The Hebrew Slaves 'Va, Pensiero, Sull' Ali Dorate'
- A Sensation Reported And Recalled
- Overture To 'Nabucco'
- In The Galleys: Fame, Frustration, And A Major Surprise
- Macbeth: Chorus Of The Scottish Exiles 'Patria Oppressa!'
- The Revolution Of Macbeth And A Return To Safer Ground
- Overture To 'I Masnadieri'
- Paris And A Love Affair
- The Revolutions Of 1848
- Overture To 'La Battaglia Di Legnano'
Tracks:
- Composition And Censorship: The Strife-Torn Birth Of Rigoletto
- Rigoletto: 'La Donna E Mobile'
- Verdi The Unsurpassed Psychologist
- Rigoletto: 'Bella Figlia Dell' Amore'
- Strepponi, Busseto, And The Rift With Barezzi
- Escape: Verdi And Strepponi At Sant' Agata
- Il Trovatore: Soldiers' Chorus 'Or Co' Dadi, Ma Fra Poco'
- 'The Bear Of Busseto' Emerges: The Darker Side Of Verdi
- Il Trovatore: 'Di Tale Amor Che Dirsi'
- Verdi's 'Divorce' From His Parents; His Mother's Death, And A Theatrical Fiasco
- La Traviata: 'Dite Alla Giovine'
- Verdi And Women: Strepponi And The 'Dark Lady'
- 'La Travailata': Verdi's Trials At The Paris Opera
- I Vespri Siciliani: 'Quando Al Mio Sen Per Te Parlava'
- Verdi In Rehearsal - And A Review From Berloiz
- Overture To 'I Vespri Siciliani'
Tracks:
- Yet More Trouble With The Censors
- Un Ballo In Maschera: 'Ma Se M'e Forza Perderti'
- A Passionate Patriot, A Reluctant Politician
- A Semi-Official Retirement, Nursed By Disenchantment
- Verdi Welcomes War
- He Travels To Paris For Don Carlos
- Don Carlos: 'Tu Che La Vanita'
- 'Stupendous Triumph'
- Verdi Shaken By Deaths Of His Father, Barezzi And Rossini
- He Meets Manzoni
- An Unusual Opera
- La Forza Del Destino: 'Solenne In Quest' Ora'
- Enter Teresa Stolz, Exit Mariani
- La Forza Del Destino: 'Pace, Pace'
- Strepponi Struggles With Jealousy As Verdi Writes Aida
- Aida: Act III, Nile Scene
Tracks:
- Verdi Bemoans The Corruption
- Manzoni's Death Begets A Masterpiece
- Requiem: 'Rex Tremendae'
- The Return To Shakespeare
- Otello: 'Canzone Del Salce - Ave Maria'
- Verdi The Wagner Of Italy
- Otello: 'Desdemona Rea, Si, Per Ciel'
- A Shakespearian Swansong
- Falstaff: Finale 'Ogni Sorta Di Gente; Facciamo Il Parentado'
- Old Age And Death Of Strepponi
- Verdi The Widower
- Stolz And The Aged Verdi; A Visit From Toscanini
- Te Deum
- The Old Man Dies And The World Pays Homage
- Requeim, Part VII: Dies Irae; Requiem Aeternam; Libera Me
Average customer rating:
- Superb Schumann, etc.
- Who says there was nothing good in the 1980s?
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Deutsche Grammophon Centenary Collection, 1978-1987 (Box Set)
Manufacturer: Deutsche Grammophon
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Binding: Audio CD
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ASIN: B00000DI2R
Release Date: 1998-11-10 |
Tracks:
- Vn Con No.5 in A K.219: 1. Allegro Aperto - Anne-Sophie Mutter
- Vn Con No.5 in A K.219: 2. Adagio - Anne-Sophie Mutter
- Vn Con No.5 in A K.219: 3. Rondeau: Tempo Di Menuetto - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 1. Vorspiel: Allegro Moderato/Attaca - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 2. Adagio - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 3. Finale: Allegro Energico/Presto - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: Intro: Allegro Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: I. Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: II. Lento Assai - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: III. Allegro Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: IV. Moderato - Anne-Sophie Mutter
Tracks:
- Vn Con in D Op.35: 1. Allegro Moderato - Gidon Kremer
- Vn Con in D Op.35: 2. Canzonetta: Andante - Attaca: - Gidon Kremer
- Vn Con in D Op.35: 3. Finale: Allegro Vivacissimo - Gidon Kremer
- Ser Melancolique in b flat Op. 26 - Gidon Kremer
- Con in d: 1. Allegro - Gidon Kremer/Martha Argerich
- Con in d: 2. Adagio - Gidon Kremer/Martha Argerich
- Con in d: 3. Allegro Molto - Gidon Kremer/Martha Argerich
Tracks:
- Sym Espagnole Op.21: 1. Allegro Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 2. Scherzando: Allegro Molto - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 3. Intermezzo: Allegretto Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 4. Andante - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 5. Rondo: Allegro Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym No.3 in c Op.78 'Organ Sym': 1. Adagio - Allegro Moderato - Poco Adagio - Daniel Barenboim/Gaston Litaize
- Sym No.3 in c Op.78 'Organ Sym': 2. Allegro Moderato - Presto - - Daniel Barenboim/Gaston Litaize
- Sym No.3 in c Op.78 'Organ Sym': 2. Maestoso - Allegro - Daniel Barenboim/Gaston Litaize
- Conc Paraphrase On The Qrt From Giuseppe Verdi's Opr `Rigoletto': Preludio: Allegro - Andante... - Daniel Barenboim
Tracks:
- Pno Son No.2 in b flat, Op.35: 1. Grave - Doppio Movimento - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 2. Scherzo - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 3. Marche Funebre: Lento - Attaca: - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 4. Finale: Presto - Ivo Pogorelich
- Gaspard De La Nuit: 1. Ondine: Lent - Ivo Pogorelich
- Gaspard De La Nuit: 2. Le Gibet: Tres Lent - Ivo Pogorelich
- Gaspard De La Nuit: 3. Scarbo: Modere - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Allegro Moderato - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Allegretto - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Tempo Di Valzer Lentissimo - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Vivace - Ivo Pogorelich
Tracks:
- Falstaff: Act I, Part One: 'Falstaff!'/'Ola!'/'Sir John Falstaff' - Michael Sells/Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'Sei Polli: Sei Scellini' - 'So Che Andiam, La Notte' - Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'Ma E Tempo D'Assotigliar L'Ingegno' - Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'L'Onore! Ladri!' - Renato Bruson
- Falstaff: Act I, Part Two: 'Alice'/'Meg'/'Nannetta' - Brenda Boozer/Katia Ricciarelli/Lucia Valentini Terrani/Barbara Hendricks
- Falstaff: Act I, Part Two: 'Fulgida Alice!' - 'Quell'otre! Quel Tino!' - Brenda Boozer/Katia Ricciarelli/Lucia Valentini Terrani/Barbara Hendricks/Michael Sells...
- Falstaff: Act I, Part Two: 'In Due Parole: L'enorme Falstaff Vuole' - William Wildermann/Michael Sells/Leo Nucci/Francis Egerton/Dalmacio Gonzalez/Barbara Hendricks...
- Falstaff: Act I, Part Two: 'Pst, Pst, Nannetta'/'Labbra Di Foco!' - Dalmacio Gonzalez/Barbara Hendricks/Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani
- Falstaff: Act I, Part Two: 'Udrai Quanta Egli Sfoggia' - Francis Egerton/Leo Nucci/William Wildermann/Michael Sells/Dalmacio Gonzalez...
- Falstaff: Act II, Part One: 'Siam Pentiti E Contriti' - 'Reverenza!' - Francis Egerton/William Wildermann/Renato Bruson/Lucia Valentini Terrani
- Falstaff: Act II, Part One: 'Alice E Mia!...Va', Vecchio John' - Renato Bruson/Francis Egerton
- Falstaff: Act II, Part One: 'Signore, V'Assista Il Cielo!' - Leo Nucci/Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act II, Part One: 'C'e A Windor Una Dama' - Leo Nucci/Renato Bruson
- Falstaff: Act II, Part One: 'E Segno? O Realta' - Leo Nucci/Renato Bruson
Tracks:
- Falstaff: Act II, Part Two: 'Presenteremo Un Bill'/'Giunta All'albergo' - Katia Ricciarelli/Lucia Valentini Terrani/Brenda Boozer/Barbara Hendricks
- Falstaff: Act II, Part Two: 'Gaie Comari Di Windsor!' - Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani/Barbara Hendricks
- Falstaff: Act II, Part Two: 'Alfin T'ho Colto, Raggiante Fior' - Renato Bruson/Katia Ricciarelli
- Falstaff: Act II, Part Two: 'Quand'ero Paggio' - Renato Bruson/Katia Ricciarelli/Lucia Valentini Terrani
- Falstaff: Act II, Part Two: 'Mia Signora!' - Lucia Valentini Terrani/Renato Bruson/Katia Ricciarelli/Brenda Boozer/Leo Nucci...
- Falstaff: Act II, Part Two: 'Vien Qua, Che Chiasso!' - Barbara Hendricks/Dalmacio Gonzalez/Michael Sells/Leo Nucci/William Wilderman/Francis Egerton
- Falstaff: Act II, Part Two: 'C'e, C'e, Se T'Agguanto! Se Ti Piglio!' - Leo Nucci/Michael Sells/Lucia Valentini Terrani/Brenda Boozer/Francis Egerton/William Wildermann...
- Falstaff: Act III, Part 1: 'Ehi! Taverniere!' - 'Mondo Ladro' - Renato Bruson
- Falstaff: Act III, Part 1: 'Reverenza. La Bella Alice...'/'Quando Il Rintocco Della Mezzanotte' - Lucia Valentini Terrani/Renato Bruson/Katia Ricciarelli/Leo Nucci/Barbara Hendricks/Brenda Boozer...
- Falstaff: Act III, Part 1: 'Brava. Quelle Corna Saranno La Mia Gioia!' - Leo Nucci/Katia Ricciarelli/Brenda Boozer/Dalmacio Gonzalez/Barbara Hendricks/Michael Sells...
- Falstaff: Act III, Part 2: 'Dal Labbro Il Canto Estasiato Vola' - Dalmacio Gonzalez/Barbara Hendricks/Katia Ricciarelli/Lucia Valentini Terrani/Brenda Boozer
- Falstaff: Act III, Part 2: 'Una, Due, Tre, Quatro' - Renato Bruson/Katia Ricciarelli/Brenda Boozer
- Falstaff: Act III, Part 2: 'Ninfe! Elfi! Silfi!' - 'Sul Fil D'un Soffio Etesio' - Barbara Hendricks/Los Angeles Master Chorale/Roger Wagner/Renato Bruson/Katia Ricciarelli
- Falstaff: Act III, Part 2: 'Alto La!' - 'Pizzica, Pizzica' - Francis Egerton/William Wildermann/Renato Bruson/Lucia Valentini Terrani/Katia Ricciarelli...
- Falstaff: Act III, Part 2: 'Ogni Sorta Di Gente Dozzinale' - Renato Bruson/Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani/Leo Nucci/Michael Sells...
- Falstaff: Act III, Part 2: 'Facciamo Il Parentado' - 'Tutto Nel Mondo E Burla' - Leo Nucci/Katia Ricciarelli/Barbara Hendricks/Brenda Boozer/Lucia Valentini Terrani...
Tracks:
- Sym No.4 in A Op.90 'Italian': 1. Allegro Vivace - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 2. Andate Con Moto - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 3. Con Moto Moderato - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 4. Saltarello: Presto - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.2 in C Op.61: 1. Sostenuto Assai - Allegro, Ma Non Troppo - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 2. Scherzo: Allegro Vivace - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 3. Adagio Espressivo - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 4. Allegro Molto Vivace - Vienna PO/GIuseppe Sinopoli
Tracks:
- Candide: Ov - LSO/Leonard Bernstein
- Candide: The Best Of All Possible Worlds - Adolph Green/Jerry Hadley/June Anderson/Kurt Ollmann/Della Jones
- Candide: Glitter And Be Gay - June Anderson
- Candide: Nothing More Than This - Jerry Hadley
- Trouble In Tahiti: 'Doo - Da - Day - Day -' - Louise Edeiken/Mark Tomsen/Kurt Ollmann
- Trouble In Tahiti: 'How Could You Say' - Edward Crafts/Wendy White
- Trouble In Tahiti: 'Yes? Oh, Mr. Partridge!' - Edward Crafts/Louise Edeiken/Mark Tomsen/Kurt Ollmann
- Trouble In Tahiti: 'I Was Standing In A Garden' - Wendy White/Edward Crafts
- Trouble In Tahiti: 'Well, Of All People' - Edward Crafts/Wendy White
- West Side Story: Prologue - Leonard Bernstein/Orch
- West Side Story: Jet Song - Kurt Ollmann/Chor
- West Side Story: Maria - Jose Carreras
- West Side Story: Balcony Scene (Tonight) - Jose Carreras/Kiri Te Kanawa
- West Side Story: America - Tatiana Troyanos/Louise Edeiken/Chor
- West Side Story: I Feel Pretty - Kiri Te Kanawa/Tatiana Troyanos/Louise Edeiken
- West Side Story: Ballet Sequence (With 'Somewhere') - Marilyn Horne
Tracks:
- Vc Son No.1 in G, BWV 1027: 1. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 2. Allegro Ma Non Tanto - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 3. Andante - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 4. Allegro Moderato - Mischa Maisky/Martha Argerich
- Vc Con in a, RV 418: 1. Allegro - Mischa Maisky
- Vc Con in a, RV 418: 2. [Without Tempo Indication] - Mischa Maisky
- Vc Con in a, RV 418: 3. Allegro - Mischa Maisky
- Vc Son No.2 in D, BWV 1028: 1. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 2. Allegro - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 3. Andante - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 4. Allegro - Mischa Maisky/Martha Argerich
- Vc Con in b, RV 424: 1. Allegro Non Molto - Mischa Maisky
- Vc Con in b, RV 424: 2. Largo - Mischa Maisky
- Vc Con in b, RV 424: 3. Allegro - Mischa Maisky
- Vc Son No.3 in g, BWV 1029: 1. Vivace - Mischa Maisky/Martha Argerich
- Vc Son No.3 in g, BWV 1029: 2. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.3 in g, BWV 1029: 3. Allegro - Mischa Maisky/Martha Argerich
Tracks:
- Son in E K.380 (L.23): Andante Comodo - Vladimir Horowitz
- Pno Son in C K.330 (300h): 1. Allegro Moderato - Vladimir Horowitz
- Pno Son in C K.330 (300h): 2. Andante Cantabile - Vladimir Horowitz
- Pno Son in C K.330 (300h): 3. Allegretto - Vladimir Horowitz
- Prld in G, Op.32 No.5: Moderato - Vladimir Horowitz
- Prld in g#, Op.32 No.12: Allegro - Vladimir Horowitz
- Etude in c#, Op.2 No.1: Andante - Vladimir Horowitz
- Etude in d#, Op.8 No.12: Patetico - Vladimir Horowitz
- Soirees De Vienne: Valse-Caprice No. 6: Allegro Con Spirito - Vladimir Horowitz
- Sonetto 104 Del Petraca: Agitato Assai - Adagio - Vladimir Horowitz
- Mazurka in c#, Op.30 No.4: Allegretto - Vladimir Horowitz
- Mazurka in f, Op.7 No.3 - Vladimir Horowitz
- Kinderszenen: Traumerei - Vladimir Horowitz
- Etincelles Op.36 No.6, Morceau Caracteristique: Allegro Scherzando - Vladimir Horowitz
- Polka De W. R.: Allegretto - Vladimir Horowitz
Tracks:
- Ballade No.1 in g, Op.23 - Krystian Zimerman
- Ballade No.2 in F, Op.38 - Krystian Zimerman
- Ballade No.3 in A flat, Op.47 - Krystian Zimerman
- Ballade No.4 in f, Op.52 - Krystian Zimerman
- Pno Con No.1 in E flat: 1. Allegro Maestoso - Krystian Zimerman
- Pno Con No.1 in E flat: 2. Quasi Adagio - Allegretto Vivace - Allegro Animato - Krystian Zimerman
- Pno Con No.1 in E flat: 3. Allegro Marziale Animato - Presto - Krystian Zimerman
- Dance Macabre (Totentanz): Andante - Allegro - Allegro Moderato (Var. I & II) - Molto Vivace... - Krystian Zimerman
Amazon.com
This is the decade when Deutsche Grammophon discovered America. Though the label's motherland is still well represented by Herbert von Karajan's unveiling young Anne-Sophie Mutter in Mozart's Violin Concerto No. 5 and Bruch's Violin Concerto No. 1 (both played with the freshness of youth), Carlo Maria Giulini brought the yellow label to Los Angeles in a much-heralded return to opera with Verdi's Falstaff. The mellifluous though not always dramatically attuned dream cast features Barbara Hendricks (Nannetta), Katia Ricciarelli (Alice Ford), and Renato Bruson as the most poetic Falstaff on record. Leonard Bernstein's all-star but problematic Candide and West Side Story recordings are heard in well-chosen excerpts, and the one-act opera Trouble in Tahiti is reconstituted from his opera A Quiet Place (in which it was dispersed and imbedded). Elsewhere, Ivo Pogorelich's early Chopin Sonata No. 2, Ravel's "Gaspard de la nuit," and Prokofiev's Sonata No. 6 show a musician of staggering imagination limited by unrefined technique. Horowitz in Moscow, Krystian Zimerman's Chopin Ballades and Daniel Barenboim's Saint-Saëns Symphony No. 3 have all aged well, though Gidon Kremer's Tchaikovsky Violin Concerto and Giuseppe Sinopoli's Mendelssohn "Italian" Symphony paired with Schumann's Symphony No. 2 have surprisingly little to say. Mischa Maisky's Bach and Vivaldi recordings (many with Martha Argerich on modern piano) have lots to say, but not to the historically informed performance crowd. --David Patrick Stearns
Customer Reviews:
Superb Schumann, etc........2000-11-08
Seven years ago I was in a Vienna music shop and passed on the opportunity to buy the original Sinopoli recording of the Schumann Second - my favorite musical work - with the Vienna Philharmonic. Until this collection was released, I had never heard this particular 2nd Symphony recording which is now truly my favorite (and I have them all). It even led me to find the original release (which includes the Manfred Overture) by searching the Internet for used CDs. Sinopoli and Vienna beautifully convey the struggle and ultimate triumph of this great symphony.
The other recordings are also among DG's best and helped to fill in several repertoire gaps in my collection. I highly recommend the entire set. Thanks to DGG for reissuing these great recordings, especially Sinopoli's Schumann.
Who says there was nothing good in the 1980s?.......2000-04-09
Not enough can be said for this marvellous compilation of some of the finest recordings from 1978-87! Nevertheless, I will try to do some justice and start at the beginning. Anne-Sophie Mutter's Mozart concerto and stellar Bruch set the tone for this set. Very few recordings have the depth of insight into the Mozart that she does, and for such a young woman! The next disc is dedicated to another violinist par excellence: Gidon Kremer, whose Tchaikowsky concerto will blow you out of your chair, even compared with the Perlman recording of the same work. Disc three focuses on Daniel Barenboim the conductor, although the last track features one of his finest recorded piano works, the paraphrase of Rigoletto by Liszt. The two recordings featured are (brace yourself), the Perlman/Paris recording of the Lalo Symphonie Espagnole, the likes of which have not been known before or since, and the Saint-Saens Organ Symphony with Chicago and the organ of Chartres. The little catch in the Saint-Saens is that the organ part and orchestral work were recorded a month seperate from each other and across the Atlantic, but if you didn't read the liner notes, it would be impossible to tell; the editing is so well done! Ivo Pogorelich's Gaspard de la Nuit gives the work new meaning, not to say any less of his Chopin Second sonata. Giulini's conducting of Verdi's Falstaff is a force not to be reckoned with, with flawless casting to boot. I would expect more from Sinopoli than the Schumann delivers, however this is partly DG's fault for picking one of his least successful recordings. The Bernstein disc is all of his own music, including highlights from the splendid Candide and Trouble in Tahiti. Have a laugh over Carreras' pronunciation in West Side Story (why cast him as the American! ) and the other thoroughly inappropriate voices for this work, but remember that Bernstein was given the cold shoulder on this work and was trying to make it appeal to the classical crowd that had unfortunately shunned it on Broadway.
Maisky's cello playing is next, with the three sonatas originally for harpsichord and viola da gamba being played on modern cello with Martha Argerich at the piano. These are excellent recordings if inauthentic, but are certainly the best modernizations available, as are the two Vivaldi concerti with Orpheus. Saving the best for last, Vladimir Horowitz's landmark 1986 return to Moscow is no less breathtaking on the 1000th listening than on the first. There may be no better single CD of piano music in existance; the simplest track "Träumerei" from Schumann's Kinderszenen is utter perfection and emotion molded into one. Zimerman holds his own beautifully, though, with some of the best Chopin Ballades to be had. True, they lack some of the momentum and drive of the Rubinstein recordings, but the sheer technical ability displayed along with absolute control (and they're not at all skimpy on the emotion either!), they are in the top five recordings of these works ever. Add to this his recording of the Liszt E-flat concerto with Seiji Ozawa/Boston Symphony, which is flawless. The cherry on top (!) is the Liszt Totentanz, which is so often played as an overly flashy, bangy, loud and raucous showpiece. Not so here, even in such a murderously difficult and crashing work, Zimerman displays control, even if it means wrestling the work to the floor. This set is pricey, no doubt, but well worth it (and the sore arms you'll get carrying it home, another good reason to mail-order it) for the unmatched brilliance.
Music Review:
- Vermeulen: Symphonies Nos. 2, 6, 7
- Violin Concerto Op 64 / Violin Concerto Op 77
- Violin Sonata 7 Op 91 / Viola Suites Op 131d
- Walton: Belshazzar's Feast; Symphony No. 1
- Walton: Cello Concerto; Coronation Te Deum
- 150 Jahre Wiener Philharmoniker
- 6 Sonatas a Quattro
- Albrechtsberger, Sperger: String Trios
- Alleluja
- Armenian Legend
Music Review
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