Piano Music For One Hand

Editorial Reviews
Album Description
A collection of pieces written for and preformed with one hand only. It includes three new pieces composed for Mr. Barer.

Tracks:

Piano Concerto No. 1 In D Flat Major, Op. 10: 1. Allegro brioso
Piano Concerto No. 1 In D Flat Major, Op. 10: 2. Andante assai-
Piano Concerto No. 1 In D Flat Major, Op. 10: 3. Allegro scherzando
Piano Concerto No. 4 In B Flat Major, Op. 53: 1. Vivace
Piano Concerto No. 4 In B Flat Major, Op. 53: 2. Andante
Piano Concerto No. 4 In B Flat Major, Op. 53: 3. Moderato
Piano Concerto No. 4 In B Flat Major, Op. 53: 4. Vivace
Piaon Concerto No. 5 In G Major, Op. 55: 1. Allegro con brio
Piaon Concerto No. 5 In G Major, Op. 55: 2. Moderato ben accentuato
Piaon Concerto No. 5 In G Major, Op. 55: 3. Toccata: Allegro con fuoco
Piaon Concerto No. 5 In G Major, Op. 55: 4. Larghetto
Piaon Concerto No. 5 In G Major, Op. 55: 5. Vivo

Tracks:

Piano Concerto No. 2 In G Minor, Op. 16: 1. Andantino
Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo: Vivace
Piano Concerto No. 2 In G Minor, Op. 16: 3. Intermezzo: Allegro moderato
Piano Concerto No. 2 In G Minor, Op. 16: 4. Allegro tempestoso
Piano Concerto No. 3 In C Major, Op. 26: 1. Andante -- Allegro
Piano Concerto No. 3 In C Major, Op. 26: 2. Terna con variazioni
3. Allegro, ma non troppo

Amazon.com

During the 1970s, Vladimir Ashkenazy recorded virtually the entire standard piano repertoire, largely successfully. Then he turned to conducting, at which he's steadily become more successful. Although his initial efforts on the podium were not greeted with universal acclaim, you've got to respect the fact that he moved onto something new rather than attempting to revisit the same music again and risk not doing it nearly as well. Among his complete editions was this set of Prokofiev piano concertos, and they are among the best things that he did. At two discs for the price of one, it's a fine way to acquire all of these exciting works. --David Hurwitz

Customer Reviews:

Brilliant sonics and fine, assured playing.......2006-07-13

By any standard this is very good Prokofiev playing. Ashkenazy strikes me as one of the most Westernized of Russian pianists, and his approach here, seconded by Previn's conducting, avoids rawness and astringency in favor of combined lyricism and strength. Perhaps because Decca's sound is so natural, the piano remains limpid and sparkling throughout--don't expect volcanos and thunder a la Argerich and Richter.

The only real shortcoming is that these works can use a lot of what Ashkenazy leaves out: bite, wit, irony, and brash attack. Concerto #2 is a specialty of this pianist and comes off beautifully--its lyricism suits him. Concerto #1 seems too middle-of-the-road, which can also be said of the left-hand concerto #4, but the most familiar work, Concerto #3, is authoritative and strong throughout. Previn seems more alert in this work, too.

I should mention that although Ashkenazy's approach is much less wild than Argerich and Richter, the Gramophone described these recordings as overflowing with 'panache, swagger and firebrand audacity.' I guess it all depends on where you're coming from.

Monochrome austerity.......2006-06-15

Although the remastering job done by Decca was terrible, Ashkenazy comes through with fine playing. He plays all 5 concerti well, although 1 and 2 stand out as the best for me. As one would expect, Ashkenazy plays his compatriot's piece with generous sympathy. He plays in a Prokofievian style avoiding any sort of color or singing tone. It is nevertheless ravishing playing.

In addition to the fine rubatos here and there, it is played on an even level, without a singing tone. It is by far a monochromatic reading with no color or excessive dynamics. Austerity is paramount also with no voluptuousness.

I love the second concerto most, and Ashkenazy's fine, sensible tempi stand out. It is not hurried or rushed playing with no lethargy either.

Music fan/July2/2003 and John Coughlin's revviews.......2006-03-11

I totally agree with these 2 reviews

I believe the fault here lies more with Previn, and thus holds back Ashkenazy "somewhat", as Ashkenazy is not stellar as one would expect.
, There are some high points, but overall I strongly agree with A Music Fans recommend of Krainev, the finest set on record.Yes I've heard all avaliable recordings in comparison.
If you like this set then OBVIOUSLY you will vote on my review as follows:
, no this review was not helpful
But at least I'm truthful, w/o the hype.
Besides I've heard all the avaliable, while others that promote this set has not.

Idiomatic piano, shrill strings.......2006-02-11

Ashkenazys playing has a certain "definite" (slightly clanky and strutting) style to it. For example the last part of cto3 mvt2, it is explicit and playful, other interpreters miss this out. And the beginning of cto3 mvt3, it sounds idiomatic/ folklore to me, (Russian, or Klezmer, or just a song and dance man, I don't know which). I like his playing better than any other's in these works. Sadly enough, the shrill strings deprive the recordings of their beauty, especially unfortunate in cto 3. If the orchestral tone of this recording could be restored, it would make me so happy.

In the meantime, I enjoy the Janis/Kondrashin cto 3. It seems to have similar qualities as Ashkenazy. For cto 2, I enjoy Baloghova/Ancerl/CzechPO on Supraphon.

Magnificent achievement!.......2005-02-02

I have this recording of all five Prokofiev concertos. The rapport between soloist and conductor is first rate. The fact that Andre Previn is an excellent pianist helps mould a great understanding and the fact that both soloist and conductor got on so well helps so much.
Vladimir Ashkenazy played all the concertos very brilliantly.He doesn't overcook the interpretation and it sounds better for it.His recording of the second concerto is amazing. Remember he used that with his New York debut in the fifties with Bernstein. I find this collection to be such an achievement. I thoroughly recommend this CD.

Average customer rating:

Ultimate Wedding Album
The Best!
A beautiful CD - wedding or not
The best of my Wedding CD's
When they say Ultimate, they mean it!

The Ultimate Wedding Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000427S
Release Date: 1995-03-14

Tracks:

Jesu, Joy Of Man's Desiring
Sheep May Safely Graze
Suite No.3 In D: Air On The G String
Xerxes: Largo
The Water Music: Air
Lohengrin: Bridal Chorus
Trumpet Voluntary (The Prince Of Denmark's March)
Solomon: Arrival Of The Queen Of Sheba
Canon In D
Ave Maria
Panis Angelicus
Ave Maria
Because
West Side Story: One Hand, One Heart
Be My Love
The Water Music: Hornpipe In D
Fifth Symphony: Toccata
Trumpet Tune And Air
A Midsummer Night's Dream: Wedding March

Customer Reviews:

Ultimate Wedding Album.......2007-06-01

The perfect album for anyone planning a wedding. Both traditional and contemporary wedding favorites. Sound quality is excellent.

The Best!.......2007-05-24

Send this to every future bride and groom - yes. But even better, send a copy to the PARENT(S) of the future bride and groom!!! It gets everyone in the mood and filled with excitement! Also, it allows them to hear some choices other than "Here Comes the Bride." This CD can also be a lasting pre-wedding shower gift.

A beautiful CD - wedding or not.......2007-01-11

Whether you're getting married, attending a wedding or just want some sweet music to listen to - this album is it. A terrific collection of some of the most beautiful music ever written.

The best of my Wedding CD's.......2007-01-10

I purchased quite a few Wedding CD's but for me, this Album has the most elegant and classic pieces. Ultra modern, trendy girls...don't you dare go here. Classic, beautiful, refined women...this is your CD.

Pamela

When they say Ultimate, they mean it!.......2006-03-14

This album really is great. As of writing the review I haven't gotten married yet, but I am definetly using it in my June wedding. It has all of the classics that we always associate with weddings and only weddings ("Bridal Chorus" for the bridal processional, "Wedding March" for a recessional, etc.) PLUS plenty of other music for the wedding party processional, unity candle lighting, prelude music, etc. I purchased another CD, but only because that music was used in EVERY ceremony at my high school and it has sentimental value to me. I didn't need to, as the album cover even sorts the tracks by Prelude, Processional, Ceremony, and Recessional.

The songs are so peaceful, well performed, and just plain pretty. Those with organ truly remind me of being in church as a child. I plan to keep the CD in my IPod and listen to it when I need some "chill out" time. Those which are not AS specific to weddings ("Jesu, Joy of Man's Desiring," "Air on the G String," etc.) sort of make you feel like you're in a classy coffee shop or in a bakery in an Italian villa.

Overall, a very well-rounded album. You could get by with this CD alone for all of your ceremony music and save hundreds of dollars on hiring an organist and soloist. With a decent sound system at your ceremony site, guests who didn't know any better would wonder where the orchestra is.

Ravel: The Piano Concertos; Valses nobles et sentimentales

Average customer rating:

High quality piano music
Peerless Ravel-Astounding, Heart Stopping
Not quite the summit
A Popular Recording with Suprising Disappointments
Breathtaking beauty

Ravel: The Piano Concertos; Valses nobles et sentimentales

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Bartok: The Piano Concertos

ASIN: B000009MF7
Release Date: 1999-02-09

Tracks:

Concerto for Piano and Orchestra in G major: 1. Allegramente
Concerto for Piano and Orchestra in G major: 2. Adagio assai
Concerto for Piano and Orchestra in G major: 3. Presto
Valses nobles et sentimentales: I. Modere
Valses nobles et sentimentales: II. Assez lent
Valses nobles et sentimentales: III. Modere
Valses nobles et sentimentales: IV. Assez anime
Valses nobles et sentimentales: V. Presque lent
Valses nobles et sentimentales: VI. Assez vif
Valses nobles et sentimentales: VII. Moins vif
Valses nobles et sentimentales: VIII. Epilogue: Lent
Concerto For The Left Hand In D Major: Lento - Andante - Allegro - Tempo I

Customer Reviews:

High quality piano music.......2006-09-05

Zimerman shows an example of extraordinary mastery in the Left Hand concerto, look at the ending cadenza there! It is absolutely amazing and this CD is worth buying a thousand times.

Peerless Ravel-Astounding, Heart Stopping .......2004-09-28

I have adored the 2 Ravel Piano Concerti since high school and I have heard every existing recording of these masterpieces. Nothing compares to the interepretations of Zimmerman, especially in the Left Hand Concerto. The opening solo cadenza is truly breathtaking and accomplishes what Ravel intended--that the absence of the right hand would not diminish in the least, the virtuosity of the piano part. Zimmerman has an uncanny ability to bring rhythmic flexibility and freshness in every measure and the concluding cadenza has never been played with such power and moving commitment to Ravel's score. I adore Alicia de Larrocha's recording but Zimmerman easily takes the first prize. Pierre Boulez' conducting is always impassioned and thrilling. A must for any lover or Ravel and the piano.

Not quite the summit.......2003-09-08

There are some collaborations that are miraculous, where soloist, conductor and orchestra see as one with the score, where everyone seems to arrive at the same point spontaneously and, seemingly, effortlessly, and the music transcends the written score.

Unfortunately, this isn't one of those recordings.

I'd hoped it would be. We have Krystian Zimerman, one of the greatest pianists alive. We have Pierre Boulez, a man who's had half a century to think about these great works. We have the Cleveland Orchestra, one of the greatest orchestras and one Boulez performs with often.

Yet I feel everyone here is just trying too much. They hit this music too hard, with exaggerated crescendoes and tempi fluctuations, and mannerisms that to me seem out of place for such direct music that should sound almost improvised. The "jazziness" (and jazz was a model for Ravel's concerti) is gone. Dynamics range from VERY LOUD to barely audible. Again, though impressive, I feel it's a little too much--this isn't Mahler. It's all immaculately played and beautifully recorded, with lots of inner detail, but I think we expect that from this crew. The problem is, I don't get any new insights into the music. And the Waltzes are "limpy," or wooden-legged. I get the impression Boulez never waltzed in his life.

For the Waltzes I recommend, if you can find it, Eduardo Mata and the Dallas Symphony on a budget RCA recording that also has a superb La Valse and Moussorgsky "Pictures." For the D minor concerto, my favorite is the effortless and flowing Fleisher/Comissiona with the Baltimore Symphony. For the concerto that employs all ten digits, I'll be not-terribly-original and opt for the famous Michelangeli/Gracis/Philharmonia recording that many critics consider one of the greatest piano recordings ever.

A Popular Recording with Suprising Disappointments.......2003-07-02

While Gramophone did award this CD, the performance of the G major concerto (heralded as one of the great accomplishments on this album) is a great disappointment. The first movement is a good example: many of the woodwind solos following the introduction are simply out of tune, and Zimmerman's sudden increase in tempo in the recap begs for slowing--- it pains to hear such speed for the orchestra. Thankfully, the infamous bassoon and horns solos are beautifully played and bear none of the same problems. The second movement is wonderfully executed, (though a little lifeless in the strings) but the ending is oddly out of rhythm, probably the result of a strange ritardando. It is the third movement, however, that really disappoints. For starters, if one listens to the beginning and ending of the track (noting the last and first few measures are nearly identical music), an exponential increase in tempo occurs. Although this movement has been referred to as "the chase," it is taken to an uncontrollable extreme here. The French horn duet early in the movement is too brash and forward (as are many brass entrances throughout), and there is a clarinet run that fails rhythmically, giving some hint of how Cleveland struggled under Zimmerman's wild tempi. The duet bassoon runs (a famous orchestral audition excerpt) take on a tempo all their own when they start (much slower). The piano playing throughout is flawless, but one wonders if Zimmerman could not heed more to the orchestra in order to make controlled, flowing music. The fluctuating tempi are hard to miss, and lead to a disappointingly fast and sometimes unmusical rendition of benchmark 20th century music. As for the Left Hand and the Valses, they are in much better shape and worth the purchase, especially the former. More control, musicality, and an orchestra with an unbeatable sound (in the case of the G Major Concerto) can be found in Alicia de Larrocha and St. Louis under Leonard Slatkin, with the piano version of the Valses being a special (and more musical) treat.

Breathtaking beauty.......2003-04-07

Krystian Zimerman is one the very few truly exceptional geniuses that can make the piano sing. His colors and tones are of a breathtaking aesthetic beauty as only a Rubinstein or Horowitz were able to produce... French composers appear most suited for him, just look at his Preludes from Debussy. If you love piano, by all means get this CD.

Prokofiev: The Five Piano Concertos; Overture on Hebrew Themes

Average customer rating:

Not only for the performances and the recording quality --
Sheesh
I guess the score doesn't matter
Piano could stand out a little more
awesome and terrifying

Prokofiev: The Five Piano Concertos; Overture on Hebrew Themes

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Prokofiev: The Five Piano Concertos

ASIN: B000002S09
Release Date: 1992-09-29

Tracks:

Piano Concerto No 1 In D Major, Op.10: I. Allegro Brioso
Piano Concerto No 1 In D Major, Op.10: II. Andante assai
Piano Concerto No 1 In D Major, Op.10: III. Allegro scherzando
Piano Concerto No 2 In G Minor, Op.16: I. Andantino - Allegretto
Piano Concerto No 2 In G Minor, Op.16: II. Scherzo (vivace)
Piano Concerto No 2 In G Minor, Op.16: III. Intermezzo (allegro moderato)
Piano Concerto No 2 In G Minor, Op.16: IV. Finale (allegro tempestuoso)
Piano Concerto No.3 In C Major, Op.26: I. Andante - Allegro
Piano Concerto No.3 In C Major, Op.26: II. Theme et variations
Piano Concerto No.3 In C Major, Op.26: III. Allegro ma non troppo

Tracks:

Piano Concerto No.4 In B Flat Major, Op.53,'For The Left Hand': I. Vivace
Piano Concerto No.4 In B Flat Major, Op.53,'For The Left Hand': II. Andante
Piano Concerto No.4 In B Flat Major, Op.53,'For The Left Hand': III. Moderato
Piano Concerto No.4 In B Flat Major, Op.53,'For The Left Hand': IV. Vivace
Piano Concerto No.5 In G Major, Op. 55: I. Allegro con brio
Piano Concerto No.5 In G Major, Op. 55: II. Moderato ben accentuato
Piano Concerto No.5 In G Major, Op. 55: III. Toccata (allegro con fuoco)
Piano Concerto No.5 In G Major, Op. 55: IV. Larghetto
Piano Concerto No.5 In G Major, Op. 55: V. Vivo
Overture on Hebrew Themes, Op. 34
Visions fugitives, Op. 22: No 1. Lentamente
Visions fugitives, Op. 22: No 2. Andante
Visions fugitives, Op. 22: No 3. Allegretto
Visions fugitives, Op. 22: No 4. Animato
Visions fugitives, Op. 22: No 5. Molto giocoso
Visions fugitives, Op. 22: No 6. Con eleganza
Visions fugitives, Op. 22: No 7. Pittoresco
Visions fugitives, Op. 22: No 8. Commodo
Visions fugitives, Op. 22: No 9. Allegretto tranquillo
Visions fugitives, Op. 22: No 10. Ridicolosamente
Visions fugitives, Op. 22: No 11. Con vivacita
Visions fugitives, Op. 22: No 12. Assai moderato
Visions fugitives, Op. 22: No 13. Allegretto
Visions fugitives, Op. 22: No 14. Feroce
Visions fugitives, Op. 22: No 15. Inquieto
Visions fugitives, Op. 22: No 16. Dolente
Visions fugitives, Op. 22: No 17. Poetico
Visions fugitives, Op. 22: No 18. Con una dolce lentezza
Visions fugitives, Op. 22: No 19. Presto agitatissimo e molto accentuato
Visions fugitives, Op. 22: No 20. Lento irrealmente

Customer Reviews:

Not only for the performances and the recording quality --.......2005-12-07

-- I even like the cover art!

Sheesh.......2003-11-05

I'm reading the reviews here because I just adore this recording and wonder why it's so rarely the recommended choice in CD guides, etc... Maybe there are individual moments in other recordings that surpass individual moments here, but as a whole I don't think any of the other sets are nearly as effective.

But anyway - the review below really annoyed me so I just wanted to weigh in: Beroff's is a really lovely rendition of the Visions Fugitives, and the "ppp" in question (that prompted my fellow reviewer to impress us all with his lordly inability to tolerate philistinism by hurling his CDs into the trash like the filth they are) - ahem - the "ppp" in question applies WITHOUT ANY DOUBT only to the inner voice - I don't know what edition Mr. Landkamer has, but the two that I just looked at both make special effort to place the "ppp" on the page in a way that communicates this. It also bears mentioning that this "ppp" does not appear in the first edition at all.

In conclusion: this set is an amazing deal and, regardless of what people say about Ashkenazy or Argerich or Richter or whomever else, is utterly satisfying. It's one of the few recordings of Prokofiev I've heard where the performance is GENUINELY CONVINCED of the idea that this music is utterly coherent and human. Even supposedly "sensitive" Prokofiev performances often underestimate the fluidity of his musical expression and decide to let things seem thorny and chaotic rather than doing the work necessary to clarify the enigmatic elements. Beroff and Masur are so in tune with the spirit of Prokofiev's screwball jokes and whimsically meandering emotions that you feel you're hearing the piece direct from the composer. Very rare thing, that. There are no more and no fewer fireworks in these performances than Prokofiev put in the score - which is plenty! - and I don't know about you but that's how I like my classical recordings.

I guess the score doesn't matter.......2003-04-26

A few minutes ago, for lack of anything better to do, I put on the Visions Fugitives as played by Michel Beroff on this CD. In bar 14 there is a two-note pickup starting a repeat of the opening melody, here marked "p semplice". Then, on beat 1 of the next bar, the marking is "ppp" implying that the repeat of the theme is to *begin* like a routine restatement but then shift without warning into a new, quieter dreamlike realm. Beroff makes ABSOLUTELY NO CHANGE at the ppp. It might as well not be there. These CD's are about to go into the trash.

There, gone.

Addendum (5/31/03)...I purchased another recording of Visions Fugitives, by Boris Berman, and he played this part the same way. Looking again at the score, I think I can see why...the ppp is being interpreted as applying only to the chromatically winding inner voice. I'm not certain that's right, but it's at least not completely unreasonable. Sorry, Michel, I take it all back.

(11/28/03) in response to my courageously anonymous fellow reviewer ("music fan" above) the edition I have is MCA and the ppp is placed between the upper an lower staves but somewhat above-center. I'm not sure this qualifies as a special effort to communicate the intent.

Piano could stand out a little more.......2002-09-21

I agree with other reviewers this is a very good recording, of very difficult works. But it is especially good for the orchestral part. I am not saying Beroff is not a good pianist dont get me wrong. I am just saying there is better.
For the piano (and those are PIANO concertos my friends :) I have to say that I like the Ashkenazy/Previn recording better especially for #2 and #3 The piano sounds much clearer and less hesitating. The opening of 4th movement of #2 for example is 100 times better as played by Ashkenazy. Those chords are so much more precisely dropped. The orchestra though in many passages is more overwhelming (as it should be in this piece) in the Beroff/Masur recording.
If you want the complete set. Get both this recording and the Ashkenazy/Previn. They complement one another really well.
Now if you want the best recording of #3. You want to get the Argerich/Abbado recording. It ROCKS its is way above any other. Better rythmic precision , better phrasing, faster tempo. It is just amazing.

awesome and terrifying.......2002-09-21

This CD is another example of good price, comprehensiveness, and outstanding quality combining to make a powerhouse recording. I cannot overstate how dazzling Beroff's performance is. To hear pianistic technique at its pinnacle, just listen to the cadenza of the Second Concerto's opening movement--it'll take your breath away (you'll swear that it cannot be played by just a single player--examining the score will compound the disbelief). Beroff's swift hammering, mastery of dynamics, and perfect grasp of both Prokofiev's wit and rage, will have you coming back to this CD set for years. Concerto No. 3, by the way, is the best performance I've heard besides that given by Martha Argerich. With expert performance by Maestro Masur and the Gewandhaus Orchestra, these five neoclassical works have rarely received such musical justice. The second CD also features Prokofiev's delightful ethnographic chamber piece, "Overture on Hebrew Themes," as well as his solo piano work, "Fugitive Visions" (not quite as notable as, say, his late sonatas). I consider this CD set one of the best in my collection, and I recommend it without any reservations.

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Britten Conducts Britten

Manufacturer: Decca
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Binding: Audio CD

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Pierre Monteux Decca & Philips Recordings, 1956-1964

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Release Date: 2007-02-13

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No. 1 Wedding Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000095J85
Release Date: 2003-05-13

Tracks:

Wedding Bells - The #1 Wedding Album
Bridal Chorus - Wagner
Allegro - Peter Hurford
Trumpet Tune And Air - Philip Jones
Prelude - Pierre Cochereau
Air - J.S. Bach
Largo In F - Randall Wolfgang
Sheep May Safely Graze - J.S. Bach
Largo Ma Non Tanto - Regis Pasquier
My Heart Will Go On - Patricia Spero
Panis Angelicus - Luciano Pavarotti
Ave Maria - Lisa Otto
One Hand, One Heart - Jose Carreras
Alleluja (Allegro) - Arleen Auger
See The Conquering Hero Comes - Simon Preston
Let The Bright Seraphim - Joan Sutherland
Alla Hornpipe - Handel
Wedding March - Stephen Cleobury

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Bridal Chorus - Stephen Cleobury
Trumpet Voluntary - John Wilbraham
Trumpet Tune In C - Purcell
Allegro - Maurice Andre
Sonata - The Philip Jones Brass Ensemble
Canon In D - Pachelbel
The Heart Asks Pleasure First - Jean-Yves Thibaudet
Sleepers Awake - Peter Hurford
Greensleeves - Goran Sollscher
Jesu, Joy Of Man's Desiring - J.S. Bach
Ave Maria - Leontyne Price
O Mio Babbino Caro - Ranata Tebaldi
How Lovely Is Thy Dwelling Place - John Scott
Be My Love - Jose Carreras
Because - Placido Domingo
Rondeau - Simon Preston
Wedding Day At Troldhaugen - Wolfgang Marschner
Canzon In Imitation Of An English Bergamask - The Philip Jones Brass Ensemble
La Rejouissance - Handel
Wedding March - Mendelssohn

Debussy & Ravel: Piano Works - Samson Francois (6 CD's)

Average customer rating:

great pianist!!!!
Yesterday Francois would be celebrating his eighty-two anniversary

Debussy & Ravel: Piano Works - Samson Francois (6 CD's)
Samson Francois , Claude Debussy , and Maurice Ravel
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Chopin: Piano Works, Vol. 3
Debussy, Ravel: Orchestral Works
Liszt: Works for Piano and Orchestra
Beethoven - The Complete String Quartets / Alban Berg Quartet
Beethoven: Complete Piano Sonatas / Daniel Barenboim

ASIN: B0002RUAEM
Release Date: 2004-11-02

Tracks:

1. Danseuses De Delphes
2. Voiles
3. Le Vent Dans La Plaine
4. Les Sons Et Les Parfums Tournent Dans L'Air Du Soir
5. Les Collines D'Anacapri
6. Des Pas Sur La Neige
7. Ce Qu'a Vu Le Vent D'Ouest
8. La Fille Aux Cheveux De Lin
9. La Serenade Interrompue
10. La Cathedrale Engloutie
11. Danse De Puck
12. Minstrels
1. Brouillards
2. Feuilles Mortes
3. La Puerta Del Vino
4. Les Fees Sont D'Exquises Danseuses
5. Bruyeres
6. General Lavine (Eccentric)
7. La Terrasse Des Audiences Au Clair De Lune
8. Ondine
9. Hommage A S. Pickwick Esq. P.P.M.P.C.
10. Canope
12. Feux D'Artifice

Tracks:

1. Reflets Dans L'eau
2. Hommage A Rameau
3. Mouvement
1. Cloches A Travers Les Feuilles
2. Et La Lune Descend Sur Le Temple Qui Fut
3. Poissons D'or
Reverie
1. Andantino
2. Allegretto Scherzando
La Plus Que Lente, Valse
1. Pour Les Degres Chromatiques
2. Pour Les Agrements
4. Pour Les Sonorites Opposees
5. Pour Les Arpeges Composes
6. Pour Les Accords
Masques
L'Isle Joyeuse
Berceuse Heroique

Tracks:

1. Doctor Gradus Ad Parnassum
2. Jimbo's Lullaby
3. Serenade For The Doll
4. The Snow Is Dancing
5. The Little Shepherd
6. Golliwogg's Cake-Walk
1. Pagodes
2. La Soiree Dans Grenade
3. Jardins Sous La Pluie
1. Prelude
2. Menuet
3. Clair De Lune
4. Passepied
1. Prelude
2. Sarabande
3. Toccata

Tracks:

1. Allegramente
2. Adagio Assai
3. Presto
Lento/Allegro
1. Pavane De La Belle Au Bois Dormant - Pierre Barbizet
2. Petit Poucet - Pierre Barbizet
3. Laideronnette, Imperatrice Des Pagodes - Pierre Barbizet
4. Les Entretiens De La Belle Et De La Bete - Pierre Barbizet
5. Le Jardin Feerique - Pierre Barbizet

Tracks:

Pavane Pour Une Infante Defunte
1. Modere, Tres Franc
2. Assez Lent
3. Modere
4. Assez Anime
5. Presque Lent
6. Vif
7. Moins Vif
8. Epilogue: Lent
Prelude
Jeux D'Eau
Menuet Sur Le Nom D'Haydn
1. Noctuelles
2. Oiseaux Tristes
3. Une barque Sur L'Ocean
4. Alborada Del Gracioso
5. La Vallee Des Cloches
Emmanuel Chabrier (Paraphrase Sur Un Air De Gounod)
Borodine

Tracks:

1. Ondine
2. Le Gibet
3. Scarbo
1. Modere
2. Mouvement De Menuet
3. Anime
1. Prelude
2. Fugue
3. Forlane
4. Riguadon
5. Menuet
6. Toccata
Menuet Antique

Customer Reviews:

great pianist!!!!.......2007-02-16

samson was one of the greatest pianists of the 20th century his debussy was sublime and his color palete to impresionism is unsurpassed. could someone tell me if these recordings of his debussy are the stereo ones

Yesterday Francois would be celebrating his eighty-two anniversary .......2006-05-19

Samson Francois figure has evidenced slow but increasing enhancement through the years. His notable pianism, aristocratic approach and refined phrasing are some of his virtues.

If you still do not know about this legendary artist, no itý s the time for you to convince by yourself about the supreme level occupied by him.

When he left us in 1970 at his 46, he had so much to give. The musical world remained legitimately orphan and much more vile since his premature death.

But, fortunately his legacy will live among us, every time you listen any record you acquire of this peerless musician.

His Ravel is loaded not only of notable, sensual and asserive expressiveness. If you know about some other performance able to equal his Gaspard de la nuit, please, be my guest.

His Debussy is sober, eloquent with Impresionist flair and sublime musicality.

A true artistic and a fundamental treasure in your collection.

Piano Classics: Popular Works for Solo Piano

Average customer rating:

Piano Classics: Popular Works for Solo Piano

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

$7.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
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Autumn Songs: Popular Works For Solo Piano
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ASIN: B000003CYP
Release Date: 1992-11-17

Tracks:

Fur Elise
La Fileuse (The Spinner)
Nocturne
Nocturne
Prelude (Raindrop Prelude)
Waltz
Nocturne
To A Wild Rose
Romance
Scherzo
Melodie
Nocturne For The Left Hand Alone
Gymnopedie
Traumerei
Waltz
Rondo Alla Turca
Clair De Lune
Arabesque

Amazon.com

How many times have you heard a child in the other room playing--or attempting to play--Beethoven's "Für Elise" or Edward MacDowell's "To a wild rose"? Well, here you get these and 16 more all-time favorite little gems, performed to unaffected, unpretentious perfection--a real treat for anyone who's ever labored over piano lessons, and anyone, child or adult, who loves piano music.

Average customer rating:

Uneven quality but great value
A superb collection of Mendelssohn

Mendelssohn: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Octets | Chamber Music | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
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Dvorák: The Masterworks [Box Set]
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ASIN: B00062FLJ2
Release Date: 2004-11-30

Customer Reviews:

Uneven quality but great value.......2007-04-30

Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.

Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.

A superb collection of Mendelssohn.......2007-03-24

Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.

Average customer rating:

This is a very unusual cd, buy it and you will see why......

O Perfect Love and Other Wedding Songs

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

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Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Wedding Music | Miscellaneous | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

Klezmer | Folk | Styles | Music
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I Will Be Here: 25 of Today's Best Wedding & Love Songs

ASIN: B000000BK8
Release Date: 1995-03-14

Tracks:

Canon in D
Jesu, Joy of Man's Desiring
On Wings of Song
Menuet
Hymm Medley: Morning has Broken (Gaelic) - Amazing Grace (American Folk Melody) - How Great Thou Art (Swedish Folk Melody)
Theme from 'Ice Castles' (Through The Eyes Of Love)
Love Theme From 'Romeo And Juliet'
The Wind Beneath My Wings From 'Beaches'
Unchained Melody From 'Ghost'
Somewhere In Time
I Will Always Love You From 'The Bodyguard'
Endless Love
Ave Maria
Ave Maria
Sheep May Safely Graze
O Sanctissima
Hymne
Trumpet Voluntary
Bridal March From 'Lohengrin' (Here Comes The Bride)
Whither Thou Goest
One Hand, One Heart From 'West Side Story'
O Perfect Love
Whither Thou Goest
The Lord's Prayer
Ode to Joy
Trumpet Tune

Customer Reviews:

This is a very unusual cd, buy it and you will see why.............2000-09-20

This cd is a little different from most. Let me explain! This cd has a great mixture of several types of music. This cd features popular, classical, sacred, and wedding music. What a treat it is to have all these beautuful songs together on one cd.

The main concern I have for this cd is the fact that some of the arrangements were not up to par. As you will see, all songs are not ideal for harp arrangements. I liked about half of the songs performed on this cd. I feel like the song selection could have been a little bit better. If that had happened, I think this would have been an outstanding cd.

I Would Like To Recommend This Cd

Music Review: