On this CD:
1. Lamento d'Arianna, madrigal in 4 sections for 5 voices (from Book 6), SV 107
Composed by Claudio Monteverdi
Performed by Solisti della Cappella Musicale di San Petronio
Conducted by Sergio Vartolo
2. Lamento della Pazza
Composed by Pietro Antonio Giramo
Performed by Solisti della Cappella Musicale di San Petronio
Conducted by Sergio Vartolo
3. Lamento del marchese Cinq-mars
Composed by Barbara Strozzi
Performed by Solisti della Cappella Musicale di San Petronio
Conducted by Sergio Vartolo
4. Lamento della Regina Maria Stuarda
Composed by Giacomo Carissimi
Performed by Solisti della Cappella Musicale di San Petronio
Conducted by Sergio Vartolo
5. Lamento della Madre Ebrea
Composed by Antonio Cesti
Performed by Solisti della Cappella Musicale di San Petronio
Conducted by Sergio Vartolo
6. Lamento della Regina di Svezia
Composed by Luigi Rossi
Performed by Solisti della Cappella Musicale di San Petronio
Conducted by Sergio Vartolo
Lamenti Barochi, Vol. 3, Music, Giacomo Carissimi, Antonio Cesti, Pietro Antonio Giramo, Claudio Monteverdi, Luigi Rossi, Barbara Strozzi, Sergio Vartolo, Solisti Della Cappella Musicale di San Petronio, Choral, Classical, Classical Collections-Artist Desc., Madrigal, Miscellaneous, Miscellaneous Music, Solo Voice and Continuo, Vocal
Average customer rating:
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Lamenti Barochi, Vol. 3
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD ASIN: B000001475 Release Date: 1996-12-17 |
Tracks:
Customer Reviews:
Inexpensive quality performances of Baroque laments.......2001-01-21
The first track is the Lament of Ariadne by Monteverdi. This is very much an operatic piece with a quiet instrumental accompaniment to a highly operatic vocal solo. The text is a lament of the Cretan princess seemingly abandoned by her lover.
The second is an interesting "mad woman" lament with the madness conveyed through "hysterical" laughter. While interesting in its own right as a lament, it is more interesting as an early example of madness in music.
The third lament, written by a woman, is based on a historical event. This is a solid piece of Baroque music but I personally prefer the cuts on the first volume of the laments.
The composer of the next piece served as musician in a Jesuit college. The subject of the lament of Mary Queen of Scots. This piece is the most dramatic of the album but with a decidedly religious sound
The next piece is a lament of the Holy Mother, a wonderful lenten piece with which I was not previously acquainted. The instrumental accompaniment is subdued, leaving the emphasis to the text which is well performed.
The final lament is for the Queen of Sweden. Again, this is a piece from a baroque opera. It aptly shows why baroque opera should be performed with more frequency - any opera lover should be entralled.
Delicious and dramatic!.......2000-06-15
Music Review:
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