The Intimate Brahms
On this CD:
1. Intermezzo for piano in A flat major, Op. 76/3
Composed by Johannes Brahms
Performed by Naomi Zaslav
2. Capriccio for piano in D minor, Op. 116/7
Composed by Johannes Brahms
Performed by Naomi Zaslav
3. Intermezzo for piano in B flat minor, Op. 117/2
Composed by Johannes Brahms
Performed by Naomi Zaslav
4. Capriccio for piano in G minor, Op. 116/3
Composed by Johannes Brahms
Performed by Naomi Zaslav
5. Intermezzo for piano in B minor, Op. 119/1
Composed by Johannes Brahms
Performed by Naomi Zaslav
6. Intermezzo for piano in E minor, Op. 119/2
Composed by Johannes Brahms
Performed by Naomi Zaslav
7. Intermezzo for piano in E-flat major, Op. 117/1
Composed by Johannes Brahms
Performed by Naomi Zaslav
8. Capriccio for piano in F sharp minor, Op. 76/1
Composed by Johannes Brahms
Performed by Naomi Zaslav
9. Capriccio for piano in C major, Op. 76/8
Composed by Johannes Brahms
Performed by Naomi Zaslav
10. Intermezzo for piano in E major, Op. 116/4
Composed by Johannes Brahms
Performed by Naomi Zaslav
11. Romance for piano in F major, Op. 118/5
Composed by Johannes Brahms
Performed by Naomi Zaslav
12. Intermezzo for piano in E major, Op. 116/6
Composed by Johannes Brahms
Performed by Naomi Zaslav
13. Intermezzo for piano in A major, Op.118/2
Composed by Johannes Brahms
Performed by Naomi Zaslav
14. Intermezzo for piano in B flat major, Op. 76/4
Composed by Johannes Brahms
Performed by Naomi Zaslav
15. Intermezzo for piano in A minor, Op. 118/1
Composed by Johannes Brahms
Performed by Naomi Zaslav
16. Intermezzo for piano in A major, Op. 76/6
Composed by Johannes Brahms
Performed by Naomi Zaslav
17. Intermezzo for piano in A minor, Op. 116/2
Composed by Johannes Brahms
Performed by Naomi Zaslav
18. Capriccio for piano in B minor, Op. 76/2
Composed by Johannes Brahms
Performed by Naomi Zaslav
19. Ballade for piano in D minor ("Edward"), Op. 10/1
Composed by Johannes Brahms
Performed by Naomi Zaslav
The Intimate Brahms, Music, Johannes Brahms, Naomi Zaslav, Ballade for Keyboard, Capriccio/Caprice for Keyboard, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Intermezzo for Keyboard, Keyboard, Romance for Keyboard
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Complete Recordings on Deutsche Grammophon
Wolfgang Amadeus Mozart , Franz Joseph Haydn , Felix Mendelssohn , Ludwig van Beethoven , Johannes Brahms , Antonin Dvorak , Bedrich Smetana , Leos Janacek , Eva Bernathova , Janacek Quartet , and Smetana Quartet
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
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Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
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General
| Classical
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| Music
General
| Chamber Music
| Classical
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Deutsche Grammophon: Music
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Similar Items:
- Janacek / Novak: String Quartets
- Complete Recordings on Deutsche Grammophon
- The 1950s Concerto Recordings
- The Complete 1950s Chopin Recordings
- Igor Markevitch
ASIN: B00007EB9S
Release Date: 2003-02-11 |
Tracks:
- Cd 1 Mozart: String Quartet K.387 / Haydn: String Quartet Op.33 No.3
- Cd 2 Haydn: String Quartets Op.33 No.2 / Op.3 No.5 Op.76 No.2
- Cd 3 Mendelssohn: Octet Op.20 With Smetana Quartet / Beethoven : String Quartet Op.59 No.2
- Cd 4 Brahms: Piano Quintet Op.34 / Dvorak: Piano Quartet Op.81 With Eva Bernathova, Piano
- Cd 5 Dvorak: String Quartets Opp.34 & 96
- Cd 6 Dvorak: String Quartets Opp.51 No.105
- Cd 7 Smetana: String Quartet No.1 / Janacek: String Quartet No.2
Customer Reviews:
Superb!.......2003-03-04
Back in "Iron Curtain" times it was by no means easy to hear Soviet-bloc artists in the U.S., and recordings really established international reputations over here. And based on available recordings it was generally conceded that the two great Czechoslovak string quartets were the Janacek and the Smetana, the former based in Moravia (Brno), the latter in Bohemia (Prague). The heyday of the Janacek Quartet was the 1950s and 1960s when these recordings were made for Deutsche Grammophon, British Decca and Westminster. About half were recorded in mono, the rest are stereo; but all are, technically speaking, very decently produced and wear their years lightly. Performance highlights for me are the Decca recordings of Dvorak and Haydn quartets; the DG recording of the Brahms piano quintet (with Eva Bernathova); and the stunning Westminster performance of the Mendelssohn Octet (where the Smetana Quartet joins in!). The great conductor Karl Bohm once declared that the Czech lands were the home of great string playing, and when you hear these recordings you sense the justness of that remark. These players produce an ineffable sweetness of sound that never cloys, and they phrase with an easy naturalness that, on every re-hearing, discloses new subtleties. No, this is not high-powered American string playing ala the Julliard Quartet; what the Janacek Quartet offers is a style and sound that is almost lost in today's internationalized musical performance world. Catch this set while you can; it's billed as a limited edition and many of the performances have been unavailable (in the U.S., at least) since the early 1960s. Space-saving soft box format and price are additional inducements, but these priceless recordings would be a bargain at twice the price DG is charging. Final note: no collection of the Janacek Quartet's work is complete without their stunning stereo recording of the two great quartets written by their namesake, currently available on a midprice Supraphon CD. Although an earlier, mono recording of the second Janacek quartet is included in the DG box, spend a little extra for the Supraphon CD just to get the Janacek Quartet's equally stunning performance of Janacek No. 1 ("Kreutzer Sonata" quartet). You won't regret the minor duplication, plus the Supraphon CD also includes a pleasant, "off the beaten path" quartet by 19th century Czech Romantic Vtislav Nowak as a substantial bonus. But for heaven's sake, don't hesitate to buy the DG collection right now!
Average customer rating:
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The Hungarian String Quartet and Zoltan Szekely
Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
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| Music
General
| Chamber Music
| Classical
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| Music
General
| Bartók, Béla
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Classical
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All Works by Brahms
| Brahms, Johannes
| ( B )
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| Classical
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| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Kodály, Zoltán
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Lalo, Edouard
| ( L )
| Featured Composers, A-Z
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Porpora, Nicolo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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Violin
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| Classical
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General
| Classical
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ASIN: B0007MSV52
Release Date: 2006-01-01 |
Tracks:
- I. Adagio
- II. Andante Cantabile
- III. Menuetto-Allegretto
- IV. Allegro Molto
- I. Allegro
- II. Andante Con Moto
- III. Scherzo. Allegro Molto
- IV. Presto/Prestissimo
- I. Allegro Moderato
- II. Andantino Grazioso
- III. Menuetto. Allegretto
- IV. Finale. Presto
Tracks:
- I. Allegro Molto Moderato
- II. Andante Un Poco Moto.
- III. Scherzo. Allegro Vivace/Trio. Allegretto
- IV. Allegro Assai
- I. Allegro
- II. Andante Con Moto
- III. Scherzo. Allegro Molto
- IV. Presto/Prestissimo
Tracks:
- I. Introduzione: Andante Con Moto - allegro Vivace
- II. Andante Con Moto Quasi Allegretto
- III. Menuetto: Grazioso
- IV. Allegro Molto
- I. Adagio, Ma Non Troppo E Molto Espressivo
- II. Allegro Molto Vivace
- III. Allegro Moderato
- IV. Andante, Ma Non Toppo E Molt Ocantabile/Piu Mosso/Andante Moderato E Lusinghiero/Adagio/Allegretto/Adagio, Ma non Troppo E Semplice/Allegretto
- V. Presto
- VI. Adagio, Quasi Un Poco Andante
- VII. Allegro
- I. Allegro
- II. Andante. Quasi Recit./Andante Con Moto/Allegretto/Andante Con Moto/Pi'u Mosso/Allegro Giocoso
Tracks:
- I. Allegro. Allegro Molto/Piu Vivo
- II. Adagio Molto. Un Poco Piu Andante/Piu Lento/Largo/Piu Andante
- III. Scherzo. Alla bulgarese (Vivace)/Vivacissimo/(Scherzo Da Capo)/Agitato
- IV. Andante/Piu Andante/Piu Lento/Piu Mosso, Agitato/Tranquillo/Piu Andante/Piu Lento
- Finale. Allegro Vivace/Presto/Piu Presto, Scorrevole/Prestissimo/Allegretto Capriccioso, Etc.
- I. Mesto/Piu Mosso, Pesante/Vivace Un Poco Meno Vivo/Vivacissimo, Agitato/Ancora Piu Vivo/Pesante, Etc.
- II. Mesto. Marcia/Ancora Meno Mosso/Animato, Molto Agitato/Risoluto/Meno Mosso
- III. Mesto/Burletta. Moderato/Andantino/Piu Lento, Espressivo/Andantino
- IV. Mesto/Piu Andante/Molto Tranquillo/Piu Andante
- I. Allegro Moderato
- II. Adagio Cantabile
- III. Menuetto. Allegretto
- Finale. Vivace
Tracks:
- I. Allegro
- II. Allegretto Vivace E Empre Scherzando
- III. Adagio Molto E Mesto
- IV. Theme Russe. Allegro
- I. Prima Parte. MOderato
- II. Seconda Parte: Allegro
- III. Ricapitulazione Della Prima Parte. Moderato
- IV. Coda. Allegro Molto
- I. Allegro Moderato
- II. Adagio Cantabile
- III. Menuetto. Allegretto
- IV. Finale. Vivace
- Koromzay & Kuttner On Early Repertoire Of Quartet And On Characteristics Of A Quartet That Pioneers New Music (From An Interview At Colby College, Maine, Aug. 1971)
Tracks:
- I. Allegro Non Troppo
- II. Andante Moderato
- III. Quasi Minuetto Moderato/Alegretto Vivace
- Finale. Allegro Non Assai/Poco Tranquillo/Piu Vivace
- I. Allegro
- II. Andante
- III. Menuetto. Allegretto
- IV. Allegretto Ma Non Troppo
- I. Grave. Sostenuto
- II. Fuga
- III. Aria Cantabile
- V. Allegro
- Koromzay On Early Repertoire Of The Quartet (From An Interview At Colby College, Maine, Aug. 1971)
Tracks:
- I. Moderato E Simplice/Allegro Giusto
- II. Andante Cantabile
- III. Scherzo. Allegro Non Tanto/Trio
- IV. Finale. Allegro Giusto/Andante/Allegro Vivace
- I. Allegro Ma Non Troppo
- II. Lento
- III. Molto Vivace
- IV. Finale. Vivace Ma Non Troppo
- I. Moderato
- II. Andante
- III. Allegro
- Guitarre
- Koromzay, Szekely & Kuttner On How The Quartet First Learned The Beethoven Cycle In Holland During WWII/Intimate Connection With Holland (From An Interview At Colby College, Main, Aug. 1971)
Tracks:
- I. Alla Spagnuola. Allegretto
- II. Orientale. Allegro Con Brio
- III. Interludium In Modo Antico. Andante
- IV. Valse. Allegretto
- V. All' Ungherese. Allegretto
- I. Introduzione. Andante Espresivo/Allegro
- II. Scherzo. Presto. Intermezzo
- III. Adagio
- IV. Presto
- I. Anime Et Tres Decide
- II. Assez Vif Et Bien Rytme
- III. Andantino, Doucement Expressif
- IV. Tres Modere
- Szekely On Discovering The Kodaly Second Quartet (From An Interview At Colby College, Maine, Aug. 1971)
Customer Reviews:
A Long-kept Secret.......2005-05-22
One always wondered if the Hungarian Quartet's studio work actually represented their true artistry. Now with this unexpected set from Music & Arts, one hears a different group, expanding any previous boundaries. Their unity and freedom, lack of inhibition paired with a structural wisdom make for wonders. I find their depth and immediacy surpassing the Budapest, Busch, Vegh, and many others. The sound is so excellent on these concert performances. A real treasure for the music and performance. May one hope for more?
Average customer rating:
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Romance Intimate Chamber Music
Ravel/Tchaikovsky/Schumann/Lalo/Brahms/Borodin
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
General
| Classical
| Styles
| Music
ASIN: B00008G02S
Release Date: 1992-11-04 |
Average customer rating:
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Intimate Chamber: 25 Favorites
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
Trios
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Corelli
| Corelli, Arcangelo
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
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| Classical
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All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
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| Classical
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Lalo, Edouard
| ( L )
| Featured Composers, A-Z
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
| Styles
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All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Telemann, Georg Philipp
| ( T )
| Featured Composers, A-Z
| Classical
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| Music
Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Telemann, Georg Philipp
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
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| Classical
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General
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| Classical
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Similar Items:
- 25 Concerto Favorites
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ASIN: B00000IPS6
Release Date: 1999-12-13 |
Tracks:
- I. Presto - Dekany String Quartet
- V. Allegro - Paul Angerer
- II. Rondeau - Julius Baker
- III. Corrente - Paul Angerer
- I. Preludio - Paul Angerer
- VI. Menuet - Julius Baker
- II. Les Plaisirs - Julius Baker
- V. Presto - Dekany String Quartet
- II. Adagio Cantabile - Dekany String Quartet
- III. Menuet - The Hungarian Quartet
- I. Allegro - Paul Angerer
- VI. Gigue - Paul Angerer
- I. Allegro - Roland Pandolfi
- II. Andante Cantabile - Abbey Simon
- I. Allegro - George Silfies
- II. Andante Con Variationi - Aaron Rosand
- III. Scherzo - Aaron Rosand
- III. Andantino - George Silfies
- V. Allegro Scherzando - Jacob Berg
- III. Rondo - Walter Klien
- II. Andante Con Moto - Kalichstein Laredo Robinson Trio
- II. Assez Vif - New Hungarian Quartet
- II. Romance - Caecilian Trio
- III. Scherzo - Tokyo String Quartet
- IV. Allegro - George Silfies
Average customer rating:
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The Maiden and the Nightingale
Manufacturer: Midsummer Classical R
ProductGroup: Music
Binding: Audio CD
Classical
| Indie Music
| Stores
| Music
General
| Classical
| Styles
| Music
ASIN: B00005OB02
Release Date: 2001-04-18 |
Tracks:
- Evocation (Albz)
- The Maiden and the Nightingale (Granados)
- Triana (Albz)
- Etude No. 1 in F Minor (Chopin)
- Nocturne in D-flat Major (Chopin)
- Berceuse (Chopin)
- Etude in C-sharp Minor (Chopin)
- Capriccio in F-sharp Minor (Brahms)
- Intermezzo in A Minor (Brahms)
- Intermezzo in E-flat Major (Brahms)
- Prelude in G-sharp Minor (Rachmaninoff)
- Prelude in G Major (Rachmaninoff)
- Prelude in D Major (Rachmaninoff)
- Prelude in G Minor (Rachmaninoff)
Album Description
An intimate listening experience of ravishing piano music by Chopin, Rachmaninoff, Brahms, and Spanish composers Albéniz and Granados.
Average customer rating:
- Introspective Piano, Take Two
|
A Recital of Intimate Works, Vol.2
Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD
Minuets
| Ballets & Dances
| Classical
| Styles
| Music
Pavanes
| Ballets & Dances
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Busoni
| Busoni, Ferruccio
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Gibbons, Orlando
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Domenico Scarlatti
| Scarlatti, Domenico
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Scriabin, Alexander
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Bagatelles
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Nocturnes
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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Similar Items:
- A Recital of Intimate Works
- Andrew Rangell in Concert
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- Peter Lieberson: Neruda Songs
ASIN: B00003OPAS
Release Date: 2000-01-11 |
Tracks:
- Son in b, K.87
- Intermezzo in b, Op.119, No.1
- Menuet Sur Le Nom De Haydn
- Allegretto in c
- A Rose Breaks Into Bloom, Op.122, No.8
- I Call Upon The Lord, BWV 639
- Iberia: Evocation
- Eleven Bagatelles, Op.119
- Poeme-Nocturne, Op.61
- Nocturne in B, Op.62, No.1
- Intermezzo in e, Op.119, No.2
- 'Lord Of Salisbury' Pavane And Galliard
- Menuett, K. 355
- I Stand Before Thy Throne, BWV 668
Customer Reviews:
Introspective Piano, Take Two.......2000-02-08
I'm really glad to see (and hear) this CD, which is a follow-up to a collection that was so nicely programmed that I used to play it almost every evening for a few weeks. Now I have another CD as an after-dinner favorite. I knew the Brahms Intermezzos and Beethoven's Bagatelles, but many of the other pieces were new to me. All of the performances sparkle, and recorded sound is great.
Average customer rating:
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Intimate Moments
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000LOF
Release Date: 1995-04-16 |
Tracks:
- Bolero: Ballet
- Romanza siclliana: For Flute And Orchestra (ADD)
- Concerto For Violin And Orchestra In D Major Op. 35: Canzonetta: Andante (ADD)
- Midsummersnights Dream: Notturno (ADD)
- From 'Xerxes': Largo (ADD)
- Serenade No. 13 In G Major KV 525: A Little Night Music - Romance: Andante
- Kol Nidri Op. 47: Adagio For Cello And Orchestra
- Symphony No. 4 In E Minor Op. 98: Andante moderato (ADD)
- Nutturno In B Major: Molto adagio
Tracks:
- Prelude a l'apres-midi d'un faune: Symphonic Poem (ADD)
- Symphony No. 9 In E Minor Op. 95 'From The New World': Largo
- Crisantemi: Andante mesto In C Sharp Minor
- Concerto For Clarinet And Orchestra No. 1 In F Minor Op. 73: Adagio ma non troppo (ADD)
- Watermusic, Suite: Air
- Romance In G Minor: Andante espressivo
- Romance: In F Major Op. 50
- Serenade No. 10 In B Flat Major KV 361 'Gran Partita': Adagio (ADD)
- Symphony No. 6 In B Minor Op. 74 'Pathetique': Adagio lamentoso
Tracks:
- Peer Gynt - Suite No. 1 op. 46: The Morning
- Concerto For Clarinet And Orchestra In A Major KV 622: Adagio
- Serenade melancolique Op. 26: For Violin And Orchestra
- Canon: In D Major
- Romance In C Major Op.40: Andante
- The Moldau: From: My Motherland
- Swan Lake, Ballet-Suite Op. 20a: Scene: Lake In The Moonlight
- Reverie et Caprice Op. 8: Romance For Violin And Orchestra
- Symphony No. 8 In B Minor D 759 'Unfinished': Andante con molto
- 'Liebeslied': For Violin And Piano
Average customer rating:
- The tender nuances of Brahms' soul
|
Nightmoods: Intimate Conversations
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000041LH
Release Date: 1997-08-12 |
Tracks:
- Violin Sonata No. 3 In D minor: Adagio
- Clarinet Sonata No. 1 In F Minor: Andante un poco Adagio
- Piano Trio No. 1 In B: Adagio
- Piano Quartet No. 3 In C Minor: Andante
- String Quartet No. 1 In C Minor: Romanze. Poco Adagio
- Piano Quintet In F Minor: Andante, un poco Adagio
- Clarinet Quintet In B Minor: Adagio
- Piano Quartet No. 2 in A: Poco adagio
Customer Reviews:
The tender nuances of Brahms' soul.......2000-02-04
Intimate is the correct word for this CD. The gentle, softer, watery side of Brahms can be enjoyed in this Neptunian collection. Perfect for late night immersions! You will fall in love with the subtle, intelligent, tender nuances of Brahms' soul.
Average customer rating:
|
Romantic Classics: Intimate Moments
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
Waltzes
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All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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All Works by Brahms
| Brahms, Johannes
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| Chopin, Frédéric
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| Mozart, Wolfgang Amadeus
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ASIN: B000000K70
Release Date: 1995-04-16 |
Tracks:
- Bolero
- The Blue Danube - Waltz, Op. 314
- Moonlight Sonata - Quasi Una Fantasia
- For Eliza
- Eine Kleine Nachtmusic - 2nd Movement
- Erotic
- Prelude, Op. 28 - Rain Drops
- The 4 Seasons, Op. 8 - Spring-Largo & Pianissimo
- The 4 Seasons, Op. 8 - Spring - Allegro
- Leibestraum In A Flat Major - Liszt
- Waltz In A Flat Major
- Reverie
- Moment Musical In F Minor - Schubert
- Dreamings
- Venetian Gondola Song
Music Review:
- The Music of David Bennett Thomas, Vol. 1
- The Poetess Sings
- Thiele: Proportionen; Schenker: Trioballade für Oboe
- Tree Pieces
- Tullio Serafin conducts Verdi
- Un-Edited Live Performance, Vol. 2
- Virtuoso Schubert / Zeynep
- Well-Kept Secrets (Early Works for Keyboard: Ancient, Medieval, Renaissance, and Baroque)
- Willan: Apostrophe to the Heavenly Hosts; Magnificat
- A Time for Rejoicing
Music Review
music review
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