Mozart in Prague

On this CD:

1. Don Giovanni, opera, K. 527 Overture
Composed by Wolfgang Amadeus Mozart
Performed by Prague Chamber Orchestra
Conducted by Libor Pesek

2. Bella mia fiamma, addio! . . . . Resta, o cara!, recitative and aria for soprano & orchestra, K. 528
Composed by Wolfgang Amadeus Mozart
Performed by Prague Chamber Orchestra with Jana Jonasova
Conducted by Libor Pesek

3. Clarinet Concerto in A major, K. 622
Composed by Wolfgang Amadeus Mozart
Performed by Prague Radio Symphony Orchestra with Vlastimil Mares
Conducted by Zdenek Lukas

4. Symphony No. 38 in D major ("Prague"), K. 504
Composed by Wolfgang Amadeus Mozart
Performed by Prague Chamber Orchestra
Conducted by Libor Pesek

Mozart in Prague, Music, Vlastimil Mares, Wolfgang Amadeus Mozart, Libor Pesek, Zdenek Lukas, Prague Chamber Orchestra, Prague Radio Symphony Orchestra, Jana Jonasova, Clarinet Concerto, Classical, Classical Music, Classical Period Symphony, Concerto, German/Austrian Classical Period Opera, Opera, Orchestral & Symphonic, Solo Voice(s) and Orchestra, Symphonic, Vocal
25 Mozart Favorites
Average customer rating: 4 out of 5 stars
  • How can you go wrong with Mozart?...Buy this and find out.
  • 25 Mozart Favorites
  • Wonderful collection and price!
  • Nice Mozart selection - Nice price
  • Mozart Listener
 25 Mozart Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000058HV
Release Date: 1996-08-20

Tracks:

  1. 'The Marriage Of Figaro': Overture
  2. Symphony No. 29 In A, K. 201: ll. Andante
  3. Symphony No. 25 In G Minor, K. 183: l. Allegro con brio
  4. Piano Concerto No. 9 In E Flat, K. 271: ll. Andantino
  5. Piano Concerto No. 17 In G, K. 453: l. Allegro
  6. 'The Magic Flute': Overture
  7. Symphony No. 40 in G minor: l. Molto Allegro
  8. Symphony No. 38 In D, K. 504 'Prague': lll. Finale: Presto
  9. Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante
  10. Clarinet Concerto In A, K. 622: l. Allegro
  11. Flute Concerto No. 2 In D, K. 314: ll. Andante ma non troppo
  12. Clarinet Quintet In A, K. 581: ll. Larghetto
  13. Piano Sonata In C Minor, K. 457: ll. Adagio
  14. Piano Sonata In A Minor, K. 310: l. Allegro maestoso
  15. Piano Concerto No. 23 In A, K. 488: ll. Adagio
  16. Symphony No. 39 in E-flat, K. 543: lV. Finale: Allegro
  17. Horn Concerto No. 3 In E-Flat, K. 447: lll. Allegro
  18. Piano Concerto No. 21 In C, K. 467: ll. Andante
  19. Sinfonia Concertante For Violin And Viola In E-Flat, K. 364: l. Allegro maestoso
  20. String Quartet No. 17 In B-Flat, K. 458 'The Hunt': l. Allegro vivace assai
  21. Violin Concerto No. 4 In D, K. 218: ll. Andante cantabile
  22. Violin Concerto No. 5 In A, K. 219: ll. Adagio
  23. Eine Kleine Nachtmusik, K. 525: lV. Presto
  24. Requiem, K. 626: Confutatis Maledictis
  25. Exsultate Jubilate: Alleluia

Amazon.com

This is an astonishing collection of works - or parts of works - by Mozart that covers almost every aspect of his creative output: symphonic, religious music, concerti (for piano, horn, violin, clarinet, flute), chamber music, serenades (for strings; winds), a couple of opera overtures and more. Those who know and love Mozart's music will not need this, but it's a great introduction, a great overview. The selections are well-chosen and interestingly organized, with familiar pieces splrinkled among some not-so well known. A good primer. --Robert Levine

Customer Reviews:

1 out of 5 stars How can you go wrong with Mozart?...Buy this and find out........2007-05-13

I was extraordinarely ignorant when I purchased this recording. I thought,"WOW!! Look at all the music you get in this CD set. The price cannot be beat!" When I received the CD, I discovered that you don't really get any music at all. This is a great sample CD, and should be bought by a person brand new to classical music. However, if you have any experience with classical music, you will want to pass on this CD.

Each of the pieces are hacked apart to the point of it being comical. It's interesting to listen to the greatest music in the world, only to have the development cut. All of a sudden I was thrust into a new key, I thought my ears were going crazy. Perhaps an effort by a decent high school orchestra, but this music is not up to snuff with any other recording.

Do yourself a favor and go out and purchase real recordings of Mozart, and not watered down stereotypes.

5 out of 5 stars 25 Mozart Favorites.......2007-05-12

Very pleased with product, delivery, cost and service. Will use this vendor again.

5 out of 5 stars Wonderful collection and price!.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

4 out of 5 stars Nice Mozart selection - Nice price.......2006-09-24

Nice selection of Mozart work that give us inner peace...

4 out of 5 stars Mozart Listener.......2006-08-31

This is a good CD if you like Mozart's music. It is not the best CD I ever purchased. It is nice to listen to it in the morning before I go to work. And I sometimes listen to it in the evening before I go to bed. It is relaxing and soothing. I am not a music major or therapist. This is the best review I can write. Mary Agnes Cross
Little Night Music - Ultimate Mozart Collection [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • A Wonderful Collection
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 Little Night Music - Ultimate Mozart Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012QLTG
Release Date: 2003-12-09

Tracks:

  1. Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
  2. Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
  3. Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
  4. Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
  5. Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  6. Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  7. Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  8. Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  9. Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  10. Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
  11. Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  12. Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  13. Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  14. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  15. Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  16. Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  17. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
  2. Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
  3. Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
  4. Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  5. Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
  6. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  7. Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  8. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  9. Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  10. Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  11. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  12. Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
  13. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  14. Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  12. Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  13. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  14. Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  15. Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  16. Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  17. Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  18. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  19. Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  20. Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  21. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
  2. Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
  3. Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
  4. Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
  5. Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
  6. Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

  1. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  2. Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  3. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  4. Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  5. Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  6. Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

  1. Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
  2. Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
  3. Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
  4. Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
  5. Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
  6. Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
  7. Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
  8. Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
  9. Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

  1. Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
  2. Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
  3. Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
  4. Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  5. Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  6. Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  7. Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
  8. Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
  9. Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

  1. String Quartet in a Major K.464: Allegro - Petersen Quartett
  2. String Quartet in a Major K.464: Menuetto - Petersen Quartett
  3. String Quartet in a Major K.464: Andante - Petersen Quartett
  4. String Quartet in a Major K.464: Allegro - Petersen Quartett
  5. String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
  6. String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
  7. String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
  8. String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

  1. Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  2. Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  3. Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  4. Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  5. Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  6. Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  7. Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  2. Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  3. Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  4. Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  5. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  6. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

  1. Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  2. Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  3. Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  4. Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  5. Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  6. Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  7. Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  8. Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  9. Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  10. Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  11. Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  12. Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  13. Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  14. Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

  1. Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  2. Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  3. Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  4. Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  5. Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  6. Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  7. Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  8. Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  9. Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  10. Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

  1. Ave Verum Corpus, K.618 - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
  2. Exsultate, Jubilate, K.165 - Gabrielle Fuchs
  3. Church Sonata in C, K.328 - Robert Kuppelwieser
  4. Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
  5. Fantasy in F Minor, K.608
  6. Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

  1. Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
  2. Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
  3. Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
  4. Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
  5. Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
  6. Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
  7. Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
  8. Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
  9. Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
  10. Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
  11. Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

  1. Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  12. Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  13. Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  14. Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  15. Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  16. Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  17. Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  18. Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  19. Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  20. Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  21. Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  22. Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  23. Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  24. Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  25. Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  26. Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  27. Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  28. Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
  2. Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
  3. Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
  4. Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
  5. Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  6. Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
  7. Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
  8. Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  9. Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  10. Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  11. Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
  12. Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

  1. Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
  2. Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
  3. Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
  4. Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  5. Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
  6. Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  7. Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  8. Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
  9. Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  10. Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
  11. Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  12. Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

5 out of 5 stars A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

4 out of 5 stars Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED
Mozart: Symphonies Nos. 35-41
Average customer rating: 4.5 out of 5 stars
  • Excellent readings of the last six symphonies...
  • Radiant performances!
  • Wonderful Sound Quality and Precision
  • Other than Bruno Walter's
  • Efficient interpretations and lovely playing, but there's more to Mozart
 Mozart: Symphonies Nos. 35-41

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven: 9 Symphonies
  2. Mozart: The Great Piano Concertos, Vol. 1
  3. Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra
  4. Mozart: The Great Piano Concertos, Vol. 2
  5. Tchaikovsky: Symphonies no 4, 5, & 6 / Karajan, Berlin PO

ASIN: B000001GQB
Release Date: 1996-01-23

Tracks:

  1. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Allegro Con Spirito
  2. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': (Andante)
  3. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Menuetto - Trio
  4. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Finale. Presto
  5. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Adagio - Allegro Spiritoso
  6. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Andante
  7. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Menuetto - Trio
  8. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Presto
  9. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Adagio - Allegro
  10. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Andante
  11. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': (Finale.) Presto

Tracks:

  1. Symphonie No. 39 Es-dur KV 543: Adagio - Allegro
  2. Symphonie No. 39 Es-dur KV 543: Andante Con Moto
  3. Symphonie No. 39 Es-dur KV 543: Menuetto. Allegretto - Trio
  4. Symphonie No. 39 Es-dur KV 543: Finale. Allegro
  5. Symphonie No. 40 g-moll KV 550: Molto Allegro
  6. Symphonie No. 40 g-moll KV 550: Andante
  7. Symphonie No. 40 g-moll KV 550: Menuetto. Allegretto - Trio
  8. Symphonie No. 40 g-moll KV 550: Allegro Assai
  9. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Allegro Vivace
  10. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Andante Cantabile
  11. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Menuetto. Allegretto - Trio
  12. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Molto Allegro

Amazon.com essential recording

Karl Bohm was one of this century's great Mozart conductors--a fact that's apt to be forgotten in the flood of authentic instrument productions, many of them on DG's associated labels. He conducted Mozart with real love and affection, maintaining moderate tempos, allowing each work's gorgeous melodies a chance to sing and breathe. Mozart's symphonic music has its roots in the opera house, and so did Bohm. Listening to the witty woodwind interjections in the finale of Symphony No. 39, for example, you can readily imagine the witty exchanges of different characters in one of Mozart's comic operas. These beautifully recorded versions of Mozart's greatest symphonies belong in the collection of every fan of the composer. --David Hurwitz

Customer Reviews:

5 out of 5 stars Excellent readings of the last six symphonies..........2007-03-09

I was listening to these again last night and I have to say, Bohm knows his Mozart. Then again, so does the Berlin Philharmonic. Bohm always seems to pick the right tempo, never too fast but not too slow either. The perfect example is the opening of the 39th, where Bohm revels in creating a big engulfing sound during the slow introduction; however as soon as the allegro kicks in, tempi and tones have a spring in their step. For me, this is one of the great versions of the 39th, even in spite of a few sloppy moments in the latter movements. He submits an excellent 35th and 36th, again with moderate tempi but wonderfully Mozartean phrasing, somewhat surprising since when Bohm recorded these, "Period Instruments" weren't even a twinkle in Harnoncourt's eye, and "Romantic" readings were all the rage for Mozart. Bohm's steadiness with these interpretations is only matched by his ear for detail; better, say, than Marriner, who is unquestionably steady, but whose readings lack spontenaity, and more consistent than Szell, whose 40th is one of the great readings, but whose 39th falls flat and whose brass/woodwinds can't handle their increased role in the Jupiter symphony.
Considering the age of these recordings (early- to mid-60s), they also sound remarkably clean and clear, and all of the parts can easily be heard; although I would credit Bohm with some of this as he was always excellent at creating space and keeping all of Mozart's many layers exposed to the listener. I have a number of different accounts of Mozart's last six symphonies (Marriner, Bernstein, Karajan, Szell 35, 39-41, Mackerras), but pound for pound, this one is the best. If you still aren't happy with the versions you own, this set may be your stopping point.

5 out of 5 stars Radiant performances!.......2007-02-03


The Symphony No. 41 in C major Kv 551 best known as Jupiter retakes and maintains the most representative epic spirit of Mozart like any one Symphony. It breaths liberty, Dionysian pleasure and that essential rapture so common in the masterpieces. And under Bohm's baton exudates full aristocratic sound.

In spite of the fact it has been recorded so many times, just a few directors have been able to extract and carve in relief the majestic splendor of this K.

On the other hand the version of the 38th Symphony is simply majestic and radiant. Bohm never abuses of excess of elegance and his pristine lyricism may be easily realized.

Karl Bohm was indeed, one of the most representative Ambassadors of the Mozart symphonic repertoire. The Berlin Philharmonic, fortunately still maintained the noble sound inherited from Furtwangler and then Fricsay and that was a decisive fact to his favor.

5 out of 5 stars Wonderful Sound Quality and Precision .......2006-03-24

Precision. That is what comes to my mind when listening to a Karl Bohm interpretation of Mozart. Mozart's final symphonies are ageless masterpieces of music. Anyone can recognize the opening Allegro moto of Symphony No. 40 in G-Minor (one of Mozart's only symphonies in a minor key). Just finding a collection with these wonderful symphonies is a great find.

As to the sound quality, Deutsch Gramophone spent extra time and resources into reissuing these originally analog recordings. It is nice to be able to hear every woodwind in balance and the string sections in their glory. The sound does not seem forced or artificial and the quality is absolutely superb.

These recordings were completed during the height of Bohm's time as a conductor. His interpretations are truly "viennese" in that tempos and structure are very precise and meticulous. Some may think his tempi are slow or plodding, but they offer a very nice interpretation that perhaps was accepted in Mozart's era. The 35th, 39th, and 41st symponies in the set are my favorites.

I would also suggest looking at George Szell's performances with the Cleveland Orchestra, for they offer a different interpretation but are also superb.

5 out of 5 stars Other than Bruno Walter's.......2006-01-21

Columbia SO recordings (NOT with the New York PO) , which are OOP, this Bohm is the one to have, the only one you need actually. As I've heard at least 6 other major conductors, Klemperer , Mackerraas, both Levine's etc etc.
The only 2 I kept are the Walter ,got mine from a used cd dealer in the UK online :-) and the Bohm, complete sym set, which is the way to go for Mozart fans. There's quite a few very good syms in the 1-34.
All that stuff you read about Bohm being a "kapplemiester" (germanic style/cold), old fashioned, tutonic, is very misleading. I hear nothing of the sort and wish these comments would stop.
Though I was forwarned about Bohm being off track in approach with his german orch, I sense there is some anti-german sentiments in these negative comments about Bohm. None of this criticism leveled against Bohm is factual, only a prejudice in their minds.

As to
Details, tempos, instrument quality, sound quality, orch size all are in perfect harmony with Mozart.
. Bohm and the Berlin show forth a understanding of Mozart that none except Walter can rival.
The Klemper/Philharmonia on TESTAMENT, not the EMI release(which are duds) are not too bad, but not in the same category as either Bohm or Walter.
I sat down one day and compred all 3, and concluded the Klemperer were not necessary , for sound issues and also not on par with Bohm's definitive recording.

EDIT: I should mention that i read on a forum recently, he recalled Bohm from his vinyl set that the performances were 'a bit dull". Bohm does not speed read. Any conductor that takes Mozart too fast is doing a disservice to these richly detailed scores. Mozart requires detailed attention, which is what Bohm brings. Yet the life is there, not dull at all.
EDIT on Feb 21/07...
Mackerras' Prague is not in the same league as the Berlin. Many of the soloists in this Berlin use instruments that bring out a chamber flaor, and also Bohm kept the orch smaller than many other orch's. This smaller chamber sound brings more to Mozart than many other recodings I;'ve heard. Even Walter's Columbia is "big sound", yet Walter's does present a "Mozartian" image. Bohm goes even further. Many other like conductors record Mozart with a "Beethovenian" sound. That us large orch/heavy/darker.

Paul Best
Baton Rouge



3 out of 5 stars Efficient interpretations and lovely playing, but there's more to Mozart.......2005-09-25

I can see someone admiring these recordings, since they are very well executed and crisply presented, with no major flaws. And I can see why Mozart was considered one of Karl Bohm's best composers if you like his foursquare, unsmiling approach. Apparently many other listeners and reviewers don't demand more than what this bargain set of the last six symphonies delivers.

But Bohm's traditional Teutonic conducting sounds pretty limited to me, not because of the "authentic" movement now in vogue but because great Mozart conducting must be joyous, light on its feet, and full of wit and alertness. Bohm is brisk and efficient instead. Bruno Walter was born even earlier than Bohm, and yet he got all those things right. That's why I return to him again and again, not to this set, much as I love the Berlin Phil.
Mozart for Relaxation
Average customer rating: 5 out of 5 stars
  • Very Relaxing
  • This is so beautiful
  • A Musical Tranquilizer
  • guaranteed to relax you whether at home or in the car
 Mozart for Relaxation

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Beethoven for Relaxation
  2. Bach for Relaxation
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  5. The Most Relaxing Classical Album in the World...Ever!

ASIN: B00000I9M0
Release Date: 1999-03-09

Tracks:

  1. Concerto For Flute and Harp, K. 299: II - Andantino - London Symphony Orchestra
  2. Eine Kleine Nachtmusik, K. 525: II - Romanze : Andante - Guarneri Quartet
  3. Piano Sonata In B Flat, K. 333: II - Andante Cantabile - Alicia De Larrocha
  4. Violin Concerto No. 3 In G, K. 216: II - Adagio - Prague Chamber Orchestra
  5. Andante K. 315 - Chamber Orchestra Of Europe
  6. Concerto In A For Clarinet And Orchestra, K. 622: II - Adagio - English Chamber Orchestra
  7. Serenade No. 10 'Gran Partita,' K. 361: III - Adagio - Sir Colin Davis
  8. Trio - 'Soave sia il vento' Act 1, Scene 2 - New Philharmonia Orchestra
  9. Clarinet Quintet In A, K. 581: II - Larghetto - Richard Stoltzman
  10. Concerto No. 21 In C, K. 467: II - Andante - English Chamber Orchestra

Customer Reviews:

5 out of 5 stars Very Relaxing.......2007-04-03

I love this CD! I listen to it every time my world feels like it's about to spin out of control because I have too much to do and not enough time to do it. Very calming and serene. My 12 year old daughter now knows who Mozart is and can recognize his music on the radio!

5 out of 5 stars This is so beautiful.......2006-02-07

I've been a massage therapist for seven years, and I have lots and lots of relaxation music. I have owned this c.d. three different times because I have listened to it to the point of wearing it out several times over. It is so beautiful and rich in perfection, and if your smart its really easy to time your massage to. If your not an M.T. just get it to have in your collection when you'd like to relax, you won't be sorry.

5 out of 5 stars A Musical Tranquilizer.......2000-07-22

This is a terrific collection of many of Mozart's best known and most beloved pieces. You will probably recognize many of the melodies - and with this CD, of course, you'll learn their names. This CD is really aptly named - it is a very 'relaxing' collection of beautiful music. One reviewer said that its great for the car - but also after that long, grinding day at work - you know, the kind of day where you feel especially eaten-up. You just want to go home and sit in your favorite chair and put on some music... It is also an excellent album to get the kids started on lovely classical music. Highly recommended!

5 out of 5 stars guaranteed to relax you whether at home or in the car.......1999-04-23

this assortment of melodies is the perfect gift for the new mother, the new baby, or anyone else who wants to be stimulated by the classical sounds and soothed by the melodies. a definite must for the car - where much stress occurs in traffic jams.
Build your baby's brain through the power of Mozart: Brain 2
Average customer rating: 4.5 out of 5 stars
  • Enjoyable Classical Music
  • Beautiful Collection of Classical Music
  • Build baby's brain with Classics Vol 2
 Build your baby's brain through the power of Mozart: Brain 2

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Build Your Baby's Brain
  2. Beethoven: Build Your Baby's Brain 3
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  4. Build Your Baby's Brain 5
  5. Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child

ASIN: B00000IPZA
Release Date: 1999-05-04

Tracks:

  1. Overture To The Marriage Of Figaro
  2. Piano Sonata No. 15, K .545
  3. The Sleigh Ride (From Three German Dances, K. 605)
  4. Horn Concerto No.4, K.495
  5. Variations On Twinkle, Twinkle Little Star, K. 265
  6. Violin Concerto No.4, K. 218
  7. Piano Sonata No.10, K. 331- (Rondo Alla Turca)
  8. Piano Concerto No.21, K.467
  9. Eine Kleine Nachtmusik - (Romance)
  10. Serenade For Winds, K.3 75 - (Adagio)
  11. Selections From The 'Marriage Of Figaro': Cavatina - ('Se Vuol Ballare, Signor Contino')
  12. Selections From The 'Marriage Of Figaro': Aria - ('Non Piu Andrai')
  13. Selections From The 'Marriage Of Figaro': Terzetto - ('Susanna Or Via Sortite')
  14. Symphony No. 38, 'Prague' - (Andante)
  15. Ave Vernum Corpus, K. 618

Customer Reviews:

4 out of 5 stars Enjoyable Classical Music.......2006-10-26

This cd is great because unlike other classical music cds made for babies, this one even adults can enjoy. Sometimes they change the song so that it sounds more like something a baby will appeal too, but this one just keeps the original song format which means even people without babies would be able to enjoy some of Mozart's classics.

5 out of 5 stars Beautiful Collection of Classical Music.......2006-08-07

This is a fantastic CD of beautiful music. It is uplifting and soothing at the same time. I have several good classic music compilations CDs, but this is my favorite and the one that gets played daily! When the littlest one is napping, it goes on. When I'm cooking, it goes on. When we have the TV off and the kids are playing games or making puzzles, it is on! It stays in my kitchen CD player so at a touch of a button, lovely music can fill the house.

Check out the samples above (my [...] especially likes #5, Twinkle Twinkle Little Star). It is not "children's music," a disc of lullabies, or something to reserve for baby shower gifts. I cannot say enough good things about this disc! This is great music that makes you feel good - if it is building our brains too, all the better! Try it and enjoy :)

5 out of 5 stars Build baby's brain with Classics Vol 2.......2006-07-25

I am a true fan of Classical music and this was purchased as a gift for a co-worker who is adopting a child from China. Therefore I did not open it nor listen to it. The recipient is now overseas picking up their daughter so I know they haven't had the opportunity to listen to it. I think it's a great idea, though.
Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41
Average customer rating: 4.5 out of 5 stars
  • Great compilation of Mozart!
  • Good collection
  • Retrograde Mozart with undeniable heart
  • Mozart: The Great Late Symphonies
  • The best bargain on the market
 Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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  1. Mozart: The Great Piano Concertos, Vol. 1
  2. Beethoven: The 9 Symphonies (Collectors Edition)
  3. Mozart: The Six String Quintets
  4. Mozart: The Great Piano Concertos, Vol. 2
  5. Mozart: Violin Concertos

ASIN: B0000942LO
Release Date: 2003-07-01

Tracks:

  1. I. Allegro Con Brio
  2. II. Andante
  3. III. Menuetto-Trio
  4. IV. Allegro
  5. I. Allegro Moderato
  6. II. Andante
  7. III. Menuetto-Trio
  8. IV. Allegro Con Spirito
  9. I. Adagio-Allegro
  10. II. Andante
  11. III. Presto

Tracks:

  1. I. Allegro Con Spirito
  2. II. Andante
  3. III. Menuetto-Trio
  4. IV. Presto
  5. I. Molto Allegro
  6. II. Andante
  7. III. Menuetto-Trio
  8. IV. Presto
  9. I. Molto Allegro
  10. II. Andante
  11. III. Menuetto: Allegretto-Trio
  12. IV. Allegro Assai

Tracks:

  1. I. Adagio-Allegro
  2. II. Andante Cantabile
  3. III. Menuetto: Allegretto-Trio
  4. IV. Finale: Allegro
  5. I. Allegro Vivace
  6. II. Andnate Cantabile
  7. III. Menuetto: Allegretto-Trio
  8. IV. Molto Allegro

Customer Reviews:

5 out of 5 stars Great compilation of Mozart!.......2007-01-12

If you want to get the best of Mozart with a fabulous composer than this cd is the one for you. I am not a music critic, just a biology major who studies well listening to these classics -- they really help keep me focused!! Awsome symphonies at a great price -- what could be better?!?!

4 out of 5 stars Good collection.......2006-12-21

I particularly found Symphonies 25 and 40 to be very nice to listen to. The the rest of them I found to be ok, maybe since I am not a big fan of classical music. I bought this cd because I went to a symphony that played Mozart no. 25 which I enjoyed very much. Hence I decided to try out his other compositions.

4 out of 5 stars Retrograde Mozart with undeniable heart.......2005-12-04

Leonard Bernstein thought that every composer was a romantic because he was. These big, heart-on-sleeve performances of Mozart's great late symphonies use the Vienna Phil. at almost full force--they could slip into the Brahms First without adding personnel. Bernstein lived long enough to theoretically be influenced by the period-instrument movement, but his allegiance never shifted. He belongs with Karajan and Bohm as the last conductors for whom Mozart should sound "important."

At its best, this approach yields romantic depth, perhaps not what Mozart intended but valid in its way. I would rather listen to Bernstein's Mozart symphonies than Karajan's (tending to be slick and glossy, although better than reputed) or Bohm's (brisk and faceless). A new listener should know in advance that the slow movements will be expressively drawn out and the minuets often slow and heavy-footed (these dancers are wearing boots). But Bernstein believes in this music, and he is always genuine. That ocunts for a lot with a composer who used to be played as if he were a porcelain doll and is now too often played as if his divine music were written by a Roccoco computer. Four stars.

5 out of 5 stars Mozart: The Great Late Symphonies.......2004-06-16

What a great album we have here. Leonard Bernstein conducts the later symphonies of Mozart, which are considered to be his most mature and his greatest works for full orchestra. This album is worth the price and a treasure to own for your extensive classical music collection. If you appreciate classical music, you'll truly enjoy this album. Everyone knows that Leonar Bernstein ranks among one of the best conductors of the 20th century, right up there with the great names of Herbert Von Karajan, Bruno Walter, Sir Neville Marriner, all who have held their own when it comes to Mozart's music. Karajan I feel is not quite as good when it comes to Mozart's symphonic works. Bruno Walter and Sir Neville Marriner have long surpassed Karajan in the area of Mozart symphonies. Indeed, if you get the chance be sure to check out symphonies conducted by either Bruno Walter or Sir Neville Marriner. Marriner and the Acadamy Of Saint Martin In The Fields did mostly Mozart and provided the music of the 1984 Milos Forman film Amadeus.

The reason this album is so good is Leonard Bernstein conducting. As a conductor and a musically atuned soul, he seems to really interpret these symphonies perfectly. He gets Mozart. He has captured every note, every vibrato, roulade, flowing lines and bouncy but balanced joy in every allegro movement, such as the first movement of the Prague Symphony No. 38. For contrast, he understood the substance and darkness that seems to be written into the Allegro of the Symphony No. 25. The first movement is meant to sound furious, anguished and complex, and fast in a darker sort of mood. It's one of those rare moments in which Mozart foreshadows the Romantic Era that would begin with Beethoven. Mozart would also do this with the andante of his 21st piano concerto and the opening movement of the Piano Concerto No. 20. The last symphonies 40 and 41, "Haffner" and "Jupiter" are regarded as Mozart's most mature works for the symphony. The orchestra is more panoramic and produces a less lighter texture. The music is a fully developed Mozart in his later years. The Jupiter is his grandest. Its name conjures up the vastness of the planet Jupiter or the majesty of the Roman god Jupiter. Get this album if you're a fan of Mozart and a fan of the conductor Leonard Bernstein who aptly conducted the New York Philharmonic for many years and the Berlin Philharmonic towards the end of his life.

5 out of 5 stars The best bargain on the market.......2004-03-24

The new Trio series has to be one of the most welcome and affordable additions to the classical music market. This set shows why. For a budget price one can get pretty much all of Mozart's best loved symphonies, in some of the most highly regarded performances made of them. Bernstein's lush, relaxed, and very romantic interpretations may not be for all tastes, especially those who have become used to period style. But for those who feel Mozart would have preferred his music performed with the warmth and beauty that is missing from the rather cold, analytical period interpretations that have become the norm, these are for you. I cannot recommend this set more highly.
Complete Mozart Symphonies / Pinnock, English Concert
Average customer rating: 4.5 out of 5 stars
  • The best period instrument Mozart symphony cycle around
  • The best period orchestra Mozart symphonies around!
  • A Beautiful Time Capsule
  • Another BBB (basically bland Brit) recording
  • Pinnock excellent, DG Archiv sound variable
 Complete Mozart Symphonies / Pinnock, English Concert
Mozart , Ecc , and Pinnock
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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  1. Mozart: The Piano Concertos
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ASIN: B000069KJ3
Release Date: 2002-10-08

Tracks:

  1. Molto Allegro
  2. Andante
  3. Presto
  4. Allegro Assai
  5. Andante
  6. Presto
  7. Allegro
  8. Andante
  9. Presto
  10. Allegro
  11. Andante
  12. Molto Allegro
  13. Allegro Maestoso
  14. Andante
  15. Presto
  16. Allegro
  17. Andante
  18. Menuetto - Trio
  19. Allegro

Tracks:

  1. Molto Allegro
  2. Andante
  3. Menuetto - Trio
  4. Molto Allegro
  5. Allegro
  6. Andante
  7. Menuetto - Trio
  8. Molto Allegro
  9. Allegro
  10. Andante
  11. Menuetto - Trio
  12. Molto Allegro
  13. Allegro Maestoso
  14. Andante
  15. Menuetto - Trio
  16. Allegro
  17. Allegro
  18. Andante
  19. Menuetto - Trio
  20. Allegro
  21. Allegro
  22. Andante
  23. Allegro Molto

Tracks:

  1. Allegro
  2. Andante
  3. Menuetto - Trio
  4. Presto
  5. Allegro
  6. Andante
  7. Menuetto - Trio
  8. Allegro
  9. Allegro
  10. Andante
  11. Allegro
  12. Allegro
  13. Andante
  14. Menuetto - Trio
  15. Allegro Molto
  16. Allegro
  17. Andantino
  18. Menuetto - Trio
  19. Allegro
  20. Allegro
  21. Andante
  22. Menuetto - Trio
  23. Molto Allegro

Tracks:

  1. Allegro
  2. Andante
  3. Allegro
  4. Allegro
  5. Andante
  6. Menuetto - Trio
  7. Allegro
  8. Allegro
  9. Andante
  10. Menuetto - Trio
  11. Molto Allegro
  12. Allegro Moderato
  13. Andante
  14. Menuetto - Trio
  15. Molto Allegro
  16. Allegro
  17. Andante
  18. Menuetto - Trio
  19. Presto

Tracks:

  1. Allegro Maestoso
  2. Andante Grazioso
  3. Allegro
  4. Allegro
  5. Andante
  6. Allegro
  7. Allegro
  8. Andantino Grazioso
  9. Menuetto - Trio
  10. Molto Allegro
  11. Allegro
  12. Andante
  13. Menuetto - Trio
  14. Allegro
  15. Molto Presto
  16. Andante
  17. Allegro

Tracks:

  1. Allegro
  2. Andante
  3. Menuetto - Trio
  4. (Allegro)
  5. Allegro
  6. Andante
  7. Menuetto - Trio
  8. Allegro
  9. Allegro Assai
  10. Andantino Grazioso
  11. Presto Assai
  12. Allegro Spiritoso
  13. Andantino Grazioso
  14. Presto Assai
  15. Allegro
  16. Andantino Grazioso
  17. Presto

Tracks:

  1. Allegro Spiritoso
  2. Andantino Grazioso
  3. Allegro
  4. Allegro Con Brio
  5. Andante
  6. Menuetto - Trio
  7. Allegro
  8. Molto Allegro
  9. Andantino Con Moto
  10. Menuetto - Trio
  11. Presto
  12. Allegro Assai
  13. Andante
  14. Allegro

Tracks:

  1. Allegro Moderato
  2. Andante
  3. Menuetto - Trio
  4. Allegro Con Spirito
  5. Allegro Spiritoso
  6. Andante
  7. Menuetto: Allegretto - Trio
  8. Presto
  9. Allegro Assai
  10. Andante Moderato
  11. Menuetto - Trio
  12. Allegro Assai

Tracks:

  1. Allegro Spiritoso
  2. Andante
  3. Tempo Primo
  4. Allegro Vivace
  5. Andante Di Molto Piu Tosto Allegretto
  6. Finale: Allegro Vivace
  7. Allegro Con Spirito
  8. Andante
  9. Menuetto - Trio
  10. Presto
  11. Adagio - Allegro Spiritoso
  12. Andante
  13. Menuetto - Trio
  14. Presto

Tracks:

  1. Adagio - Allegro
  2. Andante
  3. Presto
  4. Adagio - Allegro
  5. Andante Con Moto
  6. Menuetto: Allegretto - Trio
  7. Finale: Allegro

Tracks:

  1. Molto Allegro
  2. Andante
  3. Menuetto: Allegretto - Trio
  4. Allegro Assai
  5. Allegro Vivace
  6. Andante Cantabile
  7. Menuetto: Allegretto - Trio
  8. Molto Allegro

Customer Reviews:

5 out of 5 stars The best period instrument Mozart symphony cycle around.......2005-11-24

Trevor Pinnock and the English Concert turn in the best period instrument Mozart Symphony cycle around. With 20-30 players, the English Concert sounds full and rich, and are so well recorded, one could mistake them for a modern instrument chamber orchestra augmented with more players for a bigger sound. The early symphonies employ fewer players, the symphonies from about No. 20 and following call for more players, in some cases trumpets, horns and timpani in addition to the usual strings, harpsichord, flutes, oboes, and bassoon.

Pinnock chooses perfect tempos for the English Concert: allegros are spritely, but not driven and there's never a sense that the musicians are having trouble keeping up at Pinnock's tempos. Andante movements sing with the cantabile quality Mozart is famous for, and are always musical and flowing: very beautiful.

I am not a big fan of period instrument Mozart. I have heard Hogwood and the Academy of Ancient Music (L'Oiseau Lyre) in Mozart Symphonies 34, 38, 39, and 41 and that's enough to give me a sense that Pinnock is superior - more confident, and better recorded - to Hogwood in this music. Haydn's symphonies seem to work better with period instruments than do Mozart's, but Pinnock and the English Concert have a special musical quality which MAKE Mozart work with a period orchestra. Incidentally, both Pinnock and Hogwood have recorded very fine Haydn Symphonies with their respective orchestras.

I have also read, in AMERICAN RECORD GUIDE (July/August 2005 issue) in a review of the Mozart Symphonies with Linden/Mozart Academy of Amsterdam, a period orchestra (Brilliant Classics set) that Pinnock's Mozart cycle is to be preferred. I have not heard Linden myself, but ARG's review states that with the exception of Symphonies 20, 39, 40, and 41, Pinnock "wins across the board." The reviewer cites sour tuning, below standard pitch, sloppy playing, not enough contrasts of dynamic range and pokey allegros, as liabilites which are especially annoying in Linden's cycle, and advises the reader to go with Pinnock if looking for a period cycle of Mozart symphonies.

Other options? Bohm/Berlin Philharmonic (DG); Krips/Concertgebouw (for Symphonies 21-41, Philips); Hans Graf/Mozarteum Orchestra, Salzburg (Capriccio); and Nicholas Ward/Northern Chamber Orchestra, modern instrument chamber orchestra (for early symphonies, Naxos). But unless you really hate period instruments, you will like Pinnock, as I do, and as I stated earlier: I am not a fan of period instrument Mozart.

5 out of 5 stars The best period orchestra Mozart symphonies around!.......2005-08-23

Trevor Pinnock and the English Concert perform Mozart's symphonies with great style, elan, and spirit, making this the best period orchestra Mozart Symphonies around. Pinnock deals alot in contrasts and atmosphere, setting a mood for each movement, within each symphony. The English Concert plays even Mozart's earliest symphonies-written when he was a pre-teen-as great music, and it works, very effectively. Allegros bristle with spirit, Andantes and Adagios emphasize cantabile (singing style) as all Mozart's music has a vocal/singing emphasis (in contrast to Haydn or Beethoven, who tend to build movements arount motives, or rhythmic patterns of notes; Mozart emphasizes melody moreso in many of his works).

I am not a fan of period instruments in music of Haydn, Mozart, and any composers after Bach and Handel, but this cycle is really fine. My favorite Mozart Symphonies have been Karl Bohm/Berlin Philharmonic (complete cycle, DG); 21-41 by Joseph Krips/Concertgebouw Orchestra (Philips, coupled with Marriner/Academy of St. Martin in the fields for 1-20); Bruno Walter/New York Philharmonic for Symphonies 25,28,29,35,36,38-41 (Sony); Otto Klemperer/Philharmonia for Symphonies 36,38-41 (EMI). But, Pinnock's accounts are spirited and the English Concert, at about 20-25 players, doesn't sound scrawny or ineffective at all. If you're used to the sonority of the Berlin Philharmonic or Philharmonia Orchestra, this will take some getting used to, but it is very good.

This could be called "period instrument Mozart for those who don't like period instruments." I have heard Christopher Hogwood/Academy of Ancient Music in Symphonies 34,38,39,41, and they are not as good as Pinnock's accounts. Hogwood's orchestra sounds small, puny compared with Pinnock's more robust group. I am not meaning to degrade Hogwood, as I have a number of fine recordings of his: Beethoven Symphonies 1,2;
Handel's MESSIAH; Haydn Symphonies 94, 96; Boyce Opus 6 Symphonies. But in Mozart Symphonies, I prefer Pinnock.

Pinnock's set is also well recorded, adding to it's high quality. You can't go wrong with these, unless you absolutely hate period instruments.

5 out of 5 stars A Beautiful Time Capsule.......2005-04-08

In comparing this recording, with its use of original instruments, and my favorite recordings with modern instruments, I find I prefer this. It doesn't lose any power, but it gains by the imaginative process of listening to the music as Mozart would have heard it. The collection is also a wonderful way to listen to the progression of Mozart's music throughout his life. As you listen to the first two of the eleven discs, you'll be amazed at the symphonies he wrote when he was only nine years old!

2 out of 5 stars Another BBB (basically bland Brit) recording.......2005-04-06

This is a short review because when you've heard one of these you've heard them all. They're all played in the same starched, stiff mannor, with brisk tempi, little feeling, no shaping of phrase, and no color. The Mozart symphonies--the latter ones, anyway--have their own style and merit different approaches (No. 31, the "Paris," is almost curtain-raiser music for an opera buffa, for example, while No. 39 is in some ways proto-Beethoven, harmonically sharing a good deal with the "Eroica," and No. 40 shows Mozart heading into a realm of a basically Romantic chromaticism that would have led to much fascinating music if he'd lived longer and written more in that style). Yet here all the works are played interchangably. These are performances that could have been generated on a computer.

The sound is excellent, but that's about all there is to recommend this set. Hogwood's traversal on period instruments has more personality, believe it or not. And to really show what can be done with works like these on HIP instruments, try Franz Bruggen's remarkable recordings of the Haydn symphonies on Philips. I can't recommend this set, and I got it for considerably less than the Amazon price, too.

4 out of 5 stars Pinnock excellent, DG Archiv sound variable.......2005-02-18

I greatly admire Pinnock's style, directing skill and harpsichord playing, but I don't understand the variability of sound balance achieved on his many recordings by DG. Most are recorded in Henry Wood Hall and have the same "tonmeister" and producers. For example his recording of the Bach Violin Concertos is vibrant, full bodied and has a great "presence", whereas on the other end of the spectrum, the last disc of the symphonies, 40 and 41, is really anemic, with pratically no bass. I gave them a +12db bass boost to try and compensate for the lack of bass, but there was hardly any difference in the low end response. In order to listen to this disc, and to some extent the prior two as well, I have reverted to my volume expander used with vinyl records from the 70's.

My system has very clean and deep bass response and handles Telarc organ recordings with great effect, so I do not believe it is that. And, as I stated the violin concertos have a great presence, to the point where I can visualize the bass and cello players bowing their instruments. It may be do to different microphone placement for the larger ensemble of the latter symphonies, without compensating for the different acoustic.

When it comes to Archiv's 4D recordings of the English Concert, I do not like them at all. The choir from the Mozart Coronation Mass sounds like it is being piped down from outer space, detached and way to ethereal. The Telemann suites do not fare any better, thin and anemic. Don't think the extended dynamic range and lower threshold noise level helped in any way.

I should also add that I have about every recording of Pinnock and the English Concert, really the best "Original Instruments Group" out there. In my humble opinion, Pinnock should have a "Sir" in front of his name.
The Great Flute Concertos
Average customer rating: 5 out of 5 stars
  • Great all around - especially Mozart
  • Rampal: master flutist of the 20th Century
  • great!
 The Great Flute Concertos

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  4. Mozart - The Flute Quartets, K. 285 · K. 285a · K. 285b · 295 / Rampal · Stern · Accardo · Rostropovich
  5. Telemann: Flute Concertos; Emmanuel Pahud

ASIN: B0000027VU
Release Date: 1992-01-28

Tracks:

  1. Concerto For Flute & Orchestra in D Major, Op. 10, No. 3, RV 428 'Ill gardellino' (The Goldfinch - Der Stieglitz - Chardonneret: I. Allegro
  2. Concerto For Flute & Orchestra in D Major, Op. 10, No. 3, RV 428 'Ill gardellino' (The Goldfinch - Der Stieglitz -: II. Largo
  3. Concerto For Flute & Orchestra in D Major, Op. 10, No. 3, RV 428 'Ill gardellino' (The Goldfinch - Der Stieglitz -: III. Alegro
  4. Concerto for Flute & Orchestra in F Major, Op. 10, No. 1, RV 433 'La tempesta di mar' (The Storm at Sea - Der Sturm auf dem Meer - Tempete en mer): I. Allegro
  5. Concerto for Flute & Orchestra in F Major, Op. 10, No. 1, RV 433 'La tempesta di mar' (The Storm at Sea - Der Sturm auf dem Meer - Tempete en mer: II. Largo
  6. Concerto for Flute & Orchestra in F Major, Op. 10, No. 1, RV 433 'La tempesta di mar' (The Storm at Sea - Der Sturm auf dem Meer - Tempete en mer: III. Presto
  7. Concerto for Flute, Strings and Basso continuo in G minor , BWV 1056: I. ...
  8. Concerto for Flute, Strings and Basso continuo in G minor , BWV 1056: II. Largo
  9. Concerto for Flute, Strings and Basso continuo in G minor , BWV 1056: III. Presto
  10. Concerto for Flute, Strings and Bass continuo in C Major, BWV 1055: I. Allegro
  11. Concerto for Flute, Strings and Bass continuo in C Major, BWV 1055: II. Larghetto
  12. Concerto for Flute, Strings and Bass continuo in C Major, BWV 1055: III. Allegro ma non tanto
  13. Suite for Flute & Orchestra in A minor: Ouverture
  14. Suite for Flute & Orchestra in A minor: Les Plaisirs
  15. Suite for Flute & Orchestra in A minor: Air a l'italien
  16. Suite for Flute & Orchestra in A minor: Menuets I & II
  17. Suite for Flute & Orchestra in A minor: Rejouissance
  18. Suite for Flute & Orchestra in A minor: Passepieds I & II
  19. Suite for Flute & Orchestra in A minor: Polonaise

Tracks:

  1. Concerto for Flute & Orchestra in G Major, KV 313 (285c): I. Allegro maestoso
  2. Concerto for Flute & Orchestra in G Major, KV 313 (285c): II. Adagio ma non troppo
  3. Concerto for Flute & Orchestra in G Major, KV 313 (285c): III. Rondeau: Tempo di Menuetto
  4. Concerto for Flute & Orchestra in D Major, Kv 314 (285d): I. Allegro aperto
  5. Concerto for Flute & Orchestra in D Major, Kv 314 (285d): II. Andante ma non troppo
  6. Concerto for Flute & Orchestra in D Major, Kv 314 (285d): III. Allegro
  7. Concerto for Flute, Harp and Orchestra in C Major, K. 299 (297c): I. Allegro
  8. Concerto for Flute, Harp and Orchestra in C Major, K. 299 (297c): II. Andantino
  9. Concerto for Flute, Harp and Orchestra in C Major, K. 299 (297c): III. Rondeau

Customer Reviews:

5 out of 5 stars Great all around - especially Mozart.......2005-06-30

Every concerto/piece for flute and orchestra presented here can stand as the very pinnacle of performance and interpretation. Rampal and friends play with all the logic and song of the French school. I would like to commend the Mozart G Major concerto in particular, as Rampal's is the best performance I know (I've heard a better one, but that was on internet radio and I wasn't able to find out who performed it - I'm still searching). I have heard 10 other G Majors, all by worthy soloists with the likes of the VPO or LSO accompanying, and none can outdo Rampal's passionate yet low-key style with the absolutely glorious Israel Philharmonic (you might never have heard them - and you'll wonder why!) with a reasonably alert Zubin Mehta at the helm. The balance is wonderful, with the delicate middle string parts coming through clearly (shame on you, DG and Decca). If only Karl Boehm had been around to wave the stick for these Mozart recordings (The D Major and C Major here are also magnifcent, by the way), this would likely be hands-down the only set of Mozart concertos you'll ever need. Nevertheless, they are pretty darn close.

Every piece on these discs is wonderful, and I urge you to get them as quickly as possible. The style and wit of these recordings are not to be missed at any cost. As the English flutist William Bennett, whose recordings you should look into if you play flute, once told me, "Be a light person - like Jean-Pierre Rampal!"

5 out of 5 stars Rampal: master flutist of the 20th Century.......2003-08-17

The late Jean-Pierre Rampal, whom I had the pleasure to meet and chat with in the 1980's, is a "triple threat" man, in analogy to the football term. Some fine players impress with their technique. I am swept along by Rampal's renditions in a way that makes me forget all about technique - except for miraculous nuances every now and then that remind me that Rampal recreates every work with a creative, perceptive mind. For example, in Vivaldi's "Goldfinch" concerto Rampal, as almost afterthoughts, puts in exquisite little embellishments that literally makes a little bird come to life. It's a miraculous sound. Too bad Antonio Vivaldi couldn't have heard it.

Rampal has other qualities that stand out in his recordings. He was well aware that most of the best flute music was composed in the Baroque and Classical eras, and sought out the very best, well known or rare, in these genres - while not being limited to these periods.

Finally, Rampal was picky about the ensembles he played with and the recording companies who did the technical work for his recordings. The ensembles might be famous or little known, but always high-quality cooperators. The result is nearly always, as in this case, brilliant, clear, and balanced.

Five stars gets used frequently in recording reviews - it's too little for this recording.

5 out of 5 stars great!.......2001-01-04

i play the flute in my high school band and i love flute music, this cd is so beautiful! i highly reccomend this cd to any flutest!
Mozart: Symphonies Nos. 40 & 41
Average customer rating: 5 out of 5 stars
  • Incredible!
  • Cheesy cover doesn't mean it
  • Utterly Airbourne Mozart
  • Mackerras Makes Magic!
 Mozart: Symphonies Nos. 40 & 41

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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