Haydn Cello Concerto in D Major, Symphony No. 103 "Drumroll," Trumpet Concerto in E-flat Major
Editorial Reviews
Album Description
Haydn. Cello Concerto in D Major, Symphony No. 103 "Drumroll," and Trumpet Concerto in E-flat Major. Haydn's Cello Concerto in D Major follows the usual form of Classical-period concertos: three movements arranged in a fast-slow-fast pattern. In writing for solo cello as the concerto's featured instrument, Haydn exploited the instrument's wide range and its capacity for both lyrical expression and athletic passagework. Each CD package includes two CDs. The first, a Musical Performance Disk, features the top performers and symphony orchestras in the world, performing the best-loved music from the classical music Greats. Accompanying the Musical Performance Disc is a Conductor's Guide on a separate CD. Here, Maestro Gerard Schwarz discusses the musical performances in depth--movement by movement, section by section--using examples from the recorded performances. There's no better, more enjoyable way to get a basic education in classical music.
You'll also receive a 16-page printed copy of Concert Notes, featuring the unique Music Disc Timeline, which is written to synchronize with the elapsed time display of your CD player. As you play the music on the Performance Disc, you can see exactly where the things that Maestro Schwarz discussed take place in the music. It's like looking into the score--but you don't have to know how to read music!
Haydn Cello Concerto in D Major, Symphony No. 103 "Drumroll," Trumpet Concerto in E-flat Major, Music, Haydn, Schwarz, Classical, Eroica Classical Recordings presents. "An Education in the greatest classical music ever performed." In alliance with Musically speaking CDs. Conducted, and with commentary, by the world renowned trumpeter and conductor of the Seattle Symphony., Orchestral & Symphonic
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Haydn: The Masterworks [Box Set]
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ASIN: B00062FLJM
Release Date: 2004-11-30 |
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- A great conductor, but not always shown off at his best
- Exceptional conductor
- Exceptional issue !
- Exceptional finesse
- Brilliant "Artiste" Rescued From The Vaults
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Igor Markevitch
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ASIN: B00009LW31
Release Date: 2003-08-12 |
Customer Reviews:
A great conductor, but not always shown off at his best.......2006-03-14
I am as great an admirer of Igor Markevitch as the reviewers below who rhapsodize over this bargain 9-CD set from DG. But in truth there are few truly great performances contained here, the best of Markevitch's large output being readily available on DG, Philips, EMI, and Testament. He had the misfortune to suffer hearing loss at the end of his career and also to be associated too often with inferoir ensembles like the Lamouruex orchestra of Paris, caught here in rather awful, wiry sonics that DG has not remastered. So despite the general elation, I think it's worth examining these 9 CDs one by one. (I am adding short comments to the list prepared by a reviewer below.)
CD 1: Mozart 34th and 38th Symphonies with the Berlin Philharmonic (BP) from 1954, and Mozart's 35th Symphony (1957) and Gluck's Sinfonia in G Major (1958) with the Orchestre Lamoureux, Paris (OLP). MONO except for the Gluck
This is one of the best discs in the colleciton, featuring Markevitch's alert, lean, often rapid Mozart, played with great refinement by the Berliners. The sound is very good for the time, despite the expected edginess in the violins.
CD 2: Haydn Sinfonia Concertante (OLP, 1957), Cimarosa's Concerto for Two Flutes with flutists Aurele Nicolet and Fritz Demmler (BP, 1954) and Schubert's 3rd Symphony (BP, 1954). MONO
Unless you are a fan of spiky French instrumentalists, the elegant Haydn performance sounds cramped and sharp-edged. The much more minor Cimarosa is far better played. The Schubert Third gets the best sound by far. I'm not taken with Markevitch's clipped phrasing and lack of affection throughout, but it's a vigorous, committed performance.
CD 3 and 4: All Beethoven, with the exception of an insightful 15-minute, 1957 interview with Markveitch. Here we get Leonore III Overture (OLP, 1958), Symphony #3 'Eroica' (Symphony of the Air, 1956-57), Symphony #6 'Pastorale' (OLP, 1957), and the Coriolan, Fidelio, Name Day and Consecration of the House Overtures (all OLP, 1958). STEREO except for Sym. #3
All the overtures from the Lamoureux forces are thin and spiky, far from the usual Beethoven style. Fans may appreciate Markevitch's Russian-Gallic temperament here; I'm not so sure. The Eroica from Berlin is much better sounding, although the mono recording is boxy and somewhat muffled--in all his Beethoven Markevitch prefers fast tempi and sharp angles. Surprisingly, the Pastrole is in a different vein--warm and relaxed, with tempos often as slow as Klemperer's. But the Lamoureux orchestra's technical abilities are quite underwhelming, and I can't find a compelling reason to listen to the performance except in patches.
CD 5: Brahms Symphony #1 with the Symphony of the Air (1956), Alto Rhapsody (with Irina Arkhipova and the Russian State Academy Choir), Tragic Overture with the USSR State Symphony Orchestra (both 1963). STEREO
For the first time since CD 1 we get a compelling sense of Markevitch's stature. The Brahms First with Toscanini's (remaned) orchestra is fully the equal of anyone's--huge, heroic, and wonderfully played. The Russian performance of the Alto Rhapsody features the great Arkhipova, and for once the Soviet sonics are good. The Tragic Overture, dating from after Markevitch's decline in hearing (1963), seems a bit undernourished and is in dim, distant sound, but it casts a spell nonetheless.
CD 6: Brahms 4th Symphony (OLP, 1958), Kodaly Psalmus Hungaricus with tenor Robert Ilosfalvy (RSA Choir & USSR SSO, 1963). STEREO
The Brahms Fourth is a very good performance in the lean, propulsive Toscanini style. I don't fancy the scrappy playing of the Lamoureux orchestra, especially the coarse brass blatting away in the finale--other conductors like Szell have done better in this vein--but in its punchy, rough-and-ready way Markevitch's Brahms Fourth commands attention. We are in a differetn world with the Kodaly, however, which gets a stunning performance, and the brutish playing by the Russian orchestra really works.
CD 7: Orchestral music of Wagner--Preludes to Acts I and III of Lohengrin, Tannhauser Overture (all OLP, 1958), and Venusberg Music from Tannhauser, Siegfired Idyll and Ride of the Valkyries (all BP, 1954). MONO
The Berlin Phil. doesn't sound like the world-class orchestra it would become once again under Karajan, but these excerpts are well played and recorded for their time. Markevitch was a modernist in Wagner, favoring fast tempos and eschewing expressive profundities. The music can take it, but one is always aware that something deeper is necessary. An odd-man-out disc but enjoyable.
CD 8: French fare with Gounod's 2nd Symphony and Bizet's Jeux d'enfants (both OLP, 1957), and Debussy's La Mer and Deux Danses (both OLP, 1959). MONO except for the Debussy
These Lamoureux readings are Gallic to the core, of course, and thoroughly delightful. Everything that sounds wrong in Beethoven works perfectly here. The mono sound, however, is edgy and shrill at loud volume. Things improve for the Debussy--La Mer, a Markevitch showpiece, gets an alert, quicksilver performance with many individual otuches in phrasing. It comes closest to being great of anything in the whole ocllection.
CD 9: Tchaikovsky 6th Symphony (BP, 1953) and Francesca da Rimini (OLP, 1959). MONO and STEREO respectively.
The colleciton ends on a high note, since Markevitch was arguably the greatest Tchaikovsky conductor after Mravinsky. The mono sound for the Berliners is good for its era. This is a neurotic, anguished Pathetique of the kind we rarely hear today. Likewise the Francsca da Rimini, where the Lamoureux's shrill, thin woodwinds seem to add to the effect.
In sum, the half-dozen superior performances stand out fairly obviously, and all are worthwhile for any listener. Frankly, the rest belongs in the realm of specialty collecting, although naturally others may strongly disagree, especially anyone who likes the Lamoureux orchestra much better than I do.
Exceptional conductor.......2005-06-08
Markevitch was, once, part of Diaghilev's "Ballets Russe"'s ensemble, and understood Stravinsky, Tchaikovsky, and other Russian composers (and their intents) very-well, and very-dynamically. His Philips' recordings (1970) of Tchaikovsky symphonies (plus other works) are still, some of the best, integral cycles-of-interpretations to be had, and his expertise was not bounded-by Russian works - his (Berlioz) Damnation of Faust, among other interpretations - are some of the best that discipline can devise. A MARVELOUS conductor, as was the (also) Russian-born, Jascha Horenstein. ... Horenstein, Markevitch, & Sixten Ehrling were some of the BEST of the post-War (including some pre-War recordings) era, and very-much of ANY recordings of them are much worth-having ... including the present, DG set.
Exceptional issue !.......2004-09-09
Since I heard once on vynil the incredible apssionate and to me the greatest veriosn ever made of the First Symphony of Johannes Brahms ever made .
And believe me , I love this symphony and I have heard at least one hundred versions : with Furtwangler , Toscanini superb performance of the forties , Istvan Kertsez , Kubelik Chicago , Munch , and a long etc .
But the inner mood and the clear but cleverly established sequence of the right tone and the use of the concise tempo in every phrase make of that version unique and unrepeteable .
I know about the Mozart Symphonies with the Berlin Philarmonic that still in those ages sounded with the furtwanglerain mood . They are sublime .
But consider once more that only with this Brahms Symphony, all the rest of the set you may consider a special buy , a worthable and fundamental bonus. Igor Markevitch was a conductor unfairly neglected .
Watch this CD because it will let you astonished and will prove by itself all the virtues of that master conductor .
Exceptional finesse.......2003-11-14
Of all the nine, really adorable, boxed sets by DG it was this one that I hastened to grab since Markevitch's interpretations had always been to my liking.
To be more honest, it was his Lamoureux recordings that I was after. In these recordings, it is the wind sound that dominates, and especially the brass section. For this reason, his Damnation and his Mozart Coronation had always been my favourites.
The present box contains a splendid Brahms 4th with a Chaconne, at the end that really moved me with its intensity (Markevitch slows quite a lot in the middle section to allow his woodwinds express themselves and this pronounces much more the forceful brass-dominated outer sections).
By the way, this set gives quite an idea of Markevitch's popularity at the time (recordings in the US with Toscanini's NBC Orchestra - renamed Symphony of the Air, recordings in Moscow with Brahms and Kodaly plus the 2 great European orchestras: the Lamoureux and the Berliners - some years before Karajan's arrival).
Brilliant "Artiste" Rescued From The Vaults.......2003-08-13
Now that Deutsche Grammophon is part of Universal, we have seen some interesting things happen, and not all of them bad. What I'm referring to in this case is the new "Original Masters" Limited Edition Box Set series. Finally, the classical music world has taken a page out of the jazz reissue handbook -- put out a quality product featuring rare recordings but make its availability limited, and people will snatch it up.
Now in its second round of the "Original Masters" box sets, DG has chosen to follow-up on the success of the "Great Conductors of the Century" series. They have just released two glorious 9-disc collections of the performances of conductors Igor Markevitch and Ferenc Fricsay, the vast majority of which have been previously unavailable on CD.
This particular set, "Un Veritable Artiste," showcases some of the numerous recordings made by the great conductor Igor Markevitch for Deutsche Grammophon and Philips, many of which have been rare (and expensive) collector's items for years. As the track information is non-existent above, I will try to be of assistance.
The first disc contains Mozart's 34th and 38th Symphonies with the Berlin Philharmonic (BP) from 1954, and Mozart's 35th Symphony (1957) and Gluck's Sinfonia in G Major (1958) with the Orchestre Lamoureux, Paris (OLP).
Disc two features Haydn's Sinfonia Concertante (OLP, 1957), Cimarosa's Concerto for Two Flutes with flutists Aurele Nicolet and Fritz Demmler (BP, 1954) and Schubert's 3rd Symphony (BP, 1954).
Discs three and four are all Beethoven, with the exception of an insightful 15-minute, 1957 interview with Markveitch. Here we get Leonore III Overture (OLP, 1958), 3rd Symphony (Symphony of the Air, 1956-57), 6th Symphony (OLP, 1957), and the Coriolan, Fidelio, Name Day and Consecration of the House Overtures (all OLP, 1958).
Disc five is all Brahms -- the 1st Symphony with Symphony of the Air (1956), and the Alto Rhapsody (with the Russian State Academy Choir) and Tragic Overture with the USSR State Symphony Orchestra (both 1963).
Disc six continues with Brahms, his 4th Symphony (OLP, 1958), and ends with Kodaly's Psalmus Hungaricus with tenor Robert Ilosfalvy (RSA Choir & USSR SSO, 1963).
Disc seven focuses on orchestral music from the operas of Wagner. Here we have the Preludes to Acts I and III of Lohengrin and the Tannhauser Overture (all OLP, 1958), and Venusberg Music from Tannhauser, Siegfired-Idyll and The Ride of the Valkyries (all BP, 1954).
Disc eight features all French fare with Gounod's 2nd Symphony and Bizet's Jeux d'enfants (both OLP, 1957), and Debussy's La Mer and Deux Danses (both OLP, 1959).
The final disc, number nine, wraps things up with Tchaikovsky's 6th Symphony (BP, 1953) and Francesca da Rimini (OLP, 1959).
Despite the fact that many of these recordings are in mono (mostly the pre-1957 ones), the first rate performances more than compensate for any audio shortcomings. The stereo performances are the warm, glowing and brilliant accounts that vintage collectors have appreciated for years.
Well, I guess the consolidation of the music industry isn't so bad after all, as long as I can look forward to more reissues like Igor Markevitch: Un Veritable Artiste.
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The Very Best of Classical Music for Your Life (Box Set)
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ASIN: B0007PLLZ6
Release Date: 2005-02-22 |
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Gala Highlights 95-96
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ASIN: B0000035ND
Release Date: 1996-03-19 |
Average customer rating:
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The Instruments of Classical Music, Vol. 6-10 (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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| Bach, Carl Philipp Emman.
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| ( D )
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| ( F )
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| ( G )
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| ( G )
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| ( H )
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| Haydn, Franz Joseph
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| Mozart, Wolfgang Amadeus
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| Mendelssohn, Felix
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| Rubinstein, Anton
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| ( S )
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| Scarlatti, Domenico
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| Stanley, John
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| Tchaikovsky, Peter Ilyich
| ( T )
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| ( T )
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| ( V )
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ASIN: B000001VXK
Release Date: 1990-07-10 |
Average customer rating:
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Golden Classics
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
Ballets
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| Bach, Johann Sebastian
| ( B )
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| Beethoven, Ludwig van
| ( B )
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| ( D )
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| ( G )
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| Haydn, Franz Joseph
| ( H )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Mendelssohn, Felix
| ( M )
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| ( S )
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| ( S )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Vivaldi, Antonio
| ( V )
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| Wagner, Richard
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ASIN: B000000K6Y
Release Date: 1995-04-16 |
Tracks:
- Symphony No. 5, 1st Movement
- Symphony No. 1, 1st Movement
- Dance of the Cygnets [From "Swan Lake"]
- Symphony No. 40, 1st Movement
- Dance of the Clowns from "A Midsummer Night's Dream"
- Water Music (The Hornpipe)
- Gavotte from Suite No. 3
- Toreadors March from Carmen
- Waltz "Wine, Women and Song"
- "Winter" from The Four Seasons
- Lohengrin: Prelude to Act 3
- Rosamunde (Ballet Music)
- In the Hall of the Mountain King
- Dance of the Reed Flutes [From The Nutcracker]
- Tritsch Tratsch Polka
- Black Keys Study-Etude
- Piano Concerto No. 1
Tracks:
- Piano Concerto No. 1, 1st Movement
- Clair de Lune
- Symphony No. 4: The Italian, 1st Movement
- Piano Concerto No. 21, 2nd Movement
- Blue Danube Waltz
- Minute Waltz No. 6
- Prelude l'AprMidi d'Une Faune
- Overture: Tannhauser
- Morning from Peer Gynt
- Fantasy Overture: Romeo & Juliet
- New World Symphony, 2nd Movement
- Unfinished Symphony
- Prelude to "The Raindrop"
- Overture: The Merry Wives of Windsor
- Piano Concerto No. 2, 3rd Movement
- Swan (From "Carnival of the Animals")
Tracks:
- Serenade for Strings
- Prelude to: "La Fille aux Cheveux de Lin"
- Emperor Waltz
- Symphony No. 40, 2nd Movement
- Concerto for Violin, 1st Movement
- Symphony No. 4, 3rd Movement
- Piano Concerto, 2nd Movement
- "Aviary" from Carnival of Animals
- Overture: The Flying Dutchman
- Humoresque
- Rosamunde (Ballet Music)
- Symphony No. 3, 3rd Movement
- Overture: The Hebrides
- Symphony in C
- Moonlight Sonata, 1st Movement
- Violin Concerto, 3rd Movement
Tracks:
- Arabesque
- Eine Kleine Nachtmusik
- Tales from the Vienna Woods
- Midsummer Night's Dream Nocturne
- Berceuse
- Waltz from "The Sleeping Beauty"
- Symphony No. 2
- Siegfried Idyll
- Piano Quintet "The Trout"
- Swan Lake-Ballet Suite
- Hungarian Dance and Czardas from "Swan Lake"
- Piano Concerto No. 1, 2nd Movement
- Symphony No. 1, 2nd Movement
- Pastoral Symphony No. 6 Finale
- To the Spring
- Overture: Die Fledermaus
- Piano Concerto in a Minor-Finale
Average customer rating:
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Classical Masters and the Sea
Manufacturer: Platinum Disc
ProductGroup: Music
Binding: Audio CD
Ballets
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Polonaises
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General
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| Bach, Johann Sebastian
| ( B )
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All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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| Classical
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All Works by Chopin
| Chopin, Frédéric
| ( C )
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| Classical
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All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
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| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
| Styles
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All Works by Schubert
| Schubert, Franz
| ( S )
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| Classical
| Styles
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Strauss Jr., Johann
| ( S )
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| Classical
| Styles
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All Works by Johann Strauss Sr.
| Strauss Sr., Johann
| ( S )
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| Classical
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All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
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| Classical
| Styles
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All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
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| Classical
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All Works by Wagner
| Wagner, Richard
| ( W )
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| Classical
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Concertinos
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| Classical
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General
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Bagatelles
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| Classical
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Impromptus
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| Classical
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Nocturnes
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General
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| Classical
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Classical
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Romantic
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| Classical
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| Classical
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| Classical
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| Classical
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General
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| Baroque (c.1600-1750)
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| Classical (c.1770-1830)
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General
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ASIN: B00013NEQI
Release Date: 2003-11-04 |
Tracks:
- Waltz from Sleeping Beauty
- Walts from Swan Lake
- Marche Slave
- Canzonetta from Violin Concerto in D
- Waltz from Serenade in C, Op. 48
- 3rd MVT. From Symphony, No. 6 Pathque
- March from the Nutcracker
- Waltz of the Flowers from the Nutcracker
- 1812 Overture
Tracks:
- Spring from the Four Seasons
- Summer from the Four Seasons
- Autumn from the Four Seasons
- Winter from the Four Seasons
- Concerto for Two Trumpets in C, RV. 537
- Flute Concerto in G Minor, Op. 10, No. 2 la Notte
- Mandolin Concerto in C, RV. 425
Tracks:
- Tritsch-Tratsch Polka
- Tales from the Vienna Woods
- Annen Polka
- Wine, Women, And Song
- Thunder and Lightning Polka
- Emperor Waltz
- Perpetual Motion
- Artists' Life Waltz
- On the Beautiful Blue Danube
Tracks:
- Ride of the Valkyries from Die Walk
- Overture to Tannher
- Siegfried Idyll
- Prelude to Act III of Lohengrin
- Overture to Rienzi
- Prelude to Die Meistersinger
Tracks:
- 1st MVT. From Symphony, No. 40
- 2nd MVT. From Piano Concerto No. 21
- 2nd MVT. From Clarinet Concerto in a
- 1st MVT. From String Quartet, No. 17 Hunt
- Overture to the Marriage of Figaro
- Queen of the Night's Aria from the Magic Flute
- 1st MVT. From Flute Concerto, No. 2
- 1st MVT. From Horn Concerto in D, K.412
- 3rd MVT. From Piano Sonata, No. 11 in A, Alla Turca
- 1st MVT. From Clarinet Quintet in A, K.581
Tracks:
- Waltz, No. 1 Grand Waltz Brillante, Op. 18
- Waltz, No. 6 Petit Chein
- Waltz, No. 7, Op. 64, No. 2
- Waltz, No. 10, Op. 69, No. 2
- Fantaisie-Impromptu in C-Sharp Minor
- Raindrop Prelude, Op. 28, No. 15
- Adieu Etude, Op. 10, No. 3
- Heroic Polonaise, Op. 53, No. 6
- Mazurka, Op. 7, No. 1
- Mazurka, Op. 33, No. 4
- Nocturne, Op. 9, No. 2
- Nocturne, Op. 15, No. 2
- Berceuse in D Flat, Op. 57
Tracks:
- Ava Maria
- Marche Militaire, No. 1
- 1st MVT. From Symphony, No. 8, Unfinished
- 4th MVT. From Piano Quintet in a Trout
- Moment Musical, No. 3
- Ballet Music from Rosamunde
- Impromptu in a Flat, D. 899, No. 4
- Second Movement from String Quartet, No. 14 Death and the Maiden
- 4th Movement from Symphony No. 5
Tracks:
- 1st MVT. From Symphony, No. 5
- Fse
- Egmont Overture
- 1st MVT. From Moonlight Sonata, No. 14
- 3rd MVT. From Violin Concerto
- Finale from Symphony, No. 9 Ode to Joy
Tracks:
- Badinerie from Orchestral Suite, No. 2
- Air on the G String from Orchestral Suite, No. 3
- Bradenburg Concerto, No. 3
- 1st MVT. From Violin Concerto, No. 2
- Polonaise and Rondo from Orchestral Suite No. 2
- Harpsichord Concerto, No. 5 in F Minor
- Jesus Bleibet Meine Freude from Cantata 147
- Fugue in G Minor, BWV. 1026
- Toccata and Fugue in D Minor, BWV. 565
Tracks:
- Serenade: 'Andante Cantabile'-Second Movement from String Quartet, Op.
- Devertimento for Orchestra No. 3
- Old Austrian People's Hymn
- Variations in F Minor
- Symphony, No. 94 in G Major 'Surprise'-Second Movement, Andante
- Symphony, No. 104 in D Major 'London': I. Adagio-Allegro/II. Andante
Average customer rating:
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The History of the Clarinet in Words and Music
Manufacturer: Clarinet Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005KA2E
Release Date: 2001-05-29 |
Average customer rating:
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Classical Masters of the Millennium
Manufacturer: Platinum Disc
ProductGroup: Music
Binding: Audio CD
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| Reeds & Winds
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| Reeds & Winds
| Instruments
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ASIN: B00005YAFS
Release Date: 2000-01-01 |
Tracks:
- Badinerie from Orchestral Suite No. 2
- Air on the G String from Orchestral Suite No. 3
- Brandenburg Concerto No. 3
- 1st MVT. From Violin Concerto No. 2
- Polonaise and Rondo from Orchestral Suite No. 2
- Harpsichord Concerto No. 5 in F Minor
- Jesus Bleibet Meine Freude from Cantata 147
- Fugue in G Minor, BWV.1026
- Toccata and Fugue in D Minor, BWV.565
Tracks:
- 1st MVT. From Symphony No. 5
- Fse
- Egmont Overture
- 1st MVT. From Moonlight Sonata, No. 14
- 3rd MVT. From Violin Concerto
- Finale from Symphony No. 9 Ode to Joy
Tracks:
- 1st MVT. From Symphony No. 40
- 2nd MVT. From Piano Concerto No. 21
- 2nd MVT. From Clarinet Concerto in a
- 1st MVT. From String Quartet No. 17 Hunt
- Overture to the Marriage of Figaro
- Queen of the Night's Aria from the Magic Flute
- 1st MVT. From Flute Concerto, No. 2
- 1st MVT. From Horn Concerto in D, K.412
- 3rd MVT. From Piano Sonata, No. 11 in A, Alla Turca
- 1st MVT. From Clarinet Quintet in A, K.581
Tracks:
- Waltz from the Sleeping Beauty
- Waltz from Swan Lake
- Marche Slave
- Canzonetta from Violin Concerto in D
- Waltz from Serenade in C, Op. 48
- 3rd MVT. From Symphony No. 6 Pathque
- March from the Nutcracker
- Waltz of the Flowers from the Nutcracker
- 1812 Overture
Tracks:
- Spring from the Four Seasons
- Summer from the Four Seasons
- Autumn from the Four Seasons
- Winter from the Four Seasons
- Concerto for Two Trumpets in C, RV.537
- Flute Concerto in G Minor, Op. 10, No. 2 la Notre
- Mandolin Concerto in C, RV.425
Tracks:
- Waltz No. 1 Grand Waltz Brillante Op. 18
- Waltz No. 6 Petit Chein
- Waltz No. 7, Op. 64, No. 2
- Waltz No. 10, Op. 69, No. 2
- Fantaisie-Impromptu in C-Sharp Minor
- Raindrop Prelude, Op. 28, No. 15
- Adieu Etude, Op. 10, No. 3
- Heroic Polonaise, Op. 53, No. 6
- Mazurka, Op. 7, No. 1
- Mazurka, Op. 33, No. 4
- Nocturne, Op. 9, No. 2
- Nocturne, Op. 15, No. 2
- Berceuse in D-Flat, Op. 57
Tracks:
- Avaria
- Marche Militaire No. 1
- 1st MVT. From Symphony No. 8 Unfinished
- 4th MVT. From Piano Quintet in a Trout
- Moment Musical No. 3
- Ballet Music from Rosamunde
- Impromptu in A-Flat, D.899, No. 4
- 2nd MVT. From String Quartet No. 14 Death and the Maiden
- 4th Movement from Symphony No. 5
Tracks:
- Tritsch-Tratsch Polka
- Tales from the Vienna Woods
- Annen Polka
- Wine, Women, And Song
- Thunder and Lightning Polka
- Emperor Waltz
- Perpetual Motion
- Artists' Life Waltz
- On the Beautiful Blue Danube
Tracks:
- Ride of the Valkyries from Die Walk
- Overture to Tannher
- Siegfried Idyll
- Prelude to Act III of Lohengrin
- Overture to Rienzi
- Prelude to Die Meistersigner
Tracks:
- Serenade 'Andante Cantabile' 2nd MVT. From String Quartet Op. 3, No. 5
- Devertimento for Orchestra No. 3
- Old Austrian People's Hymn
- Variations in F Minor
- Symphony No. 94 in G Major 'Surprise' 2nd MVT.
- Symphony No. 104 in D Major 'London': ...
Average customer rating:
|
Haydn: Symphony Nos. 61 & 103/Cello Concerto In D Major
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
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General
| Concertos
| Forms & Genres
| Classical
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| Symphonies
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General
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ASIN: B0000006WN
Release Date: 1992-12-11 |
Tracks:
- Symphony No. 61: Vivace
- Symphony No. 61: Adagio
- Symphony No. 61: Menuet-Allegretto
- Symphony No. 61: Prestissimo
- Cello Concerto In D Major: Allegro Moderato
- Cello Concerto In D Major: Adagio
- Cello Concerto In D Major: Rondo: Allegro
- Symphony No. 103 ('Drum Roll'): Adagio: Allegro Con Spirito
- Symphony No. 103 ('Drum Roll'): Andante Piu Tosto Allegretto
- Symphony No. 103 ('Drum Roll'): Menuet
- Symphony No. 103 ('Drum Roll'): Finale: Allegro Con Spirito
Music Review:
- Hummel: Piano Trio Nos. 1, 5 & 7
- Il Pastor Fido
- Impossible Christmas
- Irwin Bazelon: Symphony No. 7; Symphony No. 9
- Jerusalem
- John Davison: Sonata for Horn & Piano; Sonata No. 1 for Violin & Piano
- José Serebrier: Symphony No. 3 and other works
- Kagel: Transicion II / Phonophonie
- Karajan Festival [Import]
- Kevin Oldham: Piano and Vocal Music
Music Review
music review
Recommended Music:
Rocky Coast Rough Sea [Import]
5 Sonatas for Violin & Basso Continuo
3 Rare Concertos
Music: Tribe Vibe [Enhanced]
All Night Long [CD-single] [Import]
#1 Ya A La Venta
Alles Im Griff [Import]
2112 [Original recording remastered]
You and Me and the Continuum
Who Else [Import]
You Hardly Know Me