Bach: Orchestral Suites; 2 Double Concertos
On this CD:
1. Suite for orchestra No 1 in C major, BWV 1066
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
2. Suite for orchestra No 2 in B minor, BWV 1067
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields
with William Bennett
Conducted by Neville Marriner
3. Chorale prelude for organ ("Herzliebster Jesu, was hast du verbrochen"), BWV 1093
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields
with Edward Hobart, William Houghton, Nicholas Kraemer, Nicholas Kraemer, Nicholas Kraemer, Michael Laird, Graham Sheen
Conducted by Neville Marriner
4. Suite for orchestra No 3 in D major, BWV 1068
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields
with Barry Davis, Edward Hobart, William Houghton, Nicholas Kraemer, Nicholas Kraemer, Nicholas Kraemer, Michael Laird, Susan Leadbetter, Celia Nicklin, Graham Sheen
Conducted by Neville Marriner
5. Suite for orchestra No 4 in D major, BWV 1069
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields
with Barry Davis, Edward Hobart, William Houghton, Nicholas Kraemer, Nicholas Kraemer, Nicholas Kraemer, Michael Laird, Susan Leadbetter, Celia Nicklin, Graham Sheen
Conducted by Neville Marriner
6. Concerto for 2 violins & strings in D minor ("Double"), BWV 1043
Composed by Johann Sebastian Bach
Performed by Academy of St. Martin-in-the-Fields
with Maurice Hasson, Henryk Szeryng
Conducted by Neville Marriner
Bach: Orchestral Suites; 2 Double Concertos, Music, Graham Sheen, Johann Sebastian Bach, Neville Marriner, Michael Laird, William Bennett, Nicholas Kraemer, Barry Davis, Celia Nicklin, Susan Leadbetter, Academy of St. Martin-in-the-Fields, Edward Hobart, William Houghton, Henryk Szeryng, Maurice Hasson, Baroque Suite/Partita for Orchestra, Classical, Classical Music, Concerto, Concerto for Two String Instruments, Keyboard, Music for Organ, Orchestral
Average customer rating:
- Sublime
- Smooth and vivid -the Marriner way-
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Bach - Orchestral Suites & Violin Concertos / Marriner
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
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Similar Items:
- Bach J.S: Brandenburg Concertos Nos. 1 - 6, etc.
- Mozart: The Great Serenades
- Bach: Orchestral Suites Nos. 1-4
- Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41
- Bach: Brandenburg Concertos (Complete)
ASIN: B0000041CV
Release Date: 1995-10-17 |
Tracks:
- Suite No. 1 In C, BWV 1066: Ouverture
- Suite No. 1 In C, BWV 1066: Courante
- Suite No. 1 In C, BWV 1066: Gavotte I - II
- Suite No. 1 In C, BWV 1066: Forlane
- Suite No. 1 In C, BWV 1066: Menuet I - II
- Suite No. 1 In C, BWV 1066: Bouree I - II
- Suite No. 1 In C, BWV 1066: Passepied I - II
- Suite No. 2 In B Minor, BWV 1067: Ouverture
- Suite No. 2 In B Minor, BWV 1067: Rondeau
- Suite No. 2 In B Minor, BWV 1067: Sarabande
- Suite No. 2 In B Minor, BWV 1067: Bourree I - II
- Suite No. 2 In B Minor, BWV 1067: Polonaise
- Suite No. 2 In B Minor, BWV 1067: Menuet
- Suite No. 2 In B Minor, BWV 1067: Badinerie
- Violin Concerto In A Minor, BWV 1041: (Allegro moderato)
- Violin Concerto In A Minor, BWV 1041: Andante
- Violin Concerto In A Minor, BWV 1041: Allegro assai
- Violin Concerto In E BWV 1042: Allegro
- Violin Concerto In E BWV 1042: Adagio
- Violin Concerto In E BWV 1042: Allegro assai
Tracks:
- Suite No. 3 In D, BWV 1068: Ouverture
- Suite No. 3 In D, BWV 1068: Air
- Suite No. 3 In D, BWV 1068: Gavotte I - II
- Suite No. 3 In D, BWV 1068: Bourree
- Suite No. 3 In D, BWV 1068: Gigue
- Suite No. 4 In D, BWV 1069: Ouverture
- Suite No. 4 In D, BWV 1069: Bourree I - II
- Suite No. 4 In D, BWV 1069: Gavotte
- Suite No. 4 In D, BWV 1069: Menuet I - II
- Suite No. 4 In D, BWV 1069: Rejouissance
- Concerto For Two Violins In D Minor, BWV 1043: Vivace
- Concerto For Two Violins In D Minor, BWV 1043: Largo, ma non tanto
- Concerto For Two Violins In D Minor, BWV 1043: Allegro
Customer Reviews:
Sublime.......2006-12-11
If Pol Pot, having risen from the dead and now pointing a bayonet at my head, were to demand five or so definitive recordings of Bach, I would surely lose control of my bowels. As my bodily waste made uncontrolled exit to freedom or my underpants, however, this recording would be tops in my mind, along with Casals' rendition of the cello suites. Marriner is in fine form here, and the Orchestral Suites are superb, and I'd be hard pressed to find a fault.
The real - and apparently overlooked - gems, however, are the violin concertos. Listening to them, especially the d-minor concerto (yes, that old warhorse), is a transcendent experience. Every element seems to fall in place, and everyone, from Szeryng to the continuo, sounds inspired. Szeryng's best qualities, including beauty of tone, flawless technique, restraint, and most importantly his ability to convey the spiritual essence of a piece, are abundant in this performance.
I could continue to yawp pale adjectives in praise of this CD, but I'll say this: after listening to Szeryng, I've listened to at least a dozen more renditions of these concertos in search of its equal. I have found none that can engage me every time I listen to it.
I like to think that if Pol Pot had listened to this magnificent recording, he would not have been so keen in his quest to exterminate culture.
Smooth and vivid -the Marriner way-.......2001-08-27
This compilation shows an almost perfect Neville performance conducting Academy of St. Martin in The Fields for the four Orchestral Suites and a Violin concerto. Flute soloist William Bennett's remarkably menuet and badinerie (tracks 13 & 14, listen to the samples on this page)are worth the price of the 2 disc set. St. Martin in The Field chamber orchestra performance is neat. A beautiful masterwork.
Average customer rating:
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Brandenburg Concertos / Orchestral Suites
Bach , Amf , and Mcfarriner
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
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Similar Items:
- Bach: Goldberg Variations
- Mozart: Piano Sonatas
- Bach: Sonatas & Partitas for Solo Violin
- Martha Argerich Plays Chopin: The Legendary 1965 Recording
- Mozart: The Violin Sonatas
ASIN: B000065TV3
Release Date: 2002-06-11 |
Tracks:
- Concerto No. 1 In F Major BWV 1046: Allegro
- Concerto No. 1 In F Major BWV 1046: Adagio
- Concerto No. 1 In F Major BWV 1046: Allegro
- Concerto No. 1 In F Major BWV 1046: Menuetto - Trio - Polacca
- Concerto No. 2 In F Major BWV 1047: (Without Tempo Marking)
- Concerto No. 2 In F Major BWV 1047: Andante
- Concerto No. 2 In F Major BWV 1047: Allegro Assai
- Concerto No. 3 In G Major BWV 1048: (Without Tempo Marking)
- Concerto No. 3 In G Major BWV 1048: Adagio (BWV 1019A)
- Concerto No. 3 In G Major BWV 1048: Allegro
- Concerto No. 4 In G Major BWV 1049: Allegro
- Concerto No. 4 In G Major BWV 1049: Andante
- Concerto No. 4 In G Major BWV 1049: Presto
- Concerto No. 6 In B Flat Major BWV 1051: (Without Tempo Marking)
- Concerto No. 6 In B Flat Major BWV 1051: Adagio Ma Non Tanto
- Concerto No. 6 In B Flat Major BWV 1051: Allegro
Tracks:
- Concerto No. 5 In D Major BWV 1050: Allegro
- Concerto No. 5 In D Major BWV 1050: Affettuoso
- Concerto No. 5 In D Major BWV 1050: Allegro
- Orchestersuiten (Ouverturen): Suite No. 1 In C Major BWV 1066: Ouverture
- Orchestersuiten (Ouverturen) Suite No. 1 In C Major BWV 1066: Courante
- Orchesteruiten (Ouverturen): Suite no. 1 In C Major BWV 1066: Gavotte I/II
- Orchestersuiten (Ouverturen): Suite No. 1 In C Major BWV 1066: Forlane
- Orchestersuiten (Ouverturen): Suite No. 1 In C Major BWV 1066: Menuett I/II
- Orchestersuiten (Ouverturen): Suite No. 1 In C Major BWV 1066: Bouree I/II
- Orchestersuiten (Ouverturen): Suite No. 1 In C Major BWV 1066: Passepied I/II
- Suite No. 2 In B Minor BWV 1067: Overture
- Suite No. 2 In B Minor BWV 1067: Rondeau
- Suite No. 2 In B Minor BWV 1067: Sarabande
- Suite No. 2 In B Minor BWV 1067: Bouree I/II
- Suite No. 2 In B Minor BWV 1067: Polonaise
- Suite No. 2 In B Minor BWV 1067: Menuet
- Suite No. 2 In B Minor BWV 1067: Badinerie
- Concerto For Violin, Strings And Continuo In A Minor BWV 1041: (Allegro Moderato)
- Concerto For Violin, Strings And Continuo In A Minor BWV 1041: Andante
- Concerto For Violin, Strings And Continuo In A Minor BWV 1041: Allegro Assai
Tracks:
- Suite No. 3 In D Major BWV 1068: Ouverture
- Suite No. 3 In D Major BWV 1068: Air
- Suite No. 3 In D Major BWV 1068: Gavotte I/II
- Suite No. 3 In D Major BWV 1068: Bourree
- Suite No. 3 In D Major BWV 1068: Gigue
- Suite No. 4 In D Major BWV 1069: Ouverture
- Suite No. 4 In D Major BWV 1069: Bouree I/II
- Suite No. 4 In D Major BWV 1069: Gavotte
- Suite No. 4 In D Major BWV 1069: Menuett I/II
- Suite No. 4 In D Major BWV 1069: Rejouissance
- Concerto For Violin, Strings And Continuo In E Major BWV 1042: Allegro
- Concerto For Violin, Strings And Continuo In E Major BWV 1042: Adagio
- Concerto For Violin, Strings And Continuo In E Major BWV 1042: Allegro
- Concerto For Two Violins, Strings And Continuo In D Minor BWV 1043: Vivace
- Concerto For Two Violins, Strings And Continuo In D Minor BWV 1043: Largo Ma Non Tanto
- Concerto For Two Violins, Strings And Continuo In D Minor BWV 1043: Allegro
Customer Reviews:
Bravo Neville Marriner.......2004-05-27
These are probably Bach's most beloved and well-known works. His Brandenburg Concertos, Orchestral Suites and Violin Concertos are performed and recorded so frequently that there is a seemingly endless selection of interpretations from which to choose. I chose that of the Academy of St. Martin in the Fields, under the direction of Sir Neville Marriner, and I must say, I made a good choice. The playing is remarkable and the interpretations are fresh. Also, for three CDs, you can't beat the price.
Average customer rating:
- An edition to take into account!
- Nostalgic work in the best pre-period performance style
- Bach and Other Artists
- EMI's Bach Bonanza.
- EMI's Bach Bonanza.
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Bach: Orchestral Suites & Concertos
Manufacturer: EMI Classics
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Similar Items:
- Water Music / Fireworks Music / Concerti Grossi
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- Mozart: Chamber Music
ASIN: B00005MIZP
Release Date: 2001-11-06 |
Tracks:
- Ste No.1 in C, BWV 1066: I. Ov - Bath Festival Orch/Yehudi Menuhin
- Ste No.1 in C, BWV 1066: II. Courante - Bath Festival Orch/Yehudi Menuhin
- Ste No.1 in C, BWV 1066: III. Gavottes 1 & 2 - Bath Festival Orch/Yehudi Menuhin
- Ste No.1 in C, BWV 1066: IV. Forlane - Bath Festival Orch/Yehudi Menuhin
- Ste No.1 in C, BWV 1066: V. Menuets 1 & 2 - Bath Festival Orch/Yehudi Menuhin
- Ste No.1 in C, BWV 1066: VI. Bourrees 1 & 2 - Bath Festival Orch/Yehudi Menuhin
- Ste No.1 in C, BWV 1066: VII. Passepieds 1 & 2 - Bath Festival Orch/Yehudi Menuhin
- Ste No.2 in b, BWV 1067: I. Ov - Elaine Shaffer
- Ste No.2 in b, BWV 1067: II. Rondeau - Elaine Shaffer
- Ste No.2 in b, BWV 1067: III. Sarabande - Elaine Shaffer
- Ste No.2 in b, BWV 1067: IV. Bourrees 1 & 2 - Elaine Shaffer
- Ste No.2 in b, BWV 1067: V. Polonaise Et Double - Elaine Shaffer
- Ste No.2 in b, BWV 1067: VI. Menuet - Elaine Shaffer
- Ste No.2 in b, BWV 1067: VII. Badinerie - Elaine Shaffer
- Ste No.3 in D, BWV 1068: I. Ov - Bath Festival Orch/Yehudi Menuhin
- Ste No.3 in D, BWV 1068: II. Air - Bath Festival Orch/Yehudi Menuhin
- Ste No.3 in D, BWV 1068: III. Gavottes 1 & 2 - Bath Festival Orch/Yehudi Menuhin
- Ste No.3 in D, BWV 1068: IV. Bourree - Bath Festival Orch/Yehudi Menuhin
- Ste No.3 in D, BWV 1068: V. Gigue - Bath Festival Orch/Yehudi Menuhin
Tracks:
- Ste No.4 in D, BWV 1069: I. Ov - Bath Festival Orch/Yehudi Menuhin
- Ste No.4 in D, BWV 1069: II. Bourrees 1 & 2 - Bath Festival Orch/Yehudi Menuhin
- Ste No.4 in D, BWV 1069: III. Gavotte - Bath Festival Orch/Yehudi Menuhin
- Ste No.4 in D, BWV 1069: IV. Menuet - Bath Festival Orch/Yehudi Menuhin
- Ste No.4 in D, BWV 1069: V. Rejouissance - Bath Festival Orch/Yehudi Menuhin
- Musical Offering, BWV 1079: Ricercare - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
- Musical Offering, BWV 1079: 5 Canons - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
- Musical Offering, BWV 1079: Trio Son: I. Largo - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
- Musical Offering, BWV 1079: Trio Son: II. Allegro - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
- Musical Offering, BWV 1079: Trio Son: III. Andante - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
- Musical Offering, BWV 1079: Trio Son: IV. Allegro - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
- Musical Offering, BWV 1079: 5 Canons - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
- Musical Offering, BWV 1079: Ricercare - Elaine Shaffer/Archie Camden/Ronald Kinloch Anderson/Yehudi Menuhin
Tracks:
- Brandenburg Con No.1 in F, BWV 1046: I. (Allegro) - Yehudi Menuhin
- Brandenburg Con No.1 in F, BWV 1046: II. Adagio - Yehudi Menuhin
- Brandenburg Con No.1 in F, BWV 1046: III. Allegro - Yehudi Menuhin
- Brandenburg Con No.1 in F, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II - Yehudi Menuhin
- Brandenburg Con No.2 in F, BWV 1047: I. (Allegro) - Denis Clift/Christopher Taylor/Janet Craxton/Yehudi Menuhin
- Brandenburg Con No.2 in F, BWV 1047: II. Andante - Denis Clift/Christopher Taylor/Janet Craxton/Yehudi Menuhin
- Brandenburg Con No.2 in F, BWV 1047: III. Allegro Assai - Denis Clift/Christopher Taylor/Janet Craxton/Yehudi Menuhin
- Brandenburg Con No.3 in G, BWV 1048: I. (Allegro) - Bath Festival Orch/Yehudi Menuhin
- Brandenburg Con No.3 in G, BWV 1048: II. Adagio - Bath Festival Orch/Yehudi Menuhin
- Brandenburg Con No.3 in G, BWV 1048: III. Allegro - Bath Festival Orch/Yehudi Menuhin
- Brandenburg Con No.4 in G, BWV 1049: I. Allegro - Christopher Taylor/Richard Taylor/Yehudi Menuhin
- Brandenburg Con No.4 in G, BWV 1049: II. Andante - Christopher Taylor/Richard Taylor/Yehudi Menuhin
- Brandenburg Con No.4 in G, BWV 1049: III. Presto - Christopher Taylor/Richard Taylor/Yehudi Menuhin
Tracks:
- Brandenburg Con No.5 in D, BWV 1050: I. Allegro - Yehudi Menuhin/Elaine Shaffer/George Malcolm
- Brandenburg Con No.5 in D, BWV 1050: II. Affettuoso - Yehudi Menuhin/Elaine Shaffer/George Malcolm
- Brandenburg Con No.5 in D, BWV 1050: III. Allegro - Yehudi Menuhin/Elaine Shaffer/George Malcolm
- Brandenburg Con No.6 in B flat, BWV 1051: I. (Allegro) - Yehudi Menuhin/Patrick Ireland/Ambrose Gauntlet/Dennis Nesbitt/Derek Simpson
- Brandenburg Con No.6 in B flat, BWV 1051: II. Adagio, Ma Non Tanto - Yehudi Menuhin/Patrick Ireland/Ambrose Gauntlet/Dennis Nesbitt/Derek Simpson
- Brandenburg Con No.6 in B flat, BWV 1051: III. Allegro - Yehudi Menuhin/Patrick Ireland/Ambrose Gauntlet/Dennis Nesbitt/Derek Simpson
- Con in a, BWV 1044: I. Allegro - Yehudi Menuhin/William Bennett/George Malcolm
- Con in a, BWV 1044: II. Adagio, Ma Non Tanto E Dolce - Yehudi Menuhin/William Bennett/George Malcolm
- Con in a, BWV 1044: III. Alla Breve - Yehudi Menuhin/William Bennett/George Malcolm
Tracks:
- Con in d, BWV 1052: I. Allegro - George Malcolm
- Con in d, BWV 1052: II. Adagio - George Malcolm
- Con in d, BWV 1052: III. Allegro - George Malcolm
- Con in E, BWV 1053: I. (Allegro) - George Malcolm
- Con in E, BWV 1053: II. Siciliano - George Malcolm
- Con in E, BWV 1053: III. Allegro - George Malcolm
- Con in D, BWV 1054: I. (Allegro) - George Malcolm
- Con in D, BWV 1054: II. Adagio E Piano Sempre - George Malcolm
- Con in D, BWV 1054: III. Allegro - George Malcolm
- Con in A, BWV 1055: I. Allegro - George Malcolm
- Con in A, BWV 1055: II. Larghetto - George Malcolm
- Con in A, BWV 1055: III. Allegro, Ma Non Tanto - George Malcolm
Tracks:
- Con in f, BWV 1056: I. (Allegro) - George Malcolm
- Con in f, BWV 1056: II. Largo - George Malcolm
- Con in f, BWV 1056: III. Presto - George Malcolm
- Con in c, BWV 1060: I. Allegro - George Malcolm/Simon Preston
- Con in c, BWV 1060: II. Adagio - George Malcolm/Simon Preston
- Con in c, BWV 1060: III. Allegro - George Malcolm/Simon Preston
- Con in C, BWV 1061: I. (Allegro) - George Malcolm/Simon Preston
- Con in C, BWV 1061: II. Adagio Ovvero Largo - George Malcolm/Simon Preston
- Con in C, BWV 1061: III. Fuga - George Malcolm/Simon Preston
- Con in C, BWV 1064: I. Allegro - Eileen Joyce/George Malcolm/Thurston Dart
- Con in C, BWV 1064: II. Adagio - Eileen Joyce/George Malcolm/Thurston Dart
- Con in C, BWV 1064: III. Allegro - Eileen Joyce/George Malcolm/Thurston Dart
- Con in a, BWV 1065: I. (Allegro) - Eileen Joyce/George Malcolm/Thurston Dart/Denis Vaughan
- Con in a, BWV 1065: II. Largo - Eileen Joyce/George Malcolm/Thurston Dart/Denis Vaughan
- Con in a, BWV 1065: III. Allegro (Vivace) - Eileen Joyce/George Malcolm/Thurston Dart/Denis Vaughan
Tracks:
- Con in a, BWV 1041: I. (Allegro) - Yehudi Menuhin
- Con in a, BWV 1041: II. Andante - Yehudi Menuhin
- Con in a, BWV 1041: III. Allegro Assai - Yehudi Menuhin
- Con in d, BWV 1043: I. Vivace - Yehudi Menuhin/Christian Ferras
- Con in d, BWV 1043: II. Largo, Ma Non Tanto - Yehudi Menuhin/Christian Ferras
- Con in d, BWV 1043: III. Allegro - Yehudi Menuhin/Christian Ferras
- Con in E, BWV 1042: I. Allegro - Yehudi Menuhin
- Con in E, BWV 1042: II. Adagio - Yehudi Menuhin
- Con in E, BWV 1042: III. Allegro Assai - Yehudi Menuhin
- Con in d, BWV 1060: I. Allegro - Yehudi Menuhin/Leon Goossens
- Con in d, BWV 1060: II. Adagio - Yehudi Menuhin/Leon Goossens
- Con in d, BWV 1060: III. Allegro - Yehudi Menuhin/Leon Goossens
Customer Reviews:
An edition to take into account!.......2007-04-04
The role of conductor of Yehudi Menuhin tends to be overlooked because its fame as renowned soloist and the final result of this wrong assertion has been the neglect of many of his conducted works like this one for instance. This set stands out among the most prestigious and brilliant ever made. You may regard them a little romantic but even so, the profound vitality and supreme commitment of Menuhin as director may be carved in relief.
So, please, flee all skepticism in which concerns this album and go without hesitating. It' s a worthwhile edition
Nostalgic work in the best pre-period performance style.......2006-11-17
This box is a nostalgic event for anyone that started listening to and collecting Bach recordings in the post World War II era. It is, indeed, an exemplar of the way Bach was interpreted in the "new" authenticity of the postwar period where Karl Munchinger and Pablo Casals were among the better interpreters of the composer.
In fact, the way Yehudi Menhuin leads the Bath Festival Orchestra in his readings of the Four Orchestral Suites reminds me very much of that old 2-LP set I had by Casals and the Marlboro Orchestra way back when. Denis Clift's trumpeting in the Brandenburg Concerto No. 2, more than any other recording of the music I've heard, reminds me of the opening of William Buckley's weekly polticial talk show that used to be on PBS in the 1970s. And George Malcolm's loving playing of Largo from the Harpsichord Concerto in F, BWV 1056, reminds me of its use in Woody Allen's film "Hannah and Her Sisters".
So is there more to this set than nostalgia? That depends on your perspective. If you are under age 40 and have been raised in the Speedy Gonzales period practice performance environment of ancient instruments, sour woodwinds, wiry strings and off-pitch playing, you may not immediately find equal enjoyment in this set.
If you are broad-minded about Bach performance you'll find a set that includes almost every significant piece of "orchestral" music by Bach performed with rapt attention, British reserve, and much love and kindness in andantes and largos. Even that old intellectual exercise for musicians, The Art of Fugue, is played musically and has allure for nonplayers who simply listen to the music without a score.
One significant caveat for all listeners: the middle section of the Brandenburg Concerto No. 4 substitutes a lengthy unBachian movement arranged by British composer Benjamin Britten. Critics often said Britten's recording of the Brandenburg's was one great composer interpreting another. In this movement, it appears Britten tried to merge with Bach. I wouldn't say the results are completely successful.
Otherwise there are multiple felicities inside this box. While Menhuin gets top billing and has his face plastered on every slipcase, I think harpsichordist George Malcolm is the star of the program. Playing a harpsichored that sounds a lot like the one Lurch played on "The Addams Family" television show of the period, Malcolm is always the arbiter or propriety and good judgment in the various concerti, whether he is playing solo or with partners in 2-, 3- or 4-harpsichored concerti featuring the likes of Thurston Dart, Denis Mathews and Simon Preston. In particular, the concerti BWV 1054, 1060-61 and 1064-65 are wonderfully done with taste, humanity and style.
I would also draw attention to magnificent readings of the Triple Concerto BWV 1044 and the Double Concerto for violin and harpsichored BWV 1066. I think the former concerto, which features marvelous playing by soloists Menhuin on violin, William Bennett on flute, and Malcolm on harpsichord, is one of the most satisfyings readings of this music I've ever heard.
The Bath Festival Orchestra is never less than inspired under Menhuin in the Brandenburg concertos, where they are ably assisted by soloists Malcolm, flutist Elaine Schaffer, and Christopher Taylor on recorder, among others. While Menhuin's style in the Orchestral Suites may seem a tad reserved and deliberate by 21st century PPP standards, they are never less than musically performed and always project the Bach that begot 20-plus children and buried 10 of them and a young wife during his lifetime. There is nary an episode of showmanship or stylistic pursuit for its own purposes; everything is done to illuminate Bach and his message.
Bach's humanity is constantly on display in this wonderfully consistent collection of performances from a past era that is still relevant in today's more wildy colorful, personal and rambunctious epoch. The recordings, which were made from 1956-74, are typical of the crossover from mono to multimiked stereo. Yet the recordings never draw undue attention to themselves; it is the players that draw attention to the composer.
As other reviewers here has said, this is an unusually generous collection of Bach's most popular music on 7 CDs. You don't have to be an old timer to enjoy this collection although it helps. If you are relatively new to Bach, think of this as an exemplar of the way things once were in the very best sense of that affirmation.
Bach and Other Artists.......2006-04-04
I must confess that I'm interested mostly in this collection of Bach's music because the flutist is Elaine Shaffer. My first exposure to her playing was the Bach Flute Sonatas, and that was maybe 25 years ago that I purchased the two volume set on vinyl LP's. And still, 25 years later, I have yet to hear the Sonatas played more beautifully than by by Ms. Shaffer. The flute world owes her a great debt. She was the first female flute concert artist in the world. I'm sorry she came to an early end with lung cancer just two months after recording the Bach Sonatas and the piece for Flute and Piano she had a large part in getting commissioned by Copland in memory of her teacher at Curtis Institute, William Kincaid after his death. Her playing in this recording of Bach pieces with other great artists and the Bath Chamber Orchestra are tastefully and beautifully played, just like everything she played. I mourn her early departure from the music world.
EMI's Bach Bonanza........2004-08-03
I know of no CD issue that packs as much of the orchestral music of J S Bach into one budget-priced box as this issue. Active in and inspiring the performances of all but two of the works is Yehudi Menuhin. He directs these performances while playing either violin or viola. He also attracts eminent fellow instrumentalists to contribute as required, so that the roster reads like a Who's Who of EMI recording artists of the period.
And what is the period? The recordings were made between 1956 and 1973. Ears attuned to contemporary styles of Bach performance will hear things that are different here. Period instruments are not used (if you accept violas da gamba as not strictly "period"). Warmth and affection rather than authenticity and precision characterize performances. The engineering seems aimed at balancing Bach's contrapuntal textures so that everything can be heard, rather than capturing what occurs in actual performance. Accordingly, the harpsichord contributions are audibly prominent, and sometimes they have the capacity to swell and fade in ways that Wanda Landowska might even have thought excessive.
Remastering was done in the 1990s and this compilation was released in 2001.
EMI's Bach Bonanza. .......2004-08-03
I know of no CD issue that packs as much of the orchestral music of J S Bach into one budget-priced box as this issue. Active in and inspiring the performances of all but two of the works is Yehudi Menuhin. He directs these performances while playing either violin or viola. He also attracts eminent fellow instrumentalists to contribute as required, so that the roster reads like a Who's Who of EMI recording artists of the period.
And what is the period? The recordings were made between 1956 and 1973. Ears attuned to contemporary styles of Bach performance will hear things that are different here. Period instruments are not used (if you accept violas da gamba as not strictly "period"). Warmth and affection rather than authenticity and precision characterize performances. The engineering seems aimed at balancing Bach's contrapuntal textures so that everything can be heard, rather than capturing what occurs in actual performance. Accordingly, the harpsichord contributions are audibly prominent, and sometimes they have the capacity to swell and fade in ways that Wanda Landowska might even have thought excessive.
Remastering was done in the 1990s and this compilation was released in 2001.
Average customer rating:
- Worth having
- Don't be fooled
- The performance is as cheap as the CD
- Gorgeous, Gooey with Richness
|
Bach: Violin Concertos; Orchestral Suites
Manufacturer: Angel Records
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ASIN: B000000UUX
Release Date: 1995-06-20 |
Tracks:
- Violin Concerto No.1 in A minor:: Violin Concerto No.1 in A minor BWV.1041: Allegro
- Violin Concerto No.1 in A minor: Andante
- Violin Concerto No.1 in A minor: Allegro assai
- Concerto for 2 Violins in D minor BMW 1043: Vivace
- Concerto for 2 Violins in D minor: Largo ma non tanto
- Concerto for 2 Violins in D minor: Allegro
- Violin Concerto No. 2 in E, Bmw.1042: Allegro
- Violin Concerto No. 2 in E, Bmw.1042: Adagio
- Violin Concerto No. 2 in E, Bmw.1042: Allegro assai
- Concerto for Violin and Oboe in D minor,BMW.1060: Allegro
- Concerto for Violin and Oboe in D minor,BMW.1060: Adagio
- Concerto for Violin and Oboe in D minor,BMW.1060: Allegro
Tracks:
- Orchestral Suite No. 1 In C, BWV 1066: Overture
- Orchestral Suite No. 1 In C, BWV 1066: Courante
- Orchestral Suite No. 1 In C, BWV 1066: Gavotte I&II
- Orchestral Suite No. 1 In C, BWV 1066: Forlane
- Orchestral Suite No. 1 In C, BWV 1066: Menuett I&II
- Orchestral Suite No. 1 In C, BWV 1066: Bourr`ee I&II
- Orchestral Suite No. 1 In C, BWV 1066: Passepied I&II
- Orchestral Suite No. 2 in B minor, BWV 1067: Overture
- Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau
- Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande
- Orchestral Suite No. 2 in B minor, BWV 1067: Bourree I&II
- Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise
- Orchestral Suite No. 2 in B minor, BWV 1067: Menuett
- Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie
- Orchestral Suite No. 3 In D, BWV 1068: Overture
- Orchestral Suite No. 3 In D, BWV 1068: Air
- Orchestral Suite No. 3 In D, BWV 1068: Gavotte I&II
- Orchestral Suite No. 3 In D, BWV 1068: Bourree
- Orchestral Suite No. 3 In D, BWV 1068: Gigue
Customer Reviews:
Worth having.......2004-03-26
Well, this rendition of the J.S.Bach's violin concertos is certainly ... different.. from others that I've heard. Not as surgical and precise, but Menuhin plays the pieces with his own style -and his own only.
While (of course) the preference of style is a matter for individual listeners, I think his playing is, technically, very flawless.
Also what I like about this rendition is that Menuhin gives the concertos more emotion and feeling than any other that I've heard. More mechanically precise may be, but not as involving.
All in all, I love this rendition, and I don't understand the sound quality complaints - I'm surprised that it sounds so good for a 1960 recording!
Don't be fooled.......2001-06-05
Just to add to the wealth of knowledge already poured into the past reviews (i.e. 'gooey' sounds), I would note that these performances are nothing more than a hasty interpretation pinned with a great name. In fact, I wouldn't be surprised if this CD is just a big conspiracy to raise money for the Seraphim company. If you want to listen to the master at his best, get his recording of the Beethoven and Mendelssohn violin concertos with Furtwangler and the BPO. If you want to hear the best recording available of the Bach concertos, listen to the Salvatore Accardo version with The Chamber Orchestra of Europe. But I digress...the sound quality on this CD is poor, with a muffled sound quality, the players have no sense of balance, and the tempo is too slow on every concerto. The same is true for the orchestral suites, so please, before you buy, realize you're getting what you pay for.
The performance is as cheap as the CD.......2000-12-28
I'd been atracted by the Menuhin name on this CD, but it appears that even Menuhin has bad recordings. The violin concertos by J.S.Bach are among the most delightfull pieces for violin and orchestra but this recording is just a shame. Just as an example, at the second movement of the first concerto the sound of the orchestra and spesially the celli is so heavy and messy that it gives a headache. And then beyond the performance that is far from being exceptional, the quality of the recording is too bad, I know that it's a live performance of 1960-1962, but still ...
Just one advice, don't buy this CD!
Gorgeous, Gooey with Richness.......1999-05-01
Disc 1 has a gorgeous collection of violin concertos, some of the best by Bach, it's lovely.
Average customer rating:
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Great Composers Collection
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ASIN: B000000LWL
Release Date: 1995-04-16 |
Tracks:
- The Well Tempered Clavier: Prelude and Fugue In C Major, BWV 846
- Brandenburg Concerto No.3 In G Major, BWV 1048: Allegro
- Brandenburg Concerto No.3 In G Major, BWV 1048: Adagio
- Brandenburg Concerto No.3 In G Major, BWV 1048: Allegro
- Concerto In A Minor, BWV 1004 For Flute, Violin, Harpsichourd And Basso Continuo: Allegro
- Concerto In A Minor, BWV 1004 For Flute, Violin, Harpsichourd And Basso Continuo: Adagio ma non tanto e dolce
- Concerto In A Minor, BWV 1004 For Flute, Violin, Harpsichourd And Basso Continuo: Alla breve
- Suite No.2 In B Minor, BWV 1067: Overture
- Suite No.2 In B Minor, BWV 1067: Rondeau
- Suite No.2 In B Minor, BWV 1067: Sarabande
- Suite No.2 In B Minor, BWV 1067: Bouree I
- Suite No.2 In B Minor, BWV 1067: Bouree II
- Suite No.2 In B Minor, BWV 1067: Polonaise I
- Suite No.2 In B Minor, BWV 1067: Polonaise II
- Suite No.2 In B Minor, BWV 1067: Double
- Suite No.2 In B Minor, BWV 1067: Menuetto
- Suite No.2 In B Minor, BWV 1067: Badinerie
- Italian Concerto In F Major, BWV 971: (Without Indication)
- Italian Concerto In F Major, BWV 971: Andante
- Italian Concerto In F Major, BWV 971: Presto
Tracks:
- Symphony No.5 in C minor op.67:: Allegro con brio
- Rondo a capriccio in G major op.129: 'The Rage Over The Lost Penny'
- Septet op.20 in E flat major: Menuetto
- Overture Op.72a: Leonore
- Sonata No. 14 in C sharp minor (Moonlight): Adagio sostenuto
- Sonata in A major op.47 (Kreutzer): Finale-Presto
- Concerto for Piano and Orchestra No.5 in E flat major op.73 (Emperor): Adagio un poco mosso
- Bagatelle in A minor No.59: Fur Elise
- Symphony No.9 In D Minor Op.125: Finale: Ode To Joy
Tracks:
- Prelude In D Flat Major 'Raindrops': 1. op. 28 No.15
- Concerto for Piano and Orchestra No. 2 in F minor op.21: Maestoso
- Concerto for Piano and Orchestra No. 2 in F minor op.21: Larghetto
- Concerto for Piano and Orchestra No. 2 in F minor op.21: Allegro vivace
- Ballad No. 1 in G minor op 23
- Fantasy - Improptu op. 66
- Etude In C Minor Op.10 No.12 'Revolution': Allegro con fuoco
- Scherzo No. 2 in B flat minor op.31
- Waltz No. 6 in D flat major op.64-1:
Tracks:
- Watermusic, Suite:: Allegro
- Watermusic, Suite:: Air
- Watermusic, Suite: Bourree
- Watermusic, Suite: Hornpipe
- Watermusic, Suite: Andante espressivo
- Watermusic, Suite: Hornpipe II
- 'Xerxes': Largo
- Music of the Royal Fireworks, Suite: Overture
- Music of the Royal Fireworks, Suite: Burree
- Music of the Royal Fireworks, Suite: La paix (The Peace)
- Music of the Royal Fireworks, Suite: La rejouissance (The Joy)
- Music of the Royal Fireworks, Suite: Menuett I
- Music of the Royal Fireworks, Suite: Menuett II
- Concerto grosso op.10 No.10 ('Alexander Feast'): Overture
- Concerto grosso op.10 No.10 ('Alexander Feast'): Allegro
- Concerto grosso op.10 No.10 ('Alexander Feast'): Air: Lentement
- Concerto grosso op.10 No.10 ('Alexander Feast'): Allegro
- Concerto grosso op.10 No.10 ('Alexander Feast'): Allegro
- Concerto grosso op.10 No.10 ('Alexander Feast'): Allegro moderato
- Gavotte and Passepied
- 'The Messiah': Hallelujah
Tracks:
- Concerto For Piano And Orchestra No. 1 In E Flat Major: Allegro maestoso
- Concerto For Piano And Orchestra No. 1 In E Flat Major: Quasi Adagio
- Concerto For Piano And Orchestra No. 1 In E Flat Major: Allegro marziale animato - Presto
- Love Dream No. 3 In A Flat Major: Piano solo
- Hungarian Rhapsody No. 2 In C Sharp Minor: Piano solo
- Evening Harmony In D Flat Major: Piano solo
- Large Orchestra: 'Mephisto-Waltz'
- Hungarian Rhapsody No. 6 in D flat major: Orchestra
Tracks:
- 'A Little Night Music' Serenade No.13 In G Major KV525: Allegro
- 'A Little Night Music' Serenade No.13 In G Major KV525: Romanza: Andante
- 'A Little Night Music' Serenade No.13 In G Major KV525: Menuetto - Trio - Menuetto: Allegretto
- 'A Little Night Music' Serenade No.13 In G Major KV525: Rondo: Allegro
- Symphony No.41 In C Major KV 551: Molto Allegro
- The Magic Flute KV 620: Oveture
- 12 Variations About ' - ' KV265: 'Ah, vous dirai-je, Maman'
- Symphony No.40 in G minor KV 550: Molto allegro
- Sonata for Piano No.11 in A major KV 331: Rondo alla turca
- Concerto for Piano and Orchestra No.23 in A major KV 488: Allegro
Tracks:
- Orchestra: Bolero
- Poeme choregraphique - for Orchestra: La Valse
- Concerto for Piano and Orchestra in G major: Allegremente
- Concerto for Piano and Orchestra in G major: Adagio assai
- Concerto for Piano and Orchestra in G major: Presto
- Orchestra: Rhapsodie Espagnole
Tracks:
- 1. Op. 437: Emperor Waltz
- Waltz op.314: The Blue Danube
- Fast Polka op.324: Thunder and Lightning
- Waltz op.410: Voices of Spring
- A musical joke op. 257: Perpetuum mobile
- Waltz op.354: Venna Blood
- Op.214: Tritsch-Tratsch Polka
- The Bat: Overture
- Treasure Waltz op. 418: The Gypsy Baron
Tracks:
- Concerto for Piano and Orchestra No. 1 in B flat minor op.23: Allegro non tropo e molto maestoso - Allegro con brio
- Nutcracker Suite op.71a: Flower Waltz
- Nutcracker Suite op.71a: Dance of the Reed Flutes
- Overture solenelle '1812' Op.49
- Swan-Lake Suite op20a: Lake in the Moonlight
- Swan-Lake Suite op20a: Hungarian Dance
- Concerto for Violin and Orchestra in D major op.35: Canzonetta: Andante
- Symphony No. 6 in B minor op.74: Finale: Adagio lamentoso
Tracks:
- Concerto NO.1 op.8 IN E: Allegro
- The Spring Op.8 No.1: Largo e pianissimo sempre
- The Spring Op.8 No.1: Allegro (Danzo pastorale)
- The Summer Op.8 No.2: Allegro non molto - Allegro, e tutto sopra il Canto
- The Summer Op.8 No.2: Adagio e piano
- The Summer Op.8 No.2: Presto, tempo impettuoso d'Estate
- The Autumn Op.8 No.3: Allegro
- The Autumn Op.8 No.3: Adagio molto
- The Autumn Op.8 No.3: La Caccia (Allegro)
- The Winter Op.8 No.4: Allegro non molto
- The Winter Op.8 No.4: Largo
- The Winter Op.8 No.4: Allegro
- Concerto for two Trumpets and String Orchestra:: Allegro
- Concerto for two Trumpets and String Orchestra: Largo
- Concerto for two Trumpets and String Orchestra: Concerto for two Trumpets and String Orchestra: Allegro
- Concerto For Flute And Orchestra In G Minor Op.10 No.2: Largo 'Fantasy', Presto
- Concerto For Flute And Orchestra In G Minor Op.10 No.2: Allegro
- Concerto For Flute And Orchestra In G Minor Op.10 No.2: Largo 'Il Sonno'
- Concerto For Flute And Orchestra In G Minor Op.10 No.2: Allegro
- Concerto For Strings And Basso Continuo In G Major 'All Rustica' RV 151: Presto
- Concerto For Strings And Basso Continuo In G Major 'All Rustica' RV 151: Adagio
- Concerto For Strings And Basso Continuo In G Major 'All Rustica' RV 151: Allegro
Average customer rating:
|
Bach: Orchestral Suites; 2 Double Concertos
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
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ASIN: B00000E4A0
Release Date: 1990-04-30 |
Music Review:
- Bach: Violin Sonatas, BWV 1014-1023
- Bartok: Music for Strings, Percussion, & Celeste; Dance Suite
- Beethoven: Fidelio Patzak / Flagstad / Furtwangler
- Beethoven: Symphonies Nos. 3 and 4
- Beethoven: Symphony No. 3; Schubert: Symphony No. 8
- Brahms: Piano Quintet; Clarinet Trio
- Brahms: String Quartets 1-3 etc Tokyo / Brandis Quartets
- Brahms: String Quartets, Op. 51/1 & 51/2
- California Composers: Cohn; Goldstein; Davis; Stalvey
- Classic Voices of the Century 2CD
Music Review
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