Bach: Organ Chorals from the Neumeister Collection

Track Listings

1. Chorale Preludes BWV 1090 - BWV 1120

Tracks:

Sanctus from Requiem (Gabriel Faur-Tim Story piano, synthesizers
The 23rd Psalm (Condit Atkinson) - Steve Erquiaga guitar
Be Thou My Vision (Irish trad.) - Jeff Johnson & Brian Dunning with John Fitzpatrick
Holy, Holy, Holy (trad.) - Jim Brickman piano
The Lords Prayer (Albert Hay Malotte) - Paul McCandless English horn, keyboards
Alisas Prayer (Deborah Henson-Conant) - Deborah Henson-Conant electric Celtic harp
Meditation (Thea Suits) - Thea Suits flute
Ave Maria (J.S. Bach/Gounod) - Steve Erquiaga guitar
Go Gently (Suzanne Ciani & Jeremy Lubbock) - Suzanne Ciani piano
Offering (Tracy Silverman) - Tracy Silverman & Thea Suits
Spanish Stairs (Paul McCandless) - Rosalba Bentivoglio voice
Ave Verum Corpus (W.A. Mozart) - Philip Aaberg solo piano

Customer Reviews:

Music for Meditation.......2007-01-04

This is a delightful collection of music appropriate to meditative prayer. It is often my prayer companion, and I like the style and performance found on this CD. I highly recommend it to people who enjoy deeper reflection with a wordless musical background.

Be Thou My Vision.......2005-10-19

Track 3, Be Thou My Vision, was a surprise as the song was the final song played at my father's funeral. It set the closing mood most fittingly. While Be Thou My Vision is my favorite the entire collection is wonderfully mellow. I recommend it for for the mellow moods.

Reverent, beautiful.......2003-09-21

After criticizing Windham Hill in the past for often recycling the same songs over and over in various collections, I have to hand it to them with the new "Prayer" CD. It's a fine set of all-new acoustic versions of hymns or spiritual songs, plus a good number of original compositions. Producer Dawn Atkinson has done an excellent job of lining up a bunch of top-drawer people for "Prayer," and in working with the artists on the song selection.

Tracks:

Air 'On The String' - Philippe Saisse
Ave Maria - Paul McCandless
Arioso - Tracy Silverman
Nocturne - Steve Erquiaga
Sarabande - Paul Schwartz
Intermezzo No.6 - David Benoit
Adagio - Brian Dunning
Adagio - Patrick O'Hearn
Prelude In C-Sharp Minor - Edgar Meyer
Adagio - Richard Schonherz
Adagio For Strings - Philip Aaberg
Largo - Tim Story

Amazon.com

Adagio follows in the rosin-dusted footsteps of The Impressionists, A Different Mozart, and A Different Prelude. As with those releases, it was produced by Dawn Atkinson and features many of the same artists. The results are as varied as the musicians. Violinist Tracy Silverman cuts one of his patented echo-delayed pizzicato violin arrangements of a Bach arioso, while Patrick O'Hearn drapes a somber keyboard shroud around the Adagio from Rodrigo's Fantasy for a Gentleman. Jeff Johnson and Brian Dunning find the Celtic air in the Adagio from Handel's Sonata in G, while Philip Aaberg discovers infinity between the notes of Barber's ubiquitous Adagio for Strings. He stretches the melody across his piano in finely drawn lines, subtlety filled out with synthesizer undertones. Subtlety is a casualty on Philipe Saisse's bongos, bells, and synth arrangement of Bach's Air on a G String. It's also sacrificed in a corny confection of Handel's Sarabande by Paul Schwartz. His ham-fisted electronic keyboards would've sounded dated even before Switched-On Bach. But Adagio features plenty of musicians who are willing to surrender themselves to their elegiac themes, including guitarist Steve Erquiaga, Mike Marshall, and Edgar Meyers. --John Diliberto

Customer Reviews:

Simply Gorgeous !.......2003-10-05

This is the first Windham Hill compilation I've purchased in a long, long time, and I am thrilled with the music.
The artistry is stunning, the artists bring themselves to the music while at the same time maintaining the integrity of the original piece.
My favorite is Grieg's Nocturne, arranged and performed by Steve Erquiaga. I have been in love with his music from the moment
I heard his CD "Cafe Paradiso" (Imaginary road Records). It is absolutely stunning!
When I saw that he was on "Adagio" I went for it. I'm so happy that I did ...
Other hightlights for me are Philip Aaberg's "Adagio for Strings", Tracy Silverman's "Arioso" ..... they're all beautiful.
Thank You for this wonderful music.

Rendezvous of Angels - Concert Collection [20 CD Set]

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Rendezvous of Angels - Concert Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000DV5E
Release Date: 2003-12-09

Tracks:

Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists

Tracks:

Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum

Tracks:

Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum

Tracks:

Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings

Tracks:

Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger

Tracks:

Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle

Tracks:

Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi

Tracks:

Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra

Tracks:

Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum

Tracks:

Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Moderato - Budapest Strings,
Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos

Tracks:

Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
Concierto de Aranjuez: Adagio - Monika Rost
Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
Sonata Op.22: Allegro - Budapest Strings,
Sonata Op.22: Adagio - Budapest Strings,
Sonata Op.22: Menuetto - Budapest Strings,
Sonata Op.22: Rondo. Allegretto - Budapest Strings,
Spanish Dance No. 2 - Budapest Strings
Castilla No. 7 - Budapest Strings,
Hommage Debussy - Budapest Strings,
Spanish Dance - Budapest Strings,

Album Description

This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.

Customer Reviews:

Heavenly.......2007-06-06

A collection of masters that insist that you relax as you listen. An exquisit addition to any music cd collection.

What a value!.......2005-07-26

A wonderful collection of music spanning from the Baroque to the Modern and so Affordable. Each CD is in a full size jewel-case with beautiful cover art - paintings of Renaissance-era angels in muted, slightly reflective, metal-tone inks - all within a box that ties them all together. There are no liner notes in the booklet, just track listings, but the music speaks for itself. It's not completely apparent from the track listing who the composers are, so here's the breakdown: Disc 1 - Vivaldi's "Four Seasons"; Disc 2 - Vivaldi flute concertos; Disc 3 and 4 - Bach Brandonburg concertos; Disc 5 - Bach violin concertos; Disc 6 - Handel concerto grossi; Disc 7 - Handel organ concertos; Disc 8 - Flute concertos by Quantz, Heinchen, Buffardin, Adolph-Hasse; Disc 9 - Mozartt violin concertos; Disc 10 - Mozart horn concertos; Disc 11 - Mozart piano concertos; Disc 12 - Haydn cello concertos; Disc 13 - Haydn violin concertos; Disc 14 - Tchaikovsky violin concerto and piano concerto; Disc 15 - Paganini and Chausson violin concertos; Disc 16 - Bruch and Mendelssohn violin concertos; Disc 17 - Brahms concertos; Disc 18 - Dvorak and Hindesmith cello concertos; Disc 19 - Russian composers Prokofiev, Galzanov and Shoshakovich violin concertos; Disc 20 - Spanish guitar concertos of Rodrigo, Sor, Granados, Albeniz and de Falla.

Average customer rating:

relation through beautiful music
A Great Find!

Guitar Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

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Cello Adagios
Baroque Adagios
Violin Adagios
Movie Adagios
Piano Adagios

ASIN: B00028DNCW
Release Date: 2004-07-13

Tracks:

Adagio In G Minor - Dominic Miller
The Deer Hunter - Goran Sollscher
Largo - Eduardo Fernandez
Prelude - John Williams
Apres Un Reve - Steve Erquiaga
Pavane Pour Une Infante Defunte - Steve Erquiaga
Courante - Pepe Romero
Torija (Elegia) - Segovia
Andantino - Piu Mosso - Primo Tempo - Julian Bream
Andaluza - Pepe Romero
Granada (Serenata) - Pepe Romero
Bachians Brasileiras No.1 - Alexandre Lagoya
Andante Cantabile - Segovia
Cancion De Cuna - Eduardo Fernandez
Arioso - Steve Erquiaga
Romance D'Amour - Goran Sollscher
Adagio - Christine Pendrill
Qui Tollis - Dominic Miller

Tracks:

Air On A G String - Dominic Miller
Largo - Alexandre Lagoya
Andante Sostenuto - Alexandre Lagoya
La Maja De Goya - Pepe Romero
Romance De Los Pinos - Pepe Romero
Sarabande - John Williams
Sonata, Op.16 - Pepe Romero
Recuerdos De La Alhambra - Eduardo Fernandez
Barcarolle - John Williams
Bourees I & II - John Williams
Sarabande - John Williams
Andante - Alexandre Lagoya
Oriental - Alexandre Lagoya
Cantabile - Alexandre Lagoya
Adagio Ma Non Troppo - Alexandre Lagoya
Andante - Alexandre Lagoya
Canzone In E Minor - Alexandre Lagoya
Sicilienne - Steve Erquiaga
Clair De Lune - Alexandre Lagoya

Customer Reviews:

relation through beautiful music.......2005-10-02

This is arguably the most relaxing music anywhere. It is lovely to take a nap to, fall asleep to..... use your imagination to......

A Great Find!.......2004-08-02

These are wonderful cds. They include Andres Segovia,Julian Bream, John Williams, Presti/Lagoya and Pepe Romero among other guitarist's. This two cd set has a rare performance of Segovia with the "Symphony Of The Air"performing Boccherini's "Cello Concerto in D". John Williams performing Bach's "Cello Suite In D" at seventeen years old. Also Ida Presti and Alexandre Lagoya performing Debussy's "Clair de Lune" and Granado's "Spanish Dance No.2 The Oriental". Presti/Lagoya's music has long been out of print and to the best of my knowledge this is the first time their music has been available on cd.These cd's have over 2 and a half hours of music and are well worth the money.

Average customer rating:

My favourite collection of sacred music
Battle at her glorious best
The music soars
Heavenly
Goddess in decline

Grace

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

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Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Battle, Kathleen | Divas | Opera & Vocal | Styles | Music

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Kathleen Battle at Carnegie Hall
A Christmas Celebration: Kathleen Battle
Angels' Glory
Classic Battle: A Portrait
So Many Stars

ASIN: B0000029OC
Release Date: 1997-03-18

Tracks:

Rejoice Greatly - Handel
Schlafendes Jesuskind
Laudate Dominum - Mozart
O Had I Jubal's Lyre - Handel
Seufzer, Tranen, Kummer, Not - Bach
Schafe Konnen - Bach
Ave Maria
Laudamus Te - Rossini
Bist Du Bei Mir
Mein Glaubiges Herze - Bach
Pie Jesu
Were You There When They Crucified My Lord?
Flobt, Mein Heiland
Ave Maria

Customer Reviews:

My favourite collection of sacred music.......2006-03-31

For anyone who loves Kathleen Battle's voice, this is a real treasure, she never sounded better and more radiant.
This is a selection of well known sacred songs but they sound fresh and lovely when sung by Kathleen. She performs two Ave Marias, one very famous, by Bach, and another which is rarely performed, written by Mascagni, and this one is really stunning. Mozart's Laudate Dominum and Pie Jesu from Faure's Requiem are also oustanding. The spiritual "Were you there when they crucified my Lord?" is another highlight. There are several movements from Bach cantatas, including the famous Bist du bei mir, and Handel's "O Had I Jubal's Lyre" and "Rejoice greatly", they will remind you of how incredible Battle is when she sings virtuosic Baroque music.
And isn't the cover just beautiful? But get this album for the music, and you will rejoice greatly.

Battle at her glorious best.......2005-03-14

While I agree with an earlier reviewer who recommends her Levine disk, I must disagree with the claim that this "Rejoice Greatly" is inferior to her two other recordings of it. Her conception is identical in all three performances, but to my ear this is by far the best. In her full Messiah with Andrew Davis, the recording has her so recessed there is no feeling of intimacy. In her Handel recital disk, she is better placed and in better voice, but her rhythm is insecure in the sixteenth-notes; she seems to be nervously pushing ahead of the beat. But on "Grace" she gets it just right. For whatever it may be worth, a fellow fan once had the chance to ask Battle herself about this, and as I understand it her response was, "Yeah, I don't know why, but I haven't been able to do Rejoice before or since as well as it went on Grace."

The music soars.......2004-07-23

Kathleen Battle's voice is exquisite and is suited for most of the pieces on the CD. Her rendition of Mascagni's Ave Maria is perhaps the best track, with the Schafe Konnen from Bach's Cantata No. 208 coming in a close second. Another highlight is the Laudate Dominum, delivered with so much skill and feeling.

Less successful was Rossini's Laudamus Te. Battle has a flexible, clear and delicate voice, but not one that's full-bodied enough to accommodate the style of music found in a piece as grand and strident as the Laudamus Te. There is a sense of strain when she sings it, though it is by no means entirely unsuccessful.

Heavenly.......2004-07-13

Kathleen Battle is one of the people whose lovely voice first turned me on to opera, a rather unaccessible art to the common American. It is true that you can hear her breathe, and that she tempers her notes so they are sometimes gentle, sometimes strong, but that is not a weakness. The racks are rife with stereotypical fat ladies with fat voices, bellowing with nothing but technique, but there records languish while Kathleen's sell.

The songs are all fairly main stream and include a dramatic range from happy to sad. Nothing outlandish here.

Ms. Battle has been called the most beautiful soprano voice and I would heartily agree. The clarity, the roundness, the beauty of her sound is pure femininity and grace. I studied opera and no one in school or anywhere else, has ever been on her level. Some are close, but she is magnificent. I recommend this to anyone, opera snob or first timer. You will be moved!

Goddess in decline.......2004-01-24

In her late forties when this CD was recorded, Kathleen Battle can't be expected to emit the meltingly beautiful sounds she made during her rise to international stardom in the 1980s. Yet, she still sometimes does. Her final ringing note in Mascagni's "Ave Maria" is nothing short of sublime, and her "Were You There..." is emotionally sung, particularly the repeat of the phrase, "Were you there when they laid him in the tomb?"

But several of the tracks on this CD have been recorded by Kathleen Battle before, and to much better effect. The opening track, "Rejoice Greatly," is impressive, but not compared to Battle's performance on her Handel album with John Nelson in which she sounds much fresher, or to her performance on the complete Messiah recording with Andrew Davis. On Grace, Battle uses the exact same ornamentation she's used on every other one of her renditions of "Rejoice," but without the accuracy and jubilation of past performances. I wonder what the point of recording a third version was, when it has nothing new to offer. The tempo feels rushed, yet the singer drags the ends of phrases ("O daughter of Zion." There's also an "h" in the first occurance of the word "Zion" - it comes out "Zi-huh-yon"). And there are some splat notes that could have been easily fixed with a bit of editing: the word "and" is dreadfully flat in the phrase, "And shout, shout!"

"Jubal's Lyre" was stunning on Kathleen's 1985 recording, "Saltzburg Recital." Grace's rendition again sounds too fast, too thin, and, dare I say, too cutesy (the ornamentation is a bit much). And the word "tuneful" is incomprehensible. Is she saying "Shhteeyoonful" or "tuneful?"

"Bist du bei mir" begins under pitch.

Battle races through Mozart's "Laudate Dominum" and annoyingly scoops many phrases. I wish you would linger, Kathleen! Let us hear you caress that ascending "Amen" instead of carelessly flitting up the scale.

There's also the issue of her gaspy, nearly shrieking breaths, which other reviewers have mentioned. Oddly, it sounds as though the microphone is pressed to her mouth when she breathes, yet that it is miles away when she sings: there is an oddly distant quality to the recording.

Customer Reviews:

A Fabulous Baroque CD: .......2006-08-27

I love baroque music, so this was a natural for me. I borrowed the CD 3 times from our library, and finally realized that I simply had to have it. It is sung by the King's Consort Choir, directed by Robert King, and using period instruments in the orchestral ensemble. They play pieces I was not familiar with, but which I have come to love, such as Monteverdi's Laetatus Sum, and old favorites like Vivaldi's Gloria. There is a fresh, beautiful sound that makes the music come really alive for me. I recommend it.

Pablo Casals: Early Recordings 1925-1928

Average customer rating:

Pablo Casals: Early Recrdings, a defective product
It is good!!
Amazing touch of personality
Outstanding
amazing Casals

Pablo Casals: Early Recordings 1925-1928

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

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The Legendary Casals / Casals, Schulhof, Horszowski
Encores
J. S. Bach: Suites for Cello, 1, 2 & 3; Pablo Casals
Casals Edition - Beethoven: Complete Cello Sonatas
Robert Schumann: Cello Concerto/Piano Trio No 01

ASIN: B000003FGB
Release Date: 1994-12-13

Tracks:

Toccata In C: Adagio
Melody, Op.3, No.1, In F
Moment Musical
Nocturne, Op.9, No.2 In E-Flat
Goyescas: Intermezzo
Apr?s un r?ve, Op.7, No.1
Spanish Dance
Carnival Of The Animals: The Swan
Vito (Spanish Dance, Op.54, No.5)
Jocelyn: Berceuse
Gavotte tendre
Prelude, Op.28, No.15
Mazurka, Op.11, No.3
Tannher: Lied an den Abendstern
Serenata napoletana, Op.24, No.2
Die Meistersinger: Preislied
Chanson villageoise, Op.62, No.2
Abendlied, Op.85, No.12
Petite Suite: Menuet
Romance, Op.35
English Suite No.6: Gavotte I: Musette

Amazon.com

These early electrical recordings show a very different Pablo Casals from the grunting old man most people remember. At the height of his technical and musical powers, he plays these mostly charming little encores and transcriptions with exquisite musicianship and breathtaking technical command that remains outstanding today. Whether you want to hear Chopin piano pieces or Wagner arias played on the cello is another issue; there is very little real cello music on this disc. But for what is here, one could hardly imagine better performances. The transfers are outstandingly lifelike, the program very generous (76:19), the price reasonable. --Leslie Gerber

Customer Reviews:

Pablo Casals: Early Recrdings, a defective product.......2007-03-09

The Pablo Casals: Early Recordings 1925-1928 is a fine recording with a production defect. The playing is obviously great but near the end of the CD numerous tracks are missing. I returned the CD and was sent a replacement that had the same defect indicating that there was a production error.

It is good!!.......2005-10-09

I can't buy it in the Austerlia,and it is a good recording. I like it.

Amazing touch of personality.......2005-01-25

This album is perhaps one of my favorite. It features Pablo playing some very romantic and melancholic songs from various composers. It also features Pablo's amazing technique and his capacity of interpretation which gies beyond just reading and playing musical notes.
But also, the fact that this album was recorded so long ago, the original format was gramophone, I think it gives this album very important historical value, the background noise never interrupts the musics, but help listeners to get involved and place himself in the timeline.

Outstanding.......2003-10-20

funny, I hear plenty of "real" music coming from this CD ;)

amazing Casals.......2002-04-07

This recording is for anyone who has dismissed Casals as an ancient cellist who never truly mastered the technique of the instrument. These works are all admittedly light fluff, but Casals is truly dazzling, as both a technical virtuoso and a true musician. This is worth owning if you're a cellist or a Casals fan, but the low quality of the actual compositions should keep everyone else away.

Complete Masterworks Recordings, 1962-1973

Average customer rating:

Horowitz: good. Amazon: good. Sony Classical: BAD.
ARE YOU CRAZY RICH OR CRAZY STUPID?
merely spectacular!
I have never regretted buying this...
The greatest 20th Cent. pianist at his best!

Complete Masterworks Recordings, 1962-1973

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

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Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

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Complete Recordings on Deutsche Grammophon
Liszt: Piano Works
Chopin: The Piano Works
Martha Argerich Collection (Box) [Germany]
Horowitz Encores

ASIN: B000002909
Release Date: 1993-10-05

Tracks:

Sonata In E Major, K 531 (L430): Allegro
Sonata In A Major, K322 (L483): Allegro
Sonata In G Major K455 (L209): Allegro
Sonata No. 8 In C Minor, Op. 13 'Pathetique': I. Grave - Allegro di molto e con brio
Sonata No. 8 In C Minor, Op. 13 'Pathetique': II. Adagio cantabile
Sonata No. 8 In C Minor, Op. 13 'Pathetique': III. Rondo. Allegro
Impromptu In G-flat Major, Op. 90 (D899) No. 3: Andante
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Etude In C-sharp Minor, Op. 25 No. 7: Lento
Scherzo No. 1 In B Minor, Op. 20: Presto con fuoco
3 Preludes - From Book II: IV. Les fees sont d'exquises danseuses. Rapide et leger
3 Preludes - From Book II: V. Bruyeres. Calme
3 Preludes - From Book II: VI. General Lavine - eccentric.
Poeme In F-sharp Major, Op. 32 No. 1: Andante cantabile
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico

Tracks:

Piano Sonata No.2 In B- Flat, Op.35: I. Grave- Doppio movimento
Piano Sonata No.2 In B- Flat, Op.35: II. Scherzo
Piano Sonata No.2 In B- Flat, Op.35: III. Marche funebre. Lento
Piano Sonata No.2 In B- Flat, Op.35: IV. Finale. Presto
Etude-Tableau In C, Op.33 No.2: Allegro
Etude-Tableau In C, Op.33 No.2: Appassionato
Arabeske In C, Op.18: Leicht und zart
Kinderszenen, Op.15 - Scenes From Childhood: 1. Von fremden Landern und Menschen
KINDERSZENEN, OP.15: 2. Kuriose Geschichte
KINDERSZENEN, OP.15: 3. Hansche-Mann
KINDERSZENEN, OP.15: 4. Bittendes Kind
KINDERSZENEN, OP.15: 5. Gluckes genug
KINDERSZENEN, OP.15: 6. Wichtige Begbenheit
KINDERSZENEN, OP.15: 7. Traumerei
KINDERSZENEN, OP.15: 8. Am Kamin
KINDERSZENEN, OP.15: 9. Ritter vom Steckenpferd
KINDERSZENEN, OP.15: 10. Fast zu ernst
KINDERSZENEN, OP.15: 11. Furchtenmachen
KINDERSZENEN, OP.15: 12. Kind im Einschlummern
KINDERSZENEN, OP.15: 13. Der Dichter spricht
Toccata In C, Op.7: Allegro
Hungarian Rhapsody No.19 In D Minor: Lento patetico (Lassan)- Vivace (Friska)

Tracks:

Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Allegretto
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Vivo
Keyboard Sonatas: Allegro

Tracks:

Toccata, Adagio And Fugue In C, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
Toccata, Adagio And Fugue In C, BWV 564: II. Intermezzo. Adagio
Toccata, Adagio And Fugue In C, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
Fantasie In C, Op.17: I. Durchaus phantastisch und leidenschalflich vorzutragen
Fantasie In C, Op.17: II. Massig. Durchaus energisch
Fantasie In C, Op.17: III. Langsam getragen. Durchweg leise zu halten
Piano Sonata No.9, Op.68 'Black Mass': Moderato quasi andante-Molto meno vivo-Allegro-Piu vivo-Allegro...
Poeme In F-Sharp Major, Op.32 No.1: Andante cantibile

Tracks:

Mazurka In C-sharp Minor, Op. 30. No. 4: Allegretto
Etude In F major, Op. 10 No. 8: Allegro
Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Serenade For The Doll. Allegro ma non troppo
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In A-Flat Major, Op. 72 No. 11: Presto e con leggierezza
Traumerei
Sonata No. 11 In A Major, K.331: I. Tema.Andante grazioso e variazioni
Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
Sonata No. 11 In A Major, K. 331: III. Rondo alla Turca
Polonaise-Fantaisie In A-Flat Major, Op. 61: Allegro maestoso

Tracks:

Mazurka In B minor, Op. 33 No. 4: Mesto
Nocturne In E Minor, Op. 72 No. 1: Andante
Piano Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
Piano Sonata In F Major, Hob. XVI: 23: I. Allegro
Piano Sonata In F Major, Hob. XVI: 23: II. Adagio
Piano Sonata In F Major, Hob. XVI: 23: III. Finale
Blumenstuck In D-Flat Major, Op. 19: Leise bewegt
L'ISLE JOYEUSE: Quasi una cadenza - Tempo.
Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento

Tracks:

Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Nocturne In F Minor, Op. 55 No. 1: Andante
Polonaise In F-Sharp Minor, Op. 44: Tempo di polacca - Doppio movimento, tempo di Mazurka - Tempo I
Sonata In E major, K 380 (L23): Andante commodo
Sonata In G major, K 55 (L335): Allegro
Arabeske In C Major, Op. 18: Leicht und zart
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
Traumerei
Variations On A Theme From Bizet's Opera 'Carmen'

Tracks:

Sonata In E-Flat Major, Op. 12 No. 2: III. Rondo
Adagio sostenuto In F Major
Sonata In B-Flat Major, Op. 25 No. 3: II. Rondo
Sonata In A Major, Op. 50 No. 1: II. Adagio
Corale Prelude 'Lch ruf zu dir, Herr Jesu Christ'
Sonata In F-Sharp Major, K 319 (L35): Allegro
Sonata In G Major, K 260 (L124): Allegro
Sonata In C Major, HOB. XVI: 48: I. Andante con espressione
Sonata In C major, Hob. XVI:48: II. Rondo
Sonata No. 28 In A Major, Op. 101: I. Allegretto ma non troppo
Sonata No. 28 In A Major, Op. 101: II. Vivace alla Marcia
Sonata No. 28 In A Major, Op. 101: III. Adagio ma non troppo, con affetto - Allegro

Tracks:

Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': I. Adagio sostenuto
II. Allegretto
Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2'Moonlight': III. Presto agitato
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': I. Allegro con brio
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': II. Introduzione. Adagio molto - attacca
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': III. Rondo. Allegro moderato - Prestissimo
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': I. Allegro assai
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': II. Andante con moto -attacca
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': III. Allegro, ma non troppo - Presto

Tracks:

Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
Etude in G-flat major, Op. 10 No. 5: Vivace
Introduction & Rondo In E-Flat Major, Op. 16: Introduzione. Andante - Rondo. Allegro vivace
Waltz in A minor, Op. 34 No. 2: Lento
Polonaise in A-flat Major, Op. 53: Maestoso
Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
Mazurka in E minor, Op. 41 No. 2: Andantino
Mazurka in D major, Op. 33 No. 2: Vivace
Etude in C-sharp minor, Op. 10 No. 4: Presto
Etude in E major, Op. 10 No. 3: Lento, ma non troppo
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Prelidu In B Minor, Op. 28 No. 6: Lento assai

Tracks:

Posonaise in A major, Op. 40 No. 1: Allegro con brio
Prelude in D-flat major, Op. 28 No. 15: Sostenuto
Etude in E-flat minor, Op. 10 No. 6: Andante
Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
Mazurka In F Minor, Op. 7 No. 3
Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
Variations On A Theme By Clara Wieck From Sonata No. 3 In F Minor,Op. 14: Andantino
Kreisleriana, Op. 16: I. Ausserst bewegt
Kreisleriana, Op. 16: II.Sehr innig
Kreisleriana, Op. 16: III. Sehr aufgeregt
Kreisleriana, Op. 16: IV. Sehr langsam
Kreisleriana, Op. 16: V. Sehr lebhaft
Kreisleriana, Op. 16: VI. Sehr langsam
Kreisleriana, Op. 16: VII. Sehr rasch
Kreisleriana, Op. 16: VIII. Schnell und spielend

Tracks:

Impromptu In A-Flat Major Op. 90 (D899) No. 4: Allegretto
Impromptu In F Minor Op. 142 (D935) No. 1: Allegro moderato
Impromptu In A-Flat Major Op. 142 (935) No. 2: Allegretto
Impromptu In E-Flat Major Op. 90 (D899) No. 2: Allegro
Consolation In E Major S. 172 (R.12) No. 2
Pour les arpeges composes: Dolce e lusingando
La terrasse des audiences du clair de lune: Lent
Etude In A Minor Op. 104b No. 3: Allegro vivace
Scherzo & March S. 177 (R.20)

Tracks:

Feuillet d'album In E-Flat Major Op. 45 No. 1: Andante piacevole
Etude In F-Sharp Minor Op. 8 No. 2: A capriccio, con forza
Etude In B-Flat Minor Op. 8 No. 11: Andante cantabile
Etude In D-Flat Major Op. 8 No. 10: Allegro
Etude In A-Flat Major Op. 8 No. 8: Lento (Tempo rubato)
Etude In F-Sharp Major Op. 42 No 3: Prestissimo
Etude In F-Sharp Major Op. 42 No. 4: Andante
Etude In C-Sharp Minor Op. 42 No. 5: Affannato
Etude Op. 65 No. 3: Molto vivace
No. 1: Allegretto
2 Poemes Op. 69: No. 2: Allegretto
Vers la flamme Op. 72: Allegro moderato
Feuillet d'album Op. 58
Fairy Tale In A Major Op. 51 No. 3
Sonata No. 2 In B-Flat Minor Op. 36: I. Allegro agitato
Sonata No. 2 In B-flat, Minor, Op. 36: II. Non allegro
Sonata No. 2 In B-Flat Minor, Op. 36: III. Allegro molto
Prelude In G-Sharp Minor Op. 32 No. 12: Allegro
Moment musical In B Minor Op. 16 No. 3: Andante cantabile
Etude-Tableau In E-Flat Minor Op. 33 No. 5: Non allegro - Presto
Etude-Tableau In C Major Op. 33 No. 2: Allegro
Etude-Tableau In D Major Op. 39 No. 9: Allegro moderato (Tempo di Marcia)

Amazon.com

It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz

Customer Reviews:

Horowitz: good. Amazon: good. Sony Classical: BAD........2004-05-24

I bought this set in December, and because I have so many classical CD's (more than 300), it took me 5 months to realize that the set contained TWO volume 8's and NO volume 9's. Worried that it might be too late, I e-mailed Amazon. Their first reply was that the replacement was already on its way (with return shipping paid for as well). Wow, that was a relief!

When I got the new set, I decided to study it closely and make sure that everything was good. It turns out that several of the discs (in both sets) had holes through the aluminum reflective layer -- which seemed to be because it was too thin to begin with. One disc was cracked, and another looked like the aluminum was "rotting out" on the edge. You would think that for $230, Sony Classical would put more quality into their discs. So what good is "Super Bit Mapping" and "High Definition Remastering" if the discs are so cheap that the player will misread the data? And I don't have much confidence that the discs will last many years, either.

Fortunately I got to pick the best discs from the 2 sets, so I won't need to replace this one for another. But I certainly lost respect for Sony Classical.

And kudos to you Amazon; you're really looking out for your customers!

ARE YOU CRAZY RICH OR CRAZY STUPID?.......2002-08-25

Why would any one in the right mind plunk down [money] for 13 CDS by the same pianist? Is it so you can brag about owning 11 years' worth of the same old thing? Or did you get it as a gift designed to impress but not really to listened to? Now you could probably get [money] for it whether you used it or not. Columbia Masterworks should have brought along new and younger talent. For my bet I can't think of many American pianists who are currently recording. Do we have to recycle Schumann, Rachmaninoff, Schubert, Beethoven, Liszt, Chopin, Scriabin, and others over and over? This is the Twenty-first Century. We should at least be thinking of Twentieth Century piano works. I can get 10 CDs by 10 pianists currently recording if I look to Europe.

merely spectacular!.......2001-03-10

I've only had this set about a week and have already indulged three complete listenings; it's a gold mine! - the power of preaching is persuasive in the Temple of Horowitz! I'm taken aback by the unity and continuity of sonics, an excellent and remarkable display of high engineering art. Everything important is here (almost! I wish some of the Scriabin Preludes had been included). There are sketches of incomparable pianism and supreme intelligence in these discs: Liszt's 'Vallee d'Obermann', and the Consolations; Debussy's 'L'isle joyeux' - so 'russian playing french'! - Scriabin's 'Vers le flamme' and the Black Mass sonata - one simply can't climb out of the volcano, it's terrifying and beautiful! - and the Scarlatti and Chopin. Only Gilels approaches Horowitz's indigenous understanding of Chopin. In the course of thirteen discs the glory can start to crash in around you, but at the last moment of endurance along comes 'Serenade of the Doll', or one of the Consolations. The Bach-Busoni is cerebral and fine. Horowitz gets rapped for the wrong romanticism - it's the romanticism of artistic intelligence that his art claims! I love that famous C clunker at the beginning of the Bach-Busoni in the Return to Carnegie Hall recital; more than that, I appreciate how Horowitz played his public pride in it, no retouches, etc. Shrewd, and very real, I think. He was a pianist of enormous humility on the inside, so completely knowing of his gifts - one of the reason his playing was something special. He possessed the often disregarded ability to stand completely outside his playing and admire it as one might a beautiful woman, with complete humility. It affords us the privilege of reaping joy after joy of a remarkable art the likes of which will surely stand true for a long time. 200 bucks is a lot of money, I probably would have thought it too much for the convenience of a collection; I'm glad someone else didn't feel that way, and gave me the set! - now I find it curiously too clever a package to be considered merely a consolidation of recordings into a 'set' - there is something indefinably congruent about these recordings. They fit together with harmonious intent, and shine and shadow the land with a marvelous music. Highest recommendation without reservation.

I have never regretted buying this..........2000-08-22

Considering that this set is devoted to a single instrument played by one artist in a 12-year period, the depth is mind-blowing. If variety is the spice of life, than this set is a very warming set indeed.

For the most part, Horowitz communicates a deep respect for the specific style of each composer: his Scarlatti is done articulately and without any smear with the pedal. His Liszt is demonic. His Rachmaninov is dazzling, with all of the "superfluous" notes (!) and Russian virtuosity in tact. Horowitz's Schumann is sensitive, passionate and Romantic.

And then there are his interpretations of Chopin. To me, Vladimir Horowitz is one of Chopin's best ambassadors. In particular, I draw attention to the Polonaise-Fantaisie in Vol. 3 and the mazurkas and etudes of Vol. 7.

For a good summary of this collection, listen to Vol. 4, "The Legendary 1968 TV Concert." Applause is omitted between selections, and the repertoire is tailored to Horowitz's pianistic gifts.

The first disc of Vol. 3 (Including the Bach-Busoni Toccata and the Schumann Fantasy) is not top-notch piano-playing... It's a little sloppy and inaccurate. I'm sure there are other minor slips elsewhere in this collection, but here they are most obviously seen.

Regardless, this collection is a MUST for Horowitz fans. Save up your money little by little and go and buy it. It is truly the most rewarding purchase of classical music I have ever made.

The greatest 20th Cent. pianist at his best!.......2000-04-15

If you were to take a set of piano music from only one performer to a desert island, this would be the set. Vladimir Horowitz was a pianist of incredible, almost unique, technical prowess capable of creating wonderful piano textures and tone colorings, and possessing his own dark, distinctive sound on a wonderful Steinway he had transported to each of his concerts or studio recording sessions. Of almost limitless ability, he suffered criticism from music critics because he severely limited his performing repertoire and stayed away from the concert stage for several prolonged periods because of his terrible insecurity and stagefright. He was especially criticized in his early years for bravura performances which were brilliant, but loud and not always tasteful. He was known for giving his enthralled audiences what they wanted, but it should be remembered that he championed Scarlatti and almost single-handedly brought him back into the performing world from near-oblivion, and it was Horowitz who premiered several important works by twentieth century composers such as Barber and Khatchaturian. He kept the works of the mysterious and exotic Alexander Scriabin from disappearing from piano benches in the conservatories, and he created some of the most imaginative and thrilling encore transcriptions ever heard in the concert hall. In later years, his repertoire expanded and he played some wonderful Mozart, Haydn, and Beethoven, much of which is featured in this set. The highlight of this disc collection from the early 60's through about 1973 is the historic return concert at Carnegie Hall in 1965. After a self-imposed exile from public performing for 12 years, he made this famous recital which is one of the most memorable in the history of recorded piano performance. Although he made several nerve-induced mistakes in the opening Bach piece, he settled down quickly and delivered a thrilling performance, highlighted, for me, at least, by the Chopin Ballade in G minor, which took away my breath and featured one of the most dazzling climaxes I have ever heard on a piano. His incredible performance possessed a youthful vitality which belied his 62 years. Throughout the other discs in this set one hears Horowitz at his best: still technically awesome yet more musically mature and capable of producing little miracles from pieces well-known, and less-known. No longer pandering to the expectations of the audience, he gave as his encore at the Carnegie Hall return concert, a precious, child-like Traumerei from Kinderszenen. The Schumann featured on these discs includes some of the most beautiful offerings available anywhere of this composer, including a wonderful Fantasy in C and perhaps the best performance ever on record of Kreisleriana. The Schubert impromptus are little miracles, and the Debussy that's thrown in makes us fantasize about the other French music he could have given us! His wonderful Chopin reminds us there are other views besides Rubinstein's to this most-important-of-all piano literature, and his Rachmaninoff is glorious. Performing into his eighties, he was a wonder of music and the 13 discs offered here give a personal record of a dazzling career from his very best years. It might be pointed out that several pieces are offered more than once in the set as they were recorded in several concerts and studio sessions and it is interesting to hear the differences in his performances. One might wish that his piano oeuvre had included more composers and a wider range of pieces, but this collection certainly highlights the work he was best known for, including as it does the various Chopin, Rachmaninoff, Liszt, Schumann, Scarlatti, Scriabin, Bach, Mozart, Haydn, Schubert, Clementi, and Beethoven gems he was noted for throughout his long career. Anyone loving the piano, or just beautiful music must hear these discs!

Adagio I: A Special 2 1/2 Hour Collection Of Orchestral Classics

Average customer rating:

Excellent digital recording

Adagio I: A Special 2 1/2 Hour Collection Of Orchestral Classics

Manufacturer: Celestial Harmonies
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music
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Adagio II - A Special 2 1/2 Hour Collection Of Orchestral Classics

ASIN: B0000007ZS
Release Date: 1992-11-03

Tracks:

Piano Concerto In G Major: Adagio
Xerxes: Largo
Suite No.3 In D Major: Air
Adagio In G Minor
Le Erinnyes: Invocation
Elegy Op .58
Peer Gynt: Solveigs Lied
Notturno Op.70, No.1
Symphony No. 9 In E Minor: Largo
Concierto De Aranjuez: Adagio
Romance No. 2 In G Major Op. 50

Tracks:

Orfeo ed Euridice: Dance Of The Blessed Spirits
La Vierge: Dernier Sommeil Da La Vierge
Letzter Fruhling Op. 34, No. 2
Fantasia On A Theme By Thomas Tallis
Symphony No. 5 In C Sharp Minor: Adagietto
Adagio For Strings
Sospiri Op. 70
Poeme Op. 25

Product Description

Classical music is hot. In fact, it is probably the biggest story of the l990s in the recording industry. Classical crossover hits like Nigel Kennedy's recording of Vivaldi's 'The Four Seasons', Henryk Gorecki's 'Symphony no. 3', the Gregorian Chant album by the monks of Silo, and Michael Nyman's score for the Jane Campion film 'The Piano' - to name just a few - have broken out of classical music's traditional bounds and hit the pop charts. Suddenly, a classical recording that sells 10,000 units is no longer pushing the envelope; today's top classical releases are reaching sales heights formerly reserved for pop icons like Madonna and the Rolling Stones. This stunning turnaround in classical music's marketing power did not come out of nowhere, though. Celestial Harmonies helped set the stage for it with its Adagio (Complete Edition) (19908-2) series. Since 1981, long before the current interest in classical music began, Celestial Harmonies' compilations have been used worldwide for relaxation, meditation and even music therapy. And in a stunning reversal of music industry rules, absolutely no advertising or promotion was needed to achieve substantial sales figures. And while the rest of the classical world scurries around looking for the next big hit, Celestial Harmonies has released an updated digital version of an already proven winner: The Adagio series, a total of seven double-CDs. With sales of over 300,000 units in the past decade, the reason for the series' success is no mystery. As modern life has become increasingly complex and stressful, listeners have turned to music as a source of relief - especially the timeless, contemplative sounds of classical music. It seems that as the pace of our lives gets progressively faster, the music that many listeners are seeking is increasingly slow. The Adagio series, presents over seventeen hours of the world's finest slow music, making it the largest such collection anywhere. Adagio I includes the famous 'Air' from

Customer Reviews:

Excellent digital recording.......2003-03-18

I realize that classical music is something were there is a range of conesuirship, and I represent perhaps the lowest tier of appreciators. In my wholly uniformed opinion, "Adagio I" is an excellent classic music collection, containing well-executed pieces ranging from a few instruments to full orchestral ensembles, representing a variety of composers. The digital recording is remarkable, and an unexpectedly full sound comes from the CD. The 2 1/2 length is nice, split onto two disks.

Customer Reviews:

Transcendent!.......2007-01-10

I first heard a selection (Mahler's Adagietto) from this CD on the radio, and I had to buy it. This music is some of the most beautiful I have ever heard (and I have many years' experience as a pianist, organist, and opera and choral singer). I first loved the aforementioned Adagietto, but have later come to relish even more the second Malher piece on the CD; I use it during meditation, and it takes me to a deep, peaceful, spiritual place. Also, the Ravel piece Soupir ("sigh") is just beyond words--the colorings of the vocal expression, the seamless blend of this ensemble. It's like butter!! I do not know if this ensemble has other recordings, but I would snatch them up as soon as I found out about them. However, to be balanced, the inner selections on the CD, tracks 6,7, and 8, while intricate and well performed, do not rise to the heights of the others I mentioned. But then, how often does one like every cut on an album?

Amazing choral performances.......2003-11-05

I concur with the previous reviewer. Accentus has surpassed all their previous releases here. In particular, the performance of the Mahler Adagietto (from Symphony No. 5) is heart-rending and technically astonishing, as solo sopranos and mezzos take on the lines of different strings. There is not a bad cut in the lot, though the Barber Agnus Dei is becoming one of the most overrecorded pieces in the catalog. The recorded sound is clearest when one plays the CD at moderate volume. There is, with only one or two exceptions, no loss of dynamic range. While I noticed some roll-off distortion during a few forte passages, reducing the volume minimizes the problem. Naive has one of the most daring and consistently tasteful catalogues in the business, and this Accentus album is a great introduction to the label, and to a choir that has created the most distinctive technique of any I've heard in my lifetime.

A Fabulous Choir in Less Than Clear Sound.......2003-09-15

Accentus is a French a cappella choir of 32 voices founded and directed by Laurence Equilbey in 1991; on the basis of this recording I'd warrant that she is a superb choir builder and director. I'd heard wonderful things about them but had never heard anything they'd recorded. Here we have a collection of transcriptions of pieces originally written for instruments (or instruments and solo voice) sung impeccably. The only problem is that at high dynamic levels there tends to be some distortion; I played the disc on four different playback setups and got the distortion each time. A real pity.

As to the performances themselves, they are nothing short of sensational. The program starts with Barber's own transcription of his 'Adagio for Strings' (itself a transcription of a movement from his string quartet) to the words of the Agnus dei. Then we have an impressive and moving choral setting by Gerard Pesson of the Adagietto from Mahler's Fifth Symphony; it is set to words of August von Platen.

There are two Chopin transcriptions by Franck Krawczyk: 'Lacrimosa,' from the Op. 10, No. 6 Etude, and 'Lulajze, Jezuniu' ('Sleep, little Jesus') set to the Largo from Piano Sonata No. 3, Op. 58. They are both quite beautiful.

The main transcriber on this disc is Clytus Gottwald who not only set the Adagietto but six other pieces including Ravel's 'Soupir,' Wolf's 'Die verlassene Maegdlein' and 'Auf ein altes Bild,' Berg's 'Die Nachtigall,' Debussy's 'Les Angelus.' He tends to use the overlapping choral technique pioneered by Gyorgy Ligeti which creates a kind of aural haze. This is very effective in the impressionistic pieces (and in the second of the Wolf songs), much less so in the German transcriptions. Least successful, by far, is the transcription by Gottwald of 'Ich bin der Welt abhanden gekommen' from Mahler's Rueckert-Lieder, which, no matter how beautifully sung, becomes a muddy mess obscuring both the melody line and the words.

Finally, there is a gorgeous piece based on Bach's 'Komm, suesser Tod' ('Come, sweet death') transcribed by the Norwegian master, Knut Nystedt. It, the Barber and the Mahler Adagietto are, for me, the high points of this fascinating disc.

A word about this terrific choir. They sing with a distinctively French sound--that is to say, with clarity, lightness, absolute purity of sound--and their dynamic range has to be heard to be believed. The tonal core does not waver or spread even at the softest dynamic or the extremes of vocal range and, in spite of the distortion in the recording, one can hear that they never produce an ugly tone even at their loudest. I am eager to hear more of their recordings and, who knows, maybe even hear them perform in person some day.

Scott Morrison

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