Works for Flute & Harp

On this CD:

1. Work(s) Sonata in A major, arr. for flute & harp: 1. Allegro
Composed by Friedrich Wilhelm Rust
Performed by Anna Sikorzak-Olek

2. Work(s) Sonata in A major, arr. for flute & harp: 1. 2. Andantino grazioso
Composed by Friedrich Wilhelm Rust
Performed by Anna Sikorzak-Olek

3. Work(s) Sonata in A major, arr. for flute & harp: 1. 3. Menuet
Composed by Friedrich Wilhelm Rust
Performed by Anna Sikorzak-Olek

4. Capriccietto, for flute & harp
Composed by Antonio Zamara
Performed by Anna Sikorzak-Olek

5. Les Ecureils, for flute & harp
Composed by Henri Busser
Performed by Anna Sikorzak-Olek

6. Les Cygnes, for flute & harp
Composed by Henri Busser
Performed by Anna Sikorzak-Olek

7. Fantaisie, in A major for violin & harp, Op. 124
Composed by Camille Saint-Saens
Performed by Anna Sikorzak-Olek

8. Fragments (3), for flute & harp
Composed by Witold Lutoslawski
Performed by Anna Sikorzak-Olek

9. Thais, opera Medytacja
Composed by Jules Massenet
Performed by Anna Sikorzak-Olek

10. Berceuse, for violin & piano (or orchestra) in D Major, Op. 16
Composed by Gabriel Faure
Performed by Anna Sikorzak-Olek

11. Sicilienne, for cello & piano, Op. 78
Composed by Gabriel Faure
Performed by Anna Sikorzak-Olek

12. Entr'acte for flute (or violin) & harp (or guitar)
Composed by Jacques Ibert
Performed by Anna Sikorzak-Olek

13. Carmen, opéra-comique in 4 acts Intermezzo
Composed by Georges Bizet
Performed by Anna Sikorzak-Olek

14. Romance, for flute (or violin) & orchestra (or piano) in D flat major, Op. 37
Composed by Camille Saint-Saens
Performed by Anna Sikorzak-Olek

15. Fantazja, for flute & harp
Composed by Franz / Zamara, Antonio Doppler
Performed by Anna Sikorzak-Olek

Customer Reviews:

Excellent Bach Collection.......2007-07-05

I am a professional musician, composer and teacher. this collection is wonderful, recorded in Europe, and all that one would expect from talent in that part of the world (which on this set includes Nordic countries as well).
If you are into studying bach, euro recordings, musicology, this is a good purchase.
Only criticism is on a few recordings the balance/mix is not the best. However, it all sounds wonderfully recorded.

Wonderful way to enjoy all of Bach.......2007-06-28

One reason to buy this set is simply to acquire recordings of all Bach's surviving Cantatas. The only downside I've discovered so far is that I would have preferred his harpsichord music played on a piano.

Bach .......2007-06-08

Arrived in excellent condition -price was higher that I liked by a little bit

An Absolute Essential for any Classical Music Enthusiast.......2007-05-22

This comprehensive collection of all known Bach works is simultaneously the easiest and the most difficult set to review. "Easiest" because in a single set of some 150 CD's, one immediately has the entire Bach repertoire at one's hands, with the majority of individual recordings consisting of solid performances and good recording quality. "Difficult" because, due to the sheer number of performances, it would take many pages to individually and meaningfully write up a description that accurately conveys the range of entries within the set. But in a sense, this entirely misses the point. It is simply impossible to understate what Brilliant Classics has done for the classical music world with the release of a set like this. For the first time, one can own a comprehensive Bach collection for little more than the price of a single, good restaurant meal for two people. The fact can hardly be overstated: this set makes acquiring such a collection no longer the domain of only the wealthiest amongst us. This is most certainly the "democratization" of classical baroque music.

Over the years, I have certainly spent what often feels like exorbitant amounts of money on individual, and sometimes, box sets, of classical music. There is no denying the human skill possessed at the major recording labels, including experiential knowledge of the proper placement of microphones, the best mixing techniques, the optimal types of equipment selected for use, and then, of course, access to the world's greatest performers. We would never wish to lose that combination of talent, and there is no attempt here at minimizing either the value or the enjoyment that can be experienced through such endeavors. Quite the contrary. Such undertakings are both an art form and a technical skill that provides immense value to the world at large. And we should give kudos to those major labels who in recent years have begun to reissue classic records in box sets at much lower prices (Detusche Grammophon's "Collector's Editions" immediately comes to mind, as well as Philip's "Duo Series," and many others, not the least of which also includes Philip's recent reissue of the "Complete Mozart Edition.") But what we have here completely surpasses these in every respect, and opens up new possibilities for the average listener who does not have mountains of disposable income to put towards the acquisition of a classical music collection. There can be no question in my own mind that the people who put this set together did it far more for the sake of classical music as an art form rather than a money-making exercise. It is truly a meaningful contribution to the music world at large.

And what of the quality of the performances and the recordings? For the discs which I have already played, there are simply no real disappointments here. Some of the performances are on par with the "best of the best," and many of them are absolutely gorgeous. With a set this large, it is beneficial to read the multiple reviews individuals are posting to get a better sampling of the various sections of the overall set, but I've been quite pleased with what I've heard so far. I will likely update this post with more specific comments over time, but for now, let me just say that you should BUY THE THING BEFORE IT DISAPPEARS. You won't regret it, will probably be increasingly pleased over the years that you did, and hopefully will receive many years of enjoyment from the collection. Ten stars out of five, but even more important than that, a genuine "Thank you" to Brilliant Classics for what they have done for all of us here.

What the word "aesthetic" means!.......2007-05-14

On the grand work of this box set, I perceive what the adjective, asethetic, means. Besides excellent performance, I was especially attracted by the tone quality. (of course made by bravo performance, and the recording that I wish to make it noticeable!). The tone quality also reflects the quality of this box set.
Listening to violin concerto, you will naturally vision the orchestra playing in the concert hall. It's the real relaxation after tensely working one day!

Christopher Parkening - A Tribute to Segovia

Average customer rating:

Awesome guitar work
Have been loving this for over ten years!!
sonic rapture...
Not just a tribute
Wonderful, relaxing music

Christopher Parkening - A Tribute to Segovia

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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In the Spanish Style / Christopher Parkening
Christopher Parkening plays Bach
Artistry of Christopher Parkening
Christopher Parkening Plays Vivaldi Guitar Concertos & Warlock Capriol Suite
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso

ASIN: B000002RQ8
Release Date: 1991-11-08

Tracks:

Castles Of Spain: Rumor de copla
Castles Of Spain: Siguenza
Castles Of Spain: Manzanares del real
Castles Of Spain: Romance de los pinos
Castles Of Spain: Turegano
Variations On A Theme Of Mozart
Tonadilla
Suite espanola: Espanoletas
Suite espanola: Rujero y paradetas
Suite espanola: La Minona de Cataluna
Suite espanola: Folias
Suite espanola: Passacalle de la cavalleria de Napoles
Suite espanola: Canarios
Villanesca
Torre bermeja
Estudio sin luz
Remembranza
Suite In D Minor: Preludio
Suite In D Minor: Allegro
Suite In D Minor: Zarabanda
Suite In D Minor: Gabota
Suite In D Minor: Despacio
Suite In D Minor: Giga
Suite catalan: La Filadora
Suite catalan: La Filla del marxant
Suite catalan: La Nit de nadal
Suite catalan: El Noi de la mare

Customer Reviews:

Awesome guitar work.......2007-01-12

Parkening sets the standard for others to compare to. Enjoyable tribute to Segovia. The type of guitar mastery that one can relax to after a hard days work. Enough said.

Have been loving this for over ten years!!.......2003-09-26

I bought this cassette over ten years ago (1992) when I started taking classical guitar lessons. Would listen to it on the way home from work, then had a baby nine years ago and have used it for lullaby music (works like a charm) for afternoon naps and nighttime. Still listen to it in the car when the kids fight and they mellow out instantly.

Finally buying it on CD because I think I wore a spot out on the cassette! I have listened to this masterpiece at least a thousand times and have never, ever tired of this most excellent work of art.

If you are a classical guitar fan, you will absolutely adore every single note played on this album/CD. I promise!! :)

sonic rapture..........2003-06-03

If anyone knows of a better sonically intoxicating cd than this please let me know. Possibly only Julian Bream's unreal 1982 Granados and Albeniz cd would top this one for me. Anyway just thought I would pass this thought along to anyone who may visit here. The tone is absolutely magical on this cd. This is the cd to listen to at night to chill out and get mellow while being enchanted to the max. Peace. I must go on... the tone, the tone. My god the tone.

Not just a tribute.......2001-07-31

Parkening shows how much he learned from Segovia. I have many of these pieces played by the Master. Parkening plays with a similar timbre, simlar dynamics and with a musicality just as deep as Segovia's. IF you like classical guitar you should own this one.

Wonderful, relaxing music.......2001-01-27

This cd will spend much time on my player. It is so lively, yet comforting music to listen to.

Parkening provides wonderful tribute to Segovia with Spanish compositions especially loved by the master, even some of them performed on one his Segovia's guitars.

Tracks:

Fantasia on Greensleeves
English Folk Song Suite: I. March: Seventeen come Sunday
English Folk Song Suite: II. Intermezzo: My bonny boy
English Folk Song Suite: III. March: Folk songs from Somerset
Oboe Concerto: I. Rondo pastorale
Oboe Concerto: II. Minuet and musette
Oboe Concerto: III. Finale
Concerto Grosso: I. Intrada
Concerto Grosso: II. Burlesca ostinata
Concerto Grosso: III. Sarabande
Concerto Grosso: IV. Scherzo
Concerto Grosso: V. March and Reprise
Romance (for Harmonica, Strings & Piano)
The Lark Ascending (for Violin And Orchestra)

Tracks:

Five Variants of 'Dives and Lazarus'
Norfolk Rhapsody No. 1
Partita For Double String Orchestra: I. Prelude: Andante tranquillo
Partita For Double String Orchestra: II. Scherzo ostinato: Presto
Partita For Double String Orchestra: III. Intermezzo (Homage To Henry Hall)
Partita For Double String Orchestra: IV. Fantasia: Allegro
In the Fen Country
Fantasia on a Theme by Thomas Tallis

Customer Reviews:

Inspiring, noble, and also relaxing!.......2007-06-15

Hi. I am familiar with a lot of classical music. However, I knew little about the oeuvre of Vaughan Williams. What a great find! Getting so much of his instrumental work is truly a bargain. He evokes the English countryside and folk traditions very effectively. "The Lark Ascending" is relaxing while also being a virtuoso piece of work. Makes me wonder if J.R.R. Tolkien, with his love for rural England, ever attended a concert by Vaughan Williams...

Highly recommended! :)

Beautiful Music.......2007-01-29

Each piece on this CD is wonderful to listen to. My 2 year old daughter takes her nap everyday with this CD playing softly in the background. This CD is a great deal as it includes 2 CD's including Vaughan Williams: Fantasies; the Lark Ascending; Five Variants. Which is also a wonderful CD, we got it for 2 friends at our church. But better to get this CD with 2 CD's for the price of one. My favorite is Fanatasia on a Theme by Thomas Tallis!

I love this composer.......2006-03-17

While not all his works are to my taste, his pastoral ones are so gorgeous that you don't really care that the more boisterous ones are wanting.

Balanced & Refined English Folk Song Adaptations.......2005-02-04

Vaughan Williams is certainly one of the consummate English composers who took the folk song of his country and compsed delightful orchestra works around them.

This budget worthy 2-CD set displays this in two parts, the first performed by the Acadamey of St.Martin in-the-Fields while the second disc features more period instruments with the New Queen's Hall Orchestra and the London Philharmonic.

Celia Nicklin is superb with the Oboe Concerto nusancing this pastoral yet lively offering. Iona Brown likewise contributes a fine solo violin performance with "The Lark Ascending"

The strings also provide a strong offering on the "Tallis Fantasia", one of his strongest compositions on this selection.

Excellent example of this prominent English composer's love with folk song interpretation, in this recording done passionately and naturally.

A great CD.......2004-02-10

English Folk Song Suit is one of my favorite pieces ever! I first heard the song when I played it in Windensambe. It's an exciting piece to play and to listen to. I would recommend this Cd to anyone with an intrest in great music.

Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly

Average customer rating:

Superb with just one reservation
Go ahead, test your intelligence...
The definitive recordings.
Sound Splitting Music
An aural knockout

Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Edgard Varese , Riccardo Chailly , Mireille Delunsch , Sarah Leonard , Royal Concertgebouw Orhcestra , and Asko Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Anton Webern: Complete Works, Opp. 1-31
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Penderecki: Anaklasis; Threnody; etc.
Xenakis: Orchestral Works & Chamber Music
Arnold Schoenberg: Serenade/Five Pieces For Orchestra

ASIN: B00000AFR8
Release Date: 1998-09-15

Tracks:

Tuning Up
Amques (Original Version)
Po ectronique
Arcana
Nocturnal
Un Grand Sommeil Noir (Orchestral Version)

Tracks:

Un Grand Sommeil Noir (Original Version)
Offrandes: Chanson de laut
Offrandes: La Croix du Sud
Hyperprism
Octandre: Assez lent
Octandre: Trvif et nerveux
Octandre: Grave - Animt jubilatoire
Intales
Ecuatorial
Ionisation
Density 21.5
Drts: 1st Episode
Drts: 1st interpolation of organized sound
Drts: 2nd episode
Drts: 2nd interpolation
Drts: 3rd episode
Drts: 3rd interpolation
Drts: 4th episode
Dance for Burgess

Amazon.com essential recording

For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin Edgerton

Customer Reviews:

Superb with just one reservation.......2006-11-10

This complete works of Varèse, superbly performed and recorded, is a fine accomplishment. My only disappointment was its version of Poème Elèctronique being the sole representation of that ground-breaking work that still holds up for me today as one of the finest pieces of electronic music yet created. It is interesting to be able to hear the version in this collection, which appears to be a loving restoration of what must have been primarily the raw, performing version, to be further enhanced during its performances in a very large space? What I miss in the present version is the more clearly heard textures of its huge sound palette; the resonant and often humerous interplay between them, and its dramatic sweep as it was presented on a sparcely documented stereo mix that first appeared on a Columbia Records LP, later reissued on a CD, now out of print. That one is surely more like an actual performance, presumably mixed to re-create as well as possible then what it might have sounded like over its four hundred loudspeakers in the Philips Pavillion. I hope there will be further reissues. To me the CBS version's drama and energy are more like that of the performances of the other pieces in this wonderful Complete Works set. -Curt Wittig

Go ahead, test your intelligence..........2006-06-18

Frank Zappa used to play Varese to test the intelligence of his friends, and most of them used to look at him like he was "out of his f---ing mind" as he put it. As a major Zappa fan, I bought this compliation, and I love every minute of it. This 2 CD set contains all of Varese's work (needless to say, Edgar wasn't very prolific). You really hear Varese's influence in Zappa's work. Some favorite pieces are Deserts, Poem Electronique, and Un Grand Sommeil Noir (Original Version). Varese's music reminds me of universes being created, in all their violence, beauty, and glory. Instruments crashing down upon one another. This music is reminiscent of Zappa's Weasels Ripped My Flesh and his orchestral work especially. Varese is one of the great American composers, like Aaron Copland, John Cage, and Conlon Nancarrow. Superb....

The definitive recordings........2005-11-09

Riccardo Chailly once said Varèse was going to be the Brahms of the XXI Century. I really don't know if he will be right or wrong, specially because of the very conservative auditoriums we have all around the world, but it should be this way, as the french composer has died too many years ago and his music should be understood but most of the public. It's sad to know that composers, like the own Mahler said, use to be years, decades, even centuries in advance to the general public .

Anyway, it's very important for the popular knowledge of this composers to have recordings like this, in which everything works perfectly as if it was a clock. After many years having some good recordings conducted by Boulez (Sony) and Nagano (Erato) mainly, we have now the possibility of listening one of the most musical and technical orchestra & baton of this time: The Concertgebouworkest and Riccado Chailly.

Most of the versions in this 2CDs set are the best I know, specially the orchestral works, played with conviction and precision by the Concertgebouworkest, an orchestra that had some problems with Mr.Chailly when they begin to play this, for them, `rare' music. The way Arcana sounds its incredible, full of power, mistery and perfection, the performing of Ameriques is breathtaking and I can only compare it with the truly outstanding version by Pierre Boulez with the CSO for DG. Deserts is a new dimension in Chailly's hands, really terrible and full of dark emotions.

Of course, there are little things that could be a bit better, like the Spanish sung in Ecuatorial, better sung in Nagano's version, but generally the performing is marvellous and the instrumental and ondes Martenot's playing in this piece is perfect in Chailly's version.

The ASKO Ensemble versions are outstanding too, showing a very modern Varèse. The performing of Ionisation, that great jewel, listened with a good Hi-Fi system is a experience not to be lost.

The recordings are very good, not outstanding, as it sounds like distant sometimes, but clear and with good definition, of course better with good electronics.

Booklet and presentation of the box is marvellous too; as it has to be in real event in recorded music in the last decades.

Sound Splitting Music.......2002-06-25

First, let me state that I am a long-time Varese fanatic. I first heard Ionisation live at a contemporary music concert in my town when I was 12, and I was hooked. I immediately bought the old Robert Craft double album on Columbia and played it until there were scratches on the scratches. So I was overjoyed to see a modern "complete" recording with up to date sonics. For the most part, I haven't been too disappointed with the performances either.

Chailly is great on much of this music. Ameriques and Arcana are sonic extravagazas. And this is the best recording I've heard of Nocturnal and Ecuatorial. Chailly does a good job with the chamber pieces of the 20s and 30s, though I agree with other reviewers, Boulez is much clearer on Ionisation. Chailly misses some of my favorite parts, and I find it hard to hear the first snare drum theme. (I'm also quite partial to Craft's version, but I don't think it's available anymore.)

I also must add to the chorus of exceptions on the questionable material. The orhestrated version of the solo song has no place on this CD. It doesn't sound like Varese, more like Debussy, and though the song is quite impressionistic, I think we presume too much to orchestrate it and pass it off as "complete" Varese. And neither Tune Up nor Dance for Burgess really add much to our understanding of Varese, and are of questionable value. I suspect that Varese would have destroyed them completely had he been able. Much better to have a recording of the revised version of Ameriques. The revision is so extensive, that a side by side comparison would be illuminating.

All in all, I like this CD. Chailly's take on Varese is big and passionate, something that I think both Boulez and Craft miss. Abravanel comes close to this passion, but Chailly wins because of the gorgeous sonics. I highly recommend this CD to those interested in exploring the unique sound world of Varese.

An aural knockout.......2002-02-01

Here are two discs with some of the most exciting 20th-century music around. Chailly and the Concertgebouw give definitive readings of Varèse's complex pieces, some written for a huge orchestra, and recorded in typically opulent London sound.

My favorites are, without a doubt, "Ameriques" and "Arcana," two explosive showpieces that will give your sound system quite a workout. But far from being merely loud, the scores have many beautiful textures (including quiet ones) scattered throughout the orchestra, and Chailly captures much of the glittering detail.

I even like "Tuning Up," which may seem like a less substantial work to most ears. To be fair, if the piece is not the last word in Varèse's imagination, it is clever enough for its short duration, and as with everything on this disc, the orchestra sounds superb and totally undaunted. Their virtuosity is both satisfying and thrilling, especially in such seldom-performed music.

Make sure your neighbors are away before turning up the performance of "Ameriques," though - the last few pages will blow your roof off.

Tracks:

Attila: Santo Di Patria... Allor Che I Forti Corrono - Joan Sutherland
Lakme: Viens, Mallika... Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
Les Contes D'Hoffmann: Les Oiseaux Dans La Charmille - Joan Sutherland
Die Zauberflote: O Zittre Nicht, Mein Lieber Sohn... Zum Leiden Bin Ich Auserkoren - Joan Sutherland
Linda Di Chamounix: Ah! Tardai Troppo... O Luce Di Quest'anima - Joan Sutherland
Semiramide: Serbami Ognor Si Fido - Joan Sutherland/Marilyn Horne
Beatrice Di Tenda Bellini: Eccomi Pronta... Deh, Se Un'urna - Joan Sutherland/Ambrosian Singers
La Fille Du Regiment Donizetti: Pour Ce Contrat Fatal... Ah! Salut A La France - Joan Sutherland/Chor Of The ROHCG
La Traviata: Un Di Felice - Joan Sutherland/Carlo Bergonzi
The Bohemian Girl: I Dreamt I Dwelt In Marble Halls - Joan Sutherland
Home Sweet Home - Joan Sutherland
Casanova: Nuns' Chorus - Joan Sutherland/Ambrosian Light Opr Chor
Lucia Di Lammermoor: (O Giusto Cielo!)... Il Dolce Suono Mi Colpi Di Sua Voce!... Ardon Gl'incensi.. - Joan Sutherland/Chor De L'Opera De Paris/Rene Duclos

Tracks:

Norma: Sediziose Voci... Casta Diva - Joan Sutherland/Chor Of The ROHCG/Douglas Robinson
Alcina: Tornami A Vagheggiar - Joan Sutherland
Con For Coloratura Soprano, Op.82: Andante - Joan Sutherland
Con For Coloratura Soprano, Op.82: Allegro - Joan Sutherland
Lucia Di Lammermoor: Sulla Tomba... Ah! Verranno A Te Sull'aure - Joan Sutherland/Luciano Pavarotti
Rigoletto: Gualtier Malde... Caro Nome - Joan Sutherland/Riccardo Cassinelli/Christian Du Plessis/John Gibbs/Ambrosian Opr Chor
Esclarmonde Massenet: Esprits De L'air! Esprits De L'onde! ... Roland! Roland! Roland! - Joan Sutherland/Huguette Tourangeau/John Alldis Chor
Operette: Where Are The Songs We Sung? - Joan Sutherland
The Boys From Syracuse: Falling In Love With Love - Joan Sutherland/Ambrosian Light Opr Chor
I Puritani: Son Vergin Vezzosa - Joan Sutherland/Margreta Elkins/Pierre Duval/Ezio Flagello
Turandot: In Questa Reggia - Joan Sutherland/Luciano Pavarotti/John Alldis Choir/Wandsworth School Boys' Choir/Russell Burgess
Tristan Und Isolde: Mild Und Leise Wie Er Lachelt - Joan Sutherland
Adriana Lecouvreur: Poveri Fiori - Joan Sutherland
La Sonnambula: Ah! Non Giunge Uman Pensiero - Joan Sutherland/London Opr Chor/Terry Edwards

Customer Reviews:

La Stupenda at her best.......2007-05-06

This 2 CD set is entitled "La Stupenda," which creates extremely high expectations. Joan Sutherland meets those expectations on this CD; she is, indeed, "La Stupenda." One of the interesting aspects of this set is Dame Joan's singing some non operatic works (such as "Home Sweet Home" or "Where Are the Songs We Sung?" or "Falling in Love with Love"). In the end, this is a wonderful compilation of the art of Joan Sutherland.

First, let's consider a sampling of the cuts on these CDs.

"O Zittre Nicht" is from Mozart's "Magic Flute" and it is a challenge to sopranos, with its series of staccato high notes. Sutherland essays this well. There are some nice trills; she hits the high notes well. The series of (treacherous) high notes toward the end is handled very nicely by Sutherland. In short, she scintillates, with a closing high note well hit.

From Donizetti's "Linda di Chamounix," she sings "O luce di questi'anima." Her voice and technique are well suited for Donizetti (and Bellini). The cantabile is smoothly sung. The cabaletta is rollicking. Her coloratura technique is on target; the ornamentation is compelling. There are trills, runs, high notes and other ornamentation well done. The close is nice (although there may be a bit of a scoop on the final high note).

From "Beatrice di Tenda" (by Bellini), we hear ""Eccomi pronta. . .Deh, se un'urna." The cantabile is sung well. She hits notes clearly. The spirited cabaletta follows. Sutherland exhibits somewhat less ornamentation than usual, but trills are well done and, overall, the piece is nicely sung. The close features clean high notes.

"Home Sweet Home." This kind of illustrates Joan Sutherland's work nicely. I can hardly make out the words (and it is sung in English). But it is an interesting version. She sings the song straight, without overpowering the song with operatic technique (an occasional trill actually works out well).

Elsewhere, I have commented on her 1959 version of the "Mad Scene" from "Lucia di Lammermoor" (from her album "The Greatest Hits").

"Falling in Love with Love" is an interesting cut. This is a classic Rodgers and Hart song. Sutherland sings it pretty well, and one can pick up the words cleanly. However, one might compare this with Anna Moffo's version, which is more musical. Sutherland's version is a bit too operatic for what the song is about.

Finally, "Ah non giunge" from Bellini's "La Sonnambula," a great coloratura tune! This is taken at a sprightly pace. Sutherland exhibits good coloratura technique. There is nice ornamentation. She precisely nails high notes. In the repeat, the florid singing ramps up. This is a compelling version, with series of staccato high notes to close the work out.

Thus, this 2 CD set is a welcome entrée to the body of work of Dame Joan Sutherland. Sometimes (as with "Home Sweet Home") one has a hard time picking out the words. But with Sutherland, the skills and techniques create a compelling oeuvre that is well worth attending to.

this is the one to buy.......2007-04-18

I'm not an opera expert I just enjoy it. La Stupenda has the best of Joan Sutherland in a two CD set and it's amazing. She looked like a nice, quiet housewife but an indescribalbe voice. Her aria from Norma gave me chills and her version of "I Dreamed I Dwelt in Marble Halls" is flat out one of the prettiest things I've ever heard.

La Stupenda lives up to her name.......2006-11-12

Joan Sutherland was undeniably one of the greatest operatic sopranos of the 20th century. This comprehensive two-CD retrospective of her long career will delight her many fans, and serve as a fitting introduction for those unfamiliar with her artistry. The two CDs span a period of nearly thirty years, from 1959 to 1988, with the majority of the 27 tracks recorded during the 1960s and 1970s, when her voice was at its' astounding best. Sutherland was renowned first and foremost as a dramatic coloratura, and her supple technique is brilliantly illustrated in selections such as the Mad Scene from Lucia di Lammermoor; Doll Song from The Tales of Hoffmann; Queen of the Night aria from The Magic Flute; and the seldom-performed Concerto for Coloratura Soprano by Gliere. As her career progressed, her voice became larger and more powerful, as demonstrated by the Liebestod from Wagner's Tristan and Isolde, and In Questa Reggia from Puccini's Turandot. Lastly, Sutherland was a diva who was not afraid to let her hair down once in a while, and we are treated to lighter selections such as Where are the songs we sung? by Noel Coward, and Falling in love with love, by Rogers and Hart. Highly recommended for all lovers of great singing.

La Stupenda, Amore, amore, amore.......2006-01-28

I adore this woman's voice. And I love this cd. I was really happy to find an aria of "Esclarmonde" which is virtually impossible to find as well as some of the more lesser known works of hers such as Mozart's Queen of Night, although I wish she had done a recording of the revenge aria (Der Holle Roche) The whole cd was wonderful to hear but if I had to make on complaint it's that I didn't buy her Isolde's Liebestod but the woman can sing Lucia better than just about anyone so I'll forgive her for not sticking with the Wagner. In fact I am thrilled that she chose Lucia over Isolde because frankly acting and interperation was never her strong suit, it was the pure beauty of her voice. It's always a grand pleasure to listen to Joan kick butt in any coloratura arias but of course she set the bar so high that there is yet a coloratura since her that can do those arias half as well. She has spoiled me for life and that's why she is La Stupenda.

La Stupenda - well deserved title for Joan.......2006-01-12

I am not an opera expert by any stretch of the imagination - but I love opera. I love the expertise and beautiful voices of these hardworking singers. When I first heard Joan sing, it was from a recording she made late in her career and I honestly thought, what's the big deal about her? So, I decided to get The Art of Prima Donna album, and all I have to say is WOW! In her prime, this woman was a fantastic singer! While she wasn't the dramatist like Callas was (I also love Callas), her range and the way she hit each note so precisely was amazing! So, I bought La Stupenda. I loved the piece she did from Handel's Alcia and the fantastic Rossini duet she did with Marilyn Horn. The entire album is wonderful. I particularly like how Joan's high notes are never screechy - she makes those high notes sound so effortless. I also appreciate how she had such control over her vibrato - not too trilly (I like trilly - especially by Beverly Sills - however, not every song should be all trill). Finally, I think that Joan was one of the few sopranos that didn't try to drown everyone out. When she sang a duet, she blended with the other singer - how rare! Not all singers seem to be able to accomplish that - duets shouldn't be a competition. This album is worth every penny. Joan was one of the great singers of the 20th century and she deserves her title of La Stupenda!

Hovhaness: Celestial Gate and Other Orchestral Works

Average customer rating:

Beautiful and inspiring
best of the Hovhaness recordings I own
Hovhaness Primer
Inspiring, surprising, meditative all in one.
Tzaikerk Allelula Evening Songs

Hovhaness: Celestial Gate and Other Orchestral Works

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Alan Hovhaness: Symphony No. 22 ("City of Light"); Cello Concerto
Hovhaness: Mysterious Mountain
Hovhaness: Requiem and Resurrection; Symphony No. 19 "Vishnu"
Hovhaness: Mysterious Mountain/And God Created Great Whales
Alan Hovhaness: Mysterious Mountains

ASIN: B000003D0V
Release Date: 1995-08-29

Tracks:

Celestial Gate
Prelude And Quadruple Fugue, Op. 128 For Orchestra
Tzaikerk, 'Evening Song'
Prayer Of Saint Gregory
Alleluia And Fugue, Op. 40b
I. Allegretto
II. Jhala: Allegro
III. Double Fugue: Allegretto

Amazon.com

Alan Hovhaness is an Armenian American composer whose music knows no end to experiments with styles, modes, and even instrumentation. But the core of his work seems to be mystical, as in Symphony 6 Celestial Gate based on a painting by the mystic Hermon de Giovanno. His Concerto for Orchestra, No. 7 is a 1953 work with Hindustan elements in it; but like a true concerto for orchestra, it makes its rounds to all the instruments. Tzaikerk, or Evening Song, is for flute, violin, timpani and string orchestra is heavily influenced by Korean (or Asian) music. This is a diverse collection by one of our best. --Paul Cook

Customer Reviews:

Beautiful and inspiring.......2005-11-27

"Mysterious Mountain" was the first thing I had ever heard from Alan hovhaness and that was more than enough to get me interested in his music. Later I came across this CD and it instantly became one of my favorite CD's. "Celestial Gate" and "Tzaikerk" alone are worth the buy.

best of the Hovhaness recordings I own.......2005-10-08

I own several recordings of Alan Hovhaness' music and this is the best. The pieces contained are good exemplars of his best work. Symphony #6 is episodic in its structure but contains some of his most mystically atmospheric material and is not overly repetitive. Opp. 128 & 53 are nice works. The Prayer of Saint Gregory might be his best work. The playing here is really good and the sound is also good -- a nice sharp image, good depth. This is an excellent introduction to this somewhat obscure composer.

Hovhaness Primer.......2004-06-08

As is the case with many others, this was the first Alan Hovaness CD I ever purchse and I now own about 11.
For someone interested in getting to know this unique composer it is the best place to start. The variety of pieces are a good representation of this man's work. It is like no music I have ever heard before!

Inspiring, surprising, meditative all in one........2003-04-21

The CD cover art - a bright light shining boldly from deep in space - is an apt visual description of the music on this beautiful and graceful CD. It's the first Hovhaness CD I purchased, and I have bought many more since. Alan Hovhaness was an inspired genius, and not afraid to blaze his own path. In some respects, he reminds me of Jean Sibelius, another of my favorites, for his love of natural beauty and hints of eastern mysticism. The 5 minute Prayer of Saint Gregory alone is worth the price of the CD. I can't write very well about music I like - it's like describing wine and sounding snooty - but if you like to think, be surprised, and transported, then Hovhaness is your man. And this CD is a great place to start.

Tzaikerk Allelula Evening Songs.......2002-12-18

Alan Hovhaness was born on March 8th of 1911. Around 1940, after studies at the New England Conservatory of Music, he was appointed to the position of organist at an Armenian church near Boston. An inner prompting, around that same time, led to an intensive study of Oriental music, philosophy and religion. These two strong spiritual influences helped to contribute to a mystical disposition in both Mr. Hovhanness's life and in his abundant artistic creations.

The following may help to describe three of the major pieces on this Telarc disc:

"Celestial Gate" was completed in the year 1959. In this piece, Hovhaness describes an interior journey of many years duration, which culminated in the passage, through a 'mental gate', into a spiritual realm of expansive satiating presence. We are invited, through this translation into sound by conductor Rudolf Werthen and The Orchestra of Flanders, to know once again this welcoming spiritual state, in the act of listening to this wonderfully sensual recording.

"Concerto No. 7" was composed between August and October of 1953. A wealth of themes are introduced and woven together during the three movements. As the composer notes: "In the course of it's twenty-four minute duration all unnecessary elements are removed - only a voluptuous essence remains".

The "Prayer of Saint Gregory" is an excerpt from a Hovhanness Opera, conceived in 1946 and titled "Etchmiadzin". As the composer notes: "This music is like a prayer for mutuality and tender emotional reciprocity amidst melancholy social isolation".

Customer Reviews:

The classical heritage .......2006-04-16

The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.

In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.

In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.

Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.

Julian Bream makes a colossal tribute to both composers in this egregious and golden album.

Average customer rating:

Bill Goes 'Symphonic'
A Gem Among Bill's Recordings
One for the Ages
a stunning fusion of classical and jazz
Thomas Zink

Bill Evans Trio with Symphony Orchestra

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Bebop General | Bebop | Jazz | Styles | Music

Cool Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

Modern Postbebop | Jazz | Styles | Music

Bebop & Post-Bop | Compilations | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Amoroso/Brasil
A Turtle's Dream
The Tokyo Concert
João (I Really Samba)
From Left to Right

ASIN: B0000046UD
Release Date: 1990-10-25

Tracks:

Granadas
Valse
Prelude
Time Remembered
Pavane
Elegia (Elegy)
My Bells
Blue Interlude

Amazon.com

Throughout his career, pianist-composer Bill Evans successfully melded Bud Powell's fiery bop-paced technique with the lyricism and harmonic language of the French impressionists Ravel and Debussy. So it was only natural that he would record a session that combines the jazz and classical traditions.

Released in 1965, this date features Evans's trio with drummer Larry Bunker, who, three decades later, guest-starred on Diana Krall's When I Look in Your Eyes, and the sensitive bassist Larry Bunker. They're augmented by the azure-tinged arrangements by the famed conductor Claus Ogerman, who worked his magic with artists from Antonio Carlos Jobim to Frank Sinatra. The result of this union is a swinging and seamless interplay in which improvisation becomes spontaneous composition, and vice versa. The linearity and logic of Evans's lines erase centuries of musical distance from the works of Bach, Chopin, Granados, Fauré, and Scriabin, with the trio's trademark telepathy expressed in 4/4 and 3/4 time signatures and light Latin tinges. Evans's haunting compositions, "My Bells" and "Time Remembered," imbued by Ogerman's ethereal strings, are the jewels of this delightful recording, whose brilliance has increased with time. --Eugene Holley Jr.

Customer Reviews:

Bill Goes 'Symphonic'.......2004-06-10

This is an unusual Bill Evans recording, as it combines his trio with a "symphony orchestra" playing arrangements by Claus Ogerman of several "classical" themes along with two of Evans's most haunting originals: "Time Remembered" and "My Bells". Not that there's much of a classical feel to the orchestrations: apart from the Vaughan Williams/Shostakovich overtones of Ogerman's "Elegy", the orchestral music is more reminiscent of a glossy 1960s/70s film score. There's some attractive woodwind and french horn, but on some of the tracks the large string section might be a bit too lush for some tastes. Fortunately, on most tracks the orchestra confines itself to stating the theme at the opening and in a few places playing a fairly discreet accompanying role, but generally keeping out of the way of Evans's improvisations. So the main "fusion" interest lies in what Evans does with the themes in his solos.

One of the minor oddnesses of the album is the way in which, on some tracks, the beginning of Evans's solo launches into a very different tempo and mood from the one just established in the orchestra's theme statement. Sometimes - as on Faure's Pavane - this creates a musically effective contrast; elsewhere - as on "Granados" - it leaves you feeling too sharply aware of the incongruity rather than empathy between the different musical worlds being brought together. Maybe that's partly why the most satisfying of the "classical" tracks are the Bach Sicilienne and "Blue Interlude" (on Chopin's C minor Prelude): each solo seems to grow organically out of its theme and both themes inspire Evans to some excellent improvisation. Listen, for example, to the way in which he exploits the "bluesy" aspect of the Chopin as his solo builds to its climax. Evans's own "My Bells" is another high spot of the album - an attractively nostalgic modal theme tastefully arranged for the orchestra, leading to a gently swinging solo and a rubato restatement of the theme by Evans before a wistful coda.

There's certainly a lot of absorbing, beautiful playing from the Evans trio here, including a high level of melodic invention and incomparable rhythmic subtlety from the pianist. But the appeal of the album will largely depend on what you think of the orchestra's part in the proceedings. It's probably one to try before you buy.

A Gem Among Bill's Recordings.......2002-06-25

This recording is a gem of Bill's playing. Simple, clean lines, and a beautiful background by Claus Ogerman. I listen to this recording over and over. I was a fan of Bill Evans and Claus Ogerman before I listened to this CD. But this exceeded my expectations of the two artists.

One for the Ages.......2001-08-09

"The Bill Evans Trio with Symphony Orchestra" was one of the first recordings I ever heard...EVER. My Mon used to play the LP while she was carrying me so I really do mean first. With that in mind it has never been far from my CD player for as long as I can remember. From all reports this was a troubled recording session with the arranger and conductor of record, Claus Ogerman having trouble controlling all the elements specifically the pick up orchestra and vocal soloist. Sometimes great things come out of great conflict to paraphrase an old saying. Because, despite all of this this is one of the most glorious recordings ever produced. The Ogerman arrangements are lush and beautiful to the point of distraction. Evans chose the perfect composers to compliment his style and that of his trio. Listen to his rendition of Faure's Pavane or Granados' Granadas. And Ogerman and Evans have also composed two of the tracks themselves. Gorgeous. Lie back on your sofa, turn the volume up, open a bottle of Pinot Noir and let this music take you away.

a stunning fusion of classical and jazz.......2001-05-03

There's nothing like having your expectations completely blown away - this recording is a revelation. I've set my cd player to repeat and listened to this cd for hours at a time. If you're looking for a fresh interpretation of jazz, look no further.

Thomas Zink.......2000-06-23

Easily one of the most daring ventures in crossover jazz, this recording was always one of Bill's favorites. Though not without is failings, it is nontheless a brilliant meeting of the minds between Claus Ogerman and Bill Evans, with Ogerman's orchestral arrangements alone being worth the price of the C.D. The trio is swinging and interacting well, although (probably due to the nature of recording with a whole orchestra in a large studio) not at the level of say "The Village Vangard" sessions. Actually one of the greatest drawbacks of the CD is the recorded sound of the trio - the piano in particular. This was probably due to the nature of recording a jazz trio live alongside an orchestra. Once past these minor distractions, however, the CD is a beautiful interweaving of the classical and Jazz traditions taking some of the best elements of each and creating a new blend. Of course to purists of either tradition such an attempt is almost bound to elicit disapointment, but to those with an open mind there is so much in the way of beautiful music that the CD is a constant joy. Although not extremely well know, Evan's knowlege of the classical tradition was deep and broad, as evidenced by his (and Ogerman's) choice of material. The selections range from Bach and Chopin to Faure and Scriabin with the addition of 3 original compositions - all of which are notable for their beautiful melodies and sensative arrangements. There is not a long list of succesful or well recieved attemps to modify the classics into contemporary arrangements, but this is not to say the idea is without legitimacy. Certainly Broadway show tunes (which are the consistent staple for jazz musicians) in their modified version as recorded by say Miles Davis or John Coltrane have about as much (or perhaps even less) similarity to the original version as do these arrangenments to the classics from which they were taken. In either case, the resulting music in the hands of the masters, be they Miles, Evans, or Orgeman is a pleasure to listen to.

Average customer rating:

Best five bucks you'll ever spend on a classical guitar CD
Pleasing but not perfect
Not what I was looking for
Remastered...and Rediscovered
Hauntingly beautiful

Malagueña: Spanish Guitar Music

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | International | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Spanish Guitar Music
Tárrega: Recuerdos De La Alhambra; Lágrima; Danza mora; Etc. [Germany]
Romance D'Amour
Sor, Aguado, Tárrega: 19th Century Guitar Favourites
Villa-Lobos: Complete Music for Solo Guitar

ASIN: B00004Z33R
Release Date: 2001-03-27

Tracks:

Malaguena (Transcr: N. Yepes)
Recuerdos de la Alhambra
Marieta: Mazurka
Capricho arabe - Serenata
Tango
En los trigales
Concion y danza No. 1
Inroduction And Variations On A Theme By Mozart, Op. 9
Suite Espanola (Arr: N. Yepes): Espanoletas
Suite Espanola (Arr: N. Yepes): Gallarda y Villano
Suite Espanola (Arr: N. Yepes): Danza de las hachas
Suite Espanola (Arr: N. Yepes): Rujero y Paradetas
Suite Espanola (Arr: N. Yepes): Zarabanda al ayre espanol
Suite Espanola (Arr: N. Yepes): Passacalle
Suite Espanola (Arr: N. Yepes): Folias
Suite Espanola (Arr: N. Yepes): La Minona de Cataluna
Suite Espanola (Arr: N. Yepes): Canarios
Fantasia que contrahaze la harpa en la manera de Ludovico
Sonata In E Major
Suite espanola: 5. Asturias. Leyenda
Danza espanola No. 4: Villanesca (Transcr.: N. Yepes)
El sombrero de tres picos: Danza del molinero. Farruca
Romance (From The Film 'Forbidden Games')

Customer Reviews:

Best five bucks you'll ever spend on a classical guitar CD.......2007-04-06

I can't help but think that because it's five dollars some people have to get snobby about this collection. In my humble opinion the recordings of "Malaguena," "Capricho Arabe," "En Los Trigales," and "Introduction, Theme, & Variations on a Theme From Mozart" are the standard by which all others should be judged. And nobody else can touch his interpretation of Granados' "Villanesca." Except perhaps for Manuel Barrueco, but the way Narciso uses harmonics for the pedal tone is something that feels so natural, you can't listen to a fretted version ever again w/o wishing it was done in harmonics! The rest of the album is typical Narciso. Amazing dynamics and phrasing with flawless technical execution. I don't really believe that anyone else in the history of classical guitar has been able to carry a counterpoint with such defined independence. A true 20th century master. His tone may be a bit on the treble side for "Recuerdos de la Alhambra" but why even play that after Pepe put his mark on it? ;)
This collection is nearly identical to a cassette tape I used to own 20 some odd years ago except that "Rumores de la Caleta" and perhaps one or two others are not included with this compilation.

Pleasing but not perfect.......2007-02-14

This CD is packed with the classics and must hear of classical music. There are some pieces I wouldnt have included and others that I would have, but overall it's in my #3 rotation.

Not what I was looking for .......2007-01-09

I was looking for the "old" guitar version on Malaguena that I have heard several times before. I didn't recognize this version.

Remastered...and Rediscovered.......2006-12-24

There are two CD's available with this exact same program; this one has an "ambient surround imaging" applied to it, which is a pleasant effect on a surround sound system. Yepes' guitar sounds a bit recessed, but the tape hiss that was present on his budget-label LP recordings that I have is virtually gone. The dynamics have also been improved. At this price, it's a great buy, and a nice introduction to the Spanish guitar from a true master.

Hauntingly beautiful.......2001-08-20

Something to listen to when you are on a long flight and missing the new lover you left behind. Just simply beautiful music.......

Average customer rating:

Harp for meat lovers.
A full 145 minutes of wonderful harp and orchestral music
Classic Performances, aging but still good sound

Great Works For Harp

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

The Harmonious Harp
Harp Concertos
Music for Solo Harp
The Magic Of The Harp
Romantic Music for Flute and Harp

ASIN: B000001GLD
Release Date: 1995-03-14

Tracks:

Concerto pour flute, harpe et orchestre en ut majeur, K.299 (297c): 1. Allegro - Mozart
Concerto pour flute, harpe et orchestre en ut majeur, K. 299 (297c): 2. Andantino - Mozart
Concerto pour flute, harpe et orchestre en ut majeur, K.299 (297c): 3. Rondeau. Allegro - Mozart
Concerto pour harpe et orchestre en ut majeur: 1. Allegro brilliante - Boieldieu
Concerto pour harpe et orchestre en ut majeur: 2. Andante - Lento - Attaca
Concerto pour harpe et orchestre en ut majeur: 3. Rondeau: Allegro agitato
Concerto-Serenade pour harpe et orchestre: 1. Estudiantina. Allegro - Rodrigo
Concerto-Serenade pour harpe et orchestre: 2. Intermezzo. Molto tranqillo - Rodrigo
Concerto-Serenade pour harpe et orchestre: 3. Sarao. Allegro deciso - Rodrigo

Tracks:

Concerto pour harpe et orchestre en si bemol majeur, op.4 no. 6: 1. Andante Allegro
Concerto pour harpe et orchestre en si bemol majeur, op.4 no.6: 2. Larghetto
Concerto pour harpe et orchestre en si bemol majeur: 3. Allegro moderato
Concerto pour harpe et orchestre en ut majeur: 1. Allegro moderato
Concerto pour harpe et orchestre: 2. Adagio
Concerto pour harpe et orchestre: 3. Allegro
Concerto pour harpe et orchestre en la majeur: 1. Allegro molto
Concerto pour harpe et orchestre en la majeur: 2. Larghetto
Concerto pour harpe et orchestre en la majeur: 3. Rondeau : Allegretto
Introduction et Allegro pour harpe, quatuor a cordes, flute et clarinette: Ravel - Allegro
Danses pour harpe et orchestre a cordes: 1. Danse sacree - DeBussy
Danses pour harpe et orchestre a cordes: 2. Danse profane - DeBussy

Customer Reviews:

Harp for meat lovers........2007-04-26

This is a weighty and meritorious collection of orchestral works featuring harp. As someone who has always loved harp, a begginning harpist, looking for a broad base of serious harp music this is essential listening for me.
This collection is transporting. Styles and preferences come and go in the classical music world and the world of record production, but this collection is solidly timeless. A great overview, resource, and tremendous listening pleasure.

A full 145 minutes of wonderful harp and orchestral music.......2005-10-16

I certainly realize that this is an older recording but this is also an absolutely wonderful collection of some outstanding works for the harp played by Nicanor Zabaleta. There are 8 composers represented, each with an outstanding composition for harp and orchestra. I have never tired of listening to this CD over the last 20 years, it is rich and varied.

Georg Friedrich Haendel's Concerto pour harpe et orchestre en si bemol majeur, op. 4 no. 6 has been a favorite of mine for over 20 years. It immediately transports me into a state of serenity. It is utterly beautiful with the wonderful support for the harp with the string instruments of the orchestra. The movements remain light, floating, and flowing.

Johann Georg Albrechtberger's Concerto pour harpe et orchestre en ut majeur is a perfect piece to follow the Handel piece since it has more integration of the orchestra into the piece but the harp holds its own amongst the orchestral textures. The influence of Handel seems evident, but this is not meant as a negative comment. On the contrary, the for six movements of this CD moving from Handel to Albrechtsberger is seemless.

Karl Ditters Von Dittersdorf's Concerto pour harpe et orchestre en la majeur has a Mozart sound with flowing harp scales supported by the orchestra. The piece ends with Rondeau: Allegretto that is upbeat energetic and fun. This is a great movement to have in the very center of the CD side 1 to keep the guest awake at your next party.

Maurice Ravel's Introduction et Allegro pour harpe, guatour a cordes, flute et clarinette is very different from the three composers that preceed him on the CD. They are baroque, full of flourish and fun. When we hear Ravel, the mood changes to lush romance.

Claude Debussy's Danses pour harpe et orchester a cordes is less lush and moody romantic like the Ravel piece that preceeds it. However the first movement, Danse scree, is somewhat minimal and almost experimental in its lack of flourishes. In the second movement, Danse profane, I thought of Aaron Copeland compositions for the ballet.

Mozart's Concerto pour flute, harpe et orchestre en ut majeur, K. 299 is well done with Karlheinz Zoeller on the flute in all movements. The second movement, Andantino, is sublime. The third movement, Rondeau Allegro takes off like a rocket, with the harp and flute taking turns in center stage.

Francois-Adrien Boteldieu's Concerto pour harpe et orchestre en ut majeur offers the most pensive piece on the CDs in the second movement Audante-Lento-Allaca. Reverent and well constructed, the piece is only a bit melancholy.

Joaquim Rodrigo's Concerto-Serenade pour harpe et orchestre is upbeat and fun in the first and third movements and pensive in the second, with wonderful compliments between the harp and woodwind instruments.

This is an amazing collection of music, 8 composers are included, and the range of works is impressive and enjoyable. I would strongly recommend this CD.

Classic Performances, aging but still good sound.......2001-06-23

Nicano Zabaleta was perhaps the first of the superstar virtuoso harpists of the stereo era and his recordings remain touchstones of unhurried virtuosity coupled with elegant musicianship. These performances are beginning to show their age a bit in sound, but the performances are luminous. The Boieldieu Concerto is seldom encountered in concert, but what a lovely, melodic and enchanting work. Today, Marielle Nordman and Marisa Robles both have very fine recordings of the concerto, but Zabaleta's is still worthy, and in this package, quite a bargain. The Albrechtsberger concerto is equally unfamiliar to many listeners and also a charmer, and the performance of the Handel concerto offered in a warm style that may seem a bit old fashioned by today's Original Instrument crowd, but it is highly persuasive. The Debussy and Ravel pieces are given appealing performances, again somewhat large scale compared to some of the chamber performances in the catalog, but brilliantly played.

The only weak link is the Mozart concerto, and weak only because there are so many good performances of the piece now available. I find the performance a bit stiff, but given the other recordings in this set and the low price, it's still a definite find for anyone who loves music for harp and orchestra.

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