Works for one piano four hands
Track Listings
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1. Igor Stravinsky: Three Movements from 'Petroushka'
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2. Franz Schubert: Fantasy in F minor, D.940
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3. Maurice Ravel: La Valse
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4. John Corigliano: Gazebo Dances:Overture
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5. John Corigliano: Gazebo Dances:Waltz
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6. John Corigliano: Gazebo Dances:Adagio
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7. John Corigliano: Gazebo Dances: Tarantella
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Editorial Reviews
El Diario de Aragón (Spain), March 3rd, 2003
...the performers evoked the various orchestral sonorities where the different planes were never clumped together...
John Corigliano, composer
Just had a chance to listen to your wonderful CD. You play Gazebo Dances (and everything else) wonderfully...
Album Description
Praised for creating "unity of concept and interpretation" as well as having "perfect synchronization and outstanding technique" the Duo Hammel-Sanchez is one of the fastest rising piano duos of today. This new CD takes you on an aural journey through the stirring world of music for one piano four hands that ranges from the Nineteenth Century master of the genre, Schubert, through some of the greatest works of the early Twentieth Century and on to the current generation of composers.
Works for one piano four hands
Works for one piano four hands, Music, John Corigliano, Maurice Ravel, Franz Schubert, Igor Stravinsky, Hammel-Sanchez Piano Duo, Laura Sanchez Elena Hammel
Average customer rating:
- Music to my ears!
- Legend!
- Probably the Best Piano CD ever!
- An exquisite recording...read on!....
- BRILLIANT!
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The World's Favorite Piano Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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- 25 Piano Favorites
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- My Favorite Chopin
- Piano Favorites
ASIN: B000003F8F
Release Date: 1992-07-14 |
Tracks:
- Liebestraum No.3
- Prelude In G Minor
- Fur Elise
- Turkish March
- Prelude In E-flat
- Reverie
- Prelude In C-sharp Minor
- Prelude In G
- Waltz In A-flat
- Consolation No. 5
- Moment Musical No. 3
- Intermezzo In E-flat Minor
- Kinderszenen opus 15 Tramrei
- Barcarolle
- Intemezzo In C-sharp Minor
- Prelude In C-minor
- Fantasie-mpromptu
Customer Reviews:
Music to my ears!.......2007-04-04
I bought this CD as a "treat" for my 16 year old son, who has just finished a homeschool music course for one of his electives. The last part of the course required listening to music from all the great composers, Baroque through contemporary periods, and identifying the more famous pieces by name and composer. He not only enjoyed the course, he now actually listens to this CD for his own enjoyment (when he's not playing 80's rock). What more could a mother ask for? (I'll tell you. I ask him to borrow it, it's lovely.)
Legend!.......2006-10-11
This is the greatest compilation of recordings ever made by the legendary pianist Van Cliburn. Although I am a cellist, I wear this cd out on a regular basis both at the office and home. I actually have an extra copy to play at the office. All of these recordings are superb in sound quality, performance and incredibly inspiring. The Schumann, Chopin, Rachmaninoff and Liszt pieces are stellar and my personal favorites. I only wish there were dvd's with Cliburn's performances for those of us too young to have seen him perform live. CD is a must-have for any classical music lover's collection.
Probably the Best Piano CD ever!.......2006-04-13
If you like Piano music, this is the CD for you. Van Cliburn is at home with great songs that anyone will recognize. It is a masterfully performed set of songs for anyone.
An exquisite recording...read on!...........2005-03-13
Contains a masterful rendition of Beethoven's "Fur Elise", which happens to be one of my favorite classical pieces -- I have a smooth-jazz-pop-dance version of this tune on my own album, "Classy Cool: Classical Favorites, Made Cool" (Google keyword "Motionizer" to find it)
BRILLIANT!.......2004-12-01
usually i don't listen to classical music that much.. i'm 14! but i really enjoy piano so when i saw this music i started to listen to it and i cant beleive how fantastic it is! It is a must have for piano lovers, because the mood of the music varies so much that there is something to suit every mood! My personal favourite is track 2 i can't stop listening to it! I really recommend this cd it is so good.
Average customer rating:
- I disagree with the consensus here
- Don't hesitate to get this set
- Superb interpretations by Katchen
- A little rushed sometimes, but beautiful
- Radiant and inspired recordings
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Brahms: Works for Solo Piano
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Similar Items:
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ASIN: B0000042GM
Release Date: 1997-11-11 |
Tracks:
- Variations On A Theme By Paganini, Op.35: Book 1 - Heft 1
- Variations On A Theme By Paganini, Op.35: Book 2 - Heft 2
- Variations And Fugue On A Theme By G.F. Handel, Op.24: B Flat Major
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Intermezzo. Allegro
- 4 Ballades, Op.10: Andante con moto
Tracks:
- Works For Solo Piano: Ziemlich langsam
- Works For Solo Piano: Poco larghetto
- Works For Solo Piano: Allegro
- Works For Solo Piano: Walzer Nr. 1 - 8
- Works For Solo Piano: Walzer Nr. 9 - 16
- Works For Solo Piano: Scherzo es-moll
Tracks:
- Works For Piano Solo: Allegro
- Works For Piano Solo: Andante
- Works For Piano Solo: Scherzo. Allegro molto e con fuoco
- Works For Piano Solo: Finale. Allegro con fuoco
- Works For Piano Solo: Allegro non troppo ma energico
- Works For Piano Solo: Andante con espressione
- Works For Piano Solo: Scherzo. Allegro
- Works For Piano Solo: Finale. Introduzione (sostenuto) - Allegro non troppo e rubato
- Works For Piano Solo: Agitato
- Works For Piano Solo: Molto passionato, ma non troppo allegro
Tracks:
- Works For Piano Solo: Allegro maestoso
- Works For Piano Solo: Andante espressivo - Andante molto
- Works For Piano Solo: Scherzo. Allegro energico
- Works For Piano Solo: Intermezzo. Andante molto
- Works For Piano Solo: Finale. Allegro moderato ma rubato
- Works For Piano Solo: Presto energico
- Works For Piano Solo: Andante
- Works For Piano Solo: Allegro passionato
- Works For Piano Solo: Adagio
- Works For Piano Solo: Andante con grazia ed intimissimo sentimento
- Works For Piano Solo: Andante teneramente
- Works For Piano Solo: Allegro agitato
Tracks:
- Works For Solo Piano: 8 Pieces, Op.76 - I Capriccio in F sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - II Capriccio in B minor
- Works For Solo Piano: 8 Pieces, Op. 76 - III Intermezzo in A flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - IV Intermezzo in B flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - V Capriccio in C sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VI Intermezzo in A major
- Works For Solo Piano: 8 Pieces, Op. 76 - VII Intermezzo in A minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VIII Capriccio in C major
- Works For Solo Piano: 6 Pieces, Op. 118 - I Intermezzo in A minor
- Works For Solo Piano: 6 Pieces, Op. 118 - II Intermezzo in A major
- Works For Solo Piano: 6 Pieces, Op. 118 - III Ballade in G minor
- Works For Solo Piano: 6 Pieces, Op. 118 - IV Intermezzo in F minor
- Works For Solo Piano: 6 Pieces, Op. 118 - V Romanze in F major
- Works For Solo Piano: 6 Pieces, Op. 118 - VI Intermezzo in E flat minor
- Works For Solo Piano: 4 Pieces, Op. 119 - I Intermezzo in B minorn B
- Works For Solo Piano: 4 Pieces, Op. 119 - II Intermezzo in E minor
- Works For Solo Piano: 4 Pieces, Op. 119 - III Intermezzo in C major
- Works For Solo Piano: 4 Pieces, Op. 119 - IV Rhapsody in E flat major
Tracks:
- Works For Solo Piano: Andante moderato
- Works For Solo Piano: Andante non troppo e con molto espressione
- Works For Solo Piano: Andante con moto
- Works For Solo Piano: g-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: F-dur
- Works For Solo Piano: fis-moll
- Works For Solo Piano: fis-moll
- Works For Solo Piano: Des-dur
- Works For Solo Piano: F-dur
- Works For Solo Piano: a-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: E-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: D-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: B-dur
- Works For Solo Piano: f-moll
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- Works For Solo Piano: h-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: e-moll
Customer Reviews:
I disagree with the consensus here.......2007-07-11
I was disappointed by this set and would not recommend it. It's great that all of Brahms' piano works are included here and the boxed set includes some difficult to find works (like those Op. 21 variation sets) as well as the better known and wonderful later piano pieces and the Op. 39 Waltzes.
The problem is that Katchen's performances are flawed and often unpleasant. The worst problem is that he bangs the keys a lot. Fortissimo passages are ideally not supposed to be noisy; they are intended to be loud and forceful without being unpleasant. It's a key distinction that Katchen fails to realize. I also think that Katchen's technique is a bit patchy. He blurs the passagework and there is a lack of both accuracy and delicacy in the fast passages. To take an example, the Op. 76 set is marred by both of these problems: a lack of accuracy and a tendency to bang on the keyboard. I also found many of the passages that didn't suffer from these problems to be interpretationally uninteresting (the slow parts of the Paganini Variations, Bk II are undistinguished, to take an example). Big thumbs down.
I did some direct comparison of sets to the Katchen performances and in every case Katchen was far inferior.
Take the Op. 39 Waltzes: Leon Fleisher's old recording is wonderful and much more sensitive and interesting than Katchen.
I also listened to Radu Lupu's recording of the Opp. 117-119 pieces (THAT is a wonderful recording - if you are looking for a superb recording of Brahms piano music, get that one and save yourself the aggravation of the Katchen set) and it's simply no contest.
I also sampled the terrific Op. 79 Rhapsodies and the Paganini Variations as played by a favorite pianist of mine, the lesser-known French pianist Nicholas Angelich, and Katchen's sloppy and undirected interpretations pales before the versions by a "non-superstar" pianist.
So while I admit I haven't listened to every portion of the Katchen set, I found every reason to avoid it when compared to some alternatives available.
Don't hesitate to get this set.......2007-07-04
It's a good thing I waited to write this until I'd heard these CDs a few times. I would have been guilty of understatement. Katchen's work grows on me in much the same way Brahms' music itself does. It is rich in nuance and insight, and never fails to please.
I'll confess, I bought this set to fill the gaps in my piecemeal collection. What a delightful surprise to find my "stopgap" set more than holds its own against recordings by the likes of Richter, Rubinstein and Gilels. To help the reader overcome any reluctance I offer a few comments on the few "downsides" mentioned by others:
Yes, Katchen does play fast, but not always, and certainly not out of inability to hold the listener's attention through more artful means. Katchen's track times are often slower than Rubinstein's or even Gilels'; but where the spirit moves him, he can go like a rocket. He's generally fastest in the earlier works, where a case can be made for playing them with youthful ardor; Katchen does this to a T. This applies to the first 2 sonatas, the Paganini variations (why would anything associated with Paganini lack splash and dazzle?) and to a much lesser extent, parts of the Handel variations. The main thing is, it works. The very few places where I felt Katchen was rushing the music are heavily outnumbered by places where the added energy seems to "fit" like a glove.
Yes, in an exhaustive set you inevitably endure the "bottom of the barrel." I'm surprised how little of this 6-CD set strikes me as anything less than indispensible. Every track is worth hearing. Katchen has been surpassed here and there, but he doesn't put in a bad performance in the whole batch.
Yes, the recordings are more than 40 years old. They will not satisfy the most jaded audiophile (there's not quite the "presence" of a good recording today). But they are amazingly clean and lifelike for their age (even the 3 tracks that are mono). They sound noticeably better than the popular Rubinstein recordings of equal vintage. At first I thought I heard a touch of bass-heaviness, but now I just think Katchen gives us a strong, clear bass line. Once again, it works. The sound is simply not a problem for a normal listener.
Finally, there's the small stuff. Getting the CDs out of their tight-fitting sleeves without putting your fingerprints on the playing surface is well-nigh impossible, unless you give in and apply a letter opener to solve the problem once and for all. Is that any reason not to get this much wonderful music at such a low price? London has even revived the old practice of offering different program notes in different languages, so that multilingual readers can benefit from more than one set of comments. All around it's a winner!
Superb interpretations by Katchen.......2006-11-16
Katchen's performace throughout this collection are excellent.Brahms integrates many of Schumann's,Bach's and Beethovens compositional ideas into his own works.He is a master of the appoggiatura(suspension of the dominant chord).And the ghosts of Bach,Schumann,and Beethoven appear at intervals throughout this collection of his piano works.The VARIATIONS ON AN ORIGINAL THEME is an ethereal experience,and the Op.09 VARIATIONS ON A THEME BY SCHUMANN, composed after his death,Brahms's pathos,especialy in the slower variations, make you aware of his sadness of Schumann passing, as there is vivid sense of despair and remorse you can hear throughout.It is well documented the profound influence Shumann had on Brahms's compositional process.OP.76 is a passionate performance by Katchen.You also have short piano works culminated in Op116,Op 117,Op.118,which includes the great masterpiece in Ebminor,and Op.119.The Pagganini Variations,Variations on a theme by Haydn,the Ballads Op. 10.And both volumes of the HUNGARIAN DANCES,the 2 Rhapsody's,and VARATIONS ON A THEME BY HANDEL.It quite remarkable that such music could be created by such a young man in the astonishing Sonatas,OP.1,OP.2,and OP.5.The slow movements in all three sonates are very inspiring,and heart fealt.It makes you glad to be alive in order to hear such remarkable music.A well balanced performance throughout.If your a Brahms lover,this is a must for your collection.Enjoy
A little rushed sometimes, but beautiful.......2005-02-03
To be honest, I can't really figure out how much I like Katchen's performance. It's hard to gauge because Brahms's piano music is inherently exceptional played by just about any performer.
I feel that the ballades, op. 10 are played way too fast (although I'm not exactly sure how close Katchen is to Brahms's tempi indications). I've heard them by several other performers and, being a Gould fan, would have to say that his slower interpretation really captures how beautiful the pieces are more than anyone else. I also enjoy Kempff's performances of many later works. Katchen really seems so rushed for some reason. To me, that really takes attention away from the fine details, which I think are so essential to Brahms's piano music. He's not quite delicate enough with some of the pieces.
This faster speed is only very slight for the rest of the set, but pretty consistently. I think he does a better job with more intense pieces like many of his larger-scale variations and the sonatas. Those I would give 5 stars, but only 4 stars for the op. 116-119, for they're a little too fast.
My only other qualm is the arrangement of the set. It would be nice to have all the sonatas together on a disc, 116-119 on a disc, etc., going along with the whole chronological thing..
However, all these things are personal preference. I would definitely recommend this set. It's made up about 1/2 of my music listening for the past couple months. It's not expensive at all for what you're getting, and if you get just one Brahms piano cd, you're going to want to get more, so you should just get it over with and have this whole set, it's fabulous music. Just keep in mind that this is not the only interpretation that should be considered.
Radiant and inspired recordings.......2004-09-19
If there is a more effervescent , idiomatic , innovative and resplendently performance of the Handel Variations , I have not heard it . Katchen emphasizes with colossal scrupulosity the wide doe and the diversity spectre of the orchestral instruments . You must marvel at the technical equipment of Katchen playing .
The other outstanding version of these Variations is of Michael Ponti (live preformance)
gifted with a major emphasis in the striking and color tone ; but the point to remark is that in both performings the approach is similar ; every one of the Variations must be played as a microcosmos in itself ; with nuance , grace , majesty, powerful imagination, sense of the span and above al ; savoir vivre . If you intend to play with authoritative precision without Mediterranean dewy and radiant mood ; you are destined to fail with these Variations and becoming unbearable for the audience and the listener . Lamentably , there are many of them in the actual market but I think you can guess them .
The two Rhapsodies are performed with the highest commitment . Melodic flight and arresting lyricism .
The Sonatas are superbly performed . The Sonata No. 3 may find serious matchers with Clifford Curzon and Paul Badura Skoda .
The intermezzos are depicted with the adequate illuminating . These intimate pages must be played with the perfect balance of light and shadows ; think in Chopin Nocturnes for instance . Only Glenn Gould gets close to him in the Intermezzo Op. 117 No. 2 .
The Ballades may be the weakest works of this fundamental set . Benedetti Michelangeli and Emil Gilels recorded brilliant and eloquent versions.
Finally The Paganini Variations find in Benedetti Michelangeli a serious and unbeatable adversary .
To be honest , this set is widely recommendable for you , to know the whole and intimate world of Johannes Brahms , the beloved son of Hamburg.
Katchen also recorded a powerful Islamey and an unforgettable Rachmaninoff No. 2 .
Average customer rating:
- My experience of this CD
- Beautiful!
- Well worth the money. Wonderful! Wonderful!
- Best investment to make
- A great pianist interpreting the most inspired composer ever !
|
Chopin: The Piano Works
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Liszt: Piano Works
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- Schubert: The Piano Sonatas
- Works for Solo Piano
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ASIN: B0000041KB
Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.
Beautiful!.......2006-08-18
This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!
Best investment to make.......2006-05-21
In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Average customer rating:
- badly remastered
- Rachmaninov is the master
- A Master of Musical Love
- Classic Historic Rachmaninoff.
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- Brahms: Complete Piano Music
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ASIN: B000A2AD2S
Release Date: 2006-01-10 |
Customer Reviews:
badly remastered.......2007-06-25
"The Complete Rachmaninoff', at 2-3 times the price is a better deal. This version is re-mastered in a way that reduces surface noise, but, at the same time, removes much of the pianists' tone quality that comes through so well on the original LP release, as well as the more expensive set. Also, this album is lacking the documentation of recording dates that the LP and 'The Complete Rachmaninoff' provide. For the neophyte, the re-mastering reduces the magic of Rachmaninoff's tone. I would expect the connoisseur to be even more disappointed. There are bargains out there, but for this album, you get what you pay for.
Rachmaninov is the master.......2007-05-15
Some people like the recordings and some dont, but as a fan of Rachmaninov it would be a shame not to own these recordings. To hear a master composer from history play his own works is not that common. Just put the cd in your player put your headphones on and watch the black and white images appear in your mind as though you were at a concert in the 1930's looking on at the man sitting at the piano carefully but with feeling pounding each note into the air of time. If you don't like the scratchy recordings then obviously you are a spoiled brat who doesnt appreciate fine art.
A Master of Musical Love.......2007-01-18
There have been other brilliant composers and genius pianists as Rachmaninoff lived and afterwards. Yet, in my opinion, he is the real central figure of his days and, as far as I can feel, what there is of most modern up to now in classical music. I do not think it exaggerated to say that, after all these decades, someone is still to pick up the torch from his hands at that level of inspiration, just as he picked it up from Tchaikovsky. It is true that a few of his compositions seem quirky and cerebral: but more than a few are the masterpieces. His second Concerto is the concert of the century. And where do we find, for instance, a match for his etude tableau 39/5 in one hundred years? Or a simply revolutionary piece as his prelude 32/12 is?
One could go on with a list of marvelous compositions either created or played by him and many reviewers already pointed so much of great in his recordings. So a good thing to do here is what a previous reviewer also did: to say something special about one favorite piece of the box-set. My forerunner pointed to Rach's rendering of Haendel's "Harmonious Blacksmith" and I agree with each word he wrote about it. Now I should like to declare my amazement about his version of "Leise flehen", initially a Swansong written by Schubert and later transcribed by Liszt.
Hopefully Dietrich Fischer-Dieskau and other singers will not mind my saying this, but Rachmaninoff unveils and exposes such a treasure in this song that now its original lyrics only seem to obstruct the inestimable wealth in piano notes below them at all other known recordings: the piece is infinitely more beautiful when left to the pianist alone. Rach's playing is warm and generous, just like Schubert's creative Geist, and the result is light-years ahead of the usual rough, squared, catacomb mood with which people bring the composition along with singers.
Impossible not to love, but there is more to that. After listening so many times to this piece that never ceases to stun me, I came to conclude that in fact very few people could manage to play the `leise flehen' like this, even among good pianists. As expressed here, its notes speak to their listener in such frank, open, and direct way - like a true friend making an important confession - that only a man with Rachmaninoff's `heart of gold' could manage to convey its meaning.
Ahhh, maybe we're talking about technique... To have a most noble heart, then, is THE decisive technical prerequisite for communicating these notes, otherwise they will simply not come out at all.
Notes: Here are a few opinions about the pieces mentioned above; hopefully they will be helpful for persons who don't know Rachmaninoff's works and stimulating for those who already know them. 1) As far as I am aware, besides Rachmaninoff only Valentina Lisitsa recorded the Leise flehen in a solo version. It can be found in her 2005 DVD with the Swan Songs program. 2) The etude tableaux 39/5 is not in this box set; many performers have played it, but none as Van Cliburn, who simply operates a miracle in the CD "My Favorite Rachmaninoff". His playing and the vertigo sensation it leaves behind are so powerful that I am sometimes afraid to listen to him. 3) Horowitz, the wizard, masters the prelude 32/12 in his CD "Horowitz Plays Scriabin" and in his legendary 1986 Moscow recital; the prelude is also in Rach's box-set. 4) About the second concerto, there are so many recordings, most of which I have not heard; my favorite performer is Benno Moiseiwitsch, a sublime piano poet much admired by Rachmaninoff himself. None of the recordings I've heard of the concerto, including the two available by its own composer, reach the climax of its third movement as Moiseiwitsch does in a 1944 movie called "Battle for Music". It is only a short excerpt from one of his wartime presentations with the LSO, but long enough to show how it sounds when perfectly done. The excerpt is also in the movie "The Art of Piano", in which the entire footage involving Rachmaninoff and Moiseiwitsch is simply a gem (however much historically unprecise).
Classic Historic Rachmaninoff........2006-01-14
If you're a tad bit confused between this boxed set and "The Complete Recordings" boxed set from 1992, fear not. Both this and "The Complete Recordings" are exactly the same. The only difference is in the cover art and packaging. Also, the price of this recent reissue is half as much as the original edition. If you have the original edition, there's no need to buy it again. If you don't own this already, then this present edition is the one to get mainly because of its reduced price tag.
With this out of the way, onto the music itself:
The Rachmaninoff Complete recordings collection includes everything the great Russian composer/pianist recorded between the years 1919 and 1941. Besides recording historic versions of his own classic Piano Concertos, his "Rhapsody on a Theme of Paginini" as well as conducting his own Third Symphony and Isle of the Dead, Rachmaninoff also recorded arrangements of works by such great composers ranging from Bach, Handel, Mozart, Beethoven, Schubert to most importantly, Chopin. These recordings are also included in this mammoth set alongside more obscure works by Mussorgsky, Daquin, Henselt and Dohnanyi.
The sound quality varies throughout the set ranging from highly listenable to sounding as if it were transferred by placing a microphone directly into the horn of an old grammophone. Despite the variants of sound quality, one cannot deny that this music as well as these recordings are important and historic.
The CD booklet gives a brief insight to Rachmaninoff's history as a recording artist as well as a breakdown of the tracks themselves. The only major flaw with this present edition is the fact that there are no recording dates listed anywhere in the liner notes. Considering that these are historic recordings dating from the very birth of the recording age, it would've definitely been helpful to be able to identify the year in which each work included here was recorded. Considering that I do not own the original edition of this set, there's a good chance that the first edition included the dates of the recordings. Not so here though. This is the reason why this reviewer docked this set one star.
Apart from this, this present edition or Rachmaninoff's complete recordings is a must for the die-hard Rachmaninoff fan. You get to hear the genius at work not only with his own material but with works by others as well. There are also a few note worthy collaborations such as a full disc of duets with legendary violinist Fritz Kreisler, an appearance by mezzo soprano Naddejda Plevitskaya on the arrangement of the traditional tune "Powder and Paint" and a fabulous four-hand piano rendition of Rachmaninoff's own "Italian Polka" with his daughter Natalie as second pianist (which actually sounds like a homemade wax-cylinder recording).
With this said, if you can get around guessing when these recordings were made, this is some great and historic music from one of the very best composer/musicians of our time - the one and only, the great Sergei Rachmaninoff.
Average customer rating:
- Outstanding performance
- tour de force
- Ravel Piano Works- Pascal Roge
- Beautiful Works, Excellent Performance
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Ravel: Piano Works
Manufacturer: Decca
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ASIN: B00000422W
Release Date: 1994-11-15 |
Tracks:
- Gaspard de la nuit: I Ondine
- Gaspard de la nuit: II Le Gibet
- Gaspard de la nuit: III Scarbo
- Valses nobles et sentimentales: I Modere, tres franc
- Valses nobles et sentimentales: II Assez lent, avec une expression intense
- Valses nobles et sentimentales: III Modere
- Valses nobles et sentimentales: IV Assez anime
- Valses nobles et sentimentales: V Presque lent, dans un sentiment intime
- Valses nobles et sentimentales: VI Vif
- Valses nobles et sentimentales: VII Moins vif
- Valses nobles et sentimentales: VIII Epilogue, lent
- Jeux d'eau
- Miroirs: I Noctuelles
- Miroirs: II Oiseaux tristes
- Miroirs: III Une barque sur l'ocean
- Miroirs: IV Alborada del gracioso
- Miroirs: V La Vallee des cloches
Tracks:
- Sonatine: I Modere
- Sonatine: II Mouvement de menuet
- Sonatine: III Anime
- Le tombeau de Couperin: I Prelude
- Le tombeau de Couperin: II Fugue
- Le tombeau de Couperin: III Forlane
- Le tombeau de Couperin: IV Rigaudon
- Le tombeau de Couperin: V Menuet
- Le tombeau de Couperin: VI Toccata
- Prelude
- Menuet sur le nom d'Haydn
- A la maniere de Borodine
- Menuet antique
- Pavane pour une infante defunte
- A la maniere de Chabrier
- Ma Mere L'Oye: Pavane de la Belle au bois dormant
- Ma Mere L'Oye: Petit Poucet
- Ma Mere L'Oye: Laideronnette, imperatrice des pagodes
- Ma Mere L'Oye: Entretiens de la Belle et de la Bete
- Ma Mere L'Oye: Le Jardin feerique
Customer Reviews:
Outstanding performance.......2005-11-29
I have to concur with Del Dotto's opinion in the yr 2000, this is as close to definitive as possible.
But why stop at just 1 excellent recording, also consider Jean Efflam Bavouzet on the MDG label. As well another definitive recording (yes its possible to have more than just one definitive) is Alexandre Tharaud's recent recording on Harmondo Mundi.
Pascal Rouge, a true master in Ravel, a very rare talent in the recording industry.
tour de force.......2005-04-20
Pascal Roges recordings of Ravels great piano works serves as a honest mark of the music that never was, but perhaps might have been. Gently capturing the sheltered aura of pre-novelite Chopin, whilst endowing the music with the acousto-eco-hyperbolies of Keats, this recording is not to be missed. one can almost sense the tragic embrace that beheld Toffy and Dolly in that one moment, that one eternal moment. Ah. I shall never forget it. Ravels piano works are, in all senses, composures of 20th century modernity, suffused with the country-stylised effects of, say, Emmylou Harris, and the impecably marked greenhouse-jubilance connecting all the pieces in one final exotic anti-frenzy makes certain implications on ones ability to hate. I dont hate this cd, for example. the best pieces are Jeux d'eau, what a hit! and Le Tombeau de Couperin. Buy this cd and you will/wont be very very happy.
Ravel Piano Works- Pascal Roge.......2002-08-30
Having searched for ages for a definitive recording of the Impressionistic Masterpiece "Gaspard de la Nuit", I found it in this CD. Roge plays the technical inferno of Ondine and Scarbo with flawless taste and passion. This recording would rival that of Martha Argerich's famous recording of Gaspard that has long been thought to be the best. The Tombeau and Sonatine are also very nicely done. Sometimes however, with the smaller lesser known pieces such as the Minuet, you get the sense that he is sightreading, not truely feeling the music. Nevertheless this is a must have.
Beautiful Works, Excellent Performance.......2002-08-27
Together with the 2CD set of Debussy's piano works, these two albums are master recordings of the finest impressionist piano music. Pascal Roge has an astonishing control of the sound of the piano, and can bring out a beautiful palette of various tone colours and moods, orchestrating the piano and creating a dreamworld of sensations. Listen to the wonderful suite Gaspard de la Nuit, the marvellous sonatine (especially the second movement), and of course the mirroirs... This album is a must!
Average customer rating:
- Worth Getting Just For the Granados Spanish Dance Alone
- Together, first time
- Masters
- Very excellent CD.
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Together/Julian Bream & John Williams
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ASIN: B000003FDM
Release Date: 1993-05-25 |
Tracks:
- Suite For Two Guitars: Corant I
- Suite For Two Guitars: Alman
- Suite For Two Guitars: Corant II
- Duo In G, Op. 34: Largo
- Duo In G, Op. 34: Rondo
- L'encouragement, Op. 34: Cantabile
- L'encouragement, Op. 34: Theme and Variations
- L'encouragement, Op. 34: Waltz
- Cantos de Espana, Op. 232, No. 4: Cordoba
- Goyescas: Intermezzo
- La vida breve: Spanish Dance No. 1
- Pavane For A Dead Princess
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Customer Reviews:
Worth Getting Just For the Granados Spanish Dance Alone.......2006-02-12
Both Julian Bream and John Williams have been two of my favorites when it comes to classical guitar. Having them together on the same album, playing some of my favorite music is more than a treat; it is pure joy.
What I love is the fact that even though both are masters in their own rights, they were able to blend together their individual styles into an ensemble to create a set of moods which enhances the musical experience. All are wonderful, but they saved the best for last, the hauntingly beautiful Spanish Dance No. 2 of Granados. This is music that will have you stopping what you are doing just to listen to it. (If you are listening to this in the car, pull over please!) Although I have heard this piece before done by other greats, in the hands of Bream and Williams, it has been raised to heavenly heights, leaving the listener in a state between tears and great joy.
In summary, if you wish to own just one guitar album in your collection, this would be the one. My greatest regret is that I never had the pleasure of hearing either of them live on stage. The next best thing is this album.
Together, first time.......2002-07-22
Two of the classical guitar's brightest masters together for traditional as well as transcribed works from a number of different composers. Either of the guitarists at their peak (this was recorded in '71 and '78) would have been good enough to amaze you if you are a follower of the guitar and its traditional music, both of them together is something that must be heard. The recording is excellent (ADD - remastered, I believe, in '93) and the selection of music plays to their strengths as individual musicians. To hear these two rivals play together at the same time is enlightening. Essential.
Masters.......1999-06-09
Whoever would like to study or interest in classical guitar must listen to this record. They are the greatest masters.
ALGIN EROZAN
Very excellent CD........1999-04-27
I have heard this CD before, and ordered it from Amazon.com last Wednesday, Overnight shipping. This is Monday night, and it hasn't even shipped yet. Great CD, but go somewhere to buy it if you want it this century!
Average customer rating:
- Such a magnificent touch on the fretboard.
- great playing
- Bach at its best
- An Instant Classic in the Segovia Tradition
- An indispensible CD to any music collection
|
Artistry of Christopher Parkening
Christopher Parkening , Johann Sebastian Bach , and Andres Segovia
Manufacturer: EMI Classics
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ASIN: B000002RTK
Release Date: 1993-05-11 |
Tracks:
- Prelude For Lute
- Fugue From Violin Sonata No. 1
- Prelude From Cello Suite No. 1
- Courante From Cello Suite No. 3
- Chaconne From Violin Partita No. 2
- Saltarello: Two Renaissance Pieces For Lute
- Preludio
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- Danza Pomposa From Cavatina
- Estudio No. 3 In A Major
- Melancolia
- Andante Cantabile
- Cuna
- Gymnopedie No. 1
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Customer Reviews:
Such a magnificent touch on the fretboard........2006-10-12
Parkening has such a sensitive touch. He can make the softest song come alive into a world of its own with simple picking techniques. Or, on faster pieces, his brilliant interpretation and dexterity are truly amazing. You'll experience a wide range of emotions when listening to this CD, and you'll be in awe of Parkening's mastery of the classical guitar.
great playing.......2005-09-17
this is one of the best recordings on any instrument. Parkening is a truly great artist.
Bach at its best.......2003-04-24
The best part of this CD is the Bach recordings. I could listen to the Fugue from Violin Sonata No. 1 over and over without let up--it's astounding. The Chaconne is one of the best recordings of that most exalted work by Bach. The main reason I didn't give this CD a 5-star rating are the non-Bach selections, which although played brilliantly, are not among my favorite compositions. The exceptions are the charming Renaissance pieces for lute and the impressively transcribed and skillfully performed "Empress of the Pagodas." To be sure, there are some beautiful and dazzling passages within many of the other pieces, which makes this CD definitely worth it. However, the best Parkening release is "The Great Recordings," which is a double-CD set with a greater variety of music and includes the Fugue and a few other recordings from this CD.
An Instant Classic in the Segovia Tradition.......2000-02-18
Christopher Parkening's work has always been nothing less than stellar. This particular collection of works is drawn from four previous releases (and also includes unreleased recordings), and is exemplary of his artistry and talent. The recordings are as crisp and clear as the day they were set down on tape. His expression and tone are without comparison. The selection of works on this particular CD show his ability to perform classics in the broadest range imaginable, and does so with ease.
The liner notes give great detail on each piece, including a brief history on Parkening himself. If nothing else, this brings the listener even closer to the performer, something I find rare in the classical music genre.
I once attended a concert given by local artists in a small church in Germany many years ago, and whenever I listen to this CD, it brings to mind memories of that afternoon. Parkening makes you feel as though you are in the room with him, listening in awe; you are never aware that he is playing in a studio at all.
Overall, this is a great example of one of the world's greatest classical guitarists (he's number one on my list).
An indispensible CD to any music collection.......1999-08-26
This cd is a fine collection of some of the works released on Parkening's first four recordings, "In The Classic Style", "In The Spanish Style", "Romanza", and "Parkening And The Guitar". The music itself spans more than three centuries and effectivly demonstrates what the guitar is capable of in the hands of a great master. The disc begins with some of the better known transcriptions of Bach,and then moves on to some rarly heared guitar transcriptions of Mompou, Satie, Poulenc and Ravel. The entire album is wounderfully played, technically flawless and very expressive. As always Parkening plays with a beautiflly warm tone and a poetry reminiscent of Segovia's playing. I give this cd my highest recomendation.
Average customer rating:
- Best 2-Dimensional Pianist
- Best cd of its kind. Beautiful piano music.
- Great Music
- So happy to have this in my collection!
- El Gruñon
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Schroeder's Greatest Hits
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ASIN: B000003FAM
Release Date: 1992-09-08 |
Tracks:
- Fur Elise
- Sonata In C, K.545: First Movement
- Excerpt from Anna Magdalena Book Excerpts: March - Bach
- Excerpt from Anna Magdalena Book Excerpts: Minuet In G Minor - Bach
- Excerpt from Anna Magdalena Book Excerpts: Musette - Bach
- Sonata No.11, K.331: Turkish March
- Sonata In C-Sharp Minor, Op. 27, No. 2 'Moonlight' : First Movement
- German Dances Wo0 42:: No. 1 In F
- German Dances Wo0 42:: No. 2 In D
- German Dances Wo0 42:: No. 3 In F
- German Dances Wo0 42:: No. 4 In A
- German Dances Wo0 42:: No. 5 In D
- German Dances Wo0 42:: No. 6 In G
- Moment Musical, In F Minor, Op. 94, No. 3 - Schubert
- Landler In G, Op.9, No. 21 - Schubert
- Anna Magalena Book: Minuet in G - Bach
- Sonata In C, L. 104
- Album for the Young: Happy Farmer
- Album for the Young: Melody
- Album for the Young: Wild Horseman
- Album for the Young: Siciliana
- Album for the Young: Knight Ruppert
- Album for the Young: Little Hunting Song
- Album for the Young: Little Study
- Songs Without Words, Op. 67, No. 4: Spinning Song (Songs Without Words, Op. 67, No. 4) - Mendelssohn
- Waltz in A-Flat, Op. 39, No. 15
- Album for the Young: German Song
- Album for the Young: Old French Song
- Album for the Young: Mazurka
- Album for the Young: Waltz
- Album for the Young: Neapolitan Dance
- Album for the Young: Polka
- Waltz In A-Flat, Op. 42 'Two-Four Waltz'
- Waltz In D-Flat, Op. 64, No. 1 'Minute Waltz'
- Well Tempered Clavier, Book 1, No. 1: Prelude (Well Tempered Clavier, Book 1, No. 1) - Bach
- Linus and Lucy
Customer Reviews:
Best 2-Dimensional Pianist.......2006-03-21
I love this album. Besides the familiar theme song, there are many pieces which we all learn to play as children studying piano. It's great to hear them. A great gift for young people studying piano.
Best cd of its kind. Beautiful piano music........2006-02-25
I did not know what to expect when I ordered this cd. I ordered it primarily for the Lucy & Linus song but was pleasantly surprised with all the other selections of piano music. It is a cd of piano music that one would believe Schroeder would play. Classics from of course Beethovan and many other familiar favorites. I listen to this cd in the car and it is one of my favorite cd's.
Great Music.......2006-02-24
Wonderful music to live by. I play this in my car instead of listening to annoying radio chatter. It is a