An Introduction to Dvorák's Symphony No. 9 ("From the New World")

On this CD:

1. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A quiet beginning, sorrow, syncopation, and sequence
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

2. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Instrumental colour as a prime element: clarinets and bassoons, an outburst by the French horn
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

3. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The opening tune again, with different instrumental colouring: now flutes and oboes
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

4. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The first big surprise: strings, shattering drumbeats, shrieks from flutes, oboes, and clarinets
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

5. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Cellos and basses take us into a new key while flutes and oboes dance in syncopation.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

6. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Horns, violas, and cellos introduce a new idea, soon to evolve into the main theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

7. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A tiny detail from the opening culminates in a wild drumming that heralds a major event
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

8. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Introduction complete
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

9. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A solo horn introduces the main theme, perkily answered by bassoons and horns.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

10. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The theme moves to G major; answering phrase from flutes, oboes, bassoons; the main theme is extended
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

11. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Long crescendo, tremolo strings, back to tonic and biggest statement yet of the main theme
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

12. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Transition to the secondary theme through the use of sequence. Sonata form; stability and flux; Dvorák's use of asymmetry an
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

13. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Three-bar groupings and again the use of sequence, spelling out a chord
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

14. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The sequence continues to rise, and the four-bar phrase returns as the standard unit.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

15. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The first violins start off the next phrase, but the melodic shape is more compact.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

16. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The violins fall silent; the violas and cellos answer with a new figure, a variation of the violins' melody.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

17. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. So now we have a two-bar group, made up of statement and answer.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

18. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The same thing again (through not quite the same)
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

19. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Transition complete. The secondary theme arrives, with French horns as 'bagpipes'.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

20. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The 'bagpipe drone' is taken over by cellos with their insistently repeated G and D.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

21. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The tune is taken up by cellos and double-basses, 'shadowed' by the second violins; a fanfare figure emerges.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

22. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The violins continue a patterns of steady pairs, and the cellos and basses introduce a new idea. Then another surprise...
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

23. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Unexpectedly, we find ourselves back with the secondary theme. A new idea emerges.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

24. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Again we hear the shortened version of the secondary theme, followed by mounting instability and suspense.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

25. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The suspense is heightened as everything slows down; a soft, still variant of the 'interruption' motif is heard from the str
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

26. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. This beautiful flute tune is said to resemble 'Swing Low, Sweet Chariot'.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

27. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A big crescendo leads to a final statement of the closing theme, bringing the exposition to a glorious end.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

28. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The development section begins with a conversation between cellos, double-basses, and violins.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

29. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The beginning of the closing theme is taken up in turn by the horn, piccolo, and trumpet.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

30. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Sequential chirping from the oboes based on the 'answering' part of the main theme, now in the major
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

31. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Much of the development comes from a diminution of the closing theme from the exposition.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

32. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A tiny detail becomes a major ingredient, giving an agitated quality to an originally sunny tune.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

33. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Through a sequence of keys so quickly that it is hard to keep track of them: there is a definite sense of movement.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

34. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The main theme from massed cellos and double-basses, topped by two trumpets over tremolo violas
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

35. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. After that major climax, we arrive at the threshold of the recapitulation, courtesy of winds and strings.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

36. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Dvorák flouts tradition by setting the secondary theme and the closing theme in unexpected keys.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

37. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The tumultuous convulsion of the coda brings the first movement to its epic close.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

38. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Humpty Dumpty: putting the bits back together again
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

39. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) First movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

40. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The very opening chords unmistakably herald the arrival of something special.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

41. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The role of instrumentation in setting the scene...
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

42. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt....and in enhancing the quality of one of the most famous tunes in symphonic history.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

43. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The cor anglais is joined by the clarinet, creating a fascinating change in the timbre.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

44. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. For the closing part of the tune, there is another new sonority: cor anglais plus bassoon.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

45. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The closing bar is repeated by clarinets and bassoons, the horn adding a new touch of colour at the end.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

46. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Back to the start to hear the whole of the story so far, this time without commentary
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

47. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. A change of scoring: the slow opening chords return, this time played by the winds alone.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

48. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The changes in scoring are just beginning
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

49. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The flutes and oboes introduce a new tune, over hushed tremolo strings.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

50. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. A memorable combination of continuous, asymmetrical melody with steady, march-like counterpoint.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

51. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Back in that woodland glade, the light and shadows have changed, revealing new shapes and patterns.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

52. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The next section is new and forward-looking, yet also a kind of dream-recollection of a past scene.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

53. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. An abrupt change of mood, much discussion and embellishment, and a hushed note of expectancy
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

54. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Subjectivity and expertise; Sourek and Tovey disagree; onwards, into the final section
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

55. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Cue to whole movement
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

56. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) Second movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

57. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Dvorák, Beethoven and the Scherzo. Dvorák purposely confuses the listener's expectations.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

58. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Using a little fanfare, Dvorák further builds up expectation before revealing the movement's main theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

59. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. When the theme is revealed, we find that it is not exactly a tune.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

60. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Two little bursts of rhythm povide the seeds from which much of the movement grows.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

61. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. It is the second half of the theme that dominates.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

62. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Back to the beginning to hear the whole of this opening section
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

63. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Without ever being remotely 'academic' or 'intellectual', there is much counterpoint going on here.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

64. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Dvorák's very Czech love of combining conflicting rhythms, sometimes metres
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

65. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. A clearly transitional passage, obsessed with the rhythmic tag that both opens and closes the main theme
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

66. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Sooner than we may have expected, we seem to have arrived at the Trio section.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

67. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. A new kind of tone quality sheds a subtly different light on the theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

68. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The flutes and oboes now chime in with an answering variant of the opening...
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

69. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt...and the cellos and bassoons take up the original version of the theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

70. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. A false alarm: it was not the traditional Trio section at all, but rather part two of the Scherzo proper.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

71. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Soon, after a very rapid build, the Scherzo proper does reach its final phase.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

72. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The orchestral texture thins dramatically, and we approach what this time really is the Trio section.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

73. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The Trio section is reminiscent more of the 'Old World' than the 'New'.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

74. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. In the second half of the Trio, a new tune emerges, a kind of Slavonic waltz.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

75. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The main theme of the Trio returns against a much fuller orchestral background.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

76. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Then it is all a matter of repeats, until we reach the coda, which ends with an explosive bang.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

77. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) Third movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

78. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Like the first movement, the fourth begins not with its main theme but with an introduction.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

79. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme: an imposing march, introduced by trumpets and trombones, with timpani
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

80. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme, part two. A codetta-like passage closes off the march and introduces the 'transitional' theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

81. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The 'transitional' theme, while outwardly contrasting, is actually a hidden variant of the march.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

82. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. A point of future obsession
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

83. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The second half of this 'transitional' theme is given to the winds as soon as the strings have finished.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

84. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The 'obsession' takes root, with a ten-fold repetition, before the arrival of the second subject.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

85. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The hidden traps in sonata-form terminology: 'second main theme' vs. 'second subject'
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

86. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The unexpected entry and subsequent ubiquity of 'Three Blind Mice'
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

87. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. We meet the mice again, now in the cellos and double-basses, where they persistently refuse to run.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

88. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. More 'Three Blind Mice' material
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

89. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The mice return to the basement, where the bassoons have joined the cellos and double-basses.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

90. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Next, they are back with the clarinets, now joined by pizzicato violas, who pass them back to the cellos.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

91. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Now they return to the high winds, delicately trilling.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

92. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Relief, at last: the mice back off, making way for a reminder of the main theme from the trumpets.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

93. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The mice yield to woodpeckers (clarinets); the main theme (or its opening gambit) is now doubled in speed.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

94. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The triplets of the 'transitional' theme are now handed down through strings from the violins to the basses.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

95. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Reminders of past movements begin to fly by, thick and fast, sometimes very fast.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

96. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. In fact there are three bits of quotation going on here simultaneously.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

97. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The violas react every time the 'Goin' Home' theme is quoted by the winds.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

98. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The rhythm of the opening of the 'Goin' Home' theme dominates, transformed by trumpets and trombones.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

99. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The march theme reappears as a Mendelssohnian fairy; the main theme from the first movement now returns.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

100. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. We reach an interesing point: have we heard the beginning of the recapitulation, or not?
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

101. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Perhaps this is it? Back for a reminder of the theme proper, as we first heard it
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

102. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Tovey places the start of the recapitulation here.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

103. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme recast in pathetic rather than heroic terms - and with magical scoring
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

104. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. This unexpected crisis in confidence plays a major role in the overall dramatic impact of the movement.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

105. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme returns - not complete, but chopped up into shorter and shorter fragments.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

106. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. A glorious thematic stew; high drama, a powerful build-up...but then?
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

107. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The dramatic highpoint of the movement, an astonishing transformation, but first, back to the original
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

108. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The same chords again, this time blasted out by the entire wind and brass sections
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

109. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Now we are into the finishing stretch, but the surprises continue to the very end of the very end.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

110. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Summary, context, and cue into the whole movement
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

111. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) Fourth movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser

Tracks:

Canon In D
'Brandenburg' Concerto No. 3: Allegro
The Four Seasons - The Winter: Largo And Allegro
Fanfare ('Masterpiece Theatre' Theme)
Camerata Romana: Air For The 'G' String
'Eine kleine Nachtmusik': Allegro
Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
Introduction To Symphony No. 5
'William Tell' Overture: Finale
'Aida': Triumphal March
On The Beautiful, Blue Danube Waltz
'The Nutcracker': Waltz Of The Flowers
'1812' Overture: Finale

Tracks:

Sabre Dance
'Light Cavalry' Overture: Finale
Carmen: The Toreadors
' Midsummer Night's Dream': Wedding March
Radetzky March
Symphony No. 9, 'Choral': Finale
'Prince Igor': Polovstian Dance No. 17
Jesu, Joy Of Man's Desiring
Peer Gynt: Solveig's Song
Sleepers, Wake
Water Music: Hornpipe
Symphony No. 9, 'From The New World': Largo
Emperor Waltz
'Emperor' Quartet: St. Anthony's Chorale
'The Tales Of Hoffman': Barcarolle
L'Arlesienne: Farandole
'The Nutcracker': Dance Of The Mirlitons
'The Nutcracker': Dance Of The Sugar-Plum Fairy
'Rhapsody In Blue': Highlight
'Orpheus In The Underworld': Can-Can

Tracks:

Introduction To 'Also sprach Zarathustra'
Symphony No. 4, 'Italian': Saltarello: Presto
Piano Concerto No. 20: Romance
'The Valkyrie': Ride Of The Valkyries
'The Four Seasons' - The Spring: Allegro
Toccata and Fugue
Trumpet Voluntary
'Royal Fireworks Music': la rejouissance: Allegro
'Moonlight' Sonata: Adagio Sostenuto
London Festival Orchestra: Overture To 'The Barber Of Seville'
Piano Concerto No. 2: Adagio Sostenuto

Tracks:

Carmina Burana: Introduction To 'Carmina Burana'
Peer Gynt: Dawn From 'Peer Gynt'
Lohengrin: Prelude To 'Lohengrin'
'Lieutenant Kije': Troika From 'Lieutenant Kije'
Adiago For Strings
'Carmen': Habanera From 'Carmen'
'Double' Concerto: Allegro From 'Double' Concerto
The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
(Rondo) Alla Turca
Xerxes: Largo From 'Xerxes'
Symphony No. 5: Allegro vivace From Symphony No. 5
'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
Clair De Lune
Bolero

Customer Reviews:

CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.

Best of the Millennium: Top 40 Classical Hits

Average customer rating:

Waste of money
Great Music Compilation
If you like classical music don't buy this CD.
A must for anyone wanting the staples of classical music
A great compilation

Best of the Millennium: Top 40 Classical Hits

Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

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General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

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Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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The Most Relaxing Classical Album in the World...Ever!
Classical Music for People Who Hate Classical Music
25 Classical Favorites
The Most Relaxing Classical Album In the World Ever, Volume II
The Most Relaxing Classical Music in the Universe

ASIN: B00004GOZA
Release Date: 2000-02-08

Tracks:

Adagio In G Minor
Jesu, Joy OF Man's Desiring
Moonlight Sonata - Adagio sostenuto
March Of The Toreadors (Carmen)
Celebrated Minuet
Polovtsian Dance No. 1 (Prince Igor)
Cradle Song
'Minute' Waltz
Suite Bergamasque: Clair de Lune
Largo
Pomp And Circumstance March No. 1
Rhapsody In Blue - Andante And Finale
Peer Gynt Suite: Morning
Messiah: Hallelujah Chorus
Liebestraum
Cavalleria Rusticana: Intermezzo
A Midsummer Night's Dream: Wedding March
'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
The Great Gate Of Kiev

Tracks:

Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
Orpheus In The Underworld: Cancan
Carmina Burana - O Fortuna
Canon In D
Lietenant Kije Suite - Troika
Turandot: Nessun dorma
Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
Bolero - Conclusion
The Tale Of Czar Sultan: Flight Of The Bumblebee
William Tell Overture - Finale
Carnival Of The Animals: The Swan
Gymnopedie No. 3
Ave Maria
Blue Danube Waltz
Thus Spake Zarathustra - Sunrise
Firebird Suite - Finale
1812 Overture - Finale: 1812 Overtune - Finale
Fantasia On 'Greensleeves'
Anvil Chorus (II Trovatore)
The Four Seasons - Largo From 'Winter'
Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Minuets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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General | Classical | Styles | Music

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Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
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Masters of Classical Music (Box Set)
Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
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Rendezvous of Angels - Concert Collection [20 CD Set]

ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Spring - Michel Schwalbe
Adagio In G Minor For Strings And Organ - Leon Spierer
Valese
Menuetto
Morning Mood
Valse Triste
Symphony No. 40 In G Minor, K. 550 (Molto Allegro)
Symphony No. 9 'From The New World' In E Minor
Intermezzo
'Carmen' Suite, Prelude I (Allegro Giocoso)
Bolero (Conclusion)
'The Sleeping Beauty', Valse
'La Traviata', Prelude To Act III
Symphony No. 3 'Organ', In C Minor (Finale) - Pierre Cochereau

Tracks:

'Also Sprach Zarathustra' (Introduction)
'Cavalleria Rusticana', Intermezzo Sinfonico - Wolfgang Meyer
Eine Kleine Nachtmusik (Allegro)
Swan Lake, Suite Op. 20, Scene 1 (Swan Theme) - Michel Schwalbe
An Der Schonen, Blauen Donau
Brandenburg Concerto No. 3 In G Major (1rst Movement)
Meditation - Michel Schwalbe
Badinerie From Suite No. 2 In B Minor - Karlheinz Zoeller
Barcarolle From 'La Gaiete Parisienne'
Piano Concerto No. 1 In B Flat Minor (Ex. 1rst Movement) - Lazar Berman
Adagietto From Symphony No. 5
Symphonie Classique (Finale. Molto Vivace)
Dance Of Teh Blessed Spirits From 'Orpheus And Eurydice - Karlheinz Zoeller
Danse De La Fee Dragee
Valse Des Fleurs

Customer Reviews:

Classical music CD for everyone.......2007-01-09

A great selection. I bought one for my husband, and later the other one for my parents.
Quality, and a superb selection of masterpieces.
A must have for classical music lovers, and for everyone who wants to get introduced to classical music.

... in a nutshell.......2006-09-08

Probably the best one-volume compilation of Karajan available, with the most broad-based approachable track list currently being offered to the general enthusiast/collector. Back in the vinyl days, there were two-disc sets available like the "Karajan Super Concert" or the three-volume "Karajan Conducts" set on Angel. Some of these have been re-arranged and re-released with new or different cover art on CD too, but here is a newly remastered set just as good or better than any of those.

It also contains probably the best short essay on what Herbert von Karajan was all about by Axel Bruggemann, that I have ever read. A CD or two of the "Adagio" set by this conductor (also on DG) may be a nice supplement too, otherwise you can't really go wrong with this two-disc set at a fairly affordable price.

Karajan Forever: The "Eternal" Classical Music Album.......2005-09-26

Another fine recording of classical music, as conducted by the man considered to be the greatest conductor of the 20th century- Herbert Von Karajan, whose position as conductor of the Berlin Philharmonic made that particular orchestra unbeatable and at number one in the list of world's greatest orchestras. Karajan was involved with the Berlin Philharmonic's musical development for years, until his death in 89, before the Berlin Wall fell, an event he did not live to see. This recording has to the best of Karajan's many collected classical pieces on record. It is a perfect introduction to classical music itself and to Karajan's style. A plethora of composer and time periods- from Baroque, to Classical to Romantic- are all on here. Vivaldi's Spring opens the CD, and is followed by the melancholy and fatalistic sounding Baroque classic Albinoni Adagio in G. This is followed by Mozart's 40th symhony. The first Romantic Era symphony on here is Dvorak's famous New World Symphony, which Karajan conducts with supreme mastership. The Intermezzo from the verisimo opera Cavalleria Rusticana is on here and sounds absolutely breathtaking. The suite of Bizet's Carmen is musically intoxicating and the Bolero has never sounded hotter, except for maybe Zubin Mehta conducting it which I've heard live and know is absolutely wonderful. The famous Waltz from Tchaikovsky's ballet masterpiece Sleeping Beauty is on here as well as the Third Act Prelude to Verdi's Traviata. The final track on CD 1 is Saint Saens Organ Symphony Finale.

The second disc opens with a masterful version of the powerfully evocative Also Sprach Zarathustra by Richard Strauss, another Austrian composer Karajan championed. The Swan Theme from Swan Lake is on here, as well as the Viennese Waltz favorite On the Beautiful Blue Danube- something I didn't know Karajan even conducted. But being Austrian, I'm not surprised. Karajan even conducted Johann Strauss' Die Fledermaus as well as other waltzes. Back to Baroque, he continues with the Brandenburg Concerto No. 3 by Bach and the gorgeous and somewhat gloomy Dance of the Blessed Spirits from Orpheus and Eurydice by Gluck. The CD ends with the elegant and beautiful Waltz of the Flowers from Tchaikovsky's Nutracker. This is a must have for fans of classical music, as a lot of favorites are on here.

Meditation!.......2003-07-20

A veritable who's who of pieces & composers, the CDs Karajan Forever will hopefully live forever.
Herbert VonKarajan was the conductor of the Berlin Philharmonic from 1955 until his demise in 1989. His vision & helmsmanship of this magnificent orchestra have literally changed the way a whole generation heard music.

Tracks:

Adagio
Air on the G String: Air on the G String, Excerpt
Brandenburg Concerto: Third Movement, Excerpt
Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
Tocatta & Fugue: Excerpt
Adagio for Strings: Excerpt
Synphony No. 5: First Movement, Excerpt
Symphony No. 9: Fourth Movement, Excerpt
Fse: Excerpt
Turkish March: Turkish March, Excerpt
Moonlight Sonata: Excerpt
Symphonie Fantastique: March Ot the Scaffold, Excerpt
Damnation of Faust: Excerpt
Carmen - Habanera: Habanera, Excerpt
Toreador Song [From Carmen]
Minuet: Minuet, Excerpt
Prince Igor: Polovtsian Dance No 17, Excerpt
Hungarian Dance No. 5: No 5, Excerpt
Lullaby: No 4, Lullaby, Excerpt
"Minute" Waltz: Excerpt
Grande Valse Brillante: Excerpt
Marche Fune: Marche Fune
Appalachian Spring: Excerpt
Fanfare for the Common Man: Excerpt
Clair de Lune: Excerpt
Prelude to the Afternoon: Excerpt
Lakm Flower Duet: Flower Duet, Excerpt
Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
The Sorcerer's Apprentice: Excerpt
Pomp & Circumstance: Excerpt
El Amor Brujo
Pavane: Excerpt
Rhapsody in Blue: Excerpt
American in Paris: Excerpt
Funeral March of Marionette: Excerpt
Piano Concerto in a Minor: Excerpt
Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
Water Music - Hornpipe: Hornpipe, Excerpt
Symphony No. 94 "Surprise": Second Movement, Excerpt
The Planets - Mars: Mars, Excerpt
Sabre Dance: Sabre Dance, Excerpt
Pagliacci: Vesti la Giubba, Excerpt
Hungarian Rhapsody
Liebestraum No. 3: No 3, Excerpt
Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
Symphony No. 4 "Italian": Fourth Movement, Excerpt
Rondeau: No 1, Rondeau
Piano Concerto No. 21: Andante, Excerpt
Eine Kleine Nachtmusik: First Movement, Excerpt
The Marriage of Figaro - Overture: Overture, Excerpt
Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
Symphony No. 40: First Movement, Excerpt
Night on Bald Mountain: Excerpt
Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
Barcarolle: Barcarolle, Excerpt
Orpheus in Hades - Theme II: Excerpt (Theme)
Carmina Burana - O Fortuna: O Fortuna, Excerpt
Canon: Canon, Excerpt
Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
Turandot - Nessun Dorma: Nessun Dorma, Excerpt
Piano Concerto No. 2: Second Movement, Excerpt
Symphony No. 2: Third Movement, Opening, Excerpt
Rhapsody on a Theme: Variation 18, Excerpt
Bolero
Flight of the Bumblebee
Concierto de Aranjuez - Adagio: Adagio, Excerpt
The Barber of Seville - Overture: Excerpt
The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
William Tell Overture - Theme II: Excerpt
Danse Macabre: Excerpt
Gymnope No. 1
Symphony N0. 8 "Unfinished": Excerpt
Ave Maria: Excerpt
Finlandia [Finale: Finale, Excerpt]
Valse Triste: No 1, Valse Triste, Excerpt
Stars & Stripes Forever: Excerpt
Semper Fidelis: Excerpt
Blue Danube Waltz: Excerpt
Tales from the Vienna Woods: Excerpt
Also Sprach Zarathustra: Fanfare, Excerpt
Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
Swan Lake - Waltz: Waltz, Excerpt
Sleeping Beauty -: Waltz, Excerpt
Romeo & Juliet - Theme II: Theme LL, Excerpt
Piano Concerto No. 1 - Opening: Opening, Excerpt
1812 Overture - Finale: Finale, Excerpt
Fantasia on "Greensleeves": Excerpt
Alda - Grand March: Grand March, Excerpt
Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
Requiem - Dies Irae: Dies Irae, Excerpt
Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
The Four Seasons "Spring" - Allegro: Allegro, Excerpt
The Four Season "Winter" - Largo: Largo, Excerpt
Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt

Customer Reviews:

I can name that tune in three notes.......2005-02-19

My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.

A Fabulous CD.......2004-10-14

The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.

Mega-Sampler! This really does have 99 tracks!.......2002-03-20

Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.

If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.

The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.

I can honestly say that this CD is a great gift for the friend who has everything.

Fun Sampler.......2001-11-09

For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.

Useful........1999-03-22

Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.

The Top 100 Masterpieces of Classical Music, Vol. 6-10

Average customer rating:

Great collections, with poor quality sound
The Greatest Collection Of Romantic Era Music
Somewhat lacking

The Top 100 Masterpieces of Classical Music, Vol. 6-10

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | International | Styles | Music

Classical | Box Sets | Stores | Music

Masters of Classical Music (Box Set)
Classical Moods
Classical Masterpieces of the Millennium [20 CD Set]
25 Beethoven Favorites
Best of the Millennium: Top 40 Classical Hits

ASIN: B000001W12
Release Date: 1995-11-01

Tracks:

The Top 10 Of Classical Music 1842 - 1853: 1843: Wedding March, From 'A Midsummer Night's Dream' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1847: Liebestraum No. 3 In A Flat - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1842: Nabucco - Overture - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1848: The Merry Peasant - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1847: Hungarian Rhapsody No. 2 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1850: Lohengrin - Preldue To Act 3 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1853: La Traviata - Prelude to Act 1 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1845: Tannhauser - Arrival Of The Guests At Wartburg - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1845: Violin Concerto In E Minor, 2nd Movement - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1846: Poet And Peasant - Overture - TOP 100 MASTERPIECES

Tracks:

The Top 10 Of Classical Music 1854 - 1866: 1858: Orpheus In The Underworld - Overture - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1858: Melody In F - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1854: Les Preludes - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1865: Waltz In A Flat - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1862: The Force Of Destiny - Overture - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1864: I Love You - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1866: The Bartered Bride - Overture - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1864: Barcarolle, From 'The Tales Of Hoffman' - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1858: Tritsch Tratsch Polka - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1866: Light Calvary - Overture - Various Artists

Tracks:

The Top 10 Of Classical Music 1867 - 1876: 1875: Piano Concerto No. 1 In B Flat Minor, 1st Movement (excerpt) - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1868: Cradle Song - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1875: The Moldau - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1870: Ride Of The Valkyries - From 'The Valkyrie' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1876: Morning, From 'Peer Gynt' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1875: Les Toreadors, From 'Carmen' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1870: Notturno, From 'Coppelia' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1876: Marche Slave, Op. 31 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1872: L'Arlesienne - Intermezzo - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1867: The Blue Danbue - Waltz - TOP 100 MASTERPIECES

Tracks:

The Top 10 Of Classical Music 1877 -1893: 1878: Polonaise, From 'Eugene Onegin' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1893: Symphony No. 9, 'From The New World' - 2nd Movement - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1892: Waltz Of The Flowers, from 'The Nutcracker' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1887: Alborado, From 'Capriccio Espagnol' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1886: The Last Spring - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1886: Slavonic Dance No. 2 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1889: The Sleeping Beauty - Introduction - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1877: Siegfried's Death And Funeral March, From 'Twighlight Of The Gods' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1880: Songs My Mother Taught Me - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1889: Emperor Waltz - TOP 100 MASTERPIECES

Tracks:

The Top 10 Of Classical Music 1894 - 1928: 1896: Also sprach Zarathustra - Fanfare - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1902: Symphony No. 5 - Adagietto - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1899: Finlandia - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1900: Dance Of The Bumble Bee - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1894: Meditation, From 'Thais' - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1901: Pomp And Circumstance - March No. 1 - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1894: Humoresque - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1903: Valse Triste - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1899: Vienna Blood - Waltz - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1928: Bolero - Various Artists

Customer Reviews:

Great collections, with poor quality sound.......2003-01-09

I expected to listen to great professional classical orchestra ...for this classical music collection, but the quality of the music is not too good.

There are a lot of great music collections, but they will sound better when they record it right.

It is good when you just want to have more classical music, but for a CD, the sound quality is like a [poorley made] CD.

I give 3 stars for this product.

The Greatest Collection Of Romantic Era Music.......2002-09-05

The Top 100 Classical Music series is a must have for novices of classical music, or someone already into the classics but wishes to amassa an "essentials" collection. This particular cd's span the Romantic Era, and although the 19th century saw much more music than what is covered on these recordings, this is nevertheless a brilliant and essential body of works. The Wedding March of Mendelsshon's Midsummer Night's Dream (played in weddings all over the world I'm assuming), Franz Lizst Hungarian Rhapsody No. 2 (The Looney Tunes Theme Music by the way) and other jewels of the era, such as the Blue Danube Waltz by Johann Strauss, the operetta overtures of Franz Von Suppe, Verdi's preludes to such operas as Nabucco and La Traviata, Wagner's intense, dramatic music for his Ring of the Nibelung operas, regarded as the epitome and the zenith of Romantic Era opera, and the music of other composers such as Tchaikovsky, Bizet, Sibelius, Rimsky Korsakov and many others. I highly recommend this cd to anyone wanting to sample and taste what Romantic Era music was all about. Five stars all the way.

Somewhat lacking.......2001-03-28

(referring to the entire collection)

Tracks:

Scherzo - Jeno Jando
Waltz In C# Minor - Peter Nagy
Song Without Words, Op.102, No.5 - Peter Nagy
'The Fountains Of The Villa D'Este' - Jeno Jando
Scherzo - Jeno Jando
'March To The Scaffold' - Pinchas Steinberg
Finale - Adrian Leaper
Pomp and Circumstance March No. 1 (Excerpt) - Adrian Leaper
The Moldau (exc) - Slovak PO/Barry Wordsworth
Final Movement Of Symphony No.9 'From The New World' - Stephen Gunzenhauser
'Bydlo' - Jeno Jando
'Flight Of The Bumblebee' - Balazs Szokolay
'Polovtsian Dances' - Slovak Philharmonic Orchestra
Finale - Adrian Leaper
Finale - Takako Nishizaki
'Liebestod' - Johannes Wildner
Finale - Slovak Philharmonic Orchestra
Intro To Also Sprach Zarathustra - Slovak Philharmonic Orchestra
Uranus, The Magician - Adrian Leaper
'Jeux De Vagues' - Alexander Rahbari
'Sunrise' - Czecho-Slovak Radio Symphony Chorus
Adoration Of The Earth (Finale) - Alexander Rahbari
March From Love For Three Oranges Suite, Op.33: March - Andrew Mogrelia
Scherzo - Alexander Rahbari
Finale - Alexander Rahbari

The Most Relaxing Classical Music in the World...Ever!

Average customer rating:

The Most Relaxing Classical Music in the World...Ever!

Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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The Most Relaxing Classical Album in the World...Ever!
Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)

ASIN: B0009S4WK2
Release Date: 2005-06-13

Tracks: