And What of Love
On this CD:
1. A Winter Come, 6 songs for voice & piano
Composed by Morten Lauridsen
2. Die Entführung aus dem Serail, opera, K. 384 It was Sudden
Composed by Wolfgang Amadeus Mozart
3. Die Lustigen Weiber von Windsor, opera Nun eilt herbei
Composed by Otto Nicolai
4. Robert le diable, grand opera in 5 acts Robert, Robert
Composed by Giacomo Meyerbeer
5. Strong As Death: Songs (3) on Love, for voice & piano
Composed by Paul Gibson
6. Nixon in China, opera I am the Wife of Mao Tse-tung
Composed by John Adams
7. Wie unglücklich bin ich nit, song for voice & piano, K. 147 (K. 125g)
Composed by Wolfgang Amadeus Mozart
8. Un moto di gioia mi sento, aria for soprano & orchestra, K. 579
Composed by Wolfgang Amadeus Mozart
9. Work(s) Medley from the Sacred Concerts: The Majesty of God / Heaven / Come Sunday
Composed by Edward "Duke" Ellington
10. Cotton Club Paradise (22nd edition), musical Medley: There's a Sweet Wind Blowin' My Way / Stormy Weather
Composed by Harold Arlen
And What of Love, Music, Elin Carlson, John Adams, Harold Arlen, Paul Gibson, Morten Lauridsen, Alan Steinberger, William Vendice, Giacomo Meyerbeer, Wolfgang Amadeus Mozart, Otto Nicolai, American 20th/21st Century Opera, Classical, Classical Period Music for Voice and Keyboard, Classical Vocals, French Romantic Opera, German/Austrian Classical Period Opera, German/Austrian Romantic Opera, Meet the Divas... Violetta in La Traviata, Elvira in Ernani, Gilda in Rigoletto, Constanza in Yanked From the Harem, Lucia in Lucia di Lammermoor, Amalia in I Masnadieri, Musetta in La Bohème, and Donna Anna in Mozart's Don Giovanni, Miscellaneous, Miscellaneous Music, Miscellaneous Vocal Music, Music Theater, Musical Theater, Opera, Solo Voice(s) and Orchestra, Vocal, Vocal Music
Average customer rating:
- MacRae and Jones head a superb and O.K. adaptation
- Broadway in a movie setting at it's very best!
- Wonderful
- Beauiful
- Oh, what a beautiful sound!
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Oklahoma! (1955 Film Soundtrack)
Jay Blackton , Charlotte Greenwood , Shirley Jones , Gene Nelson , Gloria Grahame , Rod Steiger , James Whitmore , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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ASIN: B00005A7XB
Release Date: 2001-03-13 |
Tracks:
- Overture - Rodgers & Hammerstein
- Main Title - Rodgers & Hammerstein
- Oh, What A Beautiful Mornin' - Gordon MacRae
- The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
- Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
- Kansas City Ballet - Rodgers & Hammerstein
- I Cain't Say No - Gloria Grahame
- Many A New Day - Shirley Jones/Girls' Chorus
- Many A New Day Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon McaRae/Shirley Jones
- Pore Jud Is Daid - Gordon MacRae/Rod Steiger
- Out Of My Dreams - Shirley Jones/Girls' Chorus
- Out Of My Dreams Ballet - Rodgers & Hammerstein
- Entr' Acte - Rodgers & Hammerstein
- The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/J.C. Flippen/James Whitmore/Gloria Grahame...
- The Farmer And The Cowman Ballet - Rodgers & Hammerstein
- All Er Nuthin' - Gloria Grahame/Gene Nelson
- All Er Nuthin' Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon MacRae/Shirley Jones
- Oklahoma - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Finale: Oh, What A Beautiful Mornin' - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Overture (LP Version) - Rodgers & Hammerstein
Customer Reviews:
MacRae and Jones head a superb and O.K. adaptation.......2007-03-16
The film adaptation of Oklahoma heralded a technological breakthrough in widescreen cinema just as the original stage musical ushered in the integrated book musical. As such this film adaptation was treated as a special occasion, well-supervised by the creators themselves. The soundtrack, featured here, boasts sterling performances from MacRae and Jones making the most of their portrayals of Curly and Laurey, backed by a charismatic cast and superb orchestrations. And of course let's not forget the enveloping stereo sound that holds up well even today.
Despite being a Hollywood star, Gordon MacRae performs the part of Curly as if he was born to play it even on the stage. He shines vocally in his renditions of Oh, what a Beautiful Mornin' and Surrey with the Fringe on Top. He is well-partnered by Shirley Jones as a fresh and pert Laurey, lending her beautiful voice to the part. Although we don't hear much of her on this soundtrack, her partnering MacRae in People Will Say We're in Love exudes a masterful chemistry, as if they were setting sparks off at each other in their rendition of the song. Gene Nelson makes a dashing Will Parker and is equally well-matched by Gloria Grahame as Ado Annie. Grahame renders I Cain't Say No splendidly and partners Nelson in All er Nothin'. The supporting cast is filled out by Charlotte Greenwood's suitably caustic Aunt Eller and Rod Steiger's Jud. It's a pity that the film cut the song Lonely Room, otherwise Steiger would have better demonstrated the dark hues of the character of Jud. Yet it all adds up to a wonderful renditionh of this classic musical, enough to elicit a spontaneous YEOW! during this year of the Oklahoma centenary.
This EMI-Angel reissue offers one the advantage of the dance music and the main titles. This means that the listener gets the Kansas City and Farmer and the Cowman dance sequences, as well as the extended Dream Ballet. The only downside is the extraneous sound effects lifted from a DVD copy of the movie. Yes I share many of your sentiments that these sound effects tend to grate, and long for Didier Deutsch to have used the original untainted studio vault versions. However, let's at least be thankful that the CD producers have offered us a more comprehensive version of the Oklahoma soundtrack that we could only have dreamt of in the past.
In short, this is a wonderful and valuable addition to the R&H discography, and is an equally celebrated rendition of the score like the original Broadway cast recording. Warmly recommended to those who seek even their first version of Oklahoma.
Broadway in a movie setting at it's very best!.......2007-03-06
I have the original Broadway version, but prefer this movie selection.
The CD is flawless and, in my opinion, there's nothing better than a Rodgers
and Hammerstein musical for music, lyrics and pure joy! This is the best!
Wonderful.......2007-01-30
A great way to introduce oneself to the world of the nearly extinct Hollywood musical.
Beauiful.......2006-06-05
A true musical theater classic. Wonderful melodies that will last for years to come.
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific
My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!
Oh, what a beautiful sound!.......2006-03-26
Oklahoma has never sounded better as sung by Gordon MacRae and Shirley Jones in the 1955 movie version of Rodgers and Hammerstein's unforgettable Broadway musical. The memory of MacRae's beautiful voice lives on with this CD. I never tire of hearing this wonderful music. From the opening overture to the finale you will feel as though you're right in the theater.
Average customer rating:
- A must to add to your collection
- Delightful
- YOU WILL LOVE IT
- Stellar cast in a first rate musical
- Thoroughly Modern Millie
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Thoroughly Modern Millie (2002 Original Broadway Cast)
Jeanine Tesori , Dick Scanlan , and Sutton Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
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- Thoroughly Modern Millie
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ASIN: B000066B4Y
Release Date: 2002-06-11 |
Tracks:
- Overture (Orchestra)
- Not for the Life of Me (Sutton Foster)
- Thoroughly Modern Millie (Sutton Foster and Ensemble)
- Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
- How the Other Half Lives (Angela Christian and Sutton Foster)
- Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
- The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
- They Don't Know (Harriet Harris)
- The Nuttycracker Suite (Orchestra)
- What Do I Need with Love? (Gavin Creel)
- Only in New York (Sheryl Lee Ralph)
- Jimmy (Sutton Foster)
- Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
- Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
- Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
- I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
- Muqin (Harriet Harris, Francis Jue and Ken Leung)
- Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
- Gimme Gimme (Sutton Foster)
- Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
- Final Bows (Entire Company)
Amazon.com
Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli
Customer Reviews:
A must to add to your collection.......2007-05-18
I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!
Delightful.......2006-06-12
The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.
YOU WILL LOVE IT.......2006-02-17
If you like musicals, you will NOT REGRET purchasing this musical soundtrack. JUST DO IT. It's so great, you will be listening to it forever. I also saw the show at the Kennedy Center in D.C. and it's one of the best I've ever seen. (And I've seen A LOT.)
Have Fun!
Stellar cast in a first rate musical.......2006-01-29
A sparkling Broadway lead debut from Sutton Foster (run, don't walk to any live performances given by Ms. Sutton) with superb comedic support given by Mark Kudisch and Harriet Harris (who won the Tony Award for this performance)
Thoroughly Modern Millie.......2006-01-27
Truth be told it took me a while to warm up to this cast Album beacuse at first listen it is dull, bland , and completly boring.
But after a few listens I really got into it althought there are still problems and I only like a few songs I don't completly detest it like I did the first time I heard it.
The songs I enjoy are:
Not For The Life of Me
Thoroughly Modern Millie
They Don't Know
The Speed Test
What Do I need With Love
Forget About the Boy
Long As I'm here With You
The problem with Millie is that the slow songs are boring or from another show which is annoying. it seems the the people who wrote the music and lyrics for this show only used their talent on the up-beat songs but slacked on the slow ballads.
Buy this album only if you are a super Broadway fan like me , other-wise you will probably be dissapointed.
Average customer rating:
- good memories for me and fun "new" songs for my children
- memories
- TV Theme Songs
- TV themes
- Deja Vu
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TV Land Presents: Favorite TV Theme Songs
Cyndi Grecco , and Jones, Jack
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006EXIL
Release Date: 2002-08-20 |
Tracks:
- I Love Lucy Theme - Wilbur Hatch
- Dragnet - Ray Anthony
- The Twilight Zone - Rod Open
- Bonanza - Al Caiola & His Orchestra
- The Andy Griffith Theme - Earle Hagen
- The Ballad Of Jed Clampett - Earl Scruggs
- The Addams Family (Main Theme) - Vic Mizzy
- Munsters Theme - Jack Marshall
- The Ballad Of Gilligan's Isle - Morton Stevens
- Green Acres - Eddie Albert
- Jeannie - Hugo Montenegro
- Batman Theme - Neal Hefti
- (Theme From) The Monkees - The Monkees
- Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
- Mannix - Lalo Schifrin
- Hawaii Five-O - Mort Stevens & His Orchestra
- Theme From The Brady Bunch - The Brady Bunch
- Come On Get Happy - The Partridge Family
- Those Were The Days - Carroll O'Connor
- And Then There's Maude - Donny Hathaway
- Good Times - Jim Gilstrap
- Movin' On Up - Oren Waters
- The Rockford Files - Mike Post
- Them From S.W.A.T. - Rhythm Heritage
- Happy Days - Pratt & McClain
- Making Our Dreams Come True - Cyndi Grecco
- Chico And The Man - Jose Feliciano
- Welcome Back - John Sebastian
- What's Happening!! - Henry Mancini
- Barney Miller - Jack Elliott
- Charlie's Angels - Jack Elliott
- Love Boat Theme - Jack Jones
- Angela (Theme From 'Taxi') - Bob James
- It Takes Diff'rent Strokes - Gloria Loring
- Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
- Theme From Magnum, P.I. - Mike Post
- The Theme From Hill Street Blues - Mike Post
- Theme From Dynasty - Bill Conti
- Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
- Thank You For Being A Friend - Cynthia Fee
Album Description
TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.
Customer Reviews:
good memories for me and fun "new" songs for my children.......2007-06-27
We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.
memories.......2007-02-22
This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended
TV Theme Songs.......2007-01-13
This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.
TV themes.......2006-07-05
Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.
Deja Vu.......2006-02-17
Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!
Average customer rating:
- Disney's greatest hits, volum 3
- Timeless Disney Music
- Disney songs are the best
- Great Disney Music
- Not as good as Vol 1 and Vol 2
|
Disney's Greatest 3
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006EXKT
Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce
Customer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
This is one of the better volums for kids and for those who are
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.
Disney songs are the best.......2006-03-18
I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.
Great Disney Music.......2006-02-21
I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!
Not as good as Vol 1 and Vol 2.......2005-09-11
This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.
Average customer rating:
- An Amazing Find
- Urinetown the Musical
- Not for Everyone
- "DON'T BE THE BUNNY!"
- Now my favorite CD, EVER!
|
Urinetown (2001 Original Off-Broadway Cast)
John Cullum , Mark Hollmann , Danny Marcus , and Hunter Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005LZR8
Release Date: 2001-08-07 |
Tracks:
- Overture
- Too Much Exposition
- Urinetown
- It's A Privilege To Pee
- Mr. Cladwell
- Cop Song
- Follow Your Heart
- Look At The Sky
- Don't Be The Bunny
- Act One Finale
- What Is Urinetown?
- Snuff That Girl
- Run, Freedom, Run!
- Why Did I Listen To That Man?
- Tell Her I Love Her
- We're Not Sorry
- We're Not Sorry (reprise)
- I See A River
Amazon.com
"How about a bad title?" wonders Spencer Kayden's Little Sally in "Too Much Exposition." "That could kill a show pretty good." It's a tribute to the skill deployed by the Urinetown creative team (Mark Hollman, music and lyrics; Greg Kotis, book and lyrics) that its title doesn't kill the show. Set in a near-future in which water depletion has led to a ban on private toilets, this may be the only musical in history in which one of the leads makes a fortune on pee. But the show (which originated Off-Broadway before graduating to the big league) limits its subversive intent to subject matter and is refreshingly classic in approach and structure--think Weill-meets-Lewis Carroll. Backed by a small ensemble, the cast (with John Cullum in a turn nothing short of brilliant as the evil urinal magnate) has a field day with Kotis and Hollman's frequently hilarious score. --Elisabeth Vincentelli
Customer Reviews:
An Amazing Find.......2007-04-03
I just recently discovered this gem of a musical. It's a stand out show with a unique touch. If heard a few outside musicals (The Rocky Horror Show, Hedwig and the Angry Inch...) but this one stands out from them. The music is amazing, the lyrics are creative, and the humor is ripe.
With a chamber music-esque overture, the tone is set. 'Too Much Exposition' is a great introduction to Urinetown (the musical). Officer Lockstock addresses the audience about what they should expect from the show. Little Sally wants to let the audience in on the water shortage but Lockstock stops her. ("You're too young to understand it now, but nothing can kill a show like too much exposition." "How 'bout bad subject matter? Or a bad title, even? That could kill a show pretty good.")
I've read what others have written: you don't get the whole humor of the show unless you've seen it. I haven't seen it, but this recording is enough to get me see it. (That is, if a production nearby, even a high school production, is put on.)
The songs that I find myself listening to over and over are:
Too Much Exposition (not really a song, but still...)
Urinetown
It's A Privilage to Pee
Mr. Cladwell (a wonderfully sweet villain song)
Cop Song (a wonderfully fun villain song)
Follow Your Heart
Don't Be the Bunny
Act 1 Finale
What Is Urinetown?
Run, Freedome, Run!
Why Did I Listen to That Man?
We're Not Sorry (a great 20's sound, reminds me of 'Chicago')
I See A River (I really love this song... the feeling gotten across, before Lockstock comes out to comment, is 'Oh, everything is going to be okay', but Lockstock informs us that all is NOT well)
With a cry of "Hail Mathus!" the show ends. I just have to listen again, after making a trip to the bathroom.
Urinetown the Musical.......2007-03-10
This CD has all the songs from the show. The show is great and this rendition is about the best.
Not for Everyone.......2006-12-28
This musical is a great piece for the 21st century no doubt, that being said it takes some getting used to. The musical cannot be taken at face value, there are lots of things happening under the surface and it takes some bites at things musical theater doesn't usually take, like itself. On the surface it is strange, and not really something people would listen to over and over. However, once you figure it out, it's fun to listen to it again to find all the things that are really going on. It is very funny, and says some good things about the current state of the world. For musical theater fans this is questionable, if you just like the toe-tapping happy go lucky feel, this isn't it. But if you like the social commentary that goes along with that toe tapping, this is a must. NOT FOR FIRST TIME BROADWAY LISTNERS. Favorite Song: "Look at the Sky"
"DON'T BE THE BUNNY!".......2006-12-04
My son, a high school senior, told me his first show of this year's theatrical season was going to be "Urinetown". My response was something like ... No, really, what shows are you doing this year? Then he brought home a recording of it, and I was hooked right away by the lyrics. Over the years my son has been involved in many performances, but he and the rest of the cast had a real blast preparing for, and performing, this show! He wanted Lockstock, but was cast as Cladwell ... Owned it ... Loved it!
I am no Broadway expert by any stretch of the definition, but this show is wonderfully entertaining! You will see (and hear) snippets from other shows, you will pick up on some of even the more subtle stabs at musicals as a whole, you will groan, you will laugh and you will enjoy ... But only if you try not to take it too seriously.
Get past the title (in this case I certainly think it did not "...kill a show pretty good"), relax, and be entertained. And for goodness sake, if you have a chance to see it performed live, do so! A musical that pokes fun at itself? Yes, a refreshing departure from the norm, and worth the price of admission.
Now my favorite CD, EVER!.......2006-10-03
After reading Urinetown (never having seen it), I wondered what on earth it sounded like. Most of the book is just lyrics, and I had no idea what they sounded like. When I finally listened to the music, I found an incredibly complex, catchy, and moving CD.
The music isn't so much complex as it is creative and works with the lyrics. Keep in mind this is a comedy, but this comedy does have soaring melodies and very great simulataneous singing moments (I can't remember what that is specifically called, but think of "Tonight Reprise" from West Side Story). These songs not only entertained me, it moved the story along.
My favorite song is "Why Did I Listen to that Man?" as it is the song where everything comes together and reaches the climax (both in story-line and musically). However, I have a soft spot for every Cladwell song (and I haven't found a person yet who doesn't love "Don't Be the Bunny) as well as every song. What's best about this musical is the range of genres (but not so much as one would find in Joseph and the Amazing Technicolor Dreamcoat).
The cast is truly talented and can perform these songs. It's a very strong recording for what I feel (after finally getting to see it) is the best contemporary musical to date. Not only will your sides split, but you'll learn something too. Best of all, it's a musical for everyone. Unlike other equally hilarious comedies (*cough*The Producers*cough*), Urinetown never relies on "unappropriate" and "adult" material to deliver laughs, although you will have to get over the "really awful title."
Average customer rating:
- John Rutter Collection
- Typically gorgeous Rutter
- Wonderful!
- To sample Rutter's best music, this is the one.
- The Best
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John Rutter Collection
Rutter , Cambridge Singers , and London Sinfonia
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006LIEZ
Release Date: 2002-11-12 |
Tracks:
- For The Beauty Of The Earth
- The Lord Is My Shepherd
- All Things Bright And Beautiful
- Shepherd's Pipe Carol
- The Lord Bless You And Keep You
- Open Thou Mine Eyes
- My True Love Hath My Heart (From Birthday Madrigals)
- Esurientes (From Magnificat)
- Gloria Patri (From Magnificat)
- Out Of The Deep (From Requiem)
- Pie Jesu (From Requiem)
- What Sweeter Music
- A Choral Fanfare
- A Prayer Of St. Patrick
- O Be Joyful In The Lord
- Behold, The Tabernacle Of God
- O Praise The Lord Of Heaven
- A Gaelic Blessing
- Angel's Carol
- Matthew, Mark, Luke And John (From Five Childhood Lyrics)
- Sing A Song Of Sixpence (From Five Childhood Lyrics)
- Go Forth Into The World In Peace
Customer Reviews:
John Rutter Collection.......2007-02-19
This CD is one of several that features Rutter directing his own choir. It has a good cross section of the John Rutter compositions, and is a good starting place for someone who has not heard Rutter's music before. I think you will be "hooked" if you really love choral music.
Typically gorgeous Rutter.......2005-12-20
I love John Rutter's music. Especially the "For the Beauty of the Earth" that is on this CD. Rutter is not the most inventive or varied composer of modern music, but if you have a taste for traditional choral writing with some angelic children's chorus singing, then you will probably share my enjoyment of Rutter's writing. Unfortunately I cannot give this CD 5 stars when it seems there is a drum set tapping annoyingly away on several of the songs. I do not understand this at all and am bothered by it every time I listen to those songs. It's a shame, because otherwise I love the music, and think it is lushly written, and simply but beautifully performed. I would highly suggest listening to sample track 3 before purchasing -- you can hear what sounds like a ride-cymbal right at the very end of the sample. This sound occurs in several of the songs on this recording.
Wonderful!.......2005-12-03
I am a huge John Rutter fan. The lilting melodies, the poignant lyrics and the lush orchestrations make his music not only accessable but also uplifting. This compilation, although drawing from many other previous recordings, is a great composite of his wirk. The sound is exquisite. Even if you own other recordings of this music, this is worthwhile.
To sample Rutter's best music, this is the one........2005-06-30
I purchased this CD as an introduction to the music of John Rutter and went on to purchase many more of his compositions. Still, this remains my favorite collection. It is choral music at its absolute finest. Far from "just church music", this CD has songs of faith, a few Christmas carols, a Celtic song for lovers, and even a child's tune or two. While most of the pieces are peaceful, warm, and thought-provoking, a few are up-tempo and lively. In my opinion, it is a perfectly balanced collection in which one song flows beautifully into the next with no sense of a jarring change of pace. If you have any interest in choral music, begin with the best...John Rutter... and this superb arrangement. Highly recommended.
The Best.......2005-04-29
The John Rutter Collection in my opinion is one of the finest and most perfect works I've ever heard. The Cambridge Singers demonstrates the best vocal discipline and style of any vocal group in the world.
Sidney Vaught
Average customer rating:
- Typical Mancini
- It's Hard to Believe He's Gone
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- On connaît tous sa musique, beaucoup moins son nom...
- Henry Mancini's Greatest Hits
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ASIN: B00004Y9YB
Release Date: 2000-09-26 |
Tracks:
- Peter Gunn
- A Profound Gass
- Snowfall
- Mr. Lucky
- The Great Impostor: Theme
- Moon River
- Breakfast at Tiffany's
- Experiment In Terror
- Hatari: Theme
- Baby Elephant Walk
- Just For Tonight (Vocal)
- Days Of Wine And Roses (Vocal)
- Charade (Vocal)
- The Pink Panther Theme
- Dear Heart (Vocal)
- How Soon (Vocal)
- A Shot In The Dark
- The Sweetheart Tree (Vocal)
- Two For The Road (Vocal)
- Love Theme From 'Romeo An Juliet'
- Whistling Away The Dark
- What's Happening!!
Customer Reviews:
Typical Mancini.......2007-03-25
First, I really like Mancini's music generally and I am really concerned that he may be one of the greats of American music who will soon be forgotten if he hasn't been already. (US music schools tend to be a little snobby and don't give a number of truly great American composers their due.) However, the mix of this particular CD is simply too average. Many good songs are not on it and some weak ones are. I would not recommend this CD except to ManciniPhiles like me.
It's Hard to Believe He's Gone.......2006-05-23
Henry Mancini gave us so much of our consciousness of the 1960s and 1970s, and yet was "out" almost as soon as he was "in."
His work became synonymous with much-despised "elevator music" in the later 1960s. This stereotype (or monotype, for his earliest works) can mislead.
For example, "Lujon" [not in this collection] was used in a movie just last year to exemplify mystery and an exotic atmosphere.
Mancini dies way too young. While some would argue that he'd become a self-parody, his innate gifts compromised by relentless commercialization, you cannot take away his lasting gift to our culture. He was an original, and he captured an essence of our collective experience.
He's here in this collection, waiting round the bend, my Huckleberry friend.
Nostalgic.......2006-02-20
A great trip down memory lane. The selections sound just like I remember them from the movies and the radio. Enjoy
On connaît tous sa musique, beaucoup moins son nom..........2005-09-20
En ces temps où le terme de BO est galvaudé (pénible Yann Tiersen, satanés Choristes !), cette compilation est l'occasion de rendre hommage à l'un des grands génies du genre, largement méconnu, et victime d'un des plus incroyables quiproquos de la Musique.
En effet, c'est lui qui a composé l'éternel thème de la Panthère Rose, et son mythique refrain de saxophone, définitivement associés au dessin animé du même nom, et qui invariablement provoquent sourires (voire moqueries) chez les non-initiés... Rappelons qu'au départ La Panthère Rose est un film réalisé par le génial Blake Edwards en 1964, avec l'inénarrable Peters Sellers dans le rôle principal, et que cette fameuse Panthère Rose désigne non pas un sympathique félin, mais un diamant d'une valeur inestimable, et dont le vol est à l'origine du scénario.
Mais sa contribution à l'histoire de la musique ne s'arrête pas là. En effet, on lui doit également le monumental Moon River, titre dont l'insurpassable limpidité mélodique est capable de me porter au bord des larmes en quelques mesures, repris entre autres par Sinatra et Morrissey et susurré par la délicieuse Audrey Hepburn dans Breakfast At Tiffany's. Et c'est toujours lui qui est à l'origine du thème explosif de Peter Gunn, avec sa ligne de basse à réveiller les morts et ses arrangements de cuivres qui traumatiseront toute une génération de compositeurs, Quincy Jones en tête...
En tout cas, cette compilation est une excellente introduction à l'univers de Henry Mancini, qui en mêlant arrangements jazzy, vocaux surannés et mélodies inoubliables, a tout simplement inventé la Lounge music, avant que ce mot ne désigne un vaste fourre-tout pour bobos peu curieux...
Henry Mancini's Greatest Hits.......2005-07-13
This CD is all one needs to understand why this dude is the master when it comes to composing. Having been introduced to this great human being at an early age, my fascination for his work is still a vital part of my being. This CD is just what I have always wanted. It has all the classics, along with some older gems I never knew existed. I love it so much, that I am going to send my mama back home one. She was, is and always will be perhaps his GREATEST FAN ever. If you just can't live without Mancini's music, then this CD is for you. Enjoy, enjoy,
enjoy!!
Average customer rating:
- Mark Soars with Romantic Ballads
- Murphy's Best Ever? Here's a Minority Report:
- Never the same.
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Love Is What Stays
Mark Murphy
Manufacturer: Verve
ProductGroup: Music
Binding: Audio CD
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ASIN: B000P6R7V4
Release Date: 2007-05-08 |
Tracks:
- Stolen Moments
- Angel Eyes
- My Foolish Heart
- So Doggone Lonesome
- What If
- The Interview
- Once Upon A Summertime
- Stolen Moments
- Love Is What Stays
- Stolen Moments
- Too Late Now
- Blue Cell Phone
- Did I Ever Really Live
Album Description
This is Mark Murphy's sophomore effort for Verve. The 13 tracks on Love Is What Stays reflect a wide range of composers, collaborators, and inspirations. On this album, he dips into the songs of Johnny Cash, Oliver Nelson, Alan Jay Lerner, and even Coldplay; recites some of his spacey, free-form poetry; unveils the latest of his dreamlike lyrics; and scats as freely as John Coltrane played.
Mark Murphy is perhaps the leading jazz singer of his generation. He made his mark on the genre with his ability to work effortlessly in a wide range of styles and especially from his incomparable scatting technique. Ella Fitzgerald said, "He is my equal." Murphy started out as a teen idol in the 1950s, and worked with labels including Capitol, Decca, and Muse throughout his five-decades-plus career. Now releasing his second album on the venerable Verve label, Murphy proves he is also here to stay.
Customer Reviews:
Mark Soars with Romantic Ballads.......2007-07-02
Mark's CD "Love is What Stays" is a collaboration with Til Bronner, as was his last CD "Once to Every Heart", a collaboration made in heaven. Thest two CDs have brought Mark back to the renditions of the romantic ballads of which Mark has no peer. The one song from Johnny Cash's material seems misplaced. Apart from that, if this were a star rating system, give this CD all the stars in the sky!
Murphy's Best Ever? Here's a Minority Report:.......2007-06-05
What a glorious, amazing, stunning, life-affirming, rich, varied, awesome, and love-filled c.d. this is!
And now I'll tell you how I really feel about it....
Mark Murphy is responsible for some terrific albums over his 50 years as a recording artist. "Rah", "Bop for Miles", "Bop for Kerouac", "The Latin Porter", and 2005's "One to Every Heart" are all terrific albums. But though I acknowledge that mine is a minority position, I think this overall is his best. And at age 75, too; I can't think of any other recording vocalist who could legitimately make such a claim.
Christopher Loudon of "Jazz Times" lauds this album, but says it's a continuation of "One to Every heart" and is about a "life well-lived." Agreed and disagreed. It is a continuation of the 2005 masterpiece, in that it's recorded on Verve, in Germany, and features the amazing Till Bronner (surely one of the finest trumpeters in the world today), Frank Chastenier on piano, and some terrific, spare string arrangements by Nan Schwartz. But whereas that c.d. was nothing but romantic ballads essentially from the era of "Tin Pan Alley", done at achingly slow tempi so that the master improvisor could wiggle around lyrically and melodically, this one is much more varied. In particular, I've never heard such a "loosey-goosey" arrangement of "Angel Eyes", and any c.d. with a jazz arrangement at a funereal tempo of Johnny Cash's "So Doggone Lonesome" cannot be called "standard" by any means.
As for the theme, I understand why one might arrive at the "life well-lived" conclusion, from the fantastic combo of "The Interview" (a free verse poem over a jazzy bass-drum lick with burst of instruments every now and then, and chirping birds), followed by "Once Upon a Summertime", followed by a reprise of the c.d.'s theme song, Oliver Nelson's "Stolen Moments", followed by the title track. This is one of the best jobs of programming since the second side of "Abbey Road." But the rest of the c.d. is about even more.
The final track is an old, obscure Broadway tune, "Did I Ever Live", and the fifth track is Coldplay's "What If". These two encapsulate what the album is really about: the wonderment of life. From the ups, to the downs, what does it all mean? It is almost too difficult to comprehend, at times; but then, so is God. But so long as it is Love that is what stays, it all is at least worth trying to comprehend.
That makes 4 absolute gems for the first half of 2007: Tierney Sutton's "On the Other Side", Kendra Shank's "Spirit Free", Kurt Elling's "Nightmoves", and now this. Each is arguably the best album ever released by each respective artist. What a year 2007 has been! And it's not even half over! RC
Never the same........2007-05-17
Fifty years after his recorded debut, that still-fearless singer Mark Murphy remains in the premiership, with an ambitious set produced in Berlin by trumpeter Till Bronner, who also plays on it. Murphy directs his repertoire of breakneck rhythmic experiments, faintly sinister remoulds of 50s-crooner techniques and bop-scat fireworks at a programme that spans Johnny Cash, Oliver Nelson and Coldplay.
"Stolen Moments", an old favourite, makes three distinctive appearances, and there's a touching cameo role for the alto of a passing Lee Konitz on "My Foolish Heart".
Johnny Cash's "So Doggone Lonesome" is slowed to the point where its generic roots almost vanish (an almost motionless, muted trumpet solo by Bronner sustains the effect), and the half-spoken "The Interview" is as revealingly paced as anything Murphy does, as is the Betty Carter-like swinging improvisation it turns into.
A lot of the music is slow, but Murphy's intelligence and road-weariness stops it getting dinner-jazzy, and the orchestra does just enough to enrich the music without getting in its way.
Average customer rating:
- The Gold By Andrew
- The best of Webber
- THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES
- Super good CD
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Gold: The Definitive Hits Collection
Andrew Lloyd Webber
Manufacturer: Decca
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ASIN: B0000657XY
Release Date: 2002-05-07 |
Tracks:
- Superstar - Murray Head w/ the Trinidad Singers (Jesus Christ Superstar)
- As If We Never Said Goodbye - Barbra Streisand (Sunset Boulevard)
- The Phantom Of The Opera - Sarah Brightman & Michael Crawford (The Phantom Of The Opera)
- You Must Love Me - Madonna (Evita)
- Any Dream Will Do-Donny Osmond (Joseph & The Amazing Technicolor Dreamcoat)
- Memory - Betty Buckley (Cats)
- Pie Jesus - Charlotte Church (Requiem)
- The Music Of The Night - Michael Crawford (The Phantom Of The Opera)
- I Don't Know How To Love Him - Yvonne Elliman (Jesus Christ Superstar)
- Don't Cry For Me Argentina -Patti Lupone (Evita)
- Love Changes Everything - Michael Ball (Aspects Of Love)
- All I Ask Of You - Sarah Brightman (The Phantom Of The Opera)
- The Perfect Year - Glenn Close & Alan Campbell (Sunset Boulevard)
- The Vaults Of Heaven - Tom Jones & Sounds Of Blackness (Whistle Down The Wind)
- No Matter What - Boyzone (Whistle Down The Wind)
- Oh What A Circus - Mandy Patinkin (Evita)
- Whistle Down The Wind - Sarah Brightman (Whistle Down The Wind)
- Amigos Para Siempre (Friends For Life) - Sarah Brightman & Jose Carrerras (1992 Olympics Theme)
Amazon.com
The critical debate over Andrew Lloyd Webber's musical legacy will no doubt rage for decades. Is he the shrewd populist composer who almost single-handedly revived the moribund stage musical--or a crass, Barnum-esque showman (who almost single-handedly revived the moribund stage musical)? This 18-track anthology chronicles the high points of Sir Andrew's enduring songcraft and the irrefutable impact it's made across a remarkably disparate swath of tastes and genres, from Broadway to Top 40 radio and even the classical repertoire.
If some have accused Lloyd Webber's songs--like "The Music of the Night" (from Phantom of the Opera) and the title tune from Whistle Down the Wind, included here--of having all the melodic and lyrical sophistication of a children's lullaby, that's likely the very element that's made them so appealing to a mass audience. If nothing else, it's a compelling argument for that old notion about it being "the singer, not the song." Indeed, there are few contemporary composers whose music could entice divas from Streisand ("As If We'd Never Said Goodbye" from Sunset Blvd.) to Madonna (Evita's "You Must Love Me") and Charlotte Church ("Pie Jesu" from Requiem) to cover it, let alone forge the very careers of artists like Sarah Brightman and Michael Crawford. And if there's any substance to that other criticism of Lloyd Webber lifting the melodic ideas of composers from Verdi to John Williams (we swear that's the theme to Jurassic Park bubbling up in Tom Jones's camped-up take on Whistle's "The Vaults of Heaven"), at least, like virtually every major composer, he's stolen--er, borrowed--from the best. --Jerry McCulley
Customer Reviews:
The Gold By Andrew.......2007-04-23
This cd is a must have for any Webber fan. It has many great songs from his most sucsessful musicals. But something I don't like about this cd is that some of the singer how sings some of the songs arn't the onse that sings the originals. Like "The Phantom Of The Opera" and "Love Changes Everything". Witch is so sad. Couse the original songs are so much better.
But besides that this cd is very good. With manye nice and difficult songs (I've sung some of the myself in siningclass).
So if you like Andrew's music this most sertanly is a most have.
The best of Webber.......2005-09-12
Although I like Andrew Llloyd Webber and his music very much, this collection earns only 4 stars and it's not because of the quality of the music but the level of performers. If a best of collection is made it should contain the best version ever done and this time it's not true. I could write the same review for the European edition (labeled import here) because the blend of the two would be a perfect best of.
Some examples: this version contains Memory sung by Betty Buckley while the Elaine Page version is light years better. Then it contains Patti Lupone's version of Don't Cry For Me Argentina. Even though Madonna wasn't the best Evita, she definitely sung Argentina in a way no-one could before or will ever. Whistle Down The Wind is represented with 3 songs - the place of the Tom Jones song is not here (the same could be said of Tina Arena's song o the European edition). Instead of the TJ song they could have included Take That Look Off Your Face by Marti Webb - one of the best songs by Webber. Pie Jesu from the Requiem is much better sung by Sarah Brightman. These are the faults.
What about the rest? Pure joy and material worth of 6 stars. Superstar, Phantom Of The Opera, Music Of The Night, I Don't Know How To Love Him, All I Ask Of You, No Matter What, Oh What A Circus - wonderful songs and wonderful performers. My all-time favorite from Webber will always be Music Of The Night and the version included here is the mesmerizing adaptation of Michael Crawford.
I don't advise anyone not to buy this album - it's good material, however it's far from being perfect.
THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES.......2005-01-31
There are numerous compilations out on the market full of Andrew Lloyd Webber's music. As most people know, Lloyd Webber is the most successful musical composer of all time and many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. This compilation captures some of the best songs he has ever written, he personally supervised it and it is the best thing to have if you can't afford his five-CD compilation called "Now and forever", which was selected and supervised by him as well. You should bear in mind, however, that there are two compilations called Gold out there: The one made for the European and the British market, and this one, made for the American buyers. Some of the songs on both of them are the same, the others are performed by different artists and some can be found only in one of the two. This one here was issued later and it is digitally remastered. Therefore you should check your favourites and buy accordingly, or, if you can, buy them both, since both of them contain interesting songs and performers.
So here are my thoughts about the tracks in this one:
1. "Superstar" and "I don't know how to love him" are both from the concept album of "Jesus Christ Superstar". They sound wonderful as ever, although the orchestrations may seem a bit dated by now.
2. "Sunset Boulevard" is marked here with two songs. Barbra Streisand's powerful voice shines all the way through in "As if we never said goodbye"; it's a shame she never played Norma Desmond on Broadway, since Patti LuPone wasn't allowed to take her Norma to New York, and Glenn Close butchered the role. Her limited vocal abilities were hardly suited for the material, as it is shown by the second Sunset song, "The perfect year", performed by Close and Alan Campbell. They both lack a decent singing voice, so this is the one song I skip regularly. The song itself sounds much better in its single version with pops orchestration, as can be heard on the European version of this compilation, where it is performed by Dina Carroll. This version here can hardly be considered a gold one.
3. "The Phantom of the Opera" is represented by three songs. Michael Crawford and Sarah Brightman performance in the song of the same title is amazing. They were both born to play their roles in this show and their voices fit together perfectly. Sarah can hit the high notes in the end like no other Christine. Cliff Richard and Sarah sing the lovely ballad "All I ask of you" with passion, and Cliff has a wonderful warmth in his voice. Finally, Michael Crawford gives his unique and mesmerising interpretation in "The music of the night".
4. The 1996 movie version of "Evita" is Madonna's best role to date and it brought an Academy Award for Lloyd Webber and Tim Rice, who wrote "You must love me" especially for the big screen. This is another wonderful ballad with the haunting cello and piano solo. It just proves that Lloyd Webber and Tim Rice were the best collaborators. They really should do another musical together.
5. "The Joseph and his amazing Technicolor dreamcoat" was Webber's first musical and the signature song "Any dream will do" is performed here by Donny Osmond, who also appeared in the video version. I find his rendition even better than London's Jason Donovan, since Donny isn't strictly bound by the notes and so sings it more casually. A wonderful pop piece.
6."Memory" from "Cats" is probably the most famous of all Webber's songs, recorded by numerous artists. This version is sung by Betty Buckley, who was Broadway's Grizabella. Although Betty's performance can't be considered bad, I prefer Elaine Paige, who sung the song first, in the London production. Elaine has a note of sorrow in her at times husky voice, which I found very intriguing. Her performance can be considered definite, as heard on "Cats" DVD or in her latest two-disc compilation, "Centre stage: The very best of Elaine Paige", issued in May 2004. Still, those who prefer Ms. Buckley or who saw her on stage in this role won't be disappointed.
7. "Pie Jesu" is the best known song from Webber's "Requiem", written in 1985 to commemorate the death of his father. I'm not too keen on the version included here, performed by Charlotte Church, because her voice isn't as pretty as Sarah Brightman's on the original recording and the tempo is somewhat faster here.
8. "Don't cry for me Argentina" is among my all-time Lloyd Webber's favourites. I like all the ladies who performed "Evita" on the stage and on the screen (Julie Covington, Elaine Paige, Patti LuPone and Madonna), but on this disc is the version I am most satisfied with, since it is sung by Patti LuPone. Ms. LuPone has a very powerful voice with an amazing range and she deserved her Tony Award for this role. She was able to sound both vulnerable and decisive while singing this, whereas the other leading ladies emphasized one or the other in their interpretation. Mandy Patinkin's "Oh what a circus" is not the best, the orchestration is a little bit weak and his voice sounds thin to me. David Essex on the London cast recording is more suitable.
9. "Aspects of love" boast here with its top song, "Love changes everything", performed wonderfully by Michael Ball. It was his #1 hit and is probably one of the most beautiful love anthems ever written.
10. Three songs come from "Whistle down the wind". The studio release of the same title is one of the reasons I bought this compilation, although I already have the European one. It is performed by Sarah Brightman with Lloyd Webber playing the piano and a symphonic orchestra who nicely takes the lead of the main melody. Sarah voice is angelic; she sings it like a little bird. Very charming. Boyzone's "No matter what" was a huge pop hit in the charts. Again, we have a song with the suitable orchestrations and vocals. And lastly, Tom Jones' deep voice in combination with the back vocals of "The Sounds of Blackness" gives a rocking rendition of the church hymn "The vaults of heaven". It can't be found on the European version and Tom's voice shows it hasn't aged. Way to go.
11. For the 1992 Barcelona Olympics, Webber wrote, together with his long-time lyricist Don Black, this last song, "Amigos para siempre or Friends for life". It's a nice duet between Sarah Brightman and Jose Carreras, their voices sore when bound together. The melody itself is neat, especially when the orchestra takes the lead.
Besides the fact that some of the performers here were not the best for my taste, there is also the fact that some of Lloyd Webber's shows are omitted in this version, most notably, "Tell me on a Sunday". Also, unlike its European counterpart, this compilation isn't aligned chronologically, so we have 1970 Superstar being the first song, 1993 Sunset Blvd comes the second, followed by The Phantom from 1986 and so on. None the less, this CD is excellent as an introduction to Lloyd Webber's music and one can continue with his cast recordings from there. It's also very handy as a single disc compilation for the American fans.
Super good CD.......2004-12-31
The songs on this CD are great. If you also play piano, the book of the same title goes perfectly with the CD. You can following along with the music and learn the songs on the piano.
Average customer rating:
- Marimba/Brass/Mariachi/Jazz, and Rock--the sweetest sounds this side of the Rio Grande !!!
- Herb Alpert & The TJB, What Now My Love
- What now my love
- Excellence in Easy Listening!
- Finally is on CD!!!!
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What Now My Love
Herb Alpert & the Tijuana Brass
Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
Similar Items:
- Going Places
- Whipped Cream & Other Delights (40th Anniversary Edition)
- South Of The Border
- S.R.O.
- The Lonely Bull
ASIN: B0009I7O6G
Release Date: 2005-06-07 |
Tracks:
- What Now My Love
- Freckles
- Memories Of Madrid
- It Was A Very Good Year
- So Whats New
- Plucky
- Magic Trumpet
- Cantina Blue
- Brasilia
- If I Were A Rich Man
- Five Minutes More
- The Shadow Of Your Smile
Album Description
Issued in April 1966, What Now My Love held the #1 spot for nine weeks, longer than any other Tijuana Brass album, and the title track garnered two Grammy Awards.
Each album in the Herb Alpert Signature Series features meticulously remastered sound, deluxe packaging, detailed liner notes, and an intro by Herb Alpert containing personal recollections and anecdotes.
Customer Reviews:
Marimba/Brass/Mariachi/Jazz, and Rock--the sweetest sounds this side of the Rio Grande !!!.......2007-04-10
Herb Alpert & The Tijuana Brass enjoyed great success in their heyday during the 1960s; and enthusiastic fans on both sides of the border invariably came to hear them perform. This CD tells us why. Their sounds are smooth as silk, rich as Rockefeller and as sophisticated any Rhodes Scholar could ever be.
The CD starts with "What Now My Love;" for this number the horn carries the bulk of the melody as the arrangement makes great use of the percussion to enhance it's beauty. The guitar solo in the middle of this track shines like gold! "Freckles" follows next; the guitars, horns and percussion all combine to produce a joyful musical number.
The guitars and horns work hard once again to make "Memories Of Madrid" work very well; and I liked that the tempo of "Memories Of Madrid" spins somewhat faster than the tempo for the first two tracks. Excellent!
Other gems on this CD include "It Was A Very Good Year;" this number uses the piano, guitars, horns and percussion to produce a lush and rather sensitive musical arrangement. "So What's New?" uses the ukulele and percussion to work wonders; the whistling and the tempo also make "So What's New?" a very joyful sounding tune. "Magic Trumpet" also stands out as the trumpets, whistle and percussion infuse this ballad with a marching tune flavor. The cries of joy from the performers as they do this number highlight the joyfulness of this marching band-style number.
"If I Were A Rich Man" demonstrates Herb Alpert & The Tijuana Brass' ability to blend together what would appear to be two completely different styles of music: the band successfully infuses a Jewish Broadway show tune with a Latin American flavor. The horn and guitar start out carrying most of the arrangement and when the percussion joins in you can really sense the happiness of this very special number. Excellent accomplishment!
The CD ends with the classic love song entitled "The Shadow Of Your Smile." The strings and percussion begin this melody; and when the horn joins in it only serves to enhance the beauty of this number. In fact, the depth of the emotion associated with "The Shadow Of Your Smile" makes this ballad a strong and fitting ending for this album.
The liner notes include awesome photos. You also get a commentary by Herb Alpert; and Josh Kun contributes an informative essay as well.
Fans of Herb Alpert & The Tijuana Brass will not be disappointed with this great CD. I also recommend this CD for people who enjoy easy listening music from the 1960s.
Herb Alpert & The TJB, What Now My Love.......2007-03-04
This is the album that sold 6,000,000 copies. Herb Alpert & the Tijuana Brass was number one. They had 5 albums in the top forty, and out sold the Beatles for 1966.
This is a beautiful album. It opens up with the hit What Now My Love. Freckles, a happy swinger, Memories of Madrid, a nice rolling tune, It Was A Very Good Year, the classic Sinatra piece, So What's New, John Pisano's popular original, and Plucky round out side one on the original record.
Side two opened up with Bert Kampferts, Magic Trumpet; a happy mexican march. The album then proceeds to Sol Lake's Catina Blue, Julius Wechter's Brasilia, If I Were A Rich Man, Five Minutes More, and the beautiful standard, The Shadow Of Your Smile.
Overall this is a great record. The first in a string of albums that really epitomized the TJB sound.
What now my love.......2006-07-23
The same goes foor this album by Herb Alpert & The Tijuana Brass. I'm also have the LP versions of the one mentioned above along with Whipped Cream and South of the Border; and a couple of jazz album by Herb like Rise, Fandango etc. These albums are relaxing and a good value for jazz lovers.
Eventually I will purchase the remaining CD by Herb Alpert.
Excellence in Easy Listening!.......2006-05-26
Herb Alpert and the TJB are a class act. Even more, they are timeless. Although their music tends to have a Latin theme, it cannot be qualifed that way. It is just great music to sit back and listen. This collection is no different.
I would not consider this one of their best albums but, when dealing largely in superlatives, lesser works are very good indeed. These are all very good. Don't look for great vocals; look for catchy tunes and superb musicianship. Look for fun.
Finally is on CD!!!!.......2005-10-12
I've been waiting a long time for this album to be on CD! The quality is great and the songs are beautiful, just as Herp Alpert always does. This CD brings me a lot of memories. Hope you like it.
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