Schon Rosmarin

On this CD:

1. Schön Rosmarin for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

2. La Précieuse in the Style of Louis Couperin for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

3. Malaguena in the Style of Granados for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

4. Andantino in the Style of Padre Martini for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

5. Marche Miniature Viennoise for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

6. Alter Refrain, for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

7. Scherzo in the Style of Karl Dittersdorf for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

8. Violin Concerto in C major in the style of Vivaldi Andante doloroso (in the style of Vivaldi)
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

9. Syncopation for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

10. Chanson Louis XIII and Pavane, in the Style of Couperin, for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

11. Liebesleid "Love's Sorrow" for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

12. Liebesfreud "Love's Joy" for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

13. Rondino on A Theme by Beethoven for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

14. March of the Toy Soldiers
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

15. Berceuse Romantique for violin & piano, Op.9
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

16. Tambourin Chinois for violin & piano, Op 3
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

17. Allegretto in the Style of Boccherini for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

18. Caprice Viennois for violin & piano/orchestra, Op.2
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

19. Polichinelle for violin & piano
Composed by Fritz Kreisler
Performed by Thomas Furi, Gerard Wyss

Tracks:

Variations on an original theme, Op.15
Romance, Op.78, No.2
Mazurka, Op.81, No.1
Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
Cantabile, Op.17
Scherzo-Tarantelle, Op.16
Nigun (Improvisation)
Perpetuum mobile
The Prophet Bird
Spanish Dance No.1
Waves at play (Wellenspiel)
Carmen Fantasy, Op.25 - Arr. Waxman

Tracks:

Praeludium and Allegro
Schosmarin
Tambourin chinois
Caprice viennois op.2
La Preuse (in the style of Louis Couperin)
Liebesfreud
Liebesleid
La Gitana
Berceuse Romantique (Caprice)
Polichinelle (Snade)
Rondino on a Theme by Beethoven
Tempo di menuetto (in the style of Pugnani)
Toy Soldiers' March
Allegretto (in the style of Boccherini)
Marche miniature viennoise
Aucassin and Nicolette (canzonetta medievale)
Menuet (in the style of Porpora)
Sicilienne and Rigaudon (in the style of Francois Francoeur)
Syncopation

Customer Reviews:

beautiful ,beautiful.......2007-05-27

I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.

Great Recording.......2007-01-04

The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.

Itzhak Perlman - A la carte / Lawrence Foster

Average customer rating:

An Outstanding Collection
Gorgeous playing, beautiful pieces.

Itzhak Perlman - A la carte / Lawrence Foster
Jules Massenet , Sergey Rachmaninov , Pablo de Sarasate , Alexander Glazunov , Fritz Kreisler , Pyotr Il'yich Tchaikovsky , Henryk Wieniawski , Lawrence Foster , Itzhak Perlman , and The Abbey Road Ensemble
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Similar Items:

Itzhak Perlman's Greatest Hits
Itzhak Perlman's Greatest Hits, Vol. 2
Itzhak Perlman - Greatest Hits ~ "Carmen" Fantasy · Havanaise · Poème · and more
Ithzak Perlman: Encores
Classic Perlman: Rhapsody

ASIN: B000002RVH
Release Date: 1996-03-12

Tracks:

Meditation (Thais)
Mazurka-Obereque: Mazurka - Obereque
Vocalise, Op.34, No.14
Zigeunerweisen, Op.20
Fantasy On Russian Themes
Meditation, Op.32
Scherzo, Op. 42 No. 2
Legende, Op.17
The Old Refrain
Introduction & Tarantelle, Op. 43
Schon Rosmarin

Customer Reviews:

An Outstanding Collection.......2002-02-12

Here is Perlman at the top of his game- performing short Romantic and turn-of-the-century gems. Perlman has always seemed to revel in this specific era in classical music. From Glazunov's fiery Mazurka, to Pablo de Sarasate's virtuosic jaunt, to the simple, romatic charm of Kreisler's "Schon Rosmarin", Itzhak Perlman and the Abbey Road Ensemble deliver with graceful mastery. I've never heard Massenet's Meditations from "Thais" performed with more passion and elegance.
A lot of violinists, myself included, feel that Perlman has had a rather inconsistent recording career, and A La Carte should be impressive and refreshing for his critics. The exceptional sound quality of this recording makes it a very involving experience and great addition to any audiophile's collection. I never tire of this album, and it is a mainstay and a favorite in my collection. I recommend it 100%.

Gorgeous playing, beautiful pieces........1998-10-29

This collection of rarely performed pieces is a fantastic record. Perlman's playing, as usual, is a feast for the ears. The lush accompaniment is equally beautiful. The pieces are accessible to the classical connoisseur as well as the novice. This is the perfect album for a winter afternoon around the house.

Average customer rating:

poor recording
Travel to the Old Vienna
Only Kreisler Can Play Kreisler *****
Perfection
disappointing technical quality

Fritz Kreisler Plays Kreisler

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Heifetz Showpieces
Kreisler plays Kreisler
The Kreisler Album
Tchaikovsky & Mendelssohn: Violin Concertos
The Kreisler Album

ASIN: B000003G1K
Release Date: 1997-01-14

Tracks:

Liebesfreud
Liebesleid
Tambourin chinois, Op.3
Caprice viennois, Op.2
Chanson Louis XIII And Pavane
Variations On A Theme Of Corelli
Rondino On A Theme By Beethoven
Schon Rosmarin
The Old Refrain - Wiener Volkslied - Le vieux refrain
Andantino
Berceuse romantique, Op.9
Aubade provencale (In The Style Of Couperin)
Apple Blossoms: Who Can Tell?
Toy Soldiers' March
Aucassin And Nicolette (Medieval Canzonetta)
Shepherd's Madrigal - Altdeutsches Schafermadrigal - Madrigal du berger
Gypsy Caprice - Zigeuner Capriccio
Polichinelle
La precieuse (In The Style Of Couperin)
La gitana
Marche miniature viennoise
The King Steps Out: Stars In My Eyes
Viennese Rhapsodic Fantasietta

Customer Reviews:

poor recording.......2007-04-30

Besides the bacground hiss, I found I had to turn the volume up to max just to hear it. So when you play more than one CD the others will be normal volume but when Kreisler starts you hear nothing and have to turn the volume all the way up to have it at low normal levels. So I recommend passing on this one.

Travel to the Old Vienna.......2006-01-26

Sometimes the author isn`t the best performer of his own works. That`s not the case. I completely agree with the previous reviewer: yes, only Kreisler can play Kreisler.
While listening to this music you so wounderfully feel the spirit of the old Vienna, that most technically perfect record couldn`t compare with this impressions. Treat surface noise of the records made in 1912-1946 as the scent of that distant time (by the way, nearly the age gone) - and you would be completely satisfied, because the playing by Kreisler is so scincere and soulful. So if you like Kreisler - don`t think twice. This is CD for you.

Only Kreisler Can Play Kreisler *****.......2005-05-08

What can I say? Only Kreisler can play Kreisler. Get a discography of Fritz Kreisler and start hunting down everything you can find by this man. You can compare violinists; Heifetz has astounding technique, Milstein's always wonderful, Oistrakh is a favorite of many, Kogan can play anything, etc., etc., etc.. But Kreisler... is a unique personality of the violin. Yehudi Menuhin said of him in his autobiography, there are many great violinists with perhaps greater technique in this area or that; but "Kreisler mystifies me." Bruno Walter, the great conductor, said of Kreisler, "He did not play the violin; he BECAME the violin." and this is true. There is something special about Kreisler that transcends violin playing itself. Something heavenly is communicated by him with his instrument. Transfers from old disks are always of varying quality. Kreisler lived a long time ago and recording techniques were very primitive; but Kreisler even seems to rise above the pops and the clicks. Other artists are drowned out by them but Kreisler soars above them and makes one forget they are there. You're focused on the beauty and the background noise seems to disappear entirely. Other violinists have tried
to play Kreisler and perhaps get the notes right, most notably among them, Zino Francescatti (who plays Kreisler better than any other man except Kreisler), but only Kreisler can play Kreisler.
If you want to hear it best, put up with the background hiss. It's worth it. If you want a modern recording, see if you can find Francescatti's tribute album to Fritz Kreisler. it's OOP, but an LP in mint condition sometimes appears on an online auction service. Why the Francescatti album ever went OOP I do not know. He is the only modern violinist that ever really tapped into the soul of 'Fritz' when he plays Kreisler. If the disk is ever again released, snap it up before it goes OOP again. In the final analysis, modern violinists, at most, will give you a representative selection of only about 16 tracks and usually you get the worn chestnuts over and over again. Enough of Kreislers own recordings are still available that you can still get the whole gamut of his discography if you just look. Do so!

Perfection.......2004-03-08

No crap...really? OF COURSE THIS RECORDING IS A TRANSFER! YOU THINK THEY HAVE DIGITAL RECORDING TECHNOLOGY BACK THEN???? Man, that review from Delaware annoys me.

Go with the first review. This recording is a must. It is one of the great violin recordings. Even my old violin teacher advise me to play some of Kreisler stuff to improve techniques. Kreisler is a legend. Lesson and appreciate the beauties of the violin.

disappointing technical quality.......2000-08-29

I realize that this cd was a transfer, but I have other music that was transferred from old recordings, and they sound much better than this. The disappointing technical quality of the sound on this CD disturbs me. In fact, it sounds worse than the vinyl I already own. Very loud hissing, some popping. The music doesn't actually sound like it's been recorded in a tunnel, but the sound is not as full as I had hoped.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Caprice Viennois, Op.2
Songs My Taught Me, Op.55 No.4
Tempo Di Minuetto (In The Style Of Pugnani)
Slavonic Dance No.2 In E Minor
Melodie
Spanish Dance No.5
Mazurka No.45 In A Minor, Op.67 No.4
Siciliano & Rigaudon (In The Style OF Francoeur)
Serenade Espagnole
Serenade
Toy Soldiers March
Syncopation
Molly On The Shore
Andantino (In The Style Of Martini)
Slavonic Dance No.3 In G
Schon Rosmarin
Liebesleid
Recitativo & Scherzo Capriccio, Op. 6
Tango
Tambourin Chinois, Op.3
Romance In A, Op.94 No.2

Customer Reviews:

Itzhak Perlman plays Fritz Kreisler.......2007-01-11

I love this album. I owned it in a long play record for years and now have the CD to listen to. I love violin music and this is the best.

Kreisler flies again.......2006-04-26

One of my earliest memories is of listening to Kreisler playing his works on 78 rpm records. Many of these are what Perlman is playing oon this collection. The notes make a disclaimer: Perlman is not trying to play these "like Kreisler".

Well, I own a Kreisler CD of transcriptions -- a couple of them, in fact, and the characteristics that endear his playing to us Perlman has in full measure. Perlman is fully immersed in Kreisler feeling, something he attested to in an interview ("The Violinist", on DVD) and I humbly suggest that he is unsurpassed in this repertoire. The pianist is uncannily like Kreisler's own accompanist, and the sense of nostalgia is very strong indeed!

There are three other violinists --at least-- with Kreisler collections out" Gil Shaham, Joshua Bell, and Kennedy. Of these, I think Gil Shaham does a beautiful job; I have not heard the other two.

I recommend this recording very highly indeed. The playing is as full of insidious charm and romantic almost to the point of sentimentality, which in my view is not a bad thing at all. (Gil Shaham's self-effacing style is lighter, providing a contrast for those who think that's what they want.)

Archimedes

Fritz Kreisler: Variations On A Theme By Corelli; Praeludium & Allegro; Sicilienne & Rigaudon

Average customer rating:

Kreisler and Ehnes -Ten stars for musical joy - and more

Fritz Kreisler: Variations On A Theme By Corelli; Praeludium & Allegro; Sicilienne & Rigaudon

Manufacturer: Analekta
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Wieniawski, Sarasate
Niccolo Paganini: 24 Caprices For Solo Violin
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Ravel, Debussy, Saint-Saens: Works for Violin and Piano

ASIN: B00006JCNE
Release Date: 2007-04-06

Tracks:

Variations On A Theme By Corelli
Praeludium & Allegro, In Style Of Gaetano Pugnani/ Dans Le Style De Gaetano
Sicilienne & Rigaudon, In The Style Of Francois Francoeur
Devil's Thrill/ Le Trille Du Diable (Tartini-Kreisler)
Recitativo & Scherzo (For Solo Violin/ Pour Violon Seul)

Customer Reviews:

Kreisler and Ehnes -Ten stars for musical joy - and more .......2005-10-05

This recording may be my favorite musical recording discovery in the last ten years. The Analekta recording of Canadian virtuoso violinist, James Ehnes, playing 20 Fritz Kreisler compositions for violin and piano, is relatively expensive. But it's so good that I plan to send copies for Christmas to as many of my family members scattered through the U.S. and Europe as I can afford - whether they're classical buffs or not!

For those who don't know Fritz Kreisler (and they have a treat waiting) he was probably the most beloved classical performer (violin) in his time. He was a multitalented man whose warm humanity, and generous and open spirit made audiences take him to their hearts.

Kreisler's unique 60-year musical career only begins with performance. Born in 1875, Kreisler possessed a gift for infectious melody. By the 1920's his audience-pleasing compositions - especially encores - began to encounter avante-gardist prejudices on the part of the professional musical establishment. The establishment accepted musical traditions of the past in older compositions but not in new composition. So the resourceful Kreisler introduced a series of encore masterpieces as "rediscoveries of works by forgotten baroque and rococo composers, whose manuscripts he had been found in a French monastery". Thus came celebrated pieces like Praeludium and Allegro by "Gaetano Pugnani", and "Sicilenne and Rigaudon by "Francois Franceour". After NY Times music critic, Olin Downs, reported research showing that manuscripts of Kreisler's "oldies" didn't exist, Kreisler revealed his hoax in 1935. That brought out angry recriminations by Alfred Newman and other musicologists who had been taken in.

Kreisler's technique had a larger influence on the evolution of violin performance, but he will surely be remembered most for unaffectedly capturing - amidst a relentless 20th Century movement to bury melody, romanticism, tonality, and other traditions of music - feelings like the charm of Vienna (Caprice viennois), and the aches and joy of love (Liebesleid and Liebesfreud).

James Ehnes'many awards, recordings, and performances with leading conductors and orchestras throughout Asia, the U.S., and Europe, place him among leading concert violinists. It speaks to changed trends among younger musicians that Ehnes (born 1976), would devote this album exclusively to Kreisler's large and small masterpieces with obvious love and understanding. Ehnes shares with Kreisler an "effortless" style and warmth. Besides the music, the liner notes are informative and perceptive, and the recording excellent.

A note about ratings: I said "ten stars" in my title, because over the past years the tendency for domination of five-star ratings makes it harder to distinguish truly exceptional recordings. I assume that the predominance of high ratings came about in an understandable way - people are most likely energized to rate recordings they really like. However, the result is loss of breadth, which is unfortunate to my mind. If ratings ranged more widely they could better delineate strengths and weaknesses, as well as stylistic preference. A "three" rating might include a unique quality in an otherwise mediocre release.

Kreisler: Original Compositions & Arrangements

Average customer rating:

Kreisler: Original Compositions & Arrangements

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
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ASIN: B000AQACW0
Release Date: 2005-09-13

Tracks:

Caprice Viennois
Tambourin Chinois
Schon Rosmarin
La Gitana
Liebesleid
Liebesfreud
Polichinelle
Rondino
La Precieuse
Chanson Louis XIII & Pavane
Scherzo
Gavotte
The Londonderry Air
Ballet No.2
The Old Refrain
Poupee Valsante
Andante Cantabile
Humoresque
Serenade Espagnole
Larghetto
Midnight Bells
Chanson Hindoue
Lotus Land
Danza Espagnola

Average customer rating:

Dissappointing
25 Sentimental Favorites

Sentimental Favorites (25)

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Italian | Languages | Opera & Vocal | Styles | Music

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25 Romantic Classics
25 Classical Favorites
Candlelight Favorites (25)
25 Tchaikovsky Favorites
25 Mozart Favorites

ASIN: B0000058ID
Release Date: 1996-08-20

Tracks:

The Skaters Waltz - Emile Waldteufel
String Quartet No. 2: III. Notturno - Alexander Borodin
'Thais': Meditation - Jules Massenet
Sleeping Beauty: Waltz - Pyotr Il'yich Tchaikovsky
The Red Poppy Ballet: Phoenix - Reinhold Moritsevich Gliere
Artist's Life Waltz - Peter Falk
Piano Concerto No. 21 In C Major, K. 467: II. Andante - Walter Klien
Nocturne In E Flat Major, Op.9 - Abbey Simon
Ave Maria - Aaron Rosand
Liebeslied - Aaron Rosand
Pavane - Susan Jolles
Je Te Veux - Susan Jolles
My Lady Greensleeves - Elena Polonska
Suite Espanola: 1. Granada - Konrad Ragossnig
Concerto For Flute And Harp In C Major, K. 299: II. Andantino - Catherine Michel
The Nutcracker Suite: Waltz Of The Flowers - Pyotr Il'yich Tchaikovsky
Carnival Of The Animals: The Swan - Camille Saint-Sa
Prince Igor: Polovtsian Dance No. 8 - Alexander Borodin
The Marriage Of Figaro: Arr. For Winds: Sull'aria Che Soave Zeffiretto - Wolfgang Amadeus Mozart
3 Old Viennese Dance Melodies: III. Schon Rosmarin - Bronislaw Gimpel
Scheherazade: Arab Song - Bronislaw Gimpel
Pelleas Et Melisande: Sicilienne - Gabriel Faur
Wedding Day At Troldhaugen - Edvard Grieg
Clarinet Concerto In A Major, K. 622: II. Allegro - Jost Michaels
Cavalleria Rusticana: Intermezzo - Pietro Mascagni

Customer Reviews:

Dissappointing.......2004-05-22

The recordings are fair at best. The performances poor to better.

I will dispose of this one.

25 Sentimental Favorites.......2000-06-19

I used to think that classical music is boring, but this CD has changed my mind. The first time I listened to this CD I said, its OK. Later every time I listen to it I discover a new beautiful music. I feel calm and relaxed. I mostly liked the Borodin, Mozart and Faure songs. It is really 25 sentimental favorites. Now, many titles of the 25 "?" Favorites are on my wish list....

Average customer rating:

Delightful collection

Favorite Violin Encores

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Favourite Violin Concertos
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Faure: Violin Sonatas Op. 13 & Op. 108/Frank

ASIN: B0000041D4
Release Date: 1995-10-17

Tracks:

Sicilienne
Rondo, K. 250
Mdie
Danza espanola No. 5: Danza espanola No. 5 'Andaluza'
Schosmarin
Liebesleid
Liebesfreud
Allegro
Siciliano, Op. 3, No. 11: Siciliano, Op. 3, No. 11, RV 565
Tambourin
Minuet In G, WoO 10 No. 2
Ava Maria, Op. 52, No. 6
Humoresque In G Flat, Op. 101 No. 7
Mtation de Tha
Valse sentimentale, Op. 51 No. 6
Largo
Rondino On A Theme Of Beethoven
Andantino In The Style Of Padre Martini
La Capricieuse
Apres un reve, Op. 7 No. 1
Tango, Op. 165 No. 2
Valse triste
Estrellita
Nocturne, Op. 51 No. 3

Tracks:

Andantino
Standchen, D. 957, No. 4: Serenade
Divertimento In D, K. 334: Menuet
Kinderszenen, Op. 15: Scenes d'enfants, No. 7 Traumerei
Sonatine In G, Op. 100: Larghetto
Ave Maria: Meditation sur le 1er prelude de J.S. Bach
Sonata No. 12 In E Minor: Sonata No. 12 In E Minor, Op. 3, No. 6
Songs My Mother Taught Me: Songs My Mother Taught Me, Op. 3, No. 6
Souvenir de Moscou: Souvenir de Moscou, Op. 6
Piece en forme de habanera
Zigeunerseisen, Op. 20, No. 1: Airs bohemiens
Allegro
Les berceaux: Les berceaux, Op. 23, No. 1
Tzigane
Baal shem: Nigun
Adagio

Customer Reviews:

Delightful collection.......2001-03-25

A delightful collection of shorter works for violin with piano accompaniment, some of them extremely familiar, others less so, but with Grumiaux's lyrical style (not flamboyant like Perlman's, but graceful and beautiful in an understated way), and fine accompaniment, the music on these 2 CDs is consistently excellent and can be listened to either consecutively or just a few pieces at a time. Well worth having.

Average customer rating:

Joshua Bell's playing is breathtaking!

The Romantic Violin

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
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ASIN: B0002EQ40E
Release Date: 2004-07-13

Tracks:

Hungarian Dance No.1
II. Adagio
Cantabile, Op.17
II. Andante
Schon' Rosmarin
Tambourin Chinois
II. Adagio
I. Allegretto Ben Moderato
II. Romance
Liebesfreud
Liebesleid
II. Canzonetta (Andante)
Meditation De Thais
V. Rondo (Allegro)

Customer Reviews:

Joshua Bell's playing is breathtaking!.......2004-07-31

Joshua's recordings of these various pieces are absolutely beautiful and breathtaking--technical perfection from a true virtuoso. His playing evokes warmth and emotion without going to the extremes. However, this is a compilation album, and that is where the problem lies. It seems as though the songs were just randomly tossed together and slapped with the title "Romantic Violin"--an obvious marketing ploy by Decca to cash in on the success of Joshua's Sony release "Romance of the Violin". I doubt Joshua had any say in this album's content as it seriously lacks any cohesion. Take the last track for example: the Rondo from Lalo's Symphonie Espagnole, which is fast, joyful and vibrant. A more suitable choice would have been the Andante, which is slower and sets the mood better. Overall, I would say that this is a good album to "just have." Therefore, I give it 4 stars.

I recommend "The Kreisler Album"--in my opinion one of Joshua's best recordings--since many of the tracks on this album are taken from it. The selection of pieces flows much better in it than in this album. And if you are really seeking romance from Joshua, look to the "Romance of the Violin." You will instantly be drawn in by the ravishingly beautiful music, and perhaps even be in tears after listening to it.

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