Wourinen: Second String Quartet (1979) / Harvey: String Quartet No. 1 (1977) / Peterson: String Quartet No. 1 (1983) - Group for Contemporary Music

On this CD:

1. String Quartet No 2
Composed by Charles Wuorinen
Performed by Columbia University Group for Contemporary Music

2. String quartet No 1
Composed by Jonathan Harvey
Performed by Columbia University Group for Contemporary Music

3. String Quartet No 1
Composed by Wayne Peterson
Performed by Columbia University Group for Contemporary Music

Wourinen: Second String Quartet (1979) / Harvey: String Quartet No. 1 (1977) / Peterson: String Quartet No. 1 (1983) - Group for Contemporary Music, Music, Charles Wuorinen, Jonathan Harvey, Wayne Peterson, The Group for Contemporary Music, Benjamin Hudson, Carol Zedvin, Lois Martin, Joshua Gordan, Chamber, Classical, Classical Music, Quartet for Four String Instruments

Average customer rating: Best Barber CD available GET this disc- it is absolutely phenomenal The Best of Samuel Barber Heavenly THere's no better value on CD.

Barber: Adagio for Strings, Op. 11/Orchestral Music; Leonard Slatkin Samuel Barber , Leonard Slatkin , and St. Louis Symphony Orchestra Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Similar Items: Barber's Adagio Barber's Adagio / Munch, Galway, Boston SO Strings Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches Agnus Dei: Music of Inner Harmony Barber: Violin Concerto; Cello Concerto; Piano Concerto ASIN: B000002RQE Release Date: 1990-10-25

Tracks:

1. Overture To 'The School For Scandal', Op. 5
2. Adagio For Strings, Op. 11
3. (First) Essay For Orchestra, Op. 12
4. Second Essay, Op. 17
5. Third Essay, Op. 47
6. Medea's Dance Of Vengeance, Op. 23a

Customer Reviews:

Best Barber CD available.......2006-10-31

GET this disc- it is absolutely phenomenal.......2004-07-27

The Best of Samuel Barber.......2003-12-23

The overture to "The School for Scandal" was an early triumph for Samuel Barber and it was clearly an exciting, dramatic, and sometimes lyrical work. Slatkin is very sensitive and understanding of this music and was able to lead the St. Louis musicians in one of the best performances of this popular work.

Perhaps Barber's best-known work is the "Adagio for Strings," originally part of a string quartet. It bears the distinction of having a world premiere under the legendary Arturo Toscanini. It's interesting to note that Barber had gone to Italy one summer and managed to meet the Maestro, who was on his own summer vacation. Toscanini was impressed with the aspiring, young composer and was soon even more impressed with the "Adagio for Strings." Toscanini chose to premiere the "Adagio" with the NBC Symphony on a broadcast performance. It is one of the most deeply moving compositions by any American composer. I've seldom heard such a powerful performance as this one by Slatkin and the St. Louis orchestra.

Toscanini also premiered the first of Barber's "Essays for Orchestra." Interestingly, however, the first recording of this energetic, colorfully orchestrated work was by Eugene Ormandy and the Philadelphia Orchestra in a 12-inch 78-rpm RCA Victor Red Seal recording. Slatkin not only conducted this work but the two essays which followed, the third of which is one of Barber's later works (with rather spectacular, imaginative writing for percussion).

Finally, there is the rather jazzy and compelling "Medea's Dance of Vengeance." One critic referred to this as a boogie woogie for orchestra. It is very syncopated and almost overwhelming in its intensity, particularly in this performance. Anyone familiar with the legend of Medea will recognize that Barber has managed to faithfully depict the horrible events in this memorable work.

Heavenly.......2003-04-12

THere's no better value on CD........2002-10-05

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Life and Works of Ludwig van Beethoven What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: A sparkling remaster Great music and a great package An American Classic Best of Barber Is there anything to add...?

Samuel Barber / Thomas Schippers Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berg | Berg, Alban | ( B ) | Featured Composers, A-Z | Classical | Styles | Music D'Indy, Vincent | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Menotti | Menotti, Gian Carlo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Barber's Adagio / Munch, Galway, Boston SO Strings Barber: School for Scandal/Symphonies 1 & 2 Barber: Adagio for Strings, Op. 11/Orchestral Music; Leonard Slatkin Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches Haydn: The London Symphonies, Vol. 1 ASIN: B0000029V2 Release Date: 1997-01-14

Tracks:

1. Medea's Dance Of Vengeance, Op. 23a
2. String Quartet In B Minor, Op. 11: Adagio For Strings
3. Second Essay For Orchestra, Op. 17
4. Overture To The School For Scandal, Op. 5
5. 'Andromache's Farewell,' Op. 39: Andromache's Farewell, Op. 39
6. Intermezzo From Vanessa (Act II), Op. 32
7. Overture To Amelia al ballo
8. Interlude From Wozzeck (Act III)
9. Introduction To Fervaal, Op. 40

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Customer Reviews:

A sparkling remaster.......2006-12-29

Great music and a great package.......2006-11-10

An American Classic.......2005-12-03

Best of Barber.......2004-09-30

Is there anything to add...?.......2003-09-26

Average customer rating: The best performances at the cheapest price! Great performances, excellent engineering Insipid uninspiring performances; miserable engineering Terrific playing at a bargain price Siegel is amazing

Gershwin: Works for Piano & Orchestra Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Soundtracks | Styles | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music Similar Items: Suppe: Overtures: Light Cavalry, etc.; Auber: Overtures Dvorák: Cello Concerto; Bruch: Dol Nidrei; Bloch: Schelomo Von Weber: Piano concertos, Symphonies, Overtures Borodin: Orchestral Works Liszt: Works for Piano and Orchestra ASIN: B000001K1Z Release Date: 1992-11-04

Tracks:

1. Allegro
2. Andante Con Moto
3. Allegro Agitato
4. Lullaby For String Orchestra
5. Cuban Overture
6. Second Rhapsody
7. Promenade

Tracks:

1. Rhapsody In Blue
2. 'I Got Rhythm' Variations
3. Introduction - Act 1, Scene 1
4. Porgy Sings
5. Fugue
6. Hurricane - Act II, Scene 3
7. Good Mornin', Brother - Act III, Scene 3
8. An American In Paris

Customer Reviews:

The best performances at the cheapest price!.......2001-08-16

Great performances, excellent engineering.......2001-03-22

The engineering is fine analog, but it isn't "in your face" kind of engineering (a la some older Sony recordings; Bernstein's are some of the worst offenders, although recent remasterings have tamed them somewhat), it isn't brightly lit (ditto a lot of von Karajan's DG recordings), but it's pretty natural. Nothing is spotlit, and sounds the way one would hear it in the concert hall. I would hazard that sound systems have a way of filtering the music. I've found that some of my terribly-engineered, really ancient monophonic recordings sound much better on lesser equipment, while my best engineered recordings sound mediocre on lesser equipment, but wonderful on the high end stuff. And the speakers, and, well, this isn't about equipment. Just second guessing how the impression can be made that the enginnering is poor on this disc.

Powell Symphony Hall, while not the sonic masterpiece that is, for example, New England Conservatory's Jordan Hall (one of the best I've ever been in), is still a wonderful acoustic space, both for listener and player (it's one of those halls where I was able to hear myself play as well as I was the whole orchestra, and you can almost feel your sound being projected into the auditorium). The hall, btw, is gorgeous, graceful, and characterful; much so than the design of Symphony Hall in Chicago (brilliantly finished, btw), or the cavernous feel of the hall in Boston. While some of Slatkin's RCA recordings in Powell recess the sound too much, such is not the case here.

The performances are electrifying, with the exception of the Concerto in F. Even that piece, an awkward attempt on Gershwin's part, has many rewarding aspects, and the performance reveals many of them. Seigel isn't a "polished" pianist--I'd never be interested hearing him play Mozart based on these performances--but here his style (or the style he has captured) is just right.

These are classics in the Gramophone. Not that the critical consensus (well, as consensual as it ever gets) is always correct, but I agree with them.

Insipid uninspiring performances; miserable engineering.......2000-12-07

I found these interpretations of Gershwin lacking; both in the orchestra and piano. None of the performances reached out and pulled me in, they left me wondering what anyone could possibly hear in Gershwin. Thankfully I own several recordings which do not leave me feeling that way! Specificaly in the Rapsody in Blue: Mr. Siegel does not demonstrate a command of the piece; more than once I wondered if he was practicing the piece instead of performing it, as his approach was tenative at best. Mr. Slatkin and the St. Louis Symphony rendered the piece with a lush/loose orchestral feel that just does not feel right.

The sound engineering is wanting in all of these performances; the balance between orchestra and piano is poorly maintained throughout. I found the piano lost in sections where a balance between forces is called for. Exchanges between piano and various instruments routinely found one or the other anoyingly out of balance. Nothing in the notes describes the recording process, but from the instances of voice dropout I would hazard to guess that two micropones were placed in the worst seats available in Powell Symphony Hall with the subsequent recordings transfered directly to disc with no review or attempt at editing. What an engineering travesty!

Overall I was glad when the CD's were done. I pulled out other recordings and played numerous tracks back to back to see if I had missed something. I had not! All around the performances are insipid and uninspiring, and I can usually find something redeeming in just about everything to which I give a listen.

If you want an inspired performance of Rhapsody in Blue that will reach out and grab you from the opening wail of the clarinet to the closing orchestral chord, get the recording made by Michael Tilson Thomas and the LA Philharmonic. Unfortunately, he did not record all the orchestral pieces you find in this recording.

Terrific playing at a bargain price.......2000-05-29

Siegel is amazing.......2000-04-17

Average customer rating: Get your hanky....this is very, very emotional music The best relaxing and inspirational CD in my collection.

Music for the Soul Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dufay | Dufay, Guillaume | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Górecki, Henryk Mikolaj | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Part | Part, Arvo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Houston Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | New Age | Styles | Music Meditation | New Age | Styles | Music General | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Bedroom Adagios Williams: The Five Sacred Trees (Bassoon Concerto) / Takemitsu: Tree Line / Hovhaness: Symphony No. s, Op. 132 "Mysterious Mountain" / Picker: Old and Lost Rivers Appassionato The Re-enchantment of Everyday Life The Soul's Religion ASIN: B000002SMO Release Date: 1997-03-25

Tracks:

1. Alma Redemptoris Mater - Chor Of King's College, Cambridge/Stephen Cleobury
2. Tu Solus Qui Facis Mirabilia - The Hilliard Ens/Paul Hillier
3. Old And Lost Rivers - Houston SO/Christoph Eschenbach
4. Vespers-Ave Maria - Swedish Radio Chor/Tonu Kaljuste
5. Cantus In Memory Of Benjamin Britten - Bournemouth Sinf/Richard Studt
6. Salve Regina - The Sixteen/Harry Christophers
7. Fratres (Version VI) - LPO/Franz Welser-Most
8. Nuper Rosarum Flores - The Hilliard Ens/Paul Hillier
9. Adagio - Saint Louis SO/Leonard Slatkin
10. Symphony No.3-Second Movt - Zofia Kilanowicz

Customer Reviews:

Get your hanky....this is very, very emotional music.......2003-08-03

The best relaxing and inspirational CD in my collection........1998-08-10

Average customer rating: Sweet Lilting Flute Music to Unwind With

The Most Relaxing Flute Album in the World...Ever! Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Honegger | Honegger, Arthur | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Ibert, Jacques | ( I ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: The Most Relaxing Harp Album in the World... Ever! The Most Relaxing Violin Album in the World ... Ever! The Most Relaxing Chamber Music Album in the World ... Ever! The Most Relaxing Cello Album in the World Ever The Most Relaxing Guitar Album in the World... Ever! ASIN: B000AXWGYU Release Date: 2005-10-04

Tracks:

1. Flute Concerto No. 1 in G, K.313 - II Adagio - Wolfgang Amadeus Mozart
2. Concerto in G, Op. 10 No. 4 - II Largo - Antonio Vivaldi
3. Gymnope No. 1 - Erik Satie
4. Sonata in C (after Hob.III.72) - Andantino - Franz Joseph Haydn
5. Sicilienne, Op. 78 - Gabriel Faur
6. Flute Quartet No. 2 in G, K. 285a - I Andante - Wolfgang Amadeus Mozart
7. Concerto in F, Op. 10 No. 5 - II Largo e cantabile - Antonio Vivaldi
8. Romance - Arthur Honegger
9. Orchestral Suite No. 2 in B Minor, BWV 1067 - III Sarabande - Johann Sebastian Bach
10. Beau Soir - Claude Debussy
11. Sonata for Two Flutes in B Minor, Op. 2 No. 4 - I Largo - Georg Philipp Telemann
12. Sonata for Two Flutes in B Minor, Op. 2 No. 4 - II Grazioso - Georg Philipp Telemann
13. Flute Concerto No. 2 in D, K.314 - II Andante ma non troppo - Wolfgang Amadeus Mozart
14. Sonata for Flute & Continuo in E Minor, BWV 1034 - III Andante - Johann Sebastian Bach
15. Gymnope No. 2 - Erik Satie

Tracks:

1. Concerto in D, Op. 10 No. 3 Il Cardellino - II Cantabile - Antonio Vivaldi
2. Concerto for Flute & Orchestra in D - II Adagio - attr. Franz Joseph Haydn
3. Flute Quartet No. 3 in C, K. 285b - II Andantino con variazioni: Variation 5 - Wolfgang Amadeus Mozart
4. Concerto in G for Flute & Strings - II Adagio - Georg Philipp Telemann
5. Arabesque No. 1 in E - Claude Debussy
6. Concerto Secondo in D (Paris Quartets) - II Affettuoso - Georg Philipp Telemann
7. Berceuse (from Dolly Suite) - Gabriel Faur
8. Mtation (from Tha) - Jules Massenet
9. Concerto in D, RV 429 - II Largo - Antonio Vivaldi
10. En bateau (from Petite Suite) - Claude Debussy
11. Andante in C, K.315 - Wolfgang Amadeus Mozart
12. Partita in A Minor for Solo Flute, BWV 1013 - III Sarabande - Johann Sebastian Bach
13. Morceau de concours - Gabriel Faur
14. Concerto for Flute & Harp in C, K.299 - II Andantino - Wolfgang Amadeus Mozart
15. Aria - Jacques Ibert
16. Paris Quartet No. 4 in B Minor - V Triste - Georg Philipp Telemann
17. Syrinx for Solo Flute - Claude Debussy

Customer Reviews:

Sweet Lilting Flute Music to Unwind With.......2006-01-10

Average customer rating: Good, not great...

Choral Adagios Manufacturer: Decca ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Casals, Pablo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tavener | Tavener, John Kenneth | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Cello Adagios Heavenly Adagios Baroque Adagios Guitar Adagios Bedroom Adagios ASIN: B0002L2ZV4 Release Date: 2004-09-14

Tracks:

1. Adagio - London Voices, Terry Edwards
2. Ave Verum Corpus, K618 - The Choir Of King's College - Oxford, Edward Higginbottom
3. Ave Maria - Choir Of New College - Oxford, Edward Higginbottom
4. Pavane, Op.50 - Cheur De L'Orchestre Symphonique De Montreal, Iwan Edwards
5. Panis Angelicus - James Vivian
6. Orchestral Suite No.3 In D Major, BWV 1068 - London Voices, Terry Edwards
7. The Blue Bird - Choir Of New College - Oxford, Edward Higginbottom
8. Concierto De Aranjuez Adagio - London Voices, Terry Edwards
9. Easter Hymn - London Opera Chorus, Terry Edwards
10. Pavane Pour Une Infante Defunte - London Voices, Terry Edwards
11. O Salutaris Hostia - Choir Of New College - Oxford, Edward Higginbottom
12. Simple Gifts - Mormon Tabernacle Choir, Jerold Ottley
13. Song For Athene - The Choir Of King's College - Cambridge, Stephen Cleobury
14. Humming Chorus - Wiener Staatsopernchor, Norbert Balatsch
15. Miserere - The Choir Of King's College - Cambridge, Stephen Cleobury

Tracks:

1. Jesu, Joy Of Man's Desiring - Peter White
2. Crux Fidelis (After Ombra Mai Fu) - Choir Of New College - Oxford, Edward Higginbottom
3. What Sweeter Music - Choir Of New College - Oxford, Edward Higginbottom
4. Adagio - London Voices, Terry Edwards
5. Shenandoah - Mormon Tabernacle Choir, Jerold Ottley
6. In Paradisum - Choeur De L'orchestre Symphonique De Montreal, Iwan Edwards
7. Notturno: Andante - Christopher van Kampen
8. Andantino Semplice - London Voices, Terry Edwards
9. Blessed Is The Man (All Night Vigil, Op. 37) - Choir Of New College - Oxford, Edward Higginbottom
10. Allegretto - London Voices, Terry Edwards
11. Andante - London Voices, Terry Edwards
12. Cantique De Jean Racine - Stephen Cleobury
13. Te Lucis Ante Terminum - Helen Turnstall
14. Wir Setzen Uns Mit Tranen Nieder - Hymnus-Chorknaben Stuttgart, Gerald Wilhelm

Customer Reviews:

Good, not great..........2007-01-03

Average customer rating: I can name that tune in three notes A Fabulous CD Mega-Sampler! This really does have 99 tracks! Fun Sampler Useful.

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Complete Idiot's Guide to Classical Music Classical Guitar, Vol. 2 Classical Music for People Who Hate Classical Music The Young Person's Guide to the Orchestra (Book & CD) ASIN: B000003FPT Release Date: 1995-02-14

Tracks:

1. Adagio
2. Air on the G String: Air on the G String, Excerpt
3. Brandenburg Concerto: Third Movement, Excerpt
4. Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
5. Tocatta & Fugue: Excerpt
6. Adagio for Strings: Excerpt
7. Synphony No. 5: First Movement, Excerpt
8. Symphony No. 9: Fourth Movement, Excerpt
9. Fse: Excerpt
10. Turkish March: Turkish March, Excerpt
11. Moonlight Sonata: Excerpt
12. Symphonie Fantastique: March Ot the Scaffold, Excerpt
13. Damnation of Faust: Excerpt
14. Carmen - Habanera: Habanera, Excerpt
15. Toreador Song [From Carmen]
16. Minuet: Minuet, Excerpt
17. Prince Igor: Polovtsian Dance No 17, Excerpt
18. Hungarian Dance No. 5: No 5, Excerpt
19. Lullaby: No 4, Lullaby, Excerpt
20. "Minute" Waltz: Excerpt
21. Grande Valse Brillante: Excerpt
22. Marche Fune: Marche Fune
23. Appalachian Spring: Excerpt
24. Fanfare for the Common Man: Excerpt
25. Clair de Lune: Excerpt
26. Prelude to the Afternoon: Excerpt
27. Lakm Flower Duet: Flower Duet, Excerpt
28. Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
29. The Sorcerer's Apprentice: Excerpt
30. Pomp & Circumstance: Excerpt
31. El Amor Brujo
32. Pavane: Excerpt
33. Rhapsody in Blue: Excerpt
34. American in Paris: Excerpt
35. Funeral March of Marionette: Excerpt
36. Piano Concerto in a Minor: Excerpt
37. Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
38. Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
39. Water Music - Hornpipe: Hornpipe, Excerpt
40. Symphony No. 94 "Surprise": Second Movement, Excerpt
41. The Planets - Mars: Mars, Excerpt
42. Sabre Dance: Sabre Dance, Excerpt
43. Pagliacci: Vesti la Giubba, Excerpt
44. Hungarian Rhapsody
45. Liebestraum No. 3: No 3, Excerpt
46. Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
47. Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
48. Symphony No. 4 "Italian": Fourth Movement, Excerpt
49. Rondeau: No 1, Rondeau
50. Piano Concerto No. 21: Andante, Excerpt
51. Eine Kleine Nachtmusik: First Movement, Excerpt
52. The Marriage of Figaro - Overture: Overture, Excerpt
53. Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
54. Symphony No. 40: First Movement, Excerpt
55. Night on Bald Mountain: Excerpt
56. Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
57. Barcarolle: Barcarolle, Excerpt
58. Orpheus in Hades - Theme II: Excerpt (Theme)
59. Carmina Burana - O Fortuna: O Fortuna, Excerpt
60. Canon: Canon, Excerpt
61. Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
62. Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
63. Turandot - Nessun Dorma: Nessun Dorma, Excerpt
64. Piano Concerto No. 2: Second Movement, Excerpt
65. Symphony No. 2: Third Movement, Opening, Excerpt
66. Rhapsody on a Theme: Variation 18, Excerpt
67. Bolero
68. Flight of the Bumblebee
69. Concierto de Aranjuez - Adagio: Adagio, Excerpt
70. The Barber of Seville - Overture: Excerpt
71. The Ba