The Sound of Wagner & Strauss/Leinsdorf
On this CD:
1. Tannhäuser, opera, WWV 70 Overture
Composed by Richard Wagner
Performed by Concert Arts Symphony Orchestra
Conducted by Erich Leinsdorf
2. Die Walküre (The Valkyrie), opera, WWV 86b Ride of The Valkyries/Magic Fire Music
Composed by Richard Wagner
Performed by Concert Arts Symphony Orchestra
Conducted by Erich Leinsdorf
3. Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d Siegfried's Funeral March
Composed by Richard Wagner
Performed by Concert Arts Symphony Orchestra
Conducted by Erich Leinsdorf
4. Parsifal, opera, WWV 111 Prelude to Act III
Composed by Richard Wagner
Performed by Concert Arts Symphony Orchestra
Conducted by Erich Leinsdorf
5. Die Frau ohne Schatten (The Woman Without a Shadow), opera, Op. 65 Interludes
Composed by Richard Strauss
Performed by Concert Arts Symphony Orchestra
Conducted by Erich Leinsdorf
6. Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), tone poem for orchestra, Op. 28
Composed by Richard Strauss
Performed by Concert Arts Symphony Orchestra
Conducted by Erich Leinsdorf
The Sound of Wagner & Strauss/Leinsdorf, Music, Richard Strauss, Richard Wagner, Erich Leinsdorf, Concert Arts Symphony Orchestra, Classical, Classical Music, German/Austrian Romantic Opera, Miscellaneous Music, Opera, Orchestral, Romantic Tone Poem/Symphonic Poem for Orchestra
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Fun music
- Still Crazy After All These Years
|
By Request
Manufacturer: East Side Digital
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
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Similar Items:
- Secrets of Synthesis
- Switched-On Boxed Set
- A Clockwork Orange: Wendy Carlos's Complete Original Score
- Beauty in the Beast
- The Well-Tempered Synthesizer
ASIN: B0000E32XC
Release Date: 2003-11-11 |
Tracks:
- Russian Dance
- Dance Of The Sugar-Plum Fairy
- Dance Of The Reed-Pipes
- Dialogues For Piano And Two Loudspeakers
- Episodes For Piano And Electronic Sound
- Geodesic Dance (Electornic Etude)
- Brandenburg Concerto No.2 In F Major (1st Movement)
- 'Little' Fugue In G Minor
- What's New, Pussycat?
- Eleanor Rigby
- Wedding March
- Pompous Circumstances
Customer Reviews:
Fun music.......2006-06-28
Now, with so many electronic musical instruments, it is fun to listen to one of the origanals.
Still Crazy After All These Years.......2004-01-21
As the Ultimate Carlos Fan and an analog synthesist, I was elated to discover that By Request, which I've had since it appeared on vinyl, was at last available on CD. I'm happy to report that it is just as good now as it was almost three decades ago. That's right--three decades!
The music on this well-remastered CD still shines even though songs like "What's New Pussycat?" are no longer in vogue. The CD is a hodgepodge of various tunes from Bach to Beatles supposedly requested by listeners after The Well Tempered Synthesizer was released. The result may only only be mildly interesting to the occasional listener, but to followers of electronic music, it's like rediscovering a lost gem.
The three dances from The Nutcracker aren't particular standouts by Carlosian standards, nor are some of the other selections. Suffice it to say of the album that when it is good, it is very very good, and when it is bad it is merely good. Here are random notes on some of the more interesting pieces:
"Dialogues" and "Episodes" are early piano/synth pieces in the academic style. They will NOT appeal to some listeners, but they are well composed and extremely well performed, given the difficulty of creating electronic music back then.
"What's New Pussycat?" of Bacharach fame is another early Moog piece that is about as "Moogy" as Carlos has ever gotten. The Moog waa-waa filter cliche normally shunned by Carlos is here put to playful use in a chorus of drunken cats. I can't listen to this piece without smiling at the obvious good humor and sense of fun behind it.
"Geodesic Dance" remains one of my all-time favorites and appears here in all its modernistic glory. The piece is beautifully composed and full of the spatial and dynamic subtleties that set Carlos' analog work leagues above the rest. It ranks with "Timesteps" and "Country Lane" from the later Clockwork Orange album as thoroughly competent and quintessentially Carlos.
The CD's Big Finale, of course, is "Pompous Circumstances," a playful send-up of the Elgar classic performed in a wide variety of styles. Once again, Carlos' talent as a composer and consummate synthesist shine through, along with a dose of good humor. It's a pastiche, but not without it's serious moments, which might be why it's such a satisfying work.
Given the extreme difficulty and tedium of recording on a monophonic analog synthesizer--where changing a sound means striking a patch that may have taken hours to create and starting all over again--it's a wonder that the outcome could sound so good. But Carlos is a perfectionist and it shows on this album as it does on all of the Moog works. I confess that Carlos' digital music sounds flat and mundane to me and doesn't stand up to repeated listening. The analog works, for all their difficulty, continue to sound fresh and spirited. My request for Wendy's next "By Request" album would be to do another one like this--all analog.
Average customer rating:
- Great sounds!
- Its alright
- absolutely Inspirational
- Heaven on Earth
- A fun and inspirational listen
|
London Horn Sound
Manufacturer: Cala Records
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
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| Wagner, Richard
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Similar Items:
- American Horn Quartet
- Take 9
- Virtuoso Horn
- Mozart: Horn Concertos Nos. 1-4
- Brain
ASIN: B00000JHK7
Release Date: 1999-06-29 |
Customer Reviews:
Great sounds!.......2006-06-16
Love this CD! Feel in love with it from the first hearing! The Titanic fantasy is wonderful, perhaps a tad long, but wonderful just the same. I got used to the flat high D after a couple hearings. The Hansel und Gretel is nice, but arranged a whole step below the original key, and it looses a little luster. There is a wonderful published 8 part arrangement of this in the original key that I think is better.
The jazz/swing tunes are wonderful. Uses of stopped horn to simulate muted trumpets are quite effective. I also like the use of percussions throughout the disc. I think Caravan is my favorite track.
I just received the Take 9 CD today, and I didn't have the WOW feeling as I didn't when I first heard the London Horn Sound. There are many more tracks on the London CD that I will continue to listen to. The arrangements, I feel, better handle variations of texture and timbre of the homogeneous sound of a horn section. And besides...who cares about the Grand Canyon Suite??
Take 9 arrangement choices are boring.
Its alright.......2005-12-15
This CD has some really beautiful playing, but a lot of the selections are cheesy. i.e. Titanic. They might as well have hired Celine Dion to sing along with them. And although there are some real "wow" moments like when you listen to Caravan for the first time, (The lead horns sound like the trumpet section in a jazz band), overall, the Cd isn't that exciting to listen to more than once. On the other hand, Take 9 is a CD featuring the American Horn Quartet & The Horns of the NY Philharmonic. Not only do they kill the Londoners with their technique and intonation, but the repertoire better suits the medium than lame pop fantasies. Of note is the orchestral transcription of Overture to Candide. I say transcription because yes, they even play the flute and clarinet solos in the correct octave. TAKE 9 Check it out!
absolutely Inspirational.......2005-10-11
This is THE CD I listen to on the way to rehearsal. It truly inspires me to do my absolute best! You've got to love Roman Carnival - so excellent! I would recommend this CD to anyone, especially horn and brass players. These performers are just phenomenal. What else is there to say?
Heaven on Earth.......2005-08-02
This CD is incredible. The horn is shown for all it is worth. From the beauty of the "Titanic" Fantasy and Hansel and Gretel to the latin Tico-Tico, jazz of Ellington in Caravan and the incredible rendition of Bohemian Rhapsody, the horn proves it is not as limited an instrument as some may think. Both the high and low ends of the horn are highlighted. Simply heavenly. If you like horn playing at all or even if you don't, you will want to give this CD a listen. It is well worth your time and money.
A fun and inspirational listen.......2005-05-06
I love this CD. In addition to showing off some of the finest horn playing I've ever heard, there's something here for every musical taste. My favorite track is without question the Titanic Fantasy...I'm a French horn major at the moment, and whenever I really, really don't want to practice, I pull out this CD and listen to that song. It gets me up and going nine times out of ten. It's worth listening to just to hear that final high D...absolutely heavenly!
Average customer rating:
- One Of His Best
- Complete list of Tomita's classical albums...
- electronic instruments, very good selections,
|
Kosmos
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
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Similar Items:
- The Tomita Planets
- Debussy: Snowflakes Are Dancing, Prelude, etc / Tomita
- Mussorgsky: Pictures at an Exhibition
- Different Dimensions: Anthology
- Tomita's Greatest Hits CD
ASIN: B000002W42
Release Date: 1991-07-09 |
Tracks:
- Star Wars - Main Title
- Space Fantasy
- Pacific 231
- The Unanswered Question
- Aranjuez
- Peer Gynt: Solveig's Song
- Hora Staccato
- The Sea Named Solaris
Customer Reviews:
One Of His Best.......2003-06-07
If one can get past the laughably bad Star Wars opening track, this album is a stunner. Though lacking the fluid continuity of his previous efforts, Tomita manages to select darker, more beautiful, and more moody pieces than before, creating an incredible dream-like atmosphere without resorting to the usual space-ship and "alien" sounds that tarnished The Planets and The Bermuda Triangle. His sound became larger, more ambient, and denser. The final Bach medley "The Sea Named Solaris" is Tomita's finest hour, and this album is a must for any fan or Tomita's work, or of electronic music. A flawed but still great work.
Complete list of Tomita's classical albums..........2002-03-05
This CD is fantastic, but a big box set of every classical Tomita album would be even better. Most of the CDs out of print for years are absolutely fantastic. Four of his albums would fit two on one CD. Here's the complete list...
Snowflakes Are Dancing 1974 (11 Debussy pieces) The newly remastered CD is an audiophile recording, adds Prelude To The Afternoon of a Faun and is available for a good price.
Pictures At An Exhibition 1975 (Mussorgsky)
Firebird 1976 (Stravinsky: Firebird. Debussy: Prelude To The Afternoon of A Faun. Mussorgsky: Night On Bald Mountain)
The Planets 1976 (Holst)
Kosmos 1978 (Star Wars Title. Space Fantasy- R. Strauss: 2001 Title, Wagner: Ride of The Valkyries and Tannhauser Overture. Honnegar: Pacific 231. Ives: Unanswered Question. Rodrigo: Aranjuez. Grieg: Solveig's Song. Dinicu-Heifetz: Hora Staccato. Bach-Tomita: The Sea Named Solaris)
The Bermuda Triangle 1979 (Sibelius: Valse Triste. And excerpts from... Williams: Close Encounters. Prokofiev: Romeo and Juliet, Scythian Suite, Symphonies 5 and 6, Violin Concerto 1. My favorite electronic CD.)
Bolero 1980 (Ravel: Daphis and Chloe. Pavane for A Dead Princess. Bolero. Mother Goose Suite)
The Grand Canyon 1982 (Grofe)
Canon of The Three Stars 1984 (Pachelbel: Canon. Rachmaninoff: Vocalise. Albinoni: Adagio. Bach: Jesu Joy of Man's Desiring. 4 pieces from Villa Lobos: Bachianis Brasileiras 2, 4, and 7)
Live At Linz, Austria 1985 (With speakers on both sides of the Danube River and live soloists. Includes 7 pieces from previous albums plus Stravinsky: The Rite of Spring. Japanese Traditional: Cranes In Their Nest. Vaughn Williams: The Lark Ascending. Wagner: Tristan Und Isolde-Liebestod. Beethoven: Ode To Joy with full Choir.)
Live In New York 1988 (Includes 7 pieces from previous albums plus Dukas: Fanfare. Mahler: Symphony 3 in D Minor - 5th Movement. Traditional: Chinese War Lord Going Home. Gershwin: Rhapsody In Blue. Fisher-Dvorak: Goin' Home. My favorite live concert CDs.)
electronic instruments, very good selections,.......1999-05-29
I have this album in vinyl, should be better without background hiss. Star Wars theme is quite interesting, lovers of "the force" should be impressed. Worth every dime.
Average customer rating:
- Hallo-wha?
- An interest take on the usual
- Could have been great but . . .
- It's not That bad...
- Tries to please everyone
|
Halloween
Manufacturer: American Gramaphone
ProductGroup: Music
Binding: Audio CD
All Works by Dukas
| Dukas, Paul
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Similar Items:
- Halloween, Vol. 2: Creatures Collection
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ASIN: B0000AOV3N
Release Date: 2003-09-23 |
Tracks:
- Toccata In DeMole
- Hall Of The Mountain King
- Harvest Dance
- The Flying Dutchman
- Z-Row Gravity
- Funeral March Of A Marionette
- Rock & Roll Graveyard
- Night On Bald Mountain
- Crystal
- All Hallow's Eve
- The Sorcerer's Apprentice
- Rite Of Twilight
- Ride Of The Falkyries
Tracks:
- Enchanted Forest
- The Other Side
- Enchanted Forest II
- The Reaper
- Ghost Voices
- Alien Spaceship
- Enchanted Forest III
- Mountain King
- Digital Death
- Souls Demise
Customer Reviews:
Hallo-wha?.......2006-04-19
Let me start by saying I've never listened to Steamroller before picking this up. I am a big fan of Halloween and have quite a collection of music/sound fx so naturally, this was a must buy when I saw it.
Strictly from a Halloween fan's point of view, I can't recommend this except maybe for a kids party. The synth on the tracks really removes any spookiness from the tunes and makes them fall short of Halloween-worthiness. Tocatta and Hall of the Mountain King are some of my absolute favorite classical pieces and here they are given a royal treatment...if they were produced on a Commodore 64, or Casio keyboard for you younger folk.
The FX disc isn't horrible, but it's below the average generic sound fx you find in the bargain bin. Again, not much scary except for the fact that I spent money on this.
If possible, check it out before you buy.
An interest take on the usual.......2005-11-06
I wasn't sure what I'd think of this from reading other reviews, but I really did like it. I'm not really familiar with Mannheim's other stuff (but if the rest of the Autumn cd is anything like Harvest Dance, I'm looking forward to getting it), so I didn't have any preconceived ideas. I have a lot of the classical pieces on other cds, but I like the different twist given to them here. And I did like the sound effect cd. Nicely spooky (I have enough other sound effects cds with screaming and muching ghouls, etc).
Could have been great but . . ........2004-10-15
As a big Steamroller fan, perhaps my hopes were set a little too high. I envisioned more original music (perhaps a more scarier vibe than the silly one this CD has to it) and maybe a few covered tunes. Chips originals (from the Fresh Aire series)found on this CD outshine the weak efforts put forth on the covered and rearranged tracks. The sound effects disc sets a great(and creepy)mood, that should had been followed through with some new and equally scary compositions.
If you're a die hard Mannheim fan (as in 'I just have to own everything Chip puts out') I say go for it. But otherwise spend your Halloween money elsewhere. Overall this is a forced and lazy effort.
It's not That bad..........2004-06-14
It's not scary. There, you have it, that's what it all boils down to. With a creepy cover like that, you'd think it would be terrifying! It's not, but it's not bad, either!
A lot of the songs sound kind of like low-budget MIDI tunes that are sometimes embedded in websites.. but I think that might have been what the Steamroller was going for. Kind of like a broken Music Box? Anyway, only a few sound low budget, the rest sound good, even a few are a little "eerie" but at the same time, there's a lot that pretty much remind me of something you would hear come out of sesame street toy. The sound effects are great, though.
There's a few songs that are bad. there's a few that are "babyish" but there's also Lots that really capture the mood of halloween and some of it's eerieness. I can't really recommend it for Halloween itself (maybe if you already have every halloween cd already) but I think any Chip Davis fan should give it a listen.
Tries to please everyone.......2004-06-02
One of the neat things about the holiday of Halloween is that it is so versatile. Where Christmas has a very straightforward story (Santa or Jesus, take your pick), Halloween can be many things. Some people see it as a sort of Mardi Gras atmosphere, where any kind of costumed theme is suitable. Others see it as a dark holiday, only suited gothic castles, zombies, and monsters. Still others celebrate it in the style of gory slasher movies, complete with deranged serial killers and buckets of blood. And then there is the non-scary childrens Halloween, where the ghosts are cute and jack-o-lanterns all have goofy grins.
This CD covers all these aspects of Halloween, which virtually garantees that no one will like every song. However, I would suggest that you pick and choose the tracks you like from the CD, as part of your overall Halloween soundtrack. You will probably find at least several tracks you like. And of you like Mannheim Steamroller, you will like most of them.
Average customer rating:
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Stay in Tune with PentaTone [Hybrid SACD]
Manufacturer: Pentatone
ProductGroup: Music
Binding: Audio CD
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ASIN: B000B6N6HW
Release Date: 2005-10-18 |
Tracks:
- Moderato
- Allegretto-Presto
- Double Chorus
- Allegro
- Espaniola
- Allegro Con Brio
- Adagio Sostenuto
- Tempo Di Menuetto
- Adagio For Violin And Orchestra In E Major, KV 261
- In Paradisum
- Sicilienne
- 'Hilf, Herr Jesu, Lass Gelingen'
- Rondo
- Prelude To Act III
Average customer rating:
- Live Klemperer Treasure from 1968
|
Otto Klemperer, Wiener Philharmoniker: Live Broadcast Performances
Manufacturer: Testament UK
ProductGroup: Music
Binding: Audio CD
Gavottes
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| Classical
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All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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All Works by Beethoven
| Beethoven, Ludwig van
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All Works by Brahms
| Brahms, Johannes
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All Works by Bruckner
| Bruckner, Anton
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All Works by Mahler
| Mahler, Gustav
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
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All Works by Rameau
| Rameau, Jean Philippe
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| Schubert, Franz
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| Strauss, Richard
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| Wagner, Richard
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Concerto Grossi
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Classical
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ASIN: B000A0HFUS
Release Date: 2005-11-08 |
Customer Reviews:
Live Klemperer Treasure from 1968.......2006-06-27
This extraordinary set of live Klemperer performances should be in the collection of everyone who cares about Klemperer and his marvelous style of music making. Massive and often slow but always vital and alive, they will not appeal to everyone. But it is astonishing how these CDs bring into sharp focus Klemperer's real magnetism on the podium. As good as his EMI recordings are, they are so very much the product of the recording studio one can be forgiven for wondering whether they represent what Klemperer was in fact capable of achieving in live performance, particularly near the end of his career when his various physical disabilities became almost overwhelming impediments to performance. Somehow, almost miraculously, Klemperer put it all together for a few weeks in the late Spring of 1968 in Vienna to produce truly incandescent performances. Not note perfect by any means, this is music making nevertheless for the ages. I suppose the Mahler 9th comes closest to failure as it offers some of the most ragged playing in the set. (According to the excellent liner notes, some of that can be attributed to Klemperer but more to the orchestra's unfamiliarity with Mahler's last great symphony and even downright hostility to Mahler's music in general.) But in the end that raggedness doesn't matter at all. Klemperer's trademark qualities as conductor are very much present in the Mahler as in all these performances: clarity of polyphonic texture; structural integrity; overall rhythmic coherence (even if ensembles are a bit 'shaky' at times). I was particularly moved by the performances of Bach and Mozart -- the 'Jupiter" symphony is positively incandescent -- as well as by the Bruckner Fifth which is, hands down, the greatest performance of that symphony I have ever heard, live or on record. But all these performances are well worth hearing again and again in spite of their foibles. All performances from the 1968 series are in good quality stereo sound; the single mono recording, a very decent-sounding performance of the Brahms German Requiem, is taken from a Klemperer concert in Vienna about ten years earlier. I don't recommend this set to the 'note perfect' crowd or to anyone who has a fixed idea about what is the "best" recording of the Beethoven Fifth or Mahler Ninth. But if you are prepared to hear the 'thoughts' of an old man who has struggled with this music all his life, for whom this music meant more than anything else on earth and for which he was willing to push himself past pain and infirmity for one last encounter, then I think you will be moved and enriched by this priceless set.
Average customer rating:
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From This Day Forward...: Music and Readings for Weddings
Manufacturer: Spj Music
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Franck, César
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| Gounod, Charles
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| Haydn, Franz Joseph
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| Pachelbel, Johann
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Purcell, Henry
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| Wagner, Richard
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| Mendelssohn, Felix
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| Purcell, Henry
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Wedding Music
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Wedding Music
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ASIN: B000021YM2
Release Date: 1999-12-14 |
Tracks:
- Wedding March From Lohengrin - Wagner
- Trumpet Voluntary - Clarke
- Minuet From Royal Fireworks - Handel_
- Canon In D - Pachelbel
- Arrival Of The Queen Of Sheba - Handel
- Sheep My Safely Graze - Bach
- Arioso - Bach
- Bist Du Bei Mir - Bach
- Reading: If I Have All The Eloquence Of Angels St. Paul's 1st Letter To The Cori - Wedding Music & Words
- Panis Angelicus - Franck
- Reading: Come Then My Love Song Of Songs 1 10-16 - Wedding Music & Words
- Weichet Nur From Wedding Cantata - Bach
- Reading:Let Me Not To The Marriage Of True Minds Sonnet 116 Shakespeare - Wedding Music & Words
- (Arranged Gounod) Ave Maria - Bach
- Reading: Shall I Compare Thee To A Summer's Day? Sonnet 18 Shakespeare - Wedding Music & Words
- Sehet In Zufriedenheit From Wedding Cantata - Bach
- Reading: On Love And On Marriage Kahlil Gibran-Excerpts From The Prophet - Wedding Music & Words
- Ave Maria - Schubert
- Reading: Wherever You Go I Will Go Book Of Ruth And Naomi 1 16-17 - Wedding Music & Words
- Jesu Joy Of Man's Desiring - Bach
- Nun Danket - Tag
- Hornpipe From The Water Music - Handel_
- Voluntary On The Old 100th - Purcell
- St. Anthony's Choral - Pleyel
- Wedding March - Mendelssohn
- Toccata From 5th Symphony - Widor
Average customer rating:
- Tomita's Fantasy Music
- Tomita's Fantasy Music
|
Extraterrestrial Classics
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Borodin, Alexander
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| Holst, Gustav
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| ( L )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Satie, Erik
| ( S )
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| Debussy, Claude
| ( D )
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ASIN: B000003G7A
Release Date: 1997-04-15 |
Tracks:
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- Parade of the Ewoks (Star Wars: Return of the Jedi)
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- Eine kleine Nachtmusik: Allegro (Star Trek: The Next Generation)
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Customer Reviews:
Tomita's Fantasy Music.......2000-06-19
When the Tomita music hit the popular music stores in the early 1970's, synthesizers had been used, for the most part, as substitution for the "real" instruments. Isao Tomita's vibrant, truly musical use of his instrument reversed that erroneous impression for all who heard him. In the album, Extraterrestrial Classics, one is treated to the wild cacaphony of voices in the Mos Eisley Cantina and soothed with the crystalline spell of Claire de Lune. The music is sublime and silly, truly fantasy music for all ages. My children grew up on it, and my first old vinyl record was pilfered by a 9th grade student one day early in the 1990's. I am purchasing the old fantasy on a new CD just for myself....and because teaching a unit on wave motion, sound and music isn't complete without Tomita!
Tomita's Fantasy Music.......2000-06-19
When the Tomita music hit the popular music stores in the early 1970's, synthesizers had been used, for the most part, as substitution for the "real" instruments. Isao Tomita's vibrant, truly musical use of his instrument reversed that erroneous impression for all who heard him. In the album, Extraterrestrial Classics, one is treated to the wild cacaphony of voices in the Mos Eisley Cantina and soothed with the crystalline spell of Claire de Lune. The music is sublime and silly, truly fantasy music for all ages. My children grew up on it, and my first old vinyl record was pilfered by a 9th grade student one day early in the 1990's. I am purchasing the old fantasy on a new CD just for myself....and because teaching a unit on wave motion, sound and music isn't complete without Tomita!
Average customer rating:
|
Carlos Kleiber in Rehearsal
Manufacturer: Melodram
ProductGroup: Music
Binding: Audio CD
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
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General
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General
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General
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Romantic (c.1820-1910)
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German
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ASIN: B000HBJTFE
Release Date: 2006-09-05 |
Music Review:
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Music Review
music review
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