Track Listings
| 1. A Transporting Transmittance for Transverse Flute and Disklavier | ||
| 2. From: A Hundred Little 3-D Pictures: New York, New York | ||
| 3. From: A Hundred Little 3-D Pictures: The 3-D Picture of Death | ||
| 4. From: A Hundred Little 3-D Pictures: A Golden Stone | ||
| 5. Improvisations on Robert Ashley’s "El/Aficionado" for Disklavier: A Simple Border Crossing | ||
| 6. Improvisations on Robert Ashley’s "El/Aficionado" for Disklavier: Viva's Boy | ||
| 7. Solos and Sequences II |
Editorial Reviews A Transporting Transmittance for Transverse Flute and Disklavier was written for Lisa Hansen. The piece captured the feeling of an improvisation in a dialogue between the flute and piano. Though all of the notes are written, the performers should feel the experience of spontaneous creativity. From: A Hundred Little 3-D Pictures Improvisations on Robert Ashleys "El/Aficionado" for Disklavier and E-Mu Sampler Solos and Sequences II This composition reveals a strong influence from my early infatuation with Boogie-Woogie. The working title used throughout its creation was PETE AND ALBERT, referring to the great Boogie piano team of Pete Johnson and Albert Ammons. There are at least two versions of "Solos and Sequences II", as a Disklavier solo and as a duet for Disklavier and marimba/vibraphone.
Album Description
Much of pianist/composer/improviser J. B. Floyds music is keyboard centered and in the last 10 years he has explored the fascinating musical possibilities of the YAMAHA Disklavier in his works. The music presented here combines voice and other instruments with the Disklavier and, as in all of Floyds work, reveals his abiding interest in jazz and free improvisation. The musical materials are developed from and gently guided by a serial plan.
These Daniel Moore poems describe a mystical world of spirit and fantasy, street scenes and death and vividly guide the composer in his search for musical representations.
This most successful opera by Robert Ashley began its life with a 2-piano accompaniment and was performed for three years in this version. Mr. Ashley agreed to this experiment, adapting the 2-piano score for YAMAHA Disklavier and Sampler and replacing the vocal solos with keyboard improvisations.
Transporting Transmittance, Music, Thomas Buckner, J.B. Floyd, Lisa Hansen, J.B. Floyd, Electronic/Avant-Garde/Minimalist Music, Keyboard, Modern Composition, Music for Keyboard, Vocal, Vocal Music
Average customer rating:
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Transporting Transmittance
Manufacturer: Mutable Music ProductGroup: Music Binding: Audio CD ASIN: B00009KXH7 Release Date: 2003-05-01 |
Tracks:
Album Description
Much of pianist/composer/improviser J. B. Floyd's music is keyboard centered and in the last 10 years he has explored the fascinating musical possibilities of the YAMAHA Disklavier in his works. The music presented here combines voice and other instruments with the Disklavier and, as in all of Floyd's work, reveals his abiding interest in jazz and free improvisation. The musical materials are developed from and gently guided by a serial plan.A Transporting Transmittance for Transverse Flute and Disklavier was written for Lisa Hansen. The piece captured the feeling of an improvisation in a dialogue between the flute and piano. Though all of the notes are written, the performers should feel the experience of spontaneous creativity.
From: A Hundred Little 3-D Pictures
These Daniel Moore poems describe a mystical world of spirit and fantasy, street scenes and death and vividly guide the composer in his search for musical representations.
Improvisations on Robert Ashley's "El/Aficionado" for Disklavier and E-Mu Sampler
This most successful opera by Robert Ashley began its life with a 2-piano accompaniment and was performed for three years in this version. Mr. Ashley agreed to this experiment, adapting the 2-piano score for YAMAHA Disklavier and Sampler and replacing the vocal solos with keyboard improvisations.
Solos and Sequences II This composition reveals a strong influence from my early infatuation with Boogie-Woogie. The working title used throughout its creation was PETE AND ALBERT, referring to the great Boogie piano team of Pete Johnson and Albert Ammons. There are at least two versions of "Solos and Sequences II", as a Disklavier solo and as a duet for Disklavier and marimba/vibraphone.
Customer Reviews:
The Composer/Performer Comes Clean.......2003-05-08
Music Review:
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