Guitar Duets

On this CD:

1. My Lord Willobe's Wellcome Home for lute, P66a
Composed by John Dowland
Performed by Tamara Kropat, Theo Krumeich

2. Duet for 2 guitars, No 4 in G, Op 34 "Encouragement" Cantabile
Composed by Fernando Sor
Performed by Tamara Kropat, Theo Krumeich

3. Duet for 2 guitars, No 4 in G, Op 34 "Encouragement" Theme and Variations
Composed by Fernando Sor
Performed by Tamara Kropat, Theo Krumeich

4. Intermezzo (from "Goyescas"), arranged for guitar(s) Intermedio
Composed by Enrique Granados
Performed by Tamara Kropat, Theo Krumeich

5. Trois Climats Premier Climat
Composed by Francis Kleynjans
Performed by Tamara Kropat, Theo Krumeich

6. Trois Climats Deuxieme Climat
Composed by Francis Kleynjans
Performed by Tamara Kropat, Theo Krumeich

7. Trois Climats Troiseme Climat
Composed by Francis Kleynjans
Performed by Tamara Kropat, Theo Krumeich

8. Trio sonata for organ No. 6 in G major, BWV 530 Lento
Composed by Johann Sebastian Bach
Performed by Tamara Kropat, Theo Krumeich

9. Well tempered clavier book 1, No. 8 in E flat minor, BWV 853 Fuga in E minor
Composed by Johann Sebastian Bach
Performed by Tamara Kropat, Theo Krumeich

10. España, 6 album leaves for piano, Op. 165, B. 37 Tango, No.2
Composed by Isaac Albeniz
Performed by Tamara Kropat, Theo Krumeich

11. Cantos de España, 5 pieces for piano, Op. 232, B. 44 Cordoba
Composed by Isaac Albeniz
Performed by Tamara Kropat, Theo Krumeich

12. Spanish Dances (2), for piano, Op. 164, B. 36
Composed by Isaac Albeniz
Performed by Tamara Kropat, Theo Krumeich

13. Danza Espanola (from "La Vida Breve"), for orchestra and various arrangements Danza Española No,.1
Composed by Manuel de Falla
Performed by Tamara Kropat, Theo Krumeich

14. Suite española No.1, for piano, Op. 47, B. 7 Mallorca
Composed by Isaac Albeniz
Performed by Tamara Kropat, Theo Krumeich

15. El Sombrero de tres picos, Suite No.1, for orchestra, G. 58 Danza del molinero
Composed by Manuel de Falla
Performed by Tamara Kropat, Theo Krumeich

Guitar Duets, Music, Isaac Albeniz, Johann Sebastian Bach, John Dowland, Manuel de Falla, Enrique Granados, Francis Kleynjans, Fernando Sor, Tamara Kropat, Theo Krumeich, 20th/21st Century Orchestral Work with Descriptive Title, Chamber, Classical, Classical Music, Coll. of Character/Single-Movement/Misc. Works for Keyb., Collection of Dance-Based Music for Keyboard, Duo for Two String Instruments, Guitar Etude, Keyboard, Lute Solo, Miscellaneous, Miscellaneous Music, Music for Organ, Orchestral, Prelude and Fugue for Keyboard, Suite for Orchestra, Suite/Partita for Keyboard
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Duets with Spanish Guitar
Average customer rating: 4.5 out of 5 stars
  • A Sweet Piece of Art Work
  • Haunting Beauty
  • Superb
  • Superb, lush and enchanting!!!
  • A Prize Winner!
 Duets with Spanish Guitar

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. Brazilian Soul
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ASIN: B000002S1C
Release Date: 1991-07-01

Tracks:

  1. Entr'acte
  2. Bachianas brasileiras No. 5 - Aria
  3. Ronde
  4. Azulao
  5. Prelude In E Minor, Op. 28 No. 4
  6. O Cacador
  7. Pastorale joyeuse
  8. Tes pontos de santo
  9. Tambourin
  10. Boi-Bumba
  11. Sicilienne
  12. Para ninar
  13. Piece en forme de habanera
  14. Maracatu
  15. Pavane pour une Infante defunte
  16. Passarinho esta cantando
  17. Modinha
  18. Serenade For Strings: Waltz
  19. Siete Canciones populares espanolas: Cancion
  20. The Three Cornered Hat: Farruca

Customer Reviews:

5 out of 5 stars A Sweet Piece of Art Work.......2007-05-13

I first heard this recording on vinyl. This CD lives up to the quality first captured in that original recording. Laurindo Almeida requires no review or publicity; he is a legend exceeding Segovia or Montoya. Salli Terri, mezzo-soprano, happily, has no vibrato. When she hits a note, she means it...no wavering somewhere between tones leaving you some subliminal perception of the intended note. She has an absolutely pure, rich voice and a profound comprehension of aesthetics. I have not heard other works by Martin Ruderman, who accompanies on flute, but his skills are notable within this sweet ensemble. A wealth of skill and mastery contained on this tiny CD! I am sure you will be transported.

5 out of 5 stars Haunting Beauty.......2007-03-22

I'm fascinated by the reviews from those who remember this album of long ago. In 1971 my girlfriend and I spent a night in a rustic B&B in Big Sur. The following morning, as we dined on a scrumptious breakfast and the love in each other's eyes, I had to ask the waitress about the music playing in the background. We bought the record as soon as we got home, and I have cherished it ever since. Six additional selections on the CD reissue are almost superfluous. The memories, and the music, are precious.

5 out of 5 stars Superb .......2007-01-08

From beginning to end, I am enthralled by this album. I bought the original LP when it came out over 40 years ago and I also own the CD version. All performers are themselves excellent and they blend wonderfully on a Grammy awarded sound track. The biggest thrill for me is always Salli Terri's Bachianas Brasileiras number five. I have heard many recordings of this Bachianas by the most famous sopranos in the world. Salli Terri's singing of the Bachianas is in a class of its own --absoulutely spine-tingling.

5 out of 5 stars Superb, lush and enchanting!!!.......2005-10-19

It is very hard for me to be objective when reviewing this CD. I'm in the same situation as one other reviewer said, my father used to play this record frequently when I was growing up. Of course, as a little kid, you will not always make a note of such things, and may not even care about it. I had not listened to this record since the mid eighties (when our last turntable broke and we made the transition to CD's). As soon as I started listening to it I was taken back to that time of my life, and all of these memories which I did not knew I had came back to me. This record had been part of my life's "soundtrack". It would be easy for me to be over-analytical, since I happen to have a degree in music, but I would not dare to do so. The music is pure, absolutely beautiful. If anything, even though back when it was recorded it won awards for its sound quality, nowadays we have been spoiled with modern sound recording quality. You can certainly hear that the recording was not made recently, but it is the performances that count, and these will always sound as fresh and magnificent as the day they were first captured on tape. I will have to get a copy for my dad!

5 out of 5 stars A Prize Winner!.......2003-01-26

At the first Grammy Awards in 1959, Salli Terri was nominated for Best Classical Performance, Vocal Soloist, along with Callas, Tebaldi, and Ferrell (Tebaldi won). The album did win the Grammy for Best Engineered Classical Record, a honor richly deserved as evidenced by the glorious sound of this CD.

I think a review in the May, 1958 issue of Hi-Fi & Music Review says it best: "...a prize winner in my collection. Laurindo Almeida's guitar playing captures the keen poignancy and rhythmic elan of Brazilian music with superb assurance and taste. He is joined by an excellent flutist, Martin Ruderman...and a mezzo-soprano whose velvet voice and astonishing flexibility has hardly an equal at present...Salli Terri. She sings Villa-Lobos' Bachianas Brasileiras No.5 with a sinuousness and ecstasy which make this the finest modern version."

It is no wonder that Villa-Lobos himself called this the best recorded version of his composition...and 45 years after its original release, it stands the test of time. A prize winner, indeed!
Duets for Mandolin & Guitar
Average customer rating: 5 out of 5 stars
  • Delightful
 Duets for Mandolin & Guitar

Manufacturer: Soundart Recordings
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000DI36
Release Date: 1998-12-01

Tracks:

  1. Quadro Pavin/Galiarde
  2. La Coranto
  3. Phillips Pavanne/Galiarde
  4. Jesu Joy Of Man's Desiring
  5. Ariso
  6. Minuets I & II
  7. Romance
  8. Sonata No.483
  9. Sonatine
  10. Cantabile
  11. Estudio No.6
  12. Recuerdos De La Alhambra
  13. Gymnopedie No.1
  14. Bolero

Customer Reviews:

5 out of 5 stars Delightful.......2006-12-31

I've bought other alubums of mandolin and guitar and enjoyed them, but this is my favorite. All the selections are enjoyable.

The blend and balance between Baldassari's mandolin and Mock's guitar are the best I've ever heard on any recording of mandolin and guitar recordings.

I wasn't sure how a bluegrass mandolin player would do on classical pieces, but Baldassari is more than equal to the task in my opinion. He chose to play his Gibson F-5 and F-5C mandolins and could not have made a better choice. He produces the best tone I've ever heard from any mandolin; full, rich and balanced. Any limitations inherent in the mandolin are not to be heard; nothing tinny, nothing hollow, just pure golden tone.

John Mock's guitar playing blends seamlessly with Baldassari's mandolin.

I'm a cassual listener to classical music. I enjoy what I enjoy, but I'm not tutored or schooled. All I know is that I like what I like. This is good stuff.

Zarzuela Arias & Duets
Average customer rating: 5 out of 5 stars
  • One of he greatest voice ever!
  • overall
  • Beautiful
 Zarzuela Arias & Duets

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GuitarGuitar | Strings | Instruments | Classical | Styles | Music
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  1. Preludes & Choruses From Zarzuelas
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  5. Very Best of

ASIN: B000003FW6
Release Date: 1995-09-04

Tracks:

  1. El Rey que rabi?: Mi t?o se figura
  2. El Caser?o: Bueno d?as
  3. La Canci?n del olvido: Marinela, Marinela
  4. El Cabo primero: Yo quiero a un hombre
  5. La Leyenda Del Beso: Amor, mi raza sabe conquistar
  6. Bohemios: No quiero que sepa que aqu? vengo yo
  7. La generala: Mi dulce sueno de adolescente
  8. MARINA: Pensar en ?l
  9. La Dolores: !Dolores m ... ! Aquu!
  10. El Nino jud?o: De Espana vengo
  11. Luisa Fernanda: Caballero del alto plumero
  12. La Rosa del Azafr?n: No me duele que se vaya
  13. Don Gil de AlcalBendita cruz
  14. El D?o de la Africana: Comprende lo grave de mi situaci?n

Customer Reviews:

5 out of 5 stars One of he greatest voice ever!.......2007-01-10

A privilege to hear this wonderful voice in these native, for her, works.

5 out of 5 stars overall.......2006-03-16

Great recording
Great music selection, Great orchestration

Every thing is what I was looking for.
I wish you had the same subjects in DVD
Thank you

5 out of 5 stars Beautiful.......2001-09-29

This is a must have if you are not familiar with zarzuela (Madrid's response to Vienna's operetta). It's a nice combination of arias sung by Caballe in beautiful voice and joined by her husband tenor Bernabe Marti for the duets. The CD comes with translations for non Spanish speaking which will greatly improve your satisfaction.
Caballe is in as beautful voice as ever and feels at home with this non very taxing repertoire. She doesn't overindulge in her other times frequent "floatiness" and is very expressive throughout. Thogh sometimes when some coloratura is needed she tends to drop the consonants blurring her enunciation of the words. We are used to this from her opera recordings though she's not as bad as Sutherland.
Marti is a nice tenor but is not in the same league as Caballe. That's why he never got star recognition though he made a few recordings whith his wife, like Bellini's "Il Pirata". His is a lyrical tenor, a little throaty but with nice projection of the sound. He sounds a little strained over the "passagio" but hits all the notes. More importantly, he compensates for his lack of vocal lustre with burning impersonations of his characters. Passionate and burning in some, tender and caressing in others. In this respect is better than his wife who is a little more doll like hidding behind her vocal resources. So I specially enjoyed the many and varied duets in this recording.
Strongly recommended.
The Mantis & the Moon: Guitar Duets
Average customer rating: 4.5 out of 5 stars
  • absolutely worth owning
  • Impeccable playing
  • Terrific collection of pieces
  • Gorgeous world music, in the truest sense....
  • Mantis and the Moon
 The Mantis & the Moon: Guitar Duets

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000029NY
Release Date: 1996-12-10

Tracks:

  1. La Vida breve: Dance
  2. Goyescas: Intermezzo
  3. Danza espanola No. 6
  4. Sonata in A Major, R84
  5. Songs From The Forest
  6. 3 Duets: I. The Mantis and the Moon
  7. 3 Duets: II. Lament
  8. 3 Duets: III. Alchemy
  9. Carolan's Concerto: Allegro giocoso
  10. Fanny Power
  11. Planxty Madam Maxwell: Fast And Light
  12. Micropiezas
  13. Monte Carlo
  14. Capitola
  15. Prayer
  16. Jongo
  17. 'Bad Boy' For Two Guitars
  18. The Gad Fly, Op. 97: 'Guitars'

Customer Reviews:

5 out of 5 stars absolutely worth owning.......2003-02-15

I have many classical guitar albums, including several by John Williams in solo, duet and concerti, and this is one of my favorites. The playing is virtuosic as is expected from Williams, but the repertoire is varied and includes litte known works, including a Shostakovich duet written for guitar! Some reviewers haven't cared for the "mediocre" compositions from Australia, Ireland and the Americas, but I have to strongly disagree. Brouwer can at times be difficult, but he's hardly a slouch. Besides, if these compositions were worthy to draw the attention of one of the greatest guitarists of all time (and a fine composer in his own right), I think they're worthy of ours!
Buy this album, listen to it a few times for familiarization, and enjoy it for years to come.

3 out of 5 stars Impeccable playing.......2002-08-16

Williams and Kain display their considerable talents in playing with fire and reserve,virtuosity and taste and are generally close to perfect.The De Falla,Granados,Takemitsu,Hand,Soler and Shostakovich works are the standouts.The disappointing part of the album comes with the Westlake,Houghton,Brouwer and Verdery pieces.The greatest playing in the world can't disguise mediocre compositions.This is an overall good album but it does require skipping around a lot of superfluous stuff.
Get this one if you happen across a used copy.

5 out of 5 stars Terrific collection of pieces.......2002-04-01

I have had this CD for several years, and still enjoy it as much as when it was first given to me. It is being passed around the family, as my son owned a copy, then bought me one, and I have just ordered a copy for my daughter-in-law.

Some of the pieces are familiar, but if you persevere, I am sure you will come to enjoy the works that are new to you.

I was sorry to see that one reviewer did not enjoy the Australian works. The Westlake piece [Songs from the Forest] is fairly light and very melodic. If you enjoy it, you should check out his Antarctica music, which exists in several different versions.

Kain's Guitar Trek recordings are also worth hunting for.

5 out of 5 stars Gorgeous world music, in the truest sense...........2002-01-03

John Williams and Timothy Kain, two masters of their chosen instrument, with more in common than just the country of their birth. Kain's guitar teacher at the conservatory in Australia had studied with Williams' father, Len. Williams and Kain first worked together in 1992, and enjoyed the experience. The two men form a complimentary duo in both technique and approach to music. Their playing is flawless. Their duets are seamless.

On this disk, Williams and Kain "journey outside the confines of the classical guitar repertoire." What a magnificent journey it is, too! The Mantis & The Moon contains 18 selections by 12 composers, grouped together by the cultures of the 6 lands they represent...Spain, Australia, Ireland, the Americas, Japan, and Russia.

This is beautiful music performed by two of the greatest guitarists of our generation. These performances go beyond classical, folk, pop or the usual guitar "genre" pieces. Yet the music is lovely, enjoyable, and accessible to the listener. If you love guitar music, you owe it to yourself to pick up this CD.

3 out of 5 stars Mantis and the Moon.......2001-12-13

Williams and Kain play very well as a duo. My favorite pieces on this CD are "Sonata in A," "Capitola," and "Jongo." "Sonata in A" is acoustical honey for the ears, as it epitomises Chopin's comment that nothing sounds sweeter than a guitar--except two guitars. "Jongo" is simply dazzling (but far from simple to perform). However, I don't like the Australian compositions (sorry about that critique of your Aussie mates, Mr. Williams). A few other selections are uninspiring as well. It may come as a surprise, but I prefer the Parkening and Brandon duo's performances of "La Vida Breve" and "Intermezzo" over Williams and Kain. Nonetheless, Williams and Kain put in some fine performances on this CD.
Guitar & Piano Duets
Average customer rating: Not rated
    		Guitar & Piano Duets
    Tampa Red
    Manufacturer: Indigo UK
    ProductGroup: Music
    Binding: Audio CD

    Chicago BluesChicago Blues | Blues | Styles | Music
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    ASIN: B00002R2YO
    Release Date: 1999-11-19

    Tracks:

    1. I Got a Right to Be Blue
    2. She's Love Crazy
    3. So Long Baby
    4. You'd Better Be Ready to Go
    5. Can't You Read
    6. No Baby No
    7. It's All Up to You
    8. Poor Kelly Blues
    9. Gin Head Woman
    10. Don't Jive It Mama
    11. Anytime for You
    12. I Ain't for It
    13. Kid Man Blues
    14. I Can't Get Along With You
    15. Give Me Mine Now
    16. Come on Home
    17. I Oughta Bite You
    18. Corrine Blues
    19. Winter Time Blues
    20. Play Proof Woman
    21. Won't Be a Fool No More
    22. Big Road Blues
    23. Let's Try It Again
    24. Please Be Careful
    Bluegrass Guitar Duets
    Average customer rating: 5 out of 5 stars
    • Excellent CD for Picker or Non-Picker!
    		 Bluegrass Guitar Duets
    Sandy Rothman & Steve Pottier
    Manufacturer: Rural Rhythm
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Country | Styles | Music
    GeneralGeneral | Traditional Country | Country | Styles | Music
    GeneralGeneral | Bluegrass | Country | Styles | Music
    ContemporaryContemporary | Bluegrass | Country | Styles | Music
    TraditionalTraditional | Bluegrass | Country | Styles | Music
    GeneralGeneral | Contemporary Folk | Folk | Styles | Music
    Traditional FolkTraditional Folk | Folk | Styles | Music
    ASIN: B0000E1WLQ
    Release Date: 2003-11-04

    Tracks:

    1. Brown's Ferry Guitar
    2. Little Annie
    3. Denver Belle
    4. In the Pines
    5. Flop-Eared Mule
    6. What a Friend We Have in Jesus
    7. Blue Guitar Yodel
    8. Lonesome Road Blues
    9. Billy in the Low Ground
    10. Forsaken Love
    11. Buffalo Gals
    12. When You and I Were Young, Maggie
    13. Black Mountain Rag
    14. Storms Are on the Ocean
    15. Weeping Willow
    16. Precious Memories

    Customer Reviews:

    5 out of 5 stars Excellent CD for Picker or Non-Picker!.......2004-02-10

    This album is simply great! It offers an opportunity to hear two very talented gentlemen in a setting that allows focus on them and their instruments. Whether you use it for instructional purposes or entertainment or both, you can't go wrong. This is a must-have CD for the acoustic, bluegrass or folk/gospel fan. Everyone needs to hear this one.
    Christopher Parkening with David Brandon ~ Virtuoso Duets
    Average customer rating: 4.5 out of 5 stars
    • "Nothing is more beautiful than a guitar, save perhaps two," ...
    • Parkening and Brandon Duo
    		 Christopher Parkening with David Brandon ~ Virtuoso Duets

    Manufacturer: Angel Records
    ProductGroup: Music
    Binding: Audio CD

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    5. Artistry of Christopher Parkening

    ASIN: B000002RQ9
    Release Date: 1990-10-15

    Tracks:

    1. La Vida breve: Spanish Dance No. 1
    2. El sombrero de tres picos: The Miller's Dance
    3. De los alamos vengo, madre
    4. Ciranda No.1: Terezinha de Jesus
    5. El Paoruno
    6. Danza de la pastora
    7. Danza de la gitana
    8. Song Of The Will - o' - the - wisp From El Amor brujo
    9. Intermezzo From Goyescas
    10. Prelude And Fugue No. 4 In E
    11. Prelude And Fugue No. 4 in E
    12. Hymn Of Christian Joy (Prelude In Classic Style)
    13. Prelude (In The Baroque Style)
    14. Sanctify Us By Thy Goodness
    15. Offertorio
    16. Canon
    17. Four Renaissance Pieces: Le Rossignol
    18. Four Renaissance Pieces: Drewies Accordes
    19. Four Renaissance Pieces: Watkins Ale
    20. Four Renaissance Pieces: La Volta
    21. Berceuse From Dolly Suite
    22. An Old Music Box
    23. Evening Dance

    Customer Reviews:

    5 out of 5 stars "Nothing is more beautiful than a guitar, save perhaps two," ..........2005-10-24

    wrote Frederic Chopin. Those who enjoy classical guitar music find special pleasure in duets. The repertoire for duets is less frequently played, yet offers more possibilities for textural and harmonic effects than solo guitar. In such capable hands as Christopher Parkening and David Brandon, few musical experiences could give greater listening pleasure.

    This album is, sadly, no longer in print and thus makes it even more collectable. Please buy this CD before you loose the chance to hear some the most beautifully played classical guitar duets ever recorded.

    4 out of 5 stars Parkening and Brandon Duo.......2001-12-14

    This duo plays very well; however, the best tracks of this CD are on the Parkening "Great Recordings" double CD. Thus buying that CD would get you the best of this CD plus a lot of other good recordings. The duo's performance of "La Vida Breve," "Intermezzo," and "Evening Dance" are my favorites (and are included on the "Great Recordings" CD).
    Sor: Complete Guitar Duets, Vol. 1
    Average customer rating: Not rated
      		Sor: Complete Guitar Duets, Vol. 1

      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

      DuetsDuets | Chamber Music | Classical | Styles | Music
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      4. Sor: Fantaisies / Progressive Studies
      5. Sor: Complete Guitar Music Vol. 9

      ASIN: B00000146X
      Release Date: 1995-12-12

      Tracks:

      1. L'encouragement, Op. 34: Cantabile
      2. L'encouragement, Op. 34: Theme, Variations And Valse
      3. Divertissement, Op. 38: Andante Moderato
      4. Divertissement, Op. 38: Valse
      5. Six Valses, Op. 39 No. 1
      6. Six Valses, Op. 39 No. 2
      7. Six Valses, Op. 39 No. 3
      8. Six Valses, Op. 39 No. 4
      9. Six Valses, Op. 39 No. 5
      10. Six Valses, Op. 39 No. 6
      11. Les Deux Amis, Op. 41: Introduction
      12. Les Deux Amis, Op. 41: Theme, Variations Adn Mazurka
      13. Six Valses faciles, Op. 44 Bis, No. 1
      14. Six Valses faciles, Op. 44 Bis, No. 2
      15. Six Valses faciles, Op. 44 Bis, No. 3
      16. Six Valses faciles, Op. 44Bis, No. 4
      17. Six Valses faciles, Op. 44Bis, No. 5
      18. Six Valses faciles, Op. 44 Bis, No. 6
      19. Divertissement militaire, Op. 49: Andante - March
      20. Divertissement militaire, Op. 49: Allegretto

      Amazon.com

      Sor isn't really "the Beethoven of the guitar," as admirers call him. His music is never serious or weighty enough to stand up to that comparison. But he is the outstanding guitar composer of the classical era, writing idiomatically for his instrument and always providing intelligent entertainment in his music, if never inviting heavy emotional involvement. This Canadian duo plays with virtually perfect ensemble--which is very difficult to achieve on two instruments with such sharp-plucked attacks on every note. And they express the graciousness of the music quite well. Interesting note: the disc was produced by another fine guitarist, Norbert Kraft. --Leslie Gerber
      Carillon Bells of Britain
      Average customer rating: 3.5 out of 5 stars
      • Carillon
      • British Bells
      • Corrections to Amazon's data
      		 Carillon Bells of Britain

      Manufacturer: Saydisc
      ProductGroup: Music
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      ASIN: B00000IFN5
      Release Date: 1999-04-01

      Customer Reviews:

      4 out of 5 stars Carillon.......2006-07-31

      Exactly what I was looking for. Good quality reproduction, which isn't always possible. Some content I wasn't looking for, but generally good selections.

      4 out of 5 stars British Bells.......2001-11-12

      A delightful carillon recording, although I think I would have enjoyed it more if I knew some of the British folk tunes played. The CD is made interesting by including five different British carillons and five carillonneurs, the best being Trevor Workman. Also included is a track of domestic clocks playing the familiar "Westminster" chimes, and the very unfamiliar "Cambridge" chimes, plus a cuckoo clock!

      3 out of 5 stars Corrections to Amazon's data.......1999-06-26

      Title is simply "Carillon Bells of Britain". Performers are "Aldington, Gebruers, Leith, Stratfold, Workman"

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