Korngold & Rosza

On this CD:

1. Duo for violin & piano, Op 7
Composed by Miklos Rozsa
Performed by Scot Woolley, Stacey Woolley

2. Sonata for violin & piano in D major, Op 6
Composed by Erich Wolfgang Korngold
Performed by Scot Woolley, Stacey Woolley

Tracks:

20th Century Fox Fanfare
Overture From Captain Blood
Tara's Theme From Gone With the Wind
Parade Of The Charioteers From Ben Hur
Theme From Exodus
Lara's Theme From Doctor Zhivago
Theme From Lawrence Of Arabia
Love Theme From Romeo And Juliet
Theme From Goldfinger
Theme From Love Story
Theme From A Summer Place
Theme From Jaws
Theme From The Summer Of '42
Theme From Rocky
Theme From Terms Of Endearment
Main Theme From Out Of Africa
Theme From Chariots Of Fire

Customer Reviews:

Eh, It's Okay.......2007-04-24

For those that purchase soundtrack collages to have a variety of songs and themes, then this is good for you. Unfortunately, these tracks didn't have the signature Erich Kunzel version of the songs as he had on other soundtrack mix CDs. It was more like just that, a mix CD of different soundtracks and scores. However, it was a good buy in the fact that the tracks chosen had excellent sound quality and a sense of harmony.

We really enjoyed hearing all of the old movie themes.......2005-09-30

we put this CD in on a long road trip. We played a guessing game as to which one knew the movie. The music was excellent.

Outstanding Film Music.......2005-09-10

This is an outstanding collection of film music. The sound is qulity is very good. The selections cover a good range from various film genres and time periods. I like this CD.

An Interesting and Gratifying Volume 1.......2005-08-22

Erich Kunzel and the Cincinnati Pops' interpretation of film scores on this first tribute to Hollywood is somewhat a mixed bag. A SUMMER PLACE was beautifully executed and true to the nature of this sensitive film that was made during a time of innocence. The BEN HUR, CAPTAIN BLOOD and OUT OF AFRICA selections were good. The interpretation of GOLDFINGER was a rather bizarre and blatantly bombastic exercise in overkill. This is a good CD for me because of the A SUMMER PLACE selection.

Fantastic collection of movie music.......2001-02-13

Erich Kunzel and The Cincinnati Pops never fail to disappoint. This is a rousing stirring collection of overtures and themes from some of Hollywood's biggest films. And what better piece to start off the album than the "20th Century Fox Fanfare". A lot, if not all, of these pieces will be familiar to movie lovers. Who can resist the beautiful "Love Theme from Romeo & Juliet" or the "Theme from Love Story". Then there's the heart pumping "Theme from Jaws" and the "Theme from Rocky". This is a terrific album, and belongs, not just in a music fans collection, but also a movie lovers.

Average customer rating:

Beautiful voice and beautiful music
Superb - and I'm not a fan
For the opera fan who has everything
Beautiful - lovely singing
Today's Diva pays hommage to the past

HOMAGE: The Age of the Diva

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Russian Album
Sacred Songs
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Love Sublime
Sacred Songs (Ac3 Dol Dts)

ASIN: B000HXDEV2
Release Date: 2006-10-17

Tracks:

Poveri fiori, gemme de'prati
Dobra! Ja mu je dam!...Jak je mi?
Pochudilis mne budto golosa...Za dvorom luzhok zelenvoshek
Vissi d'arte, vissi d'amore
Ich ging zu ihm
Le ciel rayonne...O légère hirondelle
Orchesterzwischenspiel
Wie umgibst du mich mit Frieden
Tsveti moi!
Che più t'arresti? - Tacea la notte - Di tale amor
J'ai versé le poison dans cette coupe d'or
Mamicko, mam tezkou hlavu
Kdo to je? - Jenufko, ty jsi jeste vzuru?
Ich soll ihn niemals, niemals mehr sehn

Album Description

RARELY PERFORMED OPERA ARIAS AND FORGOTTEN GEMS CAREFULLY SELECTED BY TODAY'S LEADING SOPRANO. HOMAGE, THE AGE OF THE DIVA IS A TRIBUTE TO THE ARTISTS WHO GAVE LIFE TO THESE WORKS.

Acclaimed throughout the world's great opera houses, American soprano Renée Fleming enjoys particular success in roles from the late 19th and early 20th centuries when glorious vocal writing and opulent orchestrations took the art of opera to new heights.

In studying and performing this passionately lyrical music Renée Fleming became increasingly fascinated with her predecessors - sopranos of a golden age who made this intensely emotional music their own.

In her latest recording project Renée Fleming pays tribute to remarkable singers including Lotte Lehmann, Maria Jeritza, Rosa Ponselle and Mary Garden; women who achieved iconic status in a rapidly changing world in which their fame was spread through recordings, film and advertising - a time which could be described as `The Age Of The Diva'.

The beautiful music links the 19th century of Verdi and Gounod with the 20th century of Korngold and Richard Strauss. All of the pieces were championed by the Divas of the past, some of them come from operas that are still very popular today (Tosca & Il Trovatore), many others are from operas that have been forgotten. Renée Fleming rediscovers these "lost jewels" - including arias by Cilea, Smetana, and Rimsky-Korsakov - that were big hits during their time and now presents them for a new generation.

For this passionate, richly orchestrated repertoire, the role of the orchestra is enormously important and Renée is joined by the acclaimed Orchestra of the Mariinsky Theatre under their music director Valery Gergiev.

Customer Reviews:

Beautiful voice and beautiful music.......2007-06-27

This ia a wonderful collection of pieces and sung with a very clear and strong lyrical voice. Ms. Fleming's voice is lige warm butter. She has very diction most specifically in Czech ans German. This is a must have for anone who is a fan of Renee Flemming

Superb - and I'm not a fan.......2007-04-11

No, I'm not a Fleming fan. However, this was recommended to me by someone who once said to me, "The voice is gorgeous but whenever she's on stage I just want to slap her." Because he was so taken with this CD, I had to have it. For the most part, the voice is ravishing and she does very well with all the languages. She has never been good at recitive in Italian, just couldn't seem to latch onto it. And if I never hear anything about her singing jazz again, that would be "swell." Having said all that, I do admire this album, although I understand very well why some reviewers were not pleased. Even educated opinions can differ.

For the opera fan who has everything.......2007-04-10

If you are looking for something to give a collector of opera CDs get this one. Most of the repertoire is less well known so you will most likely not be dupilcating too much of an existing collection.
Flemming sings this repertoire so well, perhaps someone will will be inspired to produce a production of one of these unusual operas so we can hear her sing some of these roles on stage.

Beautiful - lovely singing.......2007-02-12

Opens a whole new world of arias to me....I play it often.

Today's Diva pays hommage to the past.......2007-02-06

The most interesting parts of this disc are those exploring new territory. The results give us hope that Fleming will be given the opportunity to record some of these roles in their entirety, particularly Rimsky-Korsakov's Servilia and Strauss's Die Liebe der Danae.

Average customer rating:

Not all the arias were her best
DIDN'T QUITE FULFIL MY REQUEST
Fair Enough
Fleming's High Points Well Covered in Compilation CD
Beautiful indeed!

Renee Fleming: By Request
Vincenzo Bellini , Alfredo Catalani , Antonin Dvorak , George Gershwin , Erich Wolfgang Korngold , Jules Massenet , Wolfgang Amadeus Mozart , Giacomo Puccini , Sergey Rachmaninov , Richard Rodgers , Richard Strauss , Giuseppe Verdi , Heitor Villa-Lobos , Georg Solti , James Levine , Jeffrey Tate , Patrick Summers , Sir Charles Mackerras , Lee Ritenour , Chamber Orchestra of Europe , and Renee Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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HOMAGE: The Age of the Diva
Renée Fleming: Bel Canto

ASIN: B0000C3ICO
Release Date: 2003-09-16

Tracks:

O Mio Babbino Caro
Ebben? ... Ne Andro Lontana
Porgi, Amor
Come Scoglio
Casta Diva
E Strano...Ah Fors E Lui...Sempre Libera
Un Bel Di Vedremo
Je Marche Sur Tous Les Chemins...Gavotte
Mesicku Na Nebi Hlubokem (O Silver Moon)
Vocalise
Cacilie
Marietta's Lied
Summertime
Bachianas Brasileiras No.5: Aria (Cantilena)
You'll Never Walk Alone

Amazon.com

This is a compilation--plus three previously unreleased selections--of some of the glorious Renée Fleming's finest work, 15 selections covering 13 composers. The rose-in-full-bloom quality of the voice is staggeringly beautiful: Her rendition of Rusalka's "Song to the Moon" is justly famous and is, alone, worth the price of this CD. Other highlights are Marietta's Lied from Korngold's Die tote stadt, an odd arrangement of the aria from Villa-Lobos's Bachianas Brasilerias No. 5, Manon's Gavotte, and a knock-down-gorgeous reading of Gershwin's "Summertime." The three new recordings are of Violetta's big first-act scene from La traviata, which features one of the most perfect trills heard since Joan Sutherland, a thrilling Cäcilie (R. Strauss), and a version of "You'll Never Walk Alone" which is so over the-top that it might make you look away in embarrassment. On the basis of this CD, one would have to acknowledge that Fleming is more interested in--and more successful at--pure singing than she is at character delineation (Butterfly sounds oddly like Wally who sounds too much like Norma), but it's not hard to tell why she's a superstar. Her voice and technique are one in a million. --Robert Levine

Album Details

"by Request" is a Collection of Fleming's Greatest and Most Popular Recordings Including Works by Mozart, Bellini, Pucchini, Verdi and Dvorak. Featuring Recordings from Renee Fleming's Outstanding Decca Discography Together with Two Glorious Tracks Strauss "Cacilie" and Verdi's "la Traviata" a Role Fleming Performed to Critical Aclaim Earlier in 2003.

Customer Reviews:

Not all the arias were her best.......2005-01-15

There is something lacking. Although most of these are indeed her "Best" releases, some things could have been left out. Her O Mio Babbino Caro and her Casta Diva weren't her best efforts at all. Casta Diva, sung to perfection by other revered artists, sounded too breathy and fearful here. It has good chest notes, and it is definitely better than Joan Sutherland's Norma though. Her O Mio Babbino Caro is the usual aria sung in its usual way, without leaving any trace of awe at an ability of a singer to interpret the aria. Rachmaninov's Vocalise was good, and it was great of Decca to release her Song to the Moon on this disc. However, some new additions weren't all that good as well. For example, if you listen to her excerpt from La Traviata, you will find that she sounds like she was singing jazz when uttering out "Gioir!". I think Decca should have issued the live performance version of this instead. That was so much better. Also, they should have showcased more of the bel canto repertoire she had specialized in. That would have made this CD a gem!

DIDN'T QUITE FULFIL MY REQUEST.......2004-11-22

THIS CD DEFINITELY BRINGS OUT THE BEST IN HER REPERTOIRE. SHE IS SOLID, WARM, AND BRILLIANT ON MOST OF THE SONGS. SINCE I OWN MANY OF HER CDS MOST OF THE TRACKS I HAVE IN DUPLICATE. EVEN SO EACH VERSION HAS A DIFFERENT FEEL TO IT. HER "O MIO" IS GREAT BUT GENERALLY I FEEL THAT KIRI TE KAWANA IS A LITTLE CLEARER THAN RENEE. HER "Ebben?...Ne Andrò Lontana" IS ALWAYS BRILLIANT FROM HER HIGH ENDS TO THE NECESSARY LOW NOTES TO FINISH THIS GLORIOUS TRACK. HER COUNTESS HAS ALWAYS BEEN A STRONG AND POWERFUL CHARACTERIZATION AND HER BUTTERFLY TEETERS ON HAPPINESS AND PAIN. THESE RICH LYRIC ROLES DESERVE A SOPRANO LIKE RENEE. I WAS HOWEVER, VERY DISAPPOINTED THAT SHE ADDED "SEMPRE LIBERA" TO THIS CD AS SHE'S NEVER BEEN A COMPELLING VIOLETTA AND CAN'T EVEN MUSTER THE HIGH "C" WE ALL EXPECT NOW A DAYS. HER RUSALKA IS ALWAYS MESMERIZING AND HER SIMPLICITY ON GLUCK'S "Das Mir Verblieb" WAS AN INCREDIBLE SURPRISE. I FOUND THE OTHER SONGS BORING DUE TO THE FACT THAT I DON'T LIKE THEM AND I KIND OF WISHED SHE WOULD HAVE REPLACED THEM WITH SOME BETTER WORKS. I MISSED HER SOFT AND DEFEATED "AVE MARIA" FROM OTHELLO OR HER FULL BODIED SPOILED MUSETTA IN "QUANDO MEN VO" OR HER RICH SADNESS IN "DOVE SONO"

Fair Enough .......2004-10-01

This is a compilation. I can't say love them I think thatpeople want to be surprised by new things, instead of um things they already own.On the other hand a die hard fan wouldn't mind having an extra cd by their favorite artist.Fair Enough.There was one aria that was new to me"Cantilena Brasileras"by Villa Lobos that was very striking.Her voice flows like an unimpeded stream with a lush vibrato.Like I read in one kid's review "Renee has a silky,creamy, instrument that is very beautiful and caresses the ear",couldn't have said it better myself. I agree. One smart kid!!! One thing that I have to comment on that will not escape is the dull cover picture. Renee get a better photographer;you're far more beautiful than that. I'm sounding like her mother,dear lord! She is a fox!

Fleming's High Points Well Covered in Compilation CD.......2004-09-06

Just one listen to the high points of this disc will make you realize why Renée Fleming is an opera superstar. Covering a ten-year period, this compilation disc covers a most fertile period for Fleming, absolutely one of the world's leading lyric and dramatic sopranos. What is particularly impressive is how many different styles she has covered, ranging from Italian bel canto to French Romanticism to Rodgers & Hammerstein. She effortlessly sings in six different languages, including what sounds like flawless Czech on Dvorak's "Měsíčku na nebi hlubokén" (which goes back to her family roots). Her powerful voice is expressive, almost buttery, which allows the listener to enjoy the coloratura agility she has mastered over the years and the tonal qualities she specifically defines for each aria. This is most evident on my two personal favorites - "Ebben?...Ne scoglio" from Catalani's "La Wally" (which will sound familiar to fans of the French eighties noir film, "Diva") where her crystalline voice complements the increasing power of the melody, and the haunting "Mariettas Lied" from Korngold's "Die tote Stadt".

Fleming also has a good sense of the characters she is portraying, for instance, on the "La traviata" aria, "È stano...Ah, fors'è lui...Sempre libera", one gets a strong sense of Violetta's conflict between the attractions of true love versus the free life of a courtesan. She also gets some sturdy help from tenor Joseph Calleja as Alfredo in this piece. But even in this number, the effect of her daunting runs and trills can be a bit overwhelming. She does keep this in check with the slower-paced tracks like "Casta diva" from Bellini's "Norma", which uses a choir in the background to great effect, and Rachmaninov's lovely "Vocalise". The well-worn "Summertime" from Gershwin's "Porgy and Bess" is nicely covered here, and it certainly invites comparisons to even Leontyne Price's definitive version. Fleming ends the disc with a rousing version of Rodgers & Hammerstein's "You'll Never Walk Alone" from "Carousel" that grows a bit too bombastic for listening comfort. Regardless, this disc provides a nice sampling of what this truly great singer has done over the past decade. A treat for her fans and highly recommended for anyone who wants an ideal introduction to her range of talent.

Beautiful indeed!.......2004-07-19

I'm very happy with this CD. She has a lovely voice! And what a fox! ;)

Average customer rating:

NEVER RECEIVED THIS ITEM!!
Perlman, Williams reunite in wonderful Serenade sequel
Some of the most beautiful music you'll ever hear
Don't compare it to Cinema Serenade 1
I can't stop listening to this CD....

Cinema Serenade II: The Golden Age

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JQG0
Release Date: 1999-07-27

Tracks:

Laura
Now, Voyager
Modern Times
Lost Weekend
The Quiet Man
The Adventures Of Robin Hood
Casablanca
Henry V
The Uninvited: 'Stella By Starlight'
My, Foolish Heart
Gone With The Wind
Wuthering Heights

Amazon.com

Cinema Serenade 2: The Golden Age is the sequel to Itzhak Perlman's popular album of movie themes performed with soundtrack composer John Williams. Unlike its predecessor, this disc focuses on classic cinema themes and features the Boston Pops Orchestra, not the Pittsburgh Symphony Orchestra. The Laura theme, as well as Max Steiner's Now Voyager and Miklós Rózsa's Lost Weekend themes, sound lush and romantic in Perlman's lyrical hands. The traditional Irish jig "The Quiet Man" is the disc's most upbeat moment, while the unforgettable Gone with the Wind theme is its most memorable. These are timeless, dreamy compositions, though not necessarily the most uplifting. If you're looking for something cinematic to get your heart racing, check out Ricardo Chailly's recording of Shostakovich's film scores or even Leopold Stokowski's classic work on Fantasia. --Jason Verlinde

Customer Reviews:

NEVER RECEIVED THIS ITEM!!.......2007-03-17

I cannot review the product which I know is great , as I was billed for it, but never received it.

Perlman, Williams reunite in wonderful Serenade sequel.......2003-12-04

With the success of Cinema Serenade, conductor John Williams and violinist Itzhak Perlman reunited to record another collection of classic movie themes. Performed this time by the Boston Pops Orchestra, the music of Cinema Serenade 2: The Golden Age harkens back to the days of stars such as Bette Davis, Humphrey Bogart, Errol Flynn, Ray Milland and Clark Gable.

The 12 selections include themes by Hollywood legends Max Steiner, Miklos Rozsa and Erich Wolfgang Korngold (whose son George would later produce several of composer/conductor Williams' scores for Varese Sarabande Records). Cinema Serenade 2 presents beautiful arrangements of Steiner's themes for Now, Voyager and Gone With The Wind, Korngold's love theme from The Adventures of Robin Hood, Charlie Chaplin's lovely Modern Times and "St Patrick's Day," a traditional Irish song from the John Wayne classic The Quiet Man.

Since I consider myself to be a charter member of The Rick Blaine Society of Rank Sentimentalists, I'd have to say my favorite tracks on this album are Herman Hupfeld's timeless "As Time Goes By" from 1942's Casablanca and Victor Young's "My Foolish Heart" (from the 1949 film of the same title). It was while I was listening to the radio (on the late WTMI 93.1 FM classical station) that the DJ played "As Time Goes By" and I discovered this recording of mostly lyrical themes; I listened to Perlman's haunting violin solos and the Boston Pops' bravura performance and nearly wept. I, of course, bought this CD the next day and it's now one of my favorites.

For fans of Itzhak Perlman, John Williams or film music in general, both of the Cinema Serenade CDs are a treasure trove of beautiful and memory-stirring themes.

Some of the most beautiful music you'll ever hear.......2001-06-15

This is one of the most beautiful CDs I've ever heard. The selections are musically much richer than Cinema Serenade I. In particular, Sir William Walton's music from Henry V, Korngold's music from Robin Hood, and Newman's music from Wuthering Heights are standouts. The Korngold is my favorite, with several themes from the picture packed into a short love scene lifted straight from the movie. The arrangements on this album are stunningly lush, especially those by Williams. His opening chords from The Uninvited are terrific harmonically.

Don't compare it to Cinema Serenade 1.......2000-01-24

Itzhak Perlman is still considered by me the best violinist alive today. His techiniques are so impressable and heartouching and nobody can contest that. The idea of this CD was wonderful, although the selections of the musics aren't so good than in Cinema Serenade 1. But anyway, if you want to listen musics that worldwide the people emotioned with, buy this CD, but don't fall in the temptation to compare it to the first one.

I can't stop listening to this CD...........1999-10-03

All of those lush movie themes are greatly compiled on this CD. I especially liked Laura and Stella by Starlight. After listening to this, you will want to go out and buy/rent these great old movies!

Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss

Average customer rating:

The best of the best.
Beautiful and creamy voice
Renee Fleming;THE BEAUTIFUL VOICE
The most gorgeous soprano voice I've ever heard
Wow!!!

Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Gustave Charpentier , Charles Gounod , Jules Massenet , Antonin Dvorak , Friedrich von Flotow , Giacomo Puccini , Erich Wolfgang Korngold , Carl Orff , Richard Strauss , Sergey Rachmaninov , Johann II Strauss , Franz Lehar , Jose Maria Cano , Marie-Joseph Canteloube , Jeffrey Tate , Sir Charles Mackerras , Renée Fleming , English Chamber Orchestra , Osian Ellis , London Voices , and Clive Greensmith
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Handel

ASIN: B0000042I6
Release Date: 1998-02-10

Tracks:

Louise (Acte 3): Depuis le jour ou je me suis donnee
Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
La rondine (Act 1): Chi il bel sogno di Doretta
Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
Carmina Burana (No. 21): In trutina
Vier Lieder, Op. 27 No. 4: Morgen!
Vocalise, Op. 34 No. 14: Vocalise
Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
LUNA: Epilogo
Chants d'Auvergne, Series 1: Bailero

Amazon.com essential recording

This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns

Customer Reviews:

The best of the best........2007-04-11

I've given away at least a dozen copies of this CD. I'm running low, so I just refilled the stash. For people who haven't discovered Renee Fleming or who think they don't care for opera, this CD is the best possible way to blow down the walls. If you think there's nothing new to be heard in these old arias, you owe it to yourself to find out how wrong you can be.

Beautiful and creamy voice.......2006-02-28

I like so much Ren?e Fleming and this is special cd !

Renee Fleming;THE BEAUTIFUL VOICE.......2006-01-30

IT'S A FINE RECORDING THAT OFFERS A VARIETY OF SELECTIONS FROM OPERA, OPERETTAS AND FOLK SONGS, ALL WITH FLEMING AT HER BEST.

The most gorgeous soprano voice I've ever heard.......2006-01-02

I am a 19-year-old voice student at the University of Central Arkansas and I came across Renee by way of a soprano in my voice studio. She said it was her favorite soprano and that I should give her a listen. I was a little hesistant because I'm a baritone and my voice teacher told me that I should listen to men, but I just want to hear it all. So this past summer I first bought Renee's self-titled album with all of the lolipop arias on it and I was just amazed, not just because of how good she is but how easy she is to listen to. I loved her voice immediately. From the the moment the first tone passed through her throat on Puccini's "O Mio Babbino Caro." So I had to hear more. The Beautiful Voice is even better. It wasn't as easy to listen to at first because some of the songs on this album are not as famous as those on the other one, but these songs are all gems. The Korngold with the pianissimi B flats is my personal favorite. Even my mother who screams at me to turn down that "noise" when I listen to opera cds has grown to be quite fond of Renee Fleming. Sometimes her interpretations can be over the top, but the voice is beyond spectacular. It pours out like melted butter. It's vibrant, rich, expressive, free and always perfectly in tune. There is no hint of strain from any sound emitted from her body. She will undoubtedly be remembered like Callas & Sutherland and all the other great soprano voices before her. Not for the dramatic intensity of Callas or the coloratura & technical ease of Sutherland, but for the sheer unspeakable beauty of her voice. This is a must have for any vocalist seriously dedicated to classical training.

Wow!!!.......2005-09-28

This album is the album that introduced me to Renee Fleming. Every selection on this recording is a gem. Her voice is so gorgeous and her technique is so solid. I love her voice so much, her interpretations of J. Strauss, Jr.'s Csardas is incredible and Puccini's Chi il bel sogno di Doretta makes me cry everytime I listen to it. She is a true American treasure. Brava Renee!!!

Average customer rating:

Not Liszt
Opera lover
Where's the Candelabra?
music to relax
Thibaudet Does It Again!

Aria: Opera without Words

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Jean-Yves Thibaudet ~ Liszt - Opera Transcriptions ~ Wagner · Mozart · Donizetti · Verdi · Gounod · Tchaikovsky
Gitano
Volodos Plays Liszt
Watch What Happens: The Jazz Album
Horizons - Leif Ove Andsnes

ASIN: B000M9BTPE
Release Date: 2007-02-13

Tracks:

Saint-Saens Medley on themes from Samson et Delilah
Richard Strauss Fantasia on the love duet from Der Rosenkavalier
Puccini O mio babbino caro (Gianni Schicchi)
Korngold Marietta's Lied (Die Tote Stadt)
Johann Strauss II Soirée de Vienne--paraphrase de concert sur Fledermaus (Die Fledermaus)
Puccini Vissi d'arte (Tosca)
Bellini Casta Diva (Norma)
Gluck Mélodie from Orpheus et Euridice
Puccini A Portrait of Madama Butterfly (Madama Butterfly)
Wagner The Ride Of The Valkyrie (Die Walküre)

Amazon.com

French pianist Jean-Yves Thibaudet has had a lifelong devotion to vocal repertoire, and it was inevitable that he would record an "opera without words" program. He is co-arranger of several selections on this disc, which is dedicated by Thibaudet to all the singers with whom he has performed. Listened to in one sitting, the disc is perhaps too much of a good thing. Savored a couple of tracks at a time, however, it offers considerable pleasure. Among today's big-name pianists, Thibaudet is one of those most frequently praised for "singing tone." He displays it exquisitely throughout this program, beginning with the initial track, a fantasy on two arias from Samson et Dalila. Among the other tracks, a few do disappointingly little to enhance what one would find in a piano-vocal score ("Vissi d'arte" is an obvious example). On the other hand, Thibaudet's full technical arsenal is magisterially deployed in "Soirée de Vienne," a concoction of Johann Strauss waltz themes including that of Die Fledermaus; a "sonata-fantasy" based on Madama Butterfly -- at 12 minutes, the longest track on the disc; and Louis Brassin's formidable arrangement of the "Ride of the Valkyries," which Thibaudet tosses off with staggering ease. -- Roger Pines

Album Description

Jean Yves Thibaudet brings a lifelong passion for opera to his new CD of irresistible operatic melodies: Aria - Opera Without Words, an album that combines the intimacy of the piano recital with the drama and romance of the opera house. Following the huge success of his recording of the complete solo piano music of Erik Satie, this new album is a very personal collection of timeless classics and new transcriptions - including several by Thibaudet himself. Aria - Opera Without Words includes arrangements of many of the best-loved arias of opera including Puccini's "Vissi d'arte" from Tosca and "O mio babbino caro" from Gianni Schicchi, and the sparkling "Jewel Song" from Gounod`s Faust. Thibaudet even provides a thrilling portrait of Wagner's mighty "Ride of the Valkyries." These performances are not just arrangements of popular classics, they are also piano works in their own right.

Customer Reviews:

Not Liszt.......2007-04-11

Jean-Yves Thibaudet's new recording is very pleasant to listen to. As expected, his playing is flawless and endlessly romantic in style; very poetic performances. His selection of repetoire is nice; however, the transcriptions themselves cannot compare to those by Liszt, in which Thibaudt dazzled listeners with his earlier recorded disc.

Overall, the playing is superb, the music is both warmly familiar and interesting and this is an excellent edition to the music lover's collection.

Opera lover.......2007-03-27

I enjoy listening to this CD mainly because I try to play these on the piano and this nonorchestral version emphasizes the melody better. The arrangements approach lounge music, but overall very nicely done. Not really for the avid opera lover, although I am--just have a different purpose for buying this.

Where's the Candelabra?.......2007-03-10

Strictly speaking, this is a recording for people who miss Liberace. It reduces opera classics to Andrew Lloyd Webber-esque Sunday brunch background musak. Dreadful.

music to relax .......2007-03-09

So easy to listen to. He plays so smoothly. Such a joy to hear.

Thibaudet Does It Again!.......2007-02-21

Sensitive and beautifully expressive playing, Thibaudet captures the essence of the singers art with his piano. Recording quality excellent.
Can't stop listening to this superb recording. Buy it now!

A - Z of Opera (includes 762 page booklet)

Average customer rating:

AN OPERA OPUS THAT'S A MUST!
The Best
Superb Modestly Priced Favorite Arias Collection!!!
Wonderful introduction to opera

A - Z of Opera (includes 762 page booklet)
Puccini , Thomas Harper , Ingrid Kertesi , Scholars Baroque Ensemble , and Hungarian State Opera Orchestra
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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A to Z of Classical Music
The Most Famous Opera Duets
The Most Famous Opera Arias
Amor--Opera's Great Love Songs
The Best of Italian Opera

ASIN: B00004YYRR
Release Date: 2000-10-17

Tracks:

L'Orfeo: Sinf/Ecco Pur Ch'a Voi - Cappella Musicale Di S. Petronio Di Bologna/Sergio Vartolo
Dido And Aeneas: When I Am Laid In Earth - Kym Amps
Rinaldo: Lascia Ch'io Pianga - Ingrid Kertesi
Serse: Ombra Mai Fu (Largo) - Ingrid Kertesi
Orfeo Ed Euridice: Dance Of The Blessed Spirits - Slovak State PO/Johannes Wildner
Alceste: Ombre Larve - Theresa Ringhoz/Drottningholm Theatre Chor
Don Giovanni: Madamina! (Catalogue Aria) - Andrea Martin
Cosi Fan Tutte: Soave Sia Il Vento (Terzetto) - Joanna Borowska/Rohangiz Yachmi/Peter Mikulas
The Marriage Of Figaro: Non Piu Andrai - Natale De Carolis
Die Zauberflote: Der Holle Rache (Aria Of The Queen Of The Night) - Helen Kwon/Hungarian Festival Chor
Fidelio: Abscheulicher! - Inga Nielsen/Hungarian Radio Chor
Der Freischutz: Huntsmen's Chor - Slovak Phil Chor
The Barber Of Seville: Largo Al Factotum - Roberto Servile
L'Elisir D'Amore: Una Furtiva Lagrima - Vincenzo La Scola
I Puritani: Qui La Voce Sua Soave - Luba Orgonasova
La Traviata: Un Di Felice (Love Duet) - Monika Krause/Yordy Ramiro
Nabucco: Va Pensiero (Chor Of The Hebrew Slaves) - Slovak Phil Chor (Bratislava)
Aida: Grand March - Nat SO Of Ireland/Rico Saccani
Falstaff: E Sogno? O Realita - Roberto Servile

Tracks:

Rigoletto: La Donna E Mobile - Yordy Ramiro/Slovak Phil Chor
Die Walkure: Ride Of The Valkyries - Czecho-Slovak RSO/Uwe Mund
Tannhauser: Begluckt Darf Nun Dich (Pilgrims' Chor) - Slovak Phil Chor
La Wally: Ebben, Ne Andro Lontana - Miriam Gauci
Rusalka: O, Silver Moon (Song To The Moon) - Jana Valaskova
Gianni Schicchi: O Mio Babbino Caro - Luba Orgonasova
La Boheme: Che Gelida Manina - Jonathan Welch
Madama Butterfly: Un Bel Di Vedremo - Miriam Gauci
Tosca: E Lucevan Le Stelle - Giorgio Lamberti
Turandot: Nessun Dorma - Thomas Harper/Slovak Phil Chor
Lakme: Dome Epais (Flower Duet) - Adriana Kohutkova/Denisa Slepkovska
Thais: Meditation - Janos Selmeczi
Carmen: L'Amour Est Un Oiseau Rebelle (Habanera) - Graciela Alperyn/Slovak Phil Chor/Bratislava Children's Chor
The Pearl Fishers: Au Fond Du Temple Saint (Duet) - Janez Lotric/Igor Morozov
Pagliacci: Recitar!... Vesti La Giubba - Nicola Matinucci/Slovak Phil Chor
Cavalleria Rusticana: Intermezzo - Czecho-Slovak RSO/Alexander Rahbari
Andrea Chenier: Come Un Bel Di Di Maggio - Thomas Harper
King Roger: Roxana's Aria - Barbara Zagorzanka
Die Tote Stadt: Gluck, Das Mir Verblieb (Marietta's Lied) - Katarina Dalayman/Thomas Sunnegardh/Tomtberga School Children's Chor/Royal Swedish Opr Chor

Album Description

A-Z of Opera is a 762-page, illustrated book, accompanied by two-and-a-half hours of opera's most glorious and moving moments on two CDs, and reflects the ever-growing Naxos catalog of recordings ranging from Monteverdi to the contemporary. A-Z of Opera provides a wide range of information on operas and their composers, from Handel's Rinaldo to Mozart's Die Zauberflote, and beyond. It features plot synopses, background details and cast lists for hundreds of operas including well-known standards as well as opera rarities. In addition, there is a wealth of information about all the great composers and a glossary of key musical and operatic terms.

Customer Reviews:

AN OPERA OPUS THAT'S A MUST!.......2003-01-19

Oh, such letter-perfect perfection! This marvel features a two-hour-plus showcase of well-known arias from "Cosi Fan Tuti," "Aida," "Carmen," "Madame Butterfly" and "The Barber of Seville." It also comes with a book --- 762 pages of remarkable facts, figures and illustrations.Encore!

The Best.......2002-06-09

This is, by far, the best introduction to opera on the market. It also contains some gem performances for anyone who already has a serious opera collection. Several tracks on this collection of mostly Eastern European singers rival those of their Western counterparts. This is a collection for EVERYONE - from the opera novice to the person who has long collected all the major Western stars. At this price, it's the best opera bargain in the world. GET IT NOW!!! Thank you, Naxos! I hope that some of these Eastern European singers at last get the attention they deserve.

Superb Modestly Priced Favorite Arias Collection!!!.......2001-02-12

I received this as my 20th birthday gift from my bestfriend and I was amazed at the quality and the content of this CD. Some of the arias which I am immensely fond of are included, i.e. "Habanera" from Bizet's "Carmen." And who would have guessed that the soprano on track 10 performing Queen of the Night's Aria from Mozart's "Die Zauberflote" was none other than Hellen Kwon? Amazing!

I really love this gift from my bestfriend for it was thoughtful and well, what can I say that this makes an excellant gift for opera neophytes (though I am not an opera neophyte).

The highlight of this CD is track 13, Rossini's "Largo al Factotum" from "The Barber of Seville." When I first heard this, I was contemplating to myself as to where have I heard this before. Then it hit me: Michigan J. Frog's signature tune! (In case people are wondering who on earth is Michigan J. Frog is, he is the Warner Brother's frog; the frog can be seen on WB network channel). I love this track! Buy this for yourself if not this makes a perfect gift for your opera neophyte friend(s)! This track brings joy and smiles on my face everytime I hear this piece!

Wonderful introduction to opera.......2000-12-16

More than just a promotional sampler, the Naxos (8.555037-38) contains not only 2 CDs crammed with 39 excerpts from that company's seemingly bottomless catalogue, but also a 762 page book. The text offers plot summaries of almost every important opera and many of far lesser renown (Delius' "The Magic Fountain," Mascagni's "Iris," for example), a brief biography of the composers, a glossary, and finally a discography. The recorded examples are in chronological order from Monteverdi to Korngold. The entries in the book, however, are in alphabetical order--so be careful to look for "Zauberflote," not "Magic Flute," and so on.

Of course, Big Names do not appear on many Naxos opera sets; but this set is an introduction to that vast area of culture and is meant to be an educational (and of course a promotional ) device. Nevertheless, many of the selections on the CDs are beautifully sung, a very few lack characterization (the arias from"Don Giovanni" and "Nozze di Figaro" for two). But at this incredibly low budget price, who can complain?

As soon as I saw what this set had to offer, I immediately ordered a copy as a seasonal gift for a friend who wants to "get into" opera. I could think of no better gift.

Tracks:

Thais: Meditation - Nigel Kennedy
Vn Con No.1 in g, Op.26: Adagio - Kyung Wha Chung
Con No.4 in f, RV 297 'Winter': Largo - Alan Loveday
Con in d, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng/Maurice Hasson
Adagio in E, K.261 - Henryk Szeryng
Vocalise, Op.34 No.14 - Akiko Suwanai/Philip Moll
Vn Con in D, Op.77: Adagio - Joshua Bell
Vn Con: Andante - Joshua Bell
Melodie - Arthur Grumiaux/Istvan Hajdu
Vn Son No.5 in F, Op.24 'Spring': Adagio Molto Espressivo - Itzhak Perlman/Vladimir Ashkenazy
Vn Con in D, Op.35: Canzonetta: Andante - Leila Josefowicz
Songs My Mother Taught Me, Op.55 No.4 - Arthur Grumiaux/Istvan Hajdu
None But The Lonely Heart - Josef Sakonov
The Gadfly: Romance - Alexander Kerr

Tracks:

Romance No.2 in F, Op.50 - Arthur Grumiaux
Vn Con in E, BWV 1042: Adagio - Midori
Salut D'amour - Kyung Wha Chung/Philip Moll
Ave Maria, D.839 - Arthur Grumiaux/Istvan Hajdu
Con in a, RV 522: Larghetto - Midori/Pinchas Zukerman
Son in D, Op.1 No.13: Larghetto - Iona Brown
Vn Con No.3 in G, K.216: Adagio - Arthur Grumiaux
Liebesleid - Joshua Bell/Paul Coker
Vn Con in e, Op.64: Andante - Kyung Wha Chung
Souvenir D'un Lieu Cher, Op.42: Melodie - Akiko Suwanai/Philip Moll
Vn Con in d, Op.47: Adagio Di Molto - Kyung Wha Chung
Vn Con in D, Op.35: Romance: Andante - Chantal Juillet
Standchen, D.957 No.4 - Arthur Grumiaux/Istvan Hajdu
Estrellita - Arthur Grumiaux/Istvan Hajdu
Orchestral Ste No.3 in D, BWV 1068: Air ('Air On A G String') - ASMF/Neville Marriner

Customer Reviews:

Wonderful.......2005-11-07

An excellent compilation of folk tunes and violin concerto adagios, played masterfully by some of the world's most revered musicians. Features modern pieces (Korngold, Barber), which are a personal favorite of mine.

Thanks you Decca.......2005-01-23

My daughter is a violin student of 7 years and she has played 3 or 4 of these pieces for recitals. I bought the CD's so she could become familiar with the pieces as she was learning to play them. Now I find myself listening to the CD's almost every night when I go for my end of the day drive to relax. My favorites are the Mozart Concerto in G, the Mendelssohn Concerto in E minor and Beethoven's Romance in F on disc 2, but all the songs are exquisitely beautiful. I highly recommend it.

Exquisite music for the soul.......2004-06-14

These CDs have the most incredible selections of music on them. Listening to the violins has enabled me to complete papers for my doctoral level classes without the usual neck aches. This is soothing, exquistie music for the soul! Lovely!!

Indeed a joy forever!.......2003-05-22

Before buying this 2 CD set,I've read Reviews by Chicagodreamer,
who rated it as "Highly, highly recommended." His laudatory recommentation, I must say, is found "well justified."

Exquisite collection & performances, unbelievable value!!!.......2002-01-15

"Over 2 l/2 hours of the world's most beautiful music." These words on the cover are very close to true. What an incredible value this collection is!! So many of these compilations of this sort are cheaply produced, and those "greatest hits" collections are one trite piece after another -- after a while one runs screaming to the stereo to shut it off. However, this collection is top-notch, and the performers they chose are masterful musicians at the top of their game. Every selection is lovely, each one unfolding after the other in a sublime slide show of exquisite compositions performed by legends. This is TWO CDs of sparkling performances composed and performed by masters. There is not a bad selection or a piece of inferior quality in the entire lot.

Tracks:

I: Allegro Moderato
II: Adagio Di Molto
III: Allegro Ma Non Tanto
I: Presto
II: Adagio
III: Tempo Giusto
I: Moderato Nobile
II: Romance (Andante)
III: Finale (Allegro Assai Vivace)

Amazon.com

On this disc, the playing's the thing and it is fabulous. Originally made in 1979 and 1980, these recordings capture Perlman at his incomparable peak. The effortless perfection of his technique leaves you gasping in disbelief; even the infamously unplayable passages in the Sibelius Finale are tossed off with easy nonchalance, and he avoids the false accents often heard in the treacherous opening theme. And Perlman's toneis warm, mellow, pure, and constantly expressive; its golden glow is like burnished copper on the low strings, like radiant sunshine up high, and he can vary it instantaneously with bow and vibrato to fit the music. Of the three works, the Sibelius is, of course, the best and most familiar; underplaying its extroverted flamboyance without sacrificing its virtuosity, Perlman brings to it an unusual degree of inwardness. Another striking feature of the performance is the clarity of the orchestral texture, which allows generally unnoticed lines and details to come out. The Sinding Suite begins with a marathon run-around, goes into a sentimental ballad up the G string, and ends with what sounds like a parody of a baroque dance.

Of all the European emigré composers who found refuge in Hollywood, Korngold was probably the most talented and best known. His film scores deservedly brought him fame and fortune but little artistic satisfaction; he continually attempted, to write "serious" music but found his old style passé and the new styles incomprehensible. Perhaps this disappointment eroded his inspiration; all his American concert compositions fall back on material from his film music. The violin concerto, premiered by Heifetz, who championed several European Hollywood composers, is ingratiating and somewhat derivative. The melodies swoop and soar, the form is episodic, the orchestration colorful, the style overripe, sentimental, atmospheric and evocative: one can easily imagine a film around it. The solo part is ferociously difficult but very effective, exploiting every resource of the instrument; Perlman plays it with incredible virtuosity, a glorious sound, and completely serious, honest expressiveness. --Edith Eisler

Customer Reviews:

Korngold reworks his THE PRINCE & THE PAUPER (WB 1937) score for for Violin Concerto in D, Op.35.......2007-01-26

Erich Wolfgang Korngold came to the U.S. in 1934, leaving behind him in his native Austria an incredible body of work, including operatic and concert successes. As a composer of film music, he was nominated for the Academy Award four times, receiving an Oscar twice, for his original scores for ANTHONY ADVERSE (1936) and THE ADVENTURES OF ROBIN HOOD (1938). After composing scores for 18 major Warner Bros. features, Korngold retired from films in 1946 to continue his career of serious composition.

This selection begins with a chase-like theme, as the First Lord rushes out of Westminster Abbey during the Coronation of beggar-boy Tom Canty and races through the streets of London to Windsor Castle to collect the Great Seal of England, which will prove the true identity of Prince Edward, who has just appeared in rags proclaiming himself to be king. Followed by a romantic interlude and the majestic Main Title. All brilliantly performed and remastered.

Perlman Back In Print.......2004-05-22

"The Perlman Edition" is a new CD series from EMI which collects many of the violinist's most celebrated recordings for the label. These performances of the Sibleius and Korngold Violin Concertos, and the Sinding Suite, with conductor Andre Previn and the Pittsburgh Symphony Orchestra from 1979-80, are among the best. The material on this title has been available on CD previously -- the Sibelius and Sinding were coupled on one disc, while the Korngold was paired with the Goldmark, which has yet to be reissued. In my opinion, Heifetz owned these three works, however only his recording of the Sibelius is available in stereo (and as a performance, it plays second fiddle to his mono account with Beecham available on Naxos). With that being said, it is great to hear a world class violinist like Perlman tackle these works in the prime of his career in stereo. While I don't see myself buying all of the "Perlman Edition" discs, it is certainly good to have them back in print, particularly this one.

Average customer rating:

Korngold: The Sea Hawk (Complete)
Korngold , Moscow So , and Stromberg
Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

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