Symphony 5 / 17 German Dances
On this CD:
1. Symphony No. 5 in B flat major, D. 485
Composed by Franz Schubert
Performed by Vienna Symphony Orchestra
Conducted by Rudolf Moralt
2. Work(s) 17 German Dances arranged for orchestra
Composed by Franz Schubert
Performed by Vienna Symphony Orchestra
Conducted by Rudolf Moralt
Symphony 5 / 17 German Dances, Music, Schubert, Moralt, Vienna So, Classical, Classical Composers, Classical Music, Orchestral & Symphonic
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- The "Clinker" of the bunch
|
Brahms: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mendelssohn: The Masterworks [Box Set]
- Dvorák: The Masterworks [Box Set]
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ASIN: B00062FLIS
Release Date: 2004-11-30 |
Customer Reviews:
The "Clinker" of the bunch.......2006-12-19
Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.
Average customer rating:
- Thank You Boulez
- 5 Star music. Some very good performances, some are aimless.
- not much more to be said
- a transcendent masterpiece
- Five stars and a bullet
|
Complete Webern
Anton von Webern , Clemens Hagen , David Finckel , Anton Webern , Pierre Boulez , Ensemble InterContemporain , Mary Ann McCormick , Berliner Philharmoniker , Eric Schneider , Gianluca Cascioli , Krystian Zimerman , Oleg Maisenberg , Pierre-Laurent Aimard , Christiane Oelze , Francoise Pollet , Lawrence Dutton , Gidon Kremer , and Philip Setzer
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Alban Berg Collection / Various (Coll)
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ASIN: B00004R9F0
Release Date: 2000-05-09 |
Tracks:
- Passacaglia For Orchestra Op. 1: Sehr massig, Tempo I - Massig bewegt, Tempo II - Sehr lebhaft, Tempo III
- 5 Movements Op. 5: I. Heftig bewegt
- 5 Movements Op. 5: II. Sehr langsam
- 5 Movements Op. 5: III. Sehr lebhaft
- 5 Movements Op. 5: IV. Sehr langsam
- 5 Movements Op. 5: V. In zarter Bewegung
- 6 Pieces For Orchestra Op. 6: I. Etwas bewegte Achtel
- 6 Pieces For Orchestra Op. 6: II. Bewegt
- 6 Pieces For Orchestra Op. 6: III. Zart bewegt
- 6 Pieces For Orchestra Op. 6: IV. Langsam. Marcia funebre
- 6 Pieces For Orchestra Op. 6: V. Sehr langsam
- 6 Pieces For Orchestra Op. 6: VI. Zart bewegt
- 2 Arrangements: J.S. Bach: Fuga (Ricercata) a 6 voci: Sehr massig
- Franz Schubert: German Dances Op. Post. D 820: No. 1 - No. 2 (No. 1) - No. 3 ( No. 1) In A Flat Major
- Franz Schubert: German Dances Op. Post. D 820: No. 4 - No. 5 (No. 4) - No. 6 (No. 4) In B Flat Major
- Im Sommerwind - Idyll For Large Orchestra: Ruhig bewegt - Ruhig - Lustig - Schnell - Feierlich bewegt - Voll Schwung - Aufjauchzend - sehr ruhig und weihevoll
Tracks:
- 5 Pieces For Orchestra: I. Bewegt
- 5 Pieces For Orchestra: II. Langsam (sostenuto)
- 5 Pieces For Orchestra: III. Sehr bewegte Viertel
- 5 Pieces For Orchestra: IV. Langsame Viertel
- 5 Pieces For Orchestra: V. (Alla breve)
- 3 Orchestral Songs: I. Leise Dufte: 'Leise Dufte, Bluten so zart'
- 3 Orchestral Songs: II. Kunfttag III: 'Nun wird es wieder Lenz'
- 3 Orchestral Songs: III. 'O sanftes Gluhn der Berge'
- Symphony Op. 21: I. Ruhig schreitend
- Symphony Op. 21: II. Variationen: Thema. Sehr ruhig - Var. I. Lebhafter - Var. II Sehr lebhaft - Var. III. Wieder massiger - Var. IV. Ausserst ruhig - Var. V. Sehr lebhaft - Var. VI. Marschmassig. Nicht eilen - Var. VII. Etwas breiter - Coda
- Das Augenlicht Op. 26: 'Durch unsre offnen Augen' - 'The Eyes Of Radiance' - Langsam
- Cantata No. 1 Op. 29: I. 'Zundender Lichtblitz des Lebens' - Getragen - Lebhaft
- Cantata No. 1 Op. 29: II. 'Kleiner Flugel Ahornsamen' - Leicht bewegt
- Cantata No. 1 Op. 29: III. 'Tonen die seligen Saiten Apolls' - Ruhig
- Variations For Orchestra Op. 30
- Cantata No. 2 Op. 31: I. 'Schweigt auch die Welt' - Sehr lebhaft - Ruhig
- Cantata No. 2 Op. 31: II. 'Sehr tief verhalten innerst Leben' - Sehr verhalten
- Cantata No. 2 Op. 31: III. 'Schopfen aus Brunnen des Himmels' - Sehr bewegt
- Cantata No. 2 Op. 31: IV. 'Leichteste Burden der Baume' - Sehr lebhaft
- Cantata No. 2 Op. 31: V. 'Freundselig ist das Wort' - Sehr massig
- Cantata No. 2 Op. 31: VI. 'Gelockert aus dem Schosse' - Sehr fliessend
Tracks:
- Piano Quintet: Moderato
- 'Entflieht auf leichten Kahnen' op. 2: Zart bewegt
- 2 Lieder op. 8: I. 'Du, der ichs nicht sage'
- 2 Lieder op. 8: 'Du machst mich allein'
- 5 Pieces for Orchestra op. 10: I. Sehr ruhig und zart
- 5 Pieces for Orchestra op. 10: II. Leghaft und zart bewegt
- 5 Pieces for Orchestra op. 10: III. Sehr langsam und ausserst ruhig
- 5 Pieces for Orchestra op. 10: IV. Fliessend, ausserst zart
- 5 Pieces for Orchestra op. 10: V. Sehr fliessend
- 4 Lieder op. 13: I. Wiese im Park: 'Wie wird mir zeitlos'
- 4 Lieder op. 13: II. Die Einsame: 'An dunkelblauem Himmel'
- 4 Lieder op. 13: III. In der Fremde: 'In fremden Lande lag ich'
- 4 Lieder op. 13: IV. Ein Winterabend: 'Wenn der Schnee ans Fenster fallt'
- 6 Lieder op. 14: I. Die Sonne: 'Taglich kommt die gelbe Sonne'
- 6 Lieder op. 14: II. Abendland I: 'Mond, als trate ein Totes'
- 6 Lieder op. 14: III. Abendland II: 'So leise sind die grunen Walder'
- 6 Lieder op. 14: IV. Abendland IV: 'Ihr grossen Stadte steinern aufgebaut'
- 6 Lieder op. 14: V. Nachts: 'Die Blaue meiner Augen'
- 6 Lieder op. 14: VI. Gesang einer gefangenen Amsel: 'Dunkler Odem im grunen Gezweig'
- 5 Sacred Songs op. 15: I. 'Das Kreuz, das musst' er tragen'
- 5 Sacred Songs op. 15: II. Morgenlied: 'Steht auf, ihr lieben Kinderlein'
- 5 Sacred Songs op. 15: III. 'In Gottes Namen aufstehn'
- 5 Sacred Songs op. 15: IV. 'Mein Weg geht jetzt voruber'
- 5 Sacred Songs op. 15: V. 'Fahr hin, o Seel', zu deinem Gott'
- 5 Canons op. 16: I. 'Christus factus est'
- 5 Sacred Songs op. 15: II. 'Dormi Jesu, mater ridet' From 'Des Knaben Wunderhorn'
- 5 Sacred Songs op. 15: III. 'Crux fidelis'
- 5 Sacred Songs op. 15: IV. 'Asperges me, Domine'
- 5 Sacred Songs op. 15: V. 'Crucem tuam adoramus, Domine'
- 3 Traditional Rymes op. 17: I. 'Armer Sunder, du'
- 3 Traditional Rymes op. 17: II. 'Liebste Jungfrau, wir sind dein'
- 3 Traditional Rymes op. 17: III. 'Heiland, unsre Missetaten'
- 3 Lieder for voice, E flat clarinet and guitar op. 18: I. 'Schatzerl klein'
- 3 Lieder for voice, E flat clarinet and guitar op. 18: II. Erlosung: 'Mein Kind, sieh an' From 'Des Knaben Wunderhorn'
- 3 Lieder for voice, E flat clarinet and guitar op. 18: III. 'Ave , Regina coelorum'
- 2 Lieder op. 19 for mixed choir: I. 'Wiess wie Lilien'
- 2 Lieder op. 19 for mixed choir: II. 'Ziehn die Schafe'
- Quartet op. 22: I. Sehr massig
- Quartet op. 22: II. Sehr schwungvall
- Concerto op. 24: I. Etwas lebhaft
- Concerto op. 24: II. Sehr schwungvoll
- Concerto op. 24: III. Sehr rasch
Tracks:
- 3 Poems: I. Vorfruhling: 'Leise tritt auf...'
- 3 Poems: II. Nachtgebet der Braut: 'O mein Geliebter'
- 3 Poems: III. Fromm: 'Der Mond scheint auf mein Lager'
- 8 Early Lieder: I. Tief von fern: 'Aus des Abends weissen Wagen'
- 8 Early Lieder: II. Aufblick: 'Uber unsre Liebe hangt eine Trauerweide'
- 8 Early Lieder: III. Bleuengruss: 'Der Strauss, den ich gepflucket'
- 8 Early Lieder: IV. Bild der Liebe: 'Von Wald umgeben'
- 8 Early Lieder: V. Sommerbend: 'Du Sommerbend! Heilig, goldnes Licht!'
- 8 Early Lieder: VI. Heiter: 'Mein Herz ist wie ein See so weit'
- 8 Early Lieder: VII. Der Tod: 'Ach, es ist do dunkel in des Todes Kammer'
- 8 Early Lieder: VIII. Heimgang in der Fruhe: 'In der Dammerung'
- 3 Lieder on poems by Ferdinand Avenarius: I. Gefunden: 'Nun wir uns lieben, rauscht mein stolzes Gluck'
- 3 Lieder on poems by Ferdinand Avenarius: II. Gebet: 'Ertrage du's, lass schneiden dir den Schmerz'
- 3 Lieder on poems by Ferdinand Avenarius: III. Greunde: 'Schmerze und Freuden reift jede Stunde'
- 5 Lieder on poems by Richard Dehmel: I. Ideale Landschaft: 'Du hattest einen Glanz auf deiner Stirn'
- 5 Lieder on poems by Richard Dehmel: II. Am Ufer: 'Die Wlet verstummt, dein Blut erklingt'
- 5 Lieder on poems by Richard Dehmel: III. Himmelfahrt: 'Schwebst du nieder aus den Weiten'
- 5 Lieder on poems by Richard Dehmel: IV. Nachtliche Scheu: 'Zaghaft vom Gewolk ins Land'
- 5 Lieder on poems by Richard Dehmel: V. Helle Nacht: 'Weich kusst die Zweige der weisse Mond'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: I. 'Dies ist ein lied'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: II. ''Im windes-weben'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: III. 'An baches ranft'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: IV. 'Im morgen-taun'
- 5 Lieder from 'Der siebente Ring' by Stefan George op. 3: V. 'Kahl reckt der baum'
- 5 Lieder on poems by Stefan George op. 4: I. Eingang: 'Welt der gestalten lang lebewohl!'
- 5 Lieder on poems by Stefan George op. 4: II. Noch zwingt mich treue uber dir zu wachen'
- 5 Lieder on poems by Stefan George op. 4: III. 'Ja heil und dank dir'
- 5 Lieder on poems by Stefan George op. 4: IV. 'So ich traurig bin'
- 5 Lieder on poems by Stefan George op. 4: V. 'Ihr tratet zu dem herde'
- 4 Lieder on poems by Stefan George: I. 'Erwachen aus dem tiefsten traumes-schoosse'
- 4 Lieder on poems by Stefan George: II. Kunfttag I: 'Dem bist du kind, dem freund'
- 4 Lieder on poems by Stefan George: III. Trauer I: 'So wart bis ich dies dir noch kunde'
- 4 Lieder on poems by Stefan George: IV. 'Das lockere saatgefilde lechzet krank'
- 4 Lieder op. 12: I. 'Der Tag ist vergangen' - Folksong
- 4 Lieder op. 12: II. Die geheimnisvolle Flote: 'An einem Abend, da die Blumen dufteten' - Li-Tai-Po
- 4 Lieder op. 12: III. 'Schien mir's, als ich sah die Sonne' - 'Gespenstersonate'
- 4 Lieder op. 12: IV. Gleich und gleich: 'Ein Blumenglockchen'
- 3 Songs From 'Viae inviae' by HildegardJone op. 23: I. 'Das dunkle Herz, das in sich lauscht'
- 3 Songs From 'Viae inviae' by HildegardJone op. 23: II. Es sturzt aus Hohen Frische'
- 3 Songs From 'Viae inviae' by HildegardJone op. 23: III. Herr Jesus mein'
- 3 Lieder on poems by Hildegard Jone op. 25: I. 'Wie bein ich froh!'
- 3 Lieder on poems by Hildegard Jone op. 25: II. 'Des Herzens Purpurvogel fliegt durch Nacht'
- 3 Lieder on poems by Hildegard Jone op. 25: III. 'Sterne, ihr silbernen Bienen der Nacht'
Tracks:
- Slow Movement For String Quartet: Langsam, mit bewegtem Ausdruck
- 5 Movements For String Quartet: I. Heftig bewegt
- 5 Movements For String Quartet: II. Sehr langsam
- 5 Movements For String Quartet: III. Sehr bewegt
- 5 Movements For String Quartet: IV. Sehr langsam
- 5 Movements For String Quartet: V. In zarter Bewegung
- String Quartet
- 6 Batatelles For String Quartet op. 9: I. Massig
- 6 Batatelles For String Quartet op. 9: II. Leicht bewegt
- 6 Batatelles For String Quartet op. 9: III. Ziemlich fliessend
- 6 Batatelles For String Quartet op. 9: IV. Sehr langsam
- 6 Batatelles For String Quartet op. 9: V. Ausserst langsam
- 6 Batatelles For String Quartet op. 9: VI. Fliessend
- Rondo For String Quartet: Bewegt
- Movement For String Trio op. post.: Ruhig fliessend
- 3 Pieces For String Quartet: I. Bewegt
- 3 Pieces For String Quartet: II. Langsam: Grief Always; Looking Upward; Heaven's Dew; Memory; Black Flowers; On Breast; Out Of Mother
- 3 Pieces For String Quartet: III. Nicht zu langsam
- String Trio op. 20: I. Sehr langsam
- String Trio op. 20: II. Sehr getragen und ausdrucksvoll
- String Quartet op. 28: I. Massig
- String Quartet op. 28: II. Gemachlich - Bewegt
- String Quartet op. 28: III. Sehr fliessend
Tracks:
- 2 Pieces For Cello And Piano: I. Langsam
- 2 Pieces For Cello And Piano: II. Langsam
- Movement For Piano: Lebhaft
- Sonata Movement (Rondo) For Piano: (Bewegt) - Ruhig bewegt - Sehr ruhig
- 4 Pieces For Violin And Piano op. 7: I. Sehr langsam
- 4 Pieces For Violin And Piano op. 7: II. Rasch
- 4 Pieces For Violin And Piano op. 7: III. Sehr langsam
- 4 Pieces For Violin And Piano op. 7: IV. Bewegt
- 3 Little Pieces For Cello And Piano op. 11: I. Massige
- 3 Little Pieces For Cello And Piano op. 11: II. Sehr bewegt
- 3 Little Pieces For Cello And Piano op. 11: III. Ausserst ruhig
- Cello Sonata: Sehr bewegt
- Children's Piece For Piano: Lieblich
- Piano Piece: Im Tempo eines Menuetts
- Variations For Piano op. 27: I. Sehr massig
- Variations For Piano op. 27: II. Sehr schnell
- Variations For Piano op. 27: III. Ruhig fleissend
Amazon.com
Pierre Boulez's Complete Webern Edition appears just over two decades after his last traversal. Well, it's not literally complete, but does have enough early works to set the mature ones in the right context. These days, Webern is no longer seen so much as a new music guru as he is a major composer, pure and simple--his expression as concise as it is intense. Performancewise, there's a quality of musicianship here that few previous recordings have matched; familiarity with the idiom certainly plays its part, but so does Boulez's belief that what we're hearing needs to be presented with conviction. Try the Passacaglia, sensuous music that combines the soundworld of Brahms and Mahler, or the string quartet or orchestra pieces--miniatures in duration, but whole dramas of expression.
Ease of performance doesn't always make this music easy to come to grips with: the song cycles need several listenings to grasp the meaning behind the compression, while the later instrumental and choral works have a luminous austerity that looks back to Bach and beyond to Renaissance masters such as Schütz and Isaac. While much of Webern's music has long been admired, only now is it becoming possible to respond to it through the heart as well as the brain. This set, superbly packaged and comprehensively documented, marks a major step forward, and deserves investigating by anyone keen to appreciate something of the music's quiet, calm essence in an often strident, dislocated century. --Richard Whitehouse
Customer Reviews:
Thank You Boulez.......2001-10-23
If you are a fan of the "New Vienna School" (Schoenberg, Berg, Webern) or 20th century "classical" or "serious" music, this disk set is very rewarding. Beautifully recorded and packaged, and with equally good liner notes, it is a treat to strap on the headphones and listen.
I debated between buying this or Boulez's older Webern set and went with this one. There is much more music on this set because pieces without opus numbers are included. They lend a lot of insight into his "published" works. I also went with this set because it is a modern digital recording, the previous set being from the early 70's. I will often side with a classic recording when needed-performance over sound. Here, I'm happy to report, the listener gets both. Every detail is captured.
Thank you very much Pierre Boulez and DG for making this project happen. Please keep the Schoenberg and Berg disks coming. And thank you Anton Webern for continually opening my ears.
5 Star music. Some very good performances, some are aimless........2001-08-25
Webern's music demonstrates a level of craft, in which few composers ever contend. The more that I listen to the works of Webern, the more I hear that each note must be just as it is. There is nothing wasted in this music. The expression is never vague, always intense. I do admire the works of many modern composers, but few are so discerning and meticulous in their works. Webern's craft is equal with the greats of music history; Guillarme de Machaut, Carlo Gesualdo, Claudio Monteverdi, J.S. Bach, Franz Joseph Haydn, Ludwig Beethoven. He is a towering figure. The music that is played here is first rate. However, I have not yet heard performances of many of his works that bring out everything that Webern's music has to offer. For example, the Op. 27 Piano Variations are seldom done justice. All of the movements are given `circa' tempo indications, but many take the movements much slower or faster than indicated. Unfortunately, on this recording the fast movement is slow and the slow movements fast. Presumably the slower tempo in the fast movement would allow for more accurate interpretation of the frequent changes between piano and forte. The problem is that the F's typically don't fade away fast enough and drown out the P's. The other option is to make the P's a little bit more like mezzo forte's. The recording that Pollini did of the work on Deutsche Gramaphon with the Boulez 2nd Sonata manages to reconcile the dynamics with the tempo. However, what I have not heard with the work is the full impact of the affect in the work. What the Pollini performance fails in is the coldness of the interpretation. For those interested, I believe that DG is currently putting out the Pollini performance with Stravinsky's Petruska and a Prokofiev sonata at a fairly low price. This recording brings together several performances of more `high profile' ensembles than the older recording on Sony, which mostly featured performances of musicians from Juilliard. The performances are often more colorful, but I can't say that I always think they surpass their predecessors. The interpretations of the works are a little bit `hit and miss.' The ensembles that Boulez conducts tend to bring out the same sorts of things in the works that the previous ensembles did with the last `complete Webern.' This is good in places; I appreciate the more resonant quality that the recent recording equipment affords, and Boulez conducts a comparable performance of the orchestral works such as the `Symphonie.' The recording of the `Konzert' for nine instruments is good. The performances of the early expressionist works, such as the `Five Orchestral Pieces,' are powerful. Boulez is less afraid to see the human in Webern and let the shocked silences speak. Furthermore, the peaks are less harsh, allowing more of the subtle affects to become visible. Some of the performances just lack a certain power of expression that the previous `complete webern' had; a viscerally that the strength of the `Webern - Vogue' afforded them. The musicians that played the previous complete were looking at Webern as a giant, they are young and virile performances. These performances sometimes view Webern as a curiosity, a historical anachronism, the way that your grandfather will tell you a strange story, of which he himself doesn't understand the point, but he relates as a bit of curio. All in all, I wouldn't say that this set of recordings is the final word on the majority of Webern's works. Many of the performances in the previous set are just as good, but neither do those constantly surpass these performances. Both have their faults. The previous set tended to be cold and more aggressive than was necessary in places. The new set tends to wander at times, as if the performer does not understand the point. It's always difficult to sum up a complete works set for a prospective buyer. Just as in `complete works' of Bach sets that I own, the performances are not always amazing. However, the strength of the compositions often overcomes my desire for a strong performance, and I'm just glad that I have a recording of someone performing that Bach work that I want to hear. Here, similarly, the performances aren't always the best, but there is a wider range of Webern's ouvre represented and many of the performances are quite good. I suppose my counsel would be that one should consider the price of this set vs. the older sony set. The sony set is less complete, but it does include all of the really monolithic, profound Webern works. You also get a view of the younger, romantic Webern in this new set, in addition to better sound quality. Certain performances are better in each set, and so you'll get some good and some bad in either choice. For those that already have a strong taste for Webern's music, try this set. For those who are looking for a starting place, you might try the sony set. The highlights of this set are the Boulez orchestral performances. He has honed his vision for Webern since the last set and they are `worth the price.' For those further exploring Webern, those performances should be heard.
not much more to be said.......2001-08-01
... i could be extremely nit-picky, and complain about the solo piano pieces, and their performer's occasional humming, and the baffling ordering of the quartet disc, and the discrepencies in the translations of the booklet, and how the english left out any explanation of sator arepo etc..., yet the french seems to, and all the little tiny errors, in the booklet... but... these are all moot points when any of the performances are heard. it brings to light all facets of the composer, so he no longer seems ascetic and overly intellectual, just check out the highly romantic string quartet op. 28, and variations for orchestra, yes even the solo piano pieces with the humming. all in all, a very enlightening experience.
a transcendent masterpiece.......2000-07-17
The performances here are absolutely brilliant.
Nuance, detail, sensitivity.
This is not merely music, this is magic!
Five stars and a bullet.......2000-06-13
Pierre Boulez, the enfant not-very-terrible-any-more of French music, has surpassed himself. Twenty-two years ago, CBS released his Complete Works of Anton Webern, and it's remained the definitive Webern collection. Until, as they say in movie trailers, now.
This consists of the three Webern albums Boulez has recorded for DG over the past five years or so, plus everything else Webern ever wrote. It thus scores straightaway over the earlier CBS/Sony set, which was restricted to works that had opus numbers and filled three CDs. This one includes the charming early songs, the equally early "Im Sommerwind" for orchestra and a number of posthumous and otherwise non-Opus works that didn't make it onto the earlier set. Webern is a composer whose entire output takes about six hours to listen to in its entirety, and it's all here, on six CDs.
That's fine; is it any good? Well, it's digitally recorded, and if ever a composer was born for CD, it's Webern. The pianissimos are more ppp than ever, thanks to better recording techniques. Boulez himself has also unbuttoned a bit. His earlier set, recorded between 1967 and 1972, was high on austerity and, if it fell down at all, did so on emotion. The older Boulez (he's 75 this year) is more relaxed about letting tuttis blare and climaxes, well, climax. The result is both as intellectually satisfying as we've come to expect from Boulez, and warmly expressive; in general, a more moving and less didactic set of recordings than the previous lot. And all the better for it, as far as this composer (and this listener) is concerned.
There are many benefits of a digital set, not the least being the better registration of timbral variety, which Webern (as is well known) made into a compositional principle. Even those allergic to twelve-tone music can't help but be ravished by the intricate sweetness of his arrangement of the Bach six-part fugue from the "Musical Offering". The arrangement of Schubert's German Dances has been re-recorded, and can be heard now in all its sprightliness. (The CBS/Sony set has an archive recording conducted by Webern himself in the thirties, but dodgy sound quality prevented it from shining forth properly, despite Webern's witty conducting.)
This is, for my money, the best classical recording that's likely to be released this year, if not for the next ten years. I don't know whether it's a complement to the CBS/Sony set or a replacement for it, but either way it's a wonderful package. Congratulations to all involved.
Average customer rating:
- Bored with rock'n' roll music
- A good budget Webern collection
|
Webern: Symphony; Six Pieces; Concerto for 9 Instruments
Manufacturer: Naxos
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Similar Items:
- Schoenberg: Concerto for String Quartet & Orchestra; Lied der Waldtaube; The Book of the Hanging Gardens
- Webern: Passacaglia, Symphony, Five Pieces
- Berg/Schoenberg/Webern: Piano Music
- Schoenberg: Six A Cappella Mixed Choruses
- Berg: Chamber Concerto; Three Orchestral Pieces, Op. 6; Violin Concerto
ASIN: B0006M4SUU
Release Date: 2005-01-18 |
Tracks:
- Ruhig, Schreitend
- Variationen
- Christus Factus Est
- Dormi Jesu
- Crux Fidelis
- Asperges Me
- Crucem Tuam Adoramus
- Armer Sunder, Du
- Heiland, Unsre Missetaten
- Liebste Jungfrau, Wir Sind Dein
- Schatzerl Klein
- Erlosung (Aus 'Des Knaben Wunderhorn'
- Ave, Regina Coelorum
- Sehr Langsam
- Sehr Getragen Und Ausdrucksvoll
- Sehr Massig
- Sehr Schwungvoll
- Sehr Massig
- Sehr Schnell
- Ruhig Fliessend
- Langsam
- Bewegt
- Massig
- Sehr Massig
- Sehr Langsam
- Langsam
- Sehr Langsam
- Rasch
- Sehr Langsam
- Bewegt
- Massig
- Sehr Bewegt
- Ausserst Ruhig
- Etwas Lebhaft
- Sehr Langsam
- Sehr Rasch
- German Dances: I
- German Dances: II
- German Dances: III
- German Dances: IV
- German Dances: V
- German Dances: VI
Customer Reviews:
Bored with rock'n' roll music.......2005-10-24
I've been a rock'n'roll fan since my teens, but I
think that this great american invention has fulled its cycle(1955 - 1985). So I turned my ears to the music made in the beggining of the 19th century, and I think that this CD is a great introduction to it.
MÁRCIO G. SOARES
NATAL/RN - BRAZIL
A good budget Webern collection.......2005-06-25
Anton Webern has long been cited as one of the great bugbears of 20th century music, his works often more complained about than listened to. With chances to hear his music live still comparatively rare, and the Webern discography still dominated by the two Boulez "complete works" sets, it's good to see Naxos launching what is planned as a complete Webern set under a conductor (Robert Craft) with over 50 years of experience of the composer's music.
This first disc in the series provides a good cross-section of Webern's output, eleven pieces ranging from vocal to orchestral to chamber and instrumental--even a Schubert arrangement gets in. First off on the disc is Webern's Symphony. This two-movement work is certainly one of the odder symphonies in the repertoire--a slow-moving series of canons (with unvaried repeats) in the first movement and a much more fragmentary variation set as the finale. Craft certainly gets to the point of the first movement (I always hear Mahler as a strong influence here, and always feel the music is hovering on the edge of tonality), but the more abstract second movement--played extremely rapidly and effectively--is without doubt the revelation here.
The disc continues with a series of three sets of brief songs, the composer's opus 16, 17 and 18. This is in some ways a slightly playful choice, as it was in the opus 17 songs that Webern took up his teacher Schoenberg's serial method of composition--yet without reading the scores it is almost impossible to tell any real change in Webern's methods. All these songs are atonal and rather coolly expressionist--they're emphatically not easy listening but I think these readings (with Jennifer Welch-Babidge a fine soloist) make them a lot more appealing than the rather stern Boulez performances.
Craft then follows this with two serial chamber works. The two-movement String Trio is a tightly wrought miniature drama, given a fine, expressive performance. The brief Saxophone Quartet is rather more relaxed, and this is caught well by the players. I'm less convinced by Christopher Oldfather's reading of the Piano Variations, which to my mind doesn't fully project the wit of the piece (Webern isn't often considered a musical humorist, but a performance of this work that doesn't put a smile on the listener's face seems to me to be missing the point).
Craft then moves back to early atonal-expressionist Webern for the next three works. The Six Pieces for Orchestra are perhaps the most overtly Mahlerian pieces in Webern's oeuvre, particularly the colossal funeral march that forms the fourth of the pieces. Craft has them well in hand here, but I have heard readings that projected greater intensity. In sharp contrast are the Four Pieces for Violin and Piano and the more introverted Three Little Pieces for Cello and Piano. These brief works, often shimmering on the edge of silence or stasis, suddenly burst into brief flower before dying again, and Jesse Mills and Fred Sherry do a fine job of capturing their haunting, evanescent character.
Not quite so successful is the later Concerto for Nine Instruments. One of the key works in Webern's output, this is another example of the composer showing his wit in music, and to my mind, despite an excellent reading of the slow central movement, this performance doesn't quite have the necessary rhythmic sharpness in the vibrant outer movements.
Finally, Craft ends with Schubert's German Dances in Webern's 1931 orchestration. These works had been rediscovered the previous year, and Webern was commissioned to produce an orchestral version. The result may not be on the level of his outstanding orchestration of the Ricercar from Bach's Musical Offering, but it's emphatically not hack-work, and it's a splendid recreation of the Schubertian style.
Overall, while not perfect, this disc is still a fine collection and an inexpensive way to for newcomers to experience this very distinctive composer. At the price, long-time Webern admirers will probably find much to enjoy too, particularly in the Symphony and the songs.
Average customer rating:
- Excellent Webern from the master Boulez and company.
- Webern may grow on you and Boulez et al. are worth every penny.
- Interesting and Challenging
- The original and still the best
- Boulez's Webern -- brilliant modern miniatures
|
Anton Webern: Complete Works, Opp. 1-31
Anton Webern , Pierre Boulez , Heather Harper , Charles Rosen , Isaac Stern , Halina Lukomska , Colin Bradbury , John [guitar] Williams , Daniel Majeske , Robert Marcellus , Abraham Weinstein , and Barry McDaniel
Manufacturer: Sony
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Similar Items:
- Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
- Arnold Schoenberg: Serenade/Five Pieces For Orchestra
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- Arnold Schoenberg: Piano Music
ASIN: B000002707
Release Date: 1991-02-08 |
Tracks:
- Passacaglia fur grobes Orch Op.1 - LSO/Pierre Boulez
- 'Entflieht auf leichten Kahnen' Op.2 (Text: Stefan George) - John Alldis Chor/Pierre Boulez
- Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: I. Dies ist ein Lied fur dich allein... - Heather Harper/Charles Rosen
- Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: II. Im Windesweben-Sehr fliebend - Heather Harper/Charles Rosen
- Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: III. Am Bachesranft-Ziemlich rasch - Heather Harper/Charles Rosen
- Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: IV. Im Morgentaun-Fliebend - Heather Harper/Charles Rosen
- Funf Lieder Op.3, aus 'Der siebente Ring' von Stefan George: V. Kahl reckt der Baum-Langsam - Heather Harper/Charles Rosen
- Funf Lieder Op.4, nach Gedichten von Stefan George: I. Eingang-Ruhevoll - Heather Harper/Charles Rosen
- Funf Lieder Op.4, nach Gedichten von Stefan George: II. Noch zwingt mich Treue-Bewgt - Heather Harper/Charles Rosen
- Funf Lieder Op.4, nach Gedichten von Stefan George: III. Ja Heil und Dank-Sehr langsam - Heather Harper/Charles Rosen
- Funf Lieder Op.4, nach Gedichten von Stefan George: IV. So ich traurig bin-Sehr fliebend und zart - Heather Harper/Charles Rosen
- Funf Lieder Op.4, nach Gedichten von Stefan George: V. Ihr tratet zu dem Herde-Langsam - Heather Harper/Charles Rosen
- Funf Satze fur Streichquartett Op.5: I. Heftig bewegt - Juilliard Str Qt
- Funf Satze fur Streichquartett Op.5: II. Sehr langsam - Juilliard Str Qt
- Funf Satze fur Streichquartett Op.5: III. Sehr bewget - Juilliard Str Qt
- Funf Satze fur Streichquartett Op.5: IV. Sehr langsam - Juilliard Str Qt
- Funf Satze fur Streichquartett Op.5: V. In zarter Bewegung - Juilliard Str Qt
- Sechs Stucke fur grobes Orch Op.6: I. Etwas bewegte Achtel - LSO/Pierre Boulez
- Sechs Stucke fur grobes Orch Op.6: II. Bewgt - LSO/Pierre Boulez
- Sechs Stucke fur grobes Orch Op.6: III. Zart bewegt - LSO/Pierre Boulez
- Sechs Stucke fur grobes Orch Op.6: IV. Langsam - LSO/Pierre Boulez L
- Sechs Stucke fur grobes Orch Op.6: V. Sehr langsam - LSO/Pierre Boulez
- Sechs Stucke fur grobes Orch Op.6: VI. Zart bewegt - LSO/Pierre Boulez
- Vier Stucke fur Geige und Klavier Op.7: I. Sehr langsam - Isaac Stern/Charles Rosen
- Vier Stucke fur Geige und Klavier Op.7: II. Rasch - Isaac Stern/Charles Rosen
- Vier Stucke fur Geige und Klavier Op.7: III. Sehr langsam - Isaac Stern/Charles Rosen
- Vier Stucke fur Geige und Klavier Op.7: IV. Bewegt - Isaac Stern/Charles Rosen
- Zwei Lieder fur mittlere Stimme und acht Instrumente Op.8, nach gedichten von Rainer Maria Rikle:... - Heather Harper
- Zwei Lieder fur mittlere Stimme und acht Instrumente Op.8, nach gedichten von Rainer Maria Rikle:... - Heather Harper
- Sechs Bagatellen fur Streichquartett Op.9: I. Mabig - Juilliard Str Qt
- Sechs Bagatellen fur Streichquartett Op.9: II. Leicht bewegt - Juilliard Str Qt
- Sechs Bagatellen fur Streichquartett Op.9: III. Zeimlich fliebend - Juilliard Str Qt
- Sechs Bagatellen fur Streichquartett Op.9: IV. Sehr langsam - Juilliard Str Qt
- Sechs Bagatellen fur Streichquartett Op.9: V. Auberst langsam - Juilliard Str Qt
- Sechs Bagatellen fur Streichquartett Op.9: VI. Fliebend - Juilliard Str Qt
- Funf Stucke fur Orchester Op.10: I. Sehr ruhig und zart - LSO/Pierre Boulez
- Funf Stucke fur Orchester Op.10: II. Lebhaft und zart bewegt - LSO/Pierre Boulez
- Funf Stucke fur Orchester Op.10: III. Sehr langsam und auberst ruhig - LSO/Pierre Boulez
- Funf Stucke fur Orchester Op.10: IV. Fliebend, auberst zart - LSO/Pierre Boulez L
- Funf Stucke fur Orchester Op.10: V. Sehr fliebend - LSO/Pierre Boulez
- Drei kleine Stucke fur Violoncello und Klavier Op.11: I. Mabige Achtel - Gregor Piatigorsky/Charles Rosen
- Drei kleine Stucke fur Violoncello und Klavier Op.11: II. Sehr bewegt - Gregor Piatigorsky/Charles Rosen
- Drei kleine Stucke fur Violoncello und Klavier Op.11: III. Auberst ruhig - Gregor Piatigorsky/Charles Rosen
- Vier Lieder fur Singstimme und Klavier Op.12: I. Der Tag ist vergangen (Volkslied)-Sehr ruhig - Heather Harper/Charles Rosen
- Vier Lieder fur Singstimme und Klavier Op.12: II. Die geheimnisvolle Flote (Li Tai po/Bethge)-... - Heather Harper/Charles Rosen
- Vier Lieder fur Singstimme und Klavier Op.12: III. Schein mir's als ich sah die (aus August ... - Heather Harper/Charles Rosen
- Vier Lieder fur Singstimme und Klavier Op.12: IV. Ein Winterabend (Goethe0-Sehr flieBend - Heather Harper/Charles Rosen
Tracks:
- Vier Lieder fur Sopran und Orch Op.13: I. Wiese im Park (karl Kraus)-Sehr ruhig - Heather Harper
- Vier Lieder fur Sopran und Orch Op.13: II. Die Einsame (Wang Xen Yu/Bethge)-Bewegt - Heather Harper
- Vier Lieder fur Sopran und Orch Op.13: III. In der Fremde (Li Tai Po/Bethge)-FlieBend - Heather Harper
- Vier Lieder fur Sopran und Orch Op.13: IV. Ein Winterabend (Georg Trakl)-Sehr ruhig - Heather Harper
- Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: I. Die... - Heather Harper
- Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: II. ... - Heather Harper
- Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: III. ... - Heather Harper
- Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: IV. ... - Heather Harper
- Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: V. Nachts... - Heather Harper
- Sechs Lieder fur Singstimme und vier Instrumente Op.14, nach Gedichten von Georg Trakl: VI. Gesang.. - Heather Harper
- Funf geistliche lieder fur Sopran und funf Instrumente Op.15: I. Das Kreuz-Getragen - Halina Lukomska
- Funf geistliche lieder fur Sopran und funf Instrumente Op.15: II. Morgenlied (aus'Des Knaben... - Halina Lukomska
- Funf geistliche lieder fur Sopran und funf Instrumente Op.15: III. In Gottes Namen aufstehn-... - Halina Lukomska
- Funf geistliche lieder fur Sopran und funf Instrumente Op.15: IV. Mein Weg geht jetzt voruber-... - Halina Lukomska
- Funf geistliche lieder fur Sopran und funf Instrumente Op.15: V. Fahr hin , o Seel'-FlieBend - Halina Lukomska
- Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: I. Christus... - Halina Lukomska
- Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: II. Dormi... - Halina Lukomska
- Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: III. Crux... - Halina Lukomska
- Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: IV. Asperges... - Halina Lukomska
- Funf Kanons nach lateinischen Texten fur Sopran, Klarineete und BaBklarinette Op.16: V. Crucem... - Halina Lukomska
- Drei Volkstexte fur Singstimme und drei Instrumente Op.17: I. Armer Sunder, du - Halina Lukomska
- Drei Volkstexte fur Singstimme und drei Instrumente Op.17: II. Liebste Jungfrau, wir sind dein - Halina Lukomska
- Drei Volkstexte fur Singstimme und drei Instrumente Op.17: III. Heiland, unsre Missetaten - Halina Lukomska
- Drei Lieder fur Singstimme, Es-Klarinette und Gitarre Op.18: I. Schatzerl klein - Halina Lukomska/John Williams/Colin Bradley
- Drei Lieder fur Singstimme, Es-Klarinette und Gitarre Op.18: II. Erlosung - Halina Lukomska/John Williams/Colin Bradley
- Drei Lieder fur Singstimme, Es-Klarinette und Gitarre Op.18: III. Ave Regina - Halina Lukomska/John Williams/Colin Bradley
- Zwei Lieder fur gemischten Chor und funf Instrumente Op.19, aus'Chinesisch-deutsche Jahres-... - John Alldis Choir/Pierre Boulez
- Zwei Lieder fur gemischten Chor und funf Instrumente Op.19, aus'Chinesisch-deutsche Jahres-... - John Alldis Choir/Pierre Boulez
- Streichtrio Op.20: I. Sehr langsam - Members of the Juilliard Str Qt
- Streichtrio Op.20: II. Sehr getragen und ausdrucksvoll - Members of the Juilliard Str Qt
- Sym Op.21: I. Ruhig schreitend - LSO/Pierre Boulez
- Sym Op.21: II. Variationen - LSO/Pierre Boulez
- Qt fur Geige, Klarinette, Tenorsaxophon un Klavier Op.22: I. Sehr maBig - Charles Rosen/Daniel Majeske/Robert Marcellus/Abraham Weinstein
- Qt fur Geige, Klarinette, Tenorsaxophon un Klavier Op.22: II. Sehr schwungvoll - Charles Rosen/Daniel Majeske/Robert Marcellus/Abraham Weinstein
- Drei Gesange Op.23, aus 'Viae inviae' von Hildegard Jone: I. Das dunkle Herz-Getragen - Halina Lukomska/Charles Rosen
- Drei Gesange Op.23, aus 'Viae inviae' von Hildegard Jone: II. Es sturzt aus hohen Frisch-Bewegt - Halina Lukomska/Charles Rosen
- Drei Gesange Op.23, aus 'Viae inviae' von Hildegard Jone: III. Herr Jesus mein-Langsam - Halina Lukomska/Charles Rosen
- Konzert fur neum Instrumente Op.24: I. Etwas lebhaft - Members of the LSO/Pierre Boulez
- Konzert fur neum Instrumente Op.24: II. Sehr langsam - Members of the LSO/Pierre Boulez
- Konzert fur neum Instrumente Op.24: III. Sehr rasch - Members of the LSO/Pierre Boulez
- Drei Lieder fur Singstimme und Klavier Op.25, nach Gedichten von Hildegard Jone: I. Wie bin ich... - Halina Lukomska/Charles Rosen
- Drei Lieder fur Singstimme und Klavier Op.25, nach Gedichten von Hildegard Jone: II. Des Herzens... - Halina Lukomska/Charles Rosen
- Drei Lieder fur Singstimme und Klavier Op.25, nach Gedichten von Hildegard Jone: III. Sterne, Ihr... - Halina Lukomska/Charles Rosen
Tracks:
- 'Das Augenlicht' fur gemischten Chor und Orch Op.26, Worte von Hildegard Jone - John Alldis Chor/Pierre Boulez
- Variationen fur Klavier Op.27: I. Sehr maBig - Charles Rosen
- Variationen fur Klavier Op.27: II. Sehr schnell - Charles Rosen
- Variationen fur Klavier Op.27: III. Ruhig flieBend - Charles Rosen
- Streichquartett Op.28: I. MaBig - Juilliard Str Qt
- Streichquartett Op.28: II. Gemachlich - Juilliard Str Qt
- Streichquartett Op.28: III. Sehr flieBend - Juilliard Str Qt
- Kantate Nr.1 Op.29, Worte von Hildegard Jone: I. Zundender Lichtblitz-Getragen - Halina Lukomska/John Alldis Chor
- Kantate Nr.1 Op.29, Worte von Hildegard Jone: II. Kleiner Flugel, Ahornsamen-Leicht bewegt - Halina Lukomska/John Alldis Chor
- Kantate Nr.1 Op.29, Worte von Hildegard Jone: III. Tonen die seligen Saiten -Ruhig - Halina Lukomska/John Alldis Chor
- Variationen fur Orch Op.30 - LSO/Pierre Boulez
- Kantate Nr.2 Op.31: I. BaB. Schweigt auch die Welt - Halina Lukomska/Barry McDaniel/John Alldis Chor
- Kantate Nr.2 Op.31: II. BaB. Sehr tiefverhalten - Halina Lukomska/Barry McDaniel/John Alldis Chor
- Kantate Nr.2 Op.31: III. Chor. Schopfen aus Brunnen des Himmels - Halina Lukomska/Barry McDaniel/John Alldis Chor
- Kantate Nr.2 Op.31: IV. Sopran. Leichteste Burden der Baume - Halina Lukomska/Barry McDaniel/John Alldis Chor
- Kantate Nr.2 Op.31: V. Chor. Freundselig ist das Wort - Halina Lukomska/Barry McDaniel/John Alldis Chor
- Kantate Nr.2 Op.31: VI. Chor. Gelockert aus dem SchoBe - Halina Lukomska/Barry McDaniel/John Alldis Chor
- Funf Satze fur Streinchquartett Op.5: I. Heftig bewegt - LSO/Pierre Boulez
- Funf Satze fur Streinchquartett Op.5: II. Sehr langsam - LSO/Pierre Boulez
- Funf Satze fur Streinchquartett Op.5: III. Sehr bewegt - LSO/Pierre Boulez
- Funf Satze fur Streinchquartett Op.5: IV. Sehr langsam - LSO/Pierre Boulez
- Funf Satze fur Streinchquartett Op.5: V. In zarter Bewegung - LSO/Pierre Boulez
- J.S. Bach/A. Webern: Fuga (Ricercata) Nr.2 aus dem 'Musikalischen Opfer' - LSO/Pierre Boulez
- F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): I. - Frankfurter Funkorchester/Anton Webern
- F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): II. (I.Da capo) - Frankfurter Funkorchester/Anton Webern
- F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): III. (I.Da capo) - Frankfurter Funkorchester/Anton Webern
- F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): IV. - Frankfurter Funkorchester/Anton Webern
- F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): V. (IV. Da capo) - Frankfurter Funkorchester/Anton Webern
- F. Schubert: 'Deutsche Tanze' (German Dances/Danses allemandes/Danze tedesche): VI. (IV. Da capo) - Frankfurter Funkorchester/Anton Webern
Amazon.com essential recording
This collection presents all Webern's works with opus numbers in chronological order, allowing listeners to scrutinize the inner workings of this influential composer's intense, compressed style from the lush Passacaglia to the starkness of his late vocal works. A broadcast recording of Webern conducting a group of Schubert Dances makes a lively bonus. --Jed Distler
Customer Reviews:
Excellent Webern from the master Boulez and company........2006-09-12
Boulez has a DG recording, which I have several singles from that set. The DG is very good and recommended as a second set. This Sony recording is outstanding and the finest in my Webern collection. If you have this set , you still may want to look at the DG set. Why? Because this music is so wonderful, so that another experience is well worth the price of say $40. But if you have the DG set, you definetly want to keep that set and also get this Sony set.
Notice how few new Webern recordings are released. When conductors hear this set, I guess they feel its pointless to try to meet these standards. The artists here are all in excellent form and understanding of this extremely difficult but rewarding music.
Webern may grow on you and Boulez et al. are worth every penny........2005-09-18
If you are looking for an introduction to Webern, give this a try. It has the advatage of being comprehensive and well played. If you don't like all of Webern, so be it. If you buy this recording and give it a few listenings you will have heard enough to make an informed judgement.
I have found that Webern's music demands mutiple hearings before you can say you've really heard it. When you are in the mood for some 20th century pioneering work, turn to this recording and listen. Over time, you will be glad you did.
Interesting and Challenging.......2004-04-09
I don't know if I "like" Webern, but he is certainly interesting and challenging. The textures of his music are very fragile and transparent. The pieces are extraordinarily economical (the average Webern piece, I would guess, is about two minutes in duration, maybe less). The dissonances are extreme (strange to say, twelve-tone music can vary in how dissonant it sounds, as some twelve-tone composers (Berg, for example) use "easier" tone rows as the bases of their works). Webern was a musician of great integrity, and he pushed twelve-tone music to the radical extreme (as compared his more conservative teacher, Schoenberg, and fellow-pupil, Berg.) Again, I don't know if it works, and I don't know if I like it. I will definitely continue to listen to it. What I definitely like is this wonderful recording, with performances lovingly rendered. For this reason, I'm giving the recording five stars. However, if you want an "easier" introduction to twelve-tone and atonal music, get Berg's Violin Concerto, or even Schoenberg's piano concerto. With respect to the Schoenberg piano concerto, Mitsuko Uchida's disc is wonderful, and is highly recommended.
The original and still the best.......2003-11-25
Boulez's seminal original recordings of Webern are still important today. They capture the extraordinary distance this composer travelled from his tonal opus 1 passacaglia, though the atonal expressionism of the opus 5 and opus 6 pieces, the extreme compression of the opus 9 bagatelles, the contrapuntal abstraction of the mid-period songs to the serial masterpieces of his later years. These pieces still divide concert audiences today--I've been to Webern performances where half the audience was electrified and the other half clearly wanted to be elsewhere--but their historical significance cannot be denied. I believe their musical significance cannot either: close on a dozen of these works are amongst the finest pieces the 20th century has to offer. This set of performances, dating from the late 1960s and early 1970s and largely recorded under the direction by Pierre Boulez, has long since been regarded as being as close to definitive as one can get. I wouldn't go so far--there are occasional less impressive performances (such as the saxophone quartet) amongst the very fine ones. However, as complete sets go, I find the performances here largely superior to Boulez's more recent traversal on DG.
Technically, this set is not a Complete Works. It only includes those works that Webern published with an opus number, with the addition of the composer's wonderful orchestral transcription of the Ricercare a 6 from Bach's Musical Offering, and an old recording of Webern conducting his orchestrations of Schubert's German Dances. There are more works included on Boulez's rival set on DG--at twice the price--but most of what you gain are juvenilia.
And, for those who remain unconvinced that they'd like Webern, check out http://www.antonwebern.com -- a website that has free streaming mp3s of several of the recordings on this set. Listen to a few of them a few times (though skip the opus 16-18 songs, some of his driest works), and then decide.
Boulez's Webern -- brilliant modern miniatures.......2001-11-27
All 31 works that Webern gave official Opus numbers on 3 discs, conducted by Boulez (not Kolbe!), with the Juilliard Quartet and the London Symphony Orchestra, and a superb booklet with commentary and lyrics -- so why only 4 stars? My objection is the strictly chronological presentation, and the fact that I am not won over by Webern's vocal works -- I would vastly prefer grouping the music by form. Everything is brilliantly performed, and Charles Rosen, who accompanies sopranos on piano on several pieces, plays with sparkling luminosity. But the reason I sought out this collection is because I wanted to hear Boulez's versions of Webern's masterpieces, the "Symphony (Op. 21)" and "Variations for Orchestra (Op. 30)," as well as the string trios and quartets. Here these instrumental works are mixed among the lieders, Webern's many vocal works, and I find this frustrating. I prefer hearing the instrumental pieces grouped together, as on the Dohnanyi or Sinopoli discs of orchestral works (see my reviews of both), or the Schoenberg or Emerson Quartet's discs of the string trios and quartets (see my reviews of both). Unfortunately there is not a Boulez disc comparable to the Dohnanyi (on London) or Sinopoli (on Teldec). So it's either this Sony box or the several more recently recorded discs on DG, unless of course you are a total Webern fanatic and want the Ultra-Complete box with all the numbered AND un-numbered pieces...
It's really hard to fault this excellent Webern collection. Obviously if you have a more catholic appreciation of Webern's music than I (including the vocal works), my criticism is irrelevant. If you are a completist on a budget, this is a clear choice over the more expensive box. But if you are looking for an introduction to Webern's music, the best of which is some of the best of the 20th century in my opinion, I suggest that you begin with 1) Dohnanyi and the Cleveland Orchestra, and 2) the Schoenberg Quartet.
[There is a mistake on the site. Pierre Boulez is the conductor, not Helmuth Kolbe. Careful inspection of the box reveals that Kolbe was the engineer...]
Average customer rating:
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The Most Beautiful Melodies of Classical Music, Vol. 1-10 (Box Set)
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Best Classics 100
Manufacturer: Capitol
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Similar Items:
- 100 Best Opera Classics
- Best Classics 100 Volume 1
- Best of the Millennium: Top 40 Classical Hits
- Best Classics 100 Volume 2
- The Most Relaxing Classical Music in the Universe
ASIN: B0001M65HE
Release Date: 2004-08-10 |
Tracks:
- Handel: The Arrival Of The Queen Of Sheba
- Vivaldi: Spring (The Four Seasons)
- J.S. Bach: Toccata in D Minor
- Mozart: Horn Concerto No. 4 in E Flat
- Beethoven: Symphony No. 5
- Tchaikovsky: '1812' Overture
- Beethoven: Ode To Joy (Symphony #9)
- Grieg: Piano Concerto in A Minor
- Sibelius: Alla Marcia (Karelia Suite)
- Holst: Jupiter, The Bringer Of Jollity
- Tchaikovsky: Piano Concerto No.1
- Sibelius: Finlandia
- Verdi: Gloria All'egitto (Aida)
- Prokofiev: Montagues And Capulets (Romeo & Juliet)
- J. Strauss I: Radetzky March
- Elgar: Pomp And Circumstance March No.1
- Rachmaninov: Piano Concerto No. 3
- Saint-Saens: Symphony No. 3 'Organ'
Tracks:
- J. S. Bach: Air 'On The G String'
- Gluck: Dance Of The Blessed Spirits
- Pachelbel: Canon
- Mozart: Clarinet Concerto in A
- J.S. Bach: Goldberg Variations
- Albinoni: Adagio
- Beethoven: Piano Sonata 'Moonlight'
- Mozart: Flute & Harp Concerto in C
- Mendelssohn: Violin Concerto in E Minor
- Mozart: Piano Concerto 'Elivira Madigan'
- Dvorak: Symphony No. 9
- Bruch: Violin Concerto No. 1
- Elgar: Nimrod
- Rodrigo: Concierto De Aranjuez
- Vaughan Williams: The Lark Ascending
- Mahler: Symphony No. 5
- Rachmaninov: Rhapsody On A Theme of Paganini
Tracks:
- Bizet: Au fond du temple saint (Les Pjcheurs de perles)
- Dvorak: Song to the Moon (Rusalka)
- Delibes: Dtme Epais (Lakmi)
- Bizet: La Fleur Que Tu M'avais Jetie (Carmen)
- Gluck: Che Farr Senza Euridice? (Orfeo & Euridice)
- Bellini: Casta Diva (Norma)
- Puccini: Che Gelida Manina (La Bohhme)
- Puccini: O Mio Babbino Caro (Gianno Schicchi)
- Trad: Baolhro
- Puccini: Vogliatemi Bene (Madama Butterfly)
- Verdi: Va, Pensiero (Nabucco)
- Lehar: Es Lebt' Eine Vilja (Die Lustige Witwe)
- Handel: Ombra Mai Fy (Serse)
- Schubert: Ave Maria
- Adam: Minuit, Chritiens (O Holy Night)
- Puccini: Nessun Dorma (Turandot)
Tracks:
- Mozart: The Marriage of Figaro
- J.S. Bach: Jesus bleibet meine Freud
- Beethoven: Piano Concerto 'Emperor'
- Clarke: Trumpet Voluntary
- Gounod: Judex
- Rossini: La scala di Seta
- Handel: Sarabande
- Tchaikovsky: Waltz of the Flowers
- Prokofiev: Troika
- Williams: Fantasia on 'Greensleeves'
- Debussy: Clair de lune
- Tchaikovsky: Swan Lake
- Myers: Cavatina
- Chopin: Piano Concerto No.1
- Horner: My Heart Will Go On
- Quarantotto: Time to Say Goodbye
- J. Strauss II: The Blue Danube
Tracks:
- Mascagni: Intermezzo
- Rachmaninov: Piano Concerto No.2
- Grieg: Morning (Peer Gynt)
- Shostakovich: Romance
- Barber: Adagio For Strings
- Rimsky-Korsakov: Scheherazade
- Massenet: Miditation
- Borodin: Polovtsian Dances
- Khachaturian: Adagio Of Spartacus And Phrygia
- Tchaikovsky: Romeo And Juliet Overture
- Beethoven: Symphony No.7
- J. S. Bach: Double Violin Concerto
- Williams: Schindler's List Theme
- Tchaikovsky: Dance Of The Reed Flutes
- Beethoven: Symphony No. 6 'Pastoral'
Tracks:
- Handel: Zadok The Priest
- J. S. Bach: Zion Hvrt Die Wdchter
- Allegri: Miserere Mei, Deus
- Schubert: German Mass
- Franck: Panis Angelicus
- Berlioz: L'adieu Des Bergers
- Gounod: St Cecilia Mass
- Faure: In Paradisum
- Mozart: Laudate Dominum
- Faure: Cantique De Jean Racine
- Verdi: Ingemisco
- Mozart: Ave Verum Corpus
- Handel: I Know That My Redeemer Liveth
- Haydn: The Heavens Are Telling
- Faure: Pie Jesu
- Mozart: Lacrimosa (Requiem)
- Handel: Hallelujah Chorus
Customer Reviews:
A gateway drug, nothing more, nothing less. .......2007-03-11
To say that this album constitutes a necessity for the classical music enthusiast would be a great big unarguable lie. It has nothing innovative to offer you as a listener, except for maybe the labelling of melodies such as "My Heart Will Go On" (that god-awful Love Theme from the gruesome film Titanic) as a worthy member of "Best Classics 100". But than again, every collection of things that does not naturally belong together, is bound to have at least one outcast where the connection clearly isn't based on anything but cost and sale-ability.
This might sound like the beginning of a CD-slaughter, or a snobbish review where only the Deutche Grammophone's recordings are meting my standards, but although I am fairly picky when it comes to musical collections, best of albums, and such horrifying destructions of the universality of the works and the intentions of the artist behind it, I am willing to give this collection another chance, since classical music is somewhere between Arabic and wine in degree of unmanageability. It also helps that all the tunes are familiar to almost every one of us, and the fact that the artists' intentions probably got killed by the hundreds of different conductors trying to convey their personal interpretation of the works.
What I am saying is that this CD can be to classical music enthusiast what 'absolute rock' can be to a rock enthusiast, or to someone slightly interested, with no conceptual frames of where to start the search for knowledge. "Best Classics 100" offers nothing except a selection of melodies where there's bound to be one for every taste, but where the album feeling, the entirety or completeness intended by the composer, or conductor, or performer is completely lost in a trade-off made with variety.
The collection is attempted organised by giving each CD a different theme, supposedly to describe the mood of the music, and the labeller succeeds only to a limited extent as we move from themes such as 'uplifting' and 'relaxing' towards 'golden'. I wonder what that golden feeling constitutes. It apparently is to be found in, amongst others, "Jesus Bleibet Meine Freunde", and in "My Heart Will Go On"?
But no matter how I try to describe this CD it will sound worse than it actually is. This because to me it works as a great reference to which I can always turn with my classical music questions. Was it Schumann or Schubert who were the sad one? Of all the -inis, which where which again? Who composed "O Mio Babbino Caro"? The starting point for finding out if you belong to the romantic or the renascence wing, lies within this assemblage, if you look with your ears.
If you feel that classical music is something you like, and you'd like to learn more about it, this is a way to get started. If used together with a book on classical music, or wikipedia, it can be a gateway drug, leading you towards the great different experiences to be found within the different genres of classical music, and within the different periods ranging from the 12th century, maybe even earlier, towards yesterdays and tomorrows spectacular compositions of melodies that conveys a feeling, a state of mind with much more precision than any other musical genre. Expect a fairly alright collection of classical prunes, and you won't be disappointed.
Decent Selection, But..........2005-04-21
...The Audio Quality is really not great. I bought this CD because I am new to classical, and the price was great! 100 songs for 25 bucks, thats like 25 cents a song, most songs are 1 dollar or more. Now I know why it's cheaper. The audio quality isn't that good. I imported the entire collection to my computer using Apple Lossless, and it sounded fuzzy, not crisp, with background noise, and sounded like compressed music, cutting off the frequency response.
I then played the CD's through my home stereo, with the same results. I plugged in my SHURE E5c headphones and the sound was soft, uninviting, lacking punch, with significant backgound noise (not just from the headphones), which was especially distracting when the music would get softer. I have heard much of the music before, and it was much more dynamic, entertaining, this recording seems too flat.
The music selection is ok, but I was hoping for some more interesting selections from the vast classical genre.
Overall, not that great of a recording, but many might not notice the difference, so if you are new to classical or aren't like an audiophile, get this album because it's a great overview of pop-culture classical, and it's pretty inexpensive.
A must-have classical music set!.......2005-01-06
Classical music is, by far, my favorite type of music. It can make you happy or sad, it can make you laugh or cry, and it can make you want to fall asleep or get up and dance. This 6-disc set is a must-have for and classical music-lover! It has all the great composers like Handel, Beethoven, Tchaikovsky, Mozart, Bach, and Pachelbel. Some great songs include: Canon In D(Pachelbel), Morning: Peergynt(Grieg), Adagio For Strings(Barber), Cavatina(Myers), and much, much more. Every classical song you can think of is on here and the sound quality is great. So if you're looking for a good classical music CD, this set is all you need. Be prepared to be blown away!
Average customer rating:
- One of the best of the Masterworks series
- Will not buy this
- Worth it!
- Great way to jumpstart a schubert collection
- Better to Pick a Few First-rate Performances
|
Schubert: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mendelssohn: The Masterworks [Box Set]
- Dvorák: The Masterworks [Box Set]
- Handel: The Masterworks (Box Set)
- Brahms: The Masterworks (Box Set)
- Haydn: The Masterworks [Box Set]
ASIN: B00062FLJC
Release Date: 2004-11-30 |
Customer Reviews:
One of the best of the Masterworks series.......2007-07-06
Brilliant Classics' "Masterworks" series, if you can get them cheaply (and currently they go for about $1/CD from Amazon's France Web site), are a great way to amass a significant library of the works of several great computers. The production values and the performances themselves are uneven, and the interpretations are not always historically-informed (unlike the bulk of Brilliant's "Complete Editions" of the works of Bach and Mozart). But there are numerous gems in the rough in The Masterworks, and the economic value is unsurpassed, even if you were to throw away half of the CDs in each set.
You're unlikely to throw away much of this Schubert collection though. This seems to be the finest of the Masterworks sets, with a succession of solid, often first-rate performances of most of the major Schubert works. Here's what you get:
- The symphonies, performed by The Hanover Band in a historically-informed style. Very interesting performances perhaps marred by an odd recording balance that makes the woodwinds sound distant. Takes up four CDs
- The six Latin masses. Also the Deutsche Messe in the version with wind instruments. Five CDs in all
- Edison Denisov's completion of Schubert's unfinished dramatic work Lazarus (2 CDs, Helmuth Rilling's premier recording)
- The last four string quartets (including the Quartettsatz) with #9 thrown in. Also the octet, piano quintet ("The Trout"), string quintet and both piano trios. In short all the canonical chamber works. Performances are strong, and well recorded
- Two CDs of violin/piano duets, including Op. 137 and Op. 162
- 19 of the 21 "canonical" piano sonatas (missing #7 and #12) as well as the Moments Musicaux, Impromptus, German Dances, Wanderer Fantasy and several other piano works, 11 CDs in all. As with the chamber music, the performances and recordings are strong, often stunning
- Two CDs of piano duets, including the Divertissements and D. 617
- Song cycles: Die Schöne Müllerin, Winterreise, Schwanengesang, and four CDs of standalone songs, including such "standards" as Erlkönig and Gretchen am Spinnrade. The singers are a bit uneven here, ranging from standouts Robert Holl, Deitrich Fischer-Dieskau and John Shirley-Quirk to the somewhat shrill Arleen Augér
Missing from the collection is Rosamunde, and a number of famous songs: Die Forelle (The Trout), Death and the Maiden, Ellens Gesang III (the so-called Ave Maria, D. 839), Der Hirt auf dem Felsen and Der Wanderer. But you do have almost all the important instrumental works, and most of the vocal works generally considered to be essential, with some padding added in the form of minor works such as the parochial Deutsche Messe, the German Dances, and the modernist-informed completion of Lazarus by the 20th Century Russian composer Denisov.
As with the other Masterworks sets, there are no program notes. You'll need to do your own research. Answers.com is a good starting point for Schubert compositions. There are also no song texts or translations provided, so again you'll need to track down your own. Try "The Lied and Art Song Texts Page" for lieder lyrics and translations. Hunt down a good price on this collection, browsing one of Amazon's European sites if necessary, and treat yourself to many hours of lovely music for the cost of a modest night out.
Will not buy this.......2007-03-16
I can't see D965 or D945 on this 40 disks worth of Schubert. Bizarre! There are so many great songs missing it scares me.
Worth it!.......2006-12-19
One of the best in "The Masterpices" series. Many of the discs (the symphonies in particular) were licensed from Nimbus and other full-line labels. Not all that long ago these discs would have set you back $18 to $20 a piece. That said, I still wouldn't part with my Hyperion collection. 40 CD's at this price... you can't go wrong.
Great way to jumpstart a schubert collection.......2006-12-19
Hartmut Holl, Dietrich Fischer-Dieskau, Stephanie Brown, and Jaime Laredo as well as the Stuttgart Bach Collegium performing Schubert are hardly "left-behind artists and ensembles" as the previous naysayer states. These are licensed from major label releases and from the original masters issued at a bargain price, especially for the number of discs you get. Sound quality ranges from good to excellent. Good for all Schubertians and anyone who wants to jumpstart a Schubert collection.
Better to Pick a Few First-rate Performances.......2006-11-14
This is a bargain in dollar/listening time ratio, but who cares? There are many second-rate performances by left-behind artists and ensembles. Obviously the economics of resurrecting disks that don't require royalties has been the driving factor of selection. (On the other hand, the complete edition boxed sets of Bach and Mozart, which you'll find if you look, are stupendous successes artistically.)
Average customer rating:
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Beethoven: Piano Concerto No. 2; Rachmaninoff: Rhapsody on a Theme of Paganini; Khachaturian: Piano Concerto; Chopin:
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005I9SQ
Release Date: 2001-06-12 |
Tracks:
- Piano Concerto No. 2
- Moment Musical
- Waltzes
- Landler
- Impromptu
- Children's Corner
- Three Preludes
- Sonata No. 2 'Funeral March'
- Piano Concerto
- Rhapsody On A Theme Of Paganini
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The Most Beautiful Melodies of Classical Music (Collectors Edition) (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00008L42A
Release Date: 2003-02-13 |
Music Review:
- Symphony 8 in F Major / Symphony 4 in a Major
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- The Gates of Night and Day: Chamber Works by Dimitri Terzakis
- The Haydn String Quartet Collection, Vol.2 [Box set]
- The Russian Opera Album
- Trobadors und der vierte Kreuzzug
- Verdi: Overtures; Preludes; Ballet Music
- Verlaine Lyrics
- Wagner Die Walküre
- Wagner: Walkure Act 1
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