Leonard Bernstein, Conductor

On this CD:

1. Announcement and National Anthem (American)
Composed by Recorded Sound


2. Sea Drift, tone poem for orchestra 1st broadcast of revised version
Composed by John Alden Carpenter
Performed by New York Philharmonic
Conducted by Leonard Bernstein

3. Work(s) Announcement
Composed by Recorded Sound


4. Symphony No. 5 in D Minor, Op. 47
Composed by Dmitry Shostakovich
Performed by New York Philharmonic
Conducted by Leonard Bernstein

5. Work(s) Announcement
Composed by Recorded Sound


6. Symphony No. 5 in D Minor, Op. 47 Allegro non troppo
Composed by Dmitry Shostakovich
Performed by New York Philharmonic
Conducted by Leonard Bernstein

7. Symphony No. 3 in A minor ("Scottish"), Op. 56 Opening
Composed by Felix Mendelssohn
Performed by New York Philharmonic
Conducted by Leonard Bernstein

8. An American in Paris, tone poem for orchestra
Composed by George Gershwin
Performed by RCA Victor Symphony Orchestra
Conducted by Leonard Bernstein

Leonard Bernstein, Conductor, Music, John Alden Carpenter, George Gershwin, Felix Mendelssohn, Recorded Sound, Dmitry Shostakovich, Leonard Bernstein, New York Philharmonic, RCA Victor Symphony Orchestra, 20th/21st Century Orchestral Music, 20th/21st Century Symphony, 20th/21st Century Tone Poem/Symphonic Poem, Classical, Classical Artists, Classical Music, Miscellaneous, Miscellaneous Music, Orchestral, Orchestral & Symphonic, Romantic Symphony, Symphonic
Peter Pan (2005 Studio Cast) - Leonard Bernstein
Average customer rating: 4.5 out of 5 stars
  • WORTHY RECORDING OF LITTLE-KNOWN BERNSTEIN MUSIC.
  • A fabulous recording-beautifully sung, beautifully conducted
  • Eder over does it; Frey to be commended
  • A+ for Score, D for Sloppy scholarship
  • A beautiful and touching rendition of the classic story.
 Peter Pan (2005 Studio Cast) - Leonard Bernstein

Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009EZ0Q6
Release Date: 2005-06-21

Tracks:

  1. Prelude to Act I
  2. Who Am I?
  3. Peter's Tears
  4. Shadow Dance
  5. Flight to Neverland
  6. Flying Music
  7. Prelude to Act II=20
  8. Pirate Song
  9. Croc Music
  10. Wendy's Entrance
  11. Build My House
  12. Scene Change
  13. Neverland
  14. Pirate's Song - reprise
  15. Lagoon Fight
  16. Scene Change
  17. Peter Peter
  18. Indian-Pirate Fight
  19. Hook's Poison
  20. Tink Sick - Tink Lives!
  21. Captain Hook Soliloquy
  22. Prelude to Act III
  23. Crew Dance
  24. Plank Round
  25. Fight
  26. Scene Change
  27. Dream With Me
  28. Underscore
  29. Scene Change
  30. Spring Will Come Again (Bonus Track)

Amazon.com

Peter Pan is Leonard Bernstein's least-known musical--or at least chunk of a musical. Featuring four Bernstein songs, the show opened on Broadway in 1950; it starred Jean Arthur (then nearly 50!) as Peter Pan and Boris Karloff as Captain Hook. The show used Alec Wilder's underscore, but Bernstein had composed one as well, and his finally sees the light of day on this CD after years of research and restoration by conductor Alexander Frey. Was it worth the effort? Absolutely. Bernstein fans will of course crave the CD, but it should delight newcomers as well. The instrumental tracks display a wide stylistic palette, and the songs are simply wonderful. Just check out "Who Am I" (sung by Linda Eder) and you will hear a ballad as lovely as any‹cabaret singers in search of rare material would be well advised to look into it. Baritone Daniel Nardiccio does warm justice to Bernstein's near-operatic passages in "Pirate Song" and "Captain Hook's Soliloquy" (reminiscent of Candide). As if this weren't enough, the CD concludes with the wistful "Spring Will Come Again," which Bernstein had written for a possible musical adaptation of The Skin of Our Teeth. --Elisabeth Vincentelli

Customer Reviews:

4 out of 5 stars WORTHY RECORDING OF LITTLE-KNOWN BERNSTEIN MUSIC. .......2006-02-02

Please allow me to add a few comments about this recording for which Kevin Killian, Michael G. Brennan, Larry Moore and others have already written excellent reviews. I am in total agreement with most of their observations, and a say a hearty "Amen" to Mr. Moore's input regarding the lack of information in the liner notes.

This is not your ordinary PETER PAN, which you will see upon removing the disc from the case. You are now staring into the gaping jaws of a crocodile. Not nearly as popular as the Jule Styne/Betty Comden/Adolph Green version, and far darker, it's easy to understand why Bernstein's version is rarely staged. In fact, it's not really a musical, but rather a play with songs and incidental music. The handful of songs are all performed by Wendy, Captain Hook, and the pirates -- "none for Peter, none for Nana, none for John and Michael." Furthermore, two of the songs included on this recording ("Captain Hook's Soliloquy" and "Dream with Me") were dropped from the original production because they were too difficult for the stars. I guess Boris Karloff just didn't have the chops to sing Hook's "aria."

Bernstein's incidental music also never made it to Broadway, perhaps because of its complexity and challenge to the average Broadway pit orchestra. Instead, Alec Wilder wrote new incidental music for the play.

Alexander Frey conducts what is called the Amber Orchestra, which I assume is the orchestra of the Karlin Theater in Prague, Czechoslovakia, the ensemble he conducts as his "day job." Orchestra and conductor do great honor to the original orchestrations by Trude Rittman & Hershy Kay and also to the additional orchestrations of conductor Frey and others. But, like Larry Moore, I wish the liner notes would have told us who orchestrated what. (You can find all that information on archivmusic.com.) The voices were recorded in New York and later mixed with the orchestra. Broadway goes Eastern European! Similarly, not one, but two Eastern European orchestras ar heard on the recording of SHERRY: the Czech Philharmonic Chamber & the Bratislava Radio Symphony. Pity it's too costly to record orchestras in America.

When it comes to writing music for the theater, no one comes close to Leonard Bernstein. There are multiple recordings of ON THE TOWN, WONDERFUL TOWN, WEST SIDE STORY, & CANDIDE and now we have Alexander Frey and the folks at KOCH Classics to thank for resurrecting and preserving this little known Bernstein score. In addition to Bernstein's Broadway scores, I enthusiastically recommend "The White House Cantata" (assembled from the score of 1600 PENNSYLVANIA AVENUE), "The Chichester Psalms," the chamber opera "Trouble in Tahiti," and any of the fine recording of his songs.

I doubt if we'll ever see another composer who will write so beautifully for the American theatre.


5 out of 5 stars A fabulous recording-beautifully sung, beautifully conducted.......2005-11-10

A fabulous recording-beautifully sung, beautifully conducted
This world premiere recording of Leonard Bernstein's Peter Pan should win a Grammy. With a steller cast led by Broadway superstars Linda Eder and Daniel Narducci, and fabulously conducted by Alexander Frey (who restored and brought this lost masterpiece to life), this great music sings and dances for the first time. I'm absolutely enchanted and you will be as well.

4 out of 5 stars Eder over does it; Frey to be commended.......2005-10-22

For those familiar with the earlier recording of Bernstein's Peter Pan (Arthur/Karloff), the release of an expanded recording of this neglected Bernstein work is a real excitement. The tracks include an indepth study by Frey of the music score, in its wholistic beauty, including even small segments of under a minute. Other works are resurrected, originally cut from the final score; why they would cut "Dream of Me" is beyond me.

However, Eder cast as Wendy does not sit well. Timid, motherly Wendy is not synonymous with big, broadway star. What should be simple songs, as they are written as well as should be sung, are instead aggrandized broadway hits. Yes, Eder has a gorgeous voice, but here a bit misplaced. I much prefer the casting of Wendy in the original recording. However, in favor of Eder, the CD is not replicating the narrative and non-music portions as did the original CD, so the work may as well be a set of disjointed pieces, not a flowing piece of arias and spoken scenes. Therefore, her portrayal of Wendy as a whole is not as crucial had there been a script to read.

The "bonus track" reinstalled an appreciation for the thematic material of the second Chichester pslam. I'm left wondering if there are other restorations to be made from the abandonded "Skin of Our Teeth" project. Here, I have no qualms with Eder's interpretation; soft, delicate, flowing.

This is certainly a hallmark in Bernstein recordings. A must for any Bernstein fan.

4 out of 5 stars A+ for Score, D for Sloppy scholarship.......2005-09-04

This recording is a valuable addition to the music of Leonard Bernstein, but rather an embarassment in the scholarship of assembling a lost show. On the plus side, the music is enchanting, Linda Eder truly stunning in a mix of musical innocence and sophistication, and it is conducted and played quite well. On the negative side, Daniel Narducci's soft baritone has neither enough menace or comedy.

As to reconstructing a lost score, the scholarship is not so hot: what actually existed from the original show and orchestrations? Who orchestrated what among the new pieces? As far as that goes, what of Trude Rittmann and Hershy Kay: who orchestrated what in the original? How does the size of the orchestra on the recording compare to the original production orchestration?

On the music not used in the original, what pieces exist in full and what choices were made in completing others? The recording's notes are woefully inept.

Why use the lovely, but over-inflated, arrangement of "Dream With Me" from the 1977 BY BERNSTEIN revue at the Chelsea Theatre instead of newly orchestrating the extant song sheet? The song, written for ON THE TOWN, needs to fit the song style of PETER PAN's incidental music and not turn into a concert number. In the original production, there were only two Mermaids singing "Neverland." Why a women's chorus with a bad top soprano?

I've always felt the Bernstein score should be available for productions of the play, but this "edition" needs some thought before it's published or made available for performance.

4 out of 5 stars A beautiful and touching rendition of the classic story........2005-08-27

This album is a delightful pendant to the original cast recording with Jean Arthur and Boris Karloff, with the underscoring and orchestrations the true stars of the show, as this recording is their first hearing. Most of the songs are somewhat familiar to Bernstein fans, and much of Bernstein's rendering of Barrie's story is highly sophisticated. A few texts come across as a bit preachy, especially since they are supposed to be sung by a small child, but the overall mood of sweetness tinged with melancholy is exactly right, in keeping with the more serious aspects of the original book: it's all about growing up, and how painful the experience can be. Kudos to Alexander Frey for resurrecting this neglected minor masterpiece.

Linda Eder and Daniel Narducci perform beautifully, particularly Eder (who I've never heard before! There is a touch of Barbara Cook about her). Mr. Narducci's Captain Hook is a little too bland and soft-grained for my taste -- it's difficult to top the great Boris Karloff -- but he does well in Hook's aria (yes, it's a REAL aria). This piece itself, dropped from the original show, is defeated by a text that's too good to set to music, but it's interesting to hear what Peter Pan might have sounded like if it had been turned into an opera.

There are a few surprises in this score. Some of the fight music foreshadows sections of "West Side Story," a few portions may sound a bit like "Candide," but at the point where Tink comes back to life, the orchestra plays a section of the dances from "On The Town!"

My misgivings about the recording have to do with the liner notes. Daniel Felsenfeld refers to Bernstein's "Candide" as a forgotten show. (It has been making the rounds in the opera houses of the world for quite some time, thanks to Bernstein's final revisions; it even had a Broadway revival a few years back; the original cast album is still the best rendition of the score and readily available); also, the singers who make up the chorus, infrequent as their appearances are, remain uncredited (Perhaps it's better not to know who the ladies are. The Mermaid's Song is laden with vibrato and off-pitch sopranos. The gentlemen are great as the pirates); the photos of the recording session are uncredited, and the people in them unidentified (although Bernstein himself is pretty recognizable); Mr. Felsenfeld himself is a mystery -- there is nothing in the booklet to tell us what his part of the project was, if any.

Still, this is an excellent and important recording to have. Now that Bernstein's original music has been discovered and revealed, it's time for someone to stage it!
Leonard Bernstein - A Total Embrace: The Conductor
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    		Leonard Bernstein - A Total Embrace: The Conductor

    Manufacturer: Sony
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    Overture: American Musical Theatre, Vol. 4 (1953-1960)
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      ASIN: B000001P4P
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      1. Stranger In Paradise/Baubles, Bangles & Beads/And This Is My Beloved
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      Leonard Bernstein: Overture "Candide" / "The Age of Anxiety" Symphony No. 2 for Piano & Orchestra / Ballet "Fancy Free" (includes "Big Stuff" performed by Billie Holliday) - Jeffrey Kahane / Bournemouth Symphony Orchestra / Andrew Litton
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        Celebration of the Spirit
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          Celebration of the Spirit
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            New York Philharmonic: Great American Orchestras
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                William Schuman (Composer) , Leonard Bernstein (Composer) , Robert McDuffie (Violin) , Saint Louis Symphony Orchestra , and Leonard Slatkin (Conductor)
                Manufacturer: EMI / Capitol
                ProductGroup: Music
                Binding: Audio CD

                All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
                All Works by SchumanAll Works by Schuman | Schuman, William | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
                GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
                SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
                ViolaViola | Strings | Instruments | Classical | Styles | Music
                ViolinViolin | Strings | Instruments | Classical | Styles | Music
                McDuffie, RobertMcDuffie, Robert | ( M ) | Featured Performers, A-Z | Classical | Styles | Music
                GeneralGeneral | Classical | Styles | Music
                ASIN: B00000DNK8
                Release Date: 1990-05-08
                Mahler: Complete Symphonies, Vocal Works [3 Volumes: Deutsche Grammophon Collector's Edition] Leonard Bernstein, conductor [2005 reissue of all of Bernstein's Mahler recordings for Deutsche Grammophon on 16 CD's in 3 volumes]
                Average customer rating: Not rated
                  		Mahler: Complete Symphonies, Vocal Works [3 Volumes: Deutsche Grammophon Collector's Edition] Leonard Bernstein, conductor [2005 reissue of all of Bernstein's Mahler recordings for Deutsche Grammophon on 16 CD's in 3 volumes]

                  Manufacturer: Deutsche Grammophon
                  ProductGroup: Music
                  Binding: Audio CD

                  Deutsche Grammophon: MusicDeutsche Grammophon: Music | Specialty Stores | Music
                  ASIN: B000EQMV8O

                  Product Description

                  The 3 Volume set of 16 CD's on Deutsche Grammophon:4775174,4775181, and 4775187; All of Leonard Bernstein's Mahler recordings for Deutsche Grammophon have been collected onto sixteen cd's in three volumes. Here is an opportunity to obtain all three volumes together at a discount price shipped by FIRST CLASS MAIL!!!
                  150th Anniversary
                  Average customer rating: Not rated
                    		150th Anniversary
                    Vienna Philharmonic , Leonard Bernstein- piano , and Leonard Bernstein- conductor
                    Manufacturer: Polygram Records
                    ProductGroup: Music
                    Binding: Audio CD

                    GeneralGeneral | Classical | Styles | Music
                    ASIN: B00000E4X5
                    Release Date: 1992-01-16

                    Music Review:

                    1. Meyerbeer in Italy
                    2. Mozart: Horn Concertos Nos. 1-4; Rondo, K371
                    3. Mozart, Liszt and Schubert
                    4. Mussorgsky: Pictures at an Exhibition; Ravel: Boléro
                    5. Non Stop Flight
                    6. Organ Works for the Bach Family
                    7. Piano Music By Fabienne Wyler & Gyorgy Ligeti
                    8. Piano Recital (Eduard Stan plays Bach, Busoni, Chopin)
                    9. Piano Works by Franz Schubert
                    10. Playtime: Arts And Crafts

                    Music Review

                    music review

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