An Introduction to Dvorák's Symphony No. 9 ("From the New World")
On this CD:
1. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A quiet beginning, sorrow, syncopation, and sequence
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
2. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Instrumental colour as a prime element: clarinets and bassoons, an outburst by the French horn
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
3. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The opening tune again, with different instrumental colouring: now flutes and oboes
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
4. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The first big surprise: strings, shattering drumbeats, shrieks from flutes, oboes, and clarinets
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
5. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Cellos and basses take us into a new key while flutes and oboes dance in syncopation.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
6. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Horns, violas, and cellos introduce a new idea, soon to evolve into the main theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
7. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A tiny detail from the opening culminates in a wild drumming that heralds a major event
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
8. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Introduction complete
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
9. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A solo horn introduces the main theme, perkily answered by bassoons and horns.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
10. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The theme moves to G major; answering phrase from flutes, oboes, bassoons; the main theme is extended
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
11. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Long crescendo, tremolo strings, back to tonic and biggest statement yet of the main theme
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
12. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Transition to the secondary theme through the use of sequence. Sonata form; stability and flux; Dvorák's use of asymmetry an
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
13. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Three-bar groupings and again the use of sequence, spelling out a chord
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
14. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The sequence continues to rise, and the four-bar phrase returns as the standard unit.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
15. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The first violins start off the next phrase, but the melodic shape is more compact.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
16. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The violins fall silent; the violas and cellos answer with a new figure, a variation of the violins' melody.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
17. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. So now we have a two-bar group, made up of statement and answer.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
18. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The same thing again (through not quite the same)
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
19. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Transition complete. The secondary theme arrives, with French horns as 'bagpipes'.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
20. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The 'bagpipe drone' is taken over by cellos with their insistently repeated G and D.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
21. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The tune is taken up by cellos and double-basses, 'shadowed' by the second violins; a fanfare figure emerges.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
22. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The violins continue a patterns of steady pairs, and the cellos and basses introduce a new idea. Then another surprise...
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
23. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Unexpectedly, we find ourselves back with the secondary theme. A new idea emerges.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
24. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Again we hear the shortened version of the secondary theme, followed by mounting instability and suspense.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
25. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The suspense is heightened as everything slows down; a soft, still variant of the 'interruption' motif is heard from the str
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
26. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. This beautiful flute tune is said to resemble 'Swing Low, Sweet Chariot'.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
27. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A big crescendo leads to a final statement of the closing theme, bringing the exposition to a glorious end.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
28. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The development section begins with a conversation between cellos, double-basses, and violins.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
29. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The beginning of the closing theme is taken up in turn by the horn, piccolo, and trumpet.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
30. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Sequential chirping from the oboes based on the 'answering' part of the main theme, now in the major
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
31. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Much of the development comes from a diminution of the closing theme from the exposition.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
32. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. A tiny detail becomes a major ingredient, giving an agitated quality to an originally sunny tune.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
33. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Through a sequence of keys so quickly that it is hard to keep track of them: there is a definite sense of movement.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
34. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The main theme from massed cellos and double-basses, topped by two trumpets over tremolo violas
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
35. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. After that major climax, we arrive at the threshold of the recapitulation, courtesy of winds and strings.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
36. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Dvorák flouts tradition by setting the secondary theme and the closing theme in unexpected keys.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
37. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. The tumultuous convulsion of the coda brings the first movement to its epic close.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
38. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 1st mvt. Humpty Dumpty: putting the bits back together again
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
39. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) First movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
40. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The very opening chords unmistakably herald the arrival of something special.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
41. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The role of instrumentation in setting the scene...
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
42. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt....and in enhancing the quality of one of the most famous tunes in symphonic history.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
43. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The cor anglais is joined by the clarinet, creating a fascinating change in the timbre.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
44. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. For the closing part of the tune, there is another new sonority: cor anglais plus bassoon.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
45. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The closing bar is repeated by clarinets and bassoons, the horn adding a new touch of colour at the end.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
46. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Back to the start to hear the whole of the story so far, this time without commentary
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
47. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. A change of scoring: the slow opening chords return, this time played by the winds alone.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
48. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The changes in scoring are just beginning
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
49. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The flutes and oboes introduce a new tune, over hushed tremolo strings.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
50. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. A memorable combination of continuous, asymmetrical melody with steady, march-like counterpoint.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
51. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Back in that woodland glade, the light and shadows have changed, revealing new shapes and patterns.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
52. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. The next section is new and forward-looking, yet also a kind of dream-recollection of a past scene.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
53. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. An abrupt change of mood, much discussion and embellishment, and a hushed note of expectancy
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
54. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Subjectivity and expertise; Sourek and Tovey disagree; onwards, into the final section
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
55. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 2nd mvt. Cue to whole movement
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
56. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) Second movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
57. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Dvorák, Beethoven and the Scherzo. Dvorák purposely confuses the listener's expectations.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
58. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Using a little fanfare, Dvorák further builds up expectation before revealing the movement's main theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
59. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. When the theme is revealed, we find that it is not exactly a tune.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
60. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Two little bursts of rhythm povide the seeds from which much of the movement grows.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
61. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. It is the second half of the theme that dominates.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
62. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Back to the beginning to hear the whole of this opening section
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
63. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Without ever being remotely 'academic' or 'intellectual', there is much counterpoint going on here.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
64. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Dvorák's very Czech love of combining conflicting rhythms, sometimes metres
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
65. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. A clearly transitional passage, obsessed with the rhythmic tag that both opens and closes the main theme
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
66. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Sooner than we may have expected, we seem to have arrived at the Trio section.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
67. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. A new kind of tone quality sheds a subtly different light on the theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
68. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The flutes and oboes now chime in with an answering variant of the opening...
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
69. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt...and the cellos and bassoons take up the original version of the theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
70. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. A false alarm: it was not the traditional Trio section at all, but rather part two of the Scherzo proper.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
71. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Soon, after a very rapid build, the Scherzo proper does reach its final phase.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
72. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The orchestral texture thins dramatically, and we approach what this time really is the Trio section.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
73. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The Trio section is reminiscent more of the 'Old World' than the 'New'.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
74. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. In the second half of the Trio, a new tune emerges, a kind of Slavonic waltz.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
75. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. The main theme of the Trio returns against a much fuller orchestral background.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
76. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 3rd mvt. Then it is all a matter of repeats, until we reach the coda, which ends with an explosive bang.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
77. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) Third movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
78. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Like the first movement, the fourth begins not with its main theme but with an introduction.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
79. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme: an imposing march, introduced by trumpets and trombones, with timpani
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
80. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme, part two. A codetta-like passage closes off the march and introduces the 'transitional' theme.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
81. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The 'transitional' theme, while outwardly contrasting, is actually a hidden variant of the march.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
82. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. A point of future obsession
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
83. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The second half of this 'transitional' theme is given to the winds as soon as the strings have finished.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
84. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The 'obsession' takes root, with a ten-fold repetition, before the arrival of the second subject.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
85. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The hidden traps in sonata-form terminology: 'second main theme' vs. 'second subject'
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
86. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The unexpected entry and subsequent ubiquity of 'Three Blind Mice'
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
87. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. We meet the mice again, now in the cellos and double-basses, where they persistently refuse to run.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
88. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. More 'Three Blind Mice' material
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
89. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The mice return to the basement, where the bassoons have joined the cellos and double-basses.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
90. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Next, they are back with the clarinets, now joined by pizzicato violas, who pass them back to the cellos.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
91. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Now they return to the high winds, delicately trilling.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
92. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Relief, at last: the mice back off, making way for a reminder of the main theme from the trumpets.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
93. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The mice yield to woodpeckers (clarinets); the main theme (or its opening gambit) is now doubled in speed.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
94. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The triplets of the 'transitional' theme are now handed down through strings from the violins to the basses.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
95. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Reminders of past movements begin to fly by, thick and fast, sometimes very fast.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
96. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. In fact there are three bits of quotation going on here simultaneously.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
97. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The violas react every time the 'Goin' Home' theme is quoted by the winds.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
98. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The rhythm of the opening of the 'Goin' Home' theme dominates, transformed by trumpets and trombones.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
99. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The march theme reappears as a Mendelssohnian fairy; the main theme from the first movement now returns.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
100. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. We reach an interesing point: have we heard the beginning of the recapitulation, or not?
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
101. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Perhaps this is it? Back for a reminder of the theme proper, as we first heard it
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
102. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Tovey places the start of the recapitulation here.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
103. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme recast in pathetic rather than heroic terms - and with magical scoring
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
104. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. This unexpected crisis in confidence plays a major role in the overall dramatic impact of the movement.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
105. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The main theme returns - not complete, but chopped up into shorter and shorter fragments.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
106. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. A glorious thematic stew; high drama, a powerful build-up...but then?
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
107. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The dramatic highpoint of the movement, an astonishing transformation, but first, back to the original
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
108. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. The same chords again, this time blasted out by the entire wind and brass sections
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
109. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Now we are into the finishing stretch, but the surprises continue to the very end of the very end.
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
110. An Introduction to Dvorák's Symphony No. 9, Narration with Musical Examples 4th mvt. Summary, context, and cue into the whole movement
Composed by Jeremy Siepmann
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
111. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95) Fourth movement
Composed by Antonin Dvorak
Performed by Slovak Philharmonic Orchestra
Conducted by Stephen Gunzenhauser
An Introduction to Dvorák's Symphony No. 9 ("From the New World"), Music, Antonin Dvorak, Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra, Classical, Classical Composers, Classical Music, Instructional / Educational, Miscellaneous, Miscellaneous Music, Orchestral & Symphonic, Romantic Symphony, Symphonic
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
|
Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Best of the Millennium: Top 40 Classical Hits
- 25 Classical Favorites
- 25 Romantic Classics
- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Classical Music in the Universe
ASIN: B000003QWH
Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- Waste of money
- Great Music Compilation
- If you like classical music don't buy this CD.
- A must for anyone wanting the staples of classical music
- A great compilation
|
Best of the Millennium: Top 40 Classical Hits
Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD
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| Orff, Carl
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| Pachelbel, Johann
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| Puccini, Giacomo
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| Prokofiev, Sergei
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Ravel, Maurice
| ( R )
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| Rossini, Gioacchino
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| Rachmaninov, Sergei
| ( R )
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| Saint-Saëns, Camille
| ( S )
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| Satie, Erik
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| Schubert, Franz
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| Stravinsky, Igor
| ( S )
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| Tchaikovsky, Peter Ilyich
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| Vivaldi, Antonio
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| Wagner, Richard
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Marches
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Overtures
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Tone Poems
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Berlin Philharmonic Orchestra
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ASIN: B00004GOZA
Release Date: 2000-02-08 |
Tracks:
- Adagio In G Minor
- Jesu, Joy OF Man's Desiring
- Moonlight Sonata - Adagio sostenuto
- March Of The Toreadors (Carmen)
- Celebrated Minuet
- Polovtsian Dance No. 1 (Prince Igor)
- Cradle Song
- 'Minute' Waltz
- Suite Bergamasque: Clair de Lune
- Largo
- Pomp And Circumstance March No. 1
- Rhapsody In Blue - Andante And Finale
- Peer Gynt Suite: Morning
- Messiah: Hallelujah Chorus
- Liebestraum
- Cavalleria Rusticana: Intermezzo
- A Midsummer Night's Dream: Wedding March
- 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
- The Great Gate Of Kiev
Tracks:
- Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
- Orpheus In The Underworld: Cancan
- Carmina Burana - O Fortuna
- Canon In D
- Lietenant Kije Suite - Troika
- Turandot: Nessun dorma
- Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
- Bolero - Conclusion
- The Tale Of Czar Sultan: Flight Of The Bumblebee
- William Tell Overture - Finale
- Carnival Of The Animals: The Swan
- Gymnopedie No. 3
- Ave Maria
- Blue Danube Waltz
- Thus Spake Zarathustra - Sunrise
- Firebird Suite - Finale
- 1812 Overture - Finale: 1812 Overtune - Finale
- Fantasia On 'Greensleeves'
- Anvil Chorus (II Trovatore)
- The Four Seasons - Largo From 'Winter'
- Die Walkure: Ride Of The Valkyries
Amazon.com
For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde
Customer Reviews:
Waste of money.......2006-01-12
Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.
Ken
Great Music Compilation.......2005-08-15
This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.
If you like classical music don't buy this CD........2005-03-11
Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.
A must for anyone wanting the staples of classical music.......2005-02-23
In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
A great compilation.......2005-02-09
This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Classical music CD for everyone
- ... in a nutshell
- Karajan Forever: The "Eternal" Classical Music Album
- Meditation!
|
Karajan Forever: The Greatest Classical Hits
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Karajan: Adagio
- Famous Overtures
- Karajan Conducts Grieg & Sibelius
- Romantic Adagio: Karajan
- Ravel, Debussy, Saint-Saëns: Orchestral Works
ASIN: B00008CLNO
Release Date: 2003-06-10 |
Tracks:
- Spring - Michel Schwalbe
- Adagio In G Minor For Strings And Organ - Leon Spierer
- Valese
- Menuetto
- Morning Mood
- Valse Triste
- Symphony No. 40 In G Minor, K. 550 (Molto Allegro)
- Symphony No. 9 'From The New World' In E Minor
- Intermezzo
- 'Carmen' Suite, Prelude I (Allegro Giocoso)
- Bolero (Conclusion)
- 'The Sleeping Beauty', Valse
- 'La Traviata', Prelude To Act III
- Symphony No. 3 'Organ', In C Minor (Finale) - Pierre Cochereau
Tracks:
- 'Also Sprach Zarathustra' (Introduction)
- 'Cavalleria Rusticana', Intermezzo Sinfonico - Wolfgang Meyer
- Eine Kleine Nachtmusik (Allegro)
- Swan Lake, Suite Op. 20, Scene 1 (Swan Theme) - Michel Schwalbe
- An Der Schonen, Blauen Donau
- Brandenburg Concerto No. 3 In G Major (1rst Movement)
- Meditation - Michel Schwalbe
- Badinerie From Suite No. 2 In B Minor - Karlheinz Zoeller
- Barcarolle From 'La Gaiete Parisienne'
- Piano Concerto No. 1 In B Flat Minor (Ex. 1rst Movement) - Lazar Berman
- Adagietto From Symphony No. 5
- Symphonie Classique (Finale. Molto Vivace)
- Dance Of Teh Blessed Spirits From 'Orpheus And Eurydice - Karlheinz Zoeller
- Danse De La Fee Dragee
- Valse Des Fleurs
Customer Reviews:
Classical music CD for everyone.......2007-01-09
A great selection. I bought one for my husband, and later the other one for my parents.
Quality, and a superb selection of masterpieces.
A must have for classical music lovers, and for everyone who wants to get introduced to classical music.
... in a nutshell.......2006-09-08
Probably the best one-volume compilation of Karajan available, with the most broad-based approachable track list currently being offered to the general enthusiast/collector. Back in the vinyl days, there were two-disc sets available like the "Karajan Super Concert" or the three-volume "Karajan Conducts" set on Angel. Some of these have been re-arranged and re-released with new or different cover art on CD too, but here is a newly remastered set just as good or better than any of those.
It also contains probably the best short essay on what Herbert von Karajan was all about by Axel Bruggemann, that I have ever read. A CD or two of the "Adagio" set by this conductor (also on DG) may be a nice supplement too, otherwise you can't really go wrong with this two-disc set at a fairly affordable price.
Karajan Forever: The "Eternal" Classical Music Album.......2005-09-26
Another fine recording of classical music, as conducted by the man considered to be the greatest conductor of the 20th century- Herbert Von Karajan, whose position as conductor of the Berlin Philharmonic made that particular orchestra unbeatable and at number one in the list of world's greatest orchestras. Karajan was involved with the Berlin Philharmonic's musical development for years, until his death in 89, before the Berlin Wall fell, an event he did not live to see. This recording has to the best of Karajan's many collected classical pieces on record. It is a perfect introduction to classical music itself and to Karajan's style. A plethora of composer and time periods- from Baroque, to Classical to Romantic- are all on here. Vivaldi's Spring opens the CD, and is followed by the melancholy and fatalistic sounding Baroque classic Albinoni Adagio in G. This is followed by Mozart's 40th symhony. The first Romantic Era symphony on here is Dvorak's famous New World Symphony, which Karajan conducts with supreme mastership. The Intermezzo from the verisimo opera Cavalleria Rusticana is on here and sounds absolutely breathtaking. The suite of Bizet's Carmen is musically intoxicating and the Bolero has never sounded hotter, except for maybe Zubin Mehta conducting it which I've heard live and know is absolutely wonderful. The famous Waltz from Tchaikovsky's ballet masterpiece Sleeping Beauty is on here as well as the Third Act Prelude to Verdi's Traviata. The final track on CD 1 is Saint Saens Organ Symphony Finale.
The second disc opens with a masterful version of the powerfully evocative Also Sprach Zarathustra by Richard Strauss, another Austrian composer Karajan championed. The Swan Theme from Swan Lake is on here, as well as the Viennese Waltz favorite On the Beautiful Blue Danube- something I didn't know Karajan even conducted. But being Austrian, I'm not surprised. Karajan even conducted Johann Strauss' Die Fledermaus as well as other waltzes. Back to Baroque, he continues with the Brandenburg Concerto No. 3 by Bach and the gorgeous and somewhat gloomy Dance of the Blessed Spirits from Orpheus and Eurydice by Gluck. The CD ends with the elegant and beautiful Waltz of the Flowers from Tchaikovsky's Nutracker. This is a must have for fans of classical music, as a lot of favorites are on here.
Meditation!.......2003-07-20
A veritable who's who of pieces & composers, the CDs Karajan Forever will hopefully live forever.
Herbert VonKarajan was the conductor of the Berlin Philharmonic from 1955 until his demise in 1989. His vision & helmsmanship of this magnificent orchestra have literally changed the way a whole generation heard music.
In this 2 CD collection, DG has kind of done a Greatest Hits. Everything from the Four Seasons by Vivaldi to Opera Overtures, Ballet Themes and Piano Concertos. There is truly something for everyone on this CD, but being an opera fan, 2 of my favorites are on disc 2. The Intermezzo from Cavalleria Rusticana and the Meditation from Thais. This music simply transports the listener to another place and time. The Philharmonic is so in sync- so one that it is hard to believe how huge they really are. I can wholeheartedly recommend this CD without reservation. And it's a steal at $... for 2 new CDs. For more information on this CD & others in a line paying tribute to Maestro VonKarajan, go to his website: karajan.org
Enjoy!
Average customer rating:
- I can name that tune in three notes
- A Fabulous CD
- Mega-Sampler! This really does have 99 tracks!
- Fun Sampler
- Useful.
|
Idiot's Guide to Classical Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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| Leoncavallo, Ruggiero
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| Liszt, Franz
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| Mascagni, Pietro
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| Mozart, Wolfgang Amadeus
| ( M )
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| Offenbach, Jacques
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Similar Items:
- Scott Joplin: Greatest Hits
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ASIN: B000003FPT
Release Date: 1995-02-14 |
Tracks:
- Adagio
- Air on the G String: Air on the G String, Excerpt
- Brandenburg Concerto: Third Movement, Excerpt
- Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
- Tocatta & Fugue: Excerpt
- Adagio for Strings: Excerpt
- Synphony No. 5: First Movement, Excerpt
- Symphony No. 9: Fourth Movement, Excerpt
- Fse: Excerpt
- Turkish March: Turkish March, Excerpt
- Moonlight Sonata: Excerpt
- Symphonie Fantastique: March Ot the Scaffold, Excerpt
- Damnation of Faust: Excerpt
- Carmen - Habanera: Habanera, Excerpt
- Toreador Song [From Carmen]
- Minuet: Minuet, Excerpt
- Prince Igor: Polovtsian Dance No 17, Excerpt
- Hungarian Dance No. 5: No 5, Excerpt
- Lullaby: No 4, Lullaby, Excerpt
- "Minute" Waltz: Excerpt
- Grande Valse Brillante: Excerpt
- Marche Fune: Marche Fune
- Appalachian Spring: Excerpt
- Fanfare for the Common Man: Excerpt
- Clair de Lune: Excerpt
- Prelude to the Afternoon: Excerpt
- Lakm Flower Duet: Flower Duet, Excerpt
- Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
- The Sorcerer's Apprentice: Excerpt
- Pomp & Circumstance: Excerpt
- El Amor Brujo
- Pavane: Excerpt
- Rhapsody in Blue: Excerpt
- American in Paris: Excerpt
- Funeral March of Marionette: Excerpt
- Piano Concerto in a Minor: Excerpt
- Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
- Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
- Water Music - Hornpipe: Hornpipe, Excerpt
- Symphony No. 94 "Surprise": Second Movement, Excerpt
- The Planets - Mars: Mars, Excerpt
- Sabre Dance: Sabre Dance, Excerpt
- Pagliacci: Vesti la Giubba, Excerpt
- Hungarian Rhapsody
- Liebestraum No. 3: No 3, Excerpt
- Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
- Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
- Symphony No. 4 "Italian": Fourth Movement, Excerpt
- Rondeau: No 1, Rondeau
- Piano Concerto No. 21: Andante, Excerpt
- Eine Kleine Nachtmusik: First Movement, Excerpt
- The Marriage of Figaro - Overture: Overture, Excerpt
- Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
- Symphony No. 40: First Movement, Excerpt
- Night on Bald Mountain: Excerpt
- Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
- Barcarolle: Barcarolle, Excerpt
- Orpheus in Hades - Theme II: Excerpt (Theme)
- Carmina Burana - O Fortuna: O Fortuna, Excerpt
- Canon: Canon, Excerpt
- Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
- Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
- Turandot - Nessun Dorma: Nessun Dorma, Excerpt
- Piano Concerto No. 2: Second Movement, Excerpt
- Symphony No. 2: Third Movement, Opening, Excerpt
- Rhapsody on a Theme: Variation 18, Excerpt
- Bolero
- Flight of the Bumblebee
- Concierto de Aranjuez - Adagio: Adagio, Excerpt
- The Barber of Seville - Overture: Excerpt
- The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
- William Tell Overture - Theme II: Excerpt
- Danse Macabre: Excerpt
- Gymnope No. 1
- Symphony N0. 8 "Unfinished": Excerpt
- Ave Maria: Excerpt
- Finlandia [Finale: Finale, Excerpt]
- Valse Triste: No 1, Valse Triste, Excerpt
- Stars & Stripes Forever: Excerpt
- Semper Fidelis: Excerpt
- Blue Danube Waltz: Excerpt
- Tales from the Vienna Woods: Excerpt
- Also Sprach Zarathustra: Fanfare, Excerpt
- Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
- The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
- Swan Lake - Waltz: Waltz, Excerpt
- Sleeping Beauty -: Waltz, Excerpt
- Romeo & Juliet - Theme II: Theme LL, Excerpt
- Piano Concerto No. 1 - Opening: Opening, Excerpt
- 1812 Overture - Finale: Finale, Excerpt
- Fantasia on "Greensleeves": Excerpt
- Alda - Grand March: Grand March, Excerpt
- Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
- Requiem - Dies Irae: Dies Irae, Excerpt
- Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
- The Four Seasons "Spring" - Allegro: Allegro, Excerpt
- The Four Season "Winter" - Largo: Largo, Excerpt
- Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
- Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt
Customer Reviews:
I can name that tune in three notes.......2005-02-19
My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.
A Fabulous CD.......2004-10-14
The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.
Mega-Sampler! This really does have 99 tracks!.......2002-03-20
Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.
If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.
The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.
I can honestly say that this CD is a great gift for the friend who has everything.
Fun Sampler.......2001-11-09
For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.
Useful........1999-03-22
Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
Average customer rating:
- Great collections, with poor quality sound
- The Greatest Collection Of Romantic Era Music
- Somewhat lacking
|
The Top 100 Masterpieces of Classical Music, Vol. 6-10
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000001W12
Release Date: 1995-11-01 |
Tracks:
- The Top 10 Of Classical Music 1842 - 1853: 1843: Wedding March, From 'A Midsummer Night's Dream' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1847: Liebestraum No. 3 In A Flat - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1842: Nabucco - Overture - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1848: The Merry Peasant - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1847: Hungarian Rhapsody No. 2 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1850: Lohengrin - Preldue To Act 3 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1853: La Traviata - Prelude to Act 1 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1845: Tannhauser - Arrival Of The Guests At Wartburg - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1845: Violin Concerto In E Minor, 2nd Movement - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1842 - 1853: 1846: Poet And Peasant - Overture - TOP 100 MASTERPIECES
Tracks:
- The Top 10 Of Classical Music 1854 - 1866: 1858: Orpheus In The Underworld - Overture - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1858: Melody In F - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1854: Les Preludes - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1865: Waltz In A Flat - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1862: The Force Of Destiny - Overture - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1864: I Love You - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1866: The Bartered Bride - Overture - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1864: Barcarolle, From 'The Tales Of Hoffman' - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1858: Tritsch Tratsch Polka - Various Artists
- The Top 10 Of Classical Music 1854 - 1866: 1866: Light Calvary - Overture - Various Artists
Tracks:
- The Top 10 Of Classical Music 1867 - 1876: 1875: Piano Concerto No. 1 In B Flat Minor, 1st Movement (excerpt) - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1868: Cradle Song - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1875: The Moldau - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1870: Ride Of The Valkyries - From 'The Valkyrie' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1876: Morning, From 'Peer Gynt' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1875: Les Toreadors, From 'Carmen' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1870: Notturno, From 'Coppelia' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1876: Marche Slave, Op. 31 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1872: L'Arlesienne - Intermezzo - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1867 - 1876: 1867: The Blue Danbue - Waltz - TOP 100 MASTERPIECES
Tracks:
- The Top 10 Of Classical Music 1877 -1893: 1878: Polonaise, From 'Eugene Onegin' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1893: Symphony No. 9, 'From The New World' - 2nd Movement - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1892: Waltz Of The Flowers, from 'The Nutcracker' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1887: Alborado, From 'Capriccio Espagnol' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1886: The Last Spring - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1886: Slavonic Dance No. 2 - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1889: The Sleeping Beauty - Introduction - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1877: Siegfried's Death And Funeral March, From 'Twighlight Of The Gods' - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1880: Songs My Mother Taught Me - TOP 100 MASTERPIECES
- The Top 10 Of Classical Music 1877 -1893: 1889: Emperor Waltz - TOP 100 MASTERPIECES
Tracks:
- The Top 10 Of Classical Music 1894 - 1928: 1896: Also sprach Zarathustra - Fanfare - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1902: Symphony No. 5 - Adagietto - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1899: Finlandia - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1900: Dance Of The Bumble Bee - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1894: Meditation, From 'Thais' - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1901: Pomp And Circumstance - March No. 1 - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1894: Humoresque - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1903: Valse Triste - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1899: Vienna Blood - Waltz - Various Artists
- The Top 10 Of Classical Music 1894 - 1928: 1928: Bolero - Various Artists
Customer Reviews:
Great collections, with poor quality sound.......2003-01-09
I expected to listen to great professional classical orchestra ...for this classical music collection, but the quality of the music is not too good.
There are a lot of great music collections, but they will sound better when they record it right.
It is good when you just want to have more classical music, but for a CD, the sound quality is like a [poorley made] CD.
I give 3 stars for this product.
The Greatest Collection Of Romantic Era Music.......2002-09-05
The Top 100 Classical Music series is a must have for novices of classical music, or someone already into the classics but wishes to amassa an "essentials" collection. This particular cd's span the Romantic Era, and although the 19th century saw much more music than what is covered on these recordings, this is nevertheless a brilliant and essential body of works. The Wedding March of Mendelsshon's Midsummer Night's Dream (played in weddings all over the world I'm assuming), Franz Lizst Hungarian Rhapsody No. 2 (The Looney Tunes Theme Music by the way) and other jewels of the era, such as the Blue Danube Waltz by Johann Strauss, the operetta overtures of Franz Von Suppe, Verdi's preludes to such operas as Nabucco and La Traviata, Wagner's intense, dramatic music for his Ring of the Nibelung operas, regarded as the epitome and the zenith of Romantic Era opera, and the music of other composers such as Tchaikovsky, Bizet, Sibelius, Rimsky Korsakov and many others. I highly recommend this cd to anyone wanting to sample and taste what Romantic Era music was all about. Five stars all the way.
Somewhat lacking.......2001-03-28
(referring to the entire collection)
The collection is well designed for introducing the listener to a large variety of music, with its broad range of composers and types of music. However, the interpretation of the music is hardly existant, and many of the pieces sound rather dull and uninteresting. Some lively pieces are played too slowly, and nearly all of them without emotion, keeping the set out of reach from being included in a true classical collection. Despite all that, the sheer number and range of pieces (along with the low price) make this a collection well suited for the new classical listener.
Average customer rating:
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Classical Music Start-Up Kit, Vol. 2: 1825-1945
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Ballets
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Waltzes
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Quintets
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| Tchaikovsky, Peter Ilyich
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| Wagner, Richard
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German
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4-for-3 Classical
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Similar Items:
- Classical Music Start-Up Kit, Vol. 1 (1500-1825)
- Prehistoric Art (Art in History)
- Ancient Roman Art (Hodge, Susie, Art in History.)
- Ancient Egyptian Art (Hodge, Susie, Art in History.)
- The Story of Stonehenge and Other Megalithic Sites (Dover Pictorial Archives)
ASIN: B00005YCX6
Release Date: 1996-01-04 |
Tracks:
- Scherzo - Jeno Jando
- Waltz In C# Minor - Peter Nagy
- Song Without Words, Op.102, No.5 - Peter Nagy
- 'The Fountains Of The Villa D'Este' - Jeno Jando
- Scherzo - Jeno Jando
- 'March To The Scaffold' - Pinchas Steinberg
- Finale - Adrian Leaper
- Pomp and Circumstance March No. 1 (Excerpt) - Adrian Leaper
- The Moldau (exc) - Slovak PO/Barry Wordsworth
- Final Movement Of Symphony No.9 'From The New World' - Stephen Gunzenhauser
- 'Bydlo' - Jeno Jando
- 'Flight Of The Bumblebee' - Balazs Szokolay
- 'Polovtsian Dances' - Slovak Philharmonic Orchestra
- Finale - Adrian Leaper
- Finale - Takako Nishizaki
- 'Liebestod' - Johannes Wildner
- Finale - Slovak Philharmonic Orchestra
- Intro To Also Sprach Zarathustra - Slovak Philharmonic Orchestra
- Uranus, The Magician - Adrian Leaper
- 'Jeux De Vagues' - Alexander Rahbari
- 'Sunrise' - Czecho-Slovak Radio Symphony Chorus
- Adoration Of The Earth (Finale) - Alexander Rahbari
- March From Love For Three Oranges Suite, Op.33: March - Andrew Mogrelia
- Scherzo - Alexander Rahbari
- Finale - Alexander Rahbari
Average customer rating:
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The Most Relaxing Classical Music in the World...Ever!
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
Quartets
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| Albinoni, Tomaso
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| Allegri, Gregorio
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| Debussy, Claude
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| Gluck, Christoph W.
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| Mascagni, Pietro
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| Massenet, Jules
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| Mozart, Wolfgang Amadeus
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| Mendelssohn, Felix
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| Pachelbel, Johann
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| Rutter, John
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| Rachmaninov, Sergei
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| Saint-Saëns, Camille
| ( S )
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| Satie, Erik
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| Shostakovich, Dmitri
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| Tarrega, Francisco
| ( T )
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| ( V )
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- The Most Relaxing Classical Album in the World...Ever!
- Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)
ASIN: B0009S4WK2
Release Date: 2005-06-13 |
Tracks:
- Sheep May Safely Graze From Cantata No.208 (Arr. Marriner)
- Clarinet Concerto In A K622 Ii. Adagio Sabine Meyer
- Concerto For Two Mandolins In G Rv532 Ii. Andante Europa Galante
- Fantasia On A Theme By Thomas Tallis (Opening)
- Piano Concerto No.2 In C Minor Op.18 Ii. Adagio Sostenuto (Opening)
- Memories Of The Alhambra
- Cello Concerto In E Minor Op.85 Iii. Adagio
- Fellowship From The Film The Lord Of The Rings: The Fellowship Of The Ring
- Lark Ascending (Opening)
- Agnus Dei From The Armed Man: A Mass For Peace
- Emperor Concerto Op.73 Ii. Adagio (Trans. Craig Leon)
- Violin Concerto No.1 In G Minor Op.26 Ii. Adagio (Opening)
- Voca Me
- Nimrod From Enigma Variations
- Symphony No.6 In F Pastoral Op.68 V. Allegretto (Shepherds Hymn)
- Four Seasons Concerto No.4 In F Minor Winter (Ii. Largo)
- Serenade In G Eine Kleine Nachtmusik K525 Ii. Romanza (Andante)
- Double Violin Concerto In D Minor Bwv1043 Ii. Largo Ma Non Tanto (Opening)
- Miserere Mei, Deus (Extract)
- Violin Concerto In E Minor Op.64 Ii. Andante (Extract)
- Jesu, Joy Of ManS Desiring From Cantata No.147
- Pavane
- Dome Epais (Flower Duet) From Lakme
- Flute & Harp Concerto In C K299 Ii. Andantino (Extract)
- Lascia ChIo Pianga From Rinaldo (Arr. Craig Leon & Isobel Cooper)
- Guitar Concerto In D (Arr. Emilio Pujol; Ed. Isbin) Ii. Largo
- Piano Concerto No.21 In C Elvira Madigan K467 Ii. Andante (Extract)
- Pie Jesu From Requiem
- EntrActe To Act Iii From Carmen
- Ii. Romance: Larghetto (Opening)
- 16 In Paradisum From Requiem Op.48
- Pathetique Sonata Op.13 Ii. Adagio Cantabile
- Intermezzo From Cavalleria Rusticana
- GabrielS Oboe From The Film The Mission
- Air On The G String From Suite No.3 In D, Bwv1068
- Morning From Peer Gynt Incidental Music Op.23
- Balcony Scene From The Film William ShakespeareS Romeo & Juliet
- Canon In D
- Gymnopedie No.1 (Lent Et Douloureux)
- Clair De Lune From Suite Bergamasque (Orch. Stokowski)
- SchindlerS List Theme From The Film SchindlerS List
- Rhapsody On A Theme Of Paganini - Variation 18
- 10 Adagio For Strings Op.11a
- Piano Sonata No.14 In C Sharp Minor Moonlight Op.27 No.2
- Symphony No.9 From The New World Ii. Largo (Opening)
- Romance From The Film The Gadfly
- Piano Concerto In A Minor Ii. Adagio
- Cavatina From The Film The Deer Hunter
- O Mio Babbino Caro From Gianni Schicchi
- Venus From The Planets (Conclusion)
- Ion Hort Die Whter Singen From Cantata No.140
- Adagio In G Minor (Realised Giazotto)
- Keyboard Concerto No. 5 In F Minor Bwv1056 Ii. Largo
- Confutatis From Requiem
- Dance Of The Blessed Spirits From Orpheus & Eurydice
- Water Music Air From Suite No.1 In F
- Fantasia On Greensleeves From Sir John In Love (Arr. Greaves)
- Gnossienne No.1
- Swan From The Carnival Of The Animals (Arr. Chris Hazell)
- Ashokan Farewell
- Cantique De Jean Racine
- Nocturne In C Sharp Minor Op. Posth
- Ombra Mai Fu (Largo) From Serse
- Concierto De Aranjuez Ii. Adagio (Opening)
- Pie Jesu From Requiem
- Meditation From Thais
- Piano Concerto No. 2 In F Op.102 Ii. Andante
- Symphony No.5 In C Sharp Minor Iv. Adagietto (Conclusion)
- My Heart Will Go On (Arr. Shearman) From The Film Titanic
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Top 100 Masterpieces of Classical Music (Collectors Edition) (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
Minuets
| Ballets & Dances
| Classical
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Polkas
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| Classical
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Polonaises
| Ballets & Dances
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Waltzes
| Ballets & Dances
| Classical
| Styles
| Music
Quartets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by Albinoni
| Albinoni, Tomaso
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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ASIN: B00008L428
Release Date: 2003-02-13 |
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