Transfigured Bach: The Piano Transcriptions of Bartók, Lipatti, and Friedman
Editorial Reviews This is Bach on the grandest possible scale historic performance enthusiasts be warned! For those listeners who enjoy hearing an instrument pushed to its utmost expressive extremes, there is much to enjoy in the performances of Ms. Malan. Petronel Malan comes originally from South Africa; she debuted at the age of 10 with the Johannesburg Symphony Orchestra, and has won every Piano performance competition which she entered. Today, Ms. Malan is regularly in demand as a recitalist, performing at Carnegie Hall in New York and the Salzburger Mozarteum as well as many festivals. This recording is Petronel Malans recorded debut. She performs on a Blüthner - Concert Grand.
Classics Today, May 1, 2003
For her solo-CD debut, South African pianist Petronel Malan offers an auspicious program.
Album Description
Béla Bartók, Dinu Lipatti and Ignaz Friedmann.- three of the greatest pianists of the 20th century, each, in turn looked to the music of J.S. Bach for inspiration and to challenge their abilities as interpreters and performers. While known primarily for their other accomplishments, this current collection presents the World Premiere recordings of the Bach transcriptions of Lipatti and Bartok, and a welcome survey of the sadly neglected arrangements of Ignaz Friedmann.
Transfigured Bach: The Piano Transcriptions of Bartók, Lipatti, and Friedman, Music, Johann Sebastian Bach, Petronel Malan, Cantata, Chamber, Choral, Chorale Prelude or Chorale Treatment for Keyboard, Concerto, Concerto Grosso, Flute Solo/Sonata, Keyboard, Music for Organ, Violin Solo
Average customer rating:
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Transfigured Bach: The Piano Transcriptions of Bartók, Lipatti, and Friedman
Manufacturer: Hanssler ProductGroup: Music Binding: Audio CD ASIN: B0000APNGT Release Date: 2003-06-01 |
Tracks:
Album Description
Béla Bartók, Dinu Lipatti and Ignaz Friedmann.- three of the greatest pianists of the 20th century, each, in turn looked to the music of J.S. Bach for inspiration and to challenge their abilities as interpreters and performers. While known primarily for their other accomplishments, this current collection presents the World Premiere recordings of the Bach transcriptions of Lipatti and Bartok, and a welcome survey of the sadly neglected arrangements of Ignaz Friedmann.This is Bach on the grandest possible scale - historic performance enthusiasts be warned! For those listeners who enjoy hearing an instrument pushed to its utmost expressive extremes, there is much to enjoy in the performances of Ms. Malan.
Petronel Malan comes originally from South Africa; she debuted at the age of 10 with the Johannesburg Symphony Orchestra, and has won every Piano performance competition which she entered. Today, Ms. Malan is regularly in demand as a recitalist, performing at Carnegie Hall in New York and the Salzburger Mozarteum as well as many festivals.
This recording is Petronel Malan's recorded debut. She performs on a Blüthner - Concert Grand.
Customer Reviews:
Five stars for a great star.......2005-10-20
FANTASTIC!.......2004-06-20
She is simply amazing - not to mention probably the most gorgeous pianist out there. HIGHLY RECOMMENDED!
Superb music, superb pianism, superb piano.......2004-05-29
Ms. Malan has unearthed three Bach transcriptions that have never been recorded before; strangely so, because the transcribers Bartok, Friedman and Lipatti are among the greatest masters of the art. The Pastorale in F, BWV 590 is an excellent find, and makes very pleasing listening in this piano version. Several of the other pieces, while not world premieres, are hard to find -- both in score and in recording. My favorite on this disk is "Mein glaeubiges Herze" which I think sounds better in this piano version than it does in the original arrangement for voice and chamber orchestra; it is just as joyful and sprightly as the latter but brings tremendous power in the final lines.
Ms. Malan's pianism is without fault. She manages to be gentle and easy-going when needed -- e.g. the Siciliano which is pianissimo most of the time -- but manages a great crashing climax in "Mein glaeubiges Herze", and keeps her stamina with the challenging Toccata and Fugue.
The technical quality of the recording is perfect. There are no extraneous echos or imbalances.
The piano, a Bluethner grand, has a timbre and attack that is highly appropriate for this music. The lower fugal parts are easily recognized as the harmonics on the base notes are not overblown. At last, here is a serious competitor to challenge the Steinway near-monopoly.
We hope Ms. Malan doesn't stop here. Hinson's famous book lists hundreds of worthy transcriptions which need to be made available. There are many composers whose piano music is almost unobtainable, such as Florent Schmitt or Vincent d'Indy. It is time that South African compositions had a hearing, e.g. the concerto by Alexander Johnson.
Music Review:
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